#book con 2019

[aroaessidhe]

2023 reads

The Princess and the Fangirl

YA contemporary prince & the pauper set at a convention

follows a fan who wants to save her fave character from being killed off, and the actress playing her who’s desperate to be free of the intense franchise

when they’re mistaken for each other they instantly hate each other - but after a script is leaked, they swap places to try solve each of their problems - and start to see the fandom from the each other’s perspective

light (since they know each other for like 2 days) f/f & m/f

this is so deeply mid-2010s fandom tumblr. lmao.

[aidansplaguewind]

[thresholdbb]

Doing all these mental calculations about how much job I need to get maximum Star Trek

[mostlysignssomeportents]

Kickstarting a book to end enshittification, because Amazon will not carry it

My next book is The Internet Con: How to Seize the Means of Computation: it’s a Big Tech disassembly manual that explains how to disenshittify the web and bring back the old good internet. The hardcover comes from Verso on Sept 5, but the audiobook comes from me — because Amazon refuses to sell my audio:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

Amazon owns Audible, the monopoly audiobook platform that controls >90% of the audio market. They require mandatory DRM for every book sold, locking those books forever to Amazon’s monopoly platform. If you break up with Amazon, you have to throw away your entire audiobook library.

That’s a hell of a lot of leverage to hand to any company, let alone a rapacious monopoly that ran a program targeting small publishers called “Project Gazelle,” where execs were ordered to attack indie publishers “the way a cheetah would pursue a sickly gazelle”:

https://www.businessinsider.com/sadistic-amazon-treated-book-sellers-the-way-a-cheetah-would-pursue-a-sickly-gazelle-2013-10

[Image ID: Journalist and novelist Doctorow (Red Team Blues) details a plan for how to break up Big Tech in this impassioned and perceptive manifesto….Doctorow’s sense of urgency is contagious -Publishers Weekly]

I won’t sell my work with DRM, because DRM is key to the enshittification of the internet. Enshittification is why the old, good internet died and became “five giant websites filled with screenshots of the other four” (h/t Tom Eastman). When a tech company can lock in its users and suppliers, it can drain value from both sides, using DRM and other lock-in gimmicks to keep their business even as they grow ever more miserable on the platform.

Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

[Image ID: A brilliant barn burner of a book. Cory is one of the sharpest tech critics, and he shows with fierce clarity how our computational future could be otherwise -Kate Crawford, author of The Atlas of AI”]

The Internet Con isn’t just an analysis of where enshittification comes from: it’s a detailed, shovel-ready policy prescription for halting enshittification, throwing it into reverse and bringing back the old, good internet.

How do we do that? With interoperability: the ability to plug new technology into those crapulent, decaying platform. Interop lets you choose which parts of the service you want and block the parts you don’t (think of how an adblocker lets you take the take-it-or-leave “offer” from a website and reply with “How about nah?”):

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

But interop isn’t just about making platforms less terrible — it’s an explosive charge that demolishes walled gardens. With interop, you can leave a social media service, but keep talking to the people who stay. With interop, you can leave your mobile platform, but bring your apps and media with you to a rival’s service. With interop, you can break up with Amazon, and still keep your audiobooks.

So, if interop is so great, why isn’t it everywhere?

Well, it used to be. Interop is how Microsoft became the dominant operating system:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

[Image ID: Nobody gets the internet-both the nuts and bolts that make it hum and the laws that shaped it into the mess it is-quite like Cory, and no one’s better qualified to deliver us a user manual for fixing it. That’s The Internet Con: a rousing, imaginative, and accessible treatise for correcting our curdled online world. If you care about the internet, get ready to dedicate yourself to making interoperability a reality. -Brian Merchant, author of Blood in the Machine]

It’s how Apple saved itself from Microsoft’s vicious campaign to destroy it:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

Every tech giant used interop to grow, and then every tech giant promptly turned around and attacked interoperators. Every pirate wants to be an admiral. When Big Tech did it, that was progress; when you do it back to Big Tech, that’s piracy. The tech giants used their monopoly power to make interop without permission illegal, creating a kind of “felony contempt of business model” (h/t Jay Freeman).

The Internet Con describes how this came to pass, but, more importantly, it tells us how to fix it. It lays out how we can combine different kinds of interop requirements (like the EU’s Digital Markets Act and Massachusetts’s Right to Repair law) with protections for reverse-engineering and other guerrilla tactics to create a system that is strong without being brittle, hard to cheat on and easy to enforce.

What’s more, this book explains how to get these policies: what existing legislative, regulatory and judicial powers can be invoked to make them a reality. Because we are living through the Great Enshittification, and crises erupt every ten seconds, and when those crises occur, the “good ideas lying around” can move from the fringes to the center in an eyeblink:

https://pluralistic.net/2023/06/12/only-a-crisis/#lets-gooooo

[Image ID: Thoughtfully written and patiently presented, The Internet Con explains how the promise of a free and open internet was lost to predatory business practices and the rush to commodify every aspect of our lives. An essential read for anyone that wants to understand how we lost control of our digital spaces and infrastructure to Silicon Valley’s tech giants, and how we can start fighting to get it back. -Tim Maughan, author of INFINITE DETAIL]

After all, we’ve known Big Tech was rotten for years, but we had no idea what to do about it. Every time a Big Tech colossus did something ghastly to millions or billions of people, we tried to fix the tech company. There’s no fixing the tech companies. They need to burn. The way to make users safe from Big Tech predators isn’t to make those predators behave better — it’s to evacuate those users:

https://pluralistic.net/2023/07/18/urban-wildlife-interface/#combustible-walled-gardens

I’ve been campaigning for human rights in the digital world for more than 20 years; I’ve been EFF’s European Director, representing the public interest at the EU, the UN, Westminster, Ottawa and DC. This is the subject I’ve devoted my life to, and I live my principles. I won’t let my books be sold with DRM, which means that Audible won’t carry my audiobooks. My agent tells me that this decision has cost me enough money to pay off my mortgage and put my kid through college. That’s a price I’m willing to pay if it means that my books aren’t enshittification bait.

But not selling on Audible has another cost, one that’s more important to me: a lot of readers prefer audiobooks and 9 out of 10 of those readers start and end their searches on Audible. When they don’t find an author there, they assume no audiobook exists, period. It got so bad I put up an audiobook on Amazon — me, reading an essay, explaining how Audible rips off writers and readers. It’s called “Why None of My Audiobooks Are For Sale on Audible”:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

[Image ID: Doctorow has been thinking longer and smarter than anyone else I know about how we create and exchange value in a digital age. -Douglas Rushkoff, author of Present Shock]

To get my audiobooks into readers’ ears, I pre-sell them on Kickstarter. This has been wildly successful, both financially and as a means of getting other prominent authors to break up with Amazon and use crowdfunding to fill the gap. Writers like Brandon Sanderson are doing heroic work, smashing Amazon’s monopoly:

https://www.brandonsanderson.com/guest-editorial-cory-doctorow-is-a-bestselling-author-but-audible-wont-carry-his-audiobooks/

And to be frank, I love audiobooks, too. I swim every day as physio for a chronic pain condition, and I listen to 2–3 books/month on my underwater MP3 player, disappearing into an imaginary world as I scull back and forth in my public pool. I’m able to get those audiobooks on my MP3 player thanks to Libro.fm, a DRM-free store that supports indie booksellers all over the world:

https://blog.libro.fm/a-qa-with-mark-pearson-libro-fm-ceo-and-co-founder/

Producing my own audiobooks has been a dream. Working with Skyboat Media, I’ve gotten narrators like @wilwheaton​, Amber Benson, @neil-gaiman​ and Stefan Rudnicki for my work:

https://craphound.com/shop/

[Image ID: “This book is the instruction manual Big Tech doesn’t want you to read. It deconstructs their crummy products, undemocratic business models, rigged legal regimes, and lies. Crack this book and help build something better. -Astra Taylor, author of Democracy May Not Exist, but We’ll Miss It When Its Gone”]

But for this title, I decided that I would read it myself. After all, I’ve been podcasting since 2006, reading my own work aloud every week or so, even as I traveled the world and gave thousands of speeches about the subject of this book. I was excited (and a little trepedatious) at the prospect, but how could I pass up a chance to work with director Gabrielle de Cuir, who has directed everyone from Anne Hathaway to LeVar Burton to Eric Idle?

Reader, I fucking nailed it. I went back to those daily recordings fully prepared to hate them, but they were good — even great (especially after my engineer John Taylor Williams mastered them). Listen for yourself!

https://archive.org/details/cory_doctorow_internet_con_chapter_01

I hope you’ll consider backing this Kickstarter. If you’ve ever read my free, open access, CC-licensed blog posts and novels, or listened to my podcasts, or come to one of my talks and wished there was a way to say thank you, this is it. These crowdfunders make my DRM-free publishing program viable, even as audiobooks grow more central to a writer’s income and even as a single company takes over nearly the entire audiobook market.

Backers can choose from the DRM-free audiobook, DRM-free ebook (EPUB and MOBI) and a hardcover — including a signed, personalized option, fulfilled through the great LA indie bookstore Book Soup:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

What’s more, these ebooks and audiobooks are unlike any you’ll get anywhere else because they are sold without any terms of service or license agreements. As has been the case since time immemorial, when you buy these books, they’re yours, and you are allowed to do anything with them that copyright law permits — give them away, lend them to friends, or simply read them with any technology you choose.

As with my previous Kickstarters, backers can get their audiobooks delivered with an app (from libro.fm) or as a folder of MP3s. That helps people who struggle with “sideloading,” a process that Apple and Google have made progressively harder, even as they force audiobook and ebook sellers to hand over a 30% app tax on every dollar they make:

https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112

Enshittification is rotting every layer of the tech stack: mobile, payments, hosting, social, delivery, playback. Every tech company is pulling the rug out from under us, using the chokepoints they built between audiences and speakers, artists and fans, to pick all of our pockets.

The Internet Con isn’t just a lament for the internet we lost — it’s a plan to get it back. I hope you’ll get a copy and share it with the people you love, even as the tech platforms choke off your communities to pad their quarterly numbers.

Next weekend (Aug 4-6), I'll be in Austin for Armadillocon, a science fiction convention, where I'm the Guest of Honor:

https://armadillocon.org/d45/

If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/31/seize-the-means-of-computation/#the-internet-con

[Image ID: My forthcoming book 'The Internet Con: How to Seize the Means of Computation' in various editions: Verso hardcover, audiobook displayed on a phone, and ebook displayed on an e-ink reader.]

[winged-self-indulgence]

Why Do People Like Yanderes?

Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.

TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.

Introduction

If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).

It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.

Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?

Hybristophilia

‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ‘a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):

“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”

In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.

However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:

Call Me Bob the Builder Because I Can Fix Them

If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.

Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.

(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)

After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”

But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.

Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.

The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.

The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.

Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?

The Allure of Obsession, or ‘Til Death Do Us Part (Literally)

It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.

PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.

But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.

In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.   

Attractiveness, or Okay but Have You Considered That They’re Hot Though?

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I mean what am I supposed to say here? They’re hot, what do you want from me?

No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.

This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.

So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.

When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.

While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.

Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.     

Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)

Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.

In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?

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If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”

Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.

Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.

Conclusion

In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.

Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below

REFERENCES

Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406

Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191

DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545

Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123

Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212

Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture

Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.

Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf

Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092

Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.

Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101

[disabled-dragoon]

The Disability Library

I love books, I love literature, and I love this blog, but it's only been recently that I've really been given the option to explore disabled literature, and I hate that. When I was a kid, all I wanted was to be able to read about characters like me, and now as an adult, all I want is to be able to read a book that takes us seriously.

And so, friends, Romans, countrymen, I present, a special disability and chronic illness booklist, compiled by myself and through the contributions of wonderful members from this site!

As always, if there are any at all that you want me to add, please just say. I'm always looking for more!

Edit 20/10/2023: You can now suggest books using the google form at the bottom!

Updated: 31/08/2023

Articles and Chapters

The Drifting Language of Architectural Accessibility in Victor Hugo's Notre-Dame de Paris, Essaka Joshua, 2012

Early Modern Literature and Disability Studies, Allison P. Hobgood, David Houston Wood, 2017

How Do You Develop Whole Object Relations as an Adult?, Elinor Greenburg, 2019

Making Do with What You Don't Have: Disabled Black Motherhood in Octavia E. Butler's Parable of the Sower and Parable of the Talents, Anna Hinton, 2018

Necropolitics, Achille Mbeme, 2003 OR Necropolitics, Achille Mbeme, 2019

Wasted Lives: Modernity and Its Outcasts, Zygmunt Bauman, 2004

Witchcraft and deformity in early modern English Literature, Scott Eaton, 2020

Books

Fiction:

Misc:

10 Things I Can See From Here, Carrie Mac

A-F:

A Curse So Dark and Lonely, (Series), Brigid Kemmerer

Akata Witch, (Series), Nnedi Okorafor

A Mango-Shaped Space, Wendy Mass

Ancillary Justice, (Series), Ann Leckie

An Unkindness of Ghosts, Rivers Solomon

An Unseen Attraction, (Series), K. J. Charles

A Shot in the Dark, Victoria Lee

A Snicker of Magic, Natalie Lloyd

A Song of Ice and Fire, (series), George R. R. Martin

A Spindle Splintered, (Series), Alix E. Harrow

A Time to Dance, Padma Venkatraman

Bath Haus, P. J. Vernon

Beasts of Prey, (Series), Ayana Gray

The Bedlam Stacks, (Series), Natasha Pulley

Black Bird, Blue Road, Sofiya Pasternack

Black Sun, (Series), Rebecca Roanhorse

Blood Price, (Series), Tanya Huff

Borderline, (Series), Mishell Baker

Breath, Donna Jo Napoli

The Broken Kingdoms, (Series), N.K. Jemisin

Brute, Kim Fielding

Cafe con Lychee, Emery Lee

Carry the Ocean, (Series), Heidi Cullinan

Challenger Deep, Neal Shusterman

Cinder, (Series), Marissa Meyer

Clean, Amy Reed

Connection Error, (Series), Annabeth Albert

Cosima Unfortunate Steals A Star, Laura Noakes

Crazy, Benjamin Lebert

Crooked Kingdom, (Series), Leigh Bardugo

Daniel Cabot Puts Down Roots, (Series), Cat Sebastian

Daniel, Deconstructed, James Ramos

Dead in the Garden, (Series), Dahlia Donovan

Dear Fang, With Love, Rufi Thorpe

Deathless Divide, (Series), Justina Ireland

The Degenerates, J. Albert Mann

The Doctor's Discretion, E.E. Ottoman

Earth Girl, (Series), Janet Edwards

Everyone in This Room Will Someday Be Dead, Emily R. Austin

The Extraordinaries, (Series), T. J. Klune

The Extraordinary Education of Nicholas Benedict, (Series), Trenton Lee Stewart

Fight + Flight, Jules Machias

The Final Girl Support Group, Grady Hendrix

Finding My Voice, (Series), Aoife Dooley

The First Thing About You, Chaz Hayden

Follow My Leader, James B. Garfield

Forever Is Now, Mariama J. Lockington

Fortune Favours the Dead, (Series), Stephen Spotswood

Fresh, Margot Wood

H-0:

Harmony, London Price

Harrow the Ninth, (series), Tamsyn Muir

Hench, (Series), Natalia Zina Walschots

Highly Illogical Behaviour, John Corey Whaley

Honey Girl, Morgan Rogers

How to Become a Planet, Nicole Melleby

How to Bite Your Neighbor and Win a Wager, (Series), D. N. Bryn

How to Sell Your Blood & Fall in Love, (Series), D. N. Bryn

Hunger Pangs: True Love Bites, Joy Demorra

I Am Not Alone, Francisco X. Stork

The Immeasurable Depth of You, Maria Ingrande Mora

In the Ring, Sierra Isley

Into The Drowning Deep, (Series), Mira Grant

Iron Widow, (Series), Xiran Jay Zhao

Izzy at the End of the World, K. A. Reynolds

Jodie's Journey, Colin Thiele

Just by Looking at Him, Ryan O'Connell

Kissing Doorknobs, Terry Spencer Hesser

Lakelore, Anna-Marie McLemore

Learning Curves, (Series), Ceillie Simkiss

Let's Call It a Doomsday, Katie Henry

The Library of the Dead, (Series), TL Huchu

The Lion Hunter, (Series), Elizabeth Wein

Lirael, (Series), Garth Nix

Long Macchiatos and Monsters, Alison Evans

Love from A to Z, (Series), S.K. Ali

Lycanthropy and Other Chronic Illnesses, Kristen O'Neal

Never Let Me Go, Kazuo Ishiguro

The Never Tilting World, (Series), Rin Chupeco

The No-Girlfriend Rule, Christen Randall

Nona the Ninth, (series), Tamsyn Muir

Noor, Nnedi Okorafor

Odder Still, (Series), D. N. Bryn

Once Stolen, (Series), D. N. Bryn

One For All, Lillie Lainoff

On the Edge of Gone, Corinne Duyvis

Origami Striptease, Peggy Munson

Our Bloody Pearl, (Series), D. N. Bryn

Out of My Mind, Sharon M. Draper

P-T:

Parable of the Sower, (Series), Octavia E. Butler

Parable of the Talents, (Series), Octavia E. Butler

Percy Jackson & the Olympians, (series), Rick Riordan

Pomegranate, Helen Elaine Lee

The Prey of Gods, Nicky Drayden

The Pursuit Of..., (Series), Courtney Milan

The Queen's Thief, (Series), Megan Whalen Turner

The Quiet and the Loud, Helena Fox

The Raging Quiet, Sheryl Jordan

The Reanimator's Heart, (Series), Kara Jorgensen

The Remaking of Corbin Wale, Joan Parrish

Roll with It, (Series), Jamie Sumner

Russian Doll, (Series), Cristelle Comby

The Second Mango, (Series), Shira Glassman

Scar of the Bamboo Leaf, Sieni A.M

Shaman, (Series), Noah Gordon

Sick Kids in Love, Hannah Moskowitz

The Silent Boy, Lois Lowry

Six of Crows, (Series) Leigh Bardugo

Sizzle Reel, Carlyn Greenwald

The Spare Man, Mary Robinette Kowal

The Stagsblood Prince, (Series), Gideon E. Wood

Stake Sauce, Arc 1: The Secret Ingredient is Love. No, Really, (Series), RoAnna Sylver

Stars in Your Eyes, Kacen Callender [Expected release: Oct 2023]

The Storm Runner, (Series), J. C. Cervantes

Stronger Still, (Series), D. N. Bryn

Sweetblood, Pete Hautman

Tarnished Are the Stars, Rosiee Thor

The Theft of Sunlight, (Series), Intisar Khanani

Throwaway Girls, Andrea Contos

Top Ten, Katie Cotugno

Torch, Lyn Miller-Lachmann

Treasure, Rebekah Weatherspoon

Turtles All the Way Down, John Green

U-Z:

Unlicensed Delivery, Will Soulsby-McCreath Expected release October 2023

Verona Comics, Jennifer Dugan

Vorkosigan Saga, (Series), Lois McMaster Bujold

We Are the Ants, (Series), Shaun David Hutchinson

The Weight of Our Sky, Hanna Alkaf

Whip, Stir and Serve, Caitlyn Frost and Henry Drake

The Whispering Dark, Kelly Andrew

Wicked Sweet, Chelsea M. Cameron

Wonder, (Series), R. J. Palacio

Wrong to Need You, (Series), Alisha Rai

Ziggy, Stardust and Me, James Brandon

Graphic Novels:

A Quick & Easy Guide to Sex & Disability, (Non-Fiction), A. Andrews

Constellations, Kate Glasheen

Dancing After TEN: a graphic memoir, (memoir) (Non-Fiction), Vivian Chong, Georgia Webber

Everything Is an Emergency: An OCD Story in Words Pictures, (memoir) (Non-Fiction), Jason Adam Katzenstein

Frankie's World: A Graphic Novel, (Series), Aoife Dooley

The Golden Hour, Niki Smith

Nimona, N. D. Stevenson

The Third Person, (memoir) (Non-Fiction), Emma Grove

Magazines and Anthologies:

Artificial Divide, (Anthology), Robert Kingett, Randy Lacey

Beneath Ceaseless Skies #175: Grandmother-nai-Leylit's Cloth of Winds, (Article), R. B. Lemburg

Defying Doomsday, (Anthology), edited by Tsana Dolichva and Holly Kench

Josee, the Tiger and the Fish, (short story) (anthology), Seiko Tanabe

Nothing Without Us, edited by Cait Gordon and Talia C. Johnson

Nothing Without Us Too, edited by Cait Gordon and Talia C. Johnson

Unbroken: 13 Stories Starring Disabled Teens, (Anthology), edited by Marieke Nijkamp

Uncanny #24: Disabled People Destroy Science Fiction, (Anthology), edited by: Elsa Sjunneson-Henry, Dominik Parisien et al.

Uncanny #30: Disabled People Destroy Fantasy, (Anthology), edited by: Nicolette Barischoff, Lisa M. Bradley, Katharine Duckett

We Shall Be Monsters, edited by Derek Newman-Stille

Manga:

Perfect World, (Series), Rie Aruga

The Sky is Blue with a Single Cloud, (Short Stories), Kuniko Tsurita

Non-Fiction:

Academic Ableism: Disability and Higher Education, Jay Timothy Dolmage

A Disability History of the United States, Kim E, Nielsen

The Architecture of Disability: Buildings, Cities, and Landscapes beyond Access, David Gissen

Being Seen: One Deafblind Woman's Fight to End Ableism, Elsa Sjunneson

Black Disability Politics, Sami Schalk

Borderline, Narcissistic, and Schizoid Adaptations: The Pursuit of Love, Admiration, and Safety, Dr. Elinor Greenburg

Brilliant Imperfection: Grappling with Cure, Eli Clare

The Cambridge Companion to Literature and Disability, Barker, Clare and Stuart Murray, editors.

The Capacity Contract: Intellectual Disability and the Question of Citizenship, Stacy Clifford Simplican

Capitalism and Disability, Martha Russel

Care work: Dreaming Disability Justice, Leah Lakshmi Piepzna-Samarasinha

Catatonia, Shutdown and Breakdown in Autism: A Psycho-Ecological Approach, Dr Amitta Shah

The Collected Schizophrenias: Essays, Esme Weijun Wang

Crip Kinship, Shayda Kafai

Crip Up the Kitchen: Tools, Tips and Recipes for the Disabled Cook, Jules Sherred

Culture – Theory – Disability: Encounters between Disability Studies and Cultural Studies, Anne Waldschmidt, Hanjo Berressem, Moritz Ingwersen

Decarcerating Disability: Deinstitutionalization and Prison Abolition, Liat Ben-Moshe

Demystifying Disability: What to Know, What to Say, and How to Be an Ally, Emily Ladau

Dirty River: A Queer Femme of Color Dreaming Her Way Home, Leah Lakshmi Piepzna-Samarasinha

Disability Pride: Dispatches from a Post-ADA World, Ben Mattlin

Disability Visibility: First-Person Stories From the Twenty-First Century, Alice Wong

Disfigured: On Fairy Tales, Disability and Making Space, Amanda Leduc

Every Cripple a Superhero, Christoph Keller

Exile and Pride: Disability, Queerness and Liberation, Eli Clare

Feminist Queer Crip, Alison Kafer

The Future Is Disabled: Prophecies, Love Notes, and Mourning Songs, Leah Lakshmi Piepzna-Samarasinha

Growing Up Disabled in Australia, Carly Findlay

It's Just Nerves: Notes on a Disability, Kelly Davio

The Immortal Life of Henrietta Lacks, Rebecca Skloot

Language Deprivation & Deaf Mental Health, Neil S. Glickman, Wyatte C. Hall

The Minority Body: A Theory of Disability, Elizabeth Barnes

My Body and Other Crumbling Empires: Lessons for Healing in a World That Is Sick, Lyndsey Medford

No Right to Be Idle: The Invention of Disability, 1840s-1930s, Sarah F. Rose

Nothing About Us Without Us: Disability Oppression and Empowerment, James I. Charlton

The Pedagogy of Pathologization Dis/abled Girls of Color in the School-prison Nexus, Subini Ancy Annamma

Physical Disability in British Romantic Literature, Essaka Joshua

QDA: A Queer Disability Anthology, Raymond Luczak, Editor.

The Right to Maim: Debility, Capacity, Disability, Jasbir K. Puar

Sitting Pretty, (memoir), Rebecca Taussig

Sounds Like Home: Growing Up Black & Deaf in the South, Mary Herring Wright

Surviving and Thriving with an Invisible Chronic Illness: How to Stay Sane and Live One Step Ahead of Your Symptoms, Ilana Jacqueline

The Things We Don't Say: An Anthology of Chronic Illness Truths, Julie Morgenlender

Uncanny Bodies: Superhero Comics and Disability, Scott T. Smith, José Alaniz 

Uncomfortable Labels: My Life as a Gay Autistic Trans Woman, (memoir), Laura Kate Dale

Unmasking Autism, Devon Price

The War on Disabled People: Capitalism, Welfare and the Making of a Human Catastrophe, Ellen Clifford

We've Got This: Essays by Disabled Parents, Eliza Hull

Year of the Tiger: An Activist's Life, (memoir) (essays) Alice Wong

Picture Books:

A Day With No Words, Tiffany Hammond, Kate Cosgrove-

A Friend for Henry, Jenn Bailey, Mika Song

Ali and the Sea Stars, Ali Stroker, Gillian Reid

All Are Welcome, Alexandra Penfold, Suzanne Kaufman

All the Way to the Top, Annette Bay Pimentel, Jennifer Keelan-Chaffins, Nabi Ali

Can Bears Ski?, Raymond Antrobus, Polly Dunbar

Different -- A Great Thing to Be!, Heather Alvis, Sarah Mensinga

Everyone Belongs, Heather Alvis, Sarah Mensinga

I Talk Like a River, Jordan Scott, Sydney Smith

Jubilee: The First Therapy Horse and an Olympic Dream, K. T. Johnson, Anabella Ortiz

Just Ask!, Sonia Sotomayor, Rafael López

Kami and the Yaks, Andrea Stenn Stryer, Bert Dodson

My Three Best Friends and Me, Zulay, Cari Best, Vanessa Brantley-Newton

Rescue & Jessica: A Life-Changing Friendship, Jessica Kensky, Patrick Downes, Scott Magoon

Sam's Super Seats, Keah Brown, Sharee Miller

Small Knight and the Anxiety Monster, Manka Kasha

We Move Together, Kelly Fritsch, Anne McGuire, Eduardo Trejos

We're Different, We're the Same, and We're All Wonderful!, Bobbi Jane Kates, Joe Mathieu

What Happened to You?, James Catchpole, Karen George

The World Needs More Purple People, Kristen Bell, Benjamin Hart, Daniel Wiseman

You Are Enough: A Book About Inclusion, Margaret O'Hair, Sofia Sanchez, Sofia Cardoso

You Are Loved: A Book About Families, Margaret O'Hair, Sofia Sanchez, Sofia Cardoso

The You Kind of Kind, Nina West, Hayden Evans

Zoom!, Robert Munsch, Michael Martchenko

Plays:

Peeling, Kate O'Reilly

---

With an extra special thank you to @parafoxicalk @craftybookworms @lunod @galaxyaroace @shub-s @trans-axolotl @suspicious-whumping-egg @ya-world-challenge @fictionalgirlsworld @rubyjewelqueen @some-weird-queer-writer @jacensolodjo @cherry-sys @dralthon @thebibliosphere @brynwrites @aj-grimoire @shade-and-sun @ceanothusspinosus @edhelwen1 @waltzofthewifi @spiderleggedhorse @sleepneverheardofher @highladyluck @oftheides @thecouragetobekind @nopoodles @lupadracolis @elusivemellifluence @creativiteaa @moonflowero1 @the-bi-library @chronically-chaotic-cryptid for your absolutely fantastic contributions!

---

Submit a Book:

[doyoulikethissong-poll]

Snow - Informer 1992

"Informer" is a song by Canadian reggae musician Snow, released in December 1992 as the first single from his debut album, 12 Inches of Snow (1993). "Informer" was a chart-topping hit, spending seven consecutive weeks at number one on the US Billboard Hot 100. It peaked at number one on the singles chart in Denmark, Finland, Germany, Ireland, Norway, Sweden and Switzerland, as well as on the Eurochart Hot 100. It entered the top 10 in Austria, France, Greece, Iceland, Italy, the Netherlands, Portugal, Spain, and the UK, where the single peaked at number two during its third week at the UK Singles Chart. Outside Europe, it reached number one in Australia, New Zealand, Zimbabwe, and on the US Billboard Hot 100. In Snow's native Canada, "Informer" topped The Record's singles chart and was a top-10 radio hit, peaking at number nine on the RPM 100 Hit Tracks chart. "Informer" was awarded with a gold record in Austria and the Netherlands, a silver record in the UK, and a platinum record in Germany, New Zealand and the US. In Australia, it received a double-platinum record.

As he was growing up in Toronto, Canada, Snow had a strong interest in rock music, but in 1983 there was an influx of Jamaican immigrants to the neighbourhood and his interest turned to reggae music and he became adept at the use of the Jamaican dialect, or Jamaican Patois. He developed his own style of music, by blending dancehall and reggae with rock and pop music.

Snow served an eight-month sentence in Toronto for assault when "Informer" began getting radio and MuchMusic airplay. The song is based on a separate 1989 incident when Snow was charged with two counts of attempted murder. At the time, he was detained for a year in Toronto before the charges were reduced to aggravated assault, and he was eventually acquitted and freed.

"Informer" won a Juno Award for Best Reggae Recording in 1994. It has been recorded twice in the Guinness Book of World Records as the best-selling reggae single in US history, as well as the highest charting reggae single in history. In Japan, Snow received the Recording Industry Association of Japan's 1994 Japan Gold Disc Award for New Artist of the Year.

In 2019, Puerto Rican singer, songwriter, and rapper Daddy Yankee released a new version of "Informer" as "Con Calma" together with Snow, who recorded new parts. The Spanish-language remake topped the charts of 20 countries and reached the top 10 of 10 others. In 2020, Snow won four awards Song of the Year with Daddy Yankee for "Con Calma" at Premio Lo Nuestro Awards, the Pop Music Award from SOCAN, and they won the Top Latin Song of the Year at the 2020 Billboard Music Awards. "Con Calma" won big at the Latin Billboard Music Awards 2020, taking home six awards.

"Informer" received a total of 68,5% yes votes!

[theineffablesociety]

I'd like to plan a Good Omens meetup for Saturday October 19th, 2024. Poll below!

The Ineffable Society Meetup is a thought that's brewed in my brain since June 2023 when a bunch of local GO fans chanced to meet for the first time at the King of Prussia PA screening of series 2 episode 1 and 2.

It is time to stop brewing and let others contribute.

Here's my initial thoughts:

I'm willing to organize but not alone. We'll need to work together.

I live near Philadelphia, PA so this is the area I'm willing to do what needs doing primarily in Eastern PA, Central NJ, surrounding areas therein.

I'd want everyone attending to be 18 or older, please. I encourage those 17 and under to organize something together!

Taking suggestions for type of venues to host, think like a family reunion or larger.

I'm not interested in handling money, so would seek at least 2 people to oversee financials if that comes into play. (Finances might be needed to cover renting a space, any printed materials, little swag gifts.)

As mentioned, Saturday October 19th. Because it's close to the Earth's Birthday. :3

Afternoon through evening could be good. Maybe a 3 hour window on the small end; most of the day on the larger end. Will depend on location and on how many helpers step up.

Good Omens related fun: encouraging cosplay, script book readings, discussions, games, swaps. Maybe screening an episode together (there's copyright law to contend with here though). Depending on how much time we have together and space. Simplest plan would be an informal Good Omens afternoon mixer type.

If fewer than 12 people are interested:

We could just meetup at a restaurant that has a function room! (Not super ideal for allergies, as there's probably nowhere that's good for everyone. But does it in a pinch. And would probably not be a big up-front cost. Often there's a small room fee and then the assumption everyone will eat.)

If more than 12 up to 40 people are interested:

We might consider renting some conference rooms at a small hotel. (That does make it easier for people to find accommodations: already there! At a hotel! Downside is this will require chipping in.)

Any more than 40 people and uhhh... We'll figure it out.

WHAT I NEED TO KNOW FROM YOU

There will be more questions to follow, but most important one is below.

Please answer YES if you are:

A Good Omens fan

18 or older

In the Eastern PA to Central NJ area

Or are otherwise willing, able, and interested to go there

For transparency. A little about me:

I'm North (SeedsOfWinter). They/he.

Over the past two and a half decades, I've organized or been a member of organizations that planned meetups, game nights, reunions, and nerd events for friends and strangers alike.

I've been a Good Omens fan since June 2019. I run @rareomens. I am a mod for @ineffableeraszine and @bildadzine. I was a mod for the Our Side Zines, Pin Me Up 2, and many more. I was a founding admin for the LGBTQIA+ Fans of Good Omens groups.

I've been part of convention presentations for Good Omens at The Ineffable Con (virtual) and DragonCon (in-person, Atlanta GA). I love to organize fan photoshoots and meetups.

I know that any attempt at gathering people requires a team to make it happen; and that there's pitfalls and perils to all of it, especially when you're dealing with a bunch of possible strangers meeting for the first time! But the end result (you all getting a chance to connect together as fans) is feeling pretty worth it.

[grapejuicestyless]

The Tide Always Goes Out

Conrad Fisher x fem!reader

ANGST

Summery: You were sick. You had always been sick. But you looked so healthy, so it couldn’t be true. Conrad could live in denial of his best friend’s inevitable death but there was nothing he could do to stop it and he has to accept it.(Inspired by the book Little Women specifically the scene in the 2019 film between Beth and Jo.) Mentions of illness and death.

We sat on the beach squished on a small blanket. wrinkles from our shifting and creases beneath us from where we sit. We talk about everything and anything all morning. Not minding the grey overcast of the clouds covering the usually very blue sky. Or how the waves are more violent than they usually are. I know this because I remember it vividly. It wasn’t that long ago I was really there. Making sure it would last forever. Only now I wish I hadn’t because it haunts me more than it comforts me. And the entire way it played out still makes my heart ache with regret.

Somehow I end up with her lying over me. She lays her head in my lap, the thin blanket woven together with faint reds and oranges creating a little hammock for her to rest on. I can feel the way her heartbeats erratically over my thigh. The way her lip’s curl into a soft smile. The ocean reflected in her eyes. If it weren’t for the heavy eye bags and the slight tremble in her bones, she’d be normal. A normal girl with no issues. You wouldn’t even know how deeply her suffering ran. Sometimes, on the better days, I let myself become fooled as well. Playing dumb hurts less than facing the truth.

“Con.” Her eyes flick up to mine, and I can’t help the way my own avert her gaze. I am too afraid to face her. Even now. The girl who I worship day and night. I never did pray before her, but now I pray that when I wake up, she’ll still be beside me. And we can enjoy the company the other has to offer just one last time. I can’t look down and see how much she’s changed. It scares me, because the traces of the illness torturing her is evidence to how real it is. And I would rather live in oblivious bliss.

“I want you to know I’m not really scared anymore.” It’s not what I expected to come from her lips, but it’s what she lands on. Theres no room in her wording for me to deny what she’s trying to say. My eyes flick down to hers, and my hands moves the hair blowing in the wind messily across her face.

“Y/n, come on. Don’t say shit like that.” I smile, but I don’t really mean in. I don’t find her words funny, and I don’t like that my best friend is sick.

“No, Conrad. I’m serious.” She breathes out, hands pressing against my skin to lift herself up. I feel a chill run through my body without her warmth to ease the morning chill. More than that, I can feel the coolness in my heart when she separates from me, and I long for the next moment I’ll feel her gentle touch.

“I’ve had a lot of time to think about this and I’m certain that I’ll be okay.” I continue to look at her, but only this time, she is the one looking at the sand, tracing her fingers in it as they stretch past her ankles to the floor.

“And I’m only so sure because I know you’ll be there.” Her eyes flicker up to the sky and I swear I see the sky brighten for just a moment. The blue underneath all the grey breaking free for a split second. “I’ve known you my whole life, and I’ve felt things for you that I have felt with no one else. I know you, and I trust that you’ll come find me in the next life.” Pulling at her lip, she waits for a response.

“But I want to keep you in this one.” My hand finds hers and all I can do is squeeze onto her desperately. Wanting nothing more but to keep her close. So I can watch her. Make sure shes okay. She’s lost all of her fight, her will to stay. And I know it’s because of the pain. I’ve heard her sobs just down the halls and the hushed whispers of my mother and her’s. But part of me wonders if it’s simply because I did not do enough. If I wasn’t enough reason for her to stay.

“It’s like the tide going out. It goes out slowly, but it can’t be stopped.” And we both know it. Theres no stopping what will happen to her. Theres no wish or medicine or fight that could keep her here beside me. It makes me want to cry, but I don’t. It would be selfish of me to get so upset when I am still here. Well and alive. Promised many years to age and achieve things she never was given the chance to.

“I’ll stop it.” I don’t look down at her, but I can feel how she shifts. The way her frown only deepens and the bags in her eyes get heavier. She sighs heavily into the silence, shaking her head slowly. She refuses to cry though. Partly because I know she knows she’ll have plenty of time to cry in the darkness of her room, when the ache in her bones is too much and theres no way of stopping it. And the other part of me recognizes that it’s because there’s no reason to in her eyes.

Y/n knew it better than all of us. She had lived a good life. She could do things and want things some children could never even dream of. She had a warm home with a glowing fireplace that her family often gathered around. A loving sister and a great brother. Her mother and father were healthy and she had the best friends she could have ever asked for. Her only regret is that she had to make her own mother pick out the details for her headstone.

When I pull her into my body, I have no idea it will be for the last time. I have no clue that her sobs won’t part from her lips. Because when she closes her eyes, she doesn’t drift into her usual place of rest. Her eyes don’t flutter open at the soft creak of the stairs when Jeremiah decides he wants a late night snack. Nor does she stir when Steven laughs, following behind him not as skillfully.

Not even when her mother screams early in the morning, hands clinging to her limp wrists, cold and lifeless. The tears from my mother mixing with her younger sisters don’t even make her flinch. And it’s chilling because it almost looks like she was smiling. The lift of her lips is barely there, but it makes me feel better knowing she went in peace.

I remember that day more clearly than ever. How the grey sky haunts me and the way she spoke so surely about her death still sends chills through my veins. I could have only wished to have looked at her a little closer that day. So that even in her darkest moments, I could be as certain as she was that the image of her would never fade, and I would always be able to memorize each wrinkle in her skin.

So I tell myself that when it’s my time, I’ll do what she said I would. I’ll find her in the next life. And I’ll look a little harder at her, and I’ll admire her for longer.

[ange-chan93]

{ Xue Yang }

My first fanart from "The Untamed" live action chinese series 

( Mo Dao Zu Shi fans, please don't kill me XDDD)

*Disclaimer: for this one, i used reference from a fanart found on Pinterest, i Just Don't know the Artist

Here is the link of the reference used for my fanart.

The credits for the reference belongs to the artist. This is an art practice, nothing is stolen or traced. Thank you!💖*

@cinemairon Thank you for the help and for the tips x3 <3

[ineffasaurus]

An (embarrassingly long) post of my gushing about good omens:

I’m 16, but I’m writing from when I was 12/13 So it’s almost the end of summer, 2019, I remember this moment as clearly as anything. As clear as tasting my favourite food for the first time ever.

I’m layed on the patch of fake grass on the patio, with a couch cushion to rest my chin on. I’m scrolling some good old 2019 TikTok, I see this random cosplay of a demon and an angel. This is where it all began. This was the birth of it all 😂. I didn’t know I was autistic at the time but it was and still probably stands as 1000% my biggest special interest. I just loved this show, the characters, the actors, the writing, and all the crew I researched and I especially grew this strong bond towards the two main characters .

Crowley and Aziraphale were like real people to me for a long time, their story got me through a lot, took me right through 2020 when I had no friends ; when I was stuck in most of the year, It was a perfect distraction.

I am so grateful for Neil, Michael, David and everyone in the fandom. The community wasn’t just about the show and the book, ( and the radio production lol ), it was so much more about how we all felt during this weird weird year, and how we looked forward to whatever new content Neil had for us as it helped us stay grounded in reality whilst also helping us escape into numerous worlds of fantasy. I bought the book, then the DVD, which came with these exclusive prints, that I cherished like a little weirdo and I stuck them on a piece of paper and made it into a poster, I remember tagging Neil on Twitter in which he reposted my stupid little poster and I went straight to tell my aunt who probably couldn’t care less. She did actually really support me in this obsession, she was invested as much as I was in the lives of the actors and booked tickets for me to go to a sort of comic con in Wales to see Michael in person. Me and my best friend at the time, had costumes all set up as Aziraphale and Crowley. It made me feel so special and really I’ve never had that same feeling about any other franchise. I don’t even feel that strongly about dinosaurs, but the feeling is similar. Like I happened to stumble on this perfect thing, perfect to me in a way that I still don’t understand. It just made me so happy, and that’s what I’m grateful for. I can’t believe looking back now we couldn’t see I was autistic because the way I knew every single little fact and tidbit about the show, the production, the references, the costumes etc, it was honestly something that should be written in history books.

So, back to Neil, I read about four More of his books and in doing so, fell back in love with reading for a while, Ocean at the End of the Lane was special to me, I liked how Neil did and still does blend magic with the mundane. It appealed to me. I also became interested in religious history in a way, not so much, but I liked to research the angels and demons that were represented in the show. This isn’t supposed to be an analysis of the show, although that would also be something I’d enjoy a lot. I just want to get all these words out of my head about this chunk of my life that shaped who I was because I was only around thirteen. Everything was changing in my life, I needed this one form of escapism. Thank you Neil, for good omens, it won’t be so special to everyone as it is to me, but I will always love it and I am unbelievably excited for this new season. Roll on that 2019-2021 obsession, She’s back for round two. 🫶😇😈

@neil-gaiman Thankyou :)

[pearl-likes-pi]

please bullet point explain how you went from memes to dreams i am so curious

Ok basically

2015 - graduated hs, started college in Atlanta, started making SU memes

2016 - got internship/co-op at CN Games (coincidentally right by my school), kept making memes, eventually the CN social media team asked me to do freelance for them, started meeting the SU cast at cons and stuff

2017 - the year where things got crazy lol, YouTube and memes thing was pretty wild at this point and I got to start collabing with the cast. CN decided to do a Steven Universe podcast and asked me to host it and then I also interned on the show at the same time to learn about animation production. Moved to LA for the summer for that

2018 - kept doing the podcast remotely from Atlanta and YouTube and college

2019 - podcast ended, started getting really serious about voice acting and taking lessons, got a voice acting gig, got hit by a truck (lived!). Graduated college (December) and got hired for a PA job on an animated sitcom @ Titmouse starting next January in LA

2020 - moved to LA start of the year, started working as a PA, got VO agent, pandemic, worked remotely and tried not to go crazy all alone in LA, got promoted to production coordinator, pretty much stopped YouTube after SU ended

2021 - finally broke in as an assistant animatic editor on a different animated show at Titmouse (Beavis and Butt-Head lol), continued taking a lot of VO classes

2022 - promoted to assistant editor and then Animatic Editor™ on B&B, somehow managed to make the leap to animatic editing on Jentry (honestly forever gonna be grateful they were willing to take a chance on me)

2023 - now I'm animatic editing on Jentry and auditioning for VO jobs all the time as well (and occasionally even booking them, when I'm lucky lol)

I'm sorry I tried to be brief but also im bad at summarizing lol, if anything doesn't make sense lemme know. i feel so grateful so many people were willing to help me get to where I'm at so im genuinely always happy to answer any questions if my experience can help other people in the same boat!!!!!

[lilaira]

DIGITAL COPY OF ARTBOOK #1 LILAIRA

Hey! Since the physical copies of the book are selling out super fast and not everyone gets the chance to nab one - I decided to make my artbook available as digital pdf too :3 please enjoy! https://ko-fi.com/s/7932fe5da5 It's the first volume from around 2019 that I've been selling around the cons.

Posted using PostyBirb

[n7punk]

She-ra (2018) Official Merch

I've made a loooong post about She-ra merch and its weirdness, but I wanted to summarize it in the most comprehensive list of official merch for the 2018 Netflix reboot that I could assemble. I'm sure I've missed some stuff, though, so I'll update this if I find anything. Thanks to everyone who contributed, especially Clare and Tippen.

I did deep dives (with pictures and details) on con exclusive and promotion exclusive merch. Basic info on those is included below the read more of this post.

Everything with [L] at the end of its bulletpoint - or an * inside one - has a photo in the long post. I provided links to official photos/listings when possible, but most of them are defunct.

Pins/Accessories/Clothing (active):

A bunch of jewelry (necklaces, rings, earrings) and enamel pins from Han Cholo (+ one iron-on patch). I've seen resellers claim the chibi pins were exclusive to a convention, but they're up on the website. The long post* has pictures of these if they ever go down, and the actual convention-exclusive ones can be found in the con post.

Amazon print-on-demand clothing (+ tote bags and pop sockets) with a lot of different designs that are hidden on the site but still purchasable, see this post for details, and here's the direct link. Once you find a design you like, you can search its name in the regular search bar (for instance, there's a shirt design called "Power Stripes Catra," for that one you have to search just "Stripes Catra") to see all the kinds of items it comes on, usually a variety of tops/outerwear, maybe a tote, and sometimes pop sockets.

Bioworld also had licensed merch, but some designs are hidden on their store page, so the link shows everything available but includes both the reboot and the 80s original. As of writing, they have one lunchbox, two adult t-shirts, one adult crop top, and two youth shirts for the reboot.

Media (active):

A DVD of just the first three seasons (there's a box sleeve version that includes stickers and it's never clear in listings if this is the only version and they just don't show the sleeve or if they're two separate things). This is still for sale at multiple retailers, but there's no way we're ever getting a full boxset.

There were a couple of books: the Rebel Princess Guide, the Legend of the Fire Princess graphic novel, and then some small "novels." These are still available at multiple retailers, but the novels weren't made by the crew and at least some of these contradict basic facts from season one, so they're less canon than many fanfics despite being licensed.

Everything from this point on is out of production and only available via resale.

Toys/Figures (defunct):

Eight fashion dolls. The line had Adora, Glimmer, Bow, Catra, and She-ra (season one version), Battle Armor She-ra (2-pack with a model of Swift Wind featuring their Battle of Bright Moon looks), and a deluxe She-ra & Shadow Weaver 2-pack (SDCC 2019 exclusive). These dolls were supposed to be Target exclusive, but the rollout was botched and now they're collectors' items. There were also four cancelled dolls that were supposed to be part of the line.

Two Super7 action figures in a Catra & Adora 2-pack with limited articulation. They're rare collector's items too, though this time it's just because they were a limited run. [L]

A plastic toy Sword of Protection and shield sized for children. The sword lit up and said "For the honor of Grayskull!" when you lifted it. The gem was semi-transparent and had a picture of She-ra under it. This was a Target and Amazon exclusive (Mattel & Target are always holding hands 🤝). [L]

Clothes/Dress-up/Accessories (defunct):

Four licensed She-ra costumes (season one version) of varying quality: a Target-exclusive one in limited sizes, one from Disguise in a wider range of sizes, one from Party City (as well as a wig and Sword of Protection prop licensed under Classic Media) for children, and one from Rubie's Costume Company (with a season one Catra costume to match, as well as separate accessory packs and wigs for both characters) that was also available at Party City. [L]

Her Universe used their Netflix license to make three shirts, two jackets, an earring set, and a wallet. Photos in the long post* if these links go down (they are discontinued, after all). Bioworld (remember them?) are actually the producers of the earrings with their name rather than Her Universe's branding being found on the backing card.

Hot Topic made a few shirts (like, three. I don't have the primary link for the third design). [L]

Misc (defunct):

Zaks Design-A-Tumbler, a plastic see-through drink tumbler with a sticker sheet provided so you can place the character graphics inside as desired. Features the key character art seen on most other merch for the Best Friend Squad as well as the sword, the moonstone, Swift Wind for the horse girls, and some random sparkles and hearts to fill space. It was available via Amazon and Walmart.

Comcanroll made a Sword of Protection keychain, also defunct. [L]

Beneath the cut are con exclusives and promotional items that were not for sale (at all, or at least by themselves) but that you can still probably hunt down online. Also... still available apps.

I can't believe this is real but there are two apps. She-Ra Stickers is available on iOS and Android and is exactly what you expect: "stickers" (pngs) to send in texting conversations. She-ra Gems of Etheria (also still available on iOS and Android) is a match 3+ game. It doesn't have micro transactions or ads (since, you know, the whole thing is an ad) so it's actually better than most things on the app store.

@tippenfunkaport also made a post about "digital merch" (backgrounds, printed papercrafts, etc) that Dreamworks posted online.

Promotion Exclusives:

I made a separate post for promo-exclusive merch. Things marked with an [L] still have photos in the long post, but photos are better gathered for all of these things in the promo-exclusive post, so please look at that one if any of these interest you.

Lootcrate/Lootwear made a pair of socks, a notebook, and a tumbler all featuring the season one She-ra silhouette. These were only available as part of their subscription service and not for individual sale. [L]

A Sonic kids meal tie-in that featured: magnets of the characters, funko-esque She-ra and Hordak figures, Swift Wind & Imp "straw buddies," and a small inflatable toy Sword of Protection. [L]

The following is promotional material that was never available to the general public:

A statuette of She-ra sent out to family bloggers to promote season four. Very limited due to the tiny production and being fragile. [L]

An equally rare metal lunchbox was sent out exclusively to influencers to promote season one.

Media press kits included a number of items that made it to the public as con-exclusives (see below for more details): collectors cards, buttons, and a foam tiara.

Stickers plugging the Dreamworks Careers' socials were also produced, likely for recruitment. [L]

Gray zip-up hoodies with a small sword on the front (pocket area placement) and a larger logo on the back were made for the crew and never available outside of Dreamworks.

A shirt featuring a graphic of She-ra riding Swift Wind with the She-ra logo in the corner - distribution & source currently unknown. Looks similar but is distinct from an existing Amazon POD design. Best guess is it was given out at an event (con, reviewer promo, employee event, etc), but I'm putting it here since I have no clue where it was from.

Con exclusives (defunct):

I made a separate post for con-exclusive promo items. Some of these still have photos in the long post, but photos and details about which cons they were available at and such are gathered in the con-exclusive post.

Button pin sets (4 sets, 4 buttons each) were at comic cons. These were possibly also available on Amazon for a time but I can't find confirmation on that beyond a backing card logo that could just mean the backing card itself was produced by Amazon. They aren't for sale now either way.

A foam She-ra crown and flat plastic/foam Sword of Protection, handed out at multiple cons.

She-ra socks designed after her uniform (including a cape on the back) seem to have been given out at cons. Photos are only in the long post* because they aren't good and I ran out of room.

There's a number of official poster designs that were handed out (mostly as mini posters) at cons, but most listings online are reprints.

Collector's cards were handed out at cons, probably SDCC.

Temporary tattoos, stickers, bookmarks, and coloring sheets were handed out at Power-Con (years unknown) and possibly other locations, likely those that sold the Scholastic books. [L]

A plastic shopping bag, made to be a disposable advertisement, exclusive to Anime Expo 2019. This one also don't have a photo in the con exclusive post because it's just one of the poster designs already in there, but there is a (wrinkly) photo in the long post*.

[mostlysignssomeportents]

Intuit: “Our fraud fights racism”

Tonight (September 27), I'll be at Chevalier's Books in Los Angeles with Brian Merchant for a joint launch for my new book The Internet Con and his new book, Blood in the Machine. On October 2, I'll be in Boise to host an event with VE Schwab.

Today's key concept is "predatory inclusion": "a process wherein lenders and financial actors offer needed services to Black households but on exploitative terms that limit or eliminate their long-term benefits":

https://journals.sagepub.com/doi/10.1177/2329496516686620

Perhaps you recall predatory inclusion from the Great Financial Crisis, when predatory subprime mortgages with deceptive teaser rates were foisted on Black homeowners (who were eligible for better mortgages), resulting in a wave of Black home theft in the foreclosure crisis:

https://prospect.org/justice/staggering-loss-black-wealth-due-subprime-scandal-continues-unabated/

Before these loans blew up, they were styled as a means of creating Black intergenerational wealth through housing speculation. They turned out to be a way to suck up Black families' savings before rendering them homeless and forcing them into houses owned by the Wall Street slumlords who bought all the housing stock the Great Financial Crisis put on the market:

https://pluralistic.net/2022/02/08/wall-street-landlords/#the-new-slumlords

That was just an update on an old con: the "home sale contract," invented by loan-sharks who capitalized on redlining to rip off Black families. Back when banks and the US government colluded to deny mortgages to Black households, sleazy lenders created the "contract loan," which worked like a mortgage, but if you were late on a single payment, the lender could seize and sell your home and not pay you a dime – even if the house was 99% paid for:

https://socialequity.duke.edu/wp-content/uploads/2019/10/Plunder-of-Black-Wealth-in-Chicago.pdf

Usurers and con-artists love to style themselves as anti-racists, seeking to "close the racial wealth gap." The payday lending industry – whose triple-digit interest rates trap poor people in revolving debt that they can never pay off – styles itself as a force for racial justice:

https://pluralistic.net/2022/01/29/planned-obsolescence/#academic-fraud

Payday lenders prey on poor people, and in America, "poor" is often a euphemism for "Black." Payday lenders disproportionately harm Black families:

https://ung.edu/student-money-management-center/money-minute/racial-wealth-gap-payday-loans.php

Payday lenders are just unlicensed banks, who deploy a layer of bullshit to claim that they don't have to play by the rules that bind the rest of the finance sector. This scam is so juicy that it spawned the fintech industry, in which a bunch of unregulated banks sprung up to claim that they were too "innovative" to be regulated:

https://pluralistic.net/2023/05/01/usury/#tech-exceptionalism

When you hear "Fintech," think "unlicensed bank." Fintech turned predatory inclusion into a booming business, recruiting Black spokespeople to claim that being the sucker at the table in the cryptocurrency casino was actually a form of racial justice:

https://www.nytimes.com/2021/07/07/business/media/cryptocurrency-seeks-the-spotlight-with-spike-lees-help.html

But not all predatory inclusion is financial. Take Facebook Basics, Meta's "poor internet for poor people" program. Facebook partnered with telcos in the Global South to rig their internet access. These "zero rating" programs charged subscribers by the byte to reach any service except Facebook and its partners. Facebook claimed that this would "bridge the digital divide," by corralling "the next billion internet users" into using its services.

The fact that this would make "Facebook" synonymous with "the internet" was just an accidental, regrettable side-effect. Naturally, this was bullshit from top to bottom, and the countries where zero-rating was permitted ended up having more expensive wireless broadband than the countries that banned it:

https://www.eff.org/deeplinks/2019/02/countries-zero-rating-have-more-expensive-wireless-broadband-countries-without-it

The predatory inclusion gambit is insultingly transparent, but that doesn't stop desperate scammers from trying it. The latest chancer is Intuit, who claim that the end of its decade-long, wildly profitable "free tax prep" scam is bad for Black people:

https://www.propublica.org/article/turbotax-intuit-black-taxpayers-irs-free-file-marketing

Some background. In nearly every rich country on Earth, the tax authorities send every taxpayer a pre-filled tax return, based on the information submitted by employers, banks, financial planners, etc. If that looks good to you, you just sign it and send it back. Otherwise, you can amend it, or just toss it in the trash and pay a tax-prep specialist to produce your own return.

But in America, taxpayers spend billions every year to send forms to the IRS that tell it things it already knows. To make this ripoff seem fair, the hyper-concentrated tax-prep industry, led by the Intuit, creators of Turbotax, pretended to create a program to provide free tax-prep to working people.

This program was called Free File, and it was a scam. The tax-prep cartel each took a different segment of Americans who were eligible for Freefile and then created an online house of mirrors that would trick those people into spending hours working on their tax-returns until they were hit with an error message falsely claiming they were ineligible for the free service and demanding hundreds of dollars to file their returns.

Intuit were world champions at this scam. They blocked their Freefile offering from search-engine crawlers and then bought ads that showed up when searchers typed "freefile" into the query box that led them to deceptively named programs that had "free" in their names but cost a fortune to use – more than you'd pay for a local CPA to file on your behalf.

The Attorneys General of nearly every US state and territory eventually sued Intuit over this, settling for $141m:

https://www.agturbotaxsettlement.com/Home/portalid/0

The FTC is still suing them over it:

https://www.ftc.gov/legal-library/browse/cases-proceedings/192-3119-intuit-inc-matter-turbotax

We have to rely on state AGs and the FTC to bring Intuit to justice because every Intuit user clicks through an agreement in which we permanently surrender our right to sue the company, no matter how many laws it breaks. For corporate criminals, binding arbitration waivers are the gift that keeps on giving:

https://pluralistic.net/2022/02/24/uber-for-arbitration/#nibbled-to-death-by-ducks

Even as the scam was running out, Intuit spent millions lobby-blitzing Congress, desperate for action that would let it continue to privately tax the nation for filling in forms that – once again – told the IRS things it already knew. They really love the idea of paying taxes on paying your taxes:

https://pluralistic.net/2023/02/20/turbotaxed/#counter-intuit

But they failed. The IRS has taken Freefile in-house, will send you a pre-completed tax return if you want it. This should be the end of the line for Intuit and other tax-prep profiteers:

https://pluralistic.net/2023/05/17/free-as-in-freefile/#tell-me-something-i-dont-know

Now we're at the end of the line for the scam, Intuit is playing the predatory inclusion card. They're conning Black newspapers like the Chicago Defender into running headlines like "IRS Free Tax Service Could Further Harm Blacks,"

https://defendernetwork.com/news/opinion/irs-free-tax-service-could-further-harm-blacks/

The only named source in that article? Intuit spokesperson Derrick Plummer. The article went out on the country's Black newswire Trice Edney, whose editor-in-chief did not respond to Propublica's Paul Kiel's questions.

Then Black Enterprise got in on the game, publishing "Critics Claim The IRS Free Tax Prep Service Could Hurt Black Americans." Once again, the only named source for the article was Plummer, who was "quoted at length." Black Enterprise declined to tell Kiel where that article came from:

https://www.blackenterprise.com/critics-claim-the-irs-free-tax-prep-service-could-hurt-black-americans/

For Intuit, placing op-eds is a tried-and-true tactic for laundering its ripoffs into respectability. Leaked internal Intuit memos detail the company's strategy of "pushing back through op-eds" to neutralize critics:

https://www.documentcloud.org/documents/6483061-Intuit-TurboTax-2014-15-Encroachment-Strategy.html

Intuit spox Derrick Plummer did respond to Kiel's queries, denying that Intuit was paying for these op-eds, saying "with an idea as bad as the Direct File scheme we don’t have to pay anyone to talk about how terrible it is."

Meanwhile, ex-NAACP director (and No Labels co-chair) Benjamin Chavis has used his position atop the National Newspaper Publishers Association to publish op-eds against the IRS Direct File program, citing the Progressive Policy Institute, a pro-business thinktank that Intuit's internal documents describe as part of its "coalition":

https://www.documentcloud.org/documents/6483061-Intuit-TurboTax-2014-15-Encroachment-Strategy.html

Chavis's Chicago Tribune editorial claimed that Direct File could cause Black filers to miss out on tax-credits they are entitled to. This is a particularly ironic claim given Intuit's prominent role in sabotaging the Child Tax Credit, a program that lifted more Americans out of poverty than any other in history:

https://pluralistic.net/2021/06/29/three-times-is-enemy-action/#ctc

It's also an argument that can be found in Intuit's own anti-Direct File blog posts:

https://www.intuit.com/blog/innovative-thinking/taxpayer-empowerment/intuit-reinforces-its-commitment-to-fighting-for-taxpayers-rights/

The claim is that because the IRS disproportionately audits Black filers (this is true), they will screw them over in other ways. But Evelyn Smith, co-author of the study that documented the bias in auditing says this is bullshit:

https://siepr.stanford.edu/publications/working-paper/measuring-and-mitigating-racial-disparities-tax-audits

That's because these audits of Black households are triggered by the IRS's focus on Earned Income Tax Credits, a needlessly complicated program available to low-income (and hence disproportionately Black) workers. The paperwork burden that the IRS heaps on EITC recipients means that their returns contain errors that trigger audits.

As Smith told Propublica, "With free, assisted filing, we might expect EITC claimants to make fewer mistakes and face less intense audit scrutiny, which could help reduce disparities in audit rates between Black and non-Black taxpayers."

Meanwhile, the predatory inclusion talking points continue to proliferate. Nevada accountants and the state's former controller somehow coincidentally managed to publish op-eds with nearly identical wording. Phillip Austin, vice-chair of Arizon's East Valley Hispanic Chamber of Commerce, claims that free IRS tax prep "would disproportionately hurt the Hispanic community." Austin declined to tell Propublica how he came to that conclusion.

Right-wing think-tanks are pumping out a torrent of anti-Direct File disinfo. This surely has nothing to do with the fact that, for example, Center Forward has HR Block's chief lobbyist on its board:

https://thehill.com/opinion/finance/4125481-direct-e-file-wont-make-filing-taxes-any-easier-but-it-could-make-things-worse/

The whole thing reeks of bullshit and desperation. That doesn't mean that it won't succeed in killing Direct File. If there's one thing America loves, it's letting businesses charge us a tax just for dealing with our own government, from paying our taxes to camping in our national parks:

https://pluralistic.net/2022/11/30/military-industrial-park-service/#booz-allen

Interestingly, there's a MAGA version of predatory inclusion, in which corporations convince low-information right-wingers that efforts to protect them from ripoffs are "woke." These campaigns are, incredibly, even stupider than the predatory inclusion tale.

For example, there's a well-coordianted campaign to block the junk fees that the credit card cartel extracts from merchants, who then pass those charges onto us. This campaign claims that killing junk fees is woke:

https://pluralistic.net/2023/08/04/owning-the-libs/#swiper-no-swiping

How does that work? Here's the logic: Target sells Pride merch. That makes them woke. Target processes a lot of credit-card transactions, so anything that reduces card-processing fees will help Target. Therefore, paying junk fees is a way to own the libs.

No, seriously.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/09/27/predatory-inclusion/#equal-opportunity-scammers

[decaffeinatedunicorn]

i wanna talk about hayden movies tooooooo

let's doooooo....... the last man (bc the branrot 🤌)

pros:

HAYDEN???? HELLOOOOOOOOO?????? 😫🙏

hayden's the absolute hottestttttt in this movie oh my GOD. i'm having palpitations just thinking about him

cinematography is actually really pretty, like there are some really aesthetic shots of scenery and cool closeups

did i mention haydennnnnnn AAAAAA

kurt matheson the man that you are 🔥

cons:

the goddamn beard..... oh god the BEARD 😭😭 get it away from meeeeee-

i can't for the life of me remember the plot. what happened? god knows

the street gang/thugs or whatever they are were so cartoony and cringey i got secondhand embarrassment. so glad hayden beat them up adfsgdhfjg (i cheered)

the movie is so dark i literally sat watching it like this

(it was a nightmare to gif the scenes let me tell you 😭)

The script needed a few more minutes in the oven

in conclusion, hayden's too good for this movie and it doesn't deserve him, his acting or his hotness

Movie: The last man: on the face of the earth (widely known as the last man) summary: A veteran who's suffering from post-traumatic stress disorder takes the advice of a street prophet and starts preparing for the end of days. release date: January 18, 2019 tomatometer: 24% IMDb: 3.7/10 UNImeter: 1.8/5

What I like about it:

Kurt obviously

fight scenes

the random comedic relief from his "friend" who wasn't there, but a figment of his PTSD

Harvey Keitel

What I dislike about it:

The voiceovers... I like listening to Hayden talk, but the voiceovers were overkill

Kurt's thick ass beard... was unnecessary

why did Kurt end up in the mental hospital?

the random little boy??

Jessica... & what was with the peep show of pics of her on her workplace computer?

why tf was it so dark? if you don't watch this movie in a dark room, you won't be able to see shit. (Maybe it's just my TEDs idk)

why was Kurt naked eating out of a can and reading a book? he couldn't have done that with clothes on?

what the fuck is the storyline? was it just me? this movie is TERRIBLY confusing

one big dystopian cliche

one big buildup of events and then crash lands and never goes anywhere... (BOO!)

THE LAST MAN RECAST IN PT. 2

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