#but I don't think this happens often so yeah

[heartofjasmina]

happy saturday jasmina! <3

just scrolling through my dash and i had a thought. and i know it might sound tame, but like...being the girl that takes bakugo's virginity in his early 20s has got be not only an honor, but a hell of a time.

bakugo refuses to say whether or not he's ever slept with anyone - not even kirishima knows he's still a virgin by their second year of college. he doesn't count hand jobs or fingering, really, since it's only happened a handful of times. he starts dating you and everything feels so easy and natural, it almost scares him.

cut to one night after a steamy make out session at your apartment, things quickly escalate, and bakugo is sweating. the way you touch his skin has him burning up along with the way you kiss him like he's the last man on earth. he thinks he's got himself under control until you're both stark naked on your bed, and the mere sight of you has him struggling not to explode the second he touches you.

you can sense that bakugo's nervous, assuming that it's either been awhile since he's gotten laid...or you're his first. instead of calling him out on it, you decide to take the lead, coaxing him into fucking you nice and slow; but, when you guide him between your legs and "good boy" falls from your lips after he pushes through your soaked folds, he crumbles. everything in his head turns fuzzy, breath hitches and cums the hardest he ever has on the spot. all you can do is giggle with pleasure when he does, nuzzling against his neck and kissing him on the cheek.

you'd never tell him you knew that night was his first time, and he's only gotten better since. sometimes the first step is the hardest :)

Oh my GOD rei I'm in shambles over this 😩😩😩

He'd be so desperate to please you that first time. The dynamic between you two as fluid as can be since you're still learning how you two fit together. Yeah maybe later he'll be more dominant more often, but now?

Now he's your good boy, your love, and your sweet eager lover who just wants to please you.

And yeah if you pointed out you knew he'd be so defensive, but you don't and that's one of the reasons he loves you.

[lostfracturess]

In the backseat? Or on the stairs?

ღ pairing satoru gojo x female reader

ღ summary you and satoru have been driving each other crazy all night with your constant teasing. just your luck, the only seat left in the car is right on his lap. with every bump and turn on the road home, you can't help grinding against him and with his moans in your ear, it's only a matter of time before something more happens right?

ღ wc 6.3 k

ღ warnings 18+ ONLY. porn without plot, unprotected sex (wrap it before you tap it, friends), penetration, fingering, public sex, kinda breeding kind, praising, needy female lol, overstimulation, edging, oral (both male and female), satoru is a bit insane as always.

ღ author's note idk what to put here. not that people really care, we all know why you're here so enjoy. but pls like or repost if you enjoyed, it means the world !! ♡

Satoru Gojo's lap was absolutely the last place you expected to find yourself tonight. Yet here you are, perched on his muscular thighs, the crowded car speeding towards your place after the party.

Trying to get comfortable, you shift your weight, accidentally brushing against his crotch. Satoru sucks in a sharp breath.

"Easy there." His hand grips your waist tighter, pulling you flush against his chest. "Or are you trying to start something?"

"You wish," you fire back.

"Oh, I do wish." He smirks, fingers toying with the hem of your shirt "Been wanting to get my hands on you all night."

You merely huff, pretending indifference even as your heart races at his words, his touch. Satoru Gojo is the biggest tease on campus, and he fucking knows it.

Tonight's party was no different.

From the moment you arrived, Satoru was there, looking infuriatingly handsome in his tight shirt that clung to his every muscle, flashing that cocky grin whenever he caught you staring. Which was often.

Now, crammed in Suguru's car, the only seat left just had to be Satoru's lap. Before you could protest, Suguru hit the gas and the car lurched forward.

Satoru's arm snakes around your waist to steady you. "Careful there," he murmurs, his deep voice sending shivers down your spine. "Wouldn't want you to fall."

Biting your lip, you stare out the window, trying to focus on anything but the way your bodies are molded together. Every bump, every turn presses you against him in the most maddening way.

Heat pools in your core as you fight the urge to grind down onto him. Blame it on the alcohol, but it was damn hard to think straight when you were rubbing against his rough pants.

But then a glance at Satoru nearly makes you gasp. Head thrown back, eyes closed, lips parted. His arm tightens around you, pulling you impossibly closer.

Then, he dips his head, lips grazing your ear. "Keep squirming like that, love, and we're gonna have a situation." His other hand finds your thigh, fingertips dragging over your skin. "Not that I'm complaining. Grind on me all you want."

Your breath catches. Heat courses through your veins, and it's only partly from the alcohol. Maybe it's liquid courage, maybe it's weeks of pent-up frustration. But now it's payback time.

Slowly, deliberately, you roll your hips, relishing his sharp intake of breath.

Satoru shifts beneath you. Unmistakable proof of his hardening length brushes your backside, a whimper nearly escapes him.

"Fuck, you feel what you do to me?" Satoru's groan is quiet in your ear. "Been hard for you all damn night."

"Yeah? What are you gonna do about it?"

"Oh, I've got plenty in mind." Satoru's fingers dig into your hip. "But not sure you could handle it with an audience."

"Try me. I dare you."

"Don't tempt me. When I get you alone, you're gonna regret being such a tease."

Boldly, you rock your hips against him, teasing him just a little bit more.

His hips buck up involuntarily, seeking friction. His cock presses against your backside. He dips his head, burying his face in the crook of your neck. Another moan falls from his lips, this one deeper, needier, muffled against your shoulder.

"Keep moving like that and I won't be able to control myself," he warns, his words hot against your shoulder. "Gonna end up taking you right here in this car, audience be damned."

And oh, how you wanted to take him up on that challenge.

You shift again, this time with clear intent. You grind down against his hardness, rolling your hips in a slow, deliberate circle but subtly to avoid drawing attention from the others in the car, the flowing fabric of your skirt thankfully providing enough coverage to conceal your movements.

His fingers dig into your waist, a strangled groan escaping his throat. You feel him grow even harder beneath you, straining against the confines of his pants, his thick length digging into your backside.

Biting your lip, you reach back and palm him through his pants, squeezing gently. You can feel him throb through the layers of clothing separating you.

Satoru jolts, a high, needy whine catching in his throat. His head falls back against the seat, eyes squeezing shut as he tries to maintain control.

"Shit, shit, wait," he pants, fingers circling your wrist to stop your teasing touch. "Stop that."

"What's the matter, Satoru? Can't handle a little teasing?"

"You're going to regret this," he warns, voice thin with strain. "You're in so much trouble when I get you alone."

Wetness pools between your thighs, soaking through your underwear. You've never wanted him more than in this moment.

Satoru's mouth finds your neck, teeth grazing the sensitive skin. "But you know, two can play at this game, love," he rumbles against your throat. "And I play to win."

To punctuate his point, his free hand slides up your inner thigh, fingers brushing feather-light over your feverish skin. Even that small touch makes you gasp, hips pressing against his.

"Better be careful. Keep up the teasing and I might just make you come right here, audience or no."

Your breath hitches, body torn between the desire to let him do just that and the knowledge that you're very much not alone.

But Satoru seems determined to push things further. His fingers grow bolder, wandering further up your thigh, skimming over the sensitive skin with feather-light touches that have you squirming.

Higher and higher he goes, until finally, finally, he reaches your clothed core. Your pulse pounds in your ears as he traces the lacy edge of your underwear, the barest hint of a touch.

"Satoru," you whisper, half plea, half warning. You're not sure if you're begging him to stop or keep going, but it doesn't matter. He does what he wants anyway.

"Shh," he murmurs, lips brushing your ear. "Just keep quiet and let me make you feel good."

With that, he presses his fingers more firmly against you, rubbing slow, lazy strokes over your clothed clit. Biting your lip hard, you try to stifle the moan rising in your throat. But then his fingers slip beneath the waistband of your underwear, and the first direct touch of skin against skin has you shuddering in his lap.

"So wet," Satoru marvels, fingers gliding easily through your slick folds. "All this, just from a little teasing? You're going to be drenched by the time we get home."

"Satoru," you whimper. "Please..."

"Please what, love?" His fingers circle your clit, applying just the right amount of pressure to make your head spin. "Tell me what you want."

"I want—" you start, only to cut off with a gasp when the car hits a pothole, causing his fingers to slip lower, teasing your entrance.

"Sorry guys," Suguru calls over his shoulder, "road's a bit bumpy."

"Yeah, no problem," Satoru replies, voice surprisingly steady for a man with his hand between your legs. "We're good."

Good is an understatement.

The way his fingers are moving against you, dipping just slightly into your entrance before sliding back up to your clit, has you seeing stars. Your hips rock against his touch, desperate for more.

He traces the very edge of your entrance, circling you with a barely-there pressure that makes you want to scream. Dipping just the tips of his fingers inside, he gathers the wetness before gliding back up to your clit.

His touch is maddening. You're desperate for more, for the thick slide of his fingers deep inside you, for the delicious stretch and fullness. But Satoru denies you, keeps his touches feather-light and fleeting, never quite giving you what you need.

"Please," you whimper, hips canting shamelessly against his hand. "Please, Satoru, I need..."

"What do you need, love?" he purrs in your ear, fingers continuing their torturous movements. "Use your words."

"Your fingers. Inside me. Please, I need you inside me."

Satoru hums, considering.

His fingers dip into your entrance again, just slightly deeper than before. Your breath hitches, walls fluttering around the teasing intrusion. But before you can grind down, before you can take him deeper, he withdraws, sliding back up to circle your clit.

"Satoru," you whine plaintively.

"Patience, love. I'll give you what you need. Eventually."

His fingers glide down again, tracing through your slick folds, teasing at your entrance without ever breaching. It's torturous, the ghosting pressure where you're empty and aching.

Up and down, up and down, never pushing inside but just hinting at the pleasure of it. Your core turns molten until you think you can't take it any longer.

You're so wet you can hear it, the obscene sound of his fingers gliding through your arousal seeming impossibly loud in the close confines of the car.

"Fuck, you're dripping. I've barely touched you and you're already this wet for me."

As if to emphasize his point, he circles your entrance again, dipping just the very tips of his fingers inside, stretching you open around him for a fleeting second before withdrawing.

"So desperate to be filled. You want it so bad, don't you, love?," he marvels, pressing just slightly deeper on the next pass. "Want my fingers buried deep inside you, want me stretching you open and fucking you until you scream."

"Yes," you sob, head thrashing against his shoulder. "Yes, please Satoru, please..."

He rewards your begging with another barely-there thrust, the very tips of his fingers breaching your entrance before retreating again. It's simultaneously too much and not enough, the fleeting fullness stoking your desperation to a fever pitch.

"Satoru, please. I can't... I need..."

"Shh, I know. I've got you, love. Going to give you what you need now."

Slowly, torturously, he sinks one long finger into you. The slide is smooth and easy, your body offering no resistance. You moan low in your throat, head tipping back in relief and pleasure as he bottoms out, buried to the knuckle.

"Fuck, you're tight," Satoru whispers, sounding almost pained. "And so wet, fuck. Can't wait to feel this perfect little cunt wrapped around my cock."

The thought makes you clench hard, walls rippling around his finger. Satoru groans, hips grinding up against your ass, the thick line of his cock digging into you.

Slowly, he starts to move, pumping his finger in and out of you. But it's not enough, the stretch too slight to truly satisfy the ache inside you.

"More. Please, Satoru, more."

He obeys with a second finger, the added thickness making you gasp and arch. Satoru sets a deep rhythm, fingers curling to stroke that spot inside you that make you bit down your lip.

"Fuck, Satoru. More, please, more..."

You feel his answering groan more than hear it, the vibration of it rumbling through his chest pressed against your back. "Such a greedy girl, always needin' more."

He punctuates his words with a particularly deep thrust, before you can do more than gasp, he's withdrawing, ignoring your whimper of protest. But it's only for a second, just long enough for him to add a third finger on the next plunge.

The stretch is maddening, bordering on too much. It tears a gasp from your throat before you can stop it. It's loud enough to make Suguru glance back briefly. "Everything okay back there?"

Satoru's fingers still inside you, and you bite your lip hard to keep from whimpering. Satoru keeps his expression impressively neutral, even as his other hand grips your thigh hard enough to bruise.

"Yeah, we're good. Hey, can you turn up the music? I love that song."

Suguru shrugs, seemingly oblivious to what happens in the backseat. "Sure thing, man." He reaches for the volume dial, cranking up the pounding bass until it fills the car.

You've never been more grateful for loud music in your life. As the beat thrums through the vehicle, you pray it will drown out any further sounds you might make. Especially considering Choso and Kento, passed out drunk were literally sitting beside you.

Satoru bottoms out, three fingers buried as deep as they can go, stretching you impossibly full. For a moment he stays like that, let's you just feel the perfect ache of it, the way your inner walls ripple and squeeze around him.

"Oh fuck." You grind your hips down to take him even deeper. "Satoru, yes..."

"That's it, take it. Take everything I give you like a good girl."

Slowly he begins to move. It's a smooth, deep glide, his fingers stroking you from the inside with devastating precision. He curls them just right, rubbing over that sensitive spot he found as if he knew it by heart.

Your head falls back against his shoulder, mouth open in a silent moan as he works you closer and closer to the edge.

"God, the sounds you make," Satoru groans, pumping his fingers faster, harder. "Sexiest fucking thing I've ever heard. Could listen to you moan for me all damn night. I wonder why he didn't do that sooner?"

Every thrust of Satoru's fingers, every glancing brush of his thumb over your clit, drags another broken whimper from your throat. Pleasure builds rapidly fast, your body climbing higher and higher, chasing the release that shimmers just out of reach.

"Satoru, please," you gasp. "I'm so close, I need... fuck, I need..."

"I know what you need," he rasps, doubling his efforts. His fingers piston in and out of you. "Need to come, don't you? Need to soak my fingers, drench my hand in your cum until it's dripping down my wrist."

"Satoru. Need you. Please."

"Shh, I've got you," he soothes, even as his thrusts grows harder, faster. "Just let go, love. I'll catch you."

Thank god for the loud music and low lighting. If not for that, everyone in the car would be clearly aware of exactly what Satoru is doing to you right now, how you're trembling and writhing in his lap.

His fingers speed up, his thump rubbing firm circles against your clit. You're close, teetering on the knife's edge of release.

"That's it. You're being so good for me, staying quiet while I make you feel good. You gonna come for me, love? Gonna soak my fingers while trying not to scream?"

His words make you clench hard around his fingers. Your thighs start to tremble. You're so close, balancing precariously on the razor's edge, body drawn tight.

Satoru feels you teetering on the brink. "That's it. Come on my fingers, love. Wanna feel you let go."

But just as you're about to tip over the edge, just as your eyes are fluttering closed, the car rolls to a stop. Satoru's fingers still deep inside you, a frustrated groan rumbling in his chest.

"We're here," Suguru announces, glancing at you through the rearview mirror.

It takes a moment for the words to reach you through the haze clouding your mind. You blink dazedly, struggling to catch your breath as Satoru carefully withdraws his hand form you.

"Thanks for the ride, man," he says to Suguru, voice strained but level. "I'll make sure she gets in safe."

"You sure you don't need a ride too? I don't mind, it's on my way."

But Satoru is already shaking his head, one hand reaching for yours, lacing your fingers together. "Nah, I'm good. I'll walk or catch a cab later."

He doesn't wait for a response, practically yanking you out of the car and slamming the door shut behind you. Satoru's grip on your hand tightens as he drags you to the door of your house, impatient to get you inside.

You fumble with your keys, doesn't help that Satoru is pressed against your back, the hard length of him digging into you, making it difficult to concentrate.

"Hurry," he urges. His lips find your neck, trailing hot, open-mouthed kisses along the heated skin. You gasp, head falling back against his shoulder as he sucks at your throat.

Finally, blessedly, the door swings open.

You barely have time to step inside before Satoru is on you again, kicking the door shut and pinning you against it. His mouth on yours in a bruising kiss, tongue delving deep, claiming you.

He kisses you like a starving man at a feast, consuming you, devouring you. It's all you can do to cling to his shoulders as the onslaught continues, feeling dizzy and breathless.

Large hands roam your body, pushing your skirt up around your waist, squeezing your ass. He grinds against you, the rough fabric of his pants creating delicious friction against your sensitive core.

"Satoru," you gasp as his mouth trails down your neck, teeth nipping. "Bedroom. Now."

"Takes too long." In one swift motion, he grasps your hips and lifts you up, turning to set you down on the stairs instead.

Your breath catches as your back meets the cold wooden steps. His body covers yours, his weight on you as he settles between your thighs. You can feel the hard ridge of his cock pressing against you.

He braces a hand on the stair by your head, the other trailing feather-light down your side. "You've been teasing me all night. Strutting around in this tiny little outfit, bending over in front of me, brushing against me 'accidentally'. Driving me fucking crazy."

He punctuates his words with a roll of his hips, grinding against your core. Even through layers of clothing, the friction is delicious. Your back arches, pressing closer.

"Maybe I like driving you crazy," you manage breathlessly. Your own hands tug at his shirt, desperate to feel his skin. "Maybe I like seeing you so desperate."

"Careful what you wish for, love."

Satoru's electric blue eyes burn into you, pupils blown wide. With a swift movement, he pushes you up against him and tugs your shirt over your head, tossed carelessly to the side.

You gasp as the cool air of the room hits your heated skin, goosebumps rising in its wake. But it quickly turns into a moan when his mouth is on your chest.

"That's for teasing me all night. Need me to mark you as mine, huh? Show everyone who you belong to?"

You moan, high and breathy, as his lips wander lower, tongue swirling against your sternum. When he reaches the edge of your bra, he doesn't hesitate, dragging the cups down to free your breasts. His large hands cup the soft mounds, squeezing gently.

"Fucking perfect." His large hands cup the soft mounds, squeezing gently, thumbs brushing over the hardened nipples. Then his mouth is on you, hot and wet, and coherent thought becomes impossible.

His tongue laves over one nipple, lapping at the sensitive bud, teeth grazing lightly. He sucks it deep into his mouth, the pull of his lips sending heat straight to your core.

Your hands fly to his hair, fingers tangling in the soft white strands as you hold him to your chest. Desperate, needy sounds spill from your lips as he works you over, every swipe of his tongue, every scrape of his teeth stoking the fire within you higher.

He lavishes the same attention on your other breast, sucking and licking and biting until you're writhing against him, hips rolling restlessly, seeking friction. Your core throbs, molten heat gathering between your thighs.

"Satoru," you gasp, arching into his touch. "Feels so good."

He hums around your nipple, the vibrations making you shudder. His free hand glides down your side, skimming over your ribs and waist, before gripping your hip possessively.

Satoru releases your nipple with a wet pop, blowing cool air over the wet nipple before his lips trail lower, peppering open-mouthed kisses down your stomach. He sucks a mark into the curve of your hip, tongue soothing the sting.

His fingers hook into the waistband of your underwear, starting to tug them down. But then he pauses, looking up at you through his lashes with a wicked glint in his eyes.

"Tell me what you want, love. Tell me how you want me to pleasure you."

You swallow hard, mind hazy. "Your mouth," you manage to gasp out. "Want your mouth on me."

A slow smile spreads across his face. "As you wish."

With deliberate slowness, he drags your underwear down your legs, baring you completely to his gaze. He settles between your thighs, hands smoothing up your trembling legs to grip your hips, spreading you wider for him. Fingertips press into your skin, hard enough to leave bruises.

"Look at you. So wet for me already. Bet you've been dripping for me all night, haven't you?"

Then, he dips his head, and the first hot swipe of his tongue through your folds has you crying out, fingers scrabbling for purchase in his hair. Satoru moans at your taste, the sound vibrating against your most sensitive flesh.

He licks a long, slow stripe up your slit, circling your clit with the tip of his tongue. Your hips buck, seeking more of his tongue on you, but his hands hold you firmly in place. He teases you with slow licks, ghosting over where you need him most.

"God, Satoru, please," you whimper. "No more teasing."

"So needy."

But he obeys, diving in like a man starved, mouth hot and wet against your core, his lips around your clit and sucking hard. Before his tongue delves deep, fucking into you with lazy, wet strokes.

Your hips buck against his face, a strangled moan rips from your throat. Satoru's hands tighten on your thighs, holding you in place as he feasts on you.

"That's it, love," he encourages, pulling back just enough to speak. "Let me hear you. Want everyone in the building to know who's making you feel this good."

Your thighs tremble around his head, the obscene wet sounds of his mouth on you filling the room. Pleasure coils tighter and tighter in your core with every stroke of his tongue.

"Tell me, love. Tell me how desperate you've been for me, how soaked you've been all night thinking about my cock."

"So badly," you gasp out, fingers tightening in his hair. "Needed you to touch me, to fill me up. Please, Satoru, I need you to fuck me already."

He swears under his breath.

"You can't just say things like that. Gonna fucking ruin you, you know that?"

Then suddenly, without warning, he thrusts two thick fingers deep into your dripping core. A silent scream falls from your lips at the stretch, back arching off the stairs.

Satoru sets a relentless pace, pumping his fingers in and out of you, while his tongue works on your clit. "Like this? Is this what you needed?"

"Yes, yes. More."

"Fuck, I need to be inside you," Satoru growls.

He withdraws his fingers abruptly, ignoring your whine of protest. You watch through hooded eyes as he hurriedly strips off his clothes, revealing inches of toned muscle.

When Satoru finally frees himself from the confines of his pants, you mouth goes dry at the sight of him. His length is impressive, long and thick, the smooth skin flushed a deep rose color. The broad head is shiny with moisture, a bead of clear fluid leaking from the tip.

Satoru wraps a large hand around himself, giving a slow stroke from root to tip. His cock throbs in his grip, another pulse of slick pre-cum dripping from the slit. He groans low in his throat, head tipping back momentarily at the sensation after so long spent straining against his zipper.

You watch transfixed as he pumps himself lazily, putting on a show. His fist twists over the head on every upstroke, smearing the leaking liquid to ease the glide.

"See what you do to me?" Satoru rasps, blue eyes boring into yours as his hand speeds up. "See how hard I am for you, how much I'm leaking? I've been like this all fucking night."

He swipes his thumb over the weeping tip, gathering the drops of pre-cum beading there. "Been thinking about this all night. I know you wore that skirt just for me, didn't you? Wanted to rile me up, tease me until I snapped?"

Then he's bringing his thumb to your lips, painting your bottom lip with his cum, parting your lips. Your tongue flicks out to taste him, eyes never leaving him. Satoru's eyes darken as he watches you lick his cum from his fingertips.

"Mm, and what if I didn't? What if I put this skirt on for Suguru, hoping he'd be the one to take me home tonight?"

"Is that so? Well, tough luck. Couse I'm gonna stuff this needy little pussy so full of cock you'll be ruined for anyone else. Gonna make it so you never forget who you belongs to."

"Oh really?" you challenge.

Licking your lips, you reach out to wrap your fingers around him, marveling at the hot, silken skin and the way he throbs against your palm. Satoru hisses through his teeth at the contact, hips canting into your fist instinctively.

"Fuck, your hand feels good." He watches intently as you start to stroke him from root to tip. "You have no idea what you do to me."

You tighten your grip, twisting your wrist on the upstroke. Satoru groans, low and guttural, as another pulse of slick pre-cum leaks from his slit. You smear it with your thumb. Satoru's abs clench, his cock kicking in your grip.

You lean in to drag your tongue along the underside of his shaft, tracing the thick vein there from base to tip. Satoru shudders, a broken moan spilling from his lips as you swirl your tongue around the leaking tip, lapping up the salty-bitter cum of his.

Desperate to be filled, you suck the broad head past your lips and tonguing at the sensitive underside.

Satoru's hips buck, forcing himself deeper into your mouth. You moan around him, relaxing your throat to take him as far as you can. Satoru's hands fly to your hair, fisting in the strands as he guides your movements. He rocks into your mouth, clearly holding back from truly fucking your face.

"So good, fuck, just like that. Taking me so well, so fucking good."

Saliva pools in your mouth, dripping down your chin as he works himself deeper into your throat. Your eyes water but you don't pull off. Just as you're starting to get lightheaded, lungs burning with the need for air, Satoru eases you off him with a groan.

A string of saliva connects your swollen lips to his cock for a heated moment before snapping. You gulp down air greedily, staring up at him with watery eyes.

"Fuck, you're going to be the death of me," Satoru rasps, thumb swiping tenderly at the spittle on your chin. "I could spend all night fucking you and never get enough."

"Then fuck me already," you say, before giving his length a parting long lick along the underside.

"Oh, I'll fill you up alright, Gonna stuff this needy cunt so full of cock you'll feel me for days."

With that, he takes himself in hand, rubbing the thick tip through your slick folds, coating himself in your arousal. He's not penetrating, not yet, just teasing you with the promise of it. The broad head of his cock catches on your entrance with every pass.

"Feel that, love? Feel how hard I am for you? How much I want to bury myself in this tight little cunt?"

You can only whimper in response. But Satoru holds firm, keeping his movements shallow and teasing. He drags the thick length of his shaft up through your folds, the underside rubbing against your clit.

"Satoru, please. Stop teasing. I need you inside me."

"Patience," he coos, even as his hips stutter slightly, betraying his own desperate need. "I've been waiting for this moment for so long, dreaming about having you spread out beneath me. At least let me torture you a little bit first."

He punctuates his words with another slow drag of his cock against you, the head notching into your entrance for a breathless second before sliding up to grind against your clit.

"Please," you whimper, past the point of caring how desperate you sound. "Please, I can't take it anymore. I need you, need to fuck me."

Satoru hisses through his teeth. "Fuck, the things you say," he groans, fingers digging into your hips hard enough to bruise. "You have no idea what you do to me, how crazy you make me."

Despite his words, he doesn't relent, continuing his shallow thrusts, painting your folds with your combined arousal.

"I want to savor this," he breathes, voice strained with the effort of holding back. "Want to feel every inch of you before I bury myself deep. Want you trembling and desperate, want you to fucking fall apart before I even get inside."

And oh, you're close, so dangerously close to doing just that.

Every slide of his cock against your clit sends sparks skittering up your spine, pleasure coiling tighter and tighter in your core.

"Satoru, I can't... I need... oh fuck, please, please just fuck me, please."

Your desperate rambling seems to shatter the last of Satoru's restraint. He lines himself up and sinks into you in one smooth, powerful thrust, not stopping until he's buried to the hilt.

You've never felt so full, stuffed to the brim as he works himself deeper, inch by maddening inch. When he's fully seated, hips flush against yours, you both moan at the sensation. He's so deep like this, touching places inside you that have you seeing sparks.

For a moment, you just breathe together, foreheads pressed close, savoring the feeling of being connected so intimately. Then Satoru starts to move, and coherent thought becomes impossible.

He sets a deep, maddening rhythm, hips withdrawing nearly all the way before surging forward again. The drag of his cock inside you is intoxicating, hitting every sensitive spot, stroking the ache that's been building for what feels like hours.

Your nails rake down Satoru's back as he fucks you closer to the edge, leaving red lines in their wake. His pace quickens, thrusts becoming shorter and more focused, the sound of slapping skin echoing off the walls of the stairwell.

"Satoru," you moan, his name the only word you remember, the only one that matters. "Satoru, please, I'm so close…"

Bracing one hand against the stairs next to your head, he picks up speed, pounding into you with faster, harder. The force of his thrusts threatens to push you up the steps, your head perilously close to banging against the hard surface.

You reach up, pushing your hands against the stairs above you for leverage, using the resistance to meet Satoru's increasingly powerful strokes.

"Fuck, just like that," he pants, blue eyes wild and heated as they bore into yours. "Take it, take every inch of me. Want to feel you come on my cock, want to feel you squeezing me so fucking tight."

His filthy words, the relentless thrusts of his hips, the long drag of his shaft against your walls — it's all too much, too good. You can feel your orgasm building, ready to snap at any moment.

"Please," you whimper. "Please, I need… I need…"

"I know what you need, love."

He snakes a hand between your bodies, fingers finding your clit. He rubs your swollen clit in tight, focused circles, the added stimulation exactly what you need.

With one last deep thrust, the head of his cock kisses your cervix, and that's all it takes. Your body convulses around Satoru's plunging length.

Satoru works you through it, hips never faltering even as your spasming muscles threaten his control. He fucks you through your orgasm, grinding deep and rubbing your clit until you're shaking and sobbing.

Only when you collapse back against the stairs, boneless and spent, does he allow his own release to overtake him. With a last few erratic thrusts, he buries himself to the hilt and stills, his thick cock pulsing as he spills deep inside you.

His fingers dig into your hips, surely leaving bruises, as he rides out his orgasm, hips stuttering and jerking with each pulse of his release. Finally, after what feels like an eternity, his movements slow, then still.

Satoru collapses forward, his trembling arms barely supporting his weight as he rests his forehead against yours. You both struggle to catch your breath, chests heaving

"Fuck, that was... incredible," he pants before capturing your lips in a sloppy kiss.

Slowly, almost reluctantly, he straightens up, his softening cock still buried inside you. His heated gaze drifts down to where your bodies are joined. He watches as his release begins to trickle out of you, coating his length and dripping down your thighs to pool on the stairs beneath you.

"God, that's so fucking hot."

With a shuddering exhale, he slowly pulls out of you, a low hiss escaping his lips at the drag of your walls against his oversensitive cock. His eyes remain locked on your well-used sex, watching as more of his cum leaks out of you.

"Look at you. So messy and full of my cum. So perfect."

Unable to resist, Satoru settles between your thighs once more, his broad shoulders pushing them even further apart. He takes a moment to admire the view before diving in again.

A moan spills from your lips as he drags the flat of his tongue over your sensitive core, lapping up the evidence of your coupling with long, indulgent strokes. He hums against your core, the vibrations making you shudder and clench around nothing.

Satoru takes his time, cleaning every inch of you. His tongue delves between your folds, circling your entrance before dipping inside to chase the lingering taste of your combined releases.

"Could spend hours just like this," Satoru murmurs between licks. "Would you like that, love? Like me to keep you full and sloppy and dripping all night?"

"Satoru," you whimper, thighs trembling around his head as he seals his lips around your clit and sucks. "I can't... it's too much..."

"Oh, I'm sure you can take one more. Just let me take care of you. I'm gonna make you feel so good."

He works his way inward, tongue tracing teasing circles around your entrance before delving inside. He laps at your walls, coaxing his own cum from your depths only to fuck it back into you with deep, sloppy strokes.

The wet sounds of his tongue between your legs fill the room, punctuated by your needy moans and gasps. Heat coils tight in your core once more despite your exhaustion.

Satoru feels you tense. "There she is. I knew my greedy girl had one more in her. Gonna give it to me, aren't you? Gonna come all over my tongue like a good girl."

His words set your blood on fire, a broken sob escaping your lips as he seals them around your clit once more. He sucks hard, tongue flicking rapidly over it as he fucks into you harder, faster.

"Ah, oh god. Satoru, please..."

Then, two thick fingers ease into you once again, curling forward to stroke that spot that makes your toes curl. He works them in tandem with his tongue, thrusting and scissoring and rubbing until you're keening his name, hips rolling mindlessly against his face.

His nose nudges against your oversensitive clit with every thrust, sending sparks shooting up your spine.

"Come on, love" he praises. "Ride my tongue, fuck yourself on my fingers. Want to feel you come all over me, want to taste you."

It only takes a few more purposeful strokes of his fingers and flicks of his tongue before you're come undone once again with a wordless cry, back bowing off the stairs as your walls clench and flutter around his fingers.

Satoru works you through it, pulling back just enough to watch your face contort. Only when the last aftershock fades does he ease his fingers free. Satoru presses a final, tender kiss to your oversensitive clit before crawling up your body, pressing sloppy kisses to your sweat-dampened skin as he goes.

"You did so good for me, love, coming so hard for me. So perfect," Satoru praises, pressing open-mouthed kisses to your neck and chest as you try to catch your breath.

When he reaches your breasts, he palms them gently, thumbs brushing over your sensitive nipples and making you gasp. Your fingers tangle in his hair, holding him to your chest as he dips his head to take one nipple into his mouth once more.

He laves it with his tongue, swirling his tongue around it before he lavishes the same attention on your other breast, alternating between soft licks and lazy swirls, while his hand starts to dip lower.

"Satoru? What are you doing?"

Eventually, Satoru releases your nipple with a wet pop, soothing the ache with a final swipe of his tongue, his hand skating over your ribs and belly with clear intent.

He grins up at you, boyish and unrepentant. "What does it look like I'm doing? Maybe you've got one more in you, hmm?"

"Absolutely not. I'm fucking done, Satoru."

He pouts playfully, fingertips still tracing feather-light patterns on your lower belly. "Aw, come on, love. Just one more? I bet if I just…"

His hand starts to dip lower, fingertips just brushing your still-tingling clit. But before he can make contact, your foot plants itself firmly in the center of his chest and pushes him slightly away. "Hands off, Satoru."

"Alright, alright, I can take a hint," he concedes, hands raised in surrender. "No more orgasms for you. For now."

"You're impossible."

Satoru grins. "You love it."

"You wish."

© lostfracturess. all rights reserved. do not copy, repost, translate, or modify my work without permission. thanks for reading and supporting my work !! ♡

[lili-1899]

Hey ! Can I request something with Arthur and a fem!Reader where Arthur comes back to camp hurt and Reader takes care of his wounds ? 🥰 Of course he's a bit grumpy at first but ends up actually liking her attention and getting all flustered.

Thanks a lot, take care ! ✨

That's such a cool idea! And it's my first request, thank you so much <3

Arthur Morgan x fem!reader

Tags: fluff

Summary: Arthur come back to camp hurt and you take care of him.

~Soldier~

You were reading a romance Mary-Beth lent you. She wasn't lying when she sais it was silly, but at least it was entertaining. Arthur have been out of camp for days now and you miss him. That's when you hear the sound of hooves. You drop the book on the table and look at the entrance of the camp. You recognize Arthur's horse. You run next to him but something feels off. Normally, he would greet you but he silently get off of his horse. Plus, his clothes are covered in dust and even some... Blood? Your eyes widen and your heart start racing. You step in front of him. His face is covered by his hat and it was late so you couldn't distinguish his features.

"What happened?!" You take off his hat and curse under your breath. His face is covered in bruises and scratches.

"Go to your tent, I'll come back in a minute. And don't you dare protest!"

"But-"

"If you think I'm gonna let you hurt like this, you're a fool!"

He grunted and executed himself despite his desire to refuse; he patiently waited for you. You came back with your hands full of medicines, needles and suturing thread and dropped that on the nightstand next to his bed.

"Tell me what happened."

"Just fought with a guy."

"Why?"

"He was getting on my nerves."

You roll your eyes. Such unnecessary trouble. You take cotton soaked in disinfectant and gently wash his scratches. He hisses as you do it.

He looks at you; you've never been that close to him. Your scent of pine and honey invaded his nose. He never understood why you were so patient with him; he's such an ass sometimes, but you're always very kind and caring toward him. You sit next to him and start to sew the wounds.

His eyes were glued on you: your serious expression as you do your task is mesmerizing to him. He's focused on your features, it's like the rest doesn't exist anymore, it's just you and him. He examine every detail of your face: the way the flame of the oil lamp reflect in your gorgeous eyes, the fact your eyebrows are frowned under concentration. You're the most beautiful woman Arthur has ever seen.

"Arthur, you okay?"

Your question pull him out of his trance. He blinks a few times and his cheeks heat up.

"Yeah, I'm fine..."

"Good. I'm done! Please don't get in fights too often, you know I hate to see you hurt."

"I'll try my best." He grins. It warms his heart that you care for him.

You crack a smile. You kiss his forehead and leave a very flustered Arthur behind you.

I tried my best, hope you like it!

Beautiful dividers from @saradika-graphics

[iamnmbr3]

honestly it drives me up the wall how polyjuice potion is portrayed, especially in dh where harry's friends, some of whom he barely knows and are older, think it's just fine and dandy to just start undressing and exposing his body without his consent, he was openly and violently against the whole thing and they knew and anticipated that.

add to that, they then split up for a decently lengthy trip to somewhere. who knows what they were doing?

bodily autonomy what?

@gynophobiaharrypotter

So I actually really like that scene because Harry's discomfort with the whole thing raises some really interesting points about the privacy implications of potions that allow you to change your form which I think often don't really get touched on in stories. I also think everyone being way too chill about it is consistent with what we see of the wizarding world. So yeah, it's a bad thing, but a good bit of world building. Now, that said, I do think probably JKR also treats it more lightly than it deserves in the sense that I don't think she would present or view it the same way if Harry were a woman, which I obviously disagree with. As to what they were getting up to, based on a canon reading I don't think it would make sense or be in character for anything untoward to happen. (But there's nothing wrong with headcanoning something or exploring it in fic regardless of canonical basis).

[searchingsomewhere]

All Too Well, Part 12

{"And if it's right, I don't care how long it takes. As long as I'm with you, I've got a smile on my face."}

Poly!Gojo x OC x Geto

All Too Well Masterlist

Part 1

Miho sat on her bed, her jaw slack. Her boyfriend and best friend sat in front of her. Suguru sat in the chair at her desk, hands clasped politely. He was watching her carefully, hazel eyes searching her face for answers. Satoru was cross legged in the floor, biting his lip.

Both waited on her response.

"So..." she began, "...you mean like, we all date...each other?"

"Yup," Satoru said.

"If that's something your comfortable with, of course," Suguru said gently.

"Just say the word and we'll forget all about it," Satoru added, gesturing with his hands.

Miho bit the inside of her cheek. It was a strange proposition. She had personally never given much thought to being in any relationship, much less one like that. She knew from the very start that Suguru and Satoru were close. It wasn't too surprising to her that they were that close.

Still...the idea didn't bother her. She thought back to when they had all fallen asleep together. How at peace she had felt. How it just felt like a puzzle piece falling into place, like something that was supposed to happen. Her hands tightened around the hem of her skirt.

"I think...we should try it," she said finally. A smile graced her lips and she tucked her hair behind her ear.

Satoru smiled a toothy grin and turned to Suguru. Everything was working out the way it needed to.

"What do we tell the others?" Miho asked.

"It's probably best to not tell anyone," Suguru said quietly, "Who knows how they'd react."

"Are you okay with this, Satoru?"

"I sort of knew it'd have to be like that," Satoru rubbed the back of his head. He winked at her over his glasses. "It might be exciting, sneaking around."

---

Hiding their relationship was easy at first. Satoru already spent most of his time either with Suguru or Miho anyway, so it didn't stick out to anyone that he was around them all the time. When the boys were away on missions together, they'd treat it like dates, going out to eat and spending time together. When they were home, Suguru and Miho often acted as they did before, as a couple, and in the evenings, the three would sit together in the library or in one of their rooms. Satoru and Miho would spend time together when Suguru was on missions.

One such night, when Suguru was off with Shoko, Miho and Satoru walked together through a shopping district in Tokyo. The winter holiday was coming up, and Miho had the idea to get gifts for both boys. She left Satoru standing on the sidewalk as she raced back to the shop.

"Stay there! Don't move!" Miho called back to him excitedly.

Satoru shook his head, but obliged. His blue eyes glowed, the look neutralized by his dark sunglasses. A giddiness was stirring in his chest, his hand still buzzing from holding Suguru's hand the other day. It had been a brief display of affection, but one that left him dizzy.

Miho jogged back to him, adjusting her scarf around her neck. Her hair was falling in her face again. She had a small bag in her hand.

"Here!" she said, slipping something onto his wrist.

Satoru stood there, dumbfounded. It was a bracelet made of glass beads in a repeating pattern; light blue, green, and brown.

Miho held out her wrist. She wore an identical bracelet.

"I got one for Suguru, too!" she said, her cheeks flushing red, "I-it doesn't really match our eye colors, but I thought it was cute-"

Satoru grabbed her face and pulled her close, kissing her forehead quickly. It was a short, shy peck. Miho froze, eyes wide. Her ears were bloodshot. As he pulled away, Satoru chided himself for chickening out. He was going to aim for her lips.

"I think it's a great idea, Miho," he breathed.

The brunette couldn't respond. She stumbled over her words, "Y-Yeah, I think so. Do-Do you think Suguru will like it?"

Seeing her so flustered was doing something to him. He turned away, quickly, running a hand through his hair. He beckoned her forward, ione hand slipping forward to intertwine with hers and the other resting in his coat pocket.

As they headed back to the station he felt a prickling sensation in the back of his neck. Satoru ignored it. With his Six Eyes, he sensed any cursed energy, regardless of its strength or grade. The prickling was second nature to him. Two blocks down, the painless needling spiked in a painful throb.

Satoru stopped abruptly and turned, looking behind them. He tilted his head to look over his glasses.

Throngs of people walked by, ignoring the teens.

His hand tightened around hers and Miho followed his gaze. "What's wrong?"

"Someone's following us."

Part 13

[agrebel18]

 I do not understand people who make fun of others who make a romantic pairing between fictional characters queerplatonic as if it’s a “downgrade”

[scificrows]

Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.

Some Thoughts™ I had while putting this together (under the cut):

In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.

It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]

The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]

Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]

In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]

In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]

Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.

[front-facing-pokemon]

[bonefall]

Voted for Bumble bc of course but also if you think Alex would not pspsps Bumble you are wrong. If they could communicate they would go to therapy together /s

If then could communicate they would go to therapy together

/GEN

Kyle/Green Lantern resurrects her but then he becomes convinced that she's not the same person she was before the incident, OR SOMETHING SOMETHING Black Lanterns aren't ACTUALLY bad they're just misunderstood Grim Reaper types, in either case Alex ends up breaking it off with Kyle because they've become very different people.

And then Bumble's there

And then they go to therapy or Alex adopts Bumble, and then uhhh Bumble's like one of the superpets. Like Krypto the Superdog. Free premise go forth and play with it if ur a DC fan

[hella1975]

ive never felt more rural than i have in the past few weeks since hanging out with a lad who has only ever lived in cities. what do you MEAN YOU'VE NEVER DONE A MORRIS DANCE

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[chatdae]

The Great Gatsby (1974) au where Gatsby doesn't die and instead Nick takes on the no-paying job of trying to get Jay to move on from Daisy.

Bad ending is Gatsby never does & he and the Buchanans become a never-ending shitshow. Good ending is Jay moves on. Super special bonus ending is Jay and Nick fall in love (toxicity optional)

[multishipper-baby]

Random Onnie gender thoughts because they came to mind.

[skrunksthatwunk]

ok so. kiwami 2. rooftop scene. the ending. it's a bit of a clusterfuck but i wanna talk about one detail, a problem they bring to your attention by Fucking. Talking About Her.

haruka is watching all of this unfold.

[this post is like 4.5k words long + pretty critical + has spoilers for kiwami and kiwami 2, and really minor/vague ones for a couple others. they're not that bad though, trust me (and i added a warning in the one place it is major)]

ALSO CONTENT WARNING i'm gonna talk about kiryu's passive suicidality a good amount in this one, so stay away from this if you think that might affect you negatively/you'd be better off skipping it. i'll also make a tl;dr (which i will highlight in red) at the very end if you really wanna know what my point is that will exclude those elements <3. i am also going to use a lot of choice-based language in regards to kiryu's contemplation of suicide because i think it's the lens through which the games treat the topic, but i personally don't find it a productive or realistic way to look at suicide or suicidal ideation at all. someone dying by suicide absolutely does not mean they don't care about their loved ones enough to fight on or whatever. i love you, and proceed with caution on this one.

(also i'm using the kiwamis as my point of reference because i uh. don't have a ps2? those are the games that i played, and though the differences are likely slight, i wanna be clear about that. also,, ignore the watermark on these screenshots,, i didn't notice them and i'm not retaking them. we're all gonna have to settle for youtube cutscene comps for now xoxo)

first, we have to talk about the ending of the first game.

[note: i am Really Really Confident kiryu has a conversation earlier in the game about his going to jail in nishiki's stead being him running away and choosing not to resist his two options (go to jail or let nishiki go to jail) and define his own path, fighting his way against fate to make it happen. part of why i'm so confident it exists is because it made such an impression on me at the time. it's pretty important to my interpretation of things but i also can't find it for the life of me, so uh. sorry ✌️ i really tried. this post's takes/analysis will be dependent on this scene existing, so keep that in mind. if anyone knows where to find the scene/screenshots of it, lmk and i'll add a follow-up with it]

kiwami stuff

so as she's dying, yumi tells haruka this:

that she may be dying (painfully, and right as she's getting everything she wanted), but she doesn't regret it, because at least she did something rather than running away from it all. that you shouldn't run away, ever.

shortly thereafter, when the police find kiryu and haruka, this exchange happens between him and date. here's the play by play:

date tells kiryu he can get him out of trouble with this, and that if he doesn't, he'll get life in prison; kiryu declines his help:

kiryu is so devastated (understandably) by the back to back losses of the three people closest to him that he resigns himself to life in prison, and the death-in-effect that would be. he would prefer to waste away rather than struggle through a life without them. prison was monotonous and isolating, but coming back after a decade was overwhelming, and coming back to everything being so warped and twisted, and then losing the corrupted scraps he had anyway, well. he wants to go back to sleep. he doesn't want to be in a world where everything's the same except he's on his own. better to return to safety, to die slowly in a hell he knows well than weather a new one where he has control and agency, and thus one where he has the ability to fail and to lose anything at any time. he explains to date that that loss is why he can accept his death:

date shakes him and asks him if there's really nothing left for him, no reason to keep living at all:

then echoes yumi's advice to haruka:

which makes an impression on kiryu:

date gives him a reason to live in the form of haruka, saying she'll be on her own again if he goes to jail. he hijacks kiryu's tragic protector complex to keep him alive, because she needs him, and because she's someone precious to him:

after the dust has cleared,

kiryu and date also have this exchange, where date tells him to stay away from the cops (and presumably arrest and a return to prison, the aforementioned fate akin to death), and kiryu cites haruka as his reason to stay away, one he holds to with no uncertainty (showing again that he's accepted date's logic, that his reason to keep living even when it's incredibly difficult is to care for the more vulnerable haruka). given the weight of the consequences, to me, it feels like date's telling him not to be alone with his thoughts or something. it's almost frightening:

so, what's our takeaway from kiwami?

kiryu lost everything and hit rock bottom, but he chose to fight, and to live life on his own terms, even when it got difficult. that's the narrative life lesson he had to learn to avoid repeating the events of 1995. he made that choice for haruka's sake. it's seen as growth.

and without him, haruka would've just returned to the orphanage (assuming she could make it back to sunflower at all) with no one who knew or understood what she had been through, no one to mourn with her, and no one to give her the attention, care, and protection she needs. kiryu knows what it's like to be an orphan with a limited parental figure who only checks in every so often (kazama, "aunt" yumi), and what someone will do for attention/affection from that person (via both himself and nishiki swearing up, climbing the ranks, etc. arguably haruka coming to kamurocho by herself to find "mizuki" is similar), and what it's like to lose them anyway (again, kazama, yumi). their situations parallel each others' somewhat, and that binds them further. and after losing everyone (which he blames himself for to some extent, as one can probably assume from this and 2, and something key to his arc in later games), he chooses to protect her. and this time, he won't fail. at least partially because failing would hurt him, too. he'd have nothing left again.

okay. now we get to kiwami 2.

if you forgot, the context is basically:

everybody's fighting on the roof of a building which i'm sure will not be a running theme or anything as the series goes on

there's a bomb that's about to go off and they don't know how to/can't defuse it

ryuji shot the twist villain to death, but took fatal hits to do so

sayama's like hey!! let's get out of here!!! and kiryu and ryuji are like nooo we have to settle this oughh it's punchin time and they stick her on an elevator and send her down so she doesn't have to watch

ryuji loses. sayama returns, they have a cute sibling heart to heart, and ryuji dies in her arms. sad

kiryu is in rough shape as well, and there's like 2 minutes left on the bomb's timer

here's the scene itself:

sayama tells kiryu they have to run, and kiryu says he can't. the gist is "let's run!" "you go without me" "i'm not leaving you!" "i'm in no condition to run" "i'll carry you then!!" sayama: *sees how fucked up kiryu is, realizes he's Going To Die Anyway* "ok, then i'm staying with you!" and then further bickering about that, before they give up and make out (as one does i guess)

date (he's here now) yells this at them from a helicopter:

before someone else in the helicopter tells date this:

we get this shot of haruka calling out to kiryu as the helicopter swerves away:

and kiryu and sayama have this exchange about haruka where they say they let her down, but that she'll understand:

then they hug and the bomb ticks to zero right when the credits hit. in post credits it's revealed that the twist villain defused the bomb when they weren't looking, betraying his co-villain for reasons i truthfully do not remember and am unwilling to look up. it's not about that right now.

so, how does this scene interact with the ending of the previous game?

the short answer is "badly <3" but here's the long answer:

it's about choices.

the thing about fiction is that anything you want to have happen, as a writer, can happen. it may not be effective, internally consistent, or logical, but you can write it regardless. audiences suspend their disbelief for the sake of engaging fully with your fiction, but everyone has a threshold past which they will stop being engaged in a story and either become uninvested or annoyed. writers usually have lines they're unwilling to cross as well. but in almost every story, there's at least a couple of places where they stretch reality a little to make the narrative they want happen. this is not a bad thing at all. that's how stories get told.

now, i'm gonna be real with you. i don't care about how feasible plots are like 95% of the time. it's not something i think about much, nor is it something i prioritize. i am a very character-centric media consumer, so if world building and/or plot are a bit stale or contrived, that doesn't really bother me much so long as i'm invested in the characters involved. some people can't stand plot holes or the ways musicals burst into song or whatever, and that's fine for them. but it's not something i tend to find that all that important.

this is all to say that i have a sorta affection for rgg's flavor of bullshit pulling. and it is a powerful flavor, maybe even an acquired taste, but i can and do rock with it so long as it doesn't damage the characters too much. this is why i'm not making a lengthy post howling into the void about joji kazama or the second joon-gi han or how many secret relatives there are. those things are silly and endearing and a clumsy yet heartfelt part of a series i care about very deeply. i'll joke about it, but i don't consider it much of a flaw. it's more like personality. flaws are texture, and they help a piece's identity. point is i am very, very willing and able to suspend my disbelief for these games in exchange for a good time, particularly via good characters.

(if you want another example of where i draw the line from within rgg, the answer's the YAKUZA 4 SPOILERS INCOMING rubber bullets twist, because i think 1) it's actively horrifically stupid (especially retconning a scene we SAW HAPPEN. WE SAW BLOOD ON EACH IMPACT, AND RUBBER BULLETS DON'T OFTEN BREAK SKIN THAT DEEPLY (THEIR DAMAGE IS MORE PERCUSSIVE THAN PENETRATIVE). THESE EVENTS HAPPEN IN THE SAME GAME YOU DON'T HAVE TO RETCON IT JUST REWRITE IT. OR DON'T SHOW THE HIT AT ALL SO THERE'S MORE PLAUSIBLE DENIABILITY. DON'T DO THIS JUST TO HYPE UP YOUR SHITTY VILLAIN NO ONE CARES ABOUT. and 2) (a bit more importantly) i think it actively removes saejima's primary internal conflict for that game, that being his intense guilt over the 18 murders he thinks he committed, one i was invested and interested in. but this isn't a rubber bullets post.)

characters in this series walk off a lot of life threatening injuries. they survive miraculously, they escape in the nick of time, and they pull through in the end. kiryu still somehow hasn't killed anyone. almost every game in his saga ends with an "is kiryu gonna make it out this time?!?" shortly followed by a "yeah lol. lmao" postcredits reveal. kiryu fucking punches a marble statue into dust in the first game. having a story that asks you to suspend your disbelief so much and so often means that when a decision is made, it's not the writers saying, "well, this would have to happen so we are obligated/forced to write it happening" so much as "we wanted this to happen for some reason(s)," because you already know that they're not guided solely by logic. again, this is true of all writers, it's just amplified in stories like these because they've already given you so many hard mode suspension of disbelief moments (they've broken you in like leather, yeah? or like how obvious internet scams allow for self selection by being so obvious that only the most vulnerable people would fall for them. they curate an audience willing to play along with their bullshit flavor so they can tell a story that's more likely to satisfy that audience. in a good way, in a fun way! mass appeal is overrated). there is not much limit to what this series is willing to try and sell you.

so when ryuji takes lethal damage taking out the big bad, that's a choice. when he doesn't die immediately, that's a choice. when ryuji and kiryu send sayama away in the soon-to-be-forgotten elevator so they can settle this like men or whatever despite the literal actual bomb about to go off, that's a choice. when sayama comes back, that's a choice. when ryuji does die, that's a choice. when kiryu determines that he can't escape in time, that's a choice. when sayama is unwilling to leave him, that's a choice. when she says she'll carry him out and there's an elevator right fucking there and then she's like never mind i guess i won't anymore we're dying together right now kiryu like they're not gonna even try?? wouldn't distancing themselves from the blast give themselves a better shot, something that's super possible given the 2 minutes they have with that elevator??? sayama you met him like a week and a half ago why are you ready to die with him that's not a plot hole i just think that's kinda strange whatever anyway, that's a choice. when kiryu stops arguing with her so they can kiss (next to her brother's corpse), that's a choice. when date shows up, that's a choice. when the helicopter can't save them because the bomb was going to go off too soon, that's a choice. when they put haruka in that helicopter and take her away, let her only impact be reminding kiryu and sayama that they can't help her, that's a choice. when they spend their last moments talking as if they're already dead, then simply waiting, that's a choice.

they're all choices that the writers made for the characters, and we are asked to believe them for the sake of achieving the writers' vision, as with any story. the only problem is that the writers' vision here fucking blows.

i'm not saying it would be realistic for kiryu and sayama (and even ryuji) to make it out alive, but it wouldn't be out of character for the series in the slightest. kiryu is suddenly unable to power through here, and that's a choice. so, what is their vision?

put simply, i think they wanted a romantic last stand for kiryu and sayama, a tragic scene of doomed, devoted lovers. and i think they wanted an edge-of-your-seat fake out death. they wanted spectacle.

here's how some specific choices they made undermine all that shit we talked about earlier from the first game.

once again, kiryu is called by date to live, to pick himself up and keep going, no matter how impossible the odds are. he's even reminded by haruka's presence, his one anchor in keeping himself going. the growth he had in the parallel scene in the previous game is challenged, and he fails.

it's not enough this time. and that's a choice.

it's also one i can't think of a good reason for, and that's the real kicker.

characters can have developmental backslide just like people do, and if they're given good reason for it, it can be just as, if not far more compelling that purely linear growth (i am a chimera ant arc enjoyer, and that's all i'll say. sorry if you haven't seen hunter x hunter. uhh. i am also a zuko avatar enjoyer if that helps). but i can't think of anything that happened in that game that would cause this from a character perspective. if anything, kiryu should be less likely to do this intentionally. he's spent around a year raising haruka, and a year has passed since he lost his loved ones. at the very least, the pain should be more dull, though it is established through an early nightmare sequence that his ass is (justifiably) not over it yet. given that their deaths were the initial motivation for his willingness to rot forever, theoretically, he should be more motivated to stay alive than before now that he's got more investment and stability in his life outside of them, particularly when it comes to haruka, his reason for surviving. and if the ongoing nature of the trauma was the motivator for this, then they should've had it affect him more past that nightmare scene (it really serves more as a recap of the last game than anything else) so it didn't come out of nowhere. so the reminder of the lesson that saved his life and then guided it for at least a year afterwards, one that the whole resolution of the previous game relied on heavily falls flat for... some reason.

i think this is a good time to mention that, generally speaking, you don't write arbitrary choices into characters. sure, people in real life are often sporadic, but when analyzing fictional characters, every choice is filed into a portfolio of characterization that can and should be analyzed. going for pure realism can obfuscate their development, motivations, themes, etc. their choices and reactions may be unorthodox, but they must be internally consistent. this is very related to how i view plot contrivance as well. characters drive the plot, not the other way around. stories are about the ways characters affect their worlds/lives and vice versa, and they're the human face to the themes and ideas the writers are trying to explore and express. maybe my stance on this seems hypocritical. i don't know if it is. but to me, plot issues are usually a matter of engagement and investment, while character issues are a matter of substance.

i hope this doesn't feel patronizing explaining all of this, but i want you guys to know where i'm coming from in my analysis. starting at my base philosophy on writing is the easiest way to do that, i feel. defining the terms of the debate, and all that. anyway

and i mean, look. they survive because "it was defused the whole time we just didn't see it happen", so it's not like narrative tension or realism or whatever was THAT big of a priority overall. if it was gonna be a cop-out anyway, they should'nt have ruined kiryu's development too, yeah?. and sayama fucks off to america after this game anyway, so it's not like the doomed lovers thing had much payoff or meaning after this one (though you could argue that's more an issue with yakuza 3 than yk2, which has some merit to it). which means that they chose to sacrifice kiryu's prior development and internal logic for the sake of cheap tension for their finale that was both kinda illogical in and of itself (the elevator!! the elevator!!!) and a romantic climax that neither required nor really benefitted from this staging. (like. you coulda had them make out and then get saved by date, or kiss on the elevator in a "it's moving, but will we make it in time??" way or whatever. look i'm not saying those are great options either but they're SOMETHING okay. it would remove/reduce the amount of time wasted on characters sitting around with their thumbs up their asses for no reason in this finale).

instead the message of this finale is that, actually, sometimes it is impossible to change your circumstances and fight for your own way out of an awful situation. and what should you do about this unfortunate truth? uh. die! i guess. it's the exact opposite of the encouraging, optimistic message of the last game. zetsubou chou pride my ass.

note: i feel i should mention that when suicidality is brought up within the series (particularly in substories), it is always something someone has to overcome themselves through wanting it badly enough. they simply need the inspiration and the motivation to keep going. it's arguably treated as a moral obligation. frankly, the series is broadly very meritocratic (<- bad) when it comes to this topic (and others, but that's a Whole Other Thing. see akiyama's weird loan shark tests as well). sheer will and resolve is enough to conquer any problem, be it physical or mental/emotional, and it's irresponsible to act/feel otherwise. this is the logic the games operating under, and kiryu is often the mouthpiece for this bootstrap-pulling "tough love" sentiment. so when kiryu "chooses" to die, yet faces no emotional fallout from date, haruka, or anyone else, it feels very out of place. it's not just an odd choice; it's specifically, once again, an odd choice to make in context of the game/series/character it appears in.

kiryu's just like eh, haruka'll watch her only family die right as she gets some sense of tentative stability and lets her guard down after a devastating month the year prior (and a relatively dismal upbringing before that) that we trauma bonded over. sure, she likely came to view me as the one who would stay no matter what, who was too strong to be taken out, who she could always rely on, and so i know that dying would hurt her immensely, but she's smart enough to know it'd happen eventually. her eventual recovery means it's okay for me to do this (somehow, in a way it wasn't in the first game). it's an excuse within the narrative's logic, and one it is uncritical of simply because it's kiryu. he gets a pass.

and i think with the previously mentioned passive suicidality and general series-long mental health issues kiryu displays (i mean. yakuza 5's literally his depression arc), this could be retroactively seen as an interesting choice, like a piece in that particular narrative. i don't even dislike that viewing, especially in terms of fan approach. but (assuming this went down the same in yakuza 2), they likely didn't have that in mind. all they had then was the first game and the movie. and they took the first game's Entire Message and contradicted it for nothing but a scene they wanted to have happen because it'd be suspenseful and/or emotional (without actually doing the work to earn it). and they're not fans trying to analyze his character, they're the ones making choices for him. and they chose to massacre my boy. and if the subject of kiryu's mental health was a priority of theirs, why didn't they explore that? haruka and date's feelings on him not resisting and their words not being enough (whether that blame is justified by the narrative or not (it shouldn't be btw)), the uncomfortable drifting that resigning yourself to death and living afterwards anyway often brings, literally any conversation about it besides the minimal shit we get post credits of date being like "did you know about the bomb not having a fuse?" which like. bad answer either way (which is why they weren't straightforward about it, the cowards). you can't just be like "oh uh. idk he just gave up this time. yeah he was gonna die on purpose for some reason. good thing the bomb was fake lol" and then pack up and go home!! that's stupid!! any merit the idea of kiryu dying by suicide in this scene and in this way could have had from a character-based perspective loses its weight because 1. it didn't happen (for kinda stupid reasons), which makes it fall flat and 2. no one is really affected by the fact that it almost did, including him. they sacrificed his ass and replaced it with nothing, even when there could have been interesting outcomes to it.

so the narrative effectively chose to kill him by making the situation impossible, and this impossibility is ultimately arbitrary, given the series' usual approach to miraculous, illogical escapes. that, or the choice to stay was up to kiryu and sayama, one that 1. doesn't make sense and is actively regressive in context of kiryu's arc in the only other game in the series (as well as his whole saga in retrospect) and 2. one that contradicts how the series sees/treats resignation to death/death by suicide in all other contexts without being addressed, challenged, or condemned in ways it would in all other contexts. because they don't want you to think about it like that. they want you to think he (and the narrative) had no choice, that it made sense to do that. but it didn't. it doesn't.

and look, honestly? if i was bleeding out and had like 2 minutes to live, there's a non zero chance i'd say fuck it and kiss a girl too. i get it. but i am (and this is crucial) not a fucking yakuza character. and i'm certainly not kiryu kazuma.

tl;dr (basically just rephrasing the second to last main paragraph)

there are not sufficient character reasons for kiryu and sayama not trying to escape. additionally, because the narrative regularly facilitates even less likely escapes, it's not so constrained to logic and reality that it couldn't pull this one off. the choice to let their situation be impossible this one time was a cheap and arbitrary way of forcing a scene they thought would be cool and dramatic, and in doing so they chose to cannibalize a key emotional note of the previous finale (namely kiryu's mission to dedicate his life to protecting haruka) for hollow last minute stakes-upping in this one. it is then completely disregarded anyway. god damn.

[hopeswriting]

Haven't seen you online lately. I hope you're doing well! And if you aren't, I'm sending you much courage and kindness.

Good luck!

hi muffin, thanks for checking in! <3 and yeah, i sure haven't been online at all lately. sorry i said i'd try to come back on here and then very much didn't zercfgdfg. 😭

i've been doing fine tho, no worries! i just can't seem to bring myself to be online again for some reason lol, which sucks because i really miss being on here and miss you guys and talking to you. but, well, it's what it is for now. i don't feel like forcing the issue so we'll just have to wait and see.

i hope everyone's been doing well as well? how about you muffin? i hope you all stay safe and healthy and take care of yourselves guys! 💖

[good--merits-accumulated]

it's all Greek Roman to me!