#bunny lebowski

[foodfuck]

bunny lebowski - carrot white russian · craft and cocktails

[scenephile]

Do you want me to blow on your toes?

[instantbrains]

WONDERFUL WOMAN

HONNOR HEADS x Rockin’Jelly Bean

the-store.questionmarksco.com/

[chargeaznable]

Daffy and Bugs To Gay Bowl or Not to Gay Bowl

[godsprettiestprincess]

He’s my fucking Bunny

[mannyblacque]

Me after each episode of Only Murders In The Building gives a new twist

[ytptennis]

How do you think Munch lived before? Where did he live? Where does he sleep? I wanted some details, because I'm trying to write some kind of fic and I'm not that good at it, what do you think? Where was he before Roy hired him? I wanted to write a fic without all the erotic stuff that part of the fandom does, I want something more serious, about his trajectory. So, I wanted some ideas: did he live by breaking into houses? Did he live on empty plots of land? What was he eating? What did he do on a daily basis? Where does he get cigarettes and so on? Sam said that the idea is that he doesn't carry things with him, because he's the kind of guy who when he needs to, grabs a gun, a cigarette and so on. Like the scene of him picking up the cigarette from the ground, what did he do before? What kind of jobs was he taking? Just kidnappings and murders? What do you imagine? Has he had other "Irma's"? Where did he break in and stay quietly in the person's house? Where did he sleep in the meantime? I would like some insights, I am grateful for your headcanons.

all great questions!! under the cut since my responses are kinda long:

so according to munch in the finale, he doesn't need to sleep. we can assume his curse has left him biologically frozen in time like a vampire. i think he was still able to rest & eat, but they dont actually serve any real purpose. he's not restored afterward nor would he suffer when deprived of those things. he closes his eyes, but he doesnt relax or dream. he eats, but it just disappears inside him. this makes it tricky to pinpoint why exactly he's a smoker, though. if i had to pull something out of my ass real quick, i'd say its an easy way to confirm his own existence, like how we can see our breath when its cold, or when we hold our hands close to fire. it becomes addicting to him in that sense, rather than his body needing nicotine itself. he wouldn't respond negatively to cigarettes at all, but because tobacco just generally stains anything it's in prolonged contact with, that explains why his teeth are so tarnished.

as for jobs, i genuinely think he was a drifter in every sense of the word. he has an innate need for creature comforts so i think his quests to find those things lead him to kill-or-be-killed situations. money is also a tricky topic bc idk what it'd mean to him apart from a sign that the completion of a job has been acknowledged & properly compensated. he didn't seem to care about roy's money once he acquired it. my guess is, in relation to your "irma" question as well, that he leaves money where it's most needed. he clearly gave some to her when she returned to the house with groceries.

munch might have acquired firearms by brazenly attacking organized crime circles or just stealing off of criminals. i think he'd be efficient & quick enough that the murders would just be reported as internal conflict.

i don't see him as a vigilante but i also don't think he'd just hurt people indiscriminately. he's had centuries for his hatred of the rich to fester, & he's very clearly disturbed by the deaths of innocents re: irma. i understand this is kind of a conundrum where dot is concerned, but again, it's represented through a cycle. munch maintains it by allowing himself to be employed by the powerful to secure that throwaway money. all he knows after being hired by the tillmans is that a rich man wants his wife back, whom he probably assumes is also rich, like bunny lebowski. it's only after he sees how hard dot fights back that he questions the nature of the job.

i think munch has had other "irma's", but not recently. i said this in a previous post, but i think every once in a while back in the day he'd stop by a rural family's home & offer to help them out for a bit in exchange for food & board, which he only took advantage of for a couple of days out of fear that his presence would somehow attract danger. again, this is less of a need to satisfy biological hunger & more about his hunger for companionship & family. losing that which he found in the indigenous tribes that invited him in left him very hesitant to seek it out anywhere else. fleeting moments are better than none at all. something else to dwell on is him assigning irma as his temporary "mama". from this we can infer 3 things:

he misses having a mom, & he wants someone to take care of him. obvious.

calling her his "mama" might be a way of apologizing for scaring her. awkward, yes. ineffective, yes. but the title suggests purity, hardship, and the respect owed to a mother who exhibits those things. another example of his innate connection to women.

he suggests it casually, showing he doesn't feel guilty for breaking in. this interested me for a bit since it makes him partly responsible for irma's death, but the more i thought about it, it makes sense because he is aware of his own power, power he wasn't employing to bully. in exchange for her charity, he promised to protect her. this made her death that much worse & undoubtedly stirred past trauma.

there's also the question of his sudden need for a mama. what about the dot job made him that lonely or scared? my theory is that the kin connection to dot was sparked during their "battle". he didn't know how to respond to it, especially considering this woman was briefly his victim. he figured he could seek an outlet somewhere else, but somewhere incedentally close to dot, in a house in the suburbs. his ability to "know people" must've told him that irma was not one of the suburbanites. she is ignored, her house is falling apart, etc. this is presumably why he didn't break into a more well-off house.

when he doesn't want to go through the trouble of bothering people, he'd most likely find uninhabited homes or buildings to squat in. the little hut in the beginning of episode 9 intrigued me, but nothing about it suggested it was owned by him. it might just be a shed used by ice fishers. it made me think of the one wrench & numbers used in s1 to keep warm.

as for what munch does in his spare time, there's nothing in the show to really drive me in one direction or another, so i like to think he reads. finding books without the use of a library is not uncommon (those little free libraries where ppl leave books for others to take). plus he can just steal & then leave them somewhere when he's done. i like to think reading is how he learned to speak english, even way back in his early years.

[filmparaden]

Trouble Every Day (Claire Denis, 2001)

Wings Of Desire (Wim Wenders, 1987)

Sympathy For The Devil (Jean-Luc Godard, 1968)

Dekalog (Krzysztof Kieslowski, 1989)

Russian Ark (Aleksandr Sokurov, 2002)

Tale Of Tales (Yuriy Norshteyn, 1979)

Time Regained (Raoul Ruiz, 1999)

Aguirre, der Zorn Gottes (Werner Herzog, 1972)

Grey Gardens (Albert & David Maysles, Ellen Hovde, Muffie Meyer; 1975)

One From The Heart (Francis Ford Coppola, 1981)

Man With A Movie Camera (Dziga Vertov, 1929)

Dogville (Lars von Trier, 2003)

Sombre (Philippe Grandrieux, 1998)

Cul-de-sac (Roman Polanski, 1966)

Brown Bunny (Vincent Gallo, 2003)

Le feu follet (Louis Malle, 1963)

The Swimmer (Frank Perry, 1968)

A Special Day (Ettore Scola, 1977)

La maman et la putain (Jean Eustache, 1973)

The Battle Of Algiers (Gillo Pontecorvo, 1966)

The Big Lebowski (Joel & Ethan Coen, 1998)

Touch Of Evil (Orson Welles, 1958)

Playtime (Jacques Tati, 1967)

The Long Goodbye (Robert Altman, 1973)

Goodbye, Dragon Inn (Tsai Ming-liang, 2003)

Rashomon (Akira Kurosawa, 1950)

Eternal Sunshine Of The Spotless Mind (Michel Gondry, 2004)

A Summer's Tale (Eric Rohmer,1996)

The Turin Horse (Béla Tarr, Ágnes Hranitzky; 2011)

Baby Doll (Elia Kazan, 1956)

Daisies (Vera Chytilová, 1966)

Unsere Afrikareise (Peter Kubelka, 1966)

Thérèse (Alain Cavalier, 1986)

La jetée (Chris Marker, 1962)

Le gamin au vélo (Jean-Pierre & Luc Dardenne, 2011)

Les 400 coups (François Truffaut, 1959)

The Piano (Jane Campion, 1993)

I'm Not There (Todd Haynes, 2007)

Killer Of Sheep (Charles Burnett, 1978)

The Piano Teacher (Michael Haneke, 2001)

Dead Man (Jim Jarmusch, 1995)

The Women (George Cukor, 1939)

Pickpocket (Robert Bresson, 1959)

Paper Moon (Peter Bogdanovich, 1973)

Don't Look Back (D.A. Pennebaker, 1967)

Little Fugitive (Ray Ashley, Morris Engel, Ruth Orkin; 1953)

Midnight Cowboy (John Schlesinger, 1969)

The Night Of The Hunter (Charles Laughton, 1955)

The Ice Storm (Ang Lee, 1997)

Man On The Moon (Milos Forman, 1999)

Eyes Wide Shut (Stanley Kubrick, 1999)

Enter The Void (Gaspar Noé, 2009)

Snatch (Guy Ritchie, 2000)

The New Land (Jan Troell, 1972) 

Los olvidados (Luis Buñuel, 1950)

Border Radio (Allison Anders, Dean Lent, Kurt Voss; 1987)

Vertigo (Alfred Hitchcock, 1958)

The Adventures Of Prince Achmed (Lotte Reiniger, 1926)

Les triplettes de Belleville (Sylvain Chomet, 2003)

Brief Encounter (David Lean, 1945)

Gare du Nord (Jean Rouch, 1965; segment of Paris vu par... )

Vagabond (Agnès Varda, 1985)

Slap Shot (George Roy Hill, 1977)

Le sang d'un poète (Jean Cocteau, 1932)

Breathless (Jim McBride, 1983)

Stop Making Sense (Jonathan Demme, 1984)

Upstream Color (Shane Carruth, 2013)

Saturday Night And Sunday Morning (Karel Reisz, 1960)

Gadjo dilo (Tony Gatlif, 1997)

Rebel Without A Cause (Nicholas Ray, 1955)

A.K.A. Serial Killer (Masao Adachi, 1969)

The King Of Comedy (Martin Scorsese, 1982)

The Hours (Stephen Daldry, 2002)

In A Lonely Place (Nicholas Ray, 1950)

The Honeymoon Killers (Leonard Kastle, 1969)

Meshes Of The Afternoon (Maya Deren, 1943)

When We Were Kings (Leon Gast, 1996)

Broadway Danny Rose (Woody Allen, 1984)

A Woman Under The Influence (John Cassavetes, 1974)

To The Wonder (Terrence Malick, 2012)

Beavis And Butt-head Do America (Mike Judge, 1996)

Araya (Margot Benacerraf, 1959)

Kes (Ken Loach, 1969)

Skammen (Ingmar Bergman, 1968)

Duel (Steven Spielberg, 1971)

The Bridges Of Madison County (Clint Eastwood, 1995)

The Man Who Fell To Earth (Nicolas Roeg, 1976)

Roma città aperta (Roberto Rossellini, 1945)

Diva (Jean-Jacques Beineix, 1981)

Limite (Mario Peixoto, 1931)

The Fountain (Darren Aronofsky, 2006)

La cérémonie (Claude Chabrol, 1995)

The Draughtman's Contract (Peter Greenaway, 1982)

Amour fou (Jessica Hausner, 2014)

Happiness (Todd Solondz, 1998)

Hausu (Nobuhiko Obayashi, 1977)

Before The Devil Knows You're Dead (Sidney Lumet, 2007)

Gomorra (Matteo Garrone, 2008)

The Full Monty (Peter Cattaneo, 1997)

Låt den rätte komma in (Tomas Alfredson, 2008)

[rebplusvodequalsnbk]

🅰🅱🅾🆄🆃 🅼🅴

I'm Ezra, I'm a 38yo happily married, but non monogamous, Australian queer trans man, drug addict. I've been into true crime since I was 9yo (April/May 1995) when I had mono, and I was being looked after by my uncle. He was into true crime, and most of his books were crime books. The first one I read was The Stranger Beside Me by Ann Rule (about Ted Bundy); followed by the first 5 books by Chopper Read (an Australian criminal, who wrote books about his exploits while in prison, they made a movie about him, called Chopper, staring Eric Bana. I highly recommend watching it, it's on YouTube, just search for "Chopper Full Movie"), and finally A Father's Story by Lionel Dahmer (Jeffery Dahmer's father). I was immediately hooked on true crime.

𝕋𝕣𝕦𝕖 ℂ𝕣𝕚𝕞𝕖 𝕀𝕟𝕥𝕖𝕣𝕖𝕤𝕥𝕤

Columbine; Julian Knight (1987 Hoddle St Massacre, Melbourne Australia); Martin Bryant (1996 Port Arthur Massacre, Tasmania Australia); Snowtown Murders; Blake Leibel; Robyn Lindholm (Melbourne's Black Widow Stripper Murderer, who murdered at least 2 of her boyfriends, and was the last person to see a stripper she worked with before she vanished); the men who were behind the importation of 4.4 tonnes (15 million tablets) of ecstasy into Australia in 2007; John William Samuel Higgs; outlaw motorcycle clubs; Tony Mokbel; Carl Williams; the late 90s early 00s Melbourne Gangland War; 2007 Melbourne CBD Shooting; the Allen-Pettingill Family; Truro Murders; Brendan Abbott aka The Postcard Bandit; John Killick (mostly his escape from Silverwater Correctional Centre in a helicopter that his girlfriend hijacked); and loads of Australian Crimes, from cold blooded killers to drug kingpins to armed robbers to stand over men to outlaw bikies and everyone in between.

𝕆𝕥𝕙𝕖𝕣 𝕀𝕟𝕥𝕖𝕣𝕖𝕤𝕥𝕤

I love drugs, hard drugs, not pot; tattoos; piercings; tea; writing letters; watching my hubby play Destiny II and Cyberpunk; playing Kingdom Hearts, all editions; reading, I read 3 books a week that are at least 250 pages long; baking; pretty girls; dangerous men; sex work; sex workers; sex work activism; drug user activism; combat sports; BDSM and kink; hanging out on the internet; my cat; making new friends; partying with my best friend Dani; heroin; meth; an dim sure there's other shit that I'm into, that I can't remember.

𝕄𝕦𝕤𝕚𝕔 𝕀 𝕝𝕚𝕜𝕖

Apes of the State; Pat The Bunny; Mischief Brew; L7; Hole; Nine Inch Nails; Local News Legend; Placebo; Smashing Pumpkins; KMFDM; Chemical Brothers; Ministry; NOFX; Screeching Weasel; Frenzal Rhomb; Magic Dirt; Rammstein; Lagwagon; Green Day; TISM; Thundamentals; Horror show; Hilltop Hoods; Joelistics; Ay Huncho; One Four; Throbbing Gristle; Genesis P Orridge; Leftover Crack; Star Fucking Hipsters; The Infested; Choking Victim; Operation Ivy; Black Flag; The Vandals; Refused; Tim Timebomb; The Queers; The Cramps; The Methadones; New York Dolls; Alien Sex Fiend; Iggy and the Stooges; Germs; Circle Jerks; Dead Kennedys; Minor Threat; Descendants; T.S.O.L; Agent Orange; Dyke Drama; Subhumans; Pansy Division; Limp Wrist; Buzzcocks; and plenty more

𝕄𝕠𝕧𝕚𝕖𝕤 𝕀 𝕝𝕚𝕜𝕖

Natural Born Killers; Pulp Fiction; Kalifornia; True Romance; Spun; Requiem for a Dream; Drugstore Cowboy; Kids; Sid and Nancy; Chopper; Texas Chainsaw Massacre; Evil Dead; Lord of War; Trainspotting; Velvet Goldmine; The Basketball Diaries; Fear and Loathing In Las Vegas; Gia; Blow; Candy; Permanent Midnight; Rush, The Panic In Needle Park; Zero Day; The Big Lebowski; Dusk til Dawn; Kill Bill; Naked Lunch; and others I can't think of right now.

𝔹𝕠𝕠𝕜𝕤 𝕀 𝕝𝕚𝕜𝕖

"Sombrero Fallout: A Japanese Novel", and "The Abortion: An Historical Romance 1966" and "Revenge of the Lawn" by Richard Brautigan; the "Sandman Slim" series and "Angel Scene" by Richard Kadrey; "Naked Lunch" and "Junkie" and "Queer" by William S Burroughs; "Chopper" 1-10 by Chopper Read; the 17 "Underbelly" books by John Silvester and Andrew Rule; "Exquisite Corpse" by Poppy Z Brite; "SCUM Manifesto" by Valerie Solanas; "The Sluts" by Dennis Cooper; "Trainspotting" and "The Blade Artist" by Irvine Welsh; "These Things Happen" and "The Good Son" by Greg Fleet; "Stone Butch Blues" by Leslie Feinberg; "Red Dragon" and "Silence of the Lambs" and "Hannibal" by Thomas Harris; "A Whore's Manifesto" by Kay Kassirer; "Whore Stories" Tyler Stoddard Smith; and too many more to name.

[cjbolan]

Me with Mrs. Jeffrey “Bunny” Lebowski herself, Tara Reid, at this year’s Awesome Con .

[Image description: Woman posing in a pink rabbit hat with Tara Reid wearing striped cat ears. End description.]

[forthegothicheroine]

Going over ideas for the full cast of 1940s Big Lebowski

Robert Mitchum as Jeffrey “the Dude” Lebowski, Los Angeles Bowler

Sidney Greenstreet as Jeffrey “the Big” Lebowski, Showboating Millionaire

Edward G Robinson as Walter Sobchak, Jewish D-Day Veteran

Lauren Bacall as Maude Lebowski, Modern Artist

Martha Vickers as Bunny Lebowski, Who Will Kiss You for a Hundred Dollars

Vincent Price as Brandt, Loyal Flunkie

Peter Lorre as Donny, Who Loved Bowling

Barton McLane as the Beach Cop, Local Fascist

Richard Widmark as Jackie Treehorn, Burlesque Impressario

Conrad Veidt as Karl Hungus, Nihilist Cabaret Performer

Elisha Cook Jr as the Brother Shamus, Late to the Story

Dan Duryea as The Jesus, Terrifying Bowler

Walter Huston as The Stranger, Cowboy Storyteller

Victor Mature as the Landlord, Amateur Dancer

[dean-isms]

“No. Coffee for you, Tara Reid.”

Reference: Tara Reid

Episode: 7x18 “Party On, Garth”

Writer: Adam Gloss

Spoken To: Garth Fitzgerald IV

Media Type: Celebrity - Actor

Timeframe: N/A

Description: An American actress and model. She played Vicky in the films American Pie (1999), American Pie 2 (2001), and American Reunion (2012), and Bunny Lebowski in The Big Lebowski (1998).

[rogersandclarke]

list of movies. whatever. these don’t necessarily have anything in common im just gonna list movies

the big lebowski

spring breakers

kids

american psycho

the last movie

the trip

starman

the brown bunny

out of the blue

blue velvet

easy rider

human highway

julien donkey-boy

gummy

the beach bum

interstellar

lady bird

two lane blacktop

love & mercy

pain & glory

memoria

bobby deerfield

spider

a history of violence

existenz

the dead zone

misery

the shining

crimes of the heart

steel magnolias

long strange trip

monterey pop

original cast album: company

popstar: never stop never stopping

best in show

year of the horse

coffee & cigarettes

the talented mr ripley

boogie nights

capote

adaptation

moonstruck

raising arizona

the big lebowski

this is the end of the list. thank you for reading.

[yerbamansa]

My OFMD fic list

Series:

how the west was won and where it got us (a.k.a. the revenge ranch) - ongoing modern AU set at a horse ranch/B&B in rural New Mexico with mostly the whole crew; mainly switching between Oluwande and Jim POV with one-offs for other folks in between. Slice of life stuff, some hurt/comfort, some fluff, one soft smutty story. 19 entries and counting, >130k words(!)

Kitchen Mistakes & How To Avoid Them - 14 chapters/87k words, also known as the "test kitchen AU." Ed/Stede enemies-ish-to-lovers focus with several other pairs/trios featuring. M rated for a little spice. Main work complete as of April 3, 2023. Now a series with one-shots!

We're Gonna Live In The Trees - modern AU in which Stede's a custom treehouse builder in a failing marriage and Ed's a new client who makes him surprisingly flustered. The closest I've gotten to a nice, cozy romance with minimal angst (like, there's SOME angst). 6 chapters, 35k words, complete as of June 16, 2023. There's also a podfic (linked in the notes)! Sequel Rock On To The Oceanside started July 25!

One-shots/single multichapter fics:

the secret middle-aged sad-sack mostly bad vibes I can sing along to playlist - ongoing wip with daily-ish short updates, modern au in which stede gets all my problems, slow fucking burn, baby, rated M. actual playlists and a podfic linked in notes. 60k as of 4/18 and on hiatus.

Gutterballs For Days - The Big Lebowski AU with a twist. Collaboration with art! 4 chapters starting 4/20/24 (natch)

the way things are going - tealoranges t4t climate apocalypse story extremely loosely inspired by parable of the sower. Complete at 50k words/9 chapters as of March 14, 2024.

all that i need is you and the sea - the accidental time travel amnesiac five-part Stede/Ed love story I somehow cranked out over five days. Starts in a post-apocalyptic future and goes way, way back.

an atypical emotional response to common sounds - 6.6k oneshot i dubbed "the misophonia fic." Also my first (maybe only) foray into writing Stede/Ed smut. Also a T-rated sequel due to a controllable irregularity (5k)

Welcome to Jeff’s Inn by the Sea | Innkeeper Roleplay ASMR | Personal Attention | Realistic | Soft Spoken Male Voice - 4.2k, rated M, Ed/Stede idiots in love/accidental sex tape (fade to black)

Plus Ones - office party mutual pining (Ed/Stede)/fake dating (Stede & Archie) shenanigans, rated T, 3k words.

I Think I See The Light - 5.6k oneshot attempt to merge a very canon-divergent Jim/Oluwande love story and Jim's vengeance plot with Harold & Maude.

Stede has started shopping for your order - 2.2k oneshot for the prompt "gig worker." A sweet lil' cupcake from me to u.

in a time trap - not exactly a fix-it time loop one-shot, starting from where Chauncey wakes Stede up with a gun in his face.

heading vaguely eastward - the first (and maybe only) Mary/Jim fic on AO3. Nudged myself into an Explicit rating here. One-shot modern AU with flirting, banter, etc.

let's pretend we're bunny rabbits - short one-shot in which Ed and Stede are literally pet rabbits (Izzy's and Lucius's, respectively).

a silver vision convalesced my soul - one-shot based on a prompt for guardian angel AU, hurt/comfort, and the sentence "do you really believe that?" featuring Jim and Oluwande.

science tells us - unfinished/WIP using "science" myths to inspire scenes in between canon bits. Might never finish this one.

SMAUs:

Public Relations (@OFMDPublicRel) - collaborative effort Ed/Stede celebrity AU. Started posting Aug. 4, 2023.

Ask Me Anything: A TealOranges SMAU (@askmeanythingofmd) - collaboration with thetragicallynerdy. Correspondence across time and death via Tumblr asks. Rated E for sex and violence, 56k words, complete as of July 4, 2023!

Disruptors (@disruptorsOFMD) - a modern AU/social media AU told over a series of tweets. In this, Ed is a tech CEO and Stede is a small business owner in Silicon Valley. Complete on Sept. 15, 2022.

Fic of a fic:

be sweet to me, baby for hoshiforever (perfect little houses smau)

still sometimes i feel for faeeebaeee (pina coladas smau)

Not [originally] on AO3:

oceanographer's choice (frenchie/oluwande fastfic one-shot based on a random au prompt)

AITA for trying to stop my boss from ruining his life? (izzy hands fake reddit post w/ comments)

[adamwatchesmovies]

The Big Lebowski (1998)

I don’t know what other movie I’d compare The Big Lebowski to. It’s got a lot of drug use and trippy dream sequences, but a stoner movie? That’d be a stretch. Its cast contains kidnapping and thieves but I’d never call it a crime film. The characters we meet are so distinct it’s a struggle to find their equivalents in any other tale. It’s a film in a category all of its own, which makes it a must-see.

Slacker Jeffrey “The Dude” Lebowski (Jeff Bridges) has few ambitions beyond having a good time and bowling with his friends Walter (John Goodman) and Donny (Steve Buscemi). After some idiotic thugs confuse The Dude and millionaire philanthropist Jeffrey Lebowski (The titular Big Lebowski, played by David Huddleston), The Dude becomes embroidered in a kidnapping and ransom scheme.

Every character in this film is a standout. It’s as if the Coen brothers (who write and direct) snatched every standout comedic weirdo you see in other films and put them all together on their own planet where only their rules apply. The results are completely unpredictable. Everyone from the Big Lebowski’s aggressively feminist weirdo artist daughter Maude (Julianne Moore) to the thugs who demand a ransom for his trophy wife Bunny (Tara Reid) will say and do things that will make you do a double-take over and over. Even when you become somewhat acclimated to the people surrounding The Dude (who, thankfully, is more of an everyman, or as close to it as one can get in this film), you have no idea what's coming next.

You’ll laugh, you’ll bite your nail out of nervousness, you’ll curse one character that’ll turn out to have been right the whole time and you’ll latch onto another who will turn out to be the last person you should trust. You feel exactly as confused and overwhelmed as The Dude. Before you know it, everything’s spun out of control and the only course of action is to continue along the same path that’s been set out since the beginning. Anything else is sure to end up in a shootout. If this doesn’t seem to make any sense, just wait and see. You’ll understand soon enough.

Part of what makes The Big Lebowski so magnetic are the inane conversations found throughout. There are a lot of great lines in this picture. I’m not sure when you’ll be able to refer to a rug as “really tying a room together”, but the characters, the scenes, the plot (nutty as it is) and the dialogue are all so memorable, you’ll find a way to crowbar it in somewhere. This inspired screenplay is about people who range from either so passive trouble seems to seek them out, or so aggressive they turn the world around them to hell. You don’t see yourself in any one of these people directly, but it feels like you've met at least some of them at one point.

While my second viewing of the film meant the surprises weren't there anymore, and this meant I didn't enjoy it as much as the first time, I can sense The Big Lebowski growing on me. I suspect I'll like this film even more the third, fourth, fifth, etc. times I see it. (On DVD, May 19, 2018)

[mannyblacque]

After every episode of Only Murders In The Building