#best supporting actor drama series

[darlingjmiller]

Pedro Pascal presenting Best Supporting Actor in a Drama Series

“Kieran Culkin beat the shit of me”

[jacklesthings]

Jensen Ackles won Best Supporting Actor in a Streaming Drama series at the HCA awards

The category didn't appear on the ceremony, witch it was weird, but Monica Gleberman has the list of winners on Twitter.

The boys also won Best streaming drama series, best actor (Antony Starr) streaming drama series, best stunts, best directing for Herogasm.

[theangelblood]

So Jensen won the Best Supporting Actor in a Streaming Drama Series at the 2024 HCA Astra TV Awards but I guess he's to busy playing golf to celebrate that atm😆

I'm very happy that the world is finally starting to notice how talented he is.

[kasandor]

genevieve o’reilly outstanding lead actress in a drama series. to me.

[prokopetz]

Seeing people decide to watch Breaking Bad based on the Tumblr memes is especially funny when they do it specifically for the memes about Jesse, because... well, let's put it this way. Aaron Paul, the guy who played Jesse, was nominated for a Primetime Emmy award for best supporting actor in a drama series for his work on Breaking Bad on five separate occasions, including twice in one season, and won three of those nominations. He was the first person ever to win that award three times for the same role. Like, Jesse's storyline is so viscerally unpleasant that it set industry records.

[sukunasweetheart]

actor!sukuna!!!

warnings; fem reader, jjk manga spoilers, a bit of both submissive and dominant sukuna, and also sukuna who loves his domineering wife a little too much, smut and fluff at the end, breeding, choking, use of collar and leash (on sukuna), rough sex, lots of teasing and provoking

i really really adore the trope where actors who play utterly vile, evil villain roles all the time simply bc of their intimidating appearance but their real personality is rather sweet and gentle, and i desperately want to apply this to sukuna. they would've probably needed to cast a whole different man for his trueform, which is what inspired this idea <3<3

actor!sukuna is oh so very notorious for his antagonistic roles, always always being the charismatic, devilish character in any film, tv series or dramas he's casted in, the ones that always somehow has the upper hand, who never shows care for anyone else, who always seems to have control over everything in all situations he's put into...

and the recent hit series 'jujutsu kaisen' is exactly the same. with him being the king of curses, having those extra cgi arms and tummy mouth and having to spend hours before shooting simply doing the makeup for the distorted side of his face. not to mention all those tattoos!

actor!sukuna, who loves his job, but sometimes gets exhausted by the kinds of roles he has to play. he's gotten so used to it, his normal facial expressions and mannerisms also may have changed a little because at times he gets himself too immersed into his character

and you might say fiction doesnt cross over to real life at the best of times, but for sukuna, it might not be the case... he's noticed over the years that people around him do truly get scared or intimidated by him. and like any celebrity, he has his own fair share of haters.

with his character's newest victim being the fans' beloved gojo satoru, it only aggravated them-- and he knew from the moment he read the script that he was going to get flamed for it. he's used to this but because of jjk's intense popularity, he actually gets a little concerned this time around...

thankfully, thankfully! he has a wife he can run home to and seek comfort from, and fully let go of this fictional persona of his.

actor!sukuna, who is often burdened with the unconscious expectations from others, to have his intimidating aura and always have control over situations (maybe sometimes people)...

but he is able to put all of this down in front of you and just lay in your lap in front of the tv as you play with his pink curls.

oh, he's so grateful for his wife, who fulfills his hidden desires... his wife, who didn't see him only by his villainous roles, but also took notice of his gentler side and decided to grab hold onto that part of him with an iron grip instead.

actor!sukuna may be a man well over two metres tall, with a resting bitch face and a deep, velvety voice perfect for being a natural dominant and aggressive lover-- which, sometimes he is of course, when the situation calls for it (whenever you feel like you want to be dominated) - but in actuality, he aches to be controlled for the most part, rather than the one controlling...

when he told you about his worries of his real life reputation, of how people on set seem to avoid him subtly, and get a bit over-polite with him, you sent a handful of extravagant food and drink trucks over to the shooting set in sukuna's name, raising the spirits of his colleagues, the camera and film crew members etc., and of course, sukuna himself.

and everytime he has any complaints about his job, you comfort him by saying that if he ever feels like it's too much, he can quit anytime he wants, because you'd be happy to be him support financially as long as he'd be your househusband *wink wink*

actor!sukuna laughs at the thought, but there are times where he seriously considers it... he is getting older, and sometimes doing all these action scenes as the villain is taxing on his body... (perhaps after jjk is over, he'll take a well deserved, long break from his career for a little while)

before getting married, from the moment sukuna first interacted with you, he was already hooked- you flirted with him openly without expecting him to take lead, and you talked less about his various identities in his shows, but showed more curiosity in his true self, and he was simply attracted to your... fearlessness?

and a part of him tried to fight against it too, but you were simply too charismatic. (it only charmed him more)

"you're an awfully cocky woman. you sure you can take me on?"

"take you on? oh, no, handsome. you'll be the one taking me on. i'll have you wrung out dry by the end of this week... if you'll let me, of course."

and that, he did.

fast forward to the present.

sukuna had come home without erasing all the makeup from his filming of jjk, to your curiosity...

"the king of curses, was it? the name of this character," you ask with a relaxed voice, watching as sukuna's large cock throbs between his legs, drooling precum messily into his boxers. ironically, you're the one lying against your back on the bed, with him hovering over your body longingly, but not being permitted to touch you... yet.

you'd put a collar around his neck. and you have him leashed, with the rope being in your hand. he has you between his arms that are supporting his body weight... muscles flexing and sweat dripping down his skin from his own arousal.... he was supposed to be tired from today's filming session but right now, his whole body is heating up like boiling water in a kettle. how cruel of you to do this to him, right after he gets home from work.

you loop the rope around your fingers once, and tug on the leash harshly, making his face shift closer to yours.

"i'd like to hear an answer, please."

"...yes, the king of curses," sukuna hisses, eyeing the leash that both turns him on and also pisses him off simultaneously.

"interesting..." you hum with a smile, gently touching the fabricated side of his face that's been made with make up.

"i do have to say, the tattoos and black nails fit you so well, my love."

sukuna remains silent as he resists the urge to kiss you, with your lips hovering so close to his.

"don't fuck me with your eyes, honey. you're making yourself too obivous," you tease, ghosting your fingers over his chest, touching him languidly. his dick swells even more.

"darling, please... i need to touch you," sukuna says, softspoken and yearning so hard it makes him dizzy.

"oh... i love when you beg like that. what would your fans think, if they saw their most cold-blooded villain pleading me like this?"

with a collar and leash on, no less.

"it wouldn't matter what they think. you're the only one i love," he responds, shuddering as you nudge your knee against the erection in his pants.

"i like that answer."

you kiss him, which is an act that means you're permitting him to finally lay his hands on you - and this breaks the restraint he'd been holding onto until now.

sukuna kisses you back with a throaty growl, slipping his tongue in to smother you with, as your lips are curled up into a pleased smile. drunk on the taste of you, he doesn't stop kissing until he's had his fill. both of you are breathing heavily when he finally pulls away, his face being flushed beautifully.

large hands come to tug away at your clothes, exposing the swell of your chest, and he clamps his lips around one of your nipples, like a man starving... you gasp, and tug at his soft hair from the back, the other hand still gripping onto the rope that connects with his collar.

you arch your back when he nips on them a little, earning him a hiss from you and another harsh tug at his leash. when he comes up to face you once again, he's wearing a smirk with foggy eyes, satisfied with this small payback.

once he finally comes around to releasing his strained cock, he gives a sigh of relief. the tip is glistening with his precum, and he wants to be buried in your cunt so bad. he slides it in with one go.

"oof, always so big, aren't you?" you tell him, feeling his throbbing dick reach so deep inside. it's not your first time saying such a thing, so he knows you mean it as a compliment. it inflates his ego.

"fuck- you feel so good," he mumbles mindlessly, pushing your thighs back.

sukuna begins to thrust into you, his heavy balls slapping down against your ass as he starts with a slow pace. another tug of his leash gets him to stop again.

"c'mon, love. is that all you can do?" you urge him, your grip still strong on his rope. he narrows his eyes, and pushes your thighs back harder, and begins to slam his hips into you, the way you love it.

"f-fuck... harder, sukuna... harder-" you moan as you keep taunting him with several pulls of his leash.

"tug that thing one more time..." he mutters with a low, out of breath voice, "and i'll make you regret it."

you love it when he's submissive, but even more so when he's in the mood to put his foot down. but you're not giving in so easily. you give it another tug, playfully.

"try me."

from then on, he snaps and decides he'll give you your own "collar".

his hand.

you squeal in delight as he roughs you up from his grip on your throat, to the biting, and to the bruising pace of his thrusts, all harmonising to bring you to your orgasm...

when sukuna cums, he does so right against your cervix, spilling all his thick, hot seed into your womb, with a loud groan. he's sucking a hickey onto your shoulder as he does so, full body shuddering with each clench of his balls as he dumps more into you. your pussy squeezes around him, fingernails digging deeply into his muscled back, feeling blissful.

he soon collapses onto you, and you start playing with his hair again, as he rests momentarily, being spent after the rough sex that happened when he'd just come back home. you'll need to reward him later for this.

in the bathroom, you help him scrub away all those tattoos, and tear off that falsified right side of his face. he appreciates this, especially the ones on his back that are difficult to reach. in the tub, you sit between his legs, and lean back as he dotes on you, calloused hands not leaving anywhere of you untouched.

once the bathing is finished, you do his nightly skin care routine for him. an actor's gotta preserve their skin, you know. before the moisturizer though, you press a soft kiss onto his pure face, clean of tattoos, and hum with a pleased expression.

"i love this one more, after all."

he huffs out a chuckle and pulls you onto his lap.

"hah. the king of curses ought to cry real tears with envy."

he clings onto you all night, face buried into your chest, indulging in the feeling of being the little spoon.

Masterlist

Tagging: @yuujispinkhair and @gojos-thot-patrol (who encouraged the leash idea...)

credit and link to the cute heart dividers here

[chandler-monica]

TYLER JAMES WILLIAMS accepts his award for Best Performance by an Actor In A Supporting Role In A Musical-Comedy or Drama Televison Series at the 80th Annual Golden Globe Awards (January 10, 2023)

[venka]

Matthew Macfadyen, winner of Best Supporting Actor in a Drama Series, Sarah Snook, winner of Best Actress in a Drama Series and Kieran Culkin, winner of Best Actor in a Drama Series for 'Succession' pose in the press room during the 75th Emmy Awards at the Peacock Theatre at L.A. Live in Los Angeles on January 15, 2024.

[makingqueerhistory]

Queer Books Challenged in Florida Schools and Libraries

There are some affiliate links below in case you want to support MQH.

Gender Queer: A Memoir, Maia Kobabe: Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma and fundamental violation of pap smears.

The Color Purple, Alice Walker: Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning nearly thirty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery.

Julián Is a Mermaid, Jessica Love: While riding the subway home from the pool with his abuela one day, Julián notices three women spectacularly dressed up. Their hair billows in brilliant hues, their dresses end in fishtails, and their joy fills the train car. When Julián gets home, daydreaming of the magic he's seen, all he can think about is dressing up just like the ladies in his own fabulous mermaid costume: a butter-yellow curtain for his tail, the fronds of a potted fern for his headdress. But what will Abuela think about the mess he makes -- and even more importantly, what will she think about how Julián sees himself? Mesmerizing and full of heart, Jessica Love's author-illustrator debut is a jubilant picture of self-love and a radiant celebration of individuality.

Drama: A Graphic Novel, Raina Telgemeier: Callie loves theater. And while she would totally try out for her middle school's production of Moon over Mississippi, she can't really sing. Instead she's the set designer for the drama department's stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that occurs once the actors are chosen. And when two cute brothers enter the picture, things get even crazier!

Cemetery Boys, Aiden Thomas: Yadriel has summoned a ghost, and now he can't get rid of him. When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death. He's determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.

I Am Billie Jean King, Brad Meltzer: This friendly, fun biography series focuses on the traits that made our heroes great--the traits that kids can aspire to in order to live heroically themselves. Each book tells the story of one of America's icons in a lively, conversational way that works well for the youngest nonfiction readers and that always includes the hero's childhood influences. At the back are an excellent timeline and photos. This volume features Billie Jean King, the world champion tennis player who fought successfully for women's rights. From a young age, Billie Jean King loved sports--especially tennis! But as she got older, she realized that plenty of people, even respected male athletes, didn't take women athletes seriously. She set to prove them wrong and show girls everywhere that sports are for everyone, regardless of gender.

This One Summer, Mariko Tamaki: Every summer, Rose goes with her mom and dad to a lake house in Awago Beach. It's their getaway, their refuge. Rosie's friend Windy is always there, too, like the little sister she never had. But this summer is different. Rose's mom and dad won't stop fighting, and when Rose and Windy seek a distraction from the drama, they find themselves with a whole new set of problems. One of the local teens - just a couple of years older than Rose and Windy - is caught up in something bad... Something life threatening. It's a summer of secrets, and sorrow, and growing up, and it's a good thing Rose and Windy have each other.

Marriage of a Thousand Lies, Sj Sindu: Lucky and her husband, Krishna, are gay. They present an illusion of marital bliss to their conservative Sri Lankan-American families, while each dates on the side. It's not ideal, but for Lucky, it seems to be working. She goes out dancing, she drinks a bit, she makes ends meet by doing digital art on commission. But when Lucky's grandmother has a nasty fall, Lucky returns to her childhood home and unexpectedly reconnects with her former best friend and first lover, Nisha, who is preparing for her own arranged wedding with a man she's never met.

And Tango Makes Three, Peter Parnell: At the penguin house at the Central Park Zoo, two penguins named Roy and Silo were a little bit different from the others. But their desire for a family was the same. And with the help of a kindly zookeeper, Roy and Silo got the chance to welcome a baby penguin of their very own.

More Happy Than Not, Adam Silvera: In the months following his father's suicide, sixteen-year-old Aaron Soto can't seem to find happiness again, despite the support of his girlfriend, Genevieve, and his overworked mom. Grief and the smile-shaped scar on his wrist won't let him forget the pain. But when Aaron meets Thomas, a new kid in the neighborhood, something starts to shift inside him. Aaron can't deny his unexpected feelings for Thomas despite the tensions their friendship has created with Genevieve and his tight-knit crew. Since Aaron can't stay away from Thomas or turn off his newfound happiness, he considers taking drastic actions. The Leteo Institute's revolutionary memory-altering procedure will straighten him out, even if it means forgetting who he truly is.

Melissa, Alex Gino: When people look at Melissa, they think they see a boy named George. But she knows she's not a boy. She knows she's a girl.

Melissa thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. Melissa really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part... because she's a boy.

With the help of her best friend, Kelly, Melissa comes up with a plan. Not just so she can be Charlotte -- but so everyone can know who she is, once and for all.

A Quick & Easy Guide to Queer & Trans Identities, Mady G, Jules Zuckerberg: In this quick and easy guide to queer and trans identities, cartoonists Mady G and Jules Zuckerberg guide you through the basics of the LGBT+ world! Covering essential topics like sexuality, gender identity, coming out, and navigating relationships, this guide explains the spectrum of human experience through informative comics, interviews, worksheets, and imaginative examples. A great starting point for anyone curious about queer and trans life, and helpful for those already on their own journeys!

This Book Is Gay, Juno Dawson: This candid, funny, and uncensored exploration of sexuality and what it's like to grow up LGBTQ also includes real stories from people across the gender and sexual spectrums, not to mention hilarious illustrations.

Little & Lion, Brandy Colbert: When Suzette comes home to Los Angeles from her boarding school in New England, she's isn't sure if she'll ever want to go back. L.A. is where her friends and family are (as well as her crush, Emil). And her stepbrother, Lionel, who has been diagnosed with bipolar disorder, needs her emotional support. But as she settles into her old life, Suzette finds herself falling for someone new...the same girl her brother is in love with. When Lionel's disorder spirals out of control, Suzette is forced to confront her past mistakes and find a way to help her brother before he hurts himself--or worse.

King and the Dragonflies, Kacen Callender: Twelve-year-old Kingston James is sure his brother Khalid has turned into a dragonfly. When Khalid unexpectedly passed away, he shed what was his first skin for another to live down by the bayou in their small Louisiana town. Khalid still visits in dreams, and King must keep these secrets to himself as he watches grief transform his family.

It would be easier if King could talk with his best friend, Sandy Sanders. But just days before he died, Khalid told King to end their friendship, after overhearing a secret about Sandy-that he thinks he might be gay. "You don't want anyone to think you're gay too, do you?"

Sorted: Growing Up, Coming Out, and Finding My Place: A Transgender Memoir, Jackson Bird: An unflinching and endearing memoir from LGBTQ+ advocate Jackson Bird about how he finally sorted things out and came out as a transgender man.When Jackson Bird was twenty-five, he came out as transgender to his friends, family, and anyone in the world with an internet connection. Assigned female at birth and raised as a girl, he often wondered if he should have been born a boy. Jackson didn't share this thought with anyone because he didn't think he could share it with anyone.

The Black Flamingo, Dean Atta: Michael is a mixed-race gay teen growing up in London. All his life, he's navigated what it means to be Greek-Cypriot and Jamaican--but never quite feeling Greek or Black enough.

As he gets older, Michael's coming out is only the start of learning who he is and where he fits in. When he discovers the Drag Society, he finally finds where he belongs--and the Black Flamingo is born

Explore the full list here.

[invisibleicewands]

‘I wanted to be seen as the greatest actor of all time. Then I realised that was nonsense’: Michael Sheen on pride, parenting and paying it forward

He’s the feted star who cracked Hollywood, but it was only when he swapped LA for his home town in Wales that he was able to do his most meaningful work yet

By Simon Hattenstone

Michael Sheen has been fabulous in so many TV dramas and movies, it’s hard to know where to start. But perhaps his most memorable appearance came earlier this year in a TV show that didn’t require him to do any acting at all. The Assembly was a Q&A session in which he took questions from a group of young neurodiverse people. Sheen didn’t have a clue what would be asked, and no subject was off limits. It made for life-affirming telly. The 55-year-old Welsh actor was so natural, warm and encouraging as he answered a series of nosy, surprising and inspired questions. I watched it thinking what a brilliant community worker Sheen would be. And, in a way, that’s what he has become in recent years.

“The Assembly’s had more response than anything else I’ve ever done,” Sheen tells me. “Almost every day someone will come up to me and mention it, particularly people who have children with autism. They say it was just so lovely to see something where the interviewers were empowered. I had a fantastic time.” He replays some of his favourite moments: the young man Leo who took an age to start talking, and then delivered the most beautifully phrased question about the influence of Dylan Thomas on Sheen’s life; the woman who asked what it was like to be married to a woman only five years older than his daughter; and the question that came at the end: “What’s your name, again?” He smiles: “And Harry with the trilby on. Just the nicest man ever.” You came across as an incredibly nice man, too, I say. “Aw well, it’s hard not to be when you’re among all those amazing people, innit.”

Today we meet in London, ostensibly to talk about A Very Royal Scandal, a gripping mini-series about Prince Andrew’s infamous Newsnight interview with Emily Maitlis – the disastrous attempt to defend his honour that sealed his fall from grace. But we don’t get to the show till it’s almost going home time. Sheen’s too busy discussing all the other stuff that matters to him, away from business.

Six years ago, he swapped life in Los Angeles for Port Talbot, the steel town where he grew up. These days he calls himself a not-for-profit actor – a term he happily admits he’s invented. “It means that I try to use as much of the money I earn as I can to go towards developing projects and supporting various things. Having had some experiences of not-for-profit organisations and social enterprises, I realised that’s what I want to do with my business. And my business is me.” He grins. There was a suggestion that he might stop acting in order to do good works, but he says that never made sense; only by getting decent gigs can he earn money to put back into the community.

It has to be said he’s got the air of a not-for-profit actor today – scruffy black top, sloppy black pants, black trainers. With a bird’s-nest beard and a thicket of greying curls, he looks nicely crumpled. But give him a shave and a trim, allow him a flash of that electric smile, and he could still pass as a thirtysomething superstar.

Sheen is best known for transforming into household names – Brian Clough in The Damned United; Chris Tarrant in Quiz; David Frost in Frost/Nixon; a trio of films as Tony Blair (The Deal, The Queen, and The Special Relationship); Kenneth Williams in Fantabulosa. His Prince Andrew is compelling; by turns petulant, pathetic, monstrous and poignant. He has a gift for inhabiting famous people – voice, body, soul, the works. He’s equally adept as a regular character actor – the dapper angel Aziraphale in Good Omens, pale and pinched as spurned suitor William Boldwood in the 2015 film of Far From the Madding Crowd, the tortured father of a daughter with muscular dystrophy in last year’s BBC drama Best Interests. He even plays a winning version of himself alongside David Tennant (and their respective partners Anna Lundberg and Georgia Tennant) in the lockdown hit TV series Staged.

But the work that changed his life was his 2011 epic three-day reimagining of The Passion on the streets of Port Talbot, involving more than 1,000 people from the local community. It was years in the making, and during that time he decided he would leave Los Angeles to come home. Initially, home just meant Britain, probably London. But the longer he spent with his people, the more it became apparent to him that home could only mean one thing – returning to Port Talbot, and helping the disadvantaged town in whatever way he could.

He admits that for many years he didn’t have a clue about the reality of life in Port Talbot. He had always lived in one bubble or another. His parents were hardly flush, but they had decent jobs – his mother was a secretary, his father a personnel manager at British Steel, and both were active in amateur dramatics. Sheen was academically gifted (he considered studying English at Oxford University before winning a place at Rada), a talented footballer (he had trials with Cardiff and Swansea) and an exceptional young actor. Then came the bubble of Rada and London, followed by the bubble of LA.

It was only when he started to work on The Passion that he began to understand his home town. One day he was rehearsing with a group in a community hall when he was approached by a woman. “She told me she was the mother of this boy who’d been in my class at school called Nigel. When I was 11, he fell off a cliff in an accident and died. It was the first time I’d known someone to die. She said, ‘I’ve started up a grief counselling group here. I have a little bit of money from the council because there is no grief counselling in this area.’” She’d had no counselling when Nigel died, nor in the 31 years since. “And all these years later, she’d set up a little grief counselling thing with a bit of money, so that was extraordinary to hear.” Next time he returned he discovered that the group no longer existed because of council cuts.

Every time he went back he discovered something new. He met a group that supported young carers. Sheen doesn’t try to disguise how ignorant he was. “I said, ‘All right, what are young carers?’ And they said, ‘They’re children who are supporting a family member.’ And I’m like, ‘OK, this is a profession, they get paid, right?’ And I was told, ‘No, they don’t get paid and our little organisation gives them a bit of respite – once a week we take them bowling or to the cinema.’ I went bowling with them one night and there were eight-year-old kids looking after their mother and bringing up the younger kids. This one organisation was trying to take these kids bowling one night a week, and then that went. No funding for that, either. That kind of stuff was shocking.”

As a child, SHEEN says he was oblivious to struggle because he was so driven by his own dreams. First, it was football. By his mid-teens it was acting. West Glamorgan Youth Theatre, which he calls “one of the best youth theatres in the world”, was on his doorstep. “The miners’ strike was on when I was 15 in Port Talbot and I wasn’t really aware of it at the time. That’s how blinkered I was, because I was so obsessed by acting at that point.” Acting wasn’t regarded as a lofty fantasy in Port Talbot as it may have been in many working-class communities. After all, the town had produced Richard Burton and Anthony Hopkins.

In his late teens, heading off for Rada, Sheen feared he would be surrounded by giant talents who would dwarf his. When he discovered that wasn’t the case, he suffered delusions of grandeur. “I wanted to be recognised as the greatest actor in the world,” he says bluntly. In the second year, the students did their first public production: Oedipus Rex. “I thought, well obviously I’ll be cast as Oedipus, then we’ll perform Oedipus to the public and when the world sees me for the first time I’ll be carried shoulder-high through the streets of London and hailed as the greatest actor of all time.” I look for an ironic wink or nod, but none is forthcoming.

Sure enough, he was cast in the lead role. “We did our first public production and I thought I was brilliant.” But nothing changed. It didn’t bring him instant acclaim. By the third night, he could barely get through the performance.

Were you a bit of a cock back then, I ask. He shakes his head. “No, I was having a breakdown. I was crying most of the time. I just fell apart. I spoke to the principal of Rada and I said, ‘I can’t continue at drama school, I have to leave.’ And he said just take some time off, which I did, and two or three weeks later I slowly came back and then completely changed the way I acted.”

Until then he believed acting was just about what he did. “I thought you just worked out how to say the lines as cleverly as you could; it had nothing to do with responding to other people or being in the moment. It was showing off, essentially. And there’s a ceiling to where you can get with that. That breakdown I had was because I’d reached the ceiling and didn’t know how to go any further. That’s why I fell apart.”

He gradually put himself and his technique back together. Was he left with the same ambition? “No. The idea of being considered the best actor of all time becomes nonsense.” In 1991, Sheen left Rada early, because he’d been offered a job he couldn’t turn down. He made his professional debut opposite Vanessa Redgrave in a West End production of Martin Sherman’s When She Danced. Theatre was Sheen’s first love, and his rise was meteoric. From the off, he was cast as the lead in the classics (Romeo and Juliet, Peer Gynt, Henry V, The Seagull) and the 20th-century masterpieces (Norman in The Dresser, Salieri and Mozart in Amadeus, Jimmy Porter in Look Back In Anger).

Sheen was doing exceptionally well when he and his then partner Kate Beckinsale moved to LA for her work in the early 2000s. She was four years younger than him, and already a movie star. Their daughter Lily, now an actor, was a toddler. He assumed that his transition to stardom in LA would be as seamless as it had been in Britain. But it wasn’t. His theatrical acclaim counted for nothing. In 2003, he and Beckinsale split up, but he stayed in LA to be close to Lily.

The first few years, he says, were so lonely and dispiriting. “I found myself living in Los Angeles, there to be with my daughter but just seeing her once a week. I had no career there – it was essentially like starting again. I had no friends and spent a lot of time on my own. It was tough. Slowly I realised how it was affecting me.” In what way? “I remember coming out of an audition for Alien vs Predator, to play a tech geek computer guy with five lines and really caring about it, and then thinking: ‘I can be playing fucking Hamlet at home, what am I doing, what’s this all about?’” He says he’d been so lucky – always working, never having to audition, getting the prize jobs. And suddenly in LA he was an outsider; a nobody.

He and Beckinsale are often cited as role models for joint parenting by ex-couples. In 2016, Beckinsale, Lily and Sheen staged a hilarious photo for James Corden’s The Late, Late Show, recreating the moment of giving birth 17 years earlier. Beckinsale reclines on a kitchen table with Lily sitting between her legs, as an alarmed-looking Sheen stands to the side. Have they always got on well since splitting up? “We’ve had our ups and downs, but we’re very important in each other’s lives. It would be really sad if we weren’t – like cutting off a whole part of your life. I’m not saying it doesn’t have its challenges, and I’m sure it’s been harder for her than for me.” Why? “Because … ” He pauses and smiles. “Because I’m more of a twat!” In what way? Another smile. “I’m not going to tell you that, am I?”

Sheen’s break in America came when he was spotted by a casting director who told him he would be perfect for a new project. Ironically, it was to play former British prime minister Tony Blair in a British TV drama called The Deal, directed by British film-maker Stephen Frears and shot in Britain. The Deal led to Frears’s The Queen, about Elizabeth II’s frigid response to the death of Diana, Princess of Wales leading to a crisis for the monarchy. Again he played Blair, this time riding to the rescue of the royals. The movie was nominated for six Oscars (Helen Mirren won best actress) and he never struggled in America again.

The longer he lived in LA, however, the more rooted he felt to Port Talbot. And the further he travelled, around the world or just in Britain, the better he understood how disadvantaged it was. “If you’re in Port Talbot one day and then the next you’re in a little town in Oxfordshire where David Cameron is the MP, it’s fairly obvious there are very different setups there. And that was connected to a political awakening.” He started to read up on Welsh history. In 2017, he returned his OBE because he thought it would be hypocritical to hold on to an honour celebrating empire when he was giving a Raymond Williams lecture on the “tortured history” of the relationship between Wales and the British state.

He began to reassess his past. “I became more aware of the opportunity I’d had in an area where there wasn’t much opportunity. At a certain point you go, Oh, people are having to volunteer to make that youth theatre happen that I’m a product of.” You’d taken it for granted? “Completely. I was happy to think everything I was doing was because of my own talent and I was making my own opportunities, and as I got older I thought maybe that’s not the whole story.”

In 2016, the long-running American TV series Masters of Sex, in which Sheen starred as the pioneering sex researcher William Masters, came to an end. Lily was now 17 and preparing for college. “I suddenly thought, Oh, I can go home now.” And six years ago he finally did – to Baglan, a village adjoining Port Talbot. Since then he has been involved in loads of community projects.

He mentions a few in passing, but he doesn’t tell me he sold his two homes (one in America, the other in Wales) to ensure the 2019 Homeless World Cup went ahead as planned in Cardiff. Nor does he mention that a couple of years ago he started Mab Gwalia (translating to “Son of Wales”), which proudly labels itself a “resistance movement”. On its website, it states: “Mab Gwalia believes that opportunity should not only be available to those who can afford it. The ambition is to build a movement that makes change.” Its projects have supported homeless people, veterans, preschool children on the autism spectrum, kids in care, victims of high-cost credit, and local journalism, which is a particular passion. “In the early 1970s in Port Talbot, there was something like 12 different newspapers. There are none now. None. Communities don’t feel represented, don’t feel their voice is heard and don’t know if the information they’re getting about what’s going on in the community is correct or not. Those are terrifying things, and without local journalism that’s what happens.”

Perhaps surprisingly, he’s even found time for the day job. Earlier this year, he played Nye Bevan in Tim Pryce’s new play about the founding father of the NHS. He also made his directing debut with The Way, a dystopian, and prophetic, three-part TV drama about the closure of the Port Talbot steelworks that results in local riots spreading across the country. How does he feel about the rioting that has scarred the country in recent weeks? “I feel the same way I think most people do. It was awful and terrifying. I worry about how much a hard-right agenda that has been growing for a long time has moved further and further into the mainstream and has clearly got more connected. It’s frightening.” Does he think the new Labour government can deliver the positive change it promises? “Pppfft.”He exhales heavily. “More optimistic than the Conservatives being in power.” Who did he vote for? “That’s my God-given right to remain a secret, isn’t it? It wasn’t the Tories!”

I ask if he’s in favour of Welsh independence. “I don’t know how I feel about it one way or the other, but I would like there to be an open discussion about everything that entails. The problem is when it gets shut down and you don’t get to talk about it.”

Would he ever go into politics? He looks appalled at the idea. “Oh God, no. No! I’d beawful.”Why?“Because I don’t want to say what other people are telling me to say if I don’t agree with it. Look at all those people who voted against the two-child benefit cap and had the whip taken away from them. That’s bollocks. People say I should go into politics because I’m passionate about things and I speak my mind. But then you get into politics and you’re not allowed to do that any more. I’ve got far more of a platform as myself. I can say what I want to say.”

Fair enough. I’ve got another idea. A couple of years ago he gave an inspired motivational speech for the Wales football team before the 2022 men’s World Cup, on the TV show A League of Their Own. Would he take the job as Wales manager if offered it? He looks just as horrified as the idea of a life in politics. “No!” Why not? “Because it’s a completely different profession. You need to know about football. I played football when I was younger, but I wouldn’t have a clue. Wouldn’t. Have. A. Clue. Just because you can make a speech doesn’t mean you’d be any good at that sort of stuff.” He says he was embarrassed about the speech initially, but now feels proud of it. “Schools get in touch and say, ‘We’ve been studying it with the class.’ I put hidden things in. There are rabbit holes you can go down.” He quotes the line, “You sons of Speed” and tells me that’s a reference to the idolised former manager and player Gary Speed who took his life in 2011. You can hear the emotion in his voice.

I’ve been waiting for Sheen to mention the new TV drama about Prince Andrew. Most actors direct you to the project they’re promoting as soon as you sit down with them. Let’s talk about the new show, I  eventually say.

This is already the second drama about the Andrew interview. Did he know that Scoop, which came out earlier this year, was already in the works? “Yes, I knew before I agreed to do this.” Was it a race to see which would get out first? “There was no race, no. We always knew ours would come out after.” What would he say to people who think it’s pointless watching another film on the same subject? “Ours is a three-part story, so it’s able to breathe a lot more. There’s a lot more to it. In our story, Andrew and Emily are the main characters whereas they were very much the supporting ones in the other one.”

Did it change his opinion of Andrew? “No. It showed the dangers of being in a bubble, having talked about being in a bubble myself! The dangers of privilege.” He talks with sensitivity about Andrew’s downfall. “The thing that really struck me was when Andrew came back from the Falklands there was no one more revered, in a way. I didn’t realise his job was to fly helicopters to draw enemy fire away from the ships. I couldn’t believe they would put a royal in that position, so he was genuinely courageous. He was good-looking, a prince, and had everything going for him. Since then everything has just gone down and down and down.” He’s had so little control over his life, Sheen says. Take his relationships. “He was told he couldn’t be with [American actor] Koo Stark any more because of the controversy. He was essentially told he had to divorce Sarah Ferguson because the royal family, particularly Philip allegedly, was concerned that she would bring the family into disrepute.”

Did he end up feeling more empathetic towards him? “No!” he says sharply. Then he softens slightly. “Well, empathy? I felt I understood a bit more – because that’s my job – about what was going on. But he’s incredibly privileged and has exploited that. It seems like he has a lot taken away from him but probably rightfully so.”

A Very Royal Scandal is like The Crown in that it’s great drama but you’re never sure what’s real. Are Andrew’s lines simply made up? “It’s a combination of research and stories out there, and little snippets and invention.” While Emily Maitlis is an executive producer, Andrew most certainly is not. “Well, that’s the real difficulty for our story,” Sheen says. “On the one hand, you’ve got Emily as an exec, so you know everything to do with her is coming from the horse’s mouth. But everything to do with Andrew, not only is it really difficult to get the actual stuff, also we don’t know what he did.” He pauses. “Or didn’t do.” He’s talking about Virginia Giuffre’s allegation that Andrew raped her, which he denied. In the end, Giuffre’s civil case was dropped after an out-of-court settlement was reached on no admission of liability by Prince Andrew, with Giuffre reportedly paid around £12m.

I had assumed Sheen would be a staunch republican, but he doesn’t feel strongly either way. “There are lots of positives about royals, and lots of negatives.” His bugbear is that the heir to the throne gets to be Prince of Wales. “Personally, I would want the title of Prince of Wales to be given back to Wales to decide what to do with it, and I definitely think there’s a lot of wealth that could be used better.”

The biggest change for Sheen since returning to Wales is his family life. In 2019, he revealed that he had a new partner, the Swedish actor Anna Lundberg, that she was 25 years younger than him, and that she was pregnant. They now have two daughters – Lyra who is coming up to five, and two-year-old Mabli. As well as Staged, the couple have also appeared together on Gogglebox. They look so happy, nestling into each other, laughing at the same funnies, tearing up over the same heartbreakers. She also seems naturally funny. Given that two of his former partners (Sarah Silverman and Aisling Bea) are comedians, have all his exes had a good sense of humour? He thinks about it. “Yes. Yeah, you’ve got to have a laugh, haven’t you?” And he’s always got on well with them after splitting up? “Yeah, pretty much.”

When asked about the age difference between Lundberg and him on The Assembly, he acknowledged that they were surprised when they got together. “We were both aware it would be difficult and challenging. Ultimately, we felt it was worth it because of how we felt about each other, and now we have two beautiful children together.” He also said that being an older father worried him at times. “It makes me sad, thinking about the time I won’t have with them.”

Does being a dad of such tiny kids make him feel young or old? “Both,” he says. “My body feels very old. But everything else feels much younger. I’m 55 and it’s knackering running around after little kids. Just physically, it’s very demanding. And I’m at a point in my life where I’m aware of my physical limitations now. But in other ways it’s completely liberating, and I’m able to appreciate it more now.”

Has he learned about fatherhood from the first time round? “Yeah, I think so. I’m around more now. That’s a big part of it. When Lily was young, I was in my early 30s and doing films for the first time, so Kate would stay in Los Angeles with Lily and I would go off and do whatever.” Did Beckinsale resent that? “I don’t know that she resented it. Kate was doing better than me in terms of profile at the time, so it was different. Given that we then split up and I saw Lily even less, I very much regretted being away as much. So this time I wanted to make sure that wasn’t the case. That’s partly why I’ve set up a Welsh production company. I don’t want to work away from them as much.”

Talking of which, he says, what’s the time? “I’ve got to get back to my kids.”

On his way out, I ask what advice he would give his younger self. He says he was asked that recently and gave a glib answer. “I said buy stock in Apple.” What should he have said? He thinks about it, and finally says he’d have no advice for his younger self. He’d rather reverse the question, and think what his younger self would say to him if he tried to advise him.

“I saw an amazing clip of Stephen Colbert saying your life is an accumulation of every bad choice you’ve made and every good choice you’ve made, and the great challenge of life is to say yes to it. To say, ‘I love living, I embrace living.’ And in order to do that you have to embrace all the pain, all the grief, all the sadness, all the fucking mistakes because without that you don’t have all the other stuff.” He’s on a roll now, louder and more passionate by the word. “And I’d hate it if someone came and went, ‘Don’t do this, no do that.’ Then you just sail through your life. It would be death, wouldn’t it? So I’d tell my older self to go fuck himself.”

[justjensenanddean]

Jensen won a HCA Astra Awards for his work as Soldier Boy in "Best Supporting Actor in a Streaming Drama Series" category (Variety)

[lurkingshan]

The Miracle of Teddy Bear Saved the Gays

Last weekend, both @twig-tea and I had time off and were in the mood to binge something, so Twig suggested we finally watch The Miracle of Teddy Bear. Both of us had missed it while it was airing live (because it didn’t have international distribution) and had been given the impression by others that it had a sad ending that included some anti-queer messages. It was also very long, so we were not exactly rushing to get to it. But we are stubborn and like to judge things for ourselves, so we decided since we had the time and the show was now available, we should jump in. And imagine our surprise when we found out everything we had been told about it was wrong (we have our theories about why). This is one of the best queer dramas we have ever seen, with phenomenal acting, writing, and direction, and we have so much to say about it. The post that follows is co-written by the two of us. Strap in, folks, because it’s a long one.

If you haven’t seen this show yet and don’t want any spoilers, stop reading this right now and head over to YouTube, where international fans can now watch it for free with English subtitles. We’re going to go deep on the show below, and because this drama is designed to slowly reveal information in a very deliberate way, nearly everything counts as a spoiler. We’ll try not to give too much away in the early sections, but be warned!

The Story

The Miracle of Teddy Bear is the tale of a deeply traumatized gay man in desperate need of healing, and the teddy bear who comes to life to help him. In the process of taking care of his person, our bear uncovers deep family trauma and many secrets and lies, accidentally solves crimes, makes lots of friends, heals a family, and saves several lives. He is a very good bear, and through this adventure he contemplates his own existence, learns how to be human, and discovers what it means to truly love someone. 

This is primarily a family drama with important things to say about queer truth, and while it includes several bl storylines, it is not a romance. Intertwined with the family drama is a bl show within the show and a series of interrelated mysteries that slowly get unraveled as the story goes on. One of the things this show does best is parcel out information from various perspectives at the perfect time to keep the viewer one step behind—we found ourselves constantly almost guessing what the show was going to do next, but it always chose a direction a little to the left and surprised us in the best way. 

In the end, every question we asked was answered, and every time we thought a character’s motivation felt a little too shallow, we were given more. The experience of watching this show was deeply satisfying and really made us feel seen. This show gets us. 

The Characters

The Bear: Tofu

Tofu is the titular teddy bear who comes to life via drama magic and does his best to support his person. He starts the series incredibly innocent, and the show and his actor, Inn Sarin, do an incredible job of depicting the change in him as he lives life as a human, becoming more complex and less naive. Tofu is the heart of the show, and it is his love and kindness that enable the growth of the other characters in this story. 

The Core Family: Nut, Na, and Kuenchai

Nut is our protagonist, and his struggles with life as a gay man are the soul of this story. He lives with his mom, Na, and their dog, Kuenchai, and Tofu is his beloved teddy bear. Yes, Nut is a cranky ass grown man with a beloved teddy bear. It will make sense eventually, we promise. Nut is a bl novelist working through old trauma via adapting his work for the screen. Na is a woman who has been Going Through It, and while we start the story with only the vague sense that something is not quite right with her, we spend a lot of time on her history as well as her growth in the present until we get the full picture. The way Nut and Na’s stories are tied together gets to several of the core themes of this show (discussed more below). 

The Sides: Gen, Song, Prib, and the nosy neighbors

Our cast of friends and allies who support Nut and Tofu and have romantic trials and tribulations of their own. Without giving too much away, we’ll just say this: all of these characters have satisfying arcs, and some of them may have caused us to squeal in delight. 

Specters of the Past: Neung and Tarn

Telling you literally anything about them is a major spoiler so just know they are here and they are important and you will fully understand why and how by the end. Oh yeah, and Neung looks exactly like Tofu (or should we say Tofu looks like Neung?) for Reasons (which are explained! We love this show).

Villains: Saen, Sib, Jan, and Parit

Expect these four to show up often and cause a lot of trouble. Their motives and exact crimes are revealed over the course of the show.

Other Elders: Anik, Juea, Kanya and Sittha

They are mostly here to serve a few key plot functions and represent a spectrum of parental figures (related by blood and not) and acceptance of queerness.

And we cannot forget: The inanimate objects

In this show, inanimate objects can come to life under a certain set of magical conditions, and they are Tofu’s friends and helpers along the way. Some of their stories are shockingly touching! They also add some needed levity to the show, especially the grumpy ones. Special shoutout to the cactus and the spare blanket, our crime solving MVPs. We have to admit, the animation for these took a bit of getting used to, but within a couple of episodes we were cheering these creepy blinking eyes on. 

The Themes

And here is where we start to get into spoiler territory about specific character arcs. This show had so many clear and well-articulated themes, and they stayed consistent throughout the story.

Queer people can be happy

This is stated explicitly as well as demonstrated through multiple storylines: gay men can love each other, have good relationships and fulfilling sex lives, and get their happy endings. Those who argue that people should fight against their queerness because it will make their lives harder and keep them from happiness are not just wrong, they have it backwards. 

Queer people can only be happy by living their truth

This is perhaps the main thesis of this show, and it comes across in so many ways over the arc of the story. We see this theme exemplified in particular through Nut, Tarn, Song, and Gen, with each of them representing different versions of the queer experience that shape who they are and how they show up in the world. Even before the story tells you, it’s clear what kind of experiences each has had from his relationship to his own queerness and his general demeanor and outlook on life. Nut has survived an abusive homophobic father, and that shows up in his anger, his self-protective rejection of others, and his struggle with emotional regulation. Gen has been raised by loving and accepting parents who support his choices in all ways, and this shows in his good humor, balanced perspective, and confidence to be himself. When we say good media should show, don’t tell us its point, this is a fantastic example of what that means. 

Accept and love your queer children or pay the price

Relatedly, this story is very interested in the consequences for parents who fail their queer children, and explores a whole spectrum of acceptance from enthusiastic support to negligent ambivalence to misguided suppression to violent bigotry. We see so many different parents and parental figures react to learning about their gay sons and gain insight into them by how they respond—and only the ones who manage to get it together to love and support their kids get to keep their families. Critically, the adults who fail their queer children are convinced they’re acting in their best interests at the time, and we are along for the ride as the redeemable ones go through the stages of first admitting they were wrong but still thinking their intentions justify the pain they caused to fully acknowledging the damage they have done and making amends. 

Be patient with others, you never know what they’ve been through

That said, the show also invites us to stop and consider what might be behind aberrant behavior before judging it. Tofu is unfailingly patient with others, and even with the worst people in this story, he always seeks to understand why they are behaving a certain way before giving up on them. The show slowly and methodically reveals information that recontextualizes things we thought we understood and encourages us to keep digging for empathy and missing context. People in this story behave very badly and make a lot of mistakes, but a lot of it becomes more understandable once you have the full picture.

Unprocessed trauma will prevent you from healing and cause you to perpetuate harm on others

Speaking of bad behavior, so much of what’s wrong in this story is driven by unprocessed trauma of one sort or another. Nut’s anger is at its core a deep hurt from being betrayed by the person he trusted most to be on his side. Na’s refusal to live in reality causes her to continue to hurt herself and her son. Saen’s denial about his own actions leads to far-reaching consequences he could not imagine. And the healing process depicted in the show is not linear; people who have made mistakes in the series make them more than once and advance and regress as the situation around them changes. 

People are responsible for their own actions and inactions

And while the show is clear that trauma is the source of the bad behavior of these characters, it is also clear that this is not an excuse. Everyone in this story is held to account for the things they do, as well as the things they don’t, no matter how understandable their reasons are. The people who refuse to heal face serious consequences in addition to seeing the damage their unprocessed trauma causes others. 

Noble idiocy leads to everyone being unhappy

One of the biggest sources of said unprocessed trauma in this story is characters making self-sacrificial choices for the ostensible benefit of others and bringing misery to everyone in the process. We love a drama that recognizes noble idiocy for the selfish and destructive act it truly is and clearly says you have to communicate with your loved ones if you don’t want to make a mess of everyone’s lives.

You can’t appease an abuser

No amount of hiding who you are or making yourself small will convince an abuser to treat you better or guarantee your safety. This theme is most obvious in the main storyline between Nut, Sib, and Na, but Jan is another example of a manipulative and emotionally abusive character who other characters continually try to play nice with, to no avail. She takes every opportunity to be cruel, whether the person she’s talking to is kind or combative in return. The show reinforces that abusers will always find an excuse to justify their behavior; changing yourself for them is pointless. 

Love is wanting the best for someone, even if that means letting go 

This is really the show’s core point where romance is concerned: being with you may not actually be what is best for the person you love, and if your love is true you have to accept that. The people who could not see this—Saen and Jan—were the ones who continued to cause harm to their loved ones and themselves, while the characters who honestly worked towards the happiness of their beloveds even if that happiness was not with themselves—Tofu, Tarn, and eventually Prib—were rewarded by seeing that happiness play out and ended our story truly content. The MVP of this theme is Tofu, whose pure teddy bear love for his person became more complicated and selfish as he became more human. But in the end, he held to the truth at his core that Nut’s happiness was his happiness.

You can have more than one great love, and one doesn't tarnish the others

Which brings us to one of the most beautiful takeaways from this show, and something that dramas so rarely do well. Nut loves two different men, neither more than the other, and he never chooses between them. They both hold important meaning in his life and he honors that whether they are with him or not. When Nut is with Tofu, he remembers his past love with fondness but he is clear that these memories do not make his love for Tofu any less real. A lesser show would have had those moments where Nut was thinking about his past cause him to distance himself from Tofu. But in this show, Nut sharing his past and working through his lack of closure was when he and Tofu had some of their closest and happiest moments together. This show is extremely clear that we can have happiness with more than one person over the course of our lives, and it is not only okay but encouraged! 

The Resolution

From here, we will be talking about the ending, and so by necessity will no longer be avoiding major spoilers. If you’re intrigued by the above and want to avoid being spoiled fully, stop now! One of the things that is so brilliant about this show is the way information is slowly revealed, so if you think you would like this show we recommend experiencing it for yourself. If you’re still not convinced and need to know the ending before you decide, read on. 

In our view, this story ends exactly as the show signals it will from the very beginning—and the way it should—and the ending is unambiguously a happy one. Tofu realizes that he and Tarn’s life forces are tied together, that it was Tarn going into his coma that caused him to awaken, and that as long as he continues to live as a human, Tarn will not recover. We and the characters have come to love Tofu in his guise as a human, but the truth is he does not belong there—he is a teddy bear, and for him to stay by robbing an actual human being of their life would be wrong. The story took pains throughout to show us how tenuous and restricted Tofu’s existence is, because he is not a real person and thus can’t live a full life (for example, he can’t get a job or safely leave the house because he doesn’t have documentation or any life experience). We also see Tofu struggle so much with the added complexities of the human experience that he becomes ill with overwhelm multiple times. He repeats to us through the whole story that all he really wants is to be a comfort to Nut. While he finds value and joy in being human, it does not change who he is at his core. And so he allows himself to be poisoned by Jan, sacrificing his human existence to bring Tarn back and exposing Jan and Saen’s crimes in the process. 

With this decision, the other characters get the chance to mourn him and move on. Nut grieves, finally makes the connection between human and teddy bear Tofu, goes to therapy (!), makes peace with his mother, and writes his love story with Tofu as his next show. Tarn wakes up and begins his recovery, and he and Nut slowly reconnect and rekindle their relationship over time. Na finds joy in her lucid moments and enjoys time with her family, finally free of the hell Saen and Sib unleashed on her life. Gen and Song get their happy ending with acceptance from Song’s dad, and Prib’s fixation on gay men becomes clear when her new female love interest enters the scene (let’s go, lesbians!). We get confirmation that the nosy neighbors are, in fact, an elder gay couple. Even Kuenchai and some of the inanimate objects have character arcs! Kuenchai is instrumental in making sure Nut is reunited with bear Tofu, and we get to see a slipper gain some independence from her other half and a grumpy bolster cuddle in to comfort her people when they need it.

We end our story with several happy families who love their gay children and a call for marriage equality via Nut and Tarn deciding to marry whether it’s legal or not. Tofu is a bear again but his human life is very much not forgotten—Nut speaks to him every day, honors the love they shared, and talks about him openly with Tarn. And we even hear from Tofu again, see a final moment between him and Nut in a beautiful dream, and are reassured that Tofu is happy to still be with Nut in his original form and to see him living so well. It’s everything he wanted, and he made it happen. He truly is the very best bear.  

The Purpose

We wanted to take some space to get a little extra meta and talk about why this show matters so much in the broader queer media landscape. First, it was a landmark queer television event in Thailand—please read this post by @flowerbeasblog to get the background on its significance in the cultural landscape. This show was broadcast very intentionally to educate and send a message to a broader audience in Thailand than is typically reached via bl dramas. And that’s why understanding and taking its themes seriously is so very important.

This is a story that is deeply rooted in queer truth, written by a queer man who wants people like him to be seen and understood. The show puts forward an unapologetically pro-gay message on broadcast television (on a major national network! during primetime! that does not shy away from the sexual component of queer love!) and embeds important political commentary in a fantastic and engaging story in a format familiar and comfortable for the Thai audience. It’s not meant to be received as a romance, and its nuanced and mature take on love and relationships is certainly not designed for ship wars. The writer even turns directly to the camera and underlines this in the final episode: while he respects the importance of bl in the media landscape, he has a bigger agenda in mind for this show and important things to say.

And that’s why some of the discourse around this show is so frustrating. A small portion of international fans who watched this show live seemed to misunderstand it deeply and created such a false impression of it that it caused others to stay away. Contrary to some of the takes out there, this show does not have a sad ending, Tofu’s resolution is not remotely anti-queer, and there is no woman who ends up with Nut (we are so confused that this was anyone’s interpretation; Nut at every age and several times within the show explicitly shouts about how very extremely gay he is). To see this story as a tragedy because Tofu “dies”—which he doesn’t; his human body disappears but he returns to being a conscious and content teddy bear—is to misunderstand Tofu’s character journey, his narrative purpose, and his agency. We can only assume that shipping got in the way of comprehension here, and people who wanted to see human Tofu and Nut end up together focused on that to the exclusion of pretty much everything this show was saying and doing.

At the end of this story, Tofu is happy. To think that Nut was better off with Tofu than with Tarn is to not allow for the complexities of human experience; Nut did love Tofu, but he loved Tarn, too, and their relationship was a positive force in his life both before and after Tofu entered it. And Tarn was an actual gay human man in a coma who could not wake up while Tofu existed. Tofu was the creation of Tarn’s love for Nut; his existence was limited, and he found being a human extremely difficult. All Tofu wanted was to be Nut’s teddy bear and stay with Nut forever. He wanted Nut to be happy, because Tarn wanted Nut to be happy, and during his time as a human he worked to enable that happiness. He was instrumental in moving forward several stuck characters and uncovering many secrets, all of which were necessary for Nut to get to where he ends up at the end of the show. Being in a relationship with Nut was a bonus. He enjoyed the experience of being in love with Nut, but in the end he chose to sacrifice his human life so that Nut could have a permanent, lasting happiness with someone who was real. Tofu’s human death is not an example of the bury your gays trope; in fact, it is a total rebuke of it. Tofu, and this show, saved the gay men in this story and gave them full and happy lives. We cannot recommend watching and supporting this show enough.

[shambelle97]

LOKI SERIES - SEASON 2 / NOMINATION CRITICS CHOICE AWARDS (2023)

Congratulations to cast and crew of Marvel Studios’ Loki on their four Critics Choice Awards TV Nominations including Best Drama Series, Best Actor in a Drama Series – Tom Hiddleston, Best Supporting Actress in a Drama Series – Sophia Di Martino, and Best Supporting Actor in a Drama Series – Ke Huy Quan. #CriticsChoice

Pics by: marvelstudios

[obessedwithfictionalmen]

Co-Stars pt.7

Callum Turner X Actress! Reader

Summary: Emmy Awards... Y/n is nominated, Callum too...

Warning: Pure joy/ Swearing/ use of Y/n/

Y/n's dress:

She made her way on the red carpet with her cast and directors. Photographers were shouting at them. ‘’Y/n, Callum, a kiss!’’ one of them yelled. The couple looked at each other before bringing their face close to each other, only to pull away before their lips could touch, they laughed and kissed rapidly. ‘’Do you guys think Y/n is going to win?’’ another photograph asked. ‘’We hope so!’’ Austin replied, making the woman smile. There they were, the Emmy Awards, Master of the Air as been nominated for a lot of things, one of them being the best supporting actress in a drama show, Y/n was nominated. When the nomination was announced, she couldn’t believe it. Callum was so proud of his girlfriend. ‘’Mr. Hanks, what do you think about Y/n’s nomination?’’ The woman looked at the men she admired when she was younger, he inspired her so much. ‘’I think it’s fully deserved, she worked hard, and I hope her hard work is rewarded’’ He replies. Y/n’s eyes filled with tears; she was touched by his words.

Master of The Air already won 5 awards tonight, it was amazing; but now, it was the time for the best supporting actress in a drama series. Y/n was nervous, she felt like throwing up. ‘’The nominees are Y/n Y/l/n in Master of the Air’’ Y/n blew a kiss to the camera as she watched a little piece of her work on the screen. ‘’You don’t think I care? Every time you go up in the air, I’m terrified that you won’t come back! So, no I don’t understand what it’s like up there, but you don’t know what’s it like here!’’ she yelled. That scene was when she yelled at Bucky. It was an amazing scene. ‘’And the Emmy goes too…’’ Helena Bonham Carter was announcing the winner. Y/n took a deep breath as she, and all her co-stars waited for the results. ‘’Y/n Y/l/n in Master of the Air!’’ She couldn’t believe it, she put a hand in front of her mouth as she looked around her. ‘’You did it, baby!’’ Callum said, hugging her, the rest of the cast joined in the hug. Her first reflex was to take off her shoes, she didn’t want to do a Jennifer Lawrence at the Oscars. She quickly kissed Callum before making her way on the stage, barefoot. She got up, hugged Helena, took her trophy and got closer to the microphone. ‘’Oh my god, uh, hi everyone!’’ she said, tears falling from her eyes. The crowd cheered on her. ‘’Where do I start? Thank you to everyone that voted for me. Uh, I’m losing my words. I want to thank Tom Hanks, Steven Spielberg and Gary Goetzman for creating this amazing T.V show. Tom, you’ve always been an inspiration for me, I’m honoured to have had the opportunity to work with you. To all the girls out there, keep going, hard works pays off.’’ She had to stop and take a breath; she was speaking fast. ‘’Uh, to my co-stars; I love you guys so much, thank you for making me feel welcomed and making this experience so fun. To my mum and dad, thank you for always believing in me. Lastly, I want to thank my other half, Callum Turner. You’ve always been there for me, since the beginning of all this, I love you so much, baby, I couldn’t have done this without you, being your love interest has been really fun, and you made me comfortable with the exploration I did with the character, with certain emotions. Thank you for being my rock, I love you. Thank you so much everyone’’ she said, blowing a kiss to Callum, before lifting her trophy into the air. Her co-stars were cheering for her at the top of their lungs, Y/n laughed when she heard them.

‘’The Emmy for the best supporting actor in a drama show goes to… Callum Turner, Master of the Air!’’ Callum was smiling so much. He and his girl both won the same award. Y/n jumped in his arms to hug him. He made his way to the stage, hugged Johnny Depp, took his trophy and got closer to the mic. ‘’Wow! Thank you so much, it’s amazing! First of all, I want to thank Tom, Steven and Gary, thank you, God I’m saying the same thing as my girlfriend. Uh, to my co-stars, it’s been a crazy journey, from boot-camp, except for you Barry’’ his comment made the hole cast laugh. ‘’Thank you for supporting me during the process. To my beautiful girlfriend, you’ve been with me since my first movie, we were together ever since. Just like you, I couldn’t have done it without you. Y/n, quit smiling like this, I’m trying to do this without stuttering, you’re making it difficult’’ he said to his girlfriend who had the proudest smile on her lips. ‘’I love you so much. Thank you everyone! Have a goodnight!’’ Callum smiled as he left the stage.

‘’8 wins tonight, congratulations, if we can get back to Y/n, how are you doing, dear?’’ the journalist asked. The ceremony was over, tonight felt like they were ascending to Nirvana. Y/n and Callum were floating on a euphoric cloud. ‘’I’m still overwhelmed at the moment, it just feels really good, having my hard work being rewarded, mine and my boyfriend’s. I try to soak it all in’’ she smiles. Her cheeks were hurting from smiling so much. ‘’ And you, Callum?’’ he stopped looking at his girlfriend to answer the question. ‘’It doesn’t feel real, it’s an amazing night and yeah, I can’t wait to celebrate with them’’ he laughed. They got asked other questions, but when they got in the limousine, everyone was looking around. ‘’8 fucking wins!!!!’’ they all yelled at the same time. ‘’I just won an Emmy!!!’’ Y/n said, showing her statue around. The guys started to laugh; it was euphoria. ‘’You both won an Emmy!’’ Barry said, looking at Callum. He took his girl and kissed her passionately, all the joy and the relief were transmitted in that kiss. It was the greatest day of their life!

[rainbowsky]

Award nominations - my thoughts

There has been a lot of uproar about the Magnolia Awards nominations. Here are my thoughts.

Disclaimer: I'm going to preface this by talking about a life lesson I refuse to learn (to the dismay of those closest to me). The lesson is, "Don't make yourself a target." That can often mean, "Don't speak your mind if your perspective differs from popular opinion" or in this case, "When people are upset, don't put yourself in the position to become the outlet for all their anger."

But I respect diversity of opinion, and that means I want to hear from a variety of perspectives on an issue and I suspect some of my readers do as well. So I hope everyone can remain open to hearing things they might not agree with, and respect each other's views. I also want to add that everything I say here is about me and my views - not a commentary on anyone else or their views.

I also think it's important that I make clear that I have not yet seen War of Faith. I'm relying on reviews and on reports from other fans, from my friends, and from my sister for my understanding of the drama and the performances actors gave.

A bit of background

For those who aren't aware of this issue, I'll try to outline the broad strokes of it all.

The Magnolias are prestigious drama awards in China, somewhat on par with the Emmies. For months now there has been a lot of buzz building about the possibility of a nomination for GG and The Youth Memories, and/or for DD and War of Faith.

The nominations came through today, and there was just the nomination for War of Faith for Best Drama. DD was not nominated, but Wang Yang was nominated for Best Leading Actor.

A lot of fans and even a few passers-by have been very vocally upset about this, saying it's a snub to DD and his excellent performance. Some have even characterized it as a huge betrayal of DD to nominate Wang Yang, who was really only a supporting actor, over DD, who was the real leading actor.

There have been claims that DD wasn't even put forth for the award by the producers, which has made fans even more angry. Many are attacking the producers, speaking out against DD appearing in a proposed season 2 of the series, and threatening backlash if the producers celebrate the nominations the drama received.

Checking the facts

As far as I can tell, here's what we know for sure:

The drama was co-billed with three leading actors: Wang Yibo, Li Qin and Wang Yang.

While DD's character was the protagonist of the drama, he wasn't billed as the sole male lead for the series.

All three leading actors gave solid performances.

We do not know for sure whether Li Qin's or Yibo's names were put forth for the awards. I personally can't think of any reason the producers would hold back on submitting everyone they can for the awards. The more nominations and wins the drama gets, the better for everyone involved.

Edit: according to a document purported by fans to be the official record of the names put forward for awards, Yibo, Li Qin and Wang Yang were all put forth as leads, which is in line with the billing each had in casting.

Fans are treating this as damning evidence that the producers unjustly put the supporting actor forward as a lead actor, but we have to keep in mind that there are likely contractual and legal considerations here. If somebody is cast in a leading role, then they have rights to be billed and promoted as such. We know that Li Qin and Wang Yang were both billed as co-leads.

Edit 2: The studio and producer have released statements where it was confirmed that all the lead actors were put forth for the awards.

My thoughts

I understand the disappointment fans feel when one of our boys is passed over for accolades and recognition. We're all invested in their well-being and success. However, I don't think it does any of us - and especially not DD - any kind of service to get upset and up in arms over something like this.

There are some really good reasons to believe that DD would not be thanking people for reacting the way they have:

It is an insult to Wang Yang and the performance he gave, which from what I understand, was outstanding. DD would not want his colleague's successes to be in any way diminished by the behavior and attitudes of his fans. It's not the kind of person he is.

It's disrespectful to the project as a whole. As I've said before, "A rising tide lifts all boats." The fact that the drama was nominated at all is to DD's great benefit. Turning something positive into a negative doesn't serve any productive purpose.

This makes DD look really bad, frankly. We shouldn't fail to recognize the irony of burning down the internet with cries of, "DD's being treated like a traffic star rather than the great actor he is!!" "He was snubbed!" "What a betrayal!" Nothing makes DD look more like a traffic star than fans behaving this way. This is classic fan culture behavior. We want DD to be recognized as a serious actor, but we simultaneously rely on traffic idol data and numbers to try to 'push his case', and claim he's 'being used for traffic' rather than ourselves respect his serious role in this drama.

This type of awards entitlement is not DD's style. Quite the contrary. He is an extremely humble, hardworking guy who likely cringes at the idea of people being outraged on his behalf in a situation like this.

Everything good that happens for this project, whether it's directly connected to DD or not, benefits DD. Everything bad that happens - every bit of bad publicity - harms DD.

This is a propaganda drama that's of significance to the ruling party. This type of fan behavior in relation to it has the chance of really harming DD and his career. Just like the whole debacle with GG's fans and their reaction over Ace Troops, this is not the kind of thing people should be doing.

From what I've learned about the Magnolias, these awards are given to established career actors. Young actors and newer actors do not tend to get nominated for these awards.

Like it or not, DD is a newcomer with a career that's still in transition. He has a lot of talent and some great successes under his belt, but he is still pretty green as an actor. Wang Yang has a career that goes back 20 years. DD has only been a serious actor for maybe a quarter of that time. It was unrealistic for fans to expect the tiger to change its stripes just for him.

This is not some nasty conspiracy against DD, this is just the reality of the industry he is in. Major awards tend to go to established career actors - both in China and globally. We should know this by now.

As far as I can tell, DD isn't being 'singled out' in any way. He's being treated like any other newcomer; being expected to 'pay his dues' just like everyone else.

DD is young, he has his whole career ahead of him. He is so talented and hardworking - he WILL win major awards. The fact that almost every project he's involved with gets nominations and awards is a very good sign, and ensures he will continue to get solid opportunities to show his skills. He's clearly picking good projects and performing well in them. Directors and producers will take notice of that and want to work with him.

He is on a normal - even exceptionally strong - career trajectory. Given his successes we should be very happy for the trajectory he is on. He will continue to work hard, get good roles, perform well and grow his audiences and his credibility among those audiences.

On a personal level

I love DD so much. He has something truly special about him. I want to see him do well, and for others to see and recognize what's so great about him.

He deals with an outrageous level of hatred and slander from antis, some of it truly makes me sick to my stomach. Nothing would make me happier than to see him be in a position to slap those assholes in the face with prestigious awards and recognition for his talent.

Of course I was dismayed when he wasn't nominated, just as I was dismayed that GG wasn't nominated.

However, I recognize that for what it is - a personal emotional reaction. Ultimately nothing that has happened here appears to be unjust or underhanded. Disappointing, perhaps, but not a conspiracy, not a betrayal.

Quite the contrary. DD's drama was nominated for 5 awards including Best Drama! We should be celebrating. There are probably hundreds of dramas that hope for this type of recognition every year, and DD's was one of those chosen among the very few nominated.

It makes me sad to see something positive being turned into a negative in this way. For all the reasons I outlined, I think it's misguided and could come back to bite DD hard in the ass.

Just my opinion. Hopefully once everyone has simmered down a bit we can all take a second look at this and find another perspective. One that is more worthy of DD as the humble human being he is.

[accio-victuuri]

oh i like these posts. hahahahahaha! politics aside, oh well, no actually— i don’t think we can ever put aside politics when it comes to the boys ; I see cpfs sharing posts and commenting on this person’s “greeting” for wyb. and well, you will see why. she is a politician in hongkong.

[Patriotic top star Wang Yibo]

What big day is August 5? Last year, this day was the 12th anniversary of the New People's Party; it was also the birthday of Wang Yibo, a top star in the mainland.

Wang Yibo has a deep connection with Hong Kong. He was born in 1997, when Hong Kong returned to the motherland. I still remember that he sang a song "Stand Up" for Hong Kong on the 25th anniversary of the return; on July 1, 2023, he personally came to Hong Kong to attend the "Greater Bay Area Film and Music Gala" "The Moon Rises in the Bay Area", but unfortunately it did not cause much response at the time.

Although he is not a popular idol of Hong Kong people, friends who pay attention to the mainland entertainment industry know that Wang Yibo is a top star in the mainland entertainment industry; he has extraordinary dancing skills, and his status as the "King of Dance" in the mainland is unquestionable. In addition, he is also engaged in many public welfare undertakings; he recently filmed a documentary series on protecting pangolins as a public welfare ambassador of WildAid. He is an artist with both talent and virtue.

I once asked a public question in the Legislative Council: Since Hong Kong is hosting many events and concerts, the SAR government should actively consider inviting mainland top stars Xiao Zhan and Wang Yibo to perform in Hong Kong. I believe that this will attract a large number of fans from the mainland and around the world to support Hong Kong and truly promote Hong Kong's concert economy.

Recently, there are two things about him that impressed me the most. First, his performance in the mainland hit drama "War of Faith" was amazing, and his acting skills have made a great leap forward. I, like many mainland audiences, think that he deserves the "Best Actor". Unfortunately, he was not nominated for the Best Actor in the list of nominees for the Shanghai TV Magnolia Awards earlier. This incident triggered a series of controversies in the mainland entertainment industry. Many people feel sorry for him.

In addition, when he was serving as a torchbearer for this year's Olympics in Paris, he saw a fan holding a mini national flag accidentally dropped it on the ground, and he picked it up spontaneously, showing his sincere respect and love for the national flag. If every young person in Hong Kong can spontaneously love the national flag and national emblem, and understand that it represents the dignity of the country, then it means that Hong Kong's patriotic education has truly succeeded.

In summary, Wang Yibo is an outstanding young man. He went to Korea for training when he was young. After years of hard work, he has mastered first-class dancing skills. His acting skills have also been recognized in recent years. Even though he is a top star with huge commercial value, he is also enthusiastic about public welfare. He is really a role model for artists. I hope that young people in Hong Kong will take him as an example and learn how to be a good young man with both talent and virtue, who loves the national flag and spontaneously safeguards the dignity of the country.

* So i guess it’s now obvious why cpfs like this post so much. it’s because both of them were mentioned. and is is what we’ve been hoping for, that they will be invited to events and probably even work on a project together because they are “positive” artists. and how important it is for them to maintain that image to stay safe in the industry. tho i have to say that it’s not hard for them cause they are good natured people. It’s not an “act”, that is just how they are.

and it’s what we’ve been saying, that these two are one of the best ways for CHN to have some soft power in the international stage. tho i’m sure they will have detractors who will be quick to pull out “evidence” of their government support and use it against them.

also months back, she also posted something about CQL. so yeah, no wonder she got popular with cpfs ⬇️⬇️

China’s “danmei” genre is booming in the West

The article “How to Tell Chinese Stories Well” (July 14) overlooks an important genre that is growing in popularity in the West and is more reflective of contemporary Chinese life than works from decades ago such as Shanghai Life and Death or The Wild Swans.

I am referring to the danmei genre of online novels. Danmei is a term that originated in Japan. This new genre has spawned a number of very successful online novels that have been adapted into extremely popular Chinese TV series and translated into English. A prominent example is The Grandmaster of Demonic Cultivation, which was adapted into the Chinese TV series The Untamed in 2019 and translated into English and is available on Amazon.

Untamed made two young actors, Xiao Zhan and Wang Yibo, famous in China. Another very successful work is Erha and His White Cat Shizun, which made the New York Times bestseller list in English. The English version has a wide readership in the West and is available in paperback.

Danmei novels celebrate “boys’ love”, which is officially frowned upon. A major production based on Erha, produced by Tencent, has been shelved. But the genre has a large following in China and abroad, inspiring fan art, fan works and merchandise.

Many danmei online novels are written by women for women. Why are they so popular among Chinese women? Their popularity reflects the frustrations of contemporary Chinese women: they are trapped between traditional, realistic, family-oriented marriage concepts and a desire for romance and true love, as celebrated in danmei novels. Such novels have become a channel for their fantasy and escapism. Surprisingly, these novels have also been loved by Western audiences.

While TV series based on such novels have been banned, animated versions of some popular works are still in production. The resilience of the genre, which is seen by the authorities as a departure from the official "main melody" works, reflects the delicate relationship between the authorities and the artists who create them. Most of the time, the authorities have the upper hand, but the ban has not stopped private enterprises and creative talents from finding space for the genre to thrive. Can we call it the authorities' "one eye open, one eye closed" attitude?

* this is a short but very interesting take on the whole thing. she is not even mentioning how TGCF is so popular in the mainland and continues to do so with it’s donghua and manhua. i guess it’s really one eye open and one eye closed and i hope it stays that way so that this genre will continue to thrive! i’m not holding that much expectation for the live action versions tho.