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#because its such a fun arc or whatever ya wanna call it
zz-chikorita · 2 years
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Ngl I am having so much fucking fun writing this chapter. Like, I literally cannot stop smiling!
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bphantom01 · 1 year
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ARC V MONTH DAY 4 - The Merriest Band of Misfits
A/N: Another late post lol srry :P
I wanted to write abt fusion squad, but i have a whole fic dedicated to em already, so i decided to write abt the fusion & sync duos! theyre another 4-person friend group i rlly love, u see :DD
Pairings: Yugo/Rin & Yuri/Serena
Warnings: None. They say a few cuss words but that’s about it, also expect some OOCness like witth the other things I wrote.
Earlier this morning, Yuri had invited her and the Synchro Duo, Yugo and Rin, over to "hang out" as he called it. He said it was about Yuya telling him to get along with other people or something…
It was gonna be a weird day for Serena, she could tell.
So here she was, sitting at a coffee shop in an Xyzian mall with Rin, waiting for their respective boys to arrive.
She and Rin surprisingly got along well after the war, as they were the orphans of the bracelet girls — the only two with no family before the war.
Other things were because she and Rin happened to be the most boyish of the girls and that they both grew up having to prove people their worth.
“What could be taking them so long?” Serena randomly asks, breaking her own trail of thoughts.
“Yugo, definitely… He's always late," Rin sighed.
Right when Rin answered, said Yu's finally showed up at the door and walked over to them.
“I apologize for being late, Rin and my dear Serena—”
“Don't-Don't call me that,” Serena interrupted.
But Yuri went on anyway. “—but you see, Yugo-kun here spent too long in the bathroom.”
“You said I had to look my best!” Yugo complained.
“You can style yourself outside.”
“Whatever…”
“Well,” Rin said, sighing, “at least you're both here. But, Serena and I told the waiter twice to wait for you both, you know. So try to be earlier next time.”
“Okay then, Yugo will try,” Yuri said blatantly. “Now can we get some coffee? And a croissant, perhaps?”
“No, I don't wanna stay here any longer. I've had enough of the place.” Serena got up.
Rin soon followed. “So have I. Let’s just go to an arcade or something…”
“Yes! Gaming time! I'm with ya, Rin-Rin!” Yugo cheered.
Yuri gaped. “I haven't eaten anything!”
“That’s your problem, cabbage.” Serena smiled.
“Hmph. Whatever. Just make sure there's lunch later.”
“There will be.” Rin rolled her eyes.
“And you girls will pay?”
“All of us will pay—we’ll divide the bill into four. Now let's leave!”
While walking to the arcade, Rin observed the whole of the mall.
With funding and support from Fusion as a form of apology, together with the efforts of many Xyzian people as well as Fusionists who were sent to help instead of being jailed, most of the mall has been restored to its former glory.
There were still some unfinished parts here and there, but overall it seemed to look the way it used to.
“Aww yeah, the arcade!” Yugo yelled, running into the said place with the two other Fusionists.
“Hey, wait up you three!” Rin ran after them.
“Woah,” Serena gasped, looking around to see lots of arcade machines, claw machines, driving simulators, and duel simulators, among others—all with many games and with their lights ablaze. There were a lot of people too, of course.
Ruri wasn't kidding when she said they'd have so much fun.
“Hah! Who knew Xyz'd be this cool,” Yuri exclaimed. “I almost regret being part of the war!”
“Oi, shut your trap, and stop being proud of what you helped cause,” Serena warned.
“I'm with her on that, Yuri,” Yugo added. “Starting a war is not something to be proud of.”
“Guys, I. Don't. Care. Now let's have fun!” Yuri ran off to the nearest duel simulator, also known as a duel terminal, probably.
The other two also bolted to their own destinations—Serena to this "Grand Piano Keys" game thing and Yugo to a claw machine with lots of cute duel monster plushies in them.
Meanwhile, Rin just got there. What's up with them just running off!?
She sighed and just walked to where Yugo was.
“Hey, Rin! I'm gonna try and get you that Melffy Pinny plush!” he blurted, inserting a coin into that thing where you put it in, which started the one-minute timer.
“Oh cool, good luck!”
With intense focus, Yugo moved the claw with the joystick.
The claw is so slow…!
Aaand there, right there above the plush!
He waited until the timer was at one second before pushing the grab button.
“Yes!” he yelled when the claw fell to the plush.
…before frowning as the claw seemingly, ‘couldn't hold onto it.’
“Aw, poor fusion-kun lost,” Yuri teased, seeing Yugo’s utter defeat.
“That's not fairrr!” Yugo shouted, catching the attention of a few Xyzians.
“Hey, look, it's alright, at least you tried!” Rin encouraged. “Keep your voice low, please. And Yuri, shut up.”
Serena walked over to them with a handful of tickets. “So I played some piano game and got a bunch of tickets… What do I do with these?”
“Yuto said you could exchange them for prices,” Rin stated, motioning to the price booth. “The more you have, the bigger a thing you could get, I'd guess.”
“Ooh, to another machine then!” Serena dashed across the place to what Rin could make out to be an Ice Ball game, with Yuri following suit.
“Yugo, you coming?”
The banana-head just stared sorrowfully onto the Pinny plush that lay in the machine. “Y-yeah… In a moment.”
“Uh, okay, then. I'll be with the Fusion duo to make sure they won't cause any trouble,” Rin told him, walking away.
“Okay…”
“I can stay if you want, you know?”
“Oh, no, it's fine,” Yugo assured. “Don't worry, I'll be okay!”
“Hm.” Rin nodded and walked on.
“You're doing it all wrong,” Yuri complained. “Put only a little force on it enough to launch it; don't put all your strength into the ball!”
“Hey! Wait for your turn!” Serena retorted. 
“Tsk. Just saying—getting 3 to 5 thousand points is better than getting none at all or an occasional 10k then nothing. Remember, you only have—”
“Nine balls, and at the moment only one left. I know!” Serena interrupted, throw-sliding the ball into the road a little too harshly, it hit the fiberglass with a loud BANG!
‘10 thousand, 10 thousand! Please…!’ she thought.
The ball rolled off to nothing.
“AUUUGHHH!”
Yuri meanwhile laughed beside her. “See? Control your force!”
“SHUT UP!”
“And what's going on with you two?” Rin asked, approaching them.
“Serena never listens,” Yuri mocked.
“And Yuri can't keep his mouth shut,” Serena hissed. “Aha! I was distracted!” She gave Yuri a glare.
He smiled at her in return, but also looked into her eyes.
…they had a staring contest.
“That's enough now, you two,” Rin scolded. She looked around.
Eventually, a certain dancing game caught her eye. “Hey, why don't you both play that dance thing over there, instead?”
Serena usually would rather not dance, but she was losing this contest, and as such, she whipped her head toward Rin so Yuri couldn't see that she blinked. “You know what? You're right.”
She turned back to Yuri. “Yuri, wanna have a dance fight?”
Yuri smiled. “Ah, sure!”
And they left with Rin following them behind, thoughts of whether leaving Yugo was a good idea or not swirling in her mind.
“Look at me, Yuri!” Serena said, and she began the game.
Her swift and graceful movements amused him.
He knew she could dance, but still! He’s never seen her do it with so much passion.
A chuckle escaped him. This little competition is easily won by her… and he couldn’t help but smile as she danced to the beat ever so beautifully.
When the round ended, she got off the small stage and walked to him. “Did ya see that?” She then noticed how he looked at her. “Hm? What’re you grinning for?”
“Nothing. Only,” he laughed, “you’re good—I’ll admit that. And you win for now.”
Serena blushed lightly, not enough for anyone to notice. His compliment also brushed her competitive side away, just for a moment. “Thank… you…? Also, what happened to your condescending attitude?”
“It’s still there, that I assure you. But…”
He looked beyond her—to a kid’s basketball machine.
He saw that the hoop was easily within arm's reach of any teenager their age—meaning they can drop or dip the ball into the hoop with tremendous ease.
And also get a whole bunch of tickets in the process.
He grinned, turning back to Serena. “Rena-kun,” he called to her.
“What do you want?”
Yuri took a deep breath. “I'm gonna ask you a favor.”
Serena laughed at him. “That's new… What is it?”
“I'm surprised you didn't make fun of me, other than that laugh, but why don't we… Cheat the kid's basketball machine?” he asked.
“Hmm… What do I get from it?”
“Let's see… You can have 40% of the tickets.”
“50 and I'll do it.”
Yuri sighed, but he just caved. “Ah, you know what, fine. C'mon.”
From the other side where Rin was playing this remake of Flappy Bird, she stopped playing—which of course made her lose—as their words caught her ears.
She saw them by the kid's basketball machine.
Of course…
When the two got there, a kid was still busy playing.
The poor thing looked back at them, and when he saw Yuri, he froze.
Yuri smirked. “Boo.”
The poor kid squeaked before slowly walking off.
“Oh Ra, you didn't need to do that,” Serena chastised. “Buuut at least we got it to ourselves now, so let's take advantage of that and the kid's tickets.”
For the next few minutes, the two watched amused as the scoreboard's numbers did nothing else but rise almost every second as they both dipped the balls just enough for the sensors to notice.
When they finished, they went for another round, and their number of tickets also kept on increasing.
Rin sighed as she watched them, but her mood brightened when she saw Yugo jogging over to them, the Melffy Pinny plush from earlier clutched in his two hands. “Hey, Rin-Rin!”
“Oh, hi, Yugo!” She laughed as he handed her the plush. “Aww, you didn't have too…”
“But I DID have to!” Yugo insisted, bright blue eyes shining with satisfaction of being able to give Rin the plush.
“Well, thanks, at least.” She gave him an embrace and he gladly returned it.
“Ah, fusion finally got the Melffy, eh?” Yuri said, amused, as Serena continued to dip the ball in the hoop.
Yugo let Rin go and said, “Yeah, so? At least I care for my girl!”
“Serena doesn't deserve me, though,” Yuri said dramatically, making him get kicked by Serena in the shins in the process.
“Can't you be not annoying for once? And you’re the one who doesn’t deserve me.”
“I'm always gonna be annoying—and you all have to put up with it…” Yuri uttered as he clutched his leg. “And you did NOT have to hit me that hard…! What if you broke my leg!?”
He went on whining on the floor, which caught a bunch of people's attention. “It hurts!”
“Oh Ra…” Serena shook her head.
And, together with the synchro duo, they yelled, “Get up!”
“Gee, fine. I'm serious, though—it really, really hurts. Can one of you guys get ice or something cold that won't melt for me, please?” he begged, leaning to a wall.
“I'll fuckin’ do it.” Serena rolled her eyes. “I'll be right back.”
While Yuri sat on a bench to wait for Serena to come back, Yugo and Rin allowed themselves to enjoy the whole arcade without the Fusion Duo having an argument behind their backs.
Both of ‘em went on to play some 2-player shooting games where they shot some mechanical aliens to save some ship before going to play the classic Whac-A-Mole game.
“Yugo, stay focused!” Rin yelled. “You can do it!”
“I'm trying, Rin, but these moles are just. So fast!” Yugo shivered as he tried to pour all his focus into this one game, but he still somehow kept missing.
He didn't hit much, but they got tickets nonetheless, so he took those.
“Can I try?” Rin asks.
“Oh, sure.”
“Thanks!” Rin took the little foam mallet and started the game.
Whack!
Oh wow, this was rather easy.
Whack! Whack!
How could Yugo be bad at this!?
Whack! Whack! Whack!
“Woah, Rin, you're a natural!” Yugo complimented. “I'll help! I'll whack those you can't with my hands!"
“Wait, Yugo, I'm fine—”
And with her focus a bit deterred, she and Yugo went for this one common target, making her hit Yugo's hand a bit too hard.
“YyyyOUCH!” he exclaimed. The pain hurt so much, it got him kneeling to the floor groaning in pain, much like what Yuri did earlier, but a bit louder and without the laying down part.
She gasped at that. “Oh, you idiot! I told you to—! Sigh, you know what, just go sit with Yuri; I'll tell Serena to get more ice…”
After a good while, Serena finally arrived with two glass bottles of cold ketchup.
“What—why'd you get that!?” Rin yelled at Serena in disbelief.
“It was the only thing I could think of!”
“You could've just, I dunno, gotten some ice bags?! And ice??”
“Actually, I thought not to do that. Plus, we can at least use the ketchup for later, bring it home or something, you know? Maybe we could give one of ‘em to the boys.”
Rin doesn't know how many times she sighed now, but she sighed anyway.
After they gave the bottle to the boys—and Serena getting another scolding from Yuri for getting ketchup—they all decided to make Yugo and Rin race through a driving simulator.
“Rin, you can do this!” Serena cheered. “Good luck, and win! YuriandIhadabetandmywalletsdependingonyousoyeahpleasewin,” she went on with the last part quickly.
“What?”
“Break a leg—but not literally.” Serena smiled.
“Oh, alright. Thanks!”
And with le boys…
“Yugo, please win. Serena and I had a bet, and if you lose, I'm not just losing money, I'm also gonna have to dye my hair brown for a week! Can you believe that?”
The banana-head raised a brow. “How's that my problem? I'd honestly love to see how you'd look with brown hair. Also, you agreed to it, not me.”
But anyway, the Synchro Duo chose their D-wheels and started.
3… Rin gripped her handle tighter.
2… Yugo smiled, getting ready.
1… They both held breaths, then,
GO!! The words appeared on the screen.
And instantly, Rin and Yugo revved their motorcycle sims and felt it "move" forward.
The screen then showed them and several NPCs racing through.
“Wooo! Go, Rin!”
“Fusion! You better do this, because I'm cheering for you for once, can you believe that!? So don't you dare waste it!”
Vrooooooooooom!
The sounds came from the speakers with the machine, and the screen showed several terrain — cliff sides, cities, a bridge and even a concrete loop-the-loop.
“Woah!” Rin exclaimed, as she almost fell off.
“Haha! Now we see who's the better driver!” Yugo teased, laughing.
“Oh, you'll see who's better!” Rin 'violently pushed him off' the loop.
“Eek!” He landed rather safely, but it was still a bit uh, traumatizing.
“Yugo, you're gonna make my hair brown!” Yuri warned, clutching his (not Yugo's) head.
“I know! Calm down, I can still beat her.”
“You better!”
Serena laughed at them. “Please, Rin’s clearly winning.”
“Yeah, Yugo, how do you plan to beat me!?” Rin teased, a glint of slyness in her orange eyes.
Yugo's eyes trailed to their front.
Rin already used hers earlier, but he didn't yet—that “Turbo Speed Acceleration” kind of thing.
Rin's was still refilling, but his was full.
Meanwhile, they both neared the finish line.
“Like in a duel, Rin, my luck never fails me.”
Rin dropped her grin at that.
And Yugo took the pleasure of grinning this time. “I activate my ‘Action Magic’, Acceleration!” He triumphantly pressed the button.
“Nooo!” Rin and Serena shouted.
“Yes!” The boys cheered.
And in an instant, Yugo sped up right by Rin and reached the finish first.
“OHHH YEAHHH, WOOOO!” Yugo shouted, dismounting the runner. “I BEAT RIN FOR ONCE!”
He and Yuri fist-bumped and hi-fived each other with both hands and did the back-hit thing in those 'secret handshake' things.
“NO BROWN HAIIRRR!” Yuri yelled, making people turn to him.
“I BEAT RINNN!” Yugo exclaimed. He was so happy, he could feel the excitement running through his veins, and he ran to Rin who just got off, and they both almost stumbled to the ground.
“Woah, hey,” Rin warned. “We almost fell.”
“I'm sorry, it's just… You always beat me and—”
“Yes, yes, I'm happy for you too.” She chuckled. “You beat me—that surprised us both, and them, too, probably.”
“Yeah, a new achievement, hehe,” Yugo giggled with a :P face.
Rin smiled proudly and kissed him on the cheek. “So cute.”
He metaphorically melted into a puddle at that. “Hehe, hehe,” he kept saying, “Hehe…”
“Now it's my turn to say, ‘That's enough you two,’” Serena said, handing Yuri a few yen.
“No brown hair,” Yuri stated casually.
“Stop, I get it already—and it's getting weirder by the minute,” Serena growled.
“Well, what’re we doing next?” Rin asked.
“That kid right there! We weren't sure what he was doing at first, but we just figured out he was hacking into the claw machine!” an officer yelled in their direction.
“Hm?” Yuri turned to the guard and saw he was pointing to Yugo. “Aw, fusion got caught.”
Yugo instantly stood up. “Let's get outta here!” he squealed.
“We should,” Serena agreed, running off.
“Guys, agai—?” Rin was broken off by the boys going off, with Yugo dragging her arm away. “Yuuugo! What did you do!?”
“Sorry! I had to get the plushie, but the machine wasn't being fair!”
“Pretty smart, though!” Serena complimented, running backwards. “If I knew how to hack, I would've done the same thing.”
“But you don't,” Yuri once again teased.
She jumped on him and they wrestled. “I've wanted to do this since earlier!” Making Yuri go “OOF—!” with surprise.
“Oh, you think it's only you?” He fought back.
“Guys!” Rin grumbled. “Right now!?”
She and Yugo had to drag their own counterparts away from each other and out of the place until they both calmed down.
The rest of the day went by with lots of fun.
There was lunch at an Xyzian Burgery Shun recommended, then a walk in the park which included its own set of activities, laser tag, pizza, and a few other things.
Yeah… It was really nice.
The day ended when the two groups parted when they all went back to Pendulum, saying their good-byes to each other and leaving. To go to their own new respective homes.
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marunalu · 2 years
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I saw your comment on the anti post and didn't want to reply to it because I didn't wanna get harassed by the Anon
But as a bkdk shipper I agree with you
As someone whos met people who are toxic it's a nightmare to deal with when they try to force a opinion down your throat
H*ll even a toxic izuocha shipper disrespected my gender because I thought izuocha was a little cliche
But ya as a friendly bkdk shipper I agree with you on people being rude with their opinion
Im very glad you send me this ask, because you show how bkdk shippers and anti bkdk can peacefully co-exist, without both sides trying to eat each others throats. There is a difference between shipping for the lolz because its fun or turning a ship into your whole personality, attack and harass others who have an different opinion on the ship and just being completly obssessed to the point that only the ship matters and not the story!
Yes I hate bkdk, I think the ship is terrible toxic and izuku deserves better then to be shipped with the guy who abused him for 12 years, but I have nothing against people who peacefully ship it and leave others alone. There is a difference between a bkdk stan and a bkdk fan. Of course there are toxic anti bkdk too and of course also toxic izuocha, kiribaku and tododeku shippers, but its a fact that bkdk shippers are the most aggressive and obssessed shippers in the fanbase. And this toxic shippers give the rest of nice bkdk shippers like you a bad reputation and thats very unfair. Almost everyone who isnt a bkdk shipper (except neutral people) hate the bkdk fanbase and see all of them the same bad, when thats not the case. Thats why I think its so important that also bkdk shippers call the toxic ones in their fanbase out. I do the same with anti bkdk people who act over the top and attack shippers.
The first thing I did was blocking the bkdk tag and also blocking certain blogs, otherwise visiting the main bnha tag would be torture for me. I stay out of their space as long as they stay out of mine. If a bkdk attacks me, because they dont like one of my anti posts I defend myself! Never did I attack someone first, but Im allowed to defend myself or other anti bkdk if a toxic stan trys to put up a fight over a ship about two underage boys. People dont like the same things and people will talk about the things they like or dislike.
Honestly I dont like shipping in generell, I think shipping by itself is very toxic and the sole reason why there is literally no fandom that isnt a hellhole. I just want to concentrate on the story and the characters arc. That doesnt mean there arent ships I dont like, but I try my best not to focus on them. Shipping should be fun and not a war about which ship will be canon in the end! Thats not the purpose.
Im allowed to write whatever I want on my blog. If someone doesnt like my anti posts, they are free to block me or at least to block the anti tag, if they cant stomach that not everyone likes their stupid ship. Dont invade each others space and everyone should be happy!
So, thank you again for sending me this ask. I hope a lot of anti bkdk and bkdk shippers see it and understand that both sides can peacefully coexist. We just need to accept that tastes and opinions are different and dont try to force our own opinion down someone elses throat. There is a reason why there is a blocking button!
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ichayalovesyou · 3 years
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Why Does God Need A Starship? (Live Reaction):
I always thought Sybok was cool and interesting and NOW I’m sure! You know it’s times like these that I’m grateful I kinda came back into the Star Trek fandom on my own, because I don’t have to deal with Opinions of older/louder Trekkies. This one kinda has a lukewarm reputation but I’m getting the vibe that I’ll genuinely enjoy it.
Yet again Bones is serving up some LOOKS damn! Look at these elder gays! Spock has rocket boots, amazing. “Because it’s there” and then falling off the goddamn mountain is such a James Tiberius Kirk thing to do 😂 “HI BONES!” These guys omfg. OH MY GOD SO WE DO SEE CAITIANS OUTSIDE THE CARTOONS?? Hell yeah! Also pole dancing to no music, is... weird. Lmao. Also okay I’m sorry Sybok is cool! Sybok is cool and interesting and I really like him! (Not morally obviously dude is shady as all fuck, but a cool dude nontheless!) Always fascinated by Cult Leader type villains, especially when they point out valid criticisms about the society from which they came (important distinction is that the CAUSE is not vilified, but the person and their means, something M****l has largely forgotten)
Awww I may ship Hikura, but Uhura & Scotty are also cute as hell!! Awwwwwww!!!! Old married couples can be so freaking cute. Chekov & Sulu are LOST ohhhh my god this is hilarious, these two idiots. Also can we talk about how Koenig’s eyebrows are slowly gaining sentience and Takei aged like fine wine? Lol. THE HOLY TRINITY OF ELDER GAYS ARE CAMPINGGGG! I’m- oh my god they’re so cute. “Marshmelon” this is cute as hell oh my god. They’re indulging and messing with Spock at the same time I’m dead! They’re singing ohh my god this gonna give me cavities with how sweet it is!!!
This Klingon dude is frickin ROCKING the eyeliner! Bruhhhh was the frickin spotlight necessary! Leave the gays alone SHHHH they’re SLEEPING!! Lmao. Yo I’ll be real this movie starts incredibly slowly but I seriously do not mind, it’s relaxing to not have to worry about missing important details if you look away for a second, it’s nice. WAIT? Does Jim’s shirt say GOT MILK?!!? Oh no, it says go climb a rock, oh thank god [“fatty milkers” flashbacks]
Seriously McCoy is just radiating so much old southern lady/gay energy in this movie and I love it so freaking much “if you ask me (and you haven’t) this is a horrible idea” he sounds like my North Carolina living Meemaw. Wow you can see Spock low-key taking psychic damage from seeing Sybok 😲 V’tosh Ka’tur of the highest order huh? Still disturbing that his government literally cast him out, that’s a red flag 😬. What happened with Sybok is probably a lot of why Spock was pressured to be as Vulcan as he was, I’m sure Sybok was a massive scandal/shame for Sarek, and knowing him, he’d end up making that his kids’ problem not his 🙄
Oh neat!! Chekov is in the in the captain’s chair. Oh this is the song they replaced Nichols’s voice for 😤 but also GIRL THAT WAS BADASS AND THAT SONG WAS A BOP! Quick question, wow these “alien” horses are somehow even worse than the unicorn dog (also it’s a desert planet, wouldn’t it be better to have, like, alien camels or something?) This dude’s Klingon is freakin impeccable btw! He’s really got the vibe down! Jim did you forget how fuckin bananas strong Vulcans are??? Sybok went like 😡☹️ when Spock pointed that laser rifle at him 😂😂😂 again even tho I know Scotty and Uhura are married but it’s scenes like getting held hostage right there where they radiate such POWER COUPLE energy GAWD! 🤩
Stay out of this Bones we’re having a lover’s quarrel! Jim is taking fucking psychic damage from this entire conversation lol. Okayyyy whatever Sybok is doing is definitely some kind of mind control type thing, that shit is creepy af no thank youuuuuu (spores anyone?). Oh my god Spock & Jim are so married lmao, that “I’m sorry” Vulcan kiss in the brig man Aw. (Oh man Magic’s of mega-tsu got devani mixed by that comment lame!) SCOTTYYYYYY!! YAS!
Yay rocket boot glomp! Lmfao! Sybok needs to brush up on his earth history Columbus did NOT figure out the world is round 🙄 Ah Scotty being like “listen, you’re not okay rn so I’m not really down for whatever you think you wanna do right now it can wait until you’re right in the head again” and they could’ve not done that and it would’ve been creepy (especially by today’s standards) but they didn’t! And that was awesome!
Bones being skeptical and has every right to be! He’s faced down would be gods and would-be messiahs before! Also I’ve seen people judge Bones for being the first to cave but Sybok totally did that shit to him without consent! He didn’t go back on his beliefs, Sybok forced him to! BONES PROTECTION SQUAD IS HERE AND ITS ME! Oh Bones, man, poor babeyyyy (fuck Sybok!) 😭😭😭 OH MY GOD BONESSSSSS Sybok leave him alone! Goddamnit! Leave him alone!
I think Jim can see Spock’s Sybok induced vision cuz they’re ✨Bonded✨ (it didn’t seem like they could see Bones’s, other than what Bones was doing). JIM KNOWS SO MUCH BETTER! ITS HOW HE BEAT THE SPORES ITS HIS CORE! I UNDERSTAND AND LOVE HIM FOR IT!!! Spock 😍😍😍 he’s like, you’re bullshit happiness pill doesn’t work on me cuz I am whole for the first time in my life, and I love my husband, and I already learned my lesson decades ago 💚🖖🏻💚 (who knew how important the character development from This Side of Paradise AND Return To Tommorow would be??? Hell yeah!)
I love Scotty so much 🥰 hardcore badass Hufflepuff from beginning to end! Also I hope Sybok appears in SNW that could be really really interesting if they do it right! ITS GOD (derogatory) REVERE HIM! Oh here comes that legendary question!! “What dies God need with a starship?” Red flag don’t call Jim a creature! Oh shit god has laxer eyes oh no lmao! Bones snaps out of whatever Sybok did to him when “God” hurts his friends and we LOVE HIM FOR ITTTT! Awww Spock & Sybok and be saaaaad, oh shit! Into the lightning to fight a mirror of yourself like Lazarus in that one episode!
OH SHIT THE KLINGONS ARE HERE! Oh damn Spock just swore a cuss the right way, at a Klingon General no less! General dude just went “caotain tell Kirk you are sorry!” LMAO! NOT IN FRONT OF THE KLINGONS 😂😂😂😍 KISS DAMNIT!! God this whole after scene is so good, maybe the god is the friends we made along the way. “I lost a brother once” you also lost SAM dummy, I know you were just telling Spock you love him but still. SHUT UP SPOCK IS PLAYING ROW ROW ROW YOUR BOAT ON HIS LYRE??
Okay, seriously, I unironically love this movie, it might be my favorite out of the ones I’ve seen so far actually. TMP felt like the movies getting their sea legs, but it was slow and messy, it wasn’t as thought provoking as it wanted to be (aside from Spock’s wonderful arc in that film). WoK & TSFS are amazing for drama and angst and Spirk content, but they weren’t really asking the big questions Star Trek is wonderful for. Then The Voyage Home is just plain silly and fun and wholesome. But this, this movie had depth! The whole premise is “what is god and is there is one?” I LOVE that as someone who has a very complicated relationship with spirituality. I also already loved the TOS episodes This Side of Paradise, Return To Tomorrow, The Omega Glory and The Way To Eden, and this movie had the best of those concepts! Sybok was such a fascinating antagonist/anti-hero and I hope we get to see him explored more on screen one day, even if it’s just through Discovery/SNW flashbacks. It may have started off slow and it’s not without its flaws but this felt like the Star Trekkiest TOS Star Trek movie so far!
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magic-number-3 · 4 years
Text
okay so i actually did watch a few episodes of 911 this week without liveblogging them but i did take notes as if i was liveblogging and then just,,, didnt lmao so in case anyone cares about my thoughts im going to share them anyway asdlfkjsdl mostly i think they’ll just be fun to look at later
2x02
CHRISTOPHER CAN BE ON SCREEN FOR 2 SECONDS AND I LITERALLY LOVE HIM SO MUCH
Eddie Diaz is soooooo fuckin dreamy i stgggggg
“I cant order you guys to go inside that building and im not gonna judge you if you decide not to” “Hen, you got a kid, so...” “Yeah. And I’d hope if someone whose job it was to save him they’d do it. No matter what.” QUEEN SHIT 😤😤😤
Marvin you on thin ice but you right; you a king
IM GOOD COACH HEART OF A CHAMPION WHY AM I CRYING
HEART OF CHAMP I AM CRYING AND THEY ALL KEEP SAYING IT BACK TO HIM IM- IM FRAGILE RN. LITERALLY WHY DID EVERYTHING ABOUT HIS ARC MAKE ME SO EMO
NOT HENRIETTA. FUCK
2x03
MADDIE I BELIEVE IN YOU YOU GOT THIS QUEEN
“They could really use a miracle today” “I might just have a few  of those left. I see them.” ALSKFKGKS crying why is the dialogue so good in this show???
FUCK. RUSS ITS YOUR DAY OFF
Russ gonna die im calling it. They saved the athlete and they’ll probably save the little girl?? So hes not gonna make it. At least hen is okay
“Even i couldnt save me. You dont know me, but im good.” “Oh yeah? Well maybe im better”
FUCK. I called it but it still hurts
CLOSE CALL WITH THAT ELEVATOR OMGGG
ALL OF THAT ENDING??? WE CAN BE HEROES SLAPS AND IK WE BEEN KNEW BUT ALDJFKFKSKJ everything about the end to that episode is so 👌👌👌 i wanna cry
EDDIE RUNNING TO HIS BOYYYYYYYY IM
ATHENA AND BOBBY HELL YEAHHHHH the husband is a straight g pullin thru for him like that
2x04
OMG CHRISTOPHER AND EDDIE IM 🥺🥺🥺
Also Christopher is such. Lil cutie
THEIR LITTLE FAMILY!! THE ABUELA?
“These fire guys are totally hot” LAKJDFKAL I MEAN YOURE RIGHT
AKJDKLASDJ YOU LIVE IN YOUR INVISIBLE GIRLFRIENDS HOUSE AND YOURE TELLING ME ABOUT WEAK EXCUSES. THAT SMUG LOOK ON EDDIES FACE IM ASLKFJSAL
Oh sheet Eddies abuela 😞
Every interaction between Eddie and Christopher got me like 🥺🥺🥺
Okay how are you not supposed to ship Buddie they’re talking about being single together and then his aunt telling buck about how ‘he’s a saint’ and all that??? THATS SUCH ROMANTIC INTEREST SHIT. WHEN DO YOU HAVE A FAMILY MEMBER GUSHING TO A MAIN CHARACTER AND THAT CHARACTER ISNT THE LOVE INTEREST????
HE BROUGHT CHRISTOPHER TO WORK AWWWWW!! THEYRE GOING ON A MISSION TOGETHER
Oooh I love this song STUCK IN THE MIDDLE WITH YOU
“Now I feel kind of lame” “BECAUSE YOU ARE” LMAO HEN
Ooooh yeah why do you call him chim???
BOBBY AND CHRISTOPHER. CHIM AND CHRISTOPHER. THIS IS SO CUTE
AWE EDDIE AND CAP
BOY CRUSH ON EDDIE ADLSJFLDKS
Awe good for Maddie omg 🥺🥺🥺
CHIMNEY IS A MODERN MEDICAL MIRACLE???? I mean good for him bro figured lol but for it to be said out loud shittttttt
AKSFJALSDK TATIANA SHES FUCKING MARRIED YOURE KIDDING ME HOW QUICKLY DID YOU GET MARRIED AFTER BREAKING UP WITH CHIM
alkjsdskla im losing it over Tatiana
Awww now this is sad :( chim’s got noboddddddy
Sdkljfas Buck you have GOT to move out of Abby’s place dude
‘I had a life-altering trauma and her life got altered. All I got was the trauma.’ THATS SUCH A GOOD LINE SPEAK YOUR TRUTH CHIM
YOURE MY FRIEND SHES YOUR EX. YOU GET TO FORGIVE AND MOVE ON I GET TO HOLD A GRUDGE UNTIL THE DAY I DIE ALSKFDSDA
Chim 🥺 awe. “Wakes me up in the middle of the night”. Buddy :( CAPS GOT YA
CARLAAAAAAAAAA HELL YEA
“BESIDES THAT PERFECT BONE STRUCTURE” SDKAFSJA
like. Fuck Tatiana. But also good for her. And Chim gets to start to move on!! That was a really sweet scene
Aw Bobby gets Athena ^-^
This was such a good fucking episode yo. Like the way the idea of being stuck had to do with the 911s lives while also all of the calls they went one were being physically stuck and the way the proposal instigated Chim’s breakdown to allow him to finally move on…. just. Excellent television!!!!
So proud of Maddie!!!! So proud of everybody this episode :)
Buck yeah you gotta move out buddy
2x05
ASKFJHASJLAD this has gotta be fake im sdlfkjsaldk
LMAOOOO THIS BITCH she’s gonna end up actually getting hurt
OMFGGGGGGGG this bitch had it coming
DONT WE KNOW YOUUUUUUUUU THE PORCH PIRATE?? ASLDKJFALKSS
What is this girls fucking problem with Maddie lmaaooooooo fuck off
Awe this lady with the muffin or whatever is so sweet. This places Celine dion 😂😂😂 queen
Lmao wait why is she actually horrible 😂😭😭
BUCKETTE LMAOOOOO
Omg Maddie and Athena are so fun
THEYRE PROTESTING HOMOSEXUALITY??? WHAT THE FUCK
HES A FUCKING RACIST TOO???
I CAN HELP YOU WITH THE SWEDISH HALF BUT I DONT KNOW WHICH HALF THAT IS SLKDFJASLK EDDIE
I love Maddie and Athena so much alsdkfj
WHATS HER FACE? EVA? STRAIGHT UP BITCH JFC
Gloria im sorry but you’re getting what you deserve.
LKAJSDALKS. “People who yell and scream and cry and expect you to do something for them” GIRL YOU ARE LITERALLY A 911 RESPONDER THAT IS YOUR GOT DAMN JOB???
“Do they ever think of anything but themselves and what they need?” THEY ARE USUALLY DYING GLORIA
“SNITCHES GET STITCHES” JEEZ WOMAN
I feel so bad for Hen and Karen :( Eva can fuck off dude. Can’t they get sharing rights with the dad? I mean yeah it sucks that Eva is just doing this to fuck em over but like.. the dad still deserves to get to know his son if he wants to. Though Eva would probably try to stay with him just to turn Denny against Hen and Karen… UGHHHHHH
Lil denny :( aw Hen. I love her sm
Hen what u doing girl…. Cant it make the case more difficult if you keep interacting with Eva?
I love Karen and Hen sm 🥺
WHAT YOU DOING HEN. ARE YOU JUST GONNA LEAVE HER???
YOURE FINGERPRINTS ARE ON HER NOW DUDE. GO BACK
Ugh I hate that she lived but it was the right thing to do….
“I save awful people every day its my job” Hell yeah girl
SHES GOING BACK TO JAIL HELL YEAH
Dont love cheering for her going back tho jail can be terrible…. But at least she’ll be out of Karen and hens lives. we’re not meant to think too deeply about this is.
LOVE MADDIE AND ATHENA
GLORIA IS THE FUCKING WORST
oh…. gloria… damn.
Cant you just share custody?? :( I mean it sucks but like… just talk to him.
“Yeah people can be awful… but not everyone is awful… but you’ll never know what kind of person someone is unless you give them the chance to show you” :(
WOW THE DAD IS THE FUCKING BEST?? HELL YEAH
ATHENA AND BOOBBY ARE SO FUCKING CUTE
Wow the last shot of the episode thats like the long shot at the dinner table with the narration was real fucking good :( im emo.
2x06
ADSLFJLK;ALSD. BUCK THOUGHT SHE WAS CALLING EDDIE CUTE BUT SHE MEANT CHIMNEY
listen. I do know what happens between those two and I am very excited.
Oh no maddies so anxiousssss
Buck fangirling over this reporter lady im asldkjflksad
“But the way they cared for me, thats what kept me alive” :( Hen :(
Omg are Athenas kids like the same age as Bobbys :(
SOMEONE SENT THEM EDIBLES????? OMFGGGGGG
OH NO CHIM IS THE ONLY ONE THATS SOBER
THIS WOMAN HAS A HIGH HEEL STICKING OUT OF HER FACE EWWWW ITS SO GROSS
DID THESE BEAUTY QUEENS SHRINK OR ARE WE SUDDENLY GIANTS ALKDSJFLKAKL
TEEN TINY THE WAY HIS VOICE FUCKING CRACKED
SDKFJSKDA THEYRE ALL FUCKING HIGH IM
HIGH BOBBY IS SO FUCKIN FUNNY
Oh no eddies upsetttttt 😂
This is fucking HILARIOUS
Oh no bobbyyyyyyyy :((((((
Awe the news piece was so nice
CHIMNEY AND MADDIEEEEEEE
Oh shes got a fucking POPCORN MAKER IM SO JEALOUS
Wow Taylor was really going to use the footage :/
“Just get a room already” BUCK NOOOO DUDE
The way bobby always fist bumps Athenas son whenever they say hello/goodbye. So fun 🥺good content right there
DONT TELL ME THEYRE GONNA ASK HIM TO BE IN THE PIC????
OMGGGGG BOBBYYYYYYY IM CRYINGGGGGG
AWE AND THE FUCKING SONG; WHEN YOU LOVE SOMEONE YOU MAKE ROOM YOU PROBABLY NEVER LOVED SOMEONE LIKE I DO
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sammansonn · 4 years
Text
My Thoughts on the 100 7x08
(first i wanna say i no longer support bob and eliza but i do still love their characters and support the show but i Do know that bob and eliza are assholes thats all okay)
this was a Fun Time
when i first heard about the prequel series i wasn’t sure i would actually watch it because my love from the 100 comes largely from the characters so i wasn’t sure if i was gonna care about the prequel but this episode has got me Interested
so first off i love Calliope so much and feel so bad that she has a sociopathic narcissist as a father, thats a real rip
also Reese??? fucking hate him
like cool ur dad doesn’t love you, doesn’t give you an excuse to be a dick and literally kill people (he’s just a mini sociopath in progress)
i also felt bad for callie’s mom although she definitely should’ve done better i get why she did what she did and i was very glad she helped callie in the end and i Hope that she isn’t dead because bill and reese did her Dirty (seriously reese how you gonna let ur mom die like that what the Fuck)
i Loved the “fight” between callie and reese in which callie just went “i don’t have to prove myself to you fuck off” and just Shot him, that is what i’m Talking About its what we all Deserve
seriously have i mentioned how much i Hate Reese (he’s gonna be a gr8 villain in the actual prequel show tho and i would actually enjoy a redemption arc but i feel like it might be a billy of stranger things redemption arc with a similar kind of ending ya know?)
loved seeing more of becca she was so sweet and im So Sad she died she was such a good woman and deserved better but i’m glad callie was there and is carrying on her legacy and really making becca proud those two gals are really Amazing
honestly tho bill scares me in a way because he is just so narcissistic he would rather everyone die than let someone else save them like clarke needs to Murk him rn
i just think callie’s Neat and i’m excited to see her being a boss ass bitch and i also think its So Cool to see that she made trigedasleng and also how trikru was tree crew and the flame and the night bloods and all that idk i didn’t think i would care that much about it but i actually loved it
also i love leo howard (august) because not only was he jack in kickin it but he was also in legacies for a bit and is hopefully coming back to it but  i’m just glad to have him in the 100 universe and also are he and callie gonna be in love??? or are they more co-leaders and best friends??? (aka what jason keeps trying to tell us bellarke is even though they’re fucking in Love but whatever)
can we also talk about callie and august saying they were at a riot and got beaten by cops and literally shot at because Damn that is Too Accurate to american rn (and they shot this episode before all this was going on so that just goes to show you that our current world is in fact turning into a dystopian one) (also fuck cops ACAB)
i hope callie’s gay, i thought her friend at the beginning was a girlfriend and i think Callie deserves a girlfriend after all this #givecallieagf2020
also Loved seeing more of clarke just being fucking Devastated over bellamy’s “death” it hurts so much but in the best way
also love that she said “best friend” because i don’t think she’s ever referred to him like that?? the last person she called her best friend was wells and i know the term isn’t necessarily romantic but the Way she said it had so many layers of intimacy idk i Loved it
i am very nervous at octavia, echo, and diyoza being disciples??? (also where was hope?) idk how long they’ve been disciples but their faces looked a Bit too brainwashed for my liking and im Hoping they’re faking it but i worry they Aren’t and now we have to fix them before we can kill bill which is annoying
overall did not have Incredibly high expectation but it really was a gr8 time
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minijenn · 4 years
Note
Hi so I'm interested in getting into the Kingdom Hearts series but I dont know which games to start, which games to avoid, and whether or not some of the games are canon or not. Could you help me please?
So the best thing you could get if you want to get into the series is this. (ignore the price tag Amazon has on it you can buy it at Walmart for like $20). It includes every game/cutscene movie in the series (except for the mobile game and the recently released Melody of Memory). Either way its the perfect collection to get you caught up to speed (I got caught up back before this complete collection existed so back then there were two collections you had to buy before they compiled them into just one lol). Either way, it includes basically every single thing you’ll need to get the (almost) complete story of KH. When it comes to what you’ll want to experience with it, here’s my take on things (in order of how you should play/watch them and what they are in that collection): 
Kingdom Hearts (full game playable in the collection): Absolutely MUST play, its a great game and its story is the most simple in the series, very fun and charming and sets up some of the major characters (namely our main Destiny Trio) very nicely. Even if its not the first timeline wise, you’ll want to start with KH1 because of how it introduces the series and its concepts and characters in the most simplistic of ways
Chain of Memories (full game playable in collection, but honestly? I recommend just watching the cutscenes online its NOT fun to play through in my opinion): Again experience the story of this one at least. Its the direct sequel to KH1 and its where things start to get... kind of confusing. To fully understand what happens in this one, you may have to revisit it more than once, I’ve watched through it twice now and I’m still fucking baffled by a lot of it tbh but it sets up 2 so for that its worthwhile I guess?
358/2 Days (Cutscene Movie in collection); So you can watch all of the cutscenes in this one on the collection in a few hours. Its a pretty touching and emotional story focused on the Sea Salt Trio though it does have some... kind of confusing tangents in it too tbh. Either way its well worth the time to look into to learn more about certain characters, as well as the inner workings of Organization XIII
Kingdom Hearts 2 (full game playable in collection): MUST play, its fantastic tbh. Its often cited as the fandom’s favorite for a reason; it builds a TON on what KH1 set up, offers some really fun Disney worlds, and its plot is absolutely fucking batshit and I love that about it. Highly recommend this one for some of the character moments in it especially there are some really funny, really touching, and really heartbreaking scenes in this one, its a wild ride
Birth By Sleep (full game playable): MUST play though its kind of not that great to play in my opinion? Then again I suck at KH games so I might not be the best to ask in that regard XD Its story is great though, focusing on the Wayfinder trio and their absolute tragic backstory. Speaking of backstories, this a prequel, set like 10 years before KH1, something important to keep in mind going into it to avoid confusion (though you do see younger versions of some characters that show up in the “present” games so I suppose that helps lol)
Re:Coded (cutscene movie): Ugh... honestly? You can skip this one, it adds fucking nothing and its boring as hell to get through. If you really wanna sit through it, feel free to but its mostly a big old confusing waste of time if you ask me, one that doesn’t really add much to the story at all. 
Union Cross/KHX/Back Cover: Ok so this is where it gets really confusing. Union Cross is the KH mobile game which I don’t recommend playing because from what I’ve heard its very grindy and basically its “pay to win”; so instead, I recommend getting caught up on this one through watching the “cutscenes” or reading through a plot synopsis online; This is another prequel, set waaaaaay before any of the other games and it has some... stuff thats significant mostly for the sake of KH3 and whatever will likely come after it more than anything else; Its story is... fine. Confusing as hell, but fine. Back Cover is a movie that’s on that collection that tells the story of the Foretellers and its boring as shit but I would recommend at least knowing what happens in it to understand the story of the first Keyblade War. 
Dream Drop Distance (full game playable): Absolutely recommend this one, its a delight to play through and has a really fun (but also hella fucking confusing) story (confusing is a word thats very often used to describe KH for a reason XD); Its set after KH2  and follows Sora and Riku and its basically building up towards KH3 and elements that show up there. Again, highly recommend this one its one of my favorites of the bunch 
Fragmentary Passage (full game playable): Though that game is only like 2 hours long. This is sort of another prequel though its also set during KH1 and you play as Aqua, who I’m in love with :) It was kind of made as a KH3 tech demo and that’s why its so short but its pretty fun and its story is compelling enough to keep you going as it continues building the way towards 3
Kingdom Hearts 3 (full game playable): Absolutely play this one; I may have my problems with its story, but its a hella fun time gameplay wise and its story has... its moments where its not fucking stupid. Though some of it is fucking stupid and I just have to deal with that :) Anyway KH3 is the conclusion of what’s called the “dark seeker” arc, which is really just the arc where we have Xehanort and the Organization as antagonists, tho knowing this hell series I’m sure they’ll all fucking come back someday :P Anyway its the culmination of a lot of things throughout the series and while some ends aren’t tied up the best, others are beautifully here. Totes recommend even if I personally have a very love/hate relationship with it ^_^ 
Re:Mind (bonus online purchase): This isn’t a game but its KH3′s DLC and it likely isn’t included in that story so far set. It basically adds more onto KH3′s ending and sets up for whatever game will come next after it (and also sets up MoM) 
Melody of Memory (not included in set): The newest game in the series and a rhythm game at that; its largely just a recap of past games and their events, but the gameplay is really fun and addictive, plus KH music slaps. It does have about 15 minutes of brand new story content tacked onto the end of it, which again, is setting up for whatever game likely comes next, but if ya wanna skip it, I wouldn’t blame you, its waaaaaaay too expensive right now, I’d honestly just wait for a price drop :P 
Dark Road: This is another mobile game and it basically tells Master Xehanort’s backstory; I personally haven’t looked into this one because I don’t give a single fuck about that asshole’s history but ya can if you want more context into his character  I guess :/
And those are all the KH games. There’s a fucking lot of them and I hate them all. I also love them all. I basically love/hate this entire hell series,, so much so that I decided to write a shitty angst fic about it (which I highly recommend if you do actually go through all of the KH games, Keys to the Kingdom is basically an AU of KH3 and also sort of a “fix it fic” of sorts XD its a good, tragic time all around XD (forgive the shameless self promotion)) Anyway, enjoy the insanity that is KH!
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davidmann95 · 4 years
Note
Hey David? Why is ours such a cruel and merciless God?
mirrorfalls said: (If you don't know what I'm talking about, your inbox should be filling up with more specific deets riiiiight about now.)
cheerfullynihilistic said: THE SNYDER CUT
Anonymous said: You don’t seem to think Superman’s public rep will take another beating from the Snyder Cut coming out. Honestly I thought you’d be way more upset than you seemed on Twitter.
Anonymous said: So uhh, against all thoughts and logic the Snyder cut is being released? Maybe as a mini series? Thoughts?
Anonymous said: SNYDER CUT!
Bullies. Jocks. Guys angrily asking if we know who their father is. Assorted dudebro nerd-oppressors of America:
You have failed us. You have failed us so hard. What else do we even keep you around for if not to head this shit off at the pass? Shame on you.
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Okay, so seriously: I’m actually gonna put most bitching and moaning under a cut, because I know firsthand there are as many as several non-slavering maniacs out there who dug Man of Steel and Batman V Superman: Dawn of Justice and who are simply and entirely reasonably excited that they’re getting this movie after all. I don’t feel like throwing a wall of text at them shitting all over this, so I’ll lead off with I think some fairly even-handed commentary on the real-world circumstances here, rambling speculation regarding the production, and some cautious optimism about the actual movie/s. THEN I’ll get to what I imagine most of you are here to see.
So totally in a vacuum: this is a cool, good thing. I’m the notorious theatrical Justice League-liker, but at best it was a compromised product due to the original creator - who like it or not clearly had an incredibly ambitious personal vision for these characters and their world - suffering a horrific tragedy forcing him off the project, and leaving his final stamp on blockbuster culture and a world he’d devoted years of his life to a flop with his name on it when he couldn’t even truly call it his own anymore. At worst, said tragedy was taken advantage of by suits to ditch him in the home stretch so as to try and shove out something ostensibly more marketable. But now because of a...very loyal fanbase, the man’s getting the opportunity and resources to rise like a phoenix and see at least some of his vision through in a huge way. That’s pretty remarkable.
Not in a vacuum this is fucking horrifying. I’ve already seen folks poo-poohing the reflexive fears that this will ‘set a precedent’, and they were right enough that I deleted my initial tweet on the subject because I didn’t think I could express my own opinion with any nuance in the space of 280 characters. Yeah, nerd whining definitely shaped Rise of Skywalker (another movie I enjoyed in spite of the circumstances of its creation). Hell, Sonic the Hedgehog crunched its CGI team prior to unceremoniously firing them to redesign his model thanks to outcry. That’s already a market force, and just to be clear upfront, if we can’t agree the predominant mode of operation for #ReleaseTheSnyderCut has been a toxic nerd harassment campaign when they spammed posts memorializing deceased actors and chased Diane Nelson off Twitter, we’re not gonna be able to have this conversation. And director’s cuts are you may have noticed also already a thing. But this isn’t changing direction on a project that’s already going to exist no matter what, this is turning back 3 years later on a commercial flop and dumping tens of millions of dollars into it, explicitly in response to that harassment campaign. It’s not *actually* going back and, say, remaking The Last Jedi, but by god to the naked eye it’s gonna be as good as for plenty of fanboys, and probably to some shortsighted execs as well. This is a new thing, and in this context it is a very, very bad one. Hopefully one that won’t amount to anything.
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As for the movie itself: what the hell is this thing going to end up being? I assume with this sort of cashola being pumped into it we’re not getting any slapdash greenscreen or storyboarded sequences, but four hours? Is it really just going to be an expanded and revised version of what we saw in theaters, or is this including content that would have been in the originally planned Justice Leagues 2 and 3? My understanding is that those were already compressed into a single Justice League 2 before plans collapsed altogether, were they maybe filming side-by-side and this’ll be the whole shebang? If not is Snyder going to hedge his bets and end this on a clean note, or keep it ending on a cliffhanger in hopes HBO will throw another $250 million his way to keep going? Does DC want to keep going? Would they give into fan pressure on releasing after all what was widely publicized as the first film of a duology or trilogy with dangling threads if they weren’t going to be at least watching the numbers to see the feasibility of returning to this in a bigger way? Not that I think WB execs would piss into Snyder’s mouth if he were dying of thirst at this point if he simply asked to be able to do Justice League 2, but if he floated that if they instead just give him a liiiiiiiitle more money he can finally deliver unto them their very own Avengers - one that they can work on even during quarantine since it’s mostly just VFX work left - and hey if it works out he’s got a sequel or two cued up and ready to go? Maybe they look at their scattered plans and say the hell with it and end up giving this a theatrical release and sequel with Snyder holding the reigns again if this ends up a killer app; stranger things have happened, if not many, and somehow this is already happening in the first place after all. Alternatively, if this succeeds, could they go “thanks and good on ya, totally do another, but it’s gonna be an HBO exclusive so you’re only getting a hundred million, figure it out”? Would Ben Affleck return? How much reshooting will he be willing to commit to even for this? And most importantly, since this is potentially going to be serialized as six ‘episodes’, will We Got This Covered count this as another ‘win’ since their bullshit rumor mill algorithm spit out “Justice League HBO TV show” recently?
As for the project itself: I ain’t subscribing to HBOMax for this bad boy, but once it becomes more widely available I can’t claim I won’t probably watch it. It’s basically a new movie about the Justice League, and if there’s anything I WOULD wanna see Zack Snyder do in the DCU, it’s the movie finally moving past pseudo-realism (aside from some of those dopey costumes) and leaning all the way into godlike superbeings bludgeoning each other through continents. I absolutely wanna see his aesthetic take on the Green Lantern Corps, and New Genesis, and time travel, and all the other weird promises of where his movies were going to go climaxing in a ridiculous super-war across all spacetime. It’s the same reason J.G. Jones was an exciting choice for Final Crisis before he had to leave, seeing a guy known for his work in an ultra-real grungy superhero style starting there and building up to seeing his version of absolutely wild cosmic spectacle. And no, to respond to one of the initial asks, I’m not worried about the impact on Superman. Everyone seems to have accepted this is its own distinct thing whether they like it or not, I think him getting to complete his ‘arc’ will quiet down many of the folks who like to yell at every other version as retro nonsense since now they’ll be able to be smug about having had the best take rather than pining for a lost finale, and I’m not interested in further Superman movies at the moment anyway with Superman & Lois in the pipe (which I was originally paranoid would be endangered by this when rumors first started floating, but if it’s been brewing since November then if they wanted to strike that down to ‘make room’ according to their Byzantine ever-shifting rules, they would have by now). Far as I’m concerned, as long as the other DC movies get to keep doing what they’re doing during and past this - even Pattinson in his corner, however that works - then totally let Snyder work out all his Wagnerian superhero bullshit for another flick or two. If nothing else, maybe we’ll learn what the hell that diagram up there is supposed to mean. And a plea I want to clarify upfront is wholeheartedly sincere: we’re already down the rabbit hole, so let Snyder to literally whatever he wants with his non-theatrically released Justice League. Zero input or veto power from outside parties. If he wants Flash to hang dong or Superman to say fuck or Batman to learn he’s Steppenwolf’s secret dad or Cyborg to learn he needs to eat babies to fuel his machine parts, let him go for it. Whole point is this is now his thing for people who want his thing.
Okay, beneath the cut the filter comes off, so go ahead if that’s your jam.
Hahahahahahaha this is gonna be such a fuckin’ shitshow you guys, Jesus Christ.
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They’re giving the dude who did BvS and wants to make an Ayn Rand adaptation someday $30 million to take another crack at this monstrosity! 30 goddamn million smackaroos for four fucking hours of by many accounts roughly the same basic movie, except now presumably with what little coherency, fun, and clean character work the theatrical cut managed to pull off excised in return for weighty staring, ponderous pseudo-philosophical musings, hackneyed symbolism, aimless mythology teasing, and Steppenwolf I understand being decapitated by Wonder Woman at the end rather than taken back to Apokolips. I didn’t even spoiler mark that shit because don’t you dare pretend you care about the fate of Steppenwolf. I won’t have it.
I used to wonder if I was indeed missing the forest for the trees with these movies, that I was so inflexible in my personal image of these characters - even though I appreciate plenty of alternate takes on them and even some stories that bend or break what I consider their ‘rules’, just not these - that I was incapable of grasping or appreciating these films on their own merits as works of art using those archetypes in wildly different ways; even I could see there were good moments and interesting ideas on display despite seemingly failing to come together. No matter how much I personally deconstructed how and why it wasn’t working, I couldn’t do it to my own satisfaction to the point of stamping out that niggling little worry with how many folks whose opinions I respect love ‘em. Until I finally remembered that the Cadmus arc of Justice League Unlimited is totally the same basic story as BvS, centrally driven by an even worse take on Superman, and that’s still one of the best superhero stories of all time. These just stink by any merits, and while I think Justice League absolutely has the potential to be the most *entertaining* of the bunch, it’s not going to magically become *good* in the eleventh hour. Not to lift up Joss Whedon of all people as some kind of savior, I’m on the record that my love for Justice League as-is is some kind of inexplicable alchemical accident, but I promise that there is not going to be one single addition to this movie that’s going to make up for the removal of “Just save one person”.
Also I’m already not looking forward to dudes tweeting “whoa, he’s splitting it up into a serialized narrative, reflective of the sequential nature of the characters’ primitive native pictorial medium! Or mayhap in ode to the pulp film adventure serials which inspired those in turn! Even the Justice League children’s cartoon for dumb babies, which was itself...made up of episodes! That’s three references in the structure of the thing alone! The man’s operating on an entirely different level!” “God, isn’t it amazing how much better he understands the source material than you”, they shall say, about a man who I understand just very confidently referred to Doomsday in his livestream as having destroyed Krypton in the comics. Again, don’t you say they won’t, just the other day I saw folks tweeting they just realized that since Jor-El wears armor over his bodysuit that technically means Superman’s whole costume is underwear which means Snyder’s totally honoring that without putting him in ugly dumb red panties so checkmate, dorks.
(Okay, in fairness, I know Snyder was saying that’s his take on what happened to the moon in the past of the movies and maybe I only misheard that he thought that also happened in the comics, and it’s trivial information anyway. Still sucks though, that seeming out-of-nowhere Jax-Ur shoutout was like the one thing I liked about that otherwise interminable Krypton sequence. And why is there a second Doomsday? You did Death of Superman already!)
And further SPOILER thoughts below on the reported plots of 2 and 3:
It’s also an amazing, perfect sort of narrative synchronicity that the hypocrisy of Man of Steel in presenting Superman as a savior would (will?) be matched by the movies also rejecting that promise long-term. In there, Jor-El’s musings on the capacity of every living thing being capable of good, the closest the film has to a singular moral statement, are proven wrong when Zod has to be put down like a mad dog, and rather than the one who’ll bring us into the sun, Kal-El’s presence draws ruin from beyond the stars to our world. And again in BvS with Doomsday. And again in Justice League 1-3, where in spite of claims by Snydercutters that it’s okay for Superman to be a really lousy take on Superman because it’s totally supposed to take several movies after putting on the costume and calling himself Superman, including his own death and resurrection, for him to really, like, become Superman, man, he remains a liability to the end. His death lures in Steppenwolf, the Kryponian matrix in his genes is Darkseid’s goal, he becomes the villain of the first act of Justice League 3 - possibly of his own free will depending on which version you’ve heard about - and at the final showdown, it’s Batman who sacrifices himself to stop Darkseid and save the world and inspire the rise of superheroism, because Batman, you see, rules, whereas Superman, stay with me here, drools. A letdown given BvS was just about the one major story of the last 30 years to unambiguously conclude Superman is better than Batman, but not a shocker. None of what I understand goes down in these - iconography from the likes of Fourth World, Crisis on Infinite Earths, Death and Return of Superman, Rock of Ages, Final Crisis, and Injustice reused but stripped of all context and thematic weight that gives it meaning (even Injustice is built on the premise of having a ‘good’ Superman to contrast the dictator); Lois being the ‘key’ because of her connections to two men, one she married and one she bears; time travel that even by the very generous suspension of disbelief applied to it in a genre like this operates by two obviously completely different sets of rules in its only two uses, and is then used to write the entire second movie of the trilogy out of continuity in the first act of the third, making one and a half of these movies pointless - is shocking. It’s just more empty notions and unfulfilled promises offered up to a fanbase staking everything on the idea that all the tampering, all the wild swings, all the meandering, it’s all building UP to something, not possibly just a dude who doesn’t understand these characters but wanting to look very clever with them before building up to one more rad punch-up. So yes, make these movies. Let what can be gleaned from them as worthwhile be revealed, leave the rest of it up for examination to be judged as it deserves and let it, finally. Finally. Be done.
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lailarain · 4 years
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Warning: Spoilers for Danganronpa: The End of Hope's Peak High School:Despair Arc
(I'm watching for the first time)
We're back at it again, guys!
Also, yes, I've realized that I porbably should've watched Danganronpa 2.5 first, but I'll do that after Despair Arc
Episode 1:
Oh it's ponytail teacher lady🙂
NEW INTRO YEAH BABY
POTHEAD GUY I MISSED YOUUUU
FUYUHIKO, SONIA, MAHIRU, AND HIYOKO THE NOSTALGIAAAAAA
I'm only a few minutes in and I'm already dying of laughter from the dialogue😭
MIKAN I MISSED YOU
This ponytail teacher lady, istg😂😂😂😂😂
THE TEACHER HAS A BLADE WHY DOES THE TEACHER HAVE A BLADE
Okay where is Nagito he's the only reason I'm watching this🙄
"oH goD jUrAsSiC pArK"
IS THAT WHO I THINK IT IS?
NEKOMARUUUU
Isn't that that one pervy chef?
Teruteru, that's pretty gay😀
AKANE HELLOOOOO
Soda the simp has arrived
GUNDHAM YES I MISS YOU SO MUCH😭😭😭😭
IBUKI MY GIRL
PEKO WHY'D YOU HAVE TO DIE I MISSED YOUUUU
NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO NAGITO YES
NAGITO'S LAUGH🥺🥺🥺
I fear this teacher😀
Wait....Mitirai...and the Ultimate Imposter......what the fuck is going on
HAJIME IS THAT YOU, MY BELOVED NON-SHAPE-KNOWING BOI
Awwwww he's hurt by what people say🥺
CHIAKI I MISSED YOU
Hajime, you DO have a talent. You're the Ultimate Nagito Magnet
Man, I'm probably not gonna get to see Hajime on screen a lot in this anime😔
Hey blonde bitch how ya doin
Okay we've officially seen the gang! Time for episode 2!
Episode 2:
"They're all good eggs" tell that to killing game nagito lol
Why the fuck are those two always fighting😭
"I'll have you know that we are training in real life combat conditions" "Oh in that case, knock yourself out"
This is why you don't take random glowing bottles from pervert chefs, kids.
NAGITOS JUST SITTING THERE SMILING LMAOOOOOOOO
Hajime looks so uncomfortable that a teacher is trying to have a casual conversation with him😂
Oh are they talking about the Kamakura project?
Gundam playing video games makes me so happy and idk why maybe because I love how dramatic he is lol
You ever like someone so much that when they do something as simple as speak you start freaking out at how awesome they are? Yea that's how I feel about Nagito.
ARE THEY PLAYING MARIO KART?!?!?!
why is the school rumbling GUNDHAM WHAT DID YOU DO
Nagito crying over the food lmaooooo
What did Akane sayyyy😀
NO ONE TOLD ME THIS WAS A HENTAI
WHAT THE FAWK IS GOING ON
Props to Fuyuhiko for being a man and stopping Kazuichi
Istg whatever they pay these voice actors clearly isn't enough
MIKAN WHAT DID YOU SAYYYYY NO ONEE TOLD ME YOU WERE A LESBIAN
I don't even know what to say about Nagito😳
CHIAKI JUST FUCKIN PUNCHED HIM
"I regret nothing"
Nagito's so wholesomely making everyone uncomfortable🥺
Chiaki and Hajime's relationship is soooo wholesome🥰
Episode 3:
Hajime has literally solved the murders of his friends 5 times, and he calls himself average🤨
Why are all the other Reserve Course students blue?
Wait isn't that blondie Fuyuhiko's sister?
Hajime being in the middle of these random girls fighting be like 👁👄👁
Okay I'm kinda scared to ship the green hair girl and Mahiru because they might be siblings
Hard to believe that this girl is my baby boi's sister. At least Fuyuhiko has the dignity to not randomly bully a girl for no reason
Okay I hope the FBI doesn't come to my door if these two are siblings but MAHIRU I SAW YOU BLUSH GIRL I SHIP IT
Thank god fuyuhiko understands that his sister is crazy
Hajime and Chiaki gaming together is so cute🥰
I hope Chiaki didn't just accidentally convince Hajime to do the Kamakura Project😀
The blonde just called her lovesick for Mahiru...I think we got non-related lesbians on our hands
Wait.....THIS IS WHAT HAPPENED IN TWILIGHT SYNDROME MURDER CASE WHAT THE FUCK
Okay I'm kinda starting to feel bad for the blondie
GREEN HAIRED GIRL KILLED HER HOLY FUCK THAT ESCALATED QUICKLY
Wait...if the green-haired girl didn't kill her...then who did?
Woah....why is the green-haired girl acting like that🤨
WAIT GREEN HAIR GIRL IS DEAD WHAT
Is this really how people normally treat Reserve Course Students? The discrimination is so unfair.
HOW DARE THIS BASTARD TOUCH MY PRECIOUS HAJIME😤
Oh so they're on a mission
Omfg Hajime don't you DARE think you're nothing and agree to be a lab rat I swear
FUCK NO HE AGREED
I am so close to crying rn😀
How's Chiaki gonna react to this😔
Episode 4:
Chiaki is sad aww🥺
Okay Nagito looking serious is NEVER a good sign
SHIT NAGITO FROWNED THAT'S NOT GOOD
Komaeda is so polite😌
Nagito.....what is Plan B😀
WHITE-HAIRED GIRL HOW YOU DOIN😁
Oh its other blonde boy and peach-haired bitch
WELL CLEARLY NAGITO'S LUCK AIN'T SHIT
HOLY SHIT NO😭
WAIT NAGITO SET UP FUCKIN BOMBS?!?! Man, I love my chaotic boi🥰
THEY SWITCHED BAGS TOO?!?!?
This is gonna be a huge shit show, isn't it?
POOR WHITE-HAIR GIRL SHE'S COMPLETELY INNOCENT😭😭😭
What the fawk😀
HOW IS HE SO CALM, JUST LIKE "I don't think that was a laxative😕"
NAGITO'S JUST TALKING BOUT HOW UNLUCKY HE IS WHILE ALL THIS SHIT IS GOING DOWN LMAOOO
WAIT SHE JUST SLAPPED HIM
YES TEACHER LADY YOU TELL HIM HOW FUCKIN AWESOME HE IS
Yay Komaeda won't get expelled😊
WAIT NO DON'T TRANSFER HER I LOVE HER NOOOOO
Uh yeah he did it all for yall 'cause he's fuckin nagito komaeda🤨
WAIT SHE'S GONNA COME BACK?!?!?! HOLY SHIT YES
Episode 5:
Poor Mitirai🥺
yeah, see? This is why I relate to Mitirai. ANIMATION IS FUCKIN MAGICAL.
Thank GOD. I thought we were gonna have to watch the teacher lady suffer😅
Okay I know this is pretty off topic, but where the fuck is Hajime
Of course as soon as I ask that question, they start talking about the Kamakura project😅
Expelled? Bullshit.
Wait NO I WANNA SEE MORE NAGITO🥺🥺🥺
WAIT THOSE ARE THE CHARACTERS FROM THE FIRST GAME
Awww they're so happy to see her how wholesome🥺
"You perfect cinnamon roll" MY THOUGHTS EXACTLY
SAIONGI WENT THROUGH A GROWTH SPURT HOLY FUCK
Wait Mitirai and......Mitirai? So he IS the ultimate imposter.
"People flake out and let you down, but carbs are always there" - Mitirai. Truer words have never been spoken😢
IT'S JUNKO FUCKIN ENOSHIMA BABY
Right, the killing game hasn't happened yet, so both Mukuro and Junko are alive and well
So, are the ultimate imposter and mitirai sibings?
Mitirai no don't overwork yourself🥺
Did he just....say "I need you"....pick her up.....and give no other context?😀
Poor Mitirai
WAIT MIKAN NO IT'S NOT THAT KIND OF MOVIE
MAKOTO MY BOY I MISSED YOU
HAJIME IS THAT YOU? YOU LOOK TERRIBLE
Wait...HAJIME NO
HAJIME DON'T YOU DARE
WHAT ABOUT CHIAKI?!?!?!
HAJIME'S EYES ARE RED NOOOOOOO
I'm gonna miss good old Hajime😔
Episode 6:
HAJIME NO TALENTLESS PEOPLE ARE STILL PEOPLE
WHY THE FUCK ARE THEY DOING THIS TO AN INNOCENT HIGH SCHOOLER
It's......Izuru Kamakura😔
Hajime no🥺🥺🥺🥺🥺
Awww Chiaki misses him
Wait why didn't the teacher just lie and say that Hajime was expelled🤨
I am so close to crying rn😀
Ponytail teacher lady is gonna realize the heartbreaking truth about Hajime, isn't she?😔
Awwww buff guy🥺
That is the weirdest tourture I've ever seen
The sad thing is she doesn't even know that it was Hajime who was made the victim to the project.
Wait why is Kamakura there what's going on
"KAMAKURA KAMAKURA YAS Q U E E N."
CAN MUKURO STOP LETTING JUNKO MAKE FUN OF HER LIKE BITCH YOU ARE AWESOME
Ikuru literally the entire time Junko is talking is basically just: 😑
WAIT HE AGREES WITH JUNKO NO
wait....MITIRAI IS GONNA MEET JUNKO FUCK NO
FUCK NOOOOOO
Okay we're officially halfway through, and I'm super pissed that Nagito is god knows where because he's the ONLY reason I'm watching this
Episode 7:
MITIRAI STOP TALKING TO HER RUN ASAP AHHHHHHHHH
Junko does realize that she basically just triggered every single fan of Danganronpa, right🤨
"aWw lOoK aT hiM trEmBLe hE'S goNnA bUrsT a blOoD veSsEL bEcAuSe I jUsT diSseD hiS wAifUS"
WAIT JUNKO NO DON'T SMILE LIKE THAT
THEY THINK HE'S DEAD LMAOOOOO
NAGITO YES FINALLY
NAGITO WTF PUT SOME CLOTHES ON
Wait so is that the crash site of the what killed his parents🥺
Kazuchi, Teruteru, stop being pervs and shut up please🥰
GUNDHAM YES WE STAN
MITIRAI IS MISSING NO
Istg if they lay a hand on Mikan they bouta lose a hand😀
Poor buff guy🥺
SHIT NO THEY'RE GONNA BRAINWASH HER
Junko's eyes really went ⬆️↗️➡️↘️⬇️↙️⬅️
Wait who tf are these people🤨
Junko what is it with you and killing games😀
Wait she's actually really good at singing😯
Can we get an f in the chat for these poor students
IZURU WHAT THE FUCK DID YOU JUST DO
THEY'RE SWEEPING IT UNDER THE RUG AGAIN?!?!?!?
So that was his promise😔
It's the cool moving comic thing from the games😯
The Reserve Course students are NOT happy😀
Poor Chiaki still misses him😔
Imagine if she knew HE was the killer
Episode 8:
(So some of my notes were deleted and when I rewrote them they got deleted twice. So I'm just gonna go where I left off.)
NAGITO YES MY BOY I MISSED YOUUUUU
"Who are you" lol
At least CHIAKI is nice to Nagito
YES NAGITO YOU LIFE-SAVER😤
Talk about what🤨
WHY ARE THEY TREATING THESE STUDENTS TO "KNOW THEIR PLACE" ISTG
Okay Nagito what is it with your luck
"Oh we found a secret passage cool😶"
POOR MITIRAI
WAIT NAGITO KNEW?!?!?!?
NAGITO HAS A FUCKIN GUN I REPEAT NAGITO HAS A GUN WHY DOES HE HAVE A GUN
OKAY WHY DOES NAGITO SOUND SO THREATENING ALL OF A SUDDEN
Okay am I crazy or was that interaction between izuru and nagito just now pretty gay?
NAGITO HOLY FUCK NO
OH THANK THE LORD
NAGITO THIS IS NO TIME TO BE A SIMP FOR IZURU
Episode 9:
That....is Hinata😔
WAIT NO DON'T YOU DARE HYPNOTIZE CHIAKI
Teacher lady is gonna be hypnotized, isn't she😖😞
OKAY JUNKO THIS IS TOO FAR
Wait is Mikan pretending?
Poor Guy😢
YEAH LISTEN TO NAGITO
I mean, I don't wanna abandon the teacher but it's already too late
WAIT IS THAT WHAT HE LOOKS LIKE?!?!?
It's so sad to know that they're just running into destruction😔
NO POOR TEACHER LADY
STOP IT RIGHT NOW
NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO
NOOOOOOOOOOO
You're already too late😞
WAIT WHY ARE THEY BEING SO VIOLENT
Poor Mitirai, man🥺
WAIT NO JUNKO YOU WOULDN'T
Junko STOP LEAVE HIM ALONE
You're in deep shit, Junko
WAIT NO DON'T DIE MITIRAI
Oh thank god😅
Mitirai😭
Poor Nagito too
WAIT MIKAN WHY
NO THE TEACHER IS DEFINITELY HYPNOTIZED NOPE
Episode 10:
Something's wrong....
Chiaki, don't be fooled
Wait is he actually gay tho
Okay Junko please SHUT THE FUCK UP🥰
This isn't gonna go well, is it?
CHIAKI NO
JUNKO DON'T YOU LAY A HAND ON HER
Wait why are they in a trial room
WAIT NAGITO WHY DIDN'T YOU WARN THEM BEFORE
CHIAKI NO
(Won't let me type anymore. Continue post here)
3 notes · View notes
recentanimenews · 4 years
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INTERVIEW: Jeff Trammell Speaks on Craig of the Creek and its Anime Influences
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  In celebration of Black History Month, Crunchyroll is releasing interviews with prominent Black figures across the anime world! Stay tuned for more announced features, or donate to Black Girls Code, which educates young girls of color to encourage careers in computer science and technology!
  Anime has had and continues to have a huge impact across the globe, and that impact can be found more and more in Western animation! Kids who watched anime on Toonami are growing up and creating series of their own that take with them that seed of affection for the medium. One such creator is Jeffrey Trammell, the head writer of Cartoon Network's Craig of the Creek. Cameron Trentalange, our Associate Manager of Social Video, was lucky enough to talk with Jeff about his work on the series, his love of anime, and how the two are intertwined. See the video interview below, followed by a complete and uncut transcription of the full interview!
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        Crunchyroll: Thank you for taking time to meet with us. We’re really excited to be chatting with you today. To get things started, if you could just introduce yourself to our audience, your name and what it is that you do.
  Jeffrey Trammell: My name is Jeff Trammell and I am the head writer, as well as a voice actor, on Craig of the Creek.
  How has anime influenced or inspired your work?
  How hasn't anime influenced my work? It’s been such a big part of everything we do. Everything I do as a writer … We're constantly thinking back to the storytelling, the kind of one arc, one-off episodes, as well as arc-long stories ... it’s really allowed us to use anime as a bit of a blueprint for the stuff we wanna do on Craig. Anime is a big part of the show. A lot of people on the crew grew up watching things like Dragon Ball and Sailor Moon and Evangelion. Samurai Champloo gets brought up a lot, too. So, any chance that we can get to kinda pay homage to those classic shows as well as the other stuff we’re into, we kinda jump at the chance to do.
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  via Cartoon Network
  That’s awesome. Are there any other specific elements that reflect your experience with anime in Craig of the Creek or your other works? I know the Elders of the Creek seem to be very pulled from people you might meet in the fandom.
  I would say I'm a bit more of a casual fan. There's people on the crew that are certainly closer to the Elders of the Creek. I'm more like Craig in that I have my own certain fandoms that I'm into. But yeah, anime is such a big part of the show in the weirdest ways — every episode has something we're sneaking in. Our crew early on would meet to do anime nights, so we would watch The Castle of Cagliostro or Totoro ... stuff like that. It's very ingrained in our crew.
  That’s awesome. That sounds like a super fun environment to be a part of.
  It’s really great when your workday ends and you’re just hanging out watching anime and playing D&D. Like there’s no complaints on our end.
  Craig of the Creek often dips its toes into referencing anime, whether it's a background gag or, as you mentioned, an entire episode-long narrative like "Bring Out Your Beast." It sounds like, as a community, you and the team are largely inspired by anime. Was that kind of a coincidence that everyone was into anime or was that intentional in the structuring of the team?
  Our crew consists of a lot of younger writers and creators, so naturally the stuff we grew up watching included so much anime and the stuff aired on Toonami. Even the co-creators, Matt Burnett and Ben Levin are like, really big into this stuff. You go to their office and there's like the entire Evangelion set, or all of Dragon Ball. I think they really created a show full of people who they wanted to be around, who were all going to tell really fun stories. I think it just happened that anime was such a big part of everyone's life on the show.
  It’s kind of amazing to see how much anime has influenced so many people throughout the industry. You mentioned that you guys would do different movie nights for watching anime. Do you have any specific anecdotes or moments from working with the teams where you intentionally wrote an anime reference into the script and someone pointed it out later, or maybe an animator just added something entirely without it even being in the script? Are they any fun little kind of instances like that?
  Yes. There’s a lot of instances where I’ll write something in the script and then at the boarding stage, the boarders would take it so far out. We did an episode where the Elders get trapped under Elder Rock and there's a bit about them having a very cool replica shovel from an anime called Shovelmaster Gorobi Q that I put in there. Immediately, it just became this whole other thing where the basis of the show was that this person's soul is trapped in the shovel, so if you use it, you can tap into their spirit. One of the Elders is in love with the character who inhabits the shovel ... it's wild! I never expected that whole story to come out of this one line I wrote.
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  via Cartoon Network
  That's incredible. One of my favorite little background gags is one of the posters for a show called Sadboy Pilotgeddon.
  Yes.
  Was that written into the script, or was it an element someone else wrote in?
  That was our storyboard artist Ashley Tahilan who is usually the impetus for those crazy moments in the show. She put in Sadboy Pilotgeddon really early on, and I think she's also the reason Shovelmaster Gorobi Q became the absurd thing that it is.
  I love it. In one of the very early episodes, there was a character who was holding up a volume of manga and says, "you read manga backwards." I feel like I have said that verbatim as a kid!
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  via Cartoon Network
That was a really fun moment. We were trying to introduce the ninja kids who just hang out and read manga. We thought  when you're introducing someone to manga, you can't start without saying, "Well, ya read it backwards!" We decided we NEEDED to put that in the show.
It was very true to life. I love those little moments. Speaking more generally, what does it mean to be a head writer on a TV show?
  Being a head writer means a lot of different things depending on the show. On Craig, it's nice because I get to be the link between the writing and the storyboard artists. Our show is very cohesive in that it's very storyboard driven. That means we take the premise and outline and then hand it off to the storyboard artists, and they draw everything, including dialog. Then we come back together and they'll pitch their work to us. We'll make sure that we pitch ideas and jokes, and really punch it up to make it stronger. We have this kind of cohesion where everyone gets to really leave their stamp on the episode. Being a head writer means overseeing that process, the writing room, recording, assisting with directing, sometimes getting in on editing. It's so much more than just running the room. It's been a really cool experience for me. I get to follow the stories not just from their initial creation, but all the way to their end, which has been really cool.
That sounds so incredible. So, how did you break into being a head writer, as opposed to different writing roles?  
I actually have only been a writer here in LA for about five years. Before that, I was a security guard at Target, oddly enough. I've always had an interest in writing, and I wanted to break in, but I didn't know how. I was able to find out about a yearly contest called the Nickelodeon Writing Program, where you would enter scripts and, out of around 2,000 applicants, they choose up to four people every year. They move you out to LA, and you get to work at Nickelodeon as a writer. You get to learn, you get paid, and you get all these amazing perks. I got to take improv and sketch writing, just all of these incredible things. When I moved out here once I finished up at Nickelodeon, I eventually found my way to Cartoon Network. I started working with Matt and Ben on Craig of the Creek. I was a staff writer for the first year, and by the second season, I was promoted to head writer. I've been very fortunate, the way I got in. I think it was a lot of "right place at right time," but also luckily having the skills to back it up that led to this quick rise. 
  That's amazing, what an incredible journey!
  Thank you!
  To be selected from over 2,000 writers — I think that says a lot about the talent you have.
  Thanks, that's really cool. 
  In addition to Craig of the Creek, I know you have also worked on shows like The Owl House, and you mentioned that you spent some time at Nickelodeon. What is it like to write specifically for animation?
  Writing for animation is tough because there's a lot of visual storytelling you have to be aware of. You are also writing for someone else. I think if you're writing novels or similar stuff, you can write the story exactly as it is in your mind and someone else can read it and see where you're coming from. When you're writing for animation, though, you have to be aware that whatever you write, someone else has to draw. Someone else has to design. Everything you write is going to be on someone else, so it's tempering all of those expectations you have for your own writing. You have to tell a fun, captivating story without pushing it too far, or making every shot a crowd scene. Then people would have to animate 50 people running by in every shot. It's a very intricate level of storytelling where you have to really see what the most important parts of the story are and convey that.
  That's an interesting point. I think there's this sense with animation of like, "Well the options are limitless because I can just draw it!" But then there's the realization of, "Ah, well that burden is laid on a bunch of people who actually have to animate the thing."
  Yes.
  I imagine there's a good amount of give and take there. Did you always want to break into animation, specifically? Has animation been a passion for you?
  Yes and no. I mean, I've always wanted to work in animation because I've been a fan my whole life. A lot of people have that teenage phase where they think, "I'm too adult for cartoons," and they kind of move away from it, but I've never done that. I've always appreciated animation. But I also appreciate live-action. The first time I got to work on an animated show was Harvey Beaks at Nickelodeon, and I really got to work with that crew and see everything that went into creating 11 minutes of television. It's so much work from so many people. It's like watching a conveyor belt in action. Seeing those things really laying out in front of me gave me a brand new appreciation, even more so. Since then, I've known animation is definitely where I want to be. 
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  via Cartoon Network
  That's so cool. Craig of the Creek features such a wide cast of characters. How do you and the team approach writing for so many different voices from different backgrounds? I think the thing that's been really successful for us has been to reach beyond our writing room. At the end of the day, we only have so many experiences and can only write from so many perspectives. Our crew is dedicated to representing perspectives people may not have gotten to see growing up. So, we reach beyond our room to the crew. People are welcome to share their stories, welcome to pitch ideas for stories and characters. We really want to make sure that at the end of the day, we're making a show that people are not only proud to work on, but that they're excited to show it to their family and friends. 
Is it common for writing teams to be structured in a way where they have opportunities to work across other departments, or is that harder to find?
  It really depends on the show. I've been on shows where the writers only hang out with writers and the artists only hang out with artists. Coming from Harvey, which was a very closely connected group, I knew that was something I wanted when I was starting on Craig. Matt and Ben had come from Steven Universe, so I knew they wanted the same things. Early on, we really made an effort to make sure our group was close and our crew was excited to hang out, to talk and share ideas. It's kinda been ingrained from the very beginning of the show. 
  I love hearing about the kind of collaborative environment. So, I know you've lended your voice to one of the characters on Craig, and that you've done voiceover for other cartoons as well. Did you always have an interest in voice acting, too?  
I've wanted to be a voice actor since I was a kid! I was definitely that one kid who recognized voices in shows. I was like, "Oh that's Phil LaMarr!" I immediately knew! I always thought it was cool — it was this way to embody a character. You really get to step into their shoes and become someone else in a way that's similar to writing. I've wanted to be a voice actor forever, so it was fortunate that I finally got that opportunity on Craig. It was really nerve-wracking, though! You go into the recording booth and it's really quiet, and you're immediately aware of every single noise, like the weird click your tongue makes when you speak. Everything is hyper-focused. But it's been really cool. I appreciate them giving me the opportunity to really get to do it on Craig. I was able to transition into other opportunities by doing voices on this show called The Fungies! at Cartoon Network. I have a blast every time!
You touch on something really interesting, which is how writing and voice acting both go hand in hand in terms of getting into the head of a character. What have you learned about writing through voice acting and vice versa?  
The thing I've learned about writing from voice acting is that, even if I'm not sure of a joke while writing it, actors are so talented that they can usually deliver it in a way I wasn't expecting. They'll usually knock it out of the park every time. It's also really taught me to write to someone's strengths — just knowing that one actor is really good at these frantic moments lets me know that I can really play them up in the writing. Or maybe another actor is great at delivering heart and emotions, so we can make sure to nail their speech. Being in the booth really taught me that voice acting is so difficult, so I want to make sure we're setting up everyone who enters that booth for success with the best script we can give them, the best lines we can give them, and really set them up to knock it out of the park. It's this weird sort of symbiosis where you each try to prop one another up. Going from each side, from one side of the glass to the other, has shown me that I think we both just want to make sure we're. giving the actors the best material we can, and actors just want to provide us with the best performances that they can. 
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  via Cartoon Network
  It's really interesting to hear how that all comes together, and how both of those perspectives are sort of similar in some ways. I'm curious, how did the conversation about you voice acting in Craig of the Creek start?
  I was able to find my way into the booth by begging a lot! Haha, not really, but it's one of these things I had to speak up early about and just say, "Just so you guys know, this is something I'm passionate about. This is something I've really wanted to do." I couldn't be afraid to take those risks, even in a room where I'm pitching a character, putting myself out there with a goofy voice, hoping that I'm impressing them with the passion I'm giving these characters. Luckily, it worked out, and I think they appreciated my drive and how much respect I have for the craft of voice acting. I was also taking voice acting classes as well, so I was really not shy in letting them know that this was something I seriously wanted to pursue. 
I know on Rocko's Modern Life, one of the writers just kept inserting his voice audition in the pile, and finally, someone was like, "This one is really good, who is this?" and he was like "It's me!" I'm always curious about those little moments for everybody. 
  I wish I had known about that story, I might have gone that route!
  The sneaky route!
  Plan B, you know.
  Another question I wanted to ask is, how does it feel to know that people resonate with your work? Your writing and acting contributions to the show are excellent, and the series is a lot of fun for both kids and adults. There's something about it that just captures the charming innocence of being a kid with a big imagination. Everything is whimsical, but there is a lot of grounded humor and references to pop culture we all love. What does it feel like to have your work reach so many people?
  First, thank you for all of those kind words about the show, I really appreciate that. It means so much. I think it's one thing when you're working on something and you get caught up in it and think of it as a day to day gig. But Craig has never felt like that. Early on, it felt very special. The crew felt special, and we were all proud of what we were making. We were all hoping that people would relate to it and really have fun watching it. So, seeing everybody watch all of these moments where we have Sparkle Cadet and people really resonate with a black magical girl in a Western animated show ... Seeing people resonate with our various Slide the Ferret gags which may or may not be related to Sonic — I cannot say legally. Seeing the very heartfelt stuff, the family stuff, the stuff you don't see a lot, and watching people see those things and feel good and feel validated ... it's been incredible. It means so much, more than I can really put into words. It's just a really good feeling, and I feel proud of the stuff we're doing and continuing to do. 
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via Cartoon Network
  You and the team are doing awesome work. One of my friends recommended the show to me a while ago, and once I started watching I was like, "Yeah, I get it." There's just something really nice about it. Also, Jeff Rosenstock's music is just great.
  Jeff's the best! Jeff's the absolute best. Every time he sends some music in, I'm like, "How do you do it?"
  Do you guys work together at all? Is there a "meeting of the Jeffs"?  
Oh, all the time. I'm very fortunate to call Jeff a friend. He's one of the coolest people I know. I think we're constantly in awe of each other, which makes for an interesting friendship. He's so talented and so funny, and he makes everything look so easy. It's kind of unfair how talented he is, but I couldn't be a bigger fan of Jeff, he's great. 
  Something I was curious about is if you had any influence on the music. The music really makes the scene sometimes, and then you have the opening and ending songs. Do you work with the music at all as a lead writer, like finding the right vibes for a scene or writing lyrics with Jeff? There's an episode where Craig sings in front of a live crowd, and I was curious what the creative process was like on an episode like that.
  Jeff and I worked together on a musical episode called "In the Key of the Creek," where Jeff came to town. He was living in New York at the time and came to town for a week, and would sit in the writing room while we were breaking the story. He would just write these songs or he'd go home and like three hours later send us a demo saying, "Yo! I came up with this today." And it's like ... how?! This is incredible! Usually, Ben Levin, one of the co-creators, works directly with Jeff, but he's been very open to working with the rest of the crew. The episode you mentioned, "Vulture's Nest" ... I believe Tiffany Ford, one of our directors, wrote that song with Jeff. He's very open and accessible to working with the crew for songs and different episodes, which has been really cool.
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  via Cartoon Network
  I have to circle back to this ... you mentioned Slide the Ferret — who may or may not be related to any other legal entity — but UNRELATED TO THAT ... As someone who is a huge fan of Sonic the Hedgehog (and also ferrets, coincidentally), Slide the Ferret really speaks to me. I was like, "This rocks. I love everything about this." I'm curious, was Sonic a big part of your childhood? Or the childhoods of the rest of the staff?
  Yes, Sonic 2 was the first video game I ever beat, actually. I would always get to the plane level and then have to hand it off to my sister. I remember when I finally beat Metal Sonic and Robotnik, and I felt like I was the greatest gamer in the world. So much of our crew has similar feelings about Sonic. Slide the Ferret came into the show very early. I think Matt and Ben came up with the character very early into the show. And then, I think the second the crew was like "oh, this is our Sonic and we can create all the lore?" it just got out of hand. There's like this show within the show loosely based on Dragon Ball where there's these things called the Chaos Orbs that you collect. They're like the Chaos Emeralds but we treat them like Dragon Balls.
  It's been great! It's been so cool to watch our design team really take that world and expand it even more. There's this character named Claus the Badger who is the coolest looking character I've ever seen. I keep pestering them to let me voice him, so we'll see how that goes. 
  That sounds like so much fun! I always love whenever there's a Slide moment. I'm just like, "Yup! I'm here for it." I'd like to know, what are some of your favorite anime?  
Oh man, okay. One of my favorites is My Hero Academia — shout out to my buddy Zeno who plays Hawks as well as The Green Pancho on Craig of the Creek. I've been enjoying Fire Force, The Promised Neverland, I love Dragon Ball Z, of course. What else ... Samurai Champloo — I used to watch that one every week with my dad, so it's special for me. I could name stuff all day, and I know I'm forgetting some. After I'm done, I know I'll be like, "Aw crap! Why didn't I mention this ..." But these are the ones I'll go with.
  Is there any message you want to share with fans of your work?
  Yes! If you want to see more, please find me on Twitter @MrJeffTrammell. I post about my work too much there. I would also say that there is so much more fun stuff on the way. If you are a fan of Craig of the Creek and you love anime, there may or may not be an episode coming up in which the Elders do an anime convention. It may also feature Slide the Ferret and a cavalcade of characters from that video game. Definitely keep your eyes peeled for that.
  This has been wonderful! It's been really cool to hear about your background with the show and how you broke into the industry. Thank you. 
  Thank you so much to Crunchyroll for having me!
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  via Cartoon Network
    You can follow Jeff Trammell on Twitter @MrJeffTrammell. Craig of the Creek airs on Cartoon Network and is available on HBOMax and Hulu.
  By: Guest Author
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paunchsalazar · 5 years
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hey!! bro ur my number #1 source for lupin III content so can I ask like how in the hell I go about watching all the series / movies / etc for it in order??? I’m really pumped for the live action so I wanna at least dip into all the other stuff. thanking ya kindly //tips hat
hello!!! what an honor!! oh my… ok I’m so sorry in advance… I’ve gotten a few similar asks and I started writing out a list and it was getting over 1500 words long so I had to try to chill out…so…
LUPIN III CRASH COURSE
I’m sorry that this is so long.. and consider I cut it down! but here is my intro because I know this franchise is huge and confusing!! (I’ve had multiple instances of friends being like ‘I tried to find that Lupin thing you like but I could only find the third one?’) 
I kind of liken it to Scooby Doo? it stretches some 60 years and has been handled by many different writers, directors, and animators across very different eras? most important to know! the order doesn’t really matter and things aren’t really sequential (save for where the three most recent shows) so you can jump in and explore whatever seems compelling! it’s overwhelming because there is so much but also nice because there’s something for everybody! if you like fun and pure, edgy, etc. etc. 
feel free to disregard everything coming… I will say my personal priority order is
- Castle of Cagliostro
- some episode of part 2
- part IV, ideally all of it! there’s filler but it’s hard to know which ones
- part I (or some episodes of it? up to you!)
- Fuma Conspiracy
- part V 
- part III (it’s great too!! just not as sequential as IV and V)
- First Contact… truly indulgent but its so cute!
(below I broke down a little about each and my favorite episodes, where to find them, etc. and there’s so much more but just doing everything below is a whole lot)
TV (All the shows except for The Woman Called Fujiko Mine are on Crunchyroll!)
Part 1 (1971) - crunchyroll!
The beginnings kind of a weird feeling because the first half was directed with one vision vs. the second half being co-directed by Takahata and Miyazaki, there’s a shift in Lupin’s personality and most significantly they sought to shed his ‘sense of apathy’ and make him more of a hero? something that’s echoed later on! honestly, I don’t think the transition is as dramatic as some people find it? but it does shift across the episodes and end on a sweet note!
truly they all have something to enjoy but I made note of 
episodes 2, 4, 5, 7, 9, 11, 13, 16, 18, 19, 23 
for some reason? really really suggest watching the last episode! but get a bit of the first and second half beforehand!
Part II/Red Jacket (1977-80) - 155 episodes - on crunchyroll dubbed and subbed
there are a lot so I tried to narrow it down to a few of my favorites/ particularly noteworthy ones? I bolded my absolute favorites! I’m sure I missed a few but save for a few two-episode arcs you can jump in anywhere and it’ll be fine.
episodes 1-79 are dubbed on Crunchyroll! In my personal opinion the script makes it worth it!! there are a bunch of non-dubbed episodes anyway if you want to get a feel for both
(these episode titles are often hilarious, misleading, and/or horribly embarrassing?)
1 - ‘The Return of Lupin the Third’ - just a good starting point!
5 - ‘Will the Leaning Tower of Pisa Be Standing?’
6 - ‘Tutankhamen’s 3,000-Year-Old Curse’
7 - ‘Venetian Super Express’ - I want to say this is a cute little road trip episode? it’s been so long
9 - ‘Steal the FIle M123’ - this dub… madness. very strange Christopher Walken impression for absolutely no reason?
10 - ‘Bet on the Monaco Grand Prix’
15 - ‘Crude Reproduction, Perfect Frame’ - Lupin keeps committing strange and uncharacteristic crimes, but he has no memory of doing so!
29 - ‘Fly Me to the Moon’ - Lupin has some mysterious Levitation Technique and everyone is after it 
32 - ‘Lupin the Interred’ A famed hitman is after Lupin!
34 - ‘But Your Brother Was Such A Nice Guy’ - this episode is one of the zaniest ones and that’s saying a lot… Vampires? Jesus? Really really funny moments though especially in the dub
42 - ‘Cruisin’ in Drag’ Lupin infiltrates the ship of a wealthy bachelor disguised as a woman 
45 - ‘Diamonds and Minx’ kind of a mess of people stealing from each other? 
46 - ‘The Island of Dr. Derange’
57 - ‘Alter-Ego Maniac’ - Inspector Zenigata goes criminal
62 - ‘Church of the Poison Mind’ - Jigen and Goemon stumble into a religious cult
69 - ‘Zenigata Getcha Into My Life’ - this title is awful but this episode is great. 
78 - ‘Ice, Robot’ - an inventor has made a machine that can cry diamonds!
79 - ‘Baton Death March’ 
81 - ‘Fujiko, Men are a Sorry Lot!” - Fujiko gets engaged to a Prince, the rest of the gang goes after the monarchy’s Golden Bell
96 - ‘Lupin’s Gourmet World’ tbh this is a vore episode but there are some great gang moments here and a really fun third act
99 - ‘Fighting Jigen’ - first anime episode (I think like in history? but I could’ve misread) in stereo! And I believe the first to air of the TMS staff’s work, you can tell because the style shifts to a more Miyazaki/Cagliostro look and this will keep happening for the rest of the show
101 - ‘Fervent Love at Versailles’ - a crossover episode with Rose of Versailles! 
103 - ‘The Wolf Looked at an Angel’ - Goemon is an angel I can say little else
104 - ‘The Most Dangerous Golden Bed’ - debut of perhaps the best opening! I love this episode?? so much?
112 - ‘Danger! Goemon’ 
122 - ‘An Unusual End to an Expedition for Napoleon’s Treasure’ 
143 - ‘The Miami Bank’ 
145 - ‘Wings of Death: Albatross’ - ah yes, one of the famed Miyazaki-directed episode, truly so worth it
151 - ‘To Arrest Lupin, the Mission at the Highway’ - another not exactly Miyazaki episode but a lot of the people he trained? They depart from the part 2 style(s) again but its a good bit of fun all around! Really lovely character animation
152 - ‘Jigen and the Hatless Pistol’ - Jigen loses his hat and thus his ability to shoot
155 - ‘Thieves Love the Peace/Farewell, Dear Lupin’ - the finale episode! Miyazaki-directed as well, and just beautiful 
Part III (1984) - 50 episodes - crunchyroll!
I’m still very early in this one so I can’t say much yet! But it gets a bad rep? Perhaps for being more inconsistent stylistically and a bit on the zanier end! But I really like it!! these drawings are such a blast! I think each bit has its merits and this one is no exception. Plus with all their freedom animation-wise they can do a lot of fun stuff!
The Woman Called Fujiko Mine (2012) - 13 episodes - on kissanime for certain and I think animetake?
this is the most dramatic departure from the rest of the shows/films/specials. Fujiko Mine is the star of this part! It definitely has less obviously plot-important episodes but it’s one narrative from start to finish. I must note that it’s by far Lupin’s edgiest, I think it’d be safe to deem this part as R-Rated. There’s sex, violence, sexual violence, abuse, bodily mutilation, obsession… a gay character who gets a pretty tragic fate (at first I was excited by the very existence of an LGBT+ character but he really goes through the wringer and never gets a resolution.. I don’t want to spoil). This is probably Lupin at his ickiest? I do like Jigen’s personality here! And his dynamic with Fujiko, but it’s a lot more disjointed than the other parts. She meets each of them separately and towards the end, Lupin and Jigen interact more but there’s barely a time when they’re all together. That’s not meant to be a deterrent but personally, I’m a sucker for their friendship and love them as a group so it’s a bit of a bummer. Sequential plot-wise though! This one is definitely captivating, a bit disturbing, and there is a plot-twist that really got me. The villain design is really cool too!
Part IV (2015) - 26 episodes - on crunchyroll, also dubbed on Funimation
This part is narrative-based and sequential! It still has some more standalone episodes but there’s definitely an overarching story throughout! I think they’re all worth watching and might leave little important bits that’ll be confusing later on. Essentially this part takes place in Italy for the most part and starts with Lupin getting married to a multi-millionaire heiress/model/celebrity who wants to get into the thief business. This one feels like a good combination of old and new, it’s not quite as silly as the earlier parts can be, but it’s full of nostalgia while still feeling original. I really had a good time!
This dub isn’t bad but!! It comes with a different opening and soundtrack, I guess Lupin’s pretty big in Italy and perhaps there were licensing issues? I’m not sure? But it’s a bit of a bummer to be without the Yuji Ohno soundtrack. The alternate opening feels more like a collection of stills and footage found throughout the show? It’s not horrible, just different! Regardless, the Part IV Japanese OP (vs. the Italian/US one) is worth a watch!
Part V (2018, airing on Adult Swim right now, summer 2019!) - 23 episodes 
I’m actually not done with this part but its good fun! more directly tied to part iv then the others are to each other. It’s more sequential as well with a few sub-arcs and since it fell on the franchise’s anniversary it has callback episodes with Lupin in various jackets in various tones. Interesting Lupin characterization here… he seems… sadder, wistful? and we get hints of Lupin lore! Lots of fanservice but… I love it! I still think they could’ve pushed it more? it feels somehow more reserved than part IV in some ways, which is already different from the 70s and 80s, but it’s got a lot of lovely moments!!
Films/TV Specials
From 1989 to 2011 they had a special every year!! So much!
Castle of Cagliostro (1979) - Available on Netflix! 
perhaps the best-known piece of media in the Lupin franchise? And rightly so. This film is Hayao Miyazaki’s directing debut and a blast from start to finish! This characterization of Lupin is definitely Miyazaki’s more than Monkey Punch’s but that seems to be the strange nature of the Lupin franchise! I could really go on forever… please watch it!
The Fuma Conspiracy (1987) - 
perhaps harder to find, but it’s on Kissanime! Goemon is getting married but before the ceremony is over the bride is taken by the Fuma ninja clan and the gang helps him to get her back as well as learn the story of a family heirloom? Really great stuff from everybody! Adorable Zenigata, the fluffiest and most handsome Goemon, cute Jigen, Fujiko, and Lupin interactions, a really really incredible car chase! Even with Cagliostro’s fame, this one has got some serious pizzazz
Episode 0: The First Contact (2002) - on Kissanime as well! 
A journalist asks Jigen how he met Lupin III, this is probably my favorite TV special? And features one of my favorite opening scenes in the whole franchise. The instrumental!! Perhaps each member of the gang at their purest, whatever that means, really great moments between everybody and peak Lupin and Jigen meeting and somehow signing up to be life partners
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amandabe11man · 5 years
Text
a VERY LONG post about Hell on Wheels
YEAH i forgot about this post in my drafts... it’s been like a year since i finished the show now and i feel i’ve barfed everything out into this post (that i can think of), so here it goes (you’ll have to shield your eyes after the spoiler warning if you don’t wanna be spoiled btw. i can’t seem to be able to add a read more-link...) :
SO... i finished watching “hell on wheels” at last, pm half a year since i started. it’s funny because i was under the impression that i’d sOMEHOW be able to binge all five seasons within just one month (reason: i wanted to watch it before my free trial on HBO’s website went out). honestly, that wouldn’t have been possible because it was a LOT more emotionally draining than you’d think at first glance... after being gutpunched three times in a row in season 4, any reasonable human would need a little break.
anyway, it feels-- weird. i’ve never been big on following tv-shows so i haven’t been able to relate to that feeling ppl describe once they’ve finished a show they’ve become so attached to, except NOW i can relate. the show’s not groundbreaking, it’s not perfect, but i’ve had a lot of fun. what a ride it’s been...
looking back, i’d say HOW’s biggest weakness is its tendency to forget or ignore certain plot points. i guess that’s not too weird, with such an arsenal of characters, but still, i find that’s what bugged me the most, if anything bugged me at all. for example--
[SPOILERS for those who might wanna watch it after seeing me go on abt it, idk]:
first off, what REALLY grinds my gears is how ezra dutson’s plotline was handled. it was set up perfectly in the beginning; having him escape from the swede (who promised him that, and i quote: “i’ll find you, ezra! i always do”), the original plan was obviously for ezra and the swede to “reunite” some time in the future so that ezra could tell everyone that the swede killed his parents, thus tying up loose ends and giving some closure to that whole arc. some might say this would’ve been too predictable, but i would rather have that predictable storyline than having it just end unceremoniously like it did, with ezra dying ACCIDENTALLY and off-screen by sidney snow’s hand, simply as a way to further bohannon’s pain and set the stage for ruth’s final arc. this might’ve been fine, if the writers had made it so that ezra actually, y’know, TOLD SOMEONE WHY HE’S AN ORPHAN TO BEGIN WITH. but they didn’t even give the viewer that form of closure, instead just deciding to use him as a plot device for the other characters’ increased angst... bohannon and the others were never even made aware of ezra’s last name, and this is all what bugs the everliving SHIT outta me: the only ones who know, or will EVER know, ezra’s full story is the swede and the viewer, tho after season 4′s end, ezra is never mentioned or acknowledged again-- not by bohannon, and not even by the swede. ezra went from convenient character with a PURPOSE to “nameless” orphan forgotten by history. thanks, writers...
then there’s the whole deal with campbell coming to town to reinforce The Law™, which wasn’t a bad arc, mind you-- campbell and his goons were the most infuriating little shits for a while there-- but the thing is; didn’t campbell LIE to his men about the president giving him the position as governor? i might’ve misunderstood it, but i’m PRETTY sure the president didn’t give him THAT much of an upstanding role, but that campbell just went ahead and took that position anyway? if that was indeed the case, then that’s another plot hole, cause nobody finds out about campbell’s possible trickery to become the governor. nobody rats him out, despite literally no one in “his” town liking him all that much, so they’d have no reason to protect his “secret”. (correct me if i’m wrong on this one though. i might be misremembering things)
then there’s the other pretty infuriating issue of bad guys never getting called out for doing bad shit (unless it’s the swede, who gets all the blame, all the time), for example:
major dick bongbendix(???idk he had a silly name like that) is presented VERY MUCH as a bad guy in the beginning. y’know, just casually beheading natives on all his missions and collecting those heads and taking them to the bar like a fucking nutcase-- those little details. he also seemed to believe in racial biology, so yeah, definitely not a good guy. but by the end, he’s been watered down into some quirky guy who’s ALMOST on friendly terms with the main characters. yeah, uh-- seems everyone (writers included) collectively forgot the whole public display of cut-off heads he had going on...
aaron hatch: started off as a guy too proud for his- or his family’s own good when he shot the police officer, BLAMED IT ON HIS FUCKING SON and then just kinda let bohannon hang the kid even though it was pretty obvious hatch was just shifting the blame away from himself. THEN he reappears with some other mormons and causes a full-on shootout in the town (probably getting some people killed, i don’t remember), TAKES EZRA (also a mormon) HOSTAGE SO THAT BOHANNON WILL COME WITH THEM WILLINGLY and passive aggressively forces bohannon to marry his daughter who bohannon knocked up. somewhere along the line, hatch’s bad side is just thrown to the wind, and bohannon at one point describes him as “a good man”. yeah, ABOUT THAT--
sean and mickey mcginnes: unlike the ones mentioned above, these two started out as seemingly decent dudes, but ended up pm as secondary villains in the end. however, like the ones mentioned above, they hardly face any consequences for whatever crap it was they did in boston, OR the fact that they killed and fucking mutilated/dismembered a man in cold blood (a man who WAS gonna kill them, yes, but HE did it because he thought they had killed his friend, which wasn’t a farfetched idea since mickey DID brag about killing the dude even though he didn’t actually do it). sure, they face their OWN demons as time goes on, they get ostracized, and they start losing faith in each other as well, which ends up with mickey killing sean before the latter can confess(?) his/their crimes. so, while sean was spineless and a creep, at least he thought about finally owning up to what he’d done in the end, whereas mickey lives on to keep doing shady shit, killing people, and getting increasingly more corrupt. he does end up pursuing new goals in the end, but it’s obvious he’s not happy about it anymore. that’s-- really all the comeuppance he ever gets, and the only one who knows about his shady businesses are pm just bohannon, durant and eva (also, personal gripe here-- they seemed to not settle for “just” tarring and feathering the swede and publicly humiliating him, but i’m pretty sure i recall mickey telling bohannon they were thinking about having the swede killed too. keep in mind, this was BEFORE the swede truly lost it and started killing people left and right. apparently, being kind of a douche about taxes is bad enough to warrant being tortured and cast out by the entire community... i’m obviously biased here, but still-- the mcginnes bros’ double standards are amazing to behold)
now that i’ve aired some of that out-- here are some highlights, according to me:
unexpected friendships, like that between eva and durant. i’d say the swede finding that stray dog and fawning all over him qualifies into this category too
durant and campbell fighting in the mud before finally coming to an agreement -- just- durant and his competitors being petty as fuck, honestly. it’s hilarious
bohannon trying to get through to elam by reminiscing about their friendship, especially since bohannon isn’t one to show his feelings often OR get sappy -- in fact, EVERY time bohannon loses his stoic facade is a good moment. when he was gonna bury elam and he just broke down completely for the first time since we were introduced to him... that shit had me in tears as well, but man was it a great scene
jimmy two-squaws
every time the swede opens his mouth (yes, even when he’s spouting some lies and bullshit like that)
ruth’s character development. i admit i didn’t like her at all in the beginning, idk something just felt off about her, but man did she ever grow on me. just-- how everyone kinda relied on her eventually, even though she’s only like in her 20′s or something... she still became a pillar of the community. bless ya, ruth :’ı -- also, her essentially adopting ezra was Pure as heck. I Lov it
the fact that this was the 1800′s and the only backlash the (openly) LGBT characters faced for it was pm just “yeah they’re a bit confused maybe but they’re not hurting anyone”. maybe that’s not very realistic but WHO GIVES A SHIT AMIRITE
mr tao just being a sweet old man
chang’s sunglasses, straight out of Django Unchained
mr toole’s complete heel-turn from racist POS to someone who sticks by his word to turn himself around. that shit was impressive coming from him, tbh
bohannon just calmly running into a buffalo by the train tracks
mei posing as a grown man instead of a boy (which is what she looks and sounds like, oml)
another thing i realized is that bohannon is a classic gary stu. there’s just no getting around that fact after seeing him being revered by most everyone he meets, how he’s somehow the only person able to build the railroad(s) fast and efficiently, and even wooing the literal PRESIDENT and becoming close friends with him-- all this despite his Bold and Brash personality. of course, there’s more to bohannon than these gary stu-symptoms, but i felt someone should bring it up, for the lulz
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kvndeathmusic · 5 years
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my favorite records of the 2010s pt 1 (the less great stuff/honorable mentions)
Neither this post or its followup are going to be in any particular order, however all the records I talk about here are, in my opinion, not as good as the records i will talk about in my part 2. they’re all fantastic but these ones slightly a little less fantastic than the ones in my “top 10″. none of this is based on stuff like 'influence' or whatever other critics base their lists on, this is solely how much I enjoyed these records. And keep in mind, I'm only human, I havent listened to a good lot of records I've heard others describe as top 10 worthy, these are just records I found and that I resonate with. long post ahead. 
Vacation - Bomb the Music Industry (2011)
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If you asked me what my favorite band is i will either say bomb the music industry or jeff rosenstock, but considering those are pretty much the same things it doesnt matter lol. While Vacation isnt a perfect record, it is one I love. It lacks some of the ska elements that I love about earlier BTMI records, but at the same time, it is the first record where Jeff’s “””solo””” career sound starts to form in tracks like Sick, Later, Hurricane Waves, Everybody That You Love, Everybody That Loves You, and Vocal Coach. And these tracks are all fantastic, especially the absolutely explosive opener Campaign For a Better Weekend. Where this album suffers in my mind is the fact that it exists as a weird hybrid middle ground between BTMI and modern Jeff Rosenstock, it isn’t really ska like old BTMI and it’s not quite to the same standard as the tracks on We Cool?. And some of the songs are just, not as good as the others, like Why, Oh Why, Oh Why (Oh Oh Oh Oh), which is washed out almost entirely in reverb, and tracks like Savers feeling barren and missing additional instrumentation. But fuck man I can not dislike this record or just call it “ok” because despite this I still listen to this record a lot, it’s so catchy and fun and Im a bit too chronically addicted to btmi. 
Reflektor - Arcade Fire (2013)
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i dont really get the hate/mixed feelings others have with this record. there’s so many good tracks dude!!!! sure theres a bit of a slump in the middle and it doesnt reach the same emotional heights as their previous records you gotta be ignorant to overlook this records strengths. while i do like The Suburbs more than Reflektor, man i just vibe HARD with some of these tracks; the title track, We Exist, Here Comes The Night Time, Normal Person, Awful Sound (Oh Eurydice), Porno, and ESPECIALLY Afterlife. Plus the cover art is cool and I like it. However Flashbulb Eyes is one of the worst tracks Arcade Fire has ever put out and I hate it immensely. And while far less offensive, tracks like You Already Know, It’s Never Over (Hey Orpheus), and Joan of Arc are just kinda boring and/or uninteresting. Now granted, I'm extremely biased when it comes to Arcade fire in general unless were talking about the trainwreck that is Everything Now. I started listening to Arcade Fire just before Reflektor came out, and I have a kinda sentimental attachment to the record. ill explain the feeling more when i talk about The Suburbs. anticipation oooooo.
good kid m.A.A.d city - Kendrick Lamar (2012)
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i might get crucified by some for not putting this in my top 10, but whatever come at me i guess. gkmc is a fantastic record, but i do think the ending is weak, which is why it’s here instead of in the top 10. i mean, let’s be real, Real is a mediocre track, and while Dying of Thirst is an important track to the whole narrative of the record, it feels way too long. almost everything else about this record is fantastic, from the beats, to kendrick’s nasally flows, to the overall structure of the record spinning a tale of a young man battling demons both inside and out, and his eventual redemption. even if i find this record at times to drop pace, it really is flawless otherwise. it felt like a disservice to put this in the 20-10s, bc it’s a good record, but i had to make some compromises and this was one of them. 
RTJ2 - Run The Jewels (2014)
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el-p and killer mike are a perfect duo, and the tracks they make together are always total bangers. and for me, RTJ2 is the best overall, with RTJ3 in a close second. it’s hard to put this on the lower half of the list, some of the tracks just don’t work as well as the others, but despite that there’s not really any tracks i hate or dislike on this record, minus maybe crown. the pure aggression in the opening track Jeopardy sets the tone for an aggressive yet highly focused record. This is some of the best rap out there right now if you want some music to fuck shit up to. 
Pure Comedy - Father John Misty (2017)
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This record is both hilarious and extremely bleak. Josh Tillman is a master of satire and sarcasm, and Pure Comedy is the peak of his songwriting skills. The title track is one of the best tracks of the decade, period. And he keeps up the momentum on the following few tracks. The main problem with this record is its weaker second half, but even then it’s criminal to suggest that those songs aren’t good regardless. And despite the bleakness, the one line that sticks in my head after all this time is the line this album fades out to: There’s nothing to fear.
Knife Man - AJJ (2011)
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Continuing on the trend of folky, satirical, and bleak records, Knife Man is AJJ’s defining record (next to their debut LP). AJJ blends loud, punky anthems with quieter, folk tracks that touch on sensitive issues in a way only AJJ manages to get away with. And there’s some genuine heart mixed in as well, with the final track Big Bird always striking a chord with me. However, I do feel the record is, let’s just say, padded at times in my opinion. Still, I can’t deny how much i enjoy tracks like Gift of the Magi 2, Hate Rain on Me, The Distance, and Skate Park. Speaking of which when I saw AJJ live recently they played none of those songs and that kinda sucked but hey it was like $20 I can’t complain. And speaking of not getting what I wanted...
You Won’t Get What You Want - Daughters (2018)
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It was hard choosing between this record and their 2010 self titled record, but in terms of the overall narrative and variety this record shines through. If there was a number 11 spot in this unorganized list this would probably take that spot. It’s noisey, it’s abrasive, and it’s like nothing you’ve heard before unless you’ve listened to Daughter’s previous records. Tracks like The Reason They Hate Me are catchy in the weirdest and most unwelcoming of ways, Less Sex sounds like a long lost Trent Reznor NIN track, and Guest House is a masochistic and gut wrenching finisher. Fantastic record aaaaaaaaaaaaaaaaaaaaaaa.
We Cool? - Jeff Rosenstock (2015)
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It’s obvious that I had to include this record somewhere on these list. It’s like a more refined version of the sounds that Jeff experimented with on Vacation. Definitely more punk than ska, but still some of those roots still shine through, especially in the track Nausea. Some of Jeff’s best songs are on this record, from the loud opening tracks Get Old Forever and You, In Weird Cities, to tracks dripping with bittersweet and moody lyrics like I’m Serious, I’m Sorry and Polar Bear or Africa. The main reason this record is on the back end of the top 20 is because the deeper cuts on the record do not match the energy and heights of the best tracks. Tracks like All Blissed Out, The Lows, Darkness Records and Beers Again Alone don’t feel like they belong and stick out a bit. They remind me more of the material Jeff put out on his 2012 EP I Look Like Shit. Mind you they aren’t bad tracks, but I’ll be honest I skip them often when listening to the record because i just wanna get back to the good good stuff. 
Sports - Modern Baseball (2012)
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Sports is one of the best pop punk records ever, if you can even consider it as such. It’s like a blend of emo and folk punk, and it works so well. A good majority of this record is on my main shuffle playlist. Is it pushing boundaries? Not really, but tracks like Re-Do, Tears Over Beers, and See Ya, Sucker are undeniably catchy and memorable. I NEED MODERN BASEBALL BACK TOGETHER RN. There’s not really anything that wrong with the record, besides maybe lacking in variety, but at 30 minutes, it’s a record that feels nostalgic even on a first listen, and continues to feel that way even after numerous re-listens. Speaking of nostalgia...
The Suburbs - Arcade Fire (2010)
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Some background, when I was 13 (circa 2013), I only really listened to whatever my parents put on for me. From my mom, I “inherited” a taste for classic pop and 80s new wave. From my dad, I got metal and hard rock. The first time I made the conscious decision to listen to a record fully, based on my own curiousity, was when I sat and listened to Sgt. Pepper in the summer of 2013, which broadened the scope of what I thought music could even be. And later that year, the first band I got into after The Beatles? Arcade Fire. When I think of my early teens, the memories are set to this record. I remember listening to Ready to Start in my brother’s old hot ass car while driving to the local fair with some friends on a chill fall night, eating tons of junk and staying up past midnight back when doing that was edgy and cool and not a symptom of my depression. 
If I was judging this record solely by its best tracks, it would easily be in the top 3. But I couldn’t place it in my top 10 because, frankly, some of the deeper cuts are lacking. I can’t say I like Deep Blue. I really don’t like Rococo. And Half Light I kills the pace of the record. But man, that title track, Ready to Start, Modern Man, Empty Room, Half Light II, Sprawl II... these songs defined my early teen years. I still tear up listening to the title track. Sure I have to skip a few songs when I re-listen, but I can’t place it any lower or my heart will break. It existing outside of the top 10 already hurts. And that’s all that’s left now. The top 10. 
But first, some random honorable mentions that didn’t make this list:
Sound & Color - Alabama Shakes
Black Star - David Bowie
Saturation II - BROCKHAMPTON
Melophobia - Cage the Elephant
Teens of Style - Car Seat Headrest
How to Leave Town - Car Seat Headrest
Daughters - Daughters
Sunbather - Deafheaven
Bottomless Pit - Death Grips
Year of the Snitch - Death Grips (should be on this list tbh)
Doris - Earl Sweatshirt
I Love You, Honeybear - Father John Misty
Helplessness Blues - Fleet Foxes
Plastic Beach - Gorillaz
Boarding House Reach - Jack White
POST- - Jeff Rosenstock
S/T - Joyce Manor
Firepower - Judas Priest
ye - Kanye West
KIDS SEE GHOSTS - KSG
You Were There - Kill Lincoln
Flying Microtonal Banana - King Gizzard
Infest The Rats’ Nest - King Gizzard
No New World - Mass of the Fermenting Dregs
Bury Me At Makeout Creek - Mitski
Puberty 2 - Mitski
Unsilent Death - Nails
Itekoma Hits - Otoboke Beaver
Morbid Stuff - PUP
A Moon Shaped Pool - Radiohead
RTJ3 - Run the Jewels
Angles - The Strokes
To Be Kind - Swans
Undertale OST - Toby Fox
Scum Fuck Flower Boy - Tyler, The Creator 
Igor - Tyler, The Creator
Weezer (White Album) - Weezer
nightlife - yuragi
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rogue-rook · 7 years
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many highlights from The Stolen Century from a first-time TAZ listener (here there be spoilers)
oh hot damn a flashbacks episode!!!!!
“everything begins, and i mean that quite literally, with the light of creation”
the IPRE has some real nostalgic space exploration nasa vibes to it
travis: “i would like to state that, canonically, magnus calls him “cap’nport” because magnus, like I, loves portmanteau”
suggested names for the ship boat thing: boaty mcboatface, spinnaker (which just means boat), stinky spinnaker, laser spinnaker, hyper spinnaker, flying boat, tail spinnaker, fighting spinnaker, lightbringer, sky spinnaker, sky boat, sky weaver, star dancer, starblaster! the winner! starblaster!
the way they arrived at “starblaster” was such peak mcelroy Creative Nonsense
the reporters at this IPRE press conference have had increasingly silly names
justin: “taako and lup go to a bar and do what they always do at a bar, which is hustle people at pool” i love them so much! i didn’t love taako all that much for the majority of this story but now i think he’s cool as shit
I’m so SO SO SO SO SO EXCITED for lup to be a part of this and be a real character and not just a fucking GHOST haunting taako’s umbrella
magnus wants to go train with the bear of power and that’s the most on-brand thing for him to possibly want to do
travis: “magnus doesn’t kill animals if he can help it” not animals, but of course he has no problem killing dwarves, elves, liches, wizards, ya know, all those PEOPLE he’s killed
justin: “taako and lup are gonzo, they're out of here" magnus: “i’m like checking on bear cubs and making sure everyone's okay" merle: “im like increasing everybody’s speed with spells’ very on brand of everybody here
travis: “okay griffin i have a very important question that i should have asked before-” griffin: “is about your fucking hard candy supply?”
the entire set up of this arc is so fun and good 
justin: “yeah i've got a fucking genius plan and I'm gonna fix everything! come close, griffin, because I'm about to blow your game wide open. I’m going to make a fake light of creation. I’m gonna spend this year like a survivor contestant on their last legs, crafting a false hidden immunity idol. I’m going to craft, to the best of my ability, a fake light of creation. a decoy, if you will!” THIS IS GENIUS
taako: “okay, that’s all well and good but lup and i are going scrapping. this is the most civilized- this is the most technologically advanced place that we’ve been to yet, and I wanna load the ship up with all the valuable mechanical components I can find, so I’m going fucking looting, I’m gonna destroy as many robots as it takes, I’m gonna take these motherfuckers apart piecemeal, so I can take whatever cool magic is powering them. I’m going to loot this motherfucker to brass tacks, I’m gonna just loot and pillage” merle: “burnt earth” taako: “yes exactly”
lup: “i believe one of these times we’re going to get this right. and we’re going to find a way to defeat the hunger and save everybody inside of it. I have to believe that to keep doing what we do, becasue I have to believe that I’m going to get those 15 dollars back from greg fucking grimmaldis” lup is as cool and funny and DOPE as I was hoping she would be
one of these eps, they just kicked it on a beach for 35 minutes and were shitheads about merle’s attempt at gifts. the literal goddamn definition of a bottle episode. im only like 75% sure davenport was even in this fucking episode
travis has named magnus’s fish, magnus’s father-in-law, a rando reporter at the IPRE press conference, and a kid at one of the stolen century planets “steven”. all of those people/fish are called steven, because apparently travis has a thing for that name
clint just called lucretia “lucinda”
well now i understand why merle’s died 50 million times
taako: “i got bad news for everybody. our arch-nemesis is MORRISSEY”
magnus gets excited to learn to carve wood bc its something he could do with knives and weapons and shit and im like oh THATS the most magnus thing he could possibly do!!!
hey cool so barry and lup’s adorable love OWNS MY ASS
that was the sweetest falling-in-love story ive ever heard and it was like 5 fucking minutes. @ fanfiction writers throw all your barry/lup friends-to-lovers fics directly at my head PLEASE
davenport: “lup can you blow it up?" lup: "can i...blow up a mountain?....well, YEAH! but lets save that for a last resort" the legato conservatory person: “i'm going to firmly request that you don’t blow up our sacred mountain”
taako: “hey I’m taako, from TV” griffin: “uh okay-” justin: “what?” griffin: “you haven’t been on tv yet” clint: “it’s aspirational” justin: “yeah, its aspirational. hey I’m taako from TV. you’re all pretty wanged. you’re pretty fucked. there’s good news and bad news, and the bad news I’ve already covered, with the fucked-ness that you are”
jesus, shit got DARK
oh my god the voidfish that magnus saved in the stolen century is the same one on the bureau of balance base. that’s some heart-tingly shit. that’s that GOOD STORY SHIT
griffin: “your adventures in the back half of these cycles are more fraught than the first half” OH IM SORRY? MORE FRAUGHT??? REALLY, GRIFFY?
griffin’s judge character dude: "magnus, you have fought with others your entire life, throughout your adolescence you celebrated strife. i didn't mean to make that rhyme"
one of the future crimes accused of the IPRE crew is “cruelty to a child who loves them” and im like oh. maybe i shouldnt have wanted somebody to call them out on being mean to sweet ango
oh man i wanna hug lucretia so bad and take care of her and make sure she’s okay
griffin: “she wouldn’t go on to found the bureau of balance for decades, but this horrible lonely year, that’s when she became Madame Director” okay, yep, i love her, and i just remembered i was worried for SO LONG that she was hoarding the relics for her own gain and jesus christ IM SO SORRY I THOUGHT THAT, EVERYBODY, I REGRET IT SO BAD
magnus reading fisher the voidfish a story more like GREAT JOY AND HAPPINESS
justin: “taako like walks by [the voidfish] and you just hear him shout ‘give him the complete works of nathaniel hawthorne next!” griffin: “YOU FUCKING HATE THAT GUY!” justin: “fuck that guy” clint: “what do you have against nathaniel hawthorne???” justin: “he is the worst writer and everybody has to read him and it makes kids HATE reading” clint: “last of the mohicans???” justin: “thats- not him, thats james fenimore cooper” griffin: “BOO-YAH!!! [singing] take him toooo schoool” justin: “yall i know the name of TWO authors from that time period, and he did the ONE pull, that’s gonna sound so fucking smart” oh man maybe I really need to reevaluate my ranking of Favorite Mcelroys, justin just reached for the Deepest Cut To Make Me Love Him
magnus: “i don’t find anything useful in this library, so let that be a lesson, kids, you’ll never find anything useful reading books” yeah take that, you punk ass book jockeys
griffin: “I base it on just how much i like the scene, right? so take plus two bond” whoa what GRIFFY DOESN’T EVEN HAVE A SYSTEM FOR THIS SHIT?? HE’S JUST HANDING OUT BONDS AND ASSETS WILLY NILLY????
magnus: “oh, could i have been learning magic instead of feeding books to my buddy?” griffin: “your scene was really good though” magnus: “oh man i could have become a wizard” yeah and break the continuity of THE ENTIRE GODDAMN SHOW
this Lup and Taako’s Greatest Day chaotic destruction is the most fun shit that’s happened in this show
taako: “I pull off her blindfold to reveal this planet’s ONLY DMV. there’s one DMV on the entire planet” this planet has no people and no animals and no living anything besides the 7 ipre crew and yet there’s a DMV leftover from whatever civilization used to be here. UH UH UH SURE JUSTIN
jesus christ i can’t believe lup’s lich form dabbed in the goddamn middle of this ritual
travis: “griffin, i know this wasn't in the instructions you sent us, but I want to make a lightsaber, can I do that?" griffin: "absolutely not!"
the KrebStar is a dope name
griffin: "so like a lotta bear stuff, then, huh?" travis: "look im leaning into it"
travis: “I’m going to name the helmet BearFace- ya know, naming stuff isn’t magnus’s strong suit- and I’m going to call the pendant 2th Necklace”
griffin: “and she’s holding an umbrella” justin: “fuck you” THIS MOMENT IS SOOO GOOD
justin: "I think i speak for the rest of us, and like the entire audience, when i say I cannot wait to see what these fucking 7 items are"
“that was the last conversation you had with your sister” hey griffin. fuck you
“not all exits are equal” HEY GRIFFIN. REALLY REALLY FUCK YOU
oh man lucretia. i can’t believe you did that to everybody. man that’s. that’s rough
this is heartbreaking holy shit. barry begging his bestfriend TO KILL HIM so he won’t forget the love of his life is SOME GUTWRENCHING SHIT HOLY SHIT
this is a really amazing story and I’m so impressed with the way it evolved from a goofy mcelroy joke podcast into such an amazing compelling story
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dorianpavus · 7 years
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hi katie! i've seen looots of ppl talk abt critical role and i reeeally wanted to start watching it but i have no idea how it works. AT ALL. and i know there are LOTS of eps out there and do i have to start from the 1st one or is it something like season 1, season 2, etc? please guide me i'm really looost aaaaa thank u
omg omg!!! hi i’m so excited for you i love critical role so much!!!! :’)
so yes, there are currently like 96 episodes out… and most of them are 3-5 hours long. holy shit. it’s definitely a commitment, but super worth it imo (i love my family…. they are my family… so pure…. so positive). plus, you can watch it kind of like a podcast and just listen to it if you like, since so much of it takes place verbally. 
(though i actually prefer to watch it cause i love seeing their faces and their cute interactions and reactions and acting and just… ya know. to each their own :3)
BUT OKAY
there aren’t actually seasons!! i know on the critical role wiki they list episodes as in “chapters”, but it’s mostly just a fan construct to help group and organize the episodes. the game itself isn’t actually designed in Chapters/Seasons/Whatever, not exactly… 
THAT SAID there are a lot of story arcs and plotlines!!! that have clear beginnings and ends, and those are really helpful in dividing up and discussing the show. (usually the “chapters” of which ppl speak – they just take the story arcs and roughly group them together into “chapters”, though i think that tends to lump episodes together that don’t always belong together ya know)
in any case you don’t necessarily have to start from episode 1 – i mean, the cast members even played together for 2 entire years before ever starting to stream their games on twitch, so EVERYONE who watches the show is still kind of getting thrown into the middle of their journey. plus tons of fans start watching from like…. any given episode, and most of them turn out okay. :P
however, episode 1 is designed intentionally for people who are new (duh). it starts the Very First Arc of critical role, it introduces all the characters (for the first 20ish? episodes they have a little character-introduction video they play at the start of the episodes and during breaks that helps you familiarize yourself with the characters and their brief backstory & info).
i’m only on episode 66 myself (OUT OF 90 SOMETHING) but that’s partially because i’m determined to watch them in order…  because i love them and don’t want to miss out on anything. even though i’ve been watching for over a year, lmao. i mean, i’ve had a lot going on in my life!! ya know!!! (ok… but really i’ve been watching so much lately so i feel like i’m gonna catch up pretty soon lol).
ANYWAY
i can break down some of the arcs for you and give you some recommendations on where/when you might wanna jump in and why, without giving away spoilers! 
dun dun DUN
ARC 1 - KRAGHAMMER (ep 1-16ish) - so the first arc of critical role is designed intentionally to introduce viewers to both Vox Machina (the party) and dungeons and dragons. it’s a very traditional dungeon crawl where the party was tasked with rescuing an npc from a dungeon, so… story-wise, the plot isn’t the most interesting, and there’s a pretty fair amount of combat. but it’s vox machina! and you get to fall in love with them from the first time!! this is also most of the time you’re going to get to see Tiberius, a dragonborn sorcerer played by Orion Acaba. orion leaves the show around ep 27 i think, (which… to be perfectly honest i was really happy about because i kinda disliked him as a player… ahem… but other people LOVED tibs and orion so that really depends :P). all that to say, if you want to get tiberius content, if you want to truly get the whole Critical Role experience, if you want to get familiar with the group as they play and fall in love with their fans for the first time as you fall in love with them for the first time, arc 1 is the way to go. i do think it’s the most boring arc by far, and because the show was just starting out the production quality is by far the worst, but i still loved it, so. :P
MINI ARC - VASSELHEIM (ep 17-23, ***NOT*** including ep 22) - this is where critical role really starts to hit its stride. the players are more comfortable on screen, everyone relaxes, the story is funny and it’s kind of an In Between mini arc – the events of Arc 1 have finished, but the next arc hasn’t really started yet. you could call these “filler episodes” but they’re some of my FAVORITES, more lighthearted and goofy and fun as the party sort of takes a breather from the intensity of their previous arc. this also features the Slayer’s Take episodes, a series of 4 episodes that SPLITS THE PARTY!!!! and features guest characters for the first time, including my beloved Zahra (i’m lov!!!! her!!!!!!) played by mary elizabeth mcglynn. also featuring felicia day, wil wheaton, and will friedle. honestly these episodes are… fun. i love them so so much.
STANDALONE - EP 22 - keyleth-centric episode - episode 22 isn’t included in that above mini arc; it’s kind of a one-standing episode that features a moment in keyleth’s overarching character development and plot. it wasn’t my favorite episode, but it features some cool elements and if you like keyleth you’ll def wanna watch it.
ARC 2 - PERCY’S ARC - (EP 24-36) - yehhh boi!!! PERCY’S ARC. THINGS ARE REALLY HEATIN UP FOR VOX MACHINA. okay, some of my favorite episodes happen in percy’s arc, and you get a LOT of no mercy percy. there’s intrigue and danger and delish combat and just like… what more could you ask for? the stakes have really raised for vox machina in arc 2. i love it, and my personal recommendation would be to not skip this one. :P
ARC 3 - (ep 37/38, REALLY starts ep 39 and goes way past where i’m at right now so i haven’t even finished it yet) – so the first two episodes of this arc start of really slowly (eps 37 & 38); they’re setting up for the shit that’s about to go down, which pretty much starts in ep 39. this is sort of the BIG BIG BIG arc that spans like 30+ episodes. i mean, don’t get me wrong – there are a billion smaller arcs within this arc alone, but i’m grouping it together because… it’s a big overarching plot unlike anything we’ve seen before in critical role.  i mean, the majority of episodes of critical role have been about this arc, haha. even if you skip everything else (… though i don’t think you should :^)…), you’ll probably still want to watch from here on out. some episodes are better than others (my god, the Planning episodes…. rip) but like… this is sort of Modern Critical Role™.
ALTERNATIVES - of course, you could really skip that arc. you could jump right in right now to ep 96 if you want and just watch from here on out, as you slowly go back to watch older episodes (even though that gives away so many delightful spoilers and plot twists, it is efficient). or you could watch from wherever that big arc ends, which is probably around like ep 90 or something (i don’t know!!! i’m not there!!! i know it’s roughly around that point haha). wherever you want to start watching is up to you. critical role is a commitment. but since you did ask me my opinion, i’d say either start from arc 1 (even though it’s a little more boring/combat-oriented than the other arcs because it’s The Introduction, it’s really nice to have that background and not be missing out on great moments and episodes and stuff), OR skip the first arc and start with the MINI ARC beginning on ep 17. it’s gonna be a little less cohesive for you, and the cast doesn’t focus on explaining their background/what’s going on quite as much for you, but the stories being told are just kinda more fun, haha. OR start with percy’s arc. but i’d recommend not just starting on Arc 3 (aka The Big One) because you’d be missing out on a lot of fun and history and the important moments won’t mean as much to you because you won’t be attached to the characters and their world.
tl;dr either start from the beginning (which is what i did and i don’t regret it), or start from the mini arc or arc 2. or do whatever you want. :P
GOD I KNOW I WROTE SO MUCH 
I’M SORRY
just… i wanted to be…. helpful. lol. ahem. ANYWAY 
I HOPE THIS HELPED
even though i wrote a book D:
i hope you really enjoy critical role friend!!!! and thanks for asking!!! and calling me by name cause i melted!!!! :3
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mild-lunacy · 7 years
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The Holy Grail of Headcanons
It’s not that I don’t headcanon. I mean, at base, we all imagine the story somehow, right? I don’t have a pipeline that beams the narrative fully formed from any author’s mind to mine, let alone one that’s been dead for a 100+ years. I’m sure there’s no such thing as an IC Odysseus... and what would that even mean (beyond certain broad strokes). Of course, until the Novel came along as an artform, the idea of characterization was very, very fluid. Take the Arthurian legends, for example. It’s more like, ‘a bunch of merry archetypes walked into a bar’.... In that context, I’ll happily say that (for example) my Arthur was a minor Saxon warlord fighting against the Normans. There was never any love triangle. But I accept the Lancelot/Guinevere headcanon. Why not? It’s all good fun, and the possibilities are endless (as long as you make it make sense, so it’s not out of nowhere or over-the-top, ‘cause Mary Sues are always annoying to me, especially with female characters).
I don’t mind fun. Okay, that sounds bad. Let’s just say, I definitely think it is fun. But when I’m taking it a little more seriously, suddenly I’m taking it a lot more seriously. And then, it’s looking for the Holy Grail or I wanna go home (to canon). Because to me, the Story is always real (even if the way it’s made real is inevitably through a reading, which in itself is a set of headcanons). These are tame headcanons, though. Canon-friendly headcanons, made of love and close attention to the story. Headcanons with one purpose: illustration.
I guess I also feel that those medieval bards making those fun AUs is fundamentally different than the sort of thing where you consciously deny canon reality in order to substitute your own, superior reality, where everyone’s relatable and/or non-problematic. I don’t really get that, on an intuitive level. Instead of play, it feels like... war. Like waging war on the narrative. On one side: the Fan. On the other: the Story. In this stand-off, the Fan unquestionably wins. It’s disturbing to me. In the end, I hate taking sides-- in my own way, I love fandom-- but if I had to choose, I choose the Story that I loved in the first place.
It’s not that I don’t get why it happens. Sometimes, you know, stories are problematic in some fashion, and it’d be good to fix it. I suppose these viewers (and/or readers) feel the story is waging war on them. There’s a good reason to find a solution. There’s a difference, though, between an actual solution and a headcanon that’s slapped on.
One would be rewriting Draco Malfoy’s or John Watson’s arc-- that is, giving them one. I would be into that. It’s true that the majority of book 6 (and Series 4, respectively) would indeed be different, but good different. Productive different. But that’s not a headcanon, is it? That’s a whole fanfiction epic. Back when I was in HP fandom, I’d been very much into the idea of fixing canon with canon-divergent but IC epics, although I’ve never seen or written one that fit my (maybe rather extreme) standards, haha. It’s probably impossible to write a fic that’s as good as the HP books, except includes H/D and a whole arc for Draco-- I mean, if you did that, you might as well change the names and sell your own YA fantasy epic or something. Anyway, my point is that I’m just a bit perfectionistic and thorough if I decide canon needs fixing. Just a tad. A smidgeon.
By contrast, a headcanon is just... an idea. An idea that may or may not make sense in context. Most people seem to feel that making sense isn’t as important as just hating the canon less, or being less uncomfortable. A fair enough point. I think for me, it’s just a lot easier to make the canon work with my own headcanons (I mean, used in congress with the text), than making other people’s headcanons work. The way I mean ‘headcanon’ here, it’s just a little bit of smoothing. I wouldn’t rely on it for anything-- the canon’s doing the work-- but I’d be using my imagination to fill in the blanks. That’s fine. Going with the flow of the narrative, behind the scenes-- when the canon’s not looking, so to speak-- you can make a number of creative alterations. Queer readings can flower. Little details take on new significance. The story is enriched if we look more deeply between the lines, imagining the history behind John and Sholto, details about Harry Watson, or creating a story behind the new skull painting in 221b.
However, an idea that’s isolated or used against the text can’t actually fix canon, whether it’s a question of representation or characterization in general. Only a retold story can be equivalent to the canon story. You can’t say either ‘John is bisexual’ or ‘Gansey is bisexual’ without telling the story showing that he is; that is, you can (and people do) certainly see it, but it has to be a deep, internally consistent reconceptualization of the entire narrative. At that point, it’s not an idea or a headcanon, so much as an entire reading. A full story, if only told to yourself. I think that’s why I was so drawn in by some of the meta behind TJLC (as opposed to any other Grand Theories in Sherlock fandom). TJLC spoiled me, because it is absolutely unique in that it’s a fully realized reading that creates that internally consistent, epic continuity I said I was looking for in HP. Perhaps it was actually impossible in HP. As I once said, if TJLC is fanon, and perhaps especially if it’s fanon, then it’s the apotheosis of fanon: fanon as it’s meant to be. A reading that works with and improves upon the text. That’s the Holy Grail. The only thing I’d be satisfied with. TJLC or canon: accept no substitutes.
Naturally, none of this is necessary, because you can imagine whatever you want. All I’m saying is that the ordinary stuff-- your everyday headcanon-- does nothing for me but constantly induce cognitive dissonance. It seems like an exercise in denial, sort of like fake news. I couldn’t believe in most what I see even if I wanted to: it’s obviously false. The fact that other people want to is thus a source of bewilderment and some pain. Mostly, that is due to the social nature of fandom. To some degree, participating in fandom these days means interacting with other people’s headcanons (or fanon, essentially). When the majority of headcanons are of the ‘fake news’ variety, it’s a constant exercise of staging mental defenses or using mental resistance to reassert what I know to be real. It’s... not fun.
I can’t help but feel that just because you call a square a circle doesn’t actually make it a circle, even if it’s fiction. Most people do have an issue when stories don’t make sense (a source of many headcanons!) but they don’t really have an issue where the ‘fix’ itself has to make sense in context. If the viewer feels it works, then it works: that’s the nature of a headcanon. It’s why they usually drive me insane. I probably interrogate canon less than fanon, because canon has stylistic and at least some assured plot/characterization continuity. It’s easier just to understand what canon was doing, rather than inventing a whole storyline from whole cloth to fix it (as any fic writer can tell you, it takes a lot of work-- a lot more work than a headcanon patch, anyway). For most people, it seems that headcanons are different. If one works in the fan’s mind, it’s real enough. At that point, the entire fannish enterprise feels pointless to me except for perpetuating that seemingly eternal conflict: us, the Fans vs. the Story.
I think to me, TJLC was the Holy Grail ‘cause it squared the circle. It’s the fanon story that enriched and transformed, more than the sum of its parts. Naturally, it could only happen because people were only describing what we saw rather than trying to ‘fix it’. I think when you simply say what you genuinely see, and you read closely and honestly, usually it makes sense. And if it truly does make sense, it’s real. It’s true, the way great stories always are.
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