Bemba dancers, Zambia, by Zambian Footprints
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"Pauvres Créatures" de Yorgos Lanthimos - adapté du roman éponyme d'Alasdair Gray (1992) - avec Emma Stone, Mark Ruffalo, Willem Dafoe, Rami Youssef, Vicky Pepperdine, Kathryn Hunter, Suzy Bemba, Hanna Schygulla, Jerrod Carmichael, Margaret Qualley, Christopher Abbott et les participations de Raphaël Thiéry, Damien Bonnard et Patrick de Valette, janvier 2024.
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Rwanda-Congo : quelle voie empruntée pour réussir la pacification ?
[04-03-24 22:02] : Merci, frère.Est-ce qu’à ta connaissance, le Président de la République, joue un franc jeu avec son peuple que nous sommes, sur la question des FDLR d’une part et celles de tutsi congolais et du M23 d’autre part ?
[04-03-24 22:05] : Moi, je doute de sa sincérité et de sa capacité de nous aider à aller vers une paix véritable et durable qui passe par des dialogues francs entre…
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Suzy Bemba as Toinette in Poor Things (Film, 2023).
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Emma Stone et Suzy Bemba dans "Pauvres Créatures" de Yorgos Lanthimos - adapté du roman éponyme d'Alasdair Gray (1992) - janvier 2024.
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10 things I thought about while watching
POOR THINGS (2023)
A film where plot twists breed faster than rabbits. Are we in a melodrama or a soap opera? I'm not sure, but someone pass the popcorn; I'm here for the drama buffet.
The Victorian-era fashion in this movie is more dramatic than the actual plot. I'm not saying they dressed better than they acted, but I'm not not saying it either.
The various accents in this movie are like a linguistic ballet, pirouetting between charm and confusion. Are we in Scotland? England? Does anyone know? The accents deserve an ensemble Oscar of their own.
The CGI is either a poor attempt at special effects or a groundbreaking artistic statement. It's like watching a battle between a budget and a visionary director who refuses to compromise.
The narrative choices are more twisted than a pretzel at a contortionist convention. It's like the writers decided to see how many curveballs they could throw without giving the audience whiplash.
The lead performances in Poor Things are either Oscar-worthy or deserving of a coffee break, depending on whether you appreciate their commitment or think they've just memorized the thespian handbook too well.
The dystopian vibes make me question if we're in a post-apocalyptic future or just at a costume party where everyone misunderstood the theme.
The mad scientists in this film are more eccentric than your aunt's knitting circle after one too many cups of chamomile tea. Are they geniuses or just misunderstood individuals with a penchant for dramatic gestures?
The dialogue is like a symphony of nonsense. Are they crafting poetic lines or just rearranging words until they sound vaguely profound?
The ending of Poor Things is either tying up loose ends or just knotting more confusion into the narrative. It's like trying to solve a Rubik's Cube blindfolded while riding a roller coaster.
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