the joe keery brainrot is real and i finally watched free guy and holy shit is he legit the only good part of that movie
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#NoirCity21 opens this Friday, Jan 19, 7:30 PM at Oakland's Grand Lake Theatre with our newest restoration project NEVER OPEN THAT DOOR. Eddie Muller will be signing his books up in the mezzanine, 6pm-7pm. Tix: http://NoirCity.com
Restoration performed by UCLA Film & Television Archive.
Program notes follow.
FRIDAY, JANUARY 19:
7:30
World Premiere FNF Restoration!
NEVER OPEN THAT DOOR | NO ABRAS NUNCA ESA PUERTA
Argentina, 1952. Estudios San Miguel. 85 minutes
Screenplay by Alejandro Casona, from two short stories by Cornell Woolrich (William Irish)
Produced and directed by Carlos Hugo Christensen
More noir films have been based on the stories of Cornell Woolrich than any other writer, and NOIR CITY is proud to present this brand-new restoration of one of the best of those adaptations. In “Someone’s on the Phone,” Ángel Magaña plays a man bent on avenging the death of his sister, driven to suicide by gambling debts. In “The Hummingbird Comes Home,” Roberto Escalada portrays a racketeer who brings the gang to his boyhood home to lay low after a robbery. His blind madre doesn’t approve. Originally a three-part anthology of Woolrich tales, Never Open That Door was released separately from the 73-minute If I Should Die Before I Wake, also adapted by Casona and Christensen. Benefitting from the incredible cinematography of Pablo Tabernero, this is one of the most evocative realizations of Woolrich ever produced, featuring masterful sequences of sustained suspense. Said Buenos Aires film critic Horacio Bernades, “Rarely has an Argentine film been more purely cinematic than this.”
CAST: Someone on the Phone: Ángel Magaña (Raúl), Renée Dumas (Luisa), Diana de Córdoba (Nelly), Nicolás Fregues (money lender), Pedro Fiorito, Orestes Soriani, Percival Murray, Rosa Martín , Arnoldo Chamot. The Hummingbird Comes Home: Roberto Escalada (Daniel), Ilde Pirovano (the mother), Norma Giménez (María), Luis Otero (Juan)
9:30
STREET OF CHANCE
United States, 1942. Paramount [Universal]. 74 minutes
Screenplay by Garrett Fort, based on the novel The Black Curtain by Cornell Woolrich
Produced by Burt Kelly. Directed by Jack Hively
The first case of amnesia in the film noir era comes with a typically intriguing Woolrichian twist. Frank Thompson survives a near fatal accident only to have the shock partially restore his memory! He realizes he’s lived the past several years as someone other than his true self. With the help of his incredulous girlfriend Ruth, Frank embarks on a nocturnal quest to determine his true identity. This modest offering from the B-unit at Paramount benefits from some A-list contributors, principally stars Burgess Meredith and Claire Trevor, and director of photography Theodor Sparkuhl, whose contributions to the look of early ’40s noir have gone largely unheralded. A wonderful gallery of supporting characters skitter and sneak through Frank’s waking nightmare, well rendered by journeyman director Jack Hively who had previously helmed many entries in RKO’s mystery series The Saint.
CAST: Burgess Meredith (Frank Thompson), Claire Trevor (Ruth Dillon), Louise Platt (Virginia Thompson), Sheldon Leonard (Joe Marucci), Frieda Inescort (Alma Diedrich), Jerome Cowan (Bill Diedrich), Adeline deWalt Reynolds (Grandma Diedrich), Arthur Loft (Sheriff Stebbins), Clancy Cooper (Burke), Ann Doran (Miss Peabody), Paul Phillips
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8:49 AM EST January 31, 2024:
Pat Travers - "Outside Woman Blues"
From the album Blues Tracks Volume 2
(1998)
Last song scrobbled from iTunes at Last.fm
As credited to Blind Joe Reynolds, and made most famous by Cream, on Disraeli Gears. Travers pretty much sticks with Clapton's arrangement, and adds a sort of '80's metal patina--but it's not too slick, and goes down well.
File under: Bulldog Songs
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don't you think it's twisted to call eric clapton, a white man, the 'god' of blues guitar? here is the original version by blind joe reynolds. if you're familiar with cream you'll be shocked when you hear this, just as i was!
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Love Sculpture Blues
What! Not another mp3 collection of obscurities covering several genres, decades & styles! 🙂 This one is filed under L for Love Sculpture. I have Blues Helping, Forms & Feelings. A Welsh blues band with unexpected progrock flash. Their take on Sabre Dance came up in my tumblr feed a few years ago. A fast metal version of the classical war horse that was great fun. So I did a quick search &…
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This is like the third time I've tried reading Joe Kelly's Deadpool. First time I got up to about where I am now, somewhere between issues 12 and 14, second time I got a little further, don't remember specifically. This time though I need to finish the whole thing
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isn't it ✨ F a s C i n A t i N g✨ how there's constant mutual friends between them (at the same time frames) like reese, haim sisters, blinds about lunches or dinners with ryan reynolds, sophie turner and joe jonas, even though people believe they're mortal enemies? shocker. almost like they still run in the same circles huh?
so if there's a private party held by say, the haim sisters, do they really think that taylor and karlie don't ever meet in those events? or do they think their friends adjust to them so that they won't meet at the same time? or ya know, maybe there's no feud at all (it's the easiest answer too, requires no mental gymnastics). i just love how there's always some kind of connection between them.
yes these are the things that i always circle back too
the mutuality of it and also how it overlaps a bit with this ongoing theme of famous and agreeable people giving shoutouts to karlie.
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i have to ask it if it hasn't been asked already. bluesklok for the meme <3
Give me a Metalocalypse episode and I’ll answer…
bluesklok my beloved....
Do I like this episode? Why or why not?
Love this episode. Love love love this episode. On average I tend to listen to more blues than metal, so this episode just made my brain go !!!! the entire time
Favorite moment?
I love the overall theme of the episode of the blues being "the grandfather of metal" ("the blues had a baby, and they named it rock & roll" -- Muddy Waters). Even though I wish they delved a little deeper into the blues and the variety of emotions and stories found within the genre, seeing a genre I like (and specifically Robert Johnson) get a shout-out was really enjoyable. The way Murdertrain A Comin' flows between blues and metal is such an inspired union of the genres and the perfect way to end the episode. That harmonica sting during the scene transitions...*chef's kiss*
But as far as specific moments go, the deal with the Blues Devil kills me every time. Especially Murderface's "I'm a notary" line. All of the train jokes get to me as well.
Least favorite moment?
Mashed Potato Johnson trying to get Nathan to lick the harmonica was weird. Especially bc we never got to see Nathan play it :(
Do I have an unpopular opinion about this episode? What is it?
I haven't seen a lot of strong opinions about this episode so idk.
Something I would change?
First I'd make Mashed Potato Johnson not voiced by a white guy. And we get more detail on this in the comics, but I'd like to see more about Mashed Potato Johnson's career after he made the deal with the devil.
Rating out of 5?
4.36
Anything else I want to say about this episode?
I wonder if all the blues musicians MPJ lists off are based on real people the same way he's based on Robert Johnson. I think Blind Harlan Davenport might be based on Blind Joe Reynolds, but idk.
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If I was Mary, I would have accepted the fact that Freddie was gay and moved on with my life. If she really knew Freddie as well as she claims she did, she would know that Freddie struggled to let people go and that's part of the reason why he kept her so close. I would have reassured Freddie that I wasn't going anywhere and he'd always be my friend, but also that I need to start making a life for myself and that he didn't need to "look after me" out of guilt because our break up wasn't his fault. I would stay in touch with him, hang out with him, maybe even work for him if he wanted me to. But I'd always remind him that he didn't have to worry about losing me; he's my friend, he always will be, and I'll never resent him for being true to himself. I would find myself a nice boyfriend, get married if I wanted to, have kids and be more than just "Freddie Mercury's ex girlfriend."
If I was Mary, I would have been supportive whenever Freddie was in a relationship with another man. I'd squeal and go "tell me everything!" whenever he announced he had a new boyfriend. When we were out and about, I'd check out guys walking past and go, "what about him? Is he your type?" We'd trawl through bars together and I'd hook him up with someone after a few too many drinks. Of course, if I felt he was in an abusive situation or was being taken advantage of, I'd warn him, but at the end of the day he's a grown man, I'm not his mother, and it's not my place to stick my nose in someone else's relationships. I would let him know that I was there for him if he ever needed advice and that if he was happy, I was happy too, because that's what best friends do. Freddie would never feel the need to hide the gay aspect of his life from me because he'd know I'd never judge him for it.
If I was Mary, the first day I met Jim, I'd have given him the biggest hug and joked with Freddie about how he landed himself his own Burt Reynolds. Whenever Jim and Freddie had a row, I'd be the one to slap Freddie round the head (metaphorically) and go, "you have an amazing man right there! Stop trying to sabotage your own happiness!" I'd be jumping up and down, squealing like a little girl when Freddie showed me his wedding ring. Freddie and Jim would be the cool gay uncles my kids looked up to. When Freddie fell ill, I'd make it clear to Jim that I was there for him as well as Freddie, and if he ever needed a shoulder to cry on, I'd be right there. I would be there to support Jim whenever things became too much and when Freddie died, I would sit in the first car with him on the way to the funeral, holding his hand the entire time. I would let him stay in Garden Lodge during his bereavement period, and the day he decided to leave, I'd kiss him on the cheek and tell him my door is always open for him. We'd meet up occasionally, usually on Freddie's birthday or the anniversary of his death, drink tea, play with the cats and talk about the old days, comfortable in knowing that we both have each other to help us through this difficult time. I would make sure Jim knows that I love and care about him as much as I did Freddie.
If I was Mary, after Freddie's death I wouldn't have immediately turned Freddie's house into Fort Knox. I would have told the GL boys that they could stay as long as they needed to, until they came to terms with what happened. Phoebe would always have a job there if he wanted it. If Joe needed any financial or emotional support for his illness, all he had to do was ask. Jim could take all the photographs and memorabilia/gifts from Freddie that he wanted, they were his after all. You want to take one or two of the cats with you? Of course! They were your pets to begin with and anyway, it'll be hard enough having two kids in the house without having to contend with five cats.
If I was Mary, I would have told the truth about what happened during Freddie's final days instead of spreading bullshit like he was blind to tabloids that I knew he hated. I wouldn't let the press into Freddie's house to have a tacky photoshoot where I pose as the "grieving widow." I would squash the rumours that Freddie died alone. I would squash rumours that Freddie deliberately infected people. I would squash rumours that he never found love. I would tell the world that Freddie Mercury was loved by many, many people, and during the end of his life he was nursed by three men, one of which he loved as a husband (without outing Jim of course.) I wouldn't take the credit for Freddie's care when the people who looked after him, fed him, bathed him, medicated him, helped him to the bathroom and sat with him through the night were Jim, Joe and Phoebe, two of which who were HIV+ themselves.
If I was Mary, I wouldn't make everything about myself. I would make a point of dismissing all the misconceptions surrounding AIDS. I wouldn't selfishly say that it was decent of Freddie to tell me he was gay because it meant I didn't get AIDS. I wouldn't describe Freddie's coming out as "he became a gay." I wouldn't lowkey blame Freddie for "pressuring" me into accepting his fortune. I wouldn't act like a victim and blame everyone else for my own actions. I wouldn't tell Jim that "Freddie was waiting for him," knowing full well that he was suffering from HIV and likely scared for his own mortality. I wouldn't cut ties with all of Freddie's loved ones, throw out his grieving spouse, trash his bandmates, moan and bitch about being given his bulk of his estate and promote myself as the "love of his life."
If I was Mary, I would behave like a decent human being. Something the real Mary seemed incapable of.
.
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The Kids Just Don’t Understand: Folk Edition!
Image: Ewan MacColl and Peggy Seeger
I just decided that when I sub for other DJs my show is now called The Kids Just Don’t Understand. And a few weeks ago I subbed for John Weingart and played a bunch of lefty folk and here it is!
stream on Mixcloud
Peggy Seeger with Ewan MacColl - Love for Love
DJ speaks over Woody Guthre - Nine Hundred Miles
Chumbawamba - The Cutty Wren
Asa Martin & James Roberts - Ryecove Cyclone
Burl Ives & the Union Boys - You Better Get Ready
Elizabeth Cotten - Shake Sugaree
The Kingston Trio - Coal Tattoo
Nimrod Workman & Phyllis Boyens - Quill 'o Quay
Hazel Dickens & Alice Gerrard - A Few More Years Shall Roll
Eve Bland - Coal Not Dole
Blind Alfred Reed - Beware
Rev. F..W. McGee - 50 Miles of Elbow Room
Joe Glazer - 50,000 Lumberjacks
Mischief Brew - Vagabonds (live)
The Ex Hidegen - Fujnák A Szelek
Chumbawamba - Poverty Knock
Tunng - Fair Doreen
Earl Taylor & The Stony Mountain Boys - White House Blues
Billy Bragg - The World Turned Upside Down
Chumbawamba - The World Turned Upside Down
Chumbawamba - The Diggers Song
Woody Guthrie - Two Good Men (Sacco and Vanzetti)
Vashti Bunyan - Where I Like to Stand
The Carter Family - Sunshine in the Shadows
Lankum - Hunting the Wren
The Almanac Singers - Hold the Fort
Espers - Flowery Noontide
The Eighteenth Day of May - The Highest Tree
The Tyneside People's Choir - Resolution
Pentangle - Hear My Call
Malvina Reynolds - The Bloody Neat
Norma Tanega - Jubilation
King Creosote - Ph 6.5
Ewan MacColl and Peggy Seeger - Song of Choice
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Tedeschi Trucks Band - Chicago Theatre - January 21, 2022
It has been two years and three days since my wife and I last went to a concert together, thanks to the virus whose name shall not be mentioned. We finally returned to the concert scene to see and hear the same band we last saw in January, 2020. Tedeschi Trucks Band play four shows at the Chicago Theatre every January, and we go to see them every year.
On the way to the show, we had dinner at Nepal House in Chicago’s Little India neighborhood. Influenced by Harald Baldr’s YouTube series of videos covering his trek along the Langtang Trail in Nepal, we had some delicious chicken momo as an appetizer and aloo ra seemi ko tarkari and aloo tama bodi for entrees. Perfect Himalayan sustenance for a cold January night in Chicago.
Susan Tedeschi came out in stage using crutches. She said, “Apparently I had too much fun last night. We were at the Green Mill (Chicago) and I was dancing and I tore my meniscus.” She had to sit for the entire show. They opened with a cover of The Beatles song I’ve Got A Feeling. It was so cool to hear that song performed live after recently watching the Get Back documentary. At the end of that song, they segued into one of my favorites, Don’t Let Me Slide. They always have a varied set list that includes many originals and covers. For this show, they went with many deep cuts, so I missed hearing a few of my favorites like Midnight In Harlem and Anyday (Derek and The Dominos cover). However, as usual, they played a fantastic show. A 12 piece jam band with Derek and The Dominos and Allman Brothers pedigree, the phenomenal vocals of Susan Tedeschi and Mike Mattison and the other-worldly guitar playing of Derek Trucks, the talent runs deep and the blended sound is pure euphoria. This band makes January in Chicago come alive.
Set 1:
1. I've Got a Feeling (The Beatles cover)
2. Don't Let Me Slide
3. Part of Me
4. Life Is Crazy (Mike Mattison cover)
5. High & Mighty
6. Don't Keep Me Wonderin' (The Allman Brothers Band cover)
7. Ball and Chain
8. Outside Woman Blues (Blind Joe Reynolds cover)
9. Idle Wind
Set 2:
10. Bell Bottom Blues (Derek and the Dominos cover)
11. Why Does Love Got to Be So Sad? (Derek and the Dominos cover)
12. When Will I Begin
13. Anyhow
14. Gin House Blues (Bessie Smith cover)
15. Just Won't Burn (Susan Tedeschi song)
16. Made Up Mind
17. Angel From Montgomery (John Prine cover)
18. Helpless (Crosby, Stills, Nash & Young cover)
19. That Did It (Bobby “Blue” Bland cover)
Encore:
20. Bound for Glory
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Ben Hardy x Reader Headcannons, LONG.
This was originally titled “Ben x American!Reader” but idk how I feel about that, America’s lame. So, if you’re not an American, sorry, there are still some references to that, but otherwise it’s pretty generalized. Sorry! Nobody asked for this butttttt
- You probably met through Joe during Bohemian Rhapsody
- When Joe met Ben, he just knew you two would get along
- So he called you and insisted you visit him in London
- “What?? Why??”
- “There’s someone here I need you to meet”
- He flew you out a week later, when they were doing the farm/Love of My Life/Bohemian Rhapsody scenes
- He was so excited to see you, he rushed off the set to pick you up and twirl you around in a hug
- “Y/N! You’re here!”
- “Of course I’m here, I wouldn’t miss an opportunity to see Europe with you old friend!”
- You catch Ben’s eye immediately
- Joe introduces you to the rest of the cast, saving him for last
- When you’re finally formally introduced, he can’t take his eyes off you
- He’s in his wig and the blue button up, which is surprisingly silky
- You find this out when you greet him with a hug, it’s warm and inviting
- He smells lightly of cigarettes, but also of cologne
- When you pull back, his arm lingers on your shoulder, a shy smile on his face
- You come to the set everyday with Joe, for “encouragement”
- But it’s really just so you can keep his chair warm (but it’s ineffective because the UK do be cold)
- Ben notices this as the shooting goes on, and starts bringing an extra hoodie or jacket everyday, even when they move locations
- He smiles when he sees your face light up
- “You brought this, for me?”
- “I saw you shivering yesterday, and since Joe is making you sit here all day, I thought I might as well try to make you less miserable.”
- “Aw, thank you!”
- He likes when you give it back to him at the end of the day, because by then it smells like you
- You take turns bringing each other tea/coffee/hot chocolate (although it’s mostly you bringing it)
- The rest of the BoRhap Boys make fun of you two alllll the time
-Lucy’s kind of your closest confidante
- One day towards the end of shooting, you run into her trailer where she’s packing up her bags
- You’re wearing one of Ben’s navy blue hoodies
- It’s way too big for you, but you’re so warm and toasty you don’t even care
- “Lucy!”
- “What?! Is something wrong?”
- You’re giggling like a fiend
- “I need you to hide me”
- “What?”
- “I stole something from Joe and now he’s after me”
- “What did you take?”
- She’s asking you questions but she’s already moving things around so you can hide behind the small couch in the trailer
- It doesn’t take long for Joe to come pounding on the door
- “I know she’s in there! Let me in!”
- “Whom? I don’t know who you’re talking about.”
- “Y/N!!!”
- Eventually he makes it into the trailer, immediately moving things around trying to find you
- You’re trying super hard not to giggle
- Ben sees Lucy standing in the doorway of the trailer and hears Joe’s yelling
- “What’s going on?” He asks as he walks up to her
- “Joe’s mad at Y/N because she took his picture of him and you from his make up station.”
- Ben smirks and walks into the trailer, watching Joe tickle you while you’re squealing on the couch
- “Give it back!”
- “But... ah!... but you both look so cute in it! Please!”
- “No! Get your own cute picture with Ben!”
- Ben starts cracking up, approaching you two
- Joe looks up at him, knowing about both of you and your feelings for each other
- “We can take a cute picture if you want, Y/N”
- You calm down your breathing, sit up, sigh, and reach into the pocket of the hoodie
- “Fine, here” You say, feigning defeat
- Joe takes it and victoriously kisses it, patting Ben’s shoulder
- “I’m gonna get that fucking picture...” You mutter
- And you do, eventually
- You get many, many cute pictures and polaroids
- At the wrap party after the last day of shooting, Ben asks if you’ll be going back to America soon
- You tell him that you don’t have a return flight set up yet, but that you’ll probably have to go sometime soon
- He asks you on a few dates, and it goes really well
- But unfortunately you have to go back home
- It’s a sad goodbye, but Ben insists that he’s going to call you everyday
- And he does
- Once a month he sends you a bouquet of your favorite flowers, always around the time of your period
- He leaves little notes/cards with them, usually along the lines of
a. “Hello love, hope you’re doing alright this week, I know it’s not the best.”
b. “I’m thinking of you! Stay warm, let me know if you want another sweater.”
- Among other cute things.
- When award show season comes around, he doesn’t even pretend to get a hotel room
- “So, is your apartment ready for me?”
- “It’s been ready for you! For months!”
- The only downside is that he wasn’t able to bring Frankie
- You guys rock the red carpet together
- He can’t keep his hands off you, constant compliments
- He’s v protective of you, holding/covering your drink when you go to the bathroom
- You know that video of him and Joe at the 7/11???
- Yeah, you’re sitting in the car with Lucy, Rami, and Gwilym waiting for Ben to bring you out a fresh cup of coffee
- “You two took forever. You’re not allowed to go on food runs anymore!”
- The entire cast and you probably get drunk off your asses at Rami’s house, the ultimate after party.
- You probably wake up in a spare bedroom in his button down
- He’s next to you, breathing softly
- His hair’s a mess and yours is too (not like a, “we fucked last night” but more of a, “we did some dumb shit last night”)
- You get up before him and bring him a cup of coffee with just the right amount of cream
- When you go downstairs, you see the rest of the cast, sprawled out on couches, making you smile
- Everyone complains about the noise, but they quiet down when you distribute cups of coffee and aspirin.
- Joe doesn’t even open his eyes when you set his down on the coffee table in front of him, he just says, “thank you Mom”
- Once you get back to the room Ben and you shared last night he’s stirring
- “Oh, there you are, beautiful”
- You softly tell him to shut up and hand him his coffee
- You run a hand through his hair when he groans about the sunlight coming through the blinds
- He kisses your knuckles after a few sips and complains about his pounding head
- Eventually you say goodbye to everyone and catch an uber back to your apartment
- He falls asleep on your shoulder on the way back
- He leaves a few days later to start shooting for Six Underground
- It’s a sad goodbye (again) but you get through it
- He does his best to call you when possible, and even introduces you to Ryan Reynolds, who makes fun of how he talks about you all the time
- He flies you out to Italy, where you scold him the entire time and tell him to be careful during all of his stunts
- “Stop it! sLOW DOWN!”
- “Babe I gotta do it for the shot, let me practice before we film”
- “Be careful though!”
- He’s an utter dork about it and winks at you while he’s practicing
- He even winks at you and sticks his tongue out during one of the shots, which makes the editors in post roll their eyes months later when they’re going through the footage
- Somehow you wind up rolling your ankle ???
- You’re sight-seeing with him and you’re walking down some steps and ??
- He catches you and pouts when you insist that you’re fine while also hissing in pain when you walk on it
- So he carries you back to his hotel and makes you lay down on the bed
- You huff and complain but he kisses your forehead and you watch Netflix with him the rest of the day
- He takes good care of you, propping it up on a pillow while wrapping you in blankets
- He doesn’t even roll his eyes or smirk that much when you complain about the ice being too cold on your foot
- You order his favorite (spaghetti carbonara) and you make him watch The Office, the American version
- “No! I hate this! The British version came out first, that’s the original!”
- “Yeah but this one is better, also, I’m INJURED”
- He chuckles and boops your nose and says, “you’re lucky I love you so much”
- And that’s the first time he tells you he loves you !!!
- You stop mid noodle slurp with wide eyes and turn to him
- You blink a couple times, swallow, and tell him you love him too
- He smiles and puts an arm around you
- A few months after you go back home, you get a call from your boss
- They ask you if you’d like to work from home
- You mull it over, then ask them if working from home could be done from another country
- ... or continent....
- They tell you yes, and you call Ben nearly immediately
- “Heyyy baby, remember how you told me you loved me and would support me no matter what?”
- “Of course darling, what’s up?”
- “How would you feel if I... maybe... moved to London...?”
- He doesn’t even answer the question
- His voice gets super high and he flips out
- “Oh my god, really?!”
- “Do you want to stay with me? I promise, my flat’s clean”
- “Babe, Frankie misses you so much, when will you be here?”
- You chuckle and thank your bosses for the opportunity
- Your family isn’t in love with this decision, but they support you
- And they like/trust Ben enough to be okay with this
- Two months later you’re in London, luggage in hand
- You’re looking around the airport, kinda freaked out
- He finds you in baggage claim, taking you into a bigggg hug
- He won’t stop kissing you !!
- “You’re *kisses* so *kisses* beautiful!”
- “Ugh babe stop I just got off a plane, I know I look like crap”
- “No. You’re absolutely radiant.”
- He helps you with your bags and takes them out to his car
- The entire times he’s holding your hand and telling you how excited he is
- Your first night there he insists on taking you to his favorite takeout restaurant
- It becomes a weekly tradition; takeout every tuesday
- Months go by and the pandemic hits
- Luckily his shooting for Pixie is done by then
- But he’s still bored and on edge
- You guys watch the news, but after a while it just becomes too depressing
- You sleep in a LOT together
- normally he’s not a morning person anyways, but any semblance of a schedule is now gone
- One time you see an ad on the tele about animals more in need
- Frankie’s sitting on your lap and you’re rubbing her ears
- “Do you want a friend, Frank?”
- She just looks up at you with big eyes
- “We should get a cat.” You announce
- “A cat? Are you crazy?”
- “I dunno, I kind of want a cat.”
- He just sort of nods slowly, averting his eyes back to the tv
- A couple days later when you come back from the store you can’t find him
- “Hon? Where’d you go?”
- You hear some shuffling and moving around coming from your shared bedroom
- “Shh shh no, hush, don’t chew on that, your mum will be so mad if you ruin her lamp”
- “Ben?”
- “Y/N! Hi love, come in, come in!”
- You open the door and you see him sitting on the floor with a little black and white kitten on the floor in front of him
- You squeal and drop to your knees
- The kitten immediately takes to you, purring while you pet it
- “What should we name her?”
- It takes the two of you a couple of hours to figure out a name
- But you settle on Mariposa, because it almost looks like she’s got butterfly wings on her back
- Mariposa and Frankie actually get along really well !!
- At first they were afraid of each other, but after having them both for two weeks Mariposa is more than comfortable cuddling with Frankie on one of her doggy beds
- Ben complains every now and then about “all the estrogen” in his flat, but you just throw a pillow at him
- “You chose Mari! And Frankie! AND ME!”
- Speaking of throwing pillows
- That’s kind of your thing when there’s not any hot tea or coffee around
- When one of you says something inherently stupid,
- BOOM
- Pillow’s thrown at the other
- Sometimes this leads to pillow and tickle fights (which somehow he always wins)
- And yeah, that’s kind of the only two kinds of fights you guys have
- Sometimes there are definitely cultural differences or perspectives, but you usually are able to contain those disputes enough to where no one’s voice is raised and there isn’t any lingering animosity
- Ben is aware that you two are different people from different upbringings, and is mature enough to realize that you won’t agree on everything
- BUT that is a great way to push each of you out of your comfort zones
- Your relationship is by no means perfect
- Especially in the beginning when it was rare for you to see each other when you weren’t on Face Time.
- There were ups and downs and very hard times of just... missing him
- But through that entire journey, you never felt as if you weren’t meant to be
- You knew that Ben was a hot commodity and as a growing actor he would be getting a lot of attention for how talented and attractive he is
- And he knows you get a little worried/insecure/jealous sometimes, so he goes out of his way to show a little bit of extra PDA towards you when he feels it’s appropriate
- All in all, he just wants you to know that he thinks you’re the real star of the relationship
- His star, anyways
- And while he’s done his best to take it slow, holding off on saying “I love you” too soon because he wanted it to mean a lot
- He’s got something in the works
- A little velvet box that he puts in every pair of pants, because you never know when the right moment arrives
- He’s so nervous, too
- There have been so so so so many times during quarantine that he’s wanted to just pop the question
- But he knows he’s got to have just a little bit of patience
- Then, one day, it comes
- You’re nauseous as you look at the two parallel lines on the test
- You’re freaking out, you have no idea what to do
- If Ben even wants kids
- If you even want to keep it
- You slide down against the bathroom wall, feeling v clammy
- After ten minutes, Ben knocks on the door
- “Love? You alright?”
- “I-um, yeah, one second!”
- You stand up, hands trembling and open the door
- He’s standing there, a worried look on his face
- “What’s wrong, sweetheart?”
- You hand him the test
- “Sorry, it’s kind of unsanitary.”
- This gets a chuckle out of him
- It’s hard to read his expression, but you can see he’s trying to hide a smile
- “Hold on, stay right there princess”
- He disappears into your bedroom and you’re just standing in the doorway like ??? what is he up to ???
- A moment later he comes back and gets on one knee and you’re just... flabbergasted
- It takes you a second to comprehend what just happened, but you say yes (duh)
- He’s so excited
- He kisses your forehead and then your tummy
- He insists, and nearly begs to go with you to every OB/GYN appointment
- You let him drive you there, and even in the earliest stages of the pregnancy, he’s got an arm on your womb the wholeeee time
- At first you told the doctor you didn’t want to know the gender
- But then she told you that you’d be having twins
- TWINS
- So you were like, “fine okay just tell us”
- Ben looks like he’s about to faint when the doctor tells you they’re girls
- On the car ride back he’s joking the whole time
- “Oh my god the amount of ESTROGEN I’ll be dealing with is ASTRONOMICAL”
- The two of you have no idea what to name them
- You ask Lucy and Rami, who are trying to conceive
- The entire BoRhap cast is sending you suggestions alllllll the time, at any hour of the day
- Joe wants you to name them Josefina and Frances since he’s the one who brought you two together
- But you’re also planning a wedding simultaneously
- You decide it’s going to be a very, very small and soon ceremony
- The only people there are your very closest friends and family
- Tbh the most expensive element was probably your dress
- You get married two months after your engagement
- And go through a very rigorous pregnancy
- The twins are born with slight complications, which makes Ben worry about you the whole time
- You end up naming them Ilsa and Delia, both beautiful and healthy
- They for sure have Ben’s green eyes and your hair
- And yeah
- Life isn’t perfect, but it’s pretty damn close
- Ben loves you and all his girls
- Because you’re his girls
- He’s a good and compassionate father, and his parents love to babysit for you
- And if there’s such thing as a happily ever after,
- This is it.
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1:57 AM EST December 10, 2023:
Pat Travers - "Outside Woman Blues"
From the album Blues Tracks Volume 2
(1998)
Last song scrobbled from iTunes at Last.fm
As credited to Blind Joe Reynolds, and made most famous by Cream, on Disraeli Gears. Travers pretty much sticks with Clapton's arrangement, and adds a sort of '80's metal patina--but it's not too slick, and goes down well.
File under: Bulldog Songs
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2019 In TV - My Top 10 Shows
This past year may have sucked balls in a lot of ways, but we certainly never got short-changed when it came to our TV. There was an absolute WEALTH of truly cracking TV around, both on regular networks and on the various on-demand platforms, and so here is my pick of the best, my absolute favourites of 2019.
10. WATCHMEN
Lost co-creator Damon Lindelof brings us a blinding sequel to comic book legend Alan Moore’s legendary graphic novel with a delightfully trippy, ruthlessly efficient rug-puller that seems pretty tailor-made for HBO. Old faces return in interesting ways, while there are some cracking new “masks” on offer, particularly Regina King’s Sister Night and the always-brilliant Tim Blake Nelson as morally complex antihero Looking Glass (in some ways very much the show’s own answer to Rorschach). It never goes where you expect it to go, and refuses to give easy answers to the questions it raises, effortlessly paving the way for more next year ...
9. THE BOYS
Amazon offers up its own edgy, thoroughly adult superhero property with this darkly funny antiheroic gem based on the cult Garth Ennis comic, expertly adapted by Supernatural creator Eric Kripke. Karl Urban dominates as Billy Butcher, the foul-mouthed, morally bankrupt “leader” of a makeshift crew of mercenaries, hitmen and psycho killers devoted to “taking care of” superheroes when they inevitably go bad. Season 1 ultimately serves as an origin story, showing how the team come together, laying quality groundwork for the incoming sophomore tour that promises to open the already fascinating world out significantly.
8. PREACHER (SEASON 4)
More Garth Ennis, namely this blinder of a closing season for AMC’s consistently impressive adaptation of his best known series for Vertigo comics. Surprisingly epic, deliciously subversive and constantly, darkly hilarious, this thoroughly non-PC series from showrunners Sam Catlin, Evan Goldberg and Seth Rogen (yes! I Know!) certainly went out on a high note, providing its loyal followers with perfectly-pitched bow-outs and sometimes heartbreaking goodbyes for all its players, especially its dynamite leads, Dominic Cooper, Ruth Negga and, in particular, Joe Gilgun as unapologetic bad boy vampire Cassidy. A worthy end to one of my all-time favourite TV shows.
7. THE WITCHER
While it’s clearly taken its look from the wildly successful video games, Netflix’s second most ambitious long-form offering of the year takes its lead from the fantasy book series by Polish author Andrzej Sapkowski that started it all. With its somewhat episodic set-up and decidedly twisted narrative timelines, it take a few chapters to get the hang of it, but there’s plenty to draw you in, from the exotic world-building to the frenetic action and compelling collection of richly crafted characters. Henry Cavill is the titular hero, lovably grouchy mutant monster-hunter Geralt of Rivia, but the real scene-stealer is co-star Anya Chalotra as roguishly self-serving mage Yennefer of Vengenberg.
6. CARNIVAL ROW
One of the year’s two big sleeper hit TV surprises for me was this inventively offbeat allegorical Amazon fantasy series from The 4400 creator René Echevarria and screenwriter Travis Beacham. Orlando Bloom and Cara Delevigne are the star-crossed lovers at the heart of this intriguingly dark and dirty murder mystery thriller set in Victorian London-esque city-state the Burgue, in which humans struggle to co-exist alongside a struggling disenfranchised underclass of fae (fairies, fawns, centaurs and the like). The racial turmoil undertones are writ large throughout, but this is far more well-written and lavishly appointed than you might expect on first glance, and almost ridiculously addictive viewing.
5. LOVE, DEATH + ROBOTS
My other big TV surprise was this wonderfully bizarre sci-fi anthology series of animated shorts from Netflix, mostly adapted from an eclectic selection of short stories from a wide range of top-notch literary talent including Peter F. Hamilton, John Scalzi, Marko Kloos and Alastair Reynolds (a particular favourite of mine). As you’d expect from the brainchild of Deadpool director Tim Miller and producer David Fincher, this is edgy, leftfield stuff, frequently ultra-violent and decidedly adult, and the wildly varied nature of the material on offer makes for a decidedly uneven tone, but there are some absolute gems on offer here, my favourite being Suits, an enjoyably simple tale of salt-of-the-earth farmers on an alien world utilising clunky mech suits to protect their settlement from rampaging giant xeno-bugs.
4. THE DARK CRYSTAL: AGE OF RESISTANCE
The show with the biggest cinematic wow factor in 2019 had to be this long-awaited prequel series to Jim Henson’s classic fantasy movie masterpiece, created for Netflix by, of all people, Louis Leterrier (yes, the director of The Transporter, Now You See Me and Clash of the Titans, if you can believe it). The technology may have evolved in leaps and bounds, but there’s a wonderfully old school vibe in the delightfully physical puppet effects used to bring the fantastical world of Thra and its denizens to life, so that it truly does feel like it’s based in the same world as the film. This was EASILY the most visually arresting show of 2019, packed with exquisite character, creature and set design that perfectly complements the awesome work done by Henson and Brian Froud on the original, while the writers have created a darkly rich narrative tapestry that makes Thra seem a more dangerous place than ever.
3. THE UMBRELLA ACADEMY
I was a HUGE fan of My Chemical Romance frontman Gerard Way’s magnificently oddball alternative superhero comic, so when I learned that Netflix were adapting it I was a little wary because I knew how spectacularly hard it would be for ANY showrunners to get right. Thankfully Steve Blackman (Fargo season 2) and Jeremy Slater (The Exorcist TV series) were the right choice, because this perfectly captured the outsider nature of the characters and their endearingly dysfunctional family dynamic. Ellen Page, Tom Hopper (Black Sails, Merlin), David Castañeda and Emmy Raver-Lampman are all excellent as the more “functional” Hargreeves siblings, but the show is roundly stolen by Misfits star Robert Sheehan and Nicky, Ricky, Dicky & Dawn’s Aidan Gallagher as nihilistic clairvoyant Klaus and the old-man-in-a-child’s-body sociopath known only as Number Five. Consistently surprising and brilliantly bonkers, this was definitely the year’s most wonderfully WEIRD show.
2. STRANGER THINGS (SEASON 3)
Writer-director duo the Duffer Brothers’ ultra-nostalgic 80s-set coming-of-age sci-fi horror series remains the undisputed jewel in Netflix’s long-form crown with this consistently top-drawer third season expertly maintaining the blockbuster-level standards we’ve come to expect. This year the cross-dimensional shenanigans have largely been jettisoned, replaced by a gleefully nasty through-line of icky body horror that would make major influences like David Cronenberg and Stuart Gordon proud, as perennial teenage bad boy Billy Hargrove (the fantastically menacing Dacre Montgomery) becomes the leader of an army of psychic slaves under the control of the Upside Down’s monstrous Mind Flayer. The kids are all brilliant as always, Winona Ryder and David Harbour really get to build on their strong-yet-spiky chemistry, and the show is almost effortlessly stolen by Joe Keery as one-time golden boy Steve Harrington and series-newcomer Maya Hawke as his nerdy new foil Robin Buckley, who were very nearly the cutest couple on TV in 2019. Another gold standard season for a true gold standard show.
1. GOOD OMENS
Sadly, legendary author Terry Pratchett died before he could see the adaptation of one of his most beloved novels (and one of my all-time literary favourites too) see the light of day, but at least his co-author Neil Gaiman was around to bring it to fruition with the aid of seasoned TV director David Mckinnon (Jekyll, Doctor Who, Sherlock), and the end result sure did him proud, perfectly capturing the deeply satirical voice and winningly anarchic, gleefully offbeat and gently subversive humour of the original novel. David Tennant and Michael Sheen could both have been born to play Crowley and Aziraphale, the angel and demon nominally charged with watching over the young Antichrist in preparation for his role in the End Times, even though they would both much rather the world just went on quite happily the way it is, thanks very much. This is about as perfect an adaptation as you can get, the six hour-long episodes giving the surprisingly complex story time to breathe and grow organically, and the result is the most fun I spent in front of my TV this year.
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PLEASE READ !!!
Taking Page From Authoritarians, Trump Turns Power of State Against Political RivalsDavid E. Sanger,The New York Times•October 11, 2020The south side of the White House in Washington, on Saturday, Oct. 10, 2020, as viewed from the Ellipse. (Stefani Reynolds/The New York Times)President Donald Trump’s order to his secretary of state to declassify thousands of Hillary Clinton’s emails, along with his insistence that his attorney general issue indictments against Barack Obama and Joe Biden, takes his presidency into new territory — until now, occupied by leaders with names like Putin, Xi and Erdogan.Trump has long demanded — quite publicly, often on Twitter — that his most senior cabinet members use the power of their office to pursue political enemies. But his appeals this week, as he trailed badly in the polls and was desperate to turn the national conversation away from the coronavirus, were so blatant that one had to look to authoritarian nations to make comparisons.He took a step even Richard Nixon avoided in his most desperate days: openly ordering direct immediate government action against specific opponents, timed to serve his reelection campaign.“There is essentially no precedent,” said Jack Goldsmith, who led the Justice Department’s Office of Legal Counsel under President George W. Bush and has written extensively on presidential powers. “We have a norm that developed after Watergate that presidents don’t talk about ongoing investigations, much less interfere with them.”“It is crazy and it is unprecedented,” said Goldsmith, now a professor at Harvard Law School, “but it’s no different from what he has been saying since the beginning of his presidency. The only thing new is that he has moved from talking about it to seeming to order it.”Trump’s vision of the presidency has always leaned to exercising the absolute powers of the chief executive, a writ-large version of the family business he presided over. “I have an Article II,” he told young adults last year at a Turning Point USA summit, referring to the section of the Constitution that deals with the president’s powers, “where I have the right to do whatever I want as president, but I don’t even talk about that.”Now he is talking about it, almost daily. He is making it clear that prosecutions, like vaccines for the coronavirus, are useless to him if they come after Nov. 3. He has declared, without evidence, that there is already plenty of proof that Obama, Biden and Clinton, among others, were fueling the charges that his campaign had links to Russia — what he calls “the Russia hoax.” And he has pressured his secretary of state to agree to release more of Clinton’s emails before the election, reprising a yearslong fixation despite having defeated her four years ago.Presidential historians say there is no case in modern times where the president has so plainly used his powers to take political opponents off the field — or has been so eager to replicate the behavior of strongmen. “In America, our presidents have generally avoided strongman balcony scenes — that’s for other countries with authoritarian systems,” Michael Beschloss, the presidential historian, wrote on Twitter after Trump returned from the hospital where he received COVID-19 treatment and removed his mask, while still considered contagious, as he saluted from the White House balcony.Long ago, White House officials learned how to avoid questions about whether the president views his powers as fundamentally more constrained than those of the authoritarians he so often casts in admiring terms, including Vladimir Putin of Russia, Xi Jinping of China and Recep Tayyip Erdogan of Turkey. They have something in common: Trump’s State Department has criticized all three for corrupting the justice systems in their countries to pursue political enemies.Pompeo has always bristled when reporters have asked him to explain what the world should believe when it reads Trump’s most authoritarian-sounding tweets. He answers that what distinguishes the United States is that it is a “rule of law” nation, and then often turns the tables on his questioners, charging that even raising the issue reveals that the reporters are partisans, not journalists, intent on embarrassing Trump and the United States.But his anger is often wielded as a shield, one that keeps him from publicly grappling with the underlying question: How can Washington take on other authoritarians around the world — especially China, Pompeo’s nemesis — for abusing state power when the president of the United States calls for political prosecutions and politically motivated declassifications?“We’ve never seen anything like this in an American election campaign,” said R. Nicholas Burns, a former undersecretary of state who is now an informal adviser to Biden. “It reduces our credibility — we look like the countries we condemn for nondemocratic practices before an election.”“I have worked for nine secretaries of state,” Burns said. “I cannot imagine any of them intervening in an election as blatantly as what we are seeing now. Our tradition is that secretaries of state stay out of elections. If they wanted to release Hillary Clinton’s emails, they could have done it in 2017, 2018 or 2019. It is an abuse of power by Donald Trump and Mike Pompeo.”Another career diplomat who served as both ambassador to Russia and deputy secretary of state, William J. Burns, said that what Trump had ordered is “exactly the kind of behavior I saw so often in authoritarian regimes in many years as an American diplomat.”“In dealing with Putin’s Russia or Erdogan’s Turkey, we would have protested and condemned such actions,” he said. “Now it’s our own government that’s engaging in them.“The result,” said Burns, now the president of the Carnegie Endowment for International Peace, “is the hollowing out of our institutions at home and deep corrosion of our image and influence abroad.”In the current cases, it is unclear whether Trump will get his wish — or whether his loyal appointees will slow-walk his requests. There is some evidence they are already looking for escape hatches.Pompeo, the administration’s most conspicuous ideologue, Trump’s most vocal loyalist and a lawyer, was clearly taken aback when the president expressed displeasure, saying he was “not happy” that the State Department had not released emails sent through Clinton’s home server.“You’re running the State Department, you get them out,” the president told Fox Business in an interview this week. “Forget about the fact that they were classified. Let’s go. Maybe Mike Pompeo finally finds them.”Pompeo, one of his aides said Saturday, was in a box: The complaint about Clinton’s home server was that she was risking exposing classified emails by not using the State Department email system — a system Russia had already infiltrated — yet Trump was demanding that they be released in full. Just days before, he had announced, over Twitter, that he was using his executive power to declassify all of them, without redactions.“We’ve got the emails,” Pompeo responded on Fox News. “We’re getting them out. We’re going to get all this information out so the American people can see it.”But he also hinted that many of Clinton’s emails, mostly those that were stored on the State Department’s own system, have already been posted on the agency’s website, after an unusually diligent effort by the department to respond to Freedom of Information Act requests from Trump’s supporters. (They are often heavily redacted — to the point of containing no content — despite the president’s order to the contrary.)“We’re doing it as fast as we can,” Pompeo told Dana Perino, a Fox News anchor who once served as President Bush’s press secretary. “I certainly think there’ll be more to see before the election.”Pompeo clearly understands the problem: Even if he makes all of them public, they are unlikely to satisfy the president. Last year, the State Department’s own inspector general found that while Clinton had risked compromising classified information, she did not systematically or deliberately mishandle her emails.William Barr may face an even greater challenge in satisfying the president. No attorney general since John Mitchell, who served Nixon and brought conspiracy charges against critics of the Vietnam War, bent the Justice Department more in a president’s direction. And Nixon himself, while urging the IRS to audit political opponents, stopped short of publicly calling for individual prosecutions. Yet in February, Barr told ABC News that Trump “has never asked me to do anything in a criminal case.” At the same time, he complained that the president’s tweets about the Justice Department “make it impossible for me to do my job.”Now, clearly, the president has asked Barr to act in a criminal case — and not in a quiet phone call. Instead, he did it on Twitter and Fox News, expressing his deep disappointment with his second attorney general, for essentially the same reason he fired his first one, Jeff Sessions: insufficient blind loyalty.His complaint appears to have been driven by Barr’s warning to the White House and other officials that there are likely to be no indictments before the election from the investigation being run by John Durham, the U.S. attorney in Connecticut. Durham is searching for evidence that the inquiry into Russia was a politically motivated effort to undercut his presidency.Trump says the case is clear-cut. He told Rush Limbaugh, the conservative radio host to whom he gave the Presidential Medal of Freedom during the last State of the Union address, that Durham has had “plenty of time to do it.”“Unless Bill Barr indicts these people for crimes — the greatest political crime in the history of our country — then we’ll get little satisfaction, unless I win,” Trump said on Fox Business.“If we don’t win,” he said, “that whole thing is going to be dismissed.”This article originally appeared in The New York Times.© 2020 The New York Times Companynytimes.comTaking Page From Authoritarians, Trump Turns Power of State Against Political RivalsPresident Trump took a step even Richard M. Nixon avoided in his most desperate days: openly ordering direct, immediate government action against specific opponents, timed to serve his re-election campaign.
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The Best of Soft Rock: More Than A Feeling
SONG TITLE ARTIST TIME
Lowdown Boz Scaggs 5:18
Whenever I Call You “Friend” Kenny Loggins 3:18
Piano Man Billy Joel 5:40
Longer Dan Fogelberg 3:18
Miracles Jefferson Starship 3:33
Lost in Love Air Supply 3:55
More Than I Can Say Leo Sayer 3:39
Rosanna Toto 4:03
More Than a Feeling Boston 3:26
Take It on the Run REO Speedwagon 3:37
Make Me Lose Control Eric Carmen 4:48
Total Eclipse of the Heart Bonnie Tyler 5:35
Living Inside Myself Gino Vannelli 4:25
The Flame Cheap Trick 4:50
Sara Starship 4:23
SONG TITLE ARTIST TIME
Livin’ Thing Electric Light Orchestra 3:34
This Is It Kenny Loggins 3:59
Africa Toto 4:59
Eye In The Sky Alan Parsons Project 4:35
Look What You’ve Done to Me Boz Scaggs 5:18
You’ve Lost That Lovin’ Feeling Daryl Hall & John Oates 4:36
All Out Of Love Air Supply 4:03
Can’t Fight This Feeling REO Speedwagon 4:55
The Search Is Over Survivor 4:14
All by Myself Eric Carmen 7:11
Without You Harry Nilsson 3:21
Year of the Cat Al Stewart 6:38
Dust in the Wind Kansas 3:27
Vincent Don McLean 4:01
Please Come to Boston David Loggins 4:09
SONG TITLE ARTIST TIME
Baby I’m-a Want You Bread 2:32
A Horse with No Name America 4:09
Diamond Girl Seals & Crofts 4:04
I Saw the Light Todd Rundgren 3:01
Blinded by the Light Manfred Mann's Earth Band 3:51
It Might Be You Stephen Bishop 4:14
She’s Gone/Sara Smile/Rich Girl Hall & Oates 3:29
Minute By Minute The Doobie Brothers 3:28
Sentimental Lady Bob Welch 3:46
How Much I Feel Ambrosia 4:44
Everybody’s Got To Learn Sometime The Korgis 4:12
If You Leave Me Now Chicago 3:57
Sailing Christopher Cross 4:17
Waiting For A Girl Like You Foreigner 4:52
Against All Odds Phil Collins 3:25
SONG TITLE ARTIST TIME
Ride Like the Wind Christopher Cross 4:32
Saturday in the Park Chicago 3:57
Sister Golden Hair America 3:20
You’re So Vain Carly Simon 4:18
If Bread 2:35
Ooh Baby Baby Linda Ronstadt 2:42
Him Rupert Holmes 3:40
You Are the Woman Firefall 2:45
All I Need Jack Wagner 3:32
Walking In Memphis Marc Cohn 4:19
Making Love Out Of Nothing At All Air Supply 5:01
I Want to Know What Love Is Foreigner 5:00
The Living Years Mike + the Mechanics 5:33
Drive The Cars 3:57
One More Night Phil Collins 4:48
I’ll Be There The Escape Club 4:57
SONG TITLE ARTIST TIME
Summer Breeze Seals & Crofts 3:26
Key Largo Bertie Higgins 3:19
Make It with You Bread 3:12
Does Anybody Really Know What Time It Is? Chicago 3:22
Dream Weaver Gary Wright 4:18
Hello It’s Me Todd Rundgren 3:52
Sara Smile Daryl Hall and John Oates 3:12
Chuck E.’s In Love Rickie Lee Jones 3:28
Black Water The Doobie Brothers 4:16
Still the One Orleans 3:56
Hurt So Bad Linda Ronstadt 3:18
Cool Change Little River Band 4:08
Biggest Part Of Me Ambrosia 5:27
Never Be the Same Christopher Cross 4:41
You Can Do Magic America 3:57
SONG TITLE ARTIST TIME
The Guitar Man Bread 3:45
Tin Man America 3:27
Wildfire Michael Martin Murphey 4:50
25 or 6 to 4 Chicago 4:52
Lotta Love Nicolette Larson 2:43
What a Fool Believes The Doobie Brothers 2:27
Steal Away Robbie Dupree 3:31
You’re the Only Woman Ambrosia 4:22
Sexy Eyes Dr. Hook 3:00
Kiss You All Over Exile 3:30
Even the Nights Are Better Air Supply 3:59
Arthur’s Theme Christopher Cross 3:55
Dance with Me Orleans 3:21
Beautiful in My Eyes Joshua Kadison 4:10
Black Velvet Alannah Myles 4:48
SONG TITLE ARTIST TIME
California Dreamin’ The Mamas & The Papas 2:54
Kokomo The Beach Boys 3:36
Ventura Highway America 3:32
Listen to the Music The Doobie Brothers 3:27
I Can See Clearly Now Johnny Nash 2:43
It Never Rains in Southern California Albert Hammond 3:38
Thank You For Being A Friend Andrew Gold 4:45
Everything I Own Bread 3:07
When Will I Be Loved Linda Ronstadt 2:10
I Keep Forgettin’ Michael McDonald 3:41
Baby Come Back Player 2:16
Circle in the Sand Belinda Carlisle 4:27
Hold On Wilson Phillips 3:41
I’ll Be Over You Toto 3:50
Just the Way It Is, Baby The Rembrandts 4:09
SONG TITLE ARTIST TIME
We Don’t Talk Anymore Cliff Richard 4:13
Baker Street Gerry Rafferty 2:13
When Your in Love with a Beautiful Woman Dr. Hook 2:56
Fool (If You Think It’s Over) Chris Rea 3:33
You’re No Good Linda Ronstadt 3:46
Reminiscing Little River Band 3:17
The Air That I Breathe The Hollies 4:12
Sad Eyes Robert John 1:55
I Go Crazy Paul Davis 5:23
Hearts Marty Balin 4:19
These Dreams Heart 4:17
Jessie Joshua Kadison 4:22
Release Me Wilson Phillips 3:54
The Doctor The Doobie Brothers 3:45
SONG TITLE ARTIST TIME
Maggie May Rod Stewart 5:15
Higher and Higher Rita Coolidge 4:01
Whatcha Gonna Do? Pablo Cruise 4:15
I’m in You Peter Frampton 4:11
Drift Away Dobie Gray 3:56
More Love Kim Carnes 3:37
Babe Styx 4:01
Into The Night Benny Mardones 4:31
It’s a Heartache Bonnie Tyler 3:45
While You See a Chance Steve Winwood 4:06
Show Me the Way Peter Frampton 2:30
Fooled Around and Fell in Love Elvin Bishop 4:37
Lonesome Loser Little River Band 3:54
I’m Not in Love 10 CC 6:07
I Just Wanna Stop Gino Vannelli 3:37
SONG TITLE ARTIST TIME
Daniel Elton John 3:53
I Need You America 3:07
I Can Dream About You Dan Hartman 4:11
Escape Rupert Holmes 3:54
I’d Really Love to See You Tonight England Dan & John Ford Coley 2:38
On and On Stephen Bishop 3:01
Tempted Squeeze 4:01
The Things We Do For Love 10 CC 3:31
The Best of Times Styx 4:18
Cry Godley and Creme 3:55
Your Wildest Dreams The Moody Blues 4:51
Higher Love Steve Winwood 5:46
More Than Words Extreme 5:36
I’d Do Anything for Love Meat Loaf 5:17
Do You Feel Like We Do Peter Frampton 7:20
SONG TITLE ARTIST TIME
So In to You Atlanta Rhythm Section 4:23
Fly, Robin, Fly Silver Connection 3:50
Sentimental Lady Bob Welch 3:46
Show And Tell Al Wilson 3:29
Wild Flower The New Birth 3:59
Delta Dawn Helen Reddy 3:09
American Pie Don McLean 8:35
Rock Me Gently Andy Kim 3:29
Go All The Way The Raspberries 3:22
Mr. Big Stuff Jean Knight 2:49
Oh Babe, What Would You Say Hurricane Smith 3:26
Hooked On A Feeling Blue Swede 2:53
Having My Baby Paul Anka 2:33
Last Song Edward Bear 3:13
The Streak Ray Stevens 3:18
SONG TITLE ARTIST TIME
Rhinestone Cowboy Glen Campbell 3:16
Too Late To Turn Back Now Cornelius Brothers And Sister Rose 3:20
Boogie Fever The Sylvers 3:30
Reminiscing Little River Band 3:17
I Just Want To Celebrate Rare Earth 2:54
One Bad Apple The Osmonds 2:43
Have You Never Been Mellow Olivia Newton-John 3:33
Magic Pilot 3:05
Boogie Oogie Oogie A Taste of Honey 3:38
Right Back Where We Started From Maxine Nightingale 3:15
Sad Eyes Robert John 1:55
Gonna Fly Now Bill Conti 2:48
My Sharona The Knack 4:02
You Sexy Thing Hot Chocolate 4:05
Puppy Love Donny Osmond 3:06
SONG TITLE ARTIST TIME
Love Train The O'Jays 2:58
Knock Three Times Dawn 2:55
Brandy Looking Glass 3:04
Little Willy Sweet 3:12
Baby Don’t Get Hooked on Me Mac Davis 3:06
Take Me Home, Country Roads John Denver 3:13
It Never Rains in Southern California Albert Hammond 3:38
Brand New Key Melanie 2:26
Come and Get Your Love Redbone 3:32
More. More, More (Part 1) Andrea True Connection 3:02
I Can See Clearly Now Johnny Nash 2:43
Everybody Plays the Fool The Main Ingredient 3:22
Indian Reservation Paul Revere & The Raiders 2:52
The Cover of “Rolling Stone” Dr. Hook and the Medicine Show 2:55
When Will I See You Again The Three Degrees 3:00
SONG TITLE ARTIST TIME
Rich Girl Daryl Hall and John Oates 2:23
Lady Marmalade LaBelle 3:21
Best of My Love The Emotions 3:41
Fire The Pointer Sisters 3:28
Miracles Jefferson Starship 3:33
You Make Me Feel Like Dancing Leo Sayer 2:51
Here You Come Again Dolly Parton 2:58
Disco Lady Johnnie Taylor 4:25
Saturday Night Bay City Rollers 2:56
Rock On David Essex 3:26
Wildfire Michael Martin Murphey 4:50
You Take My Breath Away Rex Smith 3:15
I Go Crazy Paul Davis 5:23
Stumblin’ In Suzi Quatro and Chris Norman 3:31
Torn Between Two Lovers Mary MacGregor 3:44
SONG TITLE ARTIST TIME
Bad, Bad Leroy Brown Jim Croce 3:00
Don’t Pull Your Love Hamilton, Joe Frank & Reynolds 2:41
Love Will Keep Us Together Captain and Tennille with Neil Sedaka 3:24
Another Somebody Done Somebody Wrong Song B.J. Thomas 3:22
She’s A Lady Tom Jones 2:51
How Do You Do? Mouth & MacNeal 4:07
Black and White Three Dog Night 3:51
Escape Rupert Holmes 3:54
Drift Away Dobie Gray 3:56
It’s a Love Beat The DeFranco Family 3:09
I’m in You Peter Frampton 4:11
The Candy Man Sammy Davis, Jr. 3:10
Spiders & Snakes Jim Stafford 3:05
Billy, Don’t Be A Hero Bo Donaldson and the Heywoods 3:40
The Morning After Maureen McGovern 2:20
SONG TITLE ARTIST TIME
Gypsies, Tramps and Thieves Cher 2:36
Maggie May Rod Stewart 5:15
Baby Come Back Player 2:16
I Just Wanna Stop Gino Vannelli 3:37
Jackie Blue Ozark Mountain Daredevils 3:37
Higher And Higher Rita Coolidge 4:01
I’m Not in Love 10 CC 6:07
Y.M.C.A. Village People 3:45
Will It Go Round in Circles Billy Preston 3:46
I Just Want to Be Your Everything Andy Gibb 3:44
Do You Wanna Make Love Peter McCann 4:01
Signs Five Man Electrical Band 4:02
Disco Duck Rick Dees 3:14
Montego Bay Bobby Bloom 2:55
If I Can’t Have You Yvonne Elliman 3:00
SONG TITLE ARTIST TIME
Play That Funky Music Wild Cherry 3:16
One Toke Over the Line Brewer & Shipley 3:21
Afternoon Delight Starland Vocal Band 3:14
Life is a Rock Reunion 3:31
I Can Help Billy Swan 2:57
My Maria B.W. Stevenson 2:31
Magnet and Steel Walter Egan 3:25
Beach Baby First Class 2:42
The Rapper The Jaggerz 2:45
Brother Louie Stories 3:57
Precious and Few Climax 2:46
O-o-h Child The 5 Stairsteps 3:15
Playground in My Mind Clint Holmes 2:57
Put Your Hand In The Hand Ocean 2:53
Please Come to Boston David Loggins 4:09
SONG TITLE ARTIST TIME
Turn The Beat Around Vicki Sue Robinson 3:24
Ring My Bell Anita Ward 3:31
Sometimes When We Touch Dan Hill 2:22
Rose Garden Lynn Anderson 2:49
In The Summertime Mungo Jerry 3:37
Seasons in the Sun Terry Jacks 3:30
The Night Chicago Died Paper Lace 3:32
Rock The Boat Hues Corporation 3:09
Don’t Give Up on Us David Soul 3:39
Kung Fu Fighting Carl Douglas 3:17
Love Grows Edison Lighthouse 2:51
Sweet Mary Wadsworth Mansion 2:42
The Night the Lights Went Out in Georgia Vicki Lawrence 3:36
TSOP MFSB featuring the Three Degrees 3:35
Feelings Morris Albert 3:45
6 notes
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