#book snub

[bonefall]

As a big sibling with a lil sib with epilepsy, when they read TBC they Honestly thought if they got struck with lightning reciting the lord's prayer they'd be cured like Shadowsight is from their epilepsy. I had a discussion with them on how that's not how it works, but ge was so upset they took it away from Shadowsight that he hasn't picked the books back up and has stated that 'he hopes Ashfur wins and starts a new religion.,'

I do not even know how to respond to this besides saying that your little sibling is 100% right to be pissed and I now also hope Ashfur wins and starts a new religion.

[bunnyb34r]

Something I'll never understand is how apple elitists will find ANY excuse to bring up how they have [apple product] and you have [not apple product]

Like that annoying new guy that was in the breakroom and would not shut up (I get you're bored but it's 7am and we don't care), had walked past me and saw how small my phone is. It's not SMALL but it's not like the length and width of my hand, iPhones are like at least 1.5 the size now.

Anyway he was like "damn what kinda phone is that??" (Meaning what iphone is that) *sees the big SAMSUNG on the top "oh you got samsung. But I bet you USED to have an iphone before right?"

Why would you assume that?? That's such a fucking weird thing to say like unprompted to someone. And I was like no??? I've always had androids?? (And LG before smartphones lol) And it's like they always assume you didn't have a choice, and only got an android bc you couldnt get an iphone. Like no I think iPhones are pieces of garbage, I hate the way the app store works, and the only apple products I've ever had were ipod touches. I like being able to choose where my apps go and can download "non-approved" apps and shit. Bitch I CHOSE this phone bc I LIKE it. I only got my other phone (which IS iphone size) bc this one no longer gets service from the network I use. I use this one for everything but calls and texts, and my actual phone-phone for calls, texts, and sometimes youtube. I paid like $100 max for each phone, I ain't paying more than $150 for a phone that's gonna be slowed down by the company I bought it from in a planned obsolescence scheme to get me to drop another $500-$1000+ in a year or two.

But yeah apple superior you're right 🙄

[torchwood-99]

Ok, been sitting on this for a while, been trying to talk myself out of it, but here goes.

The book doesn't sell me on the love Theoden had for Eowyn.

I tried to read it and find something in his actions towards her that tell me he has proper regard, proper respect for her, that gives any weight or meaning to his love for her, but I can't find anything. He dismisses her before the entire court, doesn't consider her an heir or a proper part of his house, and has to have her virtues called out to him by other people, when she has been serving him for years.

Return Of The King sees him spout platitudes and declare her "dearer than daughter", but none of this is backed up by his general actions to her.

He loves Eowyn, fine. But he doesn't love her the way he loves Eomer, or probably loved Theodred. He doesn't love her as a fully realised being. Nor as someone to take pride in and carry on his legacy. He loves her a crutch, a tool, and something between pet and person.

He has affection for Eowyn, but his love feels more like a trivial thing, than something with any real worth or regard to it.

[tuttocenere]

greatly enjoying this book because the author really really goes out of his way to be understanding and nice to philip and he still comes across like the world's worst person

about the only nice thing I can say about him is his french and english neighbors were even worse

[mystery-moose]

EYO THE OSCAR NOMS ARE OUT

Let’s discuss!

BEST PICTURE: I've seen four of the ten nominees this year! Not a bad score for me. Of the remainder I am very interested in American Fiction, Anatomy of a Fall, and Past Lives. American Fiction in particular got Jeffrey Wright a Best Actor nomination! I love Jeffrey Wright! He deserves more recognition! Any film that can get him that has gotta be worth something.

Of the ones I’ve seen… I’d probably select Killers of the Flower Moon as the best? It’s a hard watch, but the craft on display at every level is exceptional. If not that, then… I dunno, maybe Barbie? The Holdovers is a safe choice, it’s a great movie, but there’s almost nothing… surprising about it. Barbie is CONSTANTLY surprising! But it’s also a madcap comedy bathed in metaphor so… man I don’t know!

Regardless, I wouldn’t pick Oppenheimer. Not to disrespect it, I genuinely believe it to be a very interesting film that’s compelling to watch, and as always Christopher Nolan’s ability to make weird-ass films with experimental structures popular with a mass audience is worthy of tremendous respect. But its pacing is rushed, its script is sometimes awkward to the point of parody, and I just don’t know that it’s saying or doing anything THAT interesting or enlightening about the real people involved or about people or history in general. Y’know?

BEST DIRECTOR: Nothing but Best Picture nominees here, which makes sense. Pretty blown away that Alexander Payne didn't get a nom here for The Holdovers. Not blown away at all that Greta Gerwig didn't get one for Barbie, despite that whole thing clearly being her baby. A real Streisand situation here, I'd say! "Eight nominations on the shelf, did this film direct itself?" Regardless of who wins (or even who I think deserves to!) I'd definitely say Gerwig got snubbed here.

BEST ACTOR: All best picture nominees here, save for Colman Domingo for Rustin. Had never heard of this film before, because it's a Netflix film and they always bury all their work, but it's about a civil rights activist so that makes... how many years that the Academy has included one of these in a Best Actor/Actress context? Selma, Harriet, Judas and the Black Messiah. I'm sure Colman Domingo gives a good performance, just noting that the Academy loves to nominate these for acting awards and not honor them in most any other way. (Hey, Jeffrey Wright's in that movie too! Good year for him!)

Bradley Cooper's here too. I don't think I like him very much! I've never disliked him really, but I've never loved his performance either. But the Academy seems to, since he's been nominated... TWELVE TIMES? Holy SHIT no wonder I wasn't surprised to see his name. Never won one, though. He keeps this up, maybe they'll throw him a pity one like they did for DiCaprio. Then again, I don't think Cooper assigns as much value to it as Leo did -- or at least, it doesn't feel like it. I care so little about Bradley Cooper! I don't follow his personal journey very closely! He's fine, I guess!

As a fan, I'd LOVE to see Jeffrey Wright take it, even though I haven't seen his movie. Of the ones I have, Cillian Murphy is very good in Oppenheimer, no question, but I've gotta give it to my man Paulie G. Dude is an incredibly talented actor with a non-traditional look who's done great work for decades and deserves a big win. He's fantastic in Holdovers too! It's a layered, funny, incredibly natural performance that he just falls into. Not particularly showy, which lowers his chances for a win, but to me (and most sensible folks) that makes it a better performance, so there, nyeh!

BEST ACTRESS: I haven't seen four of these but if they don't give it to Lily Gladstone they've fucked up. Sorry, other nominees, that's all there is to it. Also, where the fuck is Margot Robbie? She's incredible in Barbie! If I get to Supporting Actor and Ryan Gosling is there, this is misogyny.

BEST SUPPORTING ACTOR: This is misogyny!! But I'd love for Gosling to win for this. It'd be his first, and for a role like this that'd be hilarious. That being said it's still a tremendous performance! His commitment to the role both on-screen and off is clear, he's having a ball throughout, and he does his own dancing! God, I just wanna see his speech.

That being said, he has some extremely stiff competition. De Niro continues his golden year renaissance with an excellent performance of a very evil man in Killers of the Flower Moon, and Downey Jr. is so good in Oppenheimer that it took me a couple minutes and a scene transition to realize it was him at all! Also Sterling K. Brown and Mark Ruffalo are here! I like both those guys! If I had to pick one that I've seen that isn't Gosling? Probably Downey Jr. If I gave Oppenheimer one award, it would be this one.

BEST SUPPORTING ACTRESS: I like all these actresses, I think America Ferrera is very good in Barbie, and Jodie Foster has been doing great work lately, but this award belongs to Da'Vine Joy Randolph. She takes a character that could be one note in The Holdovers and invests them with so much life and complexity and history. I still think about that movie in part because of her, and because she made choices that made that character feel more authentic. It's maybe the most I've been impressed by an actress in a good long while, frankly! She deserves this one! Don't fuck it up, Academy! (but I know you will)

ORIGINAL SCREENPLAY: All Best Picture nominees, save for a movie called May December... because it's a Netflix film, of course. God, they sure do make a lot of award-worthy films I never ever hear about, huh! Wild how that happens! (Did you even know a new Spy Kids movie came out this year? Of course you didn't! It was on Netflix!)

I haven't seen four of these, but heard good things about Past Lives. I do really love The Holdovers though! Unless one of the others really knocks my socks off, I'd be comfortable with that winning here.

ADAPTED SCREENPLAY: Oppenheimer does not deserve this. I'm sorry, maybe it's a failure of editing, but the pacing on this thing is too breakneck. Maybe that's a failure of editing more than screenplay, though. Then again, the dialogue itself is uh... often pretty blunt and borderline silly, in that Nolan sort of way! So, y'know!

I'd love to see Barbie win it. It's so fucking funny, and occasionally vibrating with pathos. But I haven't seen the others, and they might rule, actually! American Fiction might be great! I'm looking forward to finding out when it hits digital!

ANIMATED FEATURE: I still think we probably shouldn't cordon these off into their own category, but then so few would get nominated for anything, so let's just live in the world we have, huh? The Boy and the Heron is a Miyazaki film, so that automatically makes it a contender, though I've heard some mixed things about it. Nimona is a dark horse that I remember having some buzz around it earlier this year, and Robot Dreams is a sad movie about a robot so it's automatically a movie I vibe with! Elemental... exists! (Why in the hell was this nominated and not Teenage Mutant Ninja Turtles: Mutant Mayhem?! Why of all things did THAT get snubbed?!)

But we all know this belongs to Across the Spider-Verse. It might not be a complete narrative, but purely on visual spectacle alone, it should win. It is, without question, the wildest eyeball experience I've ever had watching a movie, finally dethroning the previous occupiers, the Wachowskis' Speed Racer and the animated film Redline. It is constantly visually surprising and experimental, to the point that much like its predecessor I don't know how they fucking did some of the stuff they did. It's not the out-of-nowhere immediate game-changer that its predecessor was, and it might not have the immediate influence on an entire genre in the same way... but I think it pushes the medium even further! I can't wait to see what other movies look like in the future because of it.

(also the production sounds like it was a nightmare, animators deserve more pay and more respect, unionize, etc.)

PRODUCTION DESIGN: I mean, of all the things about Napoleon, how it looked was the absolute best of them. I wouldn't be too upset if it won... except I would, because Barbie. I mean, come on. COME ON. This one's a gimme. (Though why is The Creator not here? I know it was a pretty bad movie, but the design? Absolutely impeccable vibes!)

COSTUME DESIGN: I mean. Barbie. Did you see Ken's outfits?

CINEMATOGRAPHY: This is my nerd-ass award I care about. I've liked Hoyte van Hoytema's work in the past, and if Oppenheimer won this I wouldn't think it a complete miscarriage of justice -- it's got some really great images in it. But to me this is Flower Moon's award to lose. I haven't seen the others, but I don't know that anything else is going to match that. It's not too showy, but it is pretty damn impeccable.

There are also movies that I think got snubbed here, like John Wick 4 (yes I'm serious) and Sisu (again, I'm serious) and The Killer. Heck, they didn't even nominate The Holdovers here, and that movie leans into its period setting by aping the cinematography of films from that period! That's neat!

EDITING: That Oppenheimer is here is more proof the Academy doesn't know what good editing is. I mean, if you isolated a couple scenes of that movie, there IS great editing there! And even structurally, I think it makes some bold choices that should be rewarded! But as a whole, I didn't feel like I had time to breathe during a scene, and most of that is down to Nolan always choosing to cut or transition too soon. Sometimes it's even a matter of seconds! But those seconds matter! They're the difference between me feeling like I'm moving through a room and feeling like I'm being hurried through a room, y'know what I mean?

I'd probably go with Flower Moon here, but Holdovers has a lovely, languid pace to it and some very funny cuts, so I'm leaning in that direction too. Haven't seen the others!

MAKEUP AND HAIRSTYLING: How is Barbie not here?! What the hell kind of award show is this?! (A Bad one, we all know this.)

SOUND: (This used to be two awards, one for sound mixing and one for sound editing, and on a technical level those are two very different skills, but whatever, Academy!)

This is one I think that Oppenheimer will probably take, because it does some cool things with sound a few times. But it's also one that I think The Creator might actually deserve. Some really killer sound in that film, right up there with its production design -- which it should have gotten a nomination for! Also, Mission: Impossible dark horse, just to give it something. Because I love those movies, even if this year's was maybe my fourth-favorite Mission: Impossible movie that still makes it better than most movies!

VISUAL EFFECTS: It's kind of a long-shot, but I'm pulling for Godzilla Minus One here. Guardians looked good, The Creator looked good (it's about all it did) and I absolutely adore and respect the commitment to practical stunts and car chases and effects in Mission: Impossible and it should get all the recognition possible for throwing a real train off a real cliff... but c'mon. It's Godzilla. And by all accounts, it does so much with so little, at least in terms of budget. It's a movie directed by a guy who previously supervised visual effects! Of course it was gonna look good! That it looks that good at that budget though? Might be enough to get it the big win. Here's to hoping! It'd be nice to see a movie that cost about ten million dollars be recognized as having better visual effects than a movie that cost... two hundred and fifty million Jesus Christ what are you doing Disney.

ORIGINAL SCORE: Be neat to see Indiana Jones take this one! Good score, nice but not too reverent. But I don't have particularly strong feelings this like I have in previous ones. Don't remember many movie scores from this year, nothing's made it into my playlist beyond a couple Mission: Impossible tracks, certainly nothing's impressed me as much as something like The Batman's score or anything.

ORIGINAL SONG: Two songs from Barbie here, one from the Flamin' Hot Cheetos movie (yes it's real and yes it's historically inaccurate!) and one from... Killers of the Flower Moon. Uh oh. Uh oh! I was all ready to be ride or die for "I'm Just Ken" (and to be clear if it won I wouldn't object) but that song in Flower Moon and how it hits at the end... well. It should probably win, is what I'm saying. Even if it's not the fun choice. Be nice to see it performed, at least. These will all be great performances, probably!

DOCUMENTARY FEATURE: I haven't seen any of these! I usually don't until at least year or two after the fact! Just how I end up watching documentaries, usually. It'll probably be the one about Ukraine, though. Not necessarily because it's the best one, but because the Academy likes to think that making picks like that is somehow activism. (Also can you believe that's still happening? Ukrainian sovereignty, end the war, etc.)

INTERNATIONAL FEATURE: Haven't seen any of these, but heard good things about Society of the Snow. Zone of Interest is a best picture nominee, so odds are that'll be the one that wins. Surprised a Japanese film got in here but it's not Godzilla! Damn! Was hoping for a dark horse win for Big G!

ANIMATED SHORT: Never seen 'em!

DOCUMENTARY SHORT: Most of the short documentaries I watch are on Youtube these days!

LIVE ACTION SHORT: Good for all these people who got nominated!

THAT'S IT hoo boy the Oscars, huh. This year's a bit of a dull one, nothing that I'm really excited about winning anything outside of like, Barbie. Killers of the Flower Moon definitely deserves a lot of awards, but how many it'll get remains to be seen. Also I just realized DiCaprio didn't score a nomination for his part in that! Just Lily Gladstone! Haha! Good! (Though I do think DiCaprio's work has improved noticeably after he finally got his stupid Oscar. Almost like he stopped trying so hard and that made his performances feel more natural! Wild!)

Anyway, next year I'm gonna be stumping hard for Dune 2 so. Be prepared for that.

[alrightsnaps]

shondaland shoehorning a love triangle in s2 and forcing simone to share the protagonism in her season for no reason vs NC getting her own poster for the second year in a row....i’m gonna let you draw your own conclusions

[daydreamdoodles]

The more I get closer to finishing Persuasion, the sadder I feel about the netflix adaption

[senadimell]

The thing about belonging to a guild is THE GUILD LIBRARY because while ravelry-style fiber arts are Popular Internet subjects, there's been thriving subcultures around fiber arts that go way deeper and a lot of the actual books you can find on the subject were written prior to 2002 and were self-published.

currently restraining myself from buying one of two used copies I've been able to find of a particular book because my brain is so so susceptible to scarcity, and scarce this book is.

also the only book I've been able to get my hands on about nalbinding was published in Oslo in 1961 in norwegian.

I guess what I'm saying is that I've finally hit a niche that a well-equipped university library wouldn't be able to automatically fulfill. (my major in undergrad was not specific enough that I had to track down any particular tomes. Maybe one or two articles from the 50s for a historiography paper, but that was it and pdf-scannable).

[maverickmongrel]

the erins did longtail so dirty 😮‍💨

[dont-play-with-me-choices]

More than once I've thought to myself that not romancing Gabe is the best thing you can do for his character, and this moment really hammered that home lol

Like if we were fucking this would be annoying as shit, but as a work buddy??? TEAR THOSE BITCHES APART

Bonus:

Romantically or not, you, me and the trees know that he finally bounced bc MC jumped ship. But this was still fucking hilarious. He really said check yourself baby sdjbjoadno

[howifeltabouthim]

She felt continually snubbed, she had no friends and no world.

Iris Murdoch, from The Book and the Brotherhood

[hailwestexas]

cringe but free: openly relate to catcher in the rye and my year of rest and relaxation

[chrisdr3]

"Ignorant" ~ OP81

Fluff

Oscar x Introvert!Reader

Summary: Y/n gets hateful comments about her appearance and for being "ignorant", whilst Oscar tries to understand what's going on with her feelings.

You never really liked to talk much, you always were shy and tended to hide your emotions. You were more on the introverted side, like Oscar. When you were together, Oscar did most of the talking, especially when you were infront of fans, reporters and team members unknown to you.

That's the main reason the hate started. Most of it, at least. Every day, you were recieving hateful messages and comments on your social media. Everywhere you went, several fans that recognised you said things about you. Because of that, you started staying at home and you stopped posting stuff on your social. The worst part is that you distanced yourself slowly from relatives and friends.

At the last few races, you went on McLaren's hospitality from the back, avoiding fans as much as you could and avoided places of the garage that had cameras and media. You took your headset and hid in lonely corners or in Oscar's driver room, where nobody could reach you, and stayed there, sometimes crying and others just sitting and thinking. Feeling hideous and snub.

As the time passed, you started distancing yourself from Oscar slowly, thinking he hated you just like the "fans". He wasn't talking much either, so that's what you thought. You didn't really hug or cuddle him, you ate and showered alone, you spent hours locked up in your office room, reading books, and didn't sleep well at night, staring at the ceiling, trying not to cry. Long story short, you started avoiding him, too.

The fist days, Oscar thought you had to study for uni. Then a week passed and Oscar started to get worried. He wanted to help you, he wanted to talk to you, to find what's going on. He was cooking your favourite meals, bringing them to your door, tried to understand if you had a certain time of going out to shower, but you didn't.

One day, he checked your social media, just in case he found why were you acting like that. He checked them that same afternoon he came up with the idea and scrolled through your accounts, every comment he saw made him even angrier. He then posted something in response.

"I've repeatedly seen hateful actions and comments about Y/n and I want people to know that she's not ignorant or rude, she's an introverted person. So, I'm requesting from everyone to respect her. If there are still people out there, still hating on her through internet or irl, they'll stop being considered "fans" by me and will be reported. Thank you." That's what the post said.

He then waited till you got out to shower and stranded waiting in the doorframe if the closed bathroom door. When you got out, he moved infront of you and pulled you into a warm, bone crushing hug. "Why are you so distant lately, sweetheart?"

Tears escaped from your eyes, and you cried silently in Oscar's arms, staining his shirt with them. He didn't move, he rubbed your back gently. "That's it, let it out princess." You continued crying till you hadn't any more tears to shed, holding the towel around your body tightly, afraid it will fall.

Oscar cupped your face and kissed your forehead. "It's okay baby, I'm here for you." He whispered. "Talk to me, what took you away from me?" You looked at him, your face tear stained, sad. "Promise n-not to get angry?" You mumbled. "Of course, I can't get angry that easily, especially from you." He replied, caressing your hair.

You didn't leave his arms, snuggled in their warmth instead. "D-do you hate me?" You mumbled, looking at your feet. "Why would I hate you baby?" He responded, not getting his arms off you. "Because I'm"ignorant" and "rude" and "snub"." Oscar looked at you and smiled sadly. "It's the comments, huh?" You raised your head, a questioning expression in your face.

"I know about the hate you get. I saw it on your social and you don't know how many times I've heard "fans" talk to me or to other people about you when in races or downtown." He explained, ruffling yor hair. "Oh..."

"I'm here for you baby, I know you are shy and stuff but I believe in you. You can ignore them and you have the words to confront them." He smiled. "Can you try that? For me?" "I'll try..." You whispered. "Thanks, sweetheart." You kissed his cheek, adjusting your towel. Oscar noticed, he then grabbed your hand and led you to your shared bedroom. "Let's get you dressed, princess."

Taglist: @pinkswaet @dilemmaontwolegs @changetyre @thef1diary @f1driverszona

[ddarker-dreams]

Lock I need you to share something about Gojo. Jjk is getting worse with no hope in the future. Plis just a tiny part is god. 🙏🙏🙏🥺🥺🥺🥺🥺🥺

Detour.

Gojo Satoru x F Reader x Geto Suguru.

Warnings: Mild not SFW implications, Gojo and Geto are Not normal about you, exhibiting possessive behavior. Word count: 1.2k.

-Index-

"—Excuse me, miss!" 

The exclamation barely registers amidst the crowded street's ambiance. Everyone has a destination they're eager to reach, and you're no different. Unlike those native to the area, however, you're more likely to get lost; hence your current conundrum. 

You examine the mess of squiggly lines, blocks, and patterns intended to function as a map. 

Kagurazaka, Kagurazaka... c'mon, I know this one... it starts with the kanji for god or something, right? 

While you scrutinize the map, the same voice from earlier calls out again, this time beside you. You glance around, not wanting to respond if he’s trying to flag down someone else. In doing so, it becomes increasingly obvious that you’re who he’s been trying to grab the attention of. 

From the looks of it, he’s a man in his late thirties, wearing a suit that could use a good ironing. You can’t recall meeting him before. Then again, you’re not privy to everything that happens back on campus. Meetings with influential figures frequently occur without your knowledge. You only ever find out about them later when Satoru loudly voices his critical view on everyone who attended. You are wearing your uniform, it’s recognizable to those in Jujutsu circles. 

You’d rather not stir up a scandal by unintentionally snubbing a Zenin or someone equally important. With this in mind, you politely inquire, “Can I help you?” 

“That uniform… you’re a high schooler, right?” 

You nod, figuring that this confirms your hypothesis. 

“What year?” 

This question makes less sense. Maybe he wants to know your proximity to Suguru, or, far likelier, Satoru. These types always have their own designs for the pride of the Gojo clan. 

“I’m a second-year.” 

“I see, I see,” he begins rummaging through his blazer’s inner pocket. He procures a business card and holds it out. “How about a job? From the looks of it, you’d make a good fit.” 

You blink. 

Are you… allowed to do freelance work? You’ve heard of specific sorcerers being requested for jobs, but that’s always been through the school. Besides, as a Grade Three, you don’t think you can go on unsupervised jobs. Not wanting to seem rude, you reach out to accept the card— 

—Only for it to be intercepted. 

“Sorry, she’s completely booked,” a voice that sounds the furthest thing from apologetic chimes in. 

Gojo Satoru stands to your right, adorned with his circular sunglasses and trademark grin. He rips the card in half without so much as a second thought. You stare at him, incredulous. Questions swarm around your head. When did he get here? How didn’t you notice him until now? Why does his cursed energy have such an unnerving quality to it? 

He bends down and hangs his arm around your shoulder. “You’re somethin’ else. Ignoring Suguru and I’s calls, chatting up strange men in Kabukichō… I swear, we can’t take our eyes off you for a second.” 

“Wh— I’m not chatting anyone up!” You whisper yell. His infinity nullifies enough for you to jab a finger at his chest. “Why can’t you give better directions?! ‘West of the Edo Castle’ doesn’t tell me anything, it just sounds like a TV drama!”

Satoru shrugs. “Should’ve just asked an auxiliary manager to drop you off.” 

“You might treat them like a personal taxi service, but I’d rather not. Taking the train’s fine.” 

The man finally overcomes the shock inflicted by Satoru’s audacity, taking a step forward. “What are you, her boyfriend or something?” 

“Bleh, no!” 

“Future husband.” 

Yours and Satoru’s responses come out simultaneously. 

“In that case—” 

“Excuse me,” A new presence interrupts the increasingly irritated man. Suguru wears a friendly smile which somehow comes across as more menacing than Satoru’s wolfish grin. He places a hand on the man’s shoulder. “You are aware that it’s a minor you’re trying to recruit, correct?” 

The man flushes at the accusation. “Listen, I dunno what you’re trying to accuse me of—” 

“I’d hate to see you get in trouble for a mistake like that,” Suguru cuts him off again, raising his voice ever so slightly. This attracts the attention of some bystanders. “Who knows what consequences that’d result in, especially for a married man like yourself…” 

Huh. You hadn’t even noticed the gold band on his ring finger. Suguru’s nothing if not perceptive. 

Nearby commuters whisper amongst themselves while eyeing the scene. The man’s gaze flits between a self-satisfied Satoru and an overly polite Suguru, eventually settling on an escape route. Wordlessly, he departs, although you swear you overhear him muttering ‘crazy kids’ and ‘doomed girl,’ along the way. 

“Yo, Suguru. Took you long enough.” 

“Unfortunately, not all of us can teleport.” 

“Your curse did a better job at tailin’ me than you.” 

Ignoring the jab, Suguru dusts his hands off while honing in on you. “You alright? You weren’t answering our calls.” 

“And you’re late,” Satoru whines. He helps himself to searching through your purse, taking your pink Razr hostage. “Huh. Battery’s dead.” 

Suguru appears content. “What’d I tell you?” 

“If she’s blocked me before, the same could happen to you.” 

“I wouldn’t block Suguru.” 

“She wouldn't block me.” 

This time, it’s you and Suguru who speak concurrently. Satoru pouts, putting his hands up like he’s under attack (which he probably believes himself to be). You snatch your phone back without issue, unlike when he last stole it. He unblocked himself and dangled it above your head until you promised you wouldn’t do that again.

“And here I was, about to treat you both to pastries,” Satoru sighs, melodramatic as ever. 

“While we were waiting for you, I noticed creampuffs and macaroons on the menu; which would you recommend?” Suguru inquires, not bothering to acknowledge Satoru’s complaints. 

“That depends on what you want from the experience,” you mimic his decision. “Creampuffs tend to be one flavor, whereas macaroons come in multiple, so the variety’s nice. When I get a variety pack, I always end up disliking one of the flavors and wishing I’d just gotten my favorites instead.” 

Satoru sighs as loud as he can. “Right, right, I’m just a walking wallet. Let’s get going before someone else solicits [First].” 

“Eh?” You turn your head to face Satoru. “‘Solicits?’ As in…?” 

“Se—” 

Suguru slaps a hand over Satoru’s mouth. “What he means to say is that this isn’t the best area for a high school girl to linger.”

“W-Wait, hold on! I thought he was like a… er, how would you say that… sorcerer employer?” 

They both stare at you. 

“You do know what Kabukichō’s famous for, right?” Suguru tentatively asks. 

“Hm? ‘Kabuki’ is a type of traditional theater, isn’t it?” 

“...” 

“...” 

“Let’s just show her what we mean,” Satoru bends down, picking up two halves of the business card he split in half earlier. “It’ll be a good lesson. I’d rather not have to come fetch her in this place again— oh.” 

Suguru inspects what has the power to shut Gojo Satoru up. You watch as his eyes move back and forth, his face shifting while he does so. His lips narrow into a thin line when he pulls back. Curious, you stand on your tiptoes, hoping to catch a glimpse yourself. Thankfully, there’s yomigana above some of the kanji you don’t recognize. This eliminates any possibility of you misreading the card’s contents. 

‘Oh’ indeed, you think. That poor guy…

It’s a business card for the company that oversees AKB48. 

[ew-selfish-art]

DPxDC AU: Tim receives an interesting email from DalvCo explaining why the CEO is not to be trusted- It's an internal email and suddenly Tim is experiencing supernatural phenomena. He knows that the two events are absolutely related, but he's going to let the cutie stumble his way through data points and vague threats anyway.

(Sorry this got long lmao)

Tim is exhausted after a long night of staking out a new drug cartel with Hood (which in itself took a lot of energy from both of them to have the patience for the other- things are good, not great)... so right now he's logging into his WE email on the train to his office because he's incredibly late. And while he scrolls and contemplates the failsafes he has to make sure Tam doesn't murder him outright- he sees an unexpected email from Vladimir Masters.

Tim's curiosity is piqued, he'd thought that Vlad would have gotten the hint after Tim dismissed him at that Christmas gala a few years ago. Most people took Tim's snubbing as a fatality in the Gotham socialite scene- Most knew him to be 'an agreeable young man', and Tim's reputation had paid a small price for making Vlad's failed vibe check known to the room. The tabloids blamed it on the champagne glass he had in his hand- Has he mentioned how much he hates Vicky Vale lately??

Tim has a few stops to go and he's pretty sure that he's going to delete the email, but in sleep deprived inspiration, he decides it might as well entertain him while he waits. The letter isn't at all what he expected.

"Hello Wayne Enterprise's CEO Tim Drake, I'm sending you this letter on behalf of the entire Midwest to advise that you, under no circumstances, come into contact with or speak to the CEO of DalvCo Vlad Masters. He is underhanded and utilizes untraceable tactics to procure deals. We have reason to believe you may be targeted in the next few days and hope that you are able to take steps for your own safety to avoid Vlad Masters at all costs.

Sincerely, 👑"

Tim feels bewildered for a moment and then... Like a cat with a new toy mouse. A game was afoot! He needed to track down these hackers, he needed to be their best fucking friend (find out their secrets & Vlads) and he needed to apprehend Vlad ASAP! Untraceable tactics? Tim scoffs, but the challenge excites him.

Arriving at WE, Tam looks ready to throw a knife his way (he reminds her that Pru does it better) and states that if Vlad Masters tries to make an appointment- accept it but give him the run around. Make an appointment and continue to contest it, change it, delay it until Tim is actually ready for him. The lights start to flicker, both of them notice it.

Everytime Tim gets a second to investigate Vlad in his office, the room's temperature drops. Tim notices it, and having experienced a number of supernatural phenomena, he knows it has to be related.

Tim decides not to beat around the bush. He comes back to the office that night equipped with a Ouija board, candles and a bag of other occult accessories. He quickly finds, upon setting up, that there is now a groaning Teenager in front of him- lambasting his efforts and chastizing him for taking a meeting with Vlad. Did he not get the fuckin memo??

Tim quickly begins to ask his questions, grateful to not have to deal with the party game board, and takes diligent notes.

"Right, so, you're just a concerned citizen ghost who knows what kind of nefarious deeds Vlad gets up to, how?" ---

Danny is losing his shit. Here he is, having done all the ground work to tell this guy not to meet with Vlad and he's already got him on the schedule! Danny took a page from Technus' book and transported himself alongside the short email. He didn't get this guy at all! Tim was like, basically the same age and clearly super fucking smart, why was he acting like this was a fucking birthday gift? Scratch that, the dude has a Ouija Board- it's like a lame ass birthday party in here!

Danny cannot help himself but return to the visible spectrum and give this guy a talking to- Which, the atmosphere of a birthday party still doesn't change, for ancient's sake this guy is taking notes with a megawatt smile! He's smiling! Danny just described Vlad taking down like, three American dynasties and the dude is nodding his head along gleefully.

Then suddenly, Danny realizes that he might be on the chopping block. Tim asks his first question and it's not about Vlad at all.

"Er, yeah. Just a concerned ghost citizen." Danny cringes.

"Right, and that's why you hacked into the Mayor of your town's email... Right Tucker?"

Danny blanches, not because the guy knew about Amity Park, but because apparently Tucker's online persona had been compromised. SHIT.

"Uh, I'm not Tucker." Danny attempts to lie- why was he so bad at lying again?!

"Of course you aren't, he's currently playing doomed, but it would have been smart to take the out I offered you. Do you want to tell me your name or do you want me to throw out another random guess? You should know that I've done my homework."

"...It's Danny."

"Certainly not Danny Fenton? Who is, sorry to say it, heir to DalvCo? The same one who totally doesn't have a school record of absences equivalent to well documented town hauntings?"

"Yep." Danny cringes, and giving up the goat, transforms back into his human self, "But seriously dude, you can't meet with Vlad. He'll just... take it all."

Tim blinks at him a few times, and his cheeks flush. Danny desperately tries to ignore that response as well as his own (he knows his ears are red, sue him).

"Right. Well, how would you like an internship? First order of business would be meeting with me and my PA Tam and helping us play ball." The guy has a feral grin. The grin kind of scares Danny, it definitely annoys him and a small part of him is curiously charmed.

"Dude you're not hearing me-" Danny tries before being cut off.

"Yeah yeah, supernatural bullshit is involved, Got that." Tim waves him off. Okay never mind, not charmed at all, Danny is completely annoyed.

"I swear to all the ancients-" Danny has to stop himself to calm down, "Dude consider yourself fucking haunted. I'm not helping you with a suicide mission to talk to the creep and I will be making your ass miserable for deciding to go down this path."

"Is that a promise?" Tim is basically batting his eyelashes at Danny and Danny is desperately trying to ignore that.

"Bet." And then he goes invisible.

"That's cute, pretending to leave me." Tim smirks and Danny can't help but let out an exasperated groan.

As it turns out, Tim is incredibly difficult to spook and his normal haunting methods are not fucking working. Has this guy just, like, seen every single horror movie?

----

Tim knows this is going to be fun, even if it means not going out as Red Robin for a while... Maybe he should get back into his night photography and give the guy a chance to enhance the creepiness of Gotham? Maybe start going to restaurants alone and get the guy to join him at a secluded two person table? Tim has plans on plans on plans.

[neil-gaiman]

Curiosity is getting the best of me, and truly I’d love to hear your opinion on this.

When I dig into horror, macabre, paranormal, terror, or dark themed writing (whether it’s writing or screen adaptations) I always have the same results.

Writers and artists such as yourself, Stephen King, Dean Koontz, etc. are always mentioned. And I mean that with true respect. But, I’m always disappointed that Clive Barker is either rarely mentioned, barely looked at, or never even acknowledged when it comes to horror works. Granted, writers such as yourselves don’t entirely focus on horror.

But, I feel Barker is snubbed or just shrugged off a lot of the time. I still feel he’s not appreciated so much, other than the horror film fan community always giving him praise.

Since you both seemed to be good colleagues (from assumption, which I could be wrong), do you think his works are overlooked?

I mean….his writing is more than just the Hellbound Heart. Or as people reading these fan mail asks would more properly know it by, the horror movie adaptation Hellraiser (1987).

I don't read much any more about horror, which means I have no idea what people are saying these days about Clive or me or Stephen King or Arthur Machen or Robert Aickman or Lisa Tuttle or anybody really.

For me, the six Books of Blood and The Damnation Game were formative literature, and meeting Clive in 1984 when we were both babies was inspiring. I was on set as a journalist when Hellraiser was being shot -- hell, I was on set when Clive Barker's Underworld (1985) was being shot. You can read my interview with Clive from 1988 in the book Clive Barker: Shadows in Eden.