#besides fanworks. we know better than they ever will

[schwarzeneggr]

the tsundere trope has never been exploited well ONCE

[inoppositionflorien]

There is no useful way to categorize generative AI as stealing that doesn't also categorize essentially every creative work ever made as stealing.

Further, there is no way to develop generative AI which does practical things, like translation and protein folding, without developing generative AI which does literally anything else, because protein folding, translation, and making a creative work are functionally the same process from a programming perspective, and programmers tend to like open source things.

These things are pretty well established, but also seem to routinely be ignored. So why? Well, I have some speculation about why people might be wrong on the internet. A number of these things may be true in any individual of course.

They just don't know these things to be true, despite them being true, because they haven't heard them yet.

They have heard them but don't believe them, because it would be convenient if these things were not true (because they also have one of the later reasons too)

It's part of an ideological package deal they picked up somewhere, picking up some components of the ideology means they must pick up the others, and part of the highly online progressive ideological package is "anything made by a programmer that attracts media attention must necessarily be bad"

Everyone wants to be an artist, but they see potential competition. Thus, the competition must be defamed. It is also socially acceptable to lie, exaggerate, or generally wildly speculate about machines, so absurd easily disprovable claims get repeated.

People remember how much fun it was to bully cryptocurrency people, because they were a relatively small community that clearly signposted themselves, skewed ideologically right-libertarian (an extremely rare ideology in the real world and thus a desirable target), and defined themselves around a product that made very little financial sense and was impractical for basically everything (and was made by and for goldbugs but that's beside the point). They then assume, partially because of option 3, that anything that programmers make must necessarily make little financial sense and be impractical for basically everything, even when this is not true, and then assume therefore bullying Generative AI people might also be fun, because "they're basically the same thing"

Having enemies is fun in general, and a decently insulated mid-sized community has decided AI people are an ideologically acceptable enemy to have, so if you're going to have an enemy, why not have them as the enemy?

Valorization of certain forms of labor over others. (why is the corporate artist more important to defend than the auto worker who got automated out of a job earlier?)

Desperation for there to be something humans are better at than a sufficiently well-programmed computer, they already dominate board games and repetitive industrial tasks, and now they're coming for slightly less repetitive tasks, and if we don't have slightly less repetitive tasks, what do we have?

Fear of SEO spam and people using AI to lie on the internet (this is a particularly weird one because we already have SEO spam and it's comically easy to trick people on the internet, and it's doubtful generative AI would make either of these problems worse. I've seen people reblog the most obviously fake things like they're real! Using AI to lie on the internet would be like trying to kill an ant with a nuclear bomb, it might work, but also you could just lie about someone pretty directly or create a fake post that you claim is from an opponent and then mock them for it, and basically no one is going to check it. This particular moral panic is actually recycled from when photoshop was new)

Maybe they just genuinely do want more restrictive copyright law that allows companies to maintain very close control over their IP? I have seen this take in the wild but not so much in my tumblr circles, generally it's something about "fanworks butcher the source material and parodies are often lazy or shallow, therefore IP should be more restrictive to prevent those things from happening."

They don't like generative AI for some other reason (they're an educator and got handed a generated essay and had to grade it, they blame it for contributing to the continued decline in quality of search engines, they dislike how companies keep trying to make A Virtual Assistant Like From The Movies a thing and don't fully remember that this "we're going to make virtual assistants a thing" has been going on since at least Clippy and probably way longer) and then generalize their dislike to every aspect, because one aspect annoys them but they don't feel that's justification enough to be angry about it.

Anyway that's my speculation. Maybe there's other reasons why people keep making incorrect statements too, but I can't think of any that wouldn't be covered by these points right now.

[sol-consort]

omgg a mass effect blog?? in 2024?? unreal and amazing (0-0)!!! I saw that you write for every character so I was wondering if you could write some relationship hc’s for Jack x gn! Renegade!Shepard? I’m such a sucker for the asshole x asshole but are secretly soft for each other trope😭 Also i’m amazed you write fro Ashley too?? Like is my girl finally getting some love? I remember how much the fandom hated her some years ago, like say something as simple as “I like Ashley and her character arc” and boom you were labeled as alien racist yeehaw 💀. It was hard being an Ash enjoyer 😔

I'm reviving this bitch! I just discovered the fandom this month I will be loud and annoying about it until the zombies come out.

And here you go! Here is your request. <3 I hope you enjoy it.

I had to go watch renegade maleshep with Jack so i can get the vibes right and my god, I am so happy I picked femshep bc the male voice acting is very...stoic potato with angry eyes drawn on it. But I missed on Jack's romance which is bullshit bc she states she has slept with woman before so why not meee :"(

But I also it gave me a different perspective on her character. Kelly mentions how avoiding having sex with Jack is the way to gain her respect. And because femshep can't romance her, it means Jack respects you way earlier than maleshep and it kinda shows in her dialogue. Like she got a true friend and women supporting women!

I took the paragon options, which yeah made her make fun of me, but I felt like she was owed some kindness. I am making my Shepard a bit naive too, It adds flavour when i get betrayed.

AND ASHLEY I LOVE HER I ADORE HER. if i had a nickle each time an hated woman character in the fandom with little fanwork made me start a whole blog out of spite just to post about her then I'd have two nickles, which isn't a lot but it is weird that it happened twice with bg3 Minthara then this.

Ashley is just so adorable? Even without her romance she genuinely shows love and devotion. Like yeah Kaidan is Shepard's bf but that's all it feels like. Just a romance option.

But Ashley??? Ashley is femshep true pal and bro. She's been there through thick and thin. Her voicelines are priceless and I took her with me on every single mission in ME1 new game plus.

But damn yikes- they do know that half the humans start off as alien racists and change? Even Ashley wasn't that extreme about it, and she goes through character growth and becomes fond of aliens. Pressly also called them animals, and Kaidan says he isn't big on alien cultures.

Ash wasn't afraid to speak her mind, she always expressed her opinions and took it in stride if you criticise her views and tell her to pull herself together. She considers your words and becomes better.

And we can make Kaidan more alien racist, that guy is willing to become a xenophobe for some pussy, but only if you're femshep. While Ashley can be changed without having to romance her. People really can't handle women with flaws or personality.

And let's not forget that it was Ashley staying on the deck with three different aliens on it and not once did a problem accure. Ash was defensive because she thought they wouldn't like humans, not because she hated them. Not once do Garrus, Wrex or Tali mention anything bad that Ash has done ever. They were right besides her too! Because she hasn't done anything bad.

She is so cute, so precious and the fact her grandpa salutes to her. The fact she walked into the military where they blacklisted her family just to restore their honour and make her grandpa proud? I'm choking in tears rn. And her precious sisters that she took care of, she practically raised them.

She is strong and unimaginably brave. Also, look at this adorable video of her saluting.

[sharonisthebettercarter]

You rubbed many people the wrong way. It’s way wider than just deliciouskeys. You went into the fandom with that post about how the fandom doesn’t read the comic and needs to read the whole thing before deciding they don’t like it. So guns blazing. You keep setting yourself apart from the rest of the fandom, right from the start. You don’t make an effort to be friendly, or produce any fanworks. Then you wonder why so few talk to you or follow you. Then you force people to interact with you by going anonymous into ask boxes. Are you and the diamond person the same person? It’s really creepy.

correction~<3

you DIDN'T actually READ the post (or had a lacking reading comprehension education) because if you had (without some sort of preconceived idea in your head based on the title alone), you'd have very clearly seen it wasn't about that.

it WAS about the 'misconception' people, specifically, who *had not read the comics* had about them. something i gave an example of in screenshots. that i have seen touted about like fact when it's literal DISINFORMATION. or at the very least, misinformation, which i think it's fair to take issue with.

if that wasn't *YOU*, why do *YOU* feel personally attacked/called out by it?

and i wasn't even nasty to those people, i made my piece with too much passion sure, but to challenge the thought, correct the misinformation, and offer up ideas. hopefully get people to give them a try.

and i *did* try to reach out and interact with people. i was either ignored or met with hostility while i was trying to be neutral/nice, even when presenting a different opinion. gave screenshots of this too~!

and if you have a problem with the way i present myself, flare up my writing with ~<3<3 or ;)))))))))))) or whatever. or even how much i swear. i don't claim perfection, i know i can be a disaster rage monster with WAY too much passion, and i KNOW not everyone's going to like me, but treating me like a demon or ugly stepchild of fandom over fictional shit and bullshit opinions/prompts that have hurt no one who's tolerant of differing ideas?

i'd rather be treated like the village idiot. i was happy enough to go on *thinking* i WAS.

you just confirmed otherwise.

if you are honestly defending that kind behavior because someone YOU DON'T KNOW 'rubs you the wrong way' ONCE or over something you also don't bother trying to understand, you aren't interested in hearing anything they have to say or seeing them as anything besides 'other'. and YOU are guilty of the same awful habit.

work on it.

baby, i've been through this rodeo before, to hell and back, it used to be my default setting too.

a smart/kind person asks questions when they don't understand something or want it clarified. a stupid asshole assumes. and i have been BOTH and sometimes still am one or the other if not both at the same time!

smart and kind people can also be stupid assholes when they overthink things and fail to realize that occam's razor is what's applicable.

no human is a string of robotically predetermined actions, but we are creatures of habit. habits can be broken or made.

THAT's why i recognize it when i see it, TRY to diffuse it when i can, and TRY to work on myself and be better.

but EVERYONE has their limits and you DO NOT get to justify someone LYING about someone and pulling this kind of shit simply because you decided you 'dislike' them or 'they aren't part of the group', before ever even listening or giving them a voice.

that's called bullying.

and 'oh gee, i wonder why so few people follow or talk to me' has never once been written in any of the shit i write. i say my piece and if it gets no engagement, it gets none. whatever. but assuming i give a shit when that's of least concern on the topic is just you being obtuse.

that's called a strawman because you're making an argument out of thin air from a point i never made.

i draw the line when people drag my friends into this shit. no, dd and i are not the same person. not all of the fucking anons are me or her, i do not have that kind of time, health, or motivation. neither does she.

not that me saying that will fucking matter since you probably won't care/believe it anyway.

but we are like brothers, only closer~<3

but if you still think i'm the creepy asshole, fair enough. so fucking be it. learn to coexist and get over my annoying turd existence.

it doesn't justify you or anyone treating me or anyone else like shit when i don't bother anyone or have malicious intent.

[sagurus]

Regarding a Common Misconception of Hakuba Saguru

Lately I've been doing some reflecting on Saguru & the various ways I've seen him portrayed, as well as the ways I've portrayed him in the past. And then I was rereading some MK manga, and had some realizations. I've been feeling like rambling about them! So here I go, rambling.

[Disclaimer: I'm not personally taking issue with anyone's interpretation or impression of Saguru - just sharing my own impressions! This is just for fun <3 ]

Misconception: Saguru is constantly accusing Kaito of being KID

It’s a generally accepted fact in a lot of fics I’ve read (and honestly, maybe some fics I’ve written -- I used to hold this belief too!) that Saguru just unendingly insinuates that Kaito is KID--alone, in front of other people, always.

I won’t cite any here, but I’ve seen nods in fanwork to Aoko feeling a little stressed/frustrated about the fact that Saguru thinks Kaito is KID and makes it known. I’ve also seen fanwork where Saguru explicitly calls Kaito KID, presses Kaito for information, or otherwise makes his beliefs clear, even when others are around.

There are only five scenes in the Magic Kaito manga where Saguru makes direct indication toward his knowledge of KID’s identity.

First, of course, we’ve got chapter 17 - the first chapter where Saguru puts together that Kaito is KID.

For a long time, when I’d consumed more fic than MK canon, I recall an image born in my head of Saguru singling Kaito out in class and making the claim that Kaito is KID in front of everybody. I don’t know if I ever read any such allusion in a fic, or if it’s just an assumption I drew based on portrayals I read, but imagine my surprise when he does nothing of the sort.

Now, to be fair, Saguru is A LOT in this chapter. MK is still heavily in gag manga territory, so his behavior is extra extra played up. But if we take away the visuals, the dialogue between Saguru and Kaito can be summed up thusly:

[First scene where Saguru makes direct indications as to KID’s identity]

Kaito: You look so tired. Haven’t gotten enough sleep after chasing KID for three nights In a row, huh?

Saguru: Hmph. Aren’t you tired as well?

And then, a few beats later in the conversation:

Saguru: I’d like to invite you to the Ochima Art Museum tonight, where KID’s declared his next target. Kaito: Eh? Saguru: Then, you’ll understand why I’m so tired. Or, do you have other plans tonight? Kaito: Okay, I accept your invitation. It’ll be great to see your work in action!

And that’s it, that’s the big class confrontation. Aoko is present for it, but she’s more interested in joining in on the fun, and while I do think Aoko pieces together that Kaito is KID, she prefers to live in willful ignorance of it until it becomes impossible for her to ignore. She’s bright enough to pick up what Saguru’s implying, but because he never brings it past implication, there’s no reason for her to look at it too hard. Anyway, I digress. That’s conjecture and headcanon talking. My point is that Saguru never makes any explicit claims, just invites Kaito along to the heist.

Another neat thing about this scene is that--while certainly not motivated by mercy in this case, Saguru does give Kaito an out: “Or, do you have an excuse not to go tonight?” Of course, if Kaito took it, it would be rather damning, but I do think it would have been enough confirmation for Saguru. I don’t think there would have been any arm-twisting to get Kaito to agree.

But Kaito and Saguru are competitive bastards, so here we are.

Let’s move on to the heist!

Once again, the manga certainly plays up the whole ordeal. Saguru is intense and waiting for his moment, and Kaito’s being, well, Kaito.

At the heist, there are a few points where Saguru has opportunities to make allusions to Kaito being KID in a way others would pick up on, or otherwise make his suspicions known, but he doesn’t.

First of all, is this exchange:

Nakamori: Why are you guys here? Aoko: Hakuba-kun invited us! Nakamori: What’s the meaning of this, Hakuba-kun? Saguru: I thought she might like to see if KID is arrested tonight. Nakamori: You’ll fail if you’re too cocky! Saguru: We’re well-prepared. Besides, who knows… KID may already be here.

Saguru does imply KID could be present, but he makes no indication that he means Kaito. His next opportunity to hint at Kaito being KID or otherwise make accusations is when Nakamori asks him to consult as a magician.

Nakamori: Kaito, since you’re here, do you want to use your magic against KID? Kaito: [laughing sheepishly] Saguru: Oh, I want to see that fight, too. If you really can do it.

Needling, yes. Saguru knows what he’s saying and so does Kaito. Accusations, no. This is well within the realm of something Saguru would have said even if he didn’t suspect Kaito, considering their dynamic up until this point.

And then, the most explicit Saguru ever gets in terms of literally calling Kaito out as being KID, beginning when Kaito excuses himself to go to the bathroom right before the heist:

[Second scene where Saguru makes direct indications as to KID’s identity]

Saguru: [handcuffs himself to Kaito] Kaito: Huh? Saguru: I won’t let you do that, Kuroba. Kaito: What do you think you’re doing?! Saguru: I got the report back from the lab. The hair I got from KID indicated that he’s a high school student. After I compared KID’s data with other high school students’ data in the database… Kuroba Kaito came up in the final list. Kaito: That’s a coincidence. Saguru: Really? We’ll see soon enough. Let’s wait until the time KID is stated to come. [Some heist hubbub occurs as officers get into position even though KID hasn’t arrived at the heist time] Aoko: What? KID’s not coming? Saguru: Ha! It looks like I win! You’d better confess who you really are.

And from there, of course, ‘KID’ (Akako in disguise) swoops in and takes care of the heist. That more or less wraps up chapter 17, the first chapter where Saguru understands that Kaito is KID. And I would argue this is the most aggressive Saguru ever is. In fact, rather than persist in trying to accuse/capture/implicate Kaito as KID, he straight up vanishes from the narrative for several chapters.

Saguru doesn’t show up again until the Chat Noir heist, in chapter 25, when he calls from France.

It’s also important to note that at this point, Magic Kaito’s narrative has experienced a slight tonal shift. At the very least, while still often comedic, it reads less like a gag manga. Between the last time we saw Saguru and now, we’ve learned the apparent motivation behind Toichi’s murder, we’ve met Snake (an albeit rather incompetent villain) and Kaito has faced down gunfire and the danger posed by Snake and his men.

The way Saguru is portrayed has also shifted to reflect the shift too. Instead of a hulking antagonist-like character in a Holmes cosplay, he’s dressed primly and presents more as a cheeky but polite character. He’s also more effectively emulating the charm that the story tried to imply he had early on (“Hakuba Saguru, at your service!”, the girls in class fawning over him, the newspaper calling him out as a famous detective making a long-awaited return to Japan).

The interaction is entirely less antagonistic, too. For reference, I’ll paste the exchange (sans Saguru’s massive info dump) below.

[Third scene where Saguru makes direct indications as to KID’s identity]

[At the heist for the golden eye] Kaito: [Hiding in a bathroom stall while putting on a disguise] [His phone starts ringing] Hello…? Saguru: Hi, it’s been a while. Are you still alive? Kaito: [Thinking] This sugary yet obnoxious tone of voice is... Hakuba?! Saguru: You’ve made quite the stir in Paris. They’re all talking about how France’s Chat Noir is going to go up against you in Japan. Kaito: Idiot! It’s not me. It’s Kaitou KID! Saguru: Ha… it doesn’t really matter. I’ll share some information that I gathered over here. [Info dump cut from dialogue] Well! That’s about all I have to say. Do your best. I don’t want to see you lose to anyone until I capture you myself. Kaito: Like I’ve been saying, I’m not KID! Saguru: Oops, it’s almost time for the Paris Fashion Week. See you! Kaito: H-hey…

The only part of this conversation that I could consider to fall into the territory of antagonistic is when Saguru says “I don’t want to see you lose to anyone until I capture you myself.” And more than anything, I think this is less reflective of a real desire to capture Kaito, and more reflective of his competitive nature. Not to mention, within the context of the conversation, it feels much more like teasing than anything.

Saguru’s motivation for making the call is clear: He doesn’t want Kaito to lose, and he wants to help ensure Kaito’s success.

And most interestingly (although I’d like to see the raw manga to confirm this, or otherwise a more literal translation) he never explicitly calls Kaito KID either. Outside of alluding to KID’s actions, Saguru doesn’t explicitly say Kaito is KID or mention KID at all. It’s Kaito who does that.

When Kaito points out that he is not, in fact, KID, Saguru doesn’t argue. He simply brushes off the denial and shares the information he’s collected.

So, to summarize what we’ve covered so far: after Saguru failed to arrest Kaito during chapter 17, he stopped troubling Kaito so thoroughly that the next time he features in the story isn’t until he’s calling from overseas to try to lend Kaito some helpful information. He’s not even playing a part in trying to capture this thief he allegedly wants to catch.

And then, Saguru dips back out of the narrative, although for a shorter period this time. The next arc he appears in is a few chapters later--the Nightmare Heist which he arrives in the middle of. But, there’s not any interaction between him and Kaito, nor any allusions made by Saguru about KID’s identity, so we’ll move on.

The fourth time Saguru makes any indication that Kaito is KID is during the Corbeau arc, when KID is being challenged by a clad-in-black KID lookalike.

Before jumping into that specific scene, though, there’s another interaction I’d like to call attention to--between Saguru and Nakamori. Not because of something Saguru says, but because of what he doesn’t say.

Nakamori: Hahaha! Looks like you let your guard down because you thought I was at home with a cold! Saguru: Our plan succeeded, it seems. Nakamori: But I only told Aoko I had a cold, so how does KID know…? Saguru: Hm...

If Saguru were wanting to make some kind of accusation, even a non-explicit one, he would have made some remark. Instead, he doesn’t say anything at all, which continues to speak to the fact that he isn’t really interested in implicating Kaito.

Anyway, the next time Saguru makes any sort of implication that Kaito is KID he is, once again, trying to help. Last time it was over the phone, so the conversation was private. This time, the conversation is in a classroom, although based on the panels, it seems like Saguru and Kaito are alone at the beginning--or at least, no attention is being paid to them.

[Fourth scene where Saguru makes direct indications as to KID’s identity]

Kaito: [Talking to himself] It must be the case, there’s no other way. There must have been some trick with the case.

Saguru: [Eavesdropping, apparently alone in the room with him] The case didn’t contain any hidden mechanisms. Kaito: Eh? Saguru: No hidden doors or things like that, as are often used in magic tricks. Kaito: W-what on earth are you talking about? Saguru: A new notice from Corbeau arrived this morning. ‘I’ll come and take the real Midnight Crow tonight.’ My name is Hakuba--so I don’t want a ‘white’ person to lose to some ominous black crow. [From here, Akako and then Aoko jump into the conversation.]

Surely a classroom is a risky place to have a conversation about KID, but the nice thing is that Saguru--once again--doesn’t bring up KID at all beyond saying that he doesn’t want the ‘white[-clad] person’ to lose to the black crow. From the outside looking in, all he’s doing is sharing information about the case with Kaito. It may also seem unwarranted from that perspective, but not at all implicating.

Also, another thing I’d like to call attention to is that when Akako joins the conversation (and seemingly blindsides Saguru, as if he wasn’t expecting anyone else to join), Saguru stops talking. He continues to be quiet when Aoko chimes in, and he doesn’t have any relevant dialogue for the rest of the scene.

Once again, Saguru’s clearly motivated to share information in the interest of helping Kaito. He has to share with Kaito’s civilian identity, since he can’t exactly arrange a conversation with KID, and this is likely the easiest way for him to do it. He makes no accusations, and this time he doesn’t even imply he wants KID caught.

So--Saguru is a part of the narrative again, but since rejoining the narrative he seems less interested in actually catching KID and far more interested in helping Kaito. And no accusations or incriminating allusions have been made since chapter 17, before Saguru’s first hiatus from the story.

The final time Saguru nods to Kaito being KID is from the Sun Halo arc. This is probably the interaction that’s closest to what fanon tends to depict when it comes to Saguru making subtle accusations that Kaito is KID. And even then, I tend to take this arc with a grain of salt if only because it felt less like Gosho was trying to add to the story and more like he was just trying to make a Magic Kaito addition that hit various fan expectations while still being wildly disappointing, lmao.

[Fifth scene where Saguru makes direct indications as to KID’s identity]

Saguru: [approaching and commenting on Kaito’s motorcycle] I see, a Suzuki GSX 250R. Akako: Ah, Hakuba-kun… Saguru: You’ve shown me something interesting. Perhaps this might help the police tonight. And could it be that you’ve forgotten… that the only motorised bikes we’re allowed to ride to school are scooters? Kaito: Eh?! For real?!

Once again, Saguru doesn’t explicitly mention KID at all--and segues from his mention of the police to pointing out that Kaito is breaking the rules right now, actually, which helps blend this teasing comment into the conversation.

Yes, later in the chapter Saguru does show up with a team of motorcycle experts. But that also means there’s more disguise opportunities for KID and more factors to account for, thus complicating things for, well, everyone--not just KID.

Also, I tend to dismiss that as Gosho throwing in some comedy, and as less to do with Saguru’s character. Call it cherrypicking if you like :P

To recount--there are five times where Saguru implies Kaito is KID.

The first two are in chapter 17, when Saguru first puts it together, and it is during this chapter that he gets the most explicit about calling Kaito out as KID, as well as the most aggressively he behaves about it. And he backs off so hard after that doesn’t work, that we don’t see him for several chapters.

The next two times he implies Kaito is KID are both in order to help him. No aggression or accusations, just the sharing of information. Even when teasing or suggesting he’s interested in catching KID, he’s good-natured about it, and when he realizes there are potentially people witnessing the conversation, he stops participating.

The final time he implies Kaito is KID is a tiny comment about finding something Kaito has shown him ‘interesting’ and ‘helpful for the police’ before smoothing into gently teasing Kaito for bringing an illegal vehicle to school.

In conclusion, Saguru may start off apparently aggressive in part thanks to early Magic Kaito’s overall tone, but rather than persevering in trying to catch Kaito after cornering him in chapter 17, he actually seems to back off. Once he’s playing a part in the narrative again, when he interacts with Kaito it’s almost exclusively to help him. Yes, he is on the task force and participating at heists, but where it matters, he’s less interested in catching the thief and far more interested in those the thief is opposing (excluding the police force).

[monkey-network]

Good Stuff: Best of 2020

I don’t need to say much about how this year sucked. What matters is that if you’re reading this, congrats because you made it through and you’ll know that animation in 2020 has certainly made its marks as much this year as it did the last. Effort was still made to provide some of the best entertainment imaginable, and I’m here to provide the TOP TEN BEST entertainment I’ve experienced and loved this year. With that said, let’s get to it…

10. Sonic Rebuilt

I’ll admit, I don’t like the Sonic Movie. It was not a good film to me & while I’m holding out for the sequel, I genuinely never want to see it again. But like Biden to Trump, the people behind Shrek Retold gave us a reanimated telling of the Sonic 1996 OVA. Like Shrek Retold, it offers a compelling new light to the OVA and while the original is much cleaner, and it’s not the most hype thing to come from Sonic overall, the imaginative cauldron of artists that put into this makes it far more rewatchable. 

9. Central Park

I knew after watching Bob’s Burgers that creator Loren Bouchard would eventually make a musical cartoon and I’m glad I was right. Central Park is a first for me where it’s an animated musical that isn’t a film or only occasional like Steven Universe or Adventure Time and while it isn’t the best plotwise, the numbers themselves were heartfelt and sometimes catchy. There’s a struggle in being episodic and serialized, and it’s a slow burn to connect with the characters, but this was admirable in its experimentation and I’m interested in the direction season two will go.

8. Interspecies Reviewers

The first horny anime I can safely say was never an off-putting or one-note gag fest; that’s gotta count for something. The momentum of this series never truly dies and even when there were a couple times where I just wasn’t feeling it, they pull me back with something ten-fold entertaining. Fresh variety is what I can describe this series at its best, it knew how to keep things going and growing even when it’s otherwise formulaic. All the while, this series never felt tasteless; it really felt structured and gallantly clear-minded in what it wants to show. Plus, it has Crimveal who next to Steven Universe is the best boy of 2020. Of course this show ain’t for everyone but my god, it does so much right for me upon most ecchi stuff.

7. Primal

I wanna believe this was what Genndy Tartakovsky always wanted to make after Samurai Jack ended (well, the 2nd time). This show really exhibits his many techniques in direction, like you can tell this is his work if you’ve seen his other shows. Primal always feels like the culmination of all that’s he towards as a man of animation. Even with the roars and the harsh sounds of violence, this is the only cartoon that never says anything but conveys everything so vibrantly. This admittedly isn’t my favorite piece from Genndy, but it definitely made it’s way to the top three.

6. Team Fabulous 2 Reanimated/Suponjibobu Anime

We got a tie here because these I especially felt brought people together. Suponjibobu brought people together to celebrate Spongebob Squarepants like never before, making it as legendary this year as Mr. Krabs Overdoses on Ketamine. A beginning to a series long in the making and can hopefully go for more as animation on Youtube has certainly delivered. 

The Team Fabulous 2 Collab was where a community came together to honor the creator to one of the most recognized fanworks for a game that has stood the test of time. Like Sonic Rebuilt, it’ll never replace the original but god damn it’s like the stars aligned, especially after we were dealt with another loss this year, where we could appreciate TF2 for the culturally powerful game that it is.

5. Crash Bandicoot, It’s About Time

I’ll say again but this game feels like a dream. A good, fresh looking, fun to play Crash Bandicoot game that feels like the gamiest game this year after all the discourse surrounding Last of Us 2 and plenty other shit surrounding the game industry, Nintendo included. Like, I just gotta appreciate this. It’s by no means the greatest Crash game, the completion journey is horrifying, but my god it was a great game to jump into again and again. It feels like a testament to what Crash can be in the modern era and I certainly want more of it. Bugsnax is objectively game of the year if not Hades, but Crash 4 is my personal GOTY. 

4. Glitch Techs

It’s the gamer equivalent to Men in Black, that’s enough of a seller. From the people behind Fanboy & Chum Chum, it’s genius well-animated, realized, and not immediately dated. It’s a mind-boggling crime Nickelodeon isn’t treating this show better because it deserves recognition as an innovative idea. It does a lot right and it’s a worthwhile action series up there with Rise of the TMNT that’s worth the risk to give it more of an audience as opposed to just thinking it’ll be the next Spongebob. If it’s future is anything, I enjoyed this series and there’s nothing like it.

3. Wolfwalkers

This was an animated film with the most personality to me in a long while, with the most memorable look to it, compelling leads, and animation that really made its mark in the moments that mattered. I’ll agree with other reviewers that, outside Mebh who is the greatest and besterest girl of 2020, it's a simple story but it’s effectively simple. Beside the 3rd act which was noticeably long, the moments flow one after another fluently and you really get the struggle between two immediate friends that are shackled with responsibilities their parents didn’t want to put on them. Like Netflix’s Klaus, it all comes together like a beautifully seasonal tapestry. Worth watching and supporting is the best I can tell you for this film.

2. Elinor Wonders Why

This is my most personal of personal choice for the list; like True and the Rainbow Kingdom, it’s the one that helped pick me up after being in a slump for most of this year. I’ve always had an interest in understanding the fundamentals of nature, and this show encourages thinking about the wonders of science, where something as simple as a feather can make you wonder of its many shapes, abilities, and functionality. It appealed to me in the best way that it does more than represents your existence but deep down represents why you are the way you are with your interests and the flexibility of your outlook. I wish it was number one but it did enough to make the top of this list.

1. Keep Your Hands Off Eizouken

I mean what else could be number one? This is the most ‘anime’ anime I have ever seen. The story, characters, and world building are at their most realized. I can’t imagine anyone other than Science Saru, with the based Yuasa, animating this with the style it has. Every episode is an engaging puzzle to every 4th episode where it all culminates with the in-universe final product of our Eizouken trio. It’s so compellingly meta it hurts as I could gush about every single detail that went into this series both in universe and the real behind the scenes. But what makes this the greatest is how nothing feels contrived, everything in this anime exists for something and the obstacles our characters face are things you’d definitely face in you were in there shoes. It’s energy is what really carried me through this year and I can safely say this is one of my all time favorites. And it really says don’t give up believing and working for better things to come, because if art like this can be made nearly flawlessly, it’s always worth carrying on to see something just as great if not greater. That’s why this is a masterpiece to me...

Then again...

[jaydicksummerexchange]

JAYDICK EXCHANGE: AUGUST 31

[ ❤ Works posted so far! ❤ ]

WE’RE AT 102 EXCHANGE WORKS FOR 2020 YOUR CREATIVE POWER CANNOT BE CONTAINED! I cannot stress how amazing this number is as we only had 71 sign ups. That’s a lot of treats from some very amazing artists and writers.  Please continue to add your stories and artwork to the collection! It’s always open. If you’d like your treat included in our promotional posts, please have it completed before midnight EST September 3.

Here are today’s fanworks! Please leave a comment and kudos for the author if you enjoy their work. Authors/artists will be revealed September 3rd...ISH!

If this room was burning (I wouldn’t even notice) by anonymous for pissvinegarandacrowbar [FIC, Mature, No Warnings Apply, JayDick] 

Additional Tags: Post-Game(s), Developing Relationship, Angst, Implied - Friends with Benefits

Summary: Ever since Knightfall, Dick has felt like the floor is on the ceiling and everything he’s holding onto is slipping through his fingers. But tonight Penguin has decided to throw a party in Gotham, and Dick is furious and looking for a good time.

He’d Trade His Guns For Love by anonymous for strikeyourcolors [FIC, Explicit, No Warnings Apply, JayDick] 

Additional Tags: Alternate Universe - Thieves, Con Artists, Casual Sex, Orgasm Delay/Denial, Hand Jobs, Oral Sex, Anal Sex, Complicated Relationships, Plot What Plot/Porn Without Plot

Summary:  Moments later, Dick has made his way through the crowd and is hanging off Jason's shoulder, whispering into Jason's ear, his breath tickling the short hairs at the nape of Jason's neck. “If you're here for good old Kathy's trinkets,” he purrs, “then, ohh, Little Wing, I'm afraid I beat you to the punch on that one.”

Dick butts into one of Jason's meticulously planned scores and gets "punished" appropriately.

Perfect Day by anonymous for Hedgebelle [FIC, Teen, No Warnings, JayDick] 

Additional Tags: Fluff, Humor, Weddings, Groomzilla, Wedding Planning, Wedding Night, Kissing, JayDick Summer Exchange

Summary: “I ordered white lilies, not pink! How do you think my fiance will feel when he walks out here for his big day and sees these monstrosities instead of his favorite Easter lilies? Are you trying to ruin our whole wedding with your incompetence?” 

The florist looks like he might piss himself. Dick rushes over before things get any more out of hand.

-

It turns out Jason is a bit uptight about making everything perfect for his and Dick's big day. It's up to Dick to prevent his fiance from having an aneurysm, and from possibly murdering a florist...

Lazarus by anonymous for 3ssen [ART, Teen, No Warnings Apply, Dick Grayson & Jason Todd] 

Additional Tags: Post-Apocalypse, Steampunk, Alternate Universe, Pre-SlashFanart

Summary: There's a boy in the Wastelands, unaging, preserved in the bright, green fluid of the Lazarus Cores - the last human from Before the End.

you can mend a heart that's frail and torn (i'm worn) by anonymous for DDDemosthenes_1986 [FIC, Mature, No Warnings, Dick Grayson/ Jason Todd] 

Additional Tags: Angst and Hurt/Comfort, Emotional Hurt/Comfort, Post-Red Hood and the Outlaws #25, Jason Todd Deserves Better, Jason Todd Needs A Hug, Jason Todd Has Daddy Issues, Protective Dick Grayson, Dick Grayson Has Daddy Issues, Pre-SlashSelf-Esteem Issues, Implied/Referenced Child Abuse, Past Character Death, Trauma, Aftermath of Violence, Angst with a Happy Ending, Pining Dick Grayson, Jason Todd Feels, Hurt Jason Todd, POV Dick Grayson, Bruce Wayne is a Bad Parent, Dick Grayson cares, References to Forever Evil (Comics)References to Nightwing #30

Summary: “My biggest mistake was coming back. That made me human. That made me not perfect. That hurt his rep, ruined the pretty little tale he’d conjured in his head. His little pedestal he’d build for self-flagellation after patrol. Don’t you see Dickie? The whole family loved me as a corpse. They didn’t love me when I came back filling graves with criminals. Even you…”

Jason gives a self-depreciating laugh, hugging himself and looking down.

“Even you.”

A Good Soldier but not A Good Son.

***

Not all wounds are skin deep, and some conversations have been a long time coming.

May We Together (Become Greater Than the Sum of Both of Us) by anonymous for MFLuder [ART, GEN, No Warnings, Dick Grayson & Jason Todd] 

Additional Tags: Alternate Universe - Star Trek Fusion, Vulcan Jason Todd, Betazoid Dick Grayson, Alternate Universe - Space, Xenolinguist Jason Todd, Engineer Jason Todd, Command Track Dick Grayson, Diplomat Dick Grayson, TOS/AOS uniforms bc reasons, reasons being, jason in red and death jokes, and also command gold has a nice ring to it, Shippy Gen, Fanart

Summary:  Starfleet Cadets Jason Todd and Dick Grayson celebrate a successful mission simulation.

The Edge of Heaven by anonymous for slifer the sky noodle [FIC, Explicit, No Warnings,  JayDick] 

Additional Tags: Alpha!Dick Grayson, Alpha!Jason Todd, Anal Sex, Knotting, Dick in Lingerie, Dirty Talk, Buttplugs, Unconventional Relationship, Omegaverse

Summary: for the JayDick Exchange 2020 prompt: Alpha Jason and alpha dick, teeeeensiiiion and dick likes taking knots?? Thank u god bless

if I could tell you I would let you know by anonymous for solomonara [Teen, No Warnings Apply, Dick Grayson & Jason Todd]

Additional Tags: Hurt/Comfort, Emotional Hurt/Comfort, Hurt Jason Todd, Protective Dick Grayson, Pre-Slash, could be gen too

Summary: Jason sits up slowly, letting the comforter fall away to reveal bandages criss crossing his whole torso. There’s no way he did them himself. Besides not remembering it, the way they were wrapped suggests someone else’s hands. The question now is who.

The bedroom door opens at that moment, and Dick Grayson steps in.

Like a Dark-Haired Rapunzel by anonymous for Zillabird [ART, Teen, No Warnings Apply, Dick Grayson/Jason Todd]

Additional Tags: Alternate Universe - Mythology, Alternate Universe - Historical, Indian mythology - Freeform, Shahnameh, Zal and Rudabeh, Fluff, Long Hair, Jason Todd has Long Hair, Jason Todd is a Prince, (ess), Dick Grayson is also a Prince, Boys Kissing, A lot of research went into this okay, Fanart

Summary: The lonely, sheltered, handsome Prince Jason meets Dick - also handsome, also a Prince, but very much the successor of his father's sworn enemy.

It's love at first sight.

Cleaning Teams by anonymous for prompt_fills [Fic, General Audiences, No Warnings Apply, Dick Grayson & Jason Todd]

Additional Tags: Batfamily (DCU), Sibling Bonding

Summary: Short drabble of the Batkids attempting to clean the manor for Alfred.

[formless-monkeys]

What is your favorite relationship(s) in the show (romantically or platonically, doesn’t matter!)

Anon you will regret opening pandora’s box. Or not. In any case, this post is going to be very long because I’m full of love. Also, anything marked romantic does not need to be romantic for me to lose my shit over them. In no particular order, either. Just in the order I thought of them.

1. The Black-eyed trio

Characters: Otto, Sparx, and Gibson.

Type: Platonic, Romantic,

Explanation: These three are grouped together by virtue of not being obscenely powerful and serving more practical uses on the team. Also, their eyes are all the same color. Besides the poetic connections of the colors of their design, they were alone in the robot together while the other three monkeys were out training.

Sparx and Gibson’s interactions give me life, going from playful jabs to genuine fighting right back to ride-or-die is amazing. The beginning of Night Of Fear, the battles in Brothers In Arms, and a bunch of small moments throughout the series are wonderful for this.

I could write an essay about Otto and Gibson, and someone else already has, but I’ll summarize it as ADHD autism solidarity with a side of Shut The Fuck Up Gibson. They care about each other and learn to respect each other in a way that’s better for both of them. I know a real-life Gibson to my Otto and learning that she’s just pretentious and doesn’t really hate anyone, and figuring out that we’re both equally brilliant and incredibly similar has made life a million times better.

Otto and Sparx don’t have as much development as Gibson with both of them, but their jokes together and general trust is amazing. Sparx is the dumb monkey and Otto supports him in his himbo endeavors. 

These three together make an unstoppable technical team, and the only reason they probably couldn’t be a superhero team on their own is because of the raw power and fun dynamics brought by the other half of the team. 

Romantically, these three would make the DUMBEST polycule ever. There is no true mediator here. It’s three dumbasses figuring out how they could possibly share a twin-sized bed when they have the ability to just make a bigger bed. Gibson calculates the most efficient 3 monkey makeout and none of them follow the statistics. They all give Chiro equally useless and conflicting advice on homework. Trying to give them a mediator in the polycule just makes me go back to shipping polymonkeys because I literally can’t decide if Antauri or Nova go better with them.

2. Quiet trust and encouragement

Characters: Otto, Antauri

Type: Platonic, Romantic

Explanation: When Otto is being dismissed by the other monkeys, or by the show itself, Antauri is usually the first to say “that’s bullshit, Otto is wonderful”. Circus Of Ooze is a notable example, but there are little moments in other seasons as well. 

I just love the idea of the historically MOST SERIOUS and strongest monkey, sometimes even elevated to god-like status by some fanworks... paired with the monkey that has been infantilized and disrespected to no end. I personally like making Antauri have to lean on Otto, just to subvert that even further. 

Beyond spite, I ship this simply because I like their dynamic. Antauri needs someone to ground him with more tactile physical things, and Otto needs someone to share his more nebulous thoughts I can’t imagine the others listening to. I love them.

Also, I want Antauri to unlock his true dumbass potential. He has the abilities, but not the will. Be silly with Otto. I want to hear him snort-laugh.

I literally forgot all the silver monkey stuff but I got three fics about that you know I go nuts over mechanic x robot shit.

3. The monkeys and their human son.

Characters: Chiro, Antauri, Nova, Sparx, Gibson, Otto

Type: Familial

Explanation: This family gives me joy. They were forced together through astronomical means and they made the best of it. 

Everyone living in the robot is absolutely fucked up. They help each other in the darkest of times. They lift each other up when it’s light. They are a perfect team and nobody can be missing without it feeling wrong. But they can add people!

“Girl Trouble” as a concept is AMAZING to me but my secondhand embarrassment is so strong that I hate the episode. But never once is any of the monkeys resentful of Chiro. Not even Mandarin is like “wow I wish he didn’t take my place” no he’s also struck with the urge to nurture this kid to his fullest potential. Whether you see the team as a bunch of older siblings or 4 dads and a mom doesn’t really matter, they’re a family.

I mean, this also has a sprinkling of shipping all the monkeys in a really domestic way because I like seeing my optimal future in characters I like, but like literally all of these, it doesn’t need to be romantic for me to go nuts. I just think it would be fun to throw just a big monkey wedding or whatever. And funnier for Antauri to go “Chiro I’m having a baby. The baby is you” and holding up adoption papers because on the principle of Toby “Radiation” Fox I love that joke, especially when made much less weird than the original context.

I have a set of characters who is just 5 people in a polycule raising kids and living life because I really love this concept as a family.

4. Evil Coworkers

Characters: Mandarin, Sakko

Type: Romantic, Platonic,

Explanation: Why the hell are these two, in particular, working together? SK could’ve put Mandarin with literally anybody else and he chose what on the surface appears to be the LEAST compatible person on the account that they’re both monkeys. Some bitter asshole who now looks like the epitome of toxic masculinity and this tiny pink pet who used his femininity both as an advantage and a style. They’re different but it ends up working really well for both of them because they’re different in ways that cover each other’s bases. It’s wonderful. Pink and Orange go well together. Green and Purple go well together. Mandarin and Sakko go well together. Also, they clearly trust each other. During almost the entirety of “Hidden Fortress” Sakko was presumably just chilling inside of Mandarin’s armor. Mandarin trusted him enough to have Sakko in a place where he’s able to mess with his cybernetics, and Sakko trusted Mandarin enough to go into the battlefield with him and probably get tossed around.

If they were both human and in a more modern media, then they would definitely be shipped in the straightest way you can get without actually being straight. The Straightest Gay Ship. 

5. A Witch and her Accidental Evil Coworker

Characters: Skelemandarin, Valeena.

Type: Platonic, Romantic, 

Explanation: These two have been through some shit. Skelemandy was made to serve Skeleton King only to have that purpose yanked away from him. Valeena was groomed to idolize and serve Skeleton King for nearly her entire life. They were forced together by SHEER CHANCE and they both hated it. Arguably they both died at some point. 

They both have absolutely NOBODY they can trust so let’s make them trust each other. All hilarity and sweetness comes from that. 

Their dynamic is so good that I have them on a blog for a COMPLETELY DIFFERENT FANDOM and people love them with no context. 

This is the only cross-species ship I have (besides chinmay and the antauri ships but that doesn’t count), but the fact that Skelemandy isn’t actually a monkey and needs no cybernetic assistance to be human-level sentient makes it a lot less weird. Just put them on equal ground power-wise (like by nerfing Valeena’s magic) and you have the ingredients for bonding. 

They have like, no cute moments in canon, but that’s why we have fics and art. They have potential. I want them to help each other figure out who they are without their purpose. I want them to survive this horrible life together. I want them to figure out how to trust again. I want a lot but Valeena is fucking dead.

But she doesn’t have to be.

(Also Valeena is REALLY HOT and Skelemandarin is just me as a monkey)

6. Gay Dads

Characters: The Alchemist, Captain Shuggazoom

Type: Romantic, Platonic

Explanation: Oh my stars. Oh null. Oh me oh my hhougfhfakjghf. These two have the angst of Mantauri but on crack. 

They only appeared in about two episodes each and all three episodes are top tier. They call each other “Friend” multiple times in their shared episode. THEY’RE FRIENDS!!!!!!!!! The face Al makes when he realizes that Cap is visiting makes me really happy. The fact that Cap had this whole Batman Double Life thing and he shows the Alchemist BOTH OF THEM is amazing. The alchemist is a hermit living in the woods and he lets Cap into that life. 

There isn’t a lot shown, much less than everything else here. But that makes every single fanfic so much richer since they’re almost completely based on headcanons. Friends who have a mutual crush on each other but are No Homo about it? Secret boyfriends? Husbands with 6 monkey kids? An Old man and a grumpy Skeleton making it work? Literally just platonic friends? Dude, you can do whatever you want. 

The tragedy of these two losing each other to one big horrible event crushes me. It influences my every move in my creative work. I have an entire character dedicated to reuniting these two in the most astronomical and ridiculous way possible because the alchemist angered the gods but she thinks he needs some company in his eternal punishment.

I want Clayton to unlock Al’s less serious, more fun side. I want them to work together. I want them to hold hands. GHGHGHDFBG UTTHTYE CNAZSNT EBCV ASUA ER

7. The girl power duo

Characters: Nova, Jinmay

Type: Familial

Explanation: These two were my only comfort during the uncomfortable nightmare that is “The Hills Have Five”

Nova was the one who trained Jinmay, and it seems like they hang out a lot offscreen in season 4. They fulfill the early 2000′s cartoon archetypes of girl and Girl, so they’re supposed to get along. If they didn’t I probably wouldn’t like Jinmay.

Nova is a really good big sister/parental figure to Jinmay, who never had any family to speak of. 

Anyway, this entry has to be shorter because most of their bonding is in “The Hills Have Five” which is either #1 or #2 in my least favorite episode list. Not because it’s bad, but because it makes me viscerally uncomfortable. I really wish literally any other character than Jinmay was in her role in that episode. Or that the “taken to an offscreen area by an adult man while she screams” just wasn’t there. SHE’S 13!!! Nova did literally all she could to help. 

I really like that scene in questionable where Valeena kills almost the entire gang. It’s what they deserve.

Look I just really like Jinmay and I always have. She deserves a good Mom.

8. "My Second In Command”

Characters: Antauri, Mandarin

Type: Theoretical

Explanation: The fandom has really made this ship go from “literally nothing to stand on” to “integral plot point in a lot of fics”. Seriously. I have TWO screenshots that vaguely imply these two ever stood next to each other on the battlefield. This was entirely title-based and fan-made until ProjectAfectivity interviewed Ciro. Yeah he knows Antauri but only as well as the rest of the team. Anyway. Wow. This ship.

This is by far the worst breakup in history. These two, despite what Antauri says, were on equal ground at some point. According to Ciro (and fan speculation), they trained together. This (and other Mandy ship) changes wildly depending on if you think Mandarin was corrupted by the portal or not. Maybe Mandarin was once a kind leader who just crossed the wrong boundaries and paid for it. He could’ve held Antauri gently before battle. He could’ve been the monkey Antauri went to when he needed someone to talk to. He could’ve hyped the team up like Chiro does.

Or maybe, they were constantly fighting against each other in small ways. An incredibly unhealthy relationship, yes, but an interesting story. I like stories where Antauri isn’t this all-knowing pillar of stability. He’s got weaknesses. One of them may have been Mandarin.

Now that’s a good nickname from one to the other.

Imagine Antauri, in a moment of complete trust, declaring Mandarin his weakness. A sweet sentiment. They both know the other is incredibly strong, and trust that the other would never take advantage of that connection. They love each other. Until...

9. "My Closest Ally”

Characters: Otto, Mandarin

Type: Theoretical

Explanation: Okay I'm looking at the screenshot I put for this entry while also having watched Evil Ages recently. My brain is making uncomfortable connections. Combine that with the fandom and the show’s general treatment of Otto and I’m about to slam my head into a wall. I really do not like that, but I feel like there’s somebody out there who does. 

Anyway, this is Gibotto and Ottauri but with all the spice that shipping Mandarin with one of the other monkeys brings. When done well, it’s all the respecting Otto that comes with Ottauri and all the intimate partnership of Gibotto. And the Angst of Mantauri, but a lot more grounded. 

It paints a lot of stories. A story of a single point of comfort in a world Mandarin thinks is out to get him. A story of powerful validation from the one authority in Otto’s life. Of letting your guard down. Of trust, then breaking that trust.

I’d LOVE to see some things with Mandottotauri because that’s epic and cool and poggers. Don’t see a lot, though.

10.The Hets, I guess.

Characters: Jinmay, Chiro. 

Type: Romantic. Platonic. Canon.

Explanation: Look two entries on this list are polyamorous and four of them are mandarin so I have to say SOMETHING for the heteroes following me. Picked this ship over Spova because when I was a young child still suffering from comphet, I never watched the last episode of the show. I only saw up to season 3 at the most. This was the only canon ship for me. And out of all the ships, it’s the most relatable. I’m currently a teenager with black hair who looks really good in eyeliner dating a girl with pink hair who can pick me up and is unbelievably sweet. Except we’re gay and polyam. Wait a second I totally had a crush on Jinmay as a kid and now my gf is the Jinmay in this situation. Oh my god I was going to make this comparison if I did Spova too and I liked Nova.

ANYWAY

These are two LONELY kids. Chiro had bullies during school, and now he doesn’t even go to school. Jinmay hasn’t really had friends at all. Two kids with places in their universe that they aren’t too sure about, and just need someone to lean on. Their date was cute. They instantly bonded over their love of monkeys and I love that. 

The super robot is sometimes an analog for Chiro, in the first two season at least, and the way the super robot held Jinmay’s hands to keep her steady on the COB while her head flew in was SO SWEET. Chiro’s instant recognition and reaction to Jinmay’s head being thrown at the team, as well. He really loves her.

I think it’d be interesting if she didn’t love him back, though. I might take a stab at writing that.

[musette22]

Please ignore me if I'm a bother! I was just crawling into your asks to wonder what keeps you motivated in writing Stucky? I joined the fandom late (read: right before Endgame) and I always feel like I missed the boat. A couple friends who were very much into the ship have moved onto new things, which I hold no grudges about, but it feels like screaming into a well sometimes. I've posted a few fics and have two in the works and find myself constantly questioning is there's a point and I HATE it.

Hello lovely! You could never be a bother, especially not with questions about Stucky. What keeps me motivated to write Stucky? Hmm, I’m not sure if this is what you mean, but am I correct in assuming you’re saying the Stucky fandom isn’t quite at the level it was a few years ago, and probably won’t be again, and therefore it feels like you’re on a sinking ship? Apologies if that’s not what you meant, but I just assumed because you said you feel like you missed the boat (lol at all the fitting shipping metaphors). 

If so, then I think maybe we’ve got slightly different perceptions/experiences here, because even though of course I realise I also missed the heyday (2014-2017, I guess?) and it won’t be like that again, the Stucky fandom still feels very much alive to me! There’s a lively community here on Tumblr with amazing artists and writers, I hear there’s still plenty happening on Twitter too, and there are big bangs and other kinds of challenges happening with more fics being added to AO3 every day. So while Stucky fanworks maybe don’t get as much attention as works in a “new”, up and coming fandom do, we don’t do too badly for ourselves if you ask me. But apart from the Merlin fandom, where I only lurked and read fic, I’ve never been in another fandom than the Stucky one though, and I think maybe you have? So that may also account for our differences in perspective here!

But as for your question, I guess I would say that my main motivator to continue writing Stucky is the gigantic, all-consuming love I have for them haha. I just really really want to tell stories about them because I love them so dang much. Besides that, I adore this community with all its incredible, supportive, super talented folks so, so much, and I cherish every kudo and comment and reblog that my stories receive. Sure, it can be a bit disheartening for me too sometimes to see that a newer work, while objectively better, doesn’t do as well as one I posted a year ago, but I also know that the while the quantity of feedback and people appreciating my works may have diminished somewhat, the quality of it hasn’t. The people who are still in this fandom, and there are still a LOT of them, objectively speaking, are still as appreciative and supportive as ever, and that also keeps me motivated! Does that answer your question at all? Let me know if it doesn’t! ❤️

[scifrey]

WORDS FOR WRITERS: The Value of Fanfiction

There’s been a lot of chatter on social media these last few weeks, recycling that trashy, self-aggrandizing, tired old “hot take” that reading and writing fanfiction is somehow bad for you as a writer.

Before we go any further, let me give a clear and definitive answer to this take:

No, reading and writing fanfiction will not make you and does not make you a bad reader or writer.

 Period.

 Why? Here’s the TL;DR version:

1)      Reading and Writing, any kind of reading and writing, will make you a better reader and writer. And it’s enjoyable, to boot.

2)      Fanfiction has been around as long as Original Fiction, so we’d know if there was any negative impact by now (spoiler alert: there isn’t.)

3)      Practice is Practice, so matter what medium you get that practice in.

4)      Comprehending and writing fanfiction is harder than writing original fiction because you have to hold the Source Media Text in your head at the same time as you’re reading/writing a different story. It improves your understanding of storytelling.

5)      No hobby, no matter what it is, so long as it doesn’t harm anyone else or yourself, is bad. And that goes double for if you decide to keep it a hobby. Not every fanfic writer wants to write original fiction, and that’s just fine. Not every hobby has to be monetized.

 Okay. But what do they mean by “fanfiction”?

 “Fanfiction is fictional writing written by fans, commonly of an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual properties from the original creator as a basis for their writing.”-- Wikipedia

 Basically – it’s when you take elements (setting, characters, major themes or ideas) of a Media Text (a novel, a movie, a podcast, a comic, etc.) and create a different story with those elements. You can write a missing scene, or an extended episode, or a whole new adventure for the characters of the Media Text. You can even crossover or fuse multiple Media Texts, or specific elements, to create a whole new understanding of the characters or their worlds.

 Similar to fanfic, you can also create fanart, fancomics, or fansongs (“filk”), fancostumes (“cosplay”), and fanfilms. These are called Fanworks or Fancrafts.

 Fanfiction is usually posted to online forums, journals, blogs, or story archives and shared for free among the public. Before the advent of the internet, fanfiction was often printed or typed, and hand-copied using photocopiers or ditto machines, and distributed for free (or for a small administration fee to cover materials) among fans at conventions, or through mail-order booklets (“zines”).

 Fanfiction has existed pretty much since the beginning of storytelling (A Thousand and One Nights, Robin Hood, and King Arthur all have different elements attributed to them by different authors retelling, twisting, adding to, or changing the stories; there’s no single-origin author of those tales.)

 There are billions on billions of fanfics out there in the world—and while a majority of them are romance stories, there are also adventures, comedies, dramas, thrillers, stories based on case files, stories about the emotional connection between characters when one is hurt and the other must care for them, historical retellings, etc. There are also stories for every age range and taste, though be sure to take heed of the tags, trigger warnings, and age range warnings as your browse the archives and digital libraries.

 As a reader, it’s your responsibility to curate your experience online.

 So why are people so afraid or derisive of fanfic?

 People who are hard on fanfic say that…

 ·       It sucks.

o   Well of course it sucks! As it’s a low-stakes and easy way to try out creative writing for the first time, the majority of fanfiction is overwhelmingly written by new and young writers. Everything you do when you first try it sucks a little bit. 

I’m sure no figure skater was able to immediately land perfect triple axels ten minutes after they strap on the skates for the first time in their lives. No knitter has ever made a flawlessly perfect jumper on their first try. No mathematician has ever broken the code to send a rocket into space after having just been taught elementary-school multiplication. So why on earth do people think that new writers don’t need to practice? I can promise you that Lin-Manuel Miranda’s first rap was probably pretty shaky.

·       It’s lazy or it’s cheating.

o   Listen, anyone who tells you that writing anything is lazy clearly has not sat down and tried to write anything. Writing is tedious. It is boring. It takes hours, and hours, and hours to get anything on the page, and then once it’s on the page you have to go back and edit it. UGH. There is nothing about being a writer—even a fanfic writer—that is lazy.

o   And anyone who tells you that trying to tell a fresh, new story within the limits and confines of a pre-existing world and have it make sense is cheating, then they have no freaking clue how hard it is to be creative with that kind of limitation placed on you. It’s harder when you have a set of rules you need to follow. What you do come up with is often extremely interesting and creative because of those limitations, not in spite of them.

o   The argument that using pre-made characters, settings, tropes, and worlds to make up a new story is cheating is also complete bunk. Do those same people also expect hockey players to whittle and plane themselves a whole new hockey stick from scratch before each game? No, of course not. And yeah, a baker can grow all their own wheat, grind the flour, raise the chickens and cows so they can get eggs and milk, distill the vanilla, etc. Or a baker can buy a box mix. Either way, you get a cake at the end of the process. Whether you write fanfic or original fiction, you still get a story at the end of the process.

·       It makes you a worse writer.

o   * annoying buzzer noise * Practicing anything does not make you worse at it. And reading stories that are not edited, expertly crafted, or “high art” will also not indoctrinate you into being a bad writer. If anything, figuring out why you don’t like a specific story, trope, or writing style is actually a great way to learn what kind of writer you want to be, and to learn different methods of constructing sentences, creating images, and telling tales. Or you know, just how much spelling and grammar matter.

·       It’s not highbrow or thoughtful enough.

o   Sometimes stories are allowed to be just comfort food. Not every book or story you read has to be haute cuisine or boringly nutritious. You are allowed to read stories because they’re exciting, or swoony, or funny, or just because you like them. Anyone who says differently is a snob and worth ignoring. (Besides, fun silly stories can also be packed with meaning and lessons—I mean, hello, Terry Pratchett, anyone?)

·       It makes you waste all your time on writing that can’t be monetized.

o   No time is wasted if you spend it doing something that brings you joy. Not every hobby needs to be a money-maker and not everyone wants to be a professional writer. You are allowed to write, and read, fanfic just for the fun of it.

·       It’s theft.

o   According to Fair Use Law, it’s not. As long as the fanfic writer (or artist, cosplayer, etc.) is not making money on their creation that directly impacts or cuts into the original creator’s profit, or is not repackaging/plagiarizing the original Media Text and profiting off it’s resale, then Fan Works are completely legal. So there.

 How, exactly, does fanfic make you a better writer?

 Fanfiction…

 ·       teaches you to finish what you start.

o   The joy of being able to share your fic, either as you’re writing it, or afterward, is a big motivating factor for a lot of people. They finish because they get immediate feedback on it from their readers and followers. Lots of people have ideas for books, but how many of them do you know have actually sat down and written the whole thing?

o   Fanfic is also low-stakes; there’s nothing riding on whether you finish something or not, so you have to inspire yourself to get there without the outside (potentially negative) motivation of deadline or a failing grade if you don’t get the story finished. You end up learning how to motivate yourself.

o   Fanfic has no rules, so you write as much or as little as you want, stop wherever you think is a good place to end the story, write it out of order, or go back and write as many sequels or prequels as you like. Again, it’s totally low-stakes and is meant to be for fun, so you can noodle around with what it means to write a “whole” story and “complete” it, which teaches you how you like to write, and how you like to find your way to the finish line.

·       teaches you story structure.

o   Before you can sit down and write a story based on one of your favorite Media Texts, you’re likely to spend a lot of time consuming that text passively, or studying it actively. Either way, you’re absorbing how and why Media Text structures the stories it tells, and are learning how to structure your own from that.

o   Once you’re comfortable with the story structure the Media Text you’re working in is told, you’ll probably start experimenting with different ways stories can be told, and find the versions you like to work with best.

·       teaches you how to write characters consistently.

o   Fanfic is really hard because not only do you have to write your fave characters in a way that moves the story along, but they have to be recognizable as those fave characters.

o   This means you have to figure out their body language, verbal and physical tics, their motivations and they way the handle a crisis (fight, flight, or fawn?), and then make up the details you may need for your story that you may never see on screen/the page, like how they take their eggs or what their fave shampoo is, based on what you already know about them. That takes some top-notch detective work and character understanding to pull off.

o   Once you know how to do that, just making up a whole person yourself for original fiction is a breeze.

·       Teaches you how to hear and mimic a character/narrator voice.

o   You have to pay close attention to how an actor speaks, or how a character’s speech patterns, dialect, work choice, etc. is reflected on the page in order to be consistent in your story.

o   And all of this, in turn, teaches you how to build one for yourself.

o   I have a whole series of articles here about building a narrative voice, if you want to read more on constructing an original voice for your narrator.

·       Teaches you how to create or recreate a setting.

o   Again, like achieving character consistency, or mimicking a character or narrative voice, it takes work and paying attention in order to re-create a setting, time period, or geographical region in a fanfic—and if you’re taking your characters somewhere new, your readers will expect that setting to be equally rich as the one the Media Text is based in.

o   Which, again, teaches you how to then go and build an original one for yourself.

·       teaches how to take critique.

o   Professional writing is not a solitary pursuit. In fact, most writing is not entirely the work of an author alone. Like professional authors work with editors, critique partners, and proofreaders, some fanfiction writers will sometimes work with beta-readers or editors as well. This are friends or fanfic colleagues who offer to read your fanfic and point out plot, character, consistency, or story structure errors, or who offer to correct spelling and grammar errors. This is a great way to practice working with editors if you decide to pursue a professional career, and also a great way to make friends and strengthen your community and skill set if you don’t.

o   Many fanfic sites offer readers the opportunity to leave a comment on a fic, rather like a reviewer can leave a review on GoodReads or Amazon, or any other online store or blog, for a novel they’ve read. Sometimes these comments/reviews are 5 star and enthusiastic! Sometimes they are… not. The exact opposite in fact. As you get comments on your fanfic, and learn to ignore the ones that are just mean rather than usefully critical, you gain the Very Important Skill of learning to resist firing back at bad comments or reviews, while enjoying the good ones.  It also teaches you how to ignore drama or haters.

·       Teaches you how to exist within a like-minded community.

o   While the actual writing part of writing is solitary and sometimes tedious, nothing is ever published into a vacuum, whether it be fanfiction or original. Besides your editing/critique/beta reader group, you will also likely develop friendships, a support network, and mutuals. It’s always great to uplift, support, cheer on, and celebrate one another’s accomplishments and victories, whether the writing is fanfic or original.

·       Teaches you that it’s okay to write about things important to you, or your own identity.

o   You can change a characters ethnicity, cultural background, sexuality, religion, or disabilities to match yours, and talk about your lived life through the megaphone of that character. Or, you can insert original characters based on you, your desires, and experiences.

o   Once you’re comfortable writing in your #ownvoice in fanfic, you can approach it in original fiction, if you like.

o   See my article titled Your Voice Is Valid for more on this.

 What if I want to be a professional writer?

 Notice how I didn’t say “real writer”. Any writer who writes any kind of story is a ‘real’ writer. I mean, pinch yourself—you’re real, right? The difference is actually between being an “amateur” writer (a hobbyist who does not write for pay), and a “professional” (who is paid for their writing). Just because you only play shinny on the street with your friends, or in a house league on the weekends, it’s doesn’t mean  you’re not still as much of a hockey player as someone who plays in the NHL.

 Writing fanfiction before or at the same time as writing original fiction that you intend to sell is a great way to learn, or practice, everything I’ve mentioned above. If you read it widely, it will also expose you to different story telling styles, voices, and tropes than your reading of published fiction.

 ·       Can I sell my fanfic?

o   No. For fanfiction to remain under the umbrella of Fair Use Law, you cannot profit off your fanfiction. There’s some grey-area wiggle room around things like charging a small amount for a ‘zine or a PDF to cover administrative costs, but zero wiggleability around, say, selfpublishing your fanfic and charging heaps for it.

·       Can I “file off the serial numbers”?

o   “Filing of the series numbers” is when you take a fanfic you’ve written and essentially pull it apart, remove everything that’s clearly someone else’s Media Text, and reassembling the story so that it’s pretty much a completely original piece of creative writing.

o   Yes, you can sell these, provided your filing is rigorous enough that you aren’t likely to be dinged for plagiarism. It’s widely known that Cassandra Claire’s Shadowhunters was once Harry Potter fanfic, and that Fifty Shades of Gray was once Twilight fanfic. But did you know that my Triptych started life as an idea for a Stargate Atlantis fic? There’s lots of stories out there that were once full fics, or the idea for the novel was originally conceived for a fandom, but written as original instead.

o   So long as you’re careful to really rework the text so that it’s not just a find-name-replace-name rewrite, you should be fine.

o   Be aware, though, that the agents and editors you might pitch this novel to know how to Google. They may discover that this is a filed-off story, and depending on their backgrounds and biases, might be concerned about it. There’s no need to inform them of the novel’s origin straight off in your pitch/query letter, but you may want to have a frank discussion with them about it after it’s been signed so they can help you make sure that any lingering copywrited concepts or characters are thoroughly changed before publication.

o   Should you take down the original fic-version of the novel while you’re querying/shopping it? Well, that’s up to you, and whether you’re comfortable with an editor/agent potentially finding it.

·       Should I be ashamed of my fic, or take it down, or pretend I never wrote fic?

o   What? Why? No! I mean, I have hidden some of my most immature work, but I’ve left pretty much my whole catalogue of fanfic online and I don’t deny that I was/am a ficcer. Why? Because it’s a great repository of free stories that people can read before they buy one of my books, so they can get a taste of how and what I write. Also, you will be in good company. Lots and lots of writers who are published now-a-days started in fandom, including:

Steven Moffat

Seanan McGuire

Rainbow Rowell

Claudia Gray

Cory Doctorow

Marissa Meyer

Meg Cabot.

Naomi Novik

Neil Gaiman

Lev Grossman

S.E. Hinton

John Scalzi

The Bronte Sisters

Andy Weir

Sarah Rees Brennan

Marjorie M. Liu

Anna Todd

...and me, J.M. Frey

 How fanfic can harm.

 Like with anything else, there are ways that reading and writing fanfiction can actually harm you, or others, but it has nothing to do with the reading or writing of fanfiction in and of itself.

 ·       Some creators may prefer that you don’t (and may or may not follow up with legal action).

o   Anne Rice famously went after fanficcers in the 90s who wrote fanfic of her work, handing out Cease & Desist notices like confetti.

o   99% of creators don’t care. Those who do will generally have a notice on their websites or social media politely asking fancreators to refrain. Mostly this is due to their general discomfort over the idea of anyone else getting to play in their worlds. The best thing to do is respect that request, and find a different fandom to write in.

·       Flamewars and fandom fights leading to bullying and doxing.

o   Regrettably, just like any other community filled with people who have different favorites, opinions, and preferences, there will inevitably be clashes. It’s up to you to decide how to react to negative interactions, and how to model positive ones.

o   Don’t forget, you curate your online experience, so don’t be afraid of that block button.

o   Also, don’t be the jerk who goes after people for liking different aspects of the fandom. Everyone is entitled to interact and like a Media Text their own way. “Don’t yuck my yum,” as they say.

·       Trying to make money on other people’s IP/Media Text (law suits, etc.)

o   It doesn’t belong to you, so don’t try to make money on it.

o   There’s a grey area here in terms of selling prints/plushies/jewelry/etc. and there’s no hard line about where one copyright owner will draw the line, and another won’t. Warner Bros. owns the film rights for both Harry Potter and Hunger Games, but I’ve seen Harry Potter-themed bars spring up while fans wanting to make Hunger Game fanfilms have been shut down. A friend of mine sells hand-made fandom-inspired items at cons—there is no rhyme or reason to what she gets told to stop making and what she’s left alone on.

o   Best thing to do if you’re told to stop is just so stop, move on, and find a different fandom to be active in.

·       Writing Real Person Fanfic (“RPF”) can be considered a violation of consent.

o   This article sums it up pretty well, but basically… if you decide to write RPF, be aware that they person you are writing about is a real person, with real thoughts, and emotions, and they may feel violated by RPF. If you decide to write it, never send it to the people it’s about, and always clearly tag it so other can choose to engage with it, or avoid it.

o   Also be aware that it could ruin their love for what they do. For example: the friendships between the members of 1Direciton became strained and the band eventually disintegrated because people wouldn’t stop sending band members smutty stories or art of them having sex with one another, and it made them too uncomfortable to continue in the band.

·       Showing/sharing fanfic & fanart outside of its intended context. Fanworks are for fans, and there are definitely issues if…

o   It’s shown to celebrities/actors/creators.

  Shoving your fantasies onto the people who create or portray your fave characters is rude, and wrong, and also kinda gross. If they seek it out themselves, that’s one thing, but the same way you wouldn’t throw it at a complete stranger, don’t throw it at them. You may love the characters these people play, but they are not their characters, and they are not your friends.

  It may also really weird them out and ruin their love for what they do.

o   it’s shown to writers working on the series.

  There was a famous case where a fanficcer sent a story to a novelist, and the novelist was accused of plagiarism by the ficcer when their next novel in the series resembled the plot of that fanfic. There was a whole court case and everything.

  Because of this, writers of TV shows, books, etc. don’t want to (and often times, legally can’t) read your fanfic. They don’t want to get accidentally inspired by what you’ve written, or worse, have to throw out something because it resembles your fic too closely. Just let them write their stories the way they want, and if they choose to seek out fic, they will.

o   it’s mocked by celebrities.

  I’m not letting Alan Carr and Graham Norton off the hook. If it’s super rude and gross to shove fanworks at actors/writers/creators when you’re a creator, then it’s doubly rude for anyone to take a story or art made for a specific audience (the fans), by a specific community (the fans), lift it out of it’s context, and invite the public to mock it while also shoving it at the actor/celebrity in a place where they are literally cornered and can’t leave (i.e. the chat-show sofa). Man, it really steams me up when they do that. It’s rude and it’s tone-deaf, and it’s not fair.

  And most of the time they do it, they don’t even ask the artist or writer for permission, first, which is just…. Uuuuugggghhhh. It may be fanfic, but it was still created by someone, and you should always ask permission before publicly sharing something created by someone else.

  Grrrrrrr.

 In Conclusion

 If someone tells you that reading or writing fanfic is bad for you as a creator, tell them to get bent.

Famous Fanfic

·       Hamilton by Lin-Manuel Miranda

·       Wicked by Gregory Maguire

·       Wicked: the Musical by Stephen Schwartz

·       The Phantom of Manhattan by Fredrick Forsyth

·       A Study in Emerald by Neil Gaiman

·       Sherlock by Mark Gatiss and Steven Moffat

·       The Dracula Tape, by Fred Saberhaugen

·       Paradise Lost, John Milton

·       Inferno, by Dante

·       The Aeneid, by Virgil

·       Ulysses, by James Joyce

·       Romeo & Juliet, by William Shakespeare

·       The Once and Future King by T.H. White

·       A Connecticut Yankee in King Arthur’s Court, by Mark Twain

·       The Three Musketeers, by Alexandre Dumas

·       Pride & Prejudice & Zombies, by Seth Grahame-Smith

·       Phantom, a novel of his life by Susan Kaye

·       …and so many more.

[boundinshallows]

Peaky Rare Pair Bingo Mid-Fest Round-Up

We started the Peaky Blinders Rare Pair Bingo Challenge back in July and still have a few weeks left. However, I thought it would be a great time to do a mid-fest round-up to catch folks up on what’s been written so far. 

Rare Pairs are tricky things. They’re rare because they don’t get a lot of fanworks produced about them. And in turn, sometimes the authors don’t get a lot of love on their fics because the audiences are limited. It becomes a vicious cycle, and in the end, fandom suffers because there's an overrepresentation of just a few pairings, but many amazing characters to love and explore. 

I would like to invite you all to take a look at some truly incredible pieces of fic for some much undervalued pairings in Peaky Blinders. If you have a moment, please leave the authors a comment to keep fueling their creativity, even if it’s brief, especially if you like the ship. Kudos are wonderful too, but comments really help writers know there’s an audience out there looking for rare pair content. 

Cheers! 

++++++++++

 Chester Campbell / Tommy Shelby

Shameless by AbusiveLittleBun || [ E ] Tommy has his usual meeting with Campbell in a café but decides to spice it a bit up.

Tatiana Petrovna / Alfie Solomons

Solnishko by Valkrist || [ E ] There was something lovely about all the movements, about kneading the dough, while listening to some radio shows, shaking one’s hand and laughing about the people and music the whole time. As stupid as it could be, Alfie didn’t like to be interrupted during this process. There was only one exception, only one person that could call him or come in without having to deal with his grumpiness.

Vivid by Strawberriez8800 || [ E ] In which Alfie dreams about getting fucked by Tatiana, and asks Tommy a question.

Dazzle Me Blind by Strawberriez8800 || [ T ] Tatiana glances back at Alfie over her shoulder. “Have you ever been fucked by a princess?” “Can’t say I have, no.” “Good,” she says, voice like molten gold. “I like to be the first at everything I do.”

Singular by Strawberriez8800 || [ E ] Alfie tugs on Tatiana's silver chain, pulls her down towards him. “Something you should know, princess,” he says, mouth brushing against the shell of her ear, “I’m not in the habit of sharing, am I now.” She grins a feral grin. “Not even with Tommy Shelby?”

Barney Thompson / Tommy Shelby

Play Pretend by Valkrist || [ T ] It shouldn’t feel this way, should it? He shouldn’t be that afraid, feel more comfortable. Enjoy all the moments, blossom and feel all this happiness, but he didn’t. Why was he sad? Why didn’t he experience the same things others were talking about?

Peaches, Roses, Sandalwood by Valkrist || [ E ] There was something fascinating about all the oils, vials and equipment standing on the table. Small glasses, various colors, paste, scrapers, everything one could imagine. Different scents filled the room - and in the middle of it all there was one filled, slightly violet flacon.

Always Landing on Their Feet by Valkrist || [ G ] Tommy had always been torn between doing business properly and giving Charlie enough love and attention. Never really knew how to do it well enough, how to make his childhood fulfilled enough, but he had thought that it was okay, that he did his best giving Charlie good education and lovely father-son evenings. Had even dared to think that his boy didn’t have any secrets and behaved nice when he had to go to London for some days. Well, this was until he got one particular fateful e-mail.

Indulge a Desire by Valkrist || [ E ] There were many things that helped Barney forget about all his duties for a while, but the low lighting was the best one, after all.

Been Reading Books of Old, the Legends and the Myths by Valkrist || [M] Remember the last time we wrote each other letters? I don’t, but well, maybe it’s a good idea. Kinda funny to send all this words, knowing that you won’t read them immediately. But I won’t write them too often, still gotta pay for my living, you know.

Tu as tué la peur qui là dans mes bras by Valkrist || [ T ] Tommy chuckled. It was always funny to listen to Barney, even if he couldn’t understand how the latter managed to stay that calm. It seemed as if Ollie made nothing but mistakes, but Barney was patient, so terribly patient. Repeated the words again and again, encouraged Ollie to go on and not to send it all to hell.

Thoughts of You Consume by Valkrist || [ E ] Barney had already known what was about to come at the races. Going there hadn’t really been his preferable option for the day, but there was no harm in doing it - just being on Tommy’s side, looking at the majestic horses and seeing the other man’s lips curling into a smile when everything went the way it should. Barney didn’t understand much of this sort of business, but it was alright as long as Tommy knew what he was doing.

May Carleton / Tommy Shelby

When You Walk in Smelling Like Her Perfume by Valkrist || [ T ] May had never thought this necklace would mean so much to her one day. It hadn’t been much more than a lovely gesture back then, a little present, a joke. Something that looked lovely and united them. Even the telepathy coming with it didn’t seem intimate back then, being a lovely side effect. Oh, how easy it had been back then…

Between This Heartbeat and the Next by Strawberriez8800 || [ G ] Tommy is looking at her like he’s finally living their moments rather than stealing them. What a sight it makes.

Off the Beaten Path by Strawberriez8800 || [ G ] Thomas is waiting for someone; May is not so conceited as to assume it is her, yet when she takes the seat beside him and orders herself a drink, with the way he looks at her, it would be asinine to conclude the case is anything else. 

The One Who Got Away by Boundinshallows || [ M ] Tommy and May go on an overnight trip to purchase a horse.

James / Tommy Shelby

This was Nothing by AbusiveLittleBun || [ E ] Tommy is frustrated after another meeting with Alfie and he needs an outlet. Luckily it finds him first.

Salt and Mint by AbusiveLittleBun || [ E ] Tommy was forced to remain for dinner at Ada's, in fear of James revealing their little secret, and makes a deal with the boy for his good behavior... things escalate very quickly.

Like Thunder, Like Lightning by AbusiveLittleBun || [ E ] Tommy feels torn after his hasty departure from Ada's, and a surprising phone call might, or might not help him move forward...

R U Mine? by AbusiveLittleBun || [ E ] Tommy goes back to James, but it also comes with more consequences than he imagined... (Direct sequel to Like Thunder, Like Lightning!)

Jessie Eden / Ada Shelby

Dress by Keine_angst || [ G ] Now that she's made peace with her feelings towards Jessie Eden, there was only one obstacle left. The dress. 

Hungry for (Your) Love by Keine_angst || [ G ] “Tommy, sweetheart, how can you expect me to agree to do something for you if you don’t explain what do you need from me?” she pointed out the obvious, because really, it wouldn’t be safe to just say yes and take the pot luck, not when Thomas Shelby was in charge. Ada agrees to help her brother out, but things get out of hand.

Billy Grade / Finn Shelby

Beyond Redemption (Just a Pawn) by Valkrist || [ M ] Finn was angry, fucking angry. Should’ve probably known that it all would come this way. Done something against it. Then again, what could he have done? Tommy hadn’t told him that much, trying to keep him away from this bad kind of business. Football bets were alright, but nothing more. Didn’t need to ship cocaine or opium or whatever this was about. Bets like in the good old times, having Billy to write everything down.

Gina Gray / Oswald Mosley

White Swan by Valkrist || [ M ] It was funny how they all hadn’t noticed it at all, Mosley thought. Such blind people. Didn’t see it, maybe simply didn’t want to, who was to say that. He hadn’t been truly interested in joining this dance - an evening with a bunch of fucking Gypsies wasn’t exactly his idea of a well spent time - but apparently there were some good things about occasions of that kind. Well, as long as he ignored the opium, cocaine and brandy. Really didn’t seem to know the rules, this silly people.

Lizzie Stark / Tommy Shelby

Again by Emjen_Enla || [ T ] Tommy rolled over. Again. Or Tommy and Lizzie mostly fail at this sharing a bed thing.

Bonnie Gold / Goliath

Raise the Boxing Gloves by Valkrist || [ M ] Poor boy didn’t know what dreamless nights were anymore. Always had something to think about, adventures happening, a combination of all the things he had experienced. Sometimes bad, sometimes good, sometimes it was simply unclear. But Goliath could beat it all out of him if he wasn’t careful enough. Made him forget with ease, his senses focussing on some little, often rather unimportant details. An impressive and talented young man.

Ollie / Alfie Solomons

Our Bones May Turn to Stone but Hearts like Ours Don’t Rust by Valkrist || [ T ] The dunes, the water, the sand, it was all calming. Ollie simply couldn’t get used to it after having spend so much time in London, knowing all the dirt of Camden. Muddy shoes, blood, he had seen it all, even though it was way better than Birmingham, if Alfie was to be believed.

Luca Changretta / Tommy Shelby

Now and Forever by AbusiveLittleBun || [ E ] Luca is enchanted with the beautiful blue-eyed boy that attends the school he helps his mother at, little does he know Tommy Shelby feels the same way towards him...

Boysenberry Tie, with Periwinkle Eyes by WTSL_Writer_of_Things || [ G ] The bow was strange and new, the colour hard to come by and find. It wasn't often people managed to dye a bow that colour, so he snatched it up and bright it home to his blue eyes doll. Years go by and he finds that colour again, this time as a tie, and he gets the tie for his new Periwinkle eyed lover, who he practically drops to the floor for. So he gets a boysenberry tie, for the Periwinkle eyes of his strange lover.

Oswald Mosley / Tommy Shelby

Coat Wrapped Around His Shoulders by Valkrist || [ M ] It was a miracle, a fucking miracle.Tommy still didn’t know how Barney had stayed alive, but he had. Could have shot Mosley marvelously if it weren’t for this horrible interruption. A life for a life, except both people had stayed alive this time. And this was the other side of the coin. Mosley was still alive. A wonderful plan, all for nothing. So much effort put into it, all for nothing. But at least they hadn’t caught them, so Tommy could still keep his cover. Could enter the hospital without people suspecting him, ready to figure it all out.

[hakaibunshi]

2020 fanwork highlights

Rules: It’s time to love yourselves! Choose your favourite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works! 

※  ※  ※

Thank you so much @kuriboh-i-choose-you for tagging me??... I am not good at this, but I will try to do something positive for once, I guess, and shamefully plug my own work........................(?) °_ °’’ 

feat. puzzle - scandal - pride - wish - dragon - kingcrab but tagging others first because this is going to be too long.

※  ※  ※

So many have already done this, but I was not able to find @pridefulrose @life-0r-death @shinayashipper @tenderwulf @the-kings-of-games if they already did this, then I am sorry, I miss a lot of stuff all the time ...

(And I am also sorry for tagging people who have never even interacted with me  人(_ _*) but I enjoyed their works so I am tagging anyway, please forgive me and ignore me if you want to)

※  ※  ※

O P I A 

[Puzzleshipping | ~12K]

He is used to seeing the world through Yugi’s eyes and filtering each experience through his thoughts; A thing was never just a thing but whatever Yugi saw in it. But not anymore. He watches his own fingers move closer, pushing in between the other’s until they finally all lock in place. He doesn’t know what that feels like to Yugi, but he sees their hands loving each other. And has to fully acknowledge that it is wonderful.

“No.” His voice feels comfortable for the first time. Along the length of his leg, Yugi’s ankle brushes in placid motion up and down. Bashful yet intrigued, Atem pays attention to how his body reacts to all these physical breaches. He also thinks back to what had happened in the photo booth.

Overall this story has just taught me so much; it needs to take a spot here. It was the very first time I have ever participated in a fandom event. It was the first time I wrote for Puzzleshipping, my first time writing Fluff, first time writing FOR someone else.

The pressure was so real, and I struggled so much along the way, but at the same time, this was the thing that catapulted me back into the fandom for real. After this, it seemed impossible to turn away again, and I realized how much I love not just writing but putting effort into writing. Polishing it, fighting against it if needed.

Break A Heart

[KingCrabshipping | ~12K]

Jack, who stood a head taller than Yusei, leaned down, hovering his lips over the fair skin of Yusei’s neck, sending hot breath on its path. Yusei’s desire was audible through his short breaths, but he didn’t care, not that he was keeping it a secret. The image in his head was Jack biting him to pieces, and it made him shiver. “Come on then, Yusei.” Jack’s voice was heavy, even if he hummed his words. He leaned in until he could feel the buckles of Yusei’s jacket against his chest. The beast's teeth playfully caressing the shell of his ear, Yusei couldn’t hide the vibration it sent through his body. “Fight me.”

This needs to be here not because it is especially great, it really isn’t, BUT it was something I wrote for me and for me only because this is what I wanted and needed and for once I really did not care if others would like it or not. And that was kind of special for me. Also this ship. It just makes me lose my shit, I love it this much.

A Wish Granted

[Wishshipping | Dragonshipping | ongoing]

“Ain’t as bad as it looks,” he felt the need to say. “Most are older.”

Yugi turned away and reached for the towel, wringing it in his hands. Already, just the sound of it had some bizarrely calming effect. “Sorry…, I didn’t mean to stare. I didn’t think you were hurt this badly.” He spread the towel across both his hands and gestured to Katsuya to lift his hand. Some water dripped onto his thighs but it didn’t seem to bother him.

“As I said, ain’t all fresh.”

“They were fresh once.” He slowly started to rub the dirt and dry blood off the skin, evidently taking great care not to put too much pressure at first, not to cause him any pain.

“Well, they don’t hurt anymore.”

The faintest, saddest smile hushed over Yugi’s face and for a moment Katsuya thought he might start to cry. “Hm… just looking at them hurts”, he said under his breath, as if to himself.

Katsuya thought about that for a second but stopped before he, too, could feel it.

My baby. Although it is constantly taking the back seat to make space for ongoing smaller projects and fandom events, this is so close to my heart. Jounouchi’s POV because I love him and I feel way too connected to this boy.

Even tho this is getting long: Inspired by @kuriboh-i-choose-you I will also put here a special mention [Scandalship WIP haha]:

HEAVENSENT 

is the first thing I started writing in 2020. And until now it is the one I most want to write but also rarely find the correct headspace to do so. But I want to share a little something here then, if I might~

It is a story of Kaiba trying to travel to the afterlife, but traveling into the past instead, whoops.

[Scandalshipping | Prideshipping | WIP]

(of chapter 2)

A strange and new insecurity bewitched him. Was he meant to bow? No one ever taught him about this. But he did not feel like bowing to the other, instead, he lifted his chin ever so slightly. “I was worried not to be able to communicate.” “I wouldn’t have a language barrier get in the way of my revenge. Now, where are my clothes? Don’t make me ask again…” The audacity had Atem nearly choke on his breath. Wasn’t it too much to talk like this, no matter who he was? “It would appear the servants have taken it to clean... I will make sure it will be returned to you. You shall forgive the insolence.” He thought about calling the guards in, but didn’t want to interrupt the time between them quite yet. Once the priests found out about his awakening, they would be all over the case. “May I ask your name? I wish to at least address you properly. Forgive me for not recognizing you should there have been a way for me to kn-” “Seto Kaiba.” Seto! By Rah, if this was a joke, he wished it to come to an end already. Besides him being interrupted yet again when all he did was try to be polite, to have his dearest’s name be used atop of his shape, how much insult would he have to tolerate? “Seto….?” “It is unfortunate… I thought I should have left a lasting impression on that ghost of yours.” “I’m afraid I don’t understand.” “Yes, I’m aware. It’s rather obvious.” Searching for his composure, Atem pushed aside the blinds, pretending curiosity as to what was happening outside, where nothing was happening at all because the whole world was happening right here. He sensed it through the vibrations inside his chest. Alarmed by the sound of naked footsteps behind him, he turned just in time to hurry and push himself between the door and Seto Kaiba. “What are you doing?” “Out of my way, Pharaoh, I will find the lackeys responsible for my clothes vanishing, and I will get them, hopefully before someone dares to rub them against a stone down in the Nile.” His trembling palms raised toward Kaiba's chest, Atem managed to stop his motion, incredibly cautious not to touch him. “There is nothing wrong with the Nile, but I am trying to be understanding. However, will you please consider your appearance and withhold from exposing yourself like this to the entire court. The guards might think you a mad man. I ask you to stay here, I will get your dress back for you.” “You better be quick about it.” “Just...” Atem did not appreciate the language at all, but the worst of it was that the harsh fold between Kaiba’s brows, the disregard in the air between them and the light garment made his knees weak. “Just stay here. And stay quiet. If you cause trouble, I-” “I got it.” He turned away. “Just get on with it.”

This is so long, how awful, I apologize !!!!! but also ... greatful if anyone at all reads through this x.x’’’’’ 

ヽ(´ཀ`」∠) 彡3

[mochuelovelli]

Lilith for the character ask?

Oh boy, a controversial character! Gotta say, I stan James Charles /J

How do I feel about this character?:

On a real note, I do like Lilith as a character. When we first meet her, she's pompous and proud. Oozing with entitlement, she's easy to route against and you like to see her get worked up and "brought down" to Eda's level as the wild which so eloquently put it. Later on, but not too much later that it feels disingenuous, we really get to see her show that she cares for her sister. One might believe it is *Eda* being ridiculous, as far as the audience is aware, Lilith's offer holds little downsides. Eda would be cured and be afforded the luxuries of the upper class AND keep her magic. All she had to do was be the Emperor's soldier.

As to not get off track by talking about Eda, (im sure Lilith herself would loathe that lol) Lilith's reveal to have cursed her sister over a spot in the emperor's coven was...controversial to say the least. I don't think it's unpopular to voice that, yeah. It could've been communicated better to the audience since I saw plenty of commentators and regular fans themselves either thought Lilith cursing her sister was *needlessly* petty and not at all thought out (which yeah it kinda was).

From where I stand on that issue is, yeah, Lilith's whole reason to curse her sister could've been avoided by just talking to her sister and asking her to let her have this. BUT, I think a lot of people forget that the Emperor's coven would want to limit the number of powerful witches in their coven. Sure, Belos would want to be protected by a bunch of loyal soldiers, but he wouldn't want too much of the population to ever have a much power as him. So limiting the number of members in not just his coven but possible in the other major covens, would aid in controlling that population.

This might be pure hogwash but like, there are a ton of other "lesser" covens. So in my mind, it's more likely that the general population of witches gets sorted into one of the various miscellaneous. If you think limiting yourself to only practicing Illusion magic sucks, imagine only practicing whatever the fuck the "swag coven" does.

Lol gonna add a page break this shit is getting too long

Romantic Ships for this character?:

Hm, it's only s1 and we haven't seen her interact w/ many characters outside of her fam/Belos/actual children. I kinda jokingly ship here with Steve lol. Kikimora and her also have a funny dynamic but in all actuality, I don't ship her w/ anyone rn.

Non-Romantic Ships for this character?:

Her and Hooty lol. I mean Eda is an obvious answer but like, Hooty fucking with Lilith is too funny to not want to see. Her and King would be great too, probably get some good B plots out of it. It would be a good contrast since they both can be petty but in different ways and I think that would help flesh out their characters a bit more and maybe cause some introspection (at least on Lilith’s end lol)

Unpopular opinion about this character?:

Lol. I feel like she is such a divisive character in general that most opinions about her aren’t too out of the main stream. I guess a more meta take is that when she’s portrayed in fanworks, usually fanfic but not exclusively, very...one note lol. She’s usually a pretty flat, boring character in an attempt to highlight the contrast between her and Eda. She’s the straight-laced, “responsible” sibling who has a chip on her shoulder. In fanon, that equates to her characterization to either be like, completely and utterly apologetic to the point where it becomes unbelievable for any person to do. Her apologizing or making amends is usually quickly forgiven by Luz/and or Eda. Sure, Luz is very forgiving person naturally but like?? She’s wasn’t mad in canon too much about THEIR well being (almost getting impaled), she was specifically pissed about Lilith betraying Eda. 

So, if Lilith is a big part of your story (and it’s working in the realm of canon), then this should be a problem which doesn’t get resolved by just ONE big action. I also feel like her being on better terms with Eda would come BEFORE Luz since Eda’s main gripe with her would be about her being annoyed by Lilith’s controlling nature and the fact that she didn’t trust her enough to talk about her feelings back when she was first cursed (also her using Luz against her but I feel like that would probably be a hurdle that wouldn’t really be over come until Lilith in turn would be willing to sacrifice herself for Luz while also making an effort to care for Luz as a person not just see her as a “pet”). Hhhh this section is so long and its kinda bleeding over in the next question so-

Something I wish will happen or would have wanted to happen in canon?:

yall if you are still reading I am so sorry sksk

I want Lilith in general, not to be forgiven by either Luz or Eda. Eda probably early on stating about how she is unsure if she could EVER forgive her sister for what she has done. BUT, critically, Eda would see that Lilith is trying and she is willing to work with her (with a unhelpful dose of teasing) because at the end of the day she still loves her sister. For the relationship they had before everything with south, for knowing her side of the story even though she believes it doesn’t justify her actions. She understands and sympathizes, she’s grown a bit softer thanks to Luz, which is very funny since I want Luz to be the one who is the hardest to convince Lilith actually had a change of heart but more on that later. 

Before I move on to what I want her path towards forgiveness with Luz looks like, I want to bring up a parallel that I haven’t seen many people make. Fans always talk about the parallel between the Clawthornes and Luz/Amity, and rightly so because there is a lot to extrapolate there, but I think another interesting dynamic that might be interesting to see in s2 would be an episode that focuses on lost friendship/sisterhood with the Clawthornes and Amity and Willow. It’s kinda funny that Amity and Willow’s friendship was ruined because Willow was too “weak” while Eda was too “powerful”. In a potential episode, it can show the progression both Eda/Lilith and Willow/Amity are making in rekindling their relationship with each other. For Eda and Lilith this would be a lot more rough around the edges since it both be either the first or one of the first attempts at doing so while Willow/Amity would maybe be further along yet still have some major/minor hang ups with one another. With Willow/Amity, their relationship would either be rounding the bend of fully moving past the “idk how to feel about you stage” or it is stated outright that Willow forgives Amity, (and by forgive, I mean in the “we both know what you did, you’ve actually changed. we won’t have the same relationship that we once had but I’m okay with trying again”). In contrast, Lilith and Eda would reach a understanding and come up with some ground rules on how to handle each other (Eda’s main take away from this “episode” would be what I previously stated in the last question), ones that will be more like guidelines cuz its Eda lol. Also what separates the Clawthornes conflict from the Willow/Amity one (besides the obvious) is that the Clawthornes both know how the other works. Which buttons to push and all that so both of them are going to have to learn to resist doing that, at least a bit, in order to actually progress. 

ANYWAYS, I also want Luz to be the one to regard Lilith the coldest. Luz refusing to let Lilith teach her anything despite probably having more practical/book smarts knowledge on magic theory than Eda because she doesn’t trust her. If they are gonna use that masked dude as a spy, I want Luz to assume Lilith is somehow a coconspirator. This plot thread doesn’t have to be going at 100% the whole time, (in fact I would want it to be a temp thing maybe lasting a couple eps at most or like, just something that is hinted at but not dived deeply until the second half of the season). Really, Lilith has a hard time because Luz straight up doesn’t give her the opportunity to really express her regret/remorse. Lilith probably won’t at first give her a ton of reasons to forgive her as she usually attempts at coming back at Luz’s snide remarks with her own quippy comebacks. Sksk a really angsty end to an attempt could include Lilith saying something to Luz after going on a small talk with her (where yeah Lilith has improved but still needs noticeable work) that she “reminds her a lot of Eda” and Luz bites back with something like “Oh yeah? You going to curse me too? You want another person you can force to do what YOU want?”. 

Hell maybe “parental problems” could have Lilith poke at, either on purpose or accidentally, Luz’s feelings about going back to the human world and Camila. Lilith reminding her, maybe unknowingly, reminds her a lot of her mom and that causes her to blow up on her. Luz would hate that comparison, thinking about how similar her mom and Lilith are to one another. That because she still has such a strong dislike of Lilith, it bleeds over into how Luz views Camila and vice versa. In that, both Camila and Lilith value respect, an adherence to the rules, have a great sense of wisdom (arguably for Lilith lol /hj), and (eventually for Lilith once she gets to know Luz better) a genuine want for Luz to succeed and belief in her even though they are critical of her actions at times. Sure Eda reminds her of that more, motherly protective kind of love, in which she would do anything for her to be happy and healthy. Lilith can be the other side of that, the worry and slight doubt. That familiar way they each go about trying to understand and get close to Luz yet not quite getting it yet would still do whatever she’d ask for her sake. Luz at first would take Lilith being disappointed in her actions as an accomplishment. As they grow closer and the more Lilith reminds her of her mom, it becomes scary. The disappointment hurts and in an effort not to feel like that again and to not want to think about the comparison between Lilith and her mother she will snap back at her. Eventually Lilith would then have to change again and reassure her that she cares and by extent, her mother cares to. It is here Lilith is willing to let go of being so constantly controlling and learns to encourage first (or do some form of the compliment sandwich) and Luz comes to peace with her feelings about her mother and understands her position better. To be able to love herself even if she knows that she will always try to do her best. 

oh my fucking god you made it im so sorry i guess i had a lot of thoughts. fffffff

[dayseternal-blog]

☀️A Letter to All NaruHina Shippers!☀️

I started attempting to document major fan activities within the NaruHina fandom on Fanlore, a wiki for fanworks and fan communities that anyone can edit.  Fanlore is meant to be an ever-evolving record of fandom, specifically focusing on the work of the fans in reaction or response to the events in canon.

When I heard of Fanlore, I thought, Wow, that’s cool!  A fan who’s completely new to an older fandom could go to Fanlore and find out all the previous drama 👀 and excitement they missed out on, learn about fans’ interpretations of canon (fanon), and get linked to major fandom activities and communities 👊🏼.

Haha except NaruHina’s page was empty 😑, and I didn’t want anyone to think that the NaruHina fandom is dead 😱 when we all know it wasn’t and isn’t!  (even SasuNaru and NaruSaku had info 😱😱 actually their pages are super interesting and awesome!  Not knowing how to start, I modeled our format off of SasuNaru’s page.)

Anyway, in a competitive spirit, it’s now just as detailed as theirs!  But one problem is I only joined the NaruHina fandom in 2017 (I think?), so actually, I don’t know that much about what’s up🤦🏻‍♀️.

Please help set up our NaruHina Fanlore page! 

No one knows our fandom better than us fans!!!  Especially if you’ve been around for awhile, you’ve seen all the jazz.  If you don’t want to edit the page yourself (HTML is intimidating, I understand 😭), please reply here with the ideas, thoughts, etc. you want to see!

If you see something missing or wrong, FEEL FREE to change, edit, or add to the page.  Everything I put up so far was just to get the ball rolling, and my perspective is NOT AT ALL representative of everyone and everything that happened.  The NaruHina Fanlore page needs the perspectives of all fans!!  Especially perspectives from fans from all parts of the world!!! 

Everything on the page needs improvement, but things that definitely need to be improved are links to: 

favourite/significant NaruHina fanart

favourite/significant NaruHina fanfiction

favourite/significant NaruHina fanvids

other favourite/significant NaruHina fanmade media

fanfic recommendation lists

NaruHina forums/communities

other archives of NaruHina fanfiction (besides ffnet & ao3)

NaruHina fan merchandise resources

other resources for fans, etc etc etc.

If you know of NaruHina resources in a language other than English, PLEASE ADD IT TO THE PAGE OR PUT THE LINK HERE with a description so I can add it!!!!!!!!  Also, even old or no longer active communities/forums are important to include!!!

In a case like this, there’s really no wrong answer about what can be included on the page because this page is about all of us, the fans!  If you think something is important, THEN IT’S DEFINITELY IMPORTANT AND SHOULD BE ON THERE.

So, please check it out and get your fandom voice heard and/or spread awareness about our page 🙏🏼 💕

[t100ficrecsblog]

an interview with @burninghoneyatdusk​ (she/her) What are you working on right now? Right now I’m prioritizing prompts for the Bellarke Writers for BLM Initiative, which is a mix of new prompts and requests for WIP updates. I just posted a chapter update of my fic Voices in the Water, which is a canon-verse/everyone is a grounder arranged marriage AU with a bit of a twist, and next I’m working on a new prompt. After that, I’ve got three chapters of All Because of You  requested. All Because of You is a modern AU with bellarke as *platonic* coparents. The story is told in alternating flashbacks and present day (every other chapter). The flashbacks focus on them growing closer during Clarke’s unplanned pregnancy and the present is seven years later, where they have to come to terms with their feelings for each other when Clarke gets engaged to someone else.

What’s something you’d like to write one day? I would love to publish a novel one day. For years I had a YA dystopian/time travel trilogy kind of planned but I poked too many holes in it and want to start from scratch in that regard. Another novel I want to write is one that covers three generations of women, looking at mother-daughter relationships, women in society, generational trauma… a lot of stuff. It was inspired by learning about my grandmother’s life more and thinking about how it impacted her relationship with my mother, and in turn my mother’s relationship with me.

For fanfiction, beyond my current prompts and WIPs, I have two other fics outlined. One is an AU inspired by the movie Plus One. The other is a soulmate AU that’s a bit dark and involves immortality, magic, and essentially Bellamy as a villain with a redemption arc.

What is the fanwork you’re most proud of? I think All Because of You will probably remain my most popular, but right now I’m most proud of Voices in the Water. More so than my other fics, it has a more concise plot and I’ve done a deeper dive into Clarke’s character as an Azgeda assassin and I think the reader really gets into her head more than my other multiple POV fics. It’s also my first canonverse fic and I’ve enjoyed diving into that world and expanding upon it where I want.

When did you first start writing fic? I didn’t start writing fic until the beginning of 2019. I first published in February 2019, which was Homesick (It’s a Bittersweet Feeling). It was my first fic and the only multichapter WIP that’s complete right now, so it’s a special story for me.

What frustrates you most about fic writing? I’ve mostly had only a positive experience with fanfic writing. With the exception of a couple stray comments, my readers have been gracious, kind, and most importantly, patient. But I guess it can be challenging when you self-impose pressure because you’re aware that people are waiting for you to publish so sometimes I rush things. I haven’t personally experienced this, but I think that fic writing can also be frustrating when readers feel like you owe them something or unnecessarily offer negative comments that aren’t at all constructive. Some people forget that people are publishing stories for free, in their spare time, often in addition to full-time jobs or school and parenting.

What are your top five songs right now? 1. castles (freya ridings) 2. maniac (conan gray) 3. fired up (grace carter) 4. I am not afraid (g flip) 5. wanna be (betty who)

What are your inspirations? (books, songs, other fic) I take inspiration from all of those things but I would say mostly quotes and random photos on tumblr. I wrote Homesick because I liked the step-siblings/forbidden trope and wanted to write in a small town setting like the one I grew up in. All Because of You was honestly the classic “this is my bedtime daydream story I think about every night” so it’s pretty self-indulgent with the tropes I wanted to use. Voices in the Water was started because I loved the grounder!Bellamy / arranged marriage trope. The wanheda twist came from me reading the 4x11 script to screen with Clarke trying to force herself to shoot Bellamy to save humanity, but realizing that she can’t.

What first attracted you to Bellarke? What attracts you now? I’m not sure I remember a specific moment but I think I remember bellarke being all over my tumblr dash when I started s2 so kind of paying close attention to them during s2. s2 was of course a great season for them and by the ‘knocking on heaven’s door’ scene in 2x16 I was a goner.

Regarding what drew me to them, I think I’ve always loved a good slow burn with the partners/”I’ve got your back” vibe that they have. My first (and biggest) OTP before them was tony & ziva from NCIS which is a really similar vibe although a very different show.

Besides Bellarke, what character or pairing do you like best on t100? I think that Memori is probably my second place ship. Before s7, I would say there was a HUGE gap between my love of Bellarke and Memori, but this season has made me an even bigger Memori fan. I have to say that while I don’t think there was ever a chance of Murven happening, I do understand why people ship it. I think they have great chemistry/a great dynamic and in another life, so to speak, I would have shipped them. 

Regarding characters on their own, I just love all my delinquents, but I think that Murphy is solidly my third favorite character. Raven and Octavia are probably tied behind him.

Why did you decide to start bellarkefic-for-blm? I credit the reason to Kara ( @queenemori ). (Sidenote: everyone go follow her! She’s an amazing fanfic writer and overall just a really positive, awesome person to have in the fandom). I remember reading her post  - and I won’t try to paraphrase, so please take the time to read her it - but in general it got me thinking about how we as a fandom could support the BLM movement in a substantial way that is more than just spreading posts on social media, and in a way that doesn’t lose momentum as time goes on and the movement becomes less “trendy.” I thought about how many people collectively read our fanfiction and how we provide it for free, and if people could just pay a few dollars or however much they can afford and donate that to the cause, we collectively could make a huge difference. So that’s what I’m hoping this is - making a substantial difference in a way that doesn’t fade in time and also uses the power of fandom in a useful way. We have a lot of power if we collectively put it towards something like this instead of fighting over ships or actors or whatnot. I also figured that maybe we’d have readers who weren’t paying attention to the movement and that maybe because they want to submit a prompt, they’d do some research on where to donate, and that in turn helps educate them on the issue - or is at least a start.

Has it been as successful as you’d hoped? So on the positive side, I do think it’s incredible that in about six weeks we’ve raised nearly $1250 and have been able to donate to a variety of organizations. I’m incredibly grateful for the authors donating their time and the enthusiastic readers participating. I don’t mean to sound negative at all, but if I’m being honest, I do feel a little frustration at the lack of participation across the fandom as a whole or maybe more specifically across the AO3 readers. I know that my WIP chapters average about 1k hits per update. That’s a lot of people. Even if you cut that in half because maybe people are rereading, that’s still 500 people. So why are only about 20 of my readers donating to this initiative? I think it’s a bit discouraging when you look at the percentage in that way. 

That’s not to say that I don’t understand that some aren’t financially in a position to donate, but I’ve made it clear that there are other ways to contribute (e.g. signing petitions, writing to politicians) and there hasn’t been traction with that either. So I think that in general, something is always better than nothing and it has in no way discouraged me from continuing this. But I’m hoping that more people are able to participate as time goes on. It’s truly a win-win situation of generating more fanfics for readers and donating to an important issue, so I hope to see the percentage of fanfiction readers submitting prompts increase and am doing what I can to continue spreading the word about it. 

I guess in summary what I’m saying is, I’m proud of what the fandom has done so far, but let’s step it up. We can do more, we can do better. Maybe people will get pissed I said that, but idk. If you read fic and can buy a $3 coffee, you can donate to this cause. It’s important. As was Kara’s point, let’s not see this momentum fade when the BLM movement becomes less ~trendy~.

What are some things you’d like to recommend? Instead of writing an essay about all the fics I love, I’d like to link both my bookmarked fics which is my complete list of bellarke fic recs.

I also want to recommend visiting the Bellarke Writers for BLM Initiative writers’ page - these writers are incredible so please go check out their existing works and continue requesting prompts for the BLM movement!

On the note of BLM, I'd also like to link this article. It's older, written in the aftermath of the Charleston attack, but it remains one of the most thought provoking pieces I've read on race in our country.

it was my honor to interview burninghoneyatdusk! honestly, if you aren’t reading Voices in the Water, which is Bellarke except Clarke is an assassin, you should be. it haunts me. she also organized the very cool bellarkefic-for-blm. 

[fanficaficionado]

this post was not one that was very premeditated. when i made this blog i had no intentions on criticizing any specific writers on their styles outside of individual works. however, one writer has a specific writing style that prevents me from finishing any of their stories more than once. so, i decided to tackle it all in one go instead of trying to trudge through three whole multi-chapter fanworks, one of which is honest to god over a million words. i had a word-for-word plan for what i was going to say in this post at one point, however due to the fact that i am the only one i've ever met with impeccable timing i got a call from my girlfriend right as i was gearing up to sit down and write this post and forgot every fucking thing i was going to say, and then when i finally wrote it i proceeded to procrastinate on editing it for half a year, so this post is literally so unplanned that any plan that might have existed has been consumed by the void. but!! i'm doing it anyway, and not even i can stop me!!

This is the thing about Unda

featuring M.C. Escher that's my favorite MC, Dayhve's Broken Diamond Club, and Alternate Universe by Unda

((spoilers, obviously))

The thing that all these stories have in common, besides being written by the same person of course, is that at some point while reading i got sick and fucking tired of them and couldn't push myself to keep going. For mc escher, it was during my reread when new characters with new relationship dramas were presented right at what i thought would be the climax, causing the story to drag on for longer after i thought that the story would be wrapping up. For DBDC, it was when sollux made a stupid decision during a confrontation with the FUCKING condesce, which i knew was going to delay the ending of the story for even longer, because he was obviously going to get captured, which would probably lead to a decent amount of the rest of them getting captured and then whoo dee fucking doo time for jailbreaks/rescue attempts. I then attempted to reread it, only to stop right when dayhve finds out about the mutant chucklevoodoos because this story is genuinely so long that prolonged amounts of time reading it has effects on my mental health ((i honestly will not blame unda for this one, it's just proof that they're good at writing emotional turmoil and mental health struggles)). For AU it was fairly fucking early, when the dramatic scenes with satan himself popping out of the actual fucking moon and then karkat confronting aradia who is literally the embodiment of death about getting sollux back all lead to a goddamn roadtrip at the end of the world. This was where i drew the line because i could just fucking tell that it was going to drag on into infinity.

These stories are fucking LONG, okay?? They are incredibly, beautifully, wretchedly long. When i first read DBDC i had a game going with my parents where we'd guess what chapter we thought i was on and compare it to where i actually was, and every time it was under ten despite the amount of words i just read leading my tiny little brain to believe otherwise.

In my personal opinion?? These stories cannot and should not go on for longer than what one would think to be the final climax, for the sake of their own lifespan. Because at some point one of these false climaxes are going to make people really fucking overwhelmed, really fucking tired of your shit, and/or really fucking pissed. These stories are primed and ready to collapse under their own weight and it is a sad fucking sight, like that video of the morbidly obese chiweenie i saw. They drag on for so long that at some point you stop forgiving the characters' idiotic decisions and just want things to get to the fucking point.

Now i didnt come here just to rag on unda's writing, believe it or not despite their overwhelming nature i genuinely really like these stories. They just drag on and on and on, and get more convoluted and confusing the longer they go.

But doesn't that sound familiar?? Haven't you read a story in the past, written by someone else, that did the exact same thing??

That's right baby, we are getting meta up in this bitch. I didnt come here just to talk about unda, no, i came here to use unda as an example. We're talking about fanfiction as a whole and the problem with a whole lot of fics. Namely that they just do not know where to stop. These crazy trains have no fucking breaks and everyone is scrambling trying to build some. Then they get half welded on before the conducter says "oh no, that's not right." So they just keep welding on more and more parts and sometimes it works, but at other times it completely breaks under itself, and at other other times it becomes a whole entire goddamn computer inhabited by a fully sentient ai before anyone can figure out how to stop the fucking train.

A lot of stories are like this, in that they drag on and waffle about. This is often caused by people taking a writing formula that works better for slice of life, where things just happen and the characters are just along for the ride, and applying it to big overarching stories. They try to make the plot with a big bad and extremely high stakes fit into this type of pacing, and it starts feeling like each arc is incredibly disconnected. You aren't done with your characters, and you have more ideas for conflicts, so to keep things going you have to keep cranking the stakes higher and higher. Then your reader starts wondering how we went from supernatural college au to Let's Go Kill The Devil, and why the fuck we're spending extra time and attention on a roadtrip when the literal devil just showed up and committed at least three separate war crimes. It's a constant rising and falling of the momentum, big crazy climactic things happen and then suddenly we're slowing down again to build up the next Big Thing.

The problem with this is that eventually you get to a point where no ending you come up with will feel very satisfying, because your reader has been strung along for such a long time that they'll probably feel more like they just ran a marathon trying to get away from a hoard of angry snakes than like they read a story. Unda is a more extreme example, because their standard chapter length and the sheer amount of chapters poured into each story makes a task that is normally kinda frustrating feel like pushing a boulder up a mountain for eternity. These sorts of stories are hard to keep up with when they're delivered in fairly bite sized chunks, but when you deliver your story in four course gourmet meals it just gets actively draining watching a character make another decision that leads to more plot and more relationship drama and more development and always fucking more. There's no ceiling on creativity but this stuff makes me wish there was sometimes, because then maybe these stories would get to a point where they didn't have anywhere else to go and so they'd end sooner on a more satisfying conclusion.

I think the solution to these sorts of conundrums would be splitting these stories over multiple works. Conclude one plot, finish the story, move on to the next using the same characters and premise from where the first work left off and keep going. It might lead to some cliffhangers every now and again but cliffhangers arent so bad when you know there's more to come, and it'd help people not get completely fucking lost.

I know it sounds like im getting on unda's case with all the vitriol of the literature version of Ego from ratatouille, and i know that some people write for fun and others write for practice. I don't know which category unda falls in, but either way when you post something on the internet it's gonna be perceived. I treat both types of writing the exact same way because examining a for fun story with the same analytical eye as i would use for a story that was written with the intent of receiving constructive criticism leads me to find examples of things that work and things that don't, which i can then dissect and share on the internet for people who want to improve to learn from. Experimentation is the root of progress after all, and stories written for fun tend to be full of that sort of stuff, so taking a closer look helps progress storytelling as a whole!! It's a learning experience. Above all, it's fun to tear stories apart, and fanfiction is especially fun because you don't have to spend the emotion to get invested and judge new characters that you've never seen before. I am in no way saying unda should upheave their entire style of writing, or that their stories are shitty. I am actually a pretty big fan of unda's work!! I hope to see more writing from them, in whatever form it takes, and i will gleefully dissect it all the same.