#best android phone 2023 | Explore Tumblr Posts and Blogs

changes · 1 year

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Friday, April 28th, 2023

🌟 New

Love those important checkmarks? We won a Webby for ’em!

The inbox unread count has returned on web! No more unread dot.

We’re no longer creating activity items in your activity feed when you like, reblog, or reply to your own posts.

In the new post editor on web, clicking into the tags input field will now show suggestions immediately.

Passwords on Tumblr have a max length of 72 bytes. This has actually always been the case, but now we’re making that clearer when setting your password across web, iOS, and Android.

🛠 Fixed

Users that you’ve blocked will no longer appear in Tumblr Live carousels.

Ask/answer posts can no longer be blazed at all. (We’re thinking through how best to ask for consent from the asker and answerer, so this may return.)

Fixed a bug that was resetting a post’s blaze eligibility depending on where it was being edited. Thanks to everyone who sent us info about this issue, it helped us track down the problem faster!

Fixed the issue that could cause the new post editor on web to not be able to redo your actions after undoing them with Control + Z.

When using Tumblr in a browser on your phone, going “back” from within a direct messaging conversation will now bring you back to the right place, if you got to that conversation from places like activity or your dashboard.

There was an issue with Spotify podcast embeds for a brief period this week, but they’ve fixed the issue.

🚧 Ongoing

The war against spam bots continues. We’re working to clean up recent waves of spam bots, and again prevent them from recurring. As usual, please report any blogs as spam that you find, and we’ll take care of the rest.

We’re working on separating everyone’s existing checkmarks into separate blue and rainbow products, and opening up the ability for everyone to manage which one is being displayed next to their blog name. There have been some bumps with this transition, but we’re working them out as quickly as possible!

Version 29.1.1 of the Tumblr Android app has a fix for the issue of the app switching to the “For you” tab when interacting with posts that have a “Read more”.

🌱 Upcoming

We’re working on a design refresh of the direct messaging conversation popup on web.

Experiencing an issue? File a Support Request and we’ll get back to you as soon as we can!

Want to share your feedback about something? Check out our Work in Progress blog and start a discussion with the community.

#tumblr update

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mostlysignssomeportents · 20 days

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Joseph Cox’s “Dark Wire”

NEXT WEEKEND (June 7–9), I'm in AMHERST, NEW YORK to keynote the 25th Annual Media Ecology Association Convention and accept the Neil Postman Award for Career Achievement in Public Intellectual Activity.

No one was better positioned to tell the tale of the largest sting operation in world history than veteran tech reporter Joseph Cox, and tell it he did, in Dark Wire, released today:

https://www.hachettebookgroup.com/titles/joseph-cox/dark-wire/9781541702691/

Cox – who was one of Motherboard's star cybersecurity reporters before leaving to co-found 404 Media – has spent years on the crimephone beat, tracking vendors who sold modded phones (first Blackberries, then Android phones) to criminal syndicates with the promise that they couldn't be wiretapped by law-enforcement.

It's possible that some of these phones were secure over long timescales, but all the ones we know about are ones that law enforcement eventually caught up with, usually by capturing the company's top founders explicitly stating that the phones were sold to assist in the commission of crimes, and admitting to remote-wiping phones to obstruct law-enforcement options. It's hard to prove intent but it gets a lot easier when the criminal puts that intent into writing (that's true of tech executives, too!):

https://pluralistic.net/2023/09/03/big-tech-cant-stop-telling-on-itself/

But after a particularly spectacular bust landed one of the top crimephone sales reps in the FBI's power, they got a genuinely weird idea: why not start their own crimephone company?

The plan was to build an incredibly secure, best-of-breed crimephone, one with every feature that a criminal would want to truly insulate themselves from law enforcement while still offering everything a criminal could need to plan and execute crimes.

They would tap into the network of crimephone distributors around the world, not telling them who they were truly selling for – nor that every one of these phones had a back-door that allowed law-enforcement to access every single message, photo and file.

This is the beginning of an incredible tale that is really two incredible tales. The first is the story of the FBI and its partners as they scaled up Anom, their best-of-breed crimephone business. This is a (nearly) classic startup tale, full of all-nighters, heroic battles against the odds, and the terror and exhilaration of "hockey-stick" growth.

The difference between this startup and the others we're already familiar with is obvious: the FBI and its global partners are acting under a totally different set of constraints to normal startup founders. For one thing, their true mission and identity must be kept totally secret. For another, they have to navigate the bureaucratic barriers of not one, but many governments and their courts, constitutions and procedures.

Finally, there are the stakes: while the bulk of the crimes that the FBI targets with Anom are just the usual futile war-on-drugs nonsense (albeit at a never-before seen scale), they also routinely encounter murders, kidnappings, tortures, firebombings, and other serious crimes, either in the planning phase, or after they have been committed. They have to make moment-to-moment calls about when and whether to do something about these, as each action taken based on intercepts from Anom threatens to tip the FBI's hand.

That's one of the startup stories in Cox's book. The other one is the crime startup, the one that the hapless criminal syndicates that sign up to distribute Anom devices find themselves in the middle of. They, too, are experiencing hockey-stick growth. They, too, have a fantastically lucrative tiger by the tail. And they, too, have a unique set of challenges that make this startup different from any other.

The obvious difference is that they are involved in global criminal conspiracies. They have to both grow and remain hidden. The tradecraft and skullduggery are fascinating, in the manner of any great crime procedural tale. But there's another constraint: these criminals are competing with one another to corner the market on these incredibly lucrative phones. Being part of violent, global criminal conspiracies, they don't confine themselves to the normal Silicon Valley crimes of violating antitrust law – they are engaged in all-out warfare.

These two startups are, of course, the same startup, but only one side knows it. As Cox weaves these two tales together – along with glimpses into the lives of the hapless gig-work developers in Asia who are developing and maintaining the Anom platform – we get front seat in a series of high-speed, high-stakes near-collisions between these two groups.

And it's not always the cops who have the advantage. When an ambitious mobster figures out how to clone the "black boxes" that initialize new Anom phones, the FBI are caught flatfooted as the number of Anom devices in the hands of criminals balloons, producing a volume of intercepts that vastly exceeds their processing capacity.

Cox has been on this story for a decade, and it shows. He has impeccable sourcing and encyclopedic access to the court records and other public details that allow him to reproduce many of the most dramatic scenes in the Anom caper verbatim. This really shines in the final section of the book, when the FBI and its partners decide to roll up the company with a series of global arrests that culminate in a triumphant press-conference in which the true masters of Anom are revealed.

As a privacy and encryption advocate, there were moments in this story that made me a little uncomfortable. There are places where the FBI is chafing at the constitutional limits on its surveillance powers where we can't help buy sympathize with these "good guys" going after "bad guys." But this the the FBI, a lawless, unaccountable secret police who routinely bypass those limits by secretly buying data from sleazy data-brokers, or illegally sharing data with the NSA.

The conclusion really hammers home the point that the FBI's problem isn't constitutional niceties. Despite seizing hundreds of tons of illegal drugs and arresting thousands of high-ranking criminal syndicate bosses, Anom made no difference in the drug trade. Prohibition, after all, just makes criminals more wealthy and powerful. The Anom raids were, at worst, the cost of doing business – and at best, they were a global reset that cleared the board of established actors so that other criminals could seize their turf.

But even though Anom didn't triumph over crime, Dark Wire is a triumph. The book's out today, and there will shortly be a Netflix adaptation based on it, directed by Jason Bateman:

https://deadline.com/2022/09/jason-bateman-netflix-21-laps-dark-wire-surveillance-gangs-movie-1235130444/

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/06/04/anom-nom-nom/the-call-is-coming-from-inside-the-ndrangheta

#pluralistic #anom #crypto wars #lawful interception #crimephones #joseph cox #books #technothrillers #reviews #gift guide

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diddybok · 1 year

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finding out best friend!stray kids has a new phone

all characters depicted in my writing are from my own imagination and do NOT in anyway represent nor reflect the people in real life :)

➩pairing: ot8 x gn!reader

➩warning(s): android slander, two swear words, suggestive text in changbin’s

➩notes: just to clarify i do not care what phone you have. this is just a bit of fun! shout out to all phones fr <3 (also skz in their bag era??)

chris

minho

changbin

hyunjin

jisung

felix

seungmin

i.n

ʚ hope you enjoyed ^.^ you can support me by liking, commenting and reblogging! it is heavily appreciated ᵕ̈ ɞ

i do not permit my work to be translated or reposted in any way, thank you.

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odinsblog · 6 months

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So here is the long and short of it:

Google used (uses) geofencing data, location data that undeniably shows where you and your phone have been.

Google sells this data to data brokers and advertisers, whether you like it or not. And yeah, it wouldn’t surprise me if Apple also did/does this, but if they do, Tim Cook has done a yeoman’s job of keeping it secret.

Google also hands out your location data to police departments (and governmental agencies led by conservative, anti-abortion Republicans, but I’m sure that’s unimportant, right?).

Now—and here’s the crux of the matter—just as the government was using Google’s location data to prosecute January 6th rioters, Google has had a sudden change of heart and will effectively limit their ability to remotely store your GPS information on their servers (which means it will mostly only be available locally on your Android phone’s hard drive, thus making it significantly harder - not completely impossible - for Google to give the police access to bulk location data, even if presented with a search warrant).

The bottom line is, it was always wrong for Google to collect and then sell their “reverse location search data” to advertisers, data miners, the police and the government. The germane question is, why now? Why has Google suddenly found Jesus, so to speak, and decided that customers privacy rights are sacrosanct, just as the U.S. government is using that data to prosecute Trump sycophants who wanted to overthrow the election?

SN: I think the whole green bubble vs. blue bubble argument is a stupid made up problem by whiny people who don’t have enough real problems in life (if you disagree then please go make your own post), and Idgaf if you’re an Android or an iPhone user. If you’re happy with your phone, that’s all that matters — but our privacy rights constantly being violated isn’t trivial, that’s actually very important. And Google suddenly deciding that now is the best time for them to end their practice of ratting people out seems highly sus.

👉🏿 https://www.emptywheel.net/2023/11/25/the-maga-tourist-geofence-and-the-violent-confederate-flag-toting-geofence/

👉🏿 https://www.forbes.com/sites/cyrusfarivar/2023/12/14/google-just-killed-geofence-warrants-police-location-data/

#politics #google #location data #privacy rights #surveillance state #geofencing #reverse location searches #andriod #android phones #j6 #j6 insurrection

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go-learn-esperanto · 10 months

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Also you mentioned a VPN, but are there any free ones? Specifically like a Firefox extension or something like that? I can't pay money for one, and i'm gonna switch to Firefox soon anyways (long story). Also ik I said this before but thx for the kitties :D

I'm not very knowledgeable on PC VPNs but I found this article linking some

What you've got to be aware is that if they're free they're always gonna have limitations.

For your phone I'm only knowledgeable on Android. Opera has a built in limited VPN. It works only on the Opera browser though.

However I've found an app that basically works as a VPN for your whole phone

It's limited in servers and I recommend you keep checking the VPN symbol from time to time as after a while it automatically turns off the VPN I think but it works for all apps that use your location which is really good.

I went looking and found this one that has a bunch more server options

It can have very long ads but that's the price for being free. Using it right now and it works 👍

I've now also tried this third option

At first it may appear like it has more options than the last one but don't be fooled! Most of the servers are premium. It does have better options if you want your location to be the US or Canada but that's mostly it. The Super Unlimited Proxy is better for European server options.

Well that's what I found for free! I hope it helps even if I know it's probable that you have an Apple device instead of Android because that's the US norm. —_—

#ask #Anonymous #VPN #Resources #Also no worries!#Don't be embarrassed by your ask #We all feel down sometimes and it wasn't something bad to vent #I don't feel burdened by your ask. I quite enjoy trying to help people.

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caltropspress · 3 months

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RAPS + CRAFTS #21: Andrew Mbaruk

1. Introduce yourself. Past projects? Current projects?

I’m Andrew Mbaruk, a Black poet living in Vancouver, Canada. I make "literary lo-fi rock rap," drawing from my diverse reading of poetry and classic literature for the "literary" aspect; – it’s "lo-fi" due to the imperfect sound quality, "rock" as the music predominantly features electric guitars, and "rap" because, if I had to use just one genre to categorize it, it’d be rap–I’m obviously rapping in the songs.

On one of my songs I describe my style as “assistant-professorial and janitorial”--it’s a blend of literary, academic, and philosophical elements with a touch of real-life experiences, viewed through my postmodern/modernist collage aesthetic.

Some of my recent albums are Why I Am Not a Painter (a 2023 song anthology), Black Squirrel: A Memoir (an autobiographical album through Extraordinary Rap), and Oiseau=textual: the flying rap album (centered around birds). Collaborations include Affect Theory and the Text-to-Speech Grandiloquence with Rhys Langston, Papier-Mache Chalet with Th’ Mole, Ultraviolet Flamingo with Vellum Bristol or Jouquin Fox, and Hip-Hop, With a Twist of Lemon with Mantis the Miasma.

Currently, I’m working on a series of lo-fi rock rap albums, each titled Abolish Canada. Abolish Canada [1] and Abolish Canada [2] are already available on my Bandcamp page.

2. Where do you write? Do you have a routine time you write? Do you discipline yourself, or just let the words come when they will? Do you typically write on a daily basis?

I write whenever I’m awake and in the mood, which is often at home. This could be in the middle of the night or just as frequently in the afternoon. Currently, I find myself in the writing room...surrounded by books... On my desk are three old dictionaries and a book of selected poems by Wallace Stevens, alongside an energy drink can and crumpled papers... Scattered throughout the room are various poetry books, and books on theory and philosophy, from Marx and Hegel to Frank B. Wilderson III and David Marriott... These books are mostly on a couch doubling as a larger desk, and atop an old synthesizer from the 1980s... On the floor stand an electric guitar and amp, alongside pedals and tangled cords at my feet... Two walls are giant windows, one of which is usually open even in winter (I’m often smoking). I’m undisciplined, though I still write almost daily – though there’s the occasional lapse, like these past few days...

3. What’s your medium—pen and paper, laptop, on your phone? Or do you compose a verse in your head and keep it there until it’s time to record?

During 2017-2018, I primarily used pen and paper for my writing. But, since then, I’ve transitioned to typing most of my raps on a computer. Occasionally I’ll compose a verse while walking, relying on my Android. The inconvenience of keeping verses in my head until I can write them down...that’s a problem I face during work shifts – cleaning Vancouver’s streets, e.g....and one song I crafted mentally while washing dishes at a burger bar. Using a recording medium like paper or a word processor is best though – it allows me to carefully consider connections between different parts of a verse, because I have the entire composition visible on a page or on a screen.

4. Do you write in bars, or is it more disorganized than that?

I used to have a more disorganized writing style, especially in the first few years of this rapping project... Initially, I didn't even see my work as a part of rap. It was only when I started collaborating with other rappers and producers that I began to structure my writing in bars.

While there are still moments when I write in a more formless manner, I stick to a more regular form these days, lines that last four beats. Typically, I'll create four lines that rhyme (using slant rhymes) entirely parallel to each other:

(e.g., “abnegating dactylic hexameter his vacation, a trip with dead passengers the Latin pages of literate Sapphic verse as the painting's acrylic red flags ablur”),

followed by another set of four, or maybe a couplet or two

(in this case, “as heroin mixed with the China White terror, his literary dynamite exposing the Pindaric champion; explosions, the thin shards of glass in him”),

and then another quatrain or couplet, or sometimes a set of six or eight rhyming lines, or sometimes more...and so on.

I never thought I'd become so formal or strict in my approach. I've always been inclined towards poetry that adheres to (for example) Charles Olson’s "projective verse", but surprisingly, weirdly, this structured approach is working for me now.

5. How long into writing a verse or a song do you know it’s not working out the way you had in mind? Do you trash the material forever, or do you keep the discarded material to be reworked later?

It’s different with every verse and song. Sometimes I’ll finish the entire thing and throw it out/delete it. Usually some part of the aborted material returns in a new form. I work in a "collage" style and see my rhymes as Deleuzian rhizomes, so I can easily connect my rhymes like Lego... It’s totally acceptable within my project to incorporate disparate fragments – unless the lyrics are focused by a constraint, as on my album about birds (Oiseau=textual: the flying rap album) or the one about the Iran-Contra scandal (The Iran-Contra Project).

6. Have you engaged with any other type of writing, whether presently or in the past? Fiction? Poetry? Playwriting? If so, how has that mode influenced your songwriting?

I’ve written poetry, fiction, a screenplay... The rapping basically grew out of my experiments with print poetry – I started making poems called "phonotexts," recorded poems, in 2014... I made a spoken word album called Phono=textual: a novel in mono... It took about three years for these "phonotexts" to become rap songs.

7. How much editing do you do after initially writing a verse/song? Do you labor over verses, working on them over a long period of time, or do you start and finish a piece in a quick burst?

I try to edit as I write, then I'll record the thing, sometimes using some instrumental that I'm not actually going to use – just to hear it, so I can edit it some more. Then I record the song immediately. It usually takes a few hours or an evening.

Sometimes I work on a song for a few days.

8. Do you write to a beat, or do you adjust and tweak lyrics to fit a beat?

I begin with the words and a rhythm usually... I write lyrics, then I make the drums, then I record the verse or verses, then finally I'll add guitars and synthesizer and whatnot.

9. What dictates the direction of your lyrics? Are you led by an idea or topic you have in mind beforehand? Is it stream-of-consciousness? Is what you come up with determined by the constraint of the rhymes?

I usually begin with one small idea, just a line or a few words, and I grow a verse or verses from the one idea through free association, playing with meaning and rhyme. I’m often propelled by chance, but just as often propelled by a thematic goal, and this can change midway through writing.

10. Do you like to experiment with different forms and rhyme schemes, or do you keep your bars free and flexible?

I’ve sneaked sonnets into my raps, and I’ve invented something called “rhyme chiasmus” (a rhyme scheme where two rhyming sounds are repeated in a chiastic pattern for many bars) but I’m usually freer.

11. What’s a verse you’re particularly proud of, one where you met the vision for what you desire to do with your lyrics?

The song "Electrons," track 01 of Abolish Canada [1]...though it goes on a bit too long I think, the bit right at the beginning is very good maybe. That song, and in fact the entirety of Abolish Canada [1]... That’s where I’ve most closely achieved much of what I intend with my words.

12. Can you pick a favorite bar of yours and describe the genesis of it?

My lines make their meaning through the relation to other lines. So, my favourite passage in my writing – "the human soul stuck in your body / fluent in post-structural ornithology” – is shaped by what surrounds it.

The song is called "Under the Oiseau=text." It’s about reading and about birds. And about reading birds as signs, an ancient practice.

I thought of these words because a bird, a pigeon, rose flapping before me as I walked along Commercial Drive in Vancouver. I decided to make an album about birds in that moment, and began writing "Under the Oiseau=text" as soon as I got home. Here’s the lyric in its context:

sans serif, these words upon my gravestone bearing the withered flower tossed - the Baudelairean inner albatross, the human soul stuck in your body fluent in post-structural ornithology . . . . . .his words draw you a map of the geographer perched upon a branch in the binoculars, this scholar of math as it pertains to flight, the neurographer mapping the brain with light

13. Do you feel strongly one way or another about punch-ins? Will you whittle a bar down in order to account for breath control, or are you comfortable punching-in so you don’t have to sacrifice any words?

I shorten lines and always try to do verses in a single take.

14. What non-hiphop material do you turn to for inspiration? What non-music has influenced your work recently?

Afropessimism, John Ashbery’s poetry, nature, the congressional report on the Iran-Contra scandal, and the letter N. Also, I collect and read dictionaries.

15. Writers are often saddled with self-doubt. Do you struggle to like your own shit, or does it all sound dope to you?

Some of my stuff I dig especially, other stuff I’m okay with, most of the stuff I don’t like no one can hear anywhere. Grand Lunatic I’m not crazy about, Andra Mbalimbali I’m not crazy about, Neuro=textual: a novel of ideas is not my favourite of my albums. From late in 2022 and throughout 2023, that stuff I like – though I’m on the fence about some projects like Black Squirrel and The Iran-Contra Project. The earlier stuff evinces potential realized by Oiseau=textual: the flying rap album and Abolish Canada [1]... That’s how I see things.

16. Who’s a rapper you listen to with such a distinguishable style that you need to resist the urge to imitate them?

Rappers who depend less on rhyme and just say really interesting shit, like AKAI SOLO or my friend Jouquin Fox, I can’t do that. I tried using a little less rhyme on The Iran-Contra Project, my concept album about Iran-Contra, and I’m sure I can’t do that. The constraint of rhyme is essential to my style.

17. Do you have an agenda as an artist? Are there overarching concerns you want to communicate to the listener?

Yes, I am trying to communicate many things to the listener. I am saying nothing specifically, and consequently saying many different things. (Any one of these different things I could write about at length, but it has been recommended to me that I just leave it at “I am saying nothing specifically, and consequently saying many different things” – nice and succinct.)

RAPS + CRAFTS is a series of questions posed to rappers about their craft and process. It is designed to give respect and credit to their engagement with the art of songwriting. The format is inspired, in part, by Rob McLennan’s 12 or 20 interview series.

Photo credit: unknown (hit me up)

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httech · 1 year

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youtube

The Realme C55 has been introduced in India as an affordable smartphone option. With its sleek design and unique software features, this phone offers more than just the basics. Here is everything we know about this exciting new model.

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mariacallous · 9 months

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On September 12, 2023, the most significant U.S. technology antitrust trial in decades opened in a Washington, D.C. federal district court. In U.S. v. Google, the U.S. Department of Justice (DOJ) and 38 state and territory attorneys general allege that Google has violated Section 2 of the Sherman Act, an antitrust law originally enacted in 1890.

The Sherman Act prohibits using exclusionary practices to maintain a monopoly. The DOJ and state attorneys general assert that Google has done just that in relation to certain internet search services. As often occurs, the case was narrowed in the months leading up to the start of the trial. Here is an overview of some of the key questions being addressed at the trial, which is expected to last several months.

Are Google’s browser agreements exclusive?

Google has entered into browser agreements with Apple and Mozilla under which Google is the default search engine for web browsers provided by those companies. For example, with respect to Apple, this means that a person who purchases a new iPhone, launches the Safari web browser, and enters a query into the search bar will, by default, receive search results from Google. In return for making Google the default search engine, the web browser providers receive a portion of advertising revenue arising from those searches.

A key question is whether these agreements are exclusive. Google asserts that they are not, arguing that the default settings can easily be changed by consumers who wish to use a non-Google search engine. The DOJ responds, “Even where search users might want to switch defaults, the effort and knowledge required to make that change biases them towards sticking with the default option.”

In an August 2023 ruling regarding summary judgement motions, Judge Amit Mehta wrote that “It is best to await a trial to determine whether, as a matter of actual market reality, Google’s position as the default search engine across multiple browsers is a form of exclusionary conduct.” In making this inquiry, the court will consider not only whether the browser agreements are actually exclusive, but also whether they are de facto exclusive. An agreement that lacks a formal exclusivity provision can nonetheless function in a de facto exclusive manner due to contextual factors, such as market dynamics and incentives.

A related question is whether any exclusivity associated with the browser agreements is simply the result of market competition. Google argues that it won the competition to be the default search engine for browsers made by Apple and Mozilla “on the merits as established and judged by its customers, not through anticompetitive or exclusionary conduct.” The DOJ counters this by stating that the “existence of multiple bidders does not transform an anticompetitive agreement into a permissible one.”

Are Google’s agreements regarding Android devices exclusive?

Android is the world’s most widely used mobile operating system, with a global market share as of December 2022 of about 72%, versus 27% for iOS. In the United States, the Android market share as of December 2022 was about 44%, compared with about 56% for iOS. Google has agreements with Samsung and other mobile device manufacturers of Android-based phones to make Google the default search engine on those devices. Google also has similar agreements with cellular wireless network providers that sell Android phones.

In relation to the Android antitrust question, Google enters into two types of agreements: Mobile Application Distribution Agreements (MADAs) and Revenue Share Agreements (RSAs). A MADA is a nonexclusive agreement allowing an Android device maker to preinstall a set of Google apps, including Google search and the Chrome browser. Since a MADA is nonexclusive, it permits a device maker to also preinstall non-Google search apps. RSAs introduce an additional wrinkle: Device makers and wireless carriers that enter into an RSA must make Google the exclusive, preinstalled search app on the device, and are thus prohibited from preinstalling any competing search app.

The revenue share that accompanies an RSA creates a strong economic incentive. And, because an RSA is only available to device makers that also have signed a MADA, the plaintiffs argue that this linkage has the effect of turning MADA into an exclusive contract. Google responds by underscoring that MADAs are nonexclusive and that device makers and wireless carriers are free to choose—or decline—to enter into the exclusive relationship that accompanies signing an RSA.

If the agreements are exclusive, how much of the market do they foreclose?

A finding that the Google browser and/or Android agreements are actually or de facto exclusive would not necessarily mean Google is violating antitrust laws. As the D.C. Circuit (which sets precedent for the district court hearing U.S. v. Google) explained in a 2001 decision, “Permitting an antitrust action to proceed any time a firm enters into an exclusive deal would both discourage a presumptively legitimate business practice and encourage costly antitrust actions. Because an exclusive deal affecting a small fraction of a market clearly cannot have the requisite harmful effect upon competition, the requirement of a significant degree of foreclosure serves a useful screening function.”

A key question that the U.S. v. Google trial will therefore explore is: To the extent that the browser and/or Android agreements are exclusive, is the resulting market foreclosure “substantial”? Unsurprisingly, the parties disagree, with the DOJ asserting that the answer is yes and Google asserting the opposite. The parties also disagree on the methodology that should be used in obtaining the answer.

What is the relevant market?

Examining alleged anticompetitive behavior requires identifying the relevant market. With respect to internet users (as distinct from advertisers), the DOJ argues that “general search services” is the relevant market and that offerings in that market include Google search and Bing. Notably, the DOJ specifically excludes from this category “specialized search services or other websites that are limited to specific topics, such as discounted hotels or airline fares,” writing that “Yelp can find you a pizzeria but is no help when it comes to the symptoms of strep throat.”

Google asserts that the relevant market for search is broader, arguing that “by defining the relevant market to include only general search engines, Plaintiffs distort the commercial reality that users routinely substitute other search providers for general search engines—such as Amazon when they shop, or Expedia when they travel—and thereby improperly exclude many of Google’s strongest competitors from the relevant market.” Thus, the trial will explore the competing narratives regarding the definition of the relevant market for internet search and, separately, for search advertising.

A landmark antitrust trial

In addition to the above, the court will also consider an allegation by the state and territory attorneys general (but not the United States) that a Google marketing tool called Search Ads 360 is used in anticompetitive ways in relation to advertising. But the specifics of the questions to be addressed at trial aside, U.S. v Google has enormous implications for the technology sector. It is the first major U.S. trial to examine antitrust in the context of the contemporary Big Tech landscape.

The ruling from the current district court trial will not be the last word, as the non-prevailing party will almost certainly appeal to the D.C. Circuit. And regardless of the eventual outcome, there will be calls for change. A Google victory would lead to assertions that the technology ecosystem has outpaced antitrust law. And a DOJ victory would lead to assertions that antitrust law is being applied and interpreted far too broadly.

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marketkar · 3 months

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mobile phone

NEW GENERATION 5G MOBILE PHONE WITH BEST DEALS

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EASY WAY TO CHOOSE PHONE

POCO has finally confirmed a date on screen for its new phone , it carries screen-to-body ratio of 93.3% at it as minimal possible art . It will carry a 7.69mm slim body. The company has confirmed LED screen for the PREMIUM ART . The TEAM confirms 108MP rear camera for the phone, blue and golden colours, but we can expect more colours possible and wish for our choice. Based on earlier news the phone will be renamed, the phone will be a rebranded version of the Redmi Note 13R Pro 5G which was launched in China last year, so we can expect a 6.67-inch FHD+ AMOLED screen, Dimensity 6080 SoC (Rebranded Dimensity 810) SoC, 108MP + 2MP rear cameras, 16MP front camera, Side-mounted fingerprint sensor, Infrared sensor, 3.5mm audio jack, and a 5000mAh (typical) battery with 33W fast charging. The phone will be sold on Flipkart, similar to other POCO phones. Since the phone will compete with realme 12, it is expected to be priced in Rs. 17,000 range. A Mobile Phone in this day and age of this running era are far more than just tools for communication on the move, not for only calling or messaging it contains our world in it The MARKETKAR.IN is just one click away from you table we take you to the new mono world of best category mobile phone timeline its where about issues relevant to you and your mobile.…let me take you to know whenever new launch with new camera features on any Web pages will get you notified on this website telling you about mobile relevant information and news some of which could save time and money. Ever wondered how the Apple name came to be and why? Well here is how it all began. Who new Jobs was on one of his “mid full days ” and had just come back from an apple farm and thought the name sounded fun, spirited and not intimidating in anyway. That’s how it work choice of your thought your choice matters . Chose it wisely from latest mobile series’s from MARKETAR.IN The very first iPhone was personally announced in early 2007 by Steve Jobs himself from the ground up suffice to say that they have not only led the whole SmartPhone industry but have also revolutionised the mobile phone into SmartPhones that we see today, to put it quite simply they more or less shrunk a Mac laptop computer to fit into the palm of your hand coupled with great aesthetics in terms of design, with their great desktop and laptop computers they produced. A natural transition for Apple

Apple’s latest iPhone 15 series is still fresh in the market, which means that the best Apple iPhone 15 prices far off the original retail price. We’ll likely see some worthy price cuts during this year’s Black Friday sale son but the more significant savings will be record-low iPhone 14 prices instead, as part of the early Apple Black Friday deals. The standard iPhone 15 has a starting price of 80k, with the iPhone 15 Plus sitting at 90 k and the iPhone 15 Pro at 99. Only the iPhone 15 Pro Max was given a higher starting price than the previous year , but it now has 256GB of storage at a minimum, instead of the original 128GB, making it more on par with the original iPhone 14 Pro Max price. The best iPhone 15 deals are usually found through new contract offers and by trading in your old handset. If you’re not on fussed choosing and owning the latest Apple smartphone, or one of the best iPhones for photography at all, then take a look at our guides to the best camera phones in 2023, as well as the best Samsung Galaxy S23 prices for Android fans

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