#but I guess I'm being that guy

[mblue-art]

BAD SANSUARY // [29] glow for owl-bones's event !

pov u attacked the little error doll he gave u w/ sooo many smoochies and he felt all of it

alt. vers. under the cut !

[steddieas-shegoes]

steve pov

He felt the pull at the same point every night.

As soon as he'd managed to get himself into the shower, he thought about him.

He looked at his bottle of shampoo and thought about how it wasn't next to Steve's.

He looked at the body wash he shared with the guys and wondered if he would ever get to steal from Steve's body wash again.

As Eddie got into bed, he listened to the guys sitting at the front of the shitty tour bus they could barely afford joking around, planning their futures as rock stars.

He tried to think like them, tried to think about the future he always wanted. He was so close. They were so close.

They were recording their second album. Their first was barely professional, barely even got produced, but this one. This one would change everything for them.

The more time they spent recording it, the more Eddie realized he didn't want to be singing into a microphone if Steve wasn't there watching him with that look.

The look that said 'I want you to kiss me until we can't breathe when you get off stage' and 'I know every song is about me already, but let me help you write a million more' and 'I love you, I love you, I love you.'

The look that was fading from his memory with every passing day.

If he could go back to the conversation that led to this, he wouldn't have it at all. He'd stay with Steve, he'd tell the guys he needed some more time, maybe they could just go on a state-wide tour of some bars and see what happens. Maybe Steve would warm up to the idea of leaving.

Or maybe they were meant to share this distance, to grow apart like this, to yearn for each other in ways they didn't even when Eddie was almost dead on the ground of another universe and Steve was begging any god that would listen to just 'save him, take me, he can't die.'

And maybe tomorrow Eddie would call him. Maybe tomorrow he would ask if Steve wanted to come to a show.

Maybe tomorrow he could find a way to get that face looking at him from the front row or backstage again.

Maybe tomorrow he would get to admit to Steve that his dream doesn't mean shit if he isn't under the same lights as him.

[stewyhosseini-bf]

they are literally brothers that's his little brother man!!!!!! you don't get it!!!!!!

[theminecraftbee]

okay so. hear me out. but. au concept--

joel is one of many people affected by a Vanishing. its a phenomenon sweeping the country--people simply not showing up for work, school, life one day, as though they've vanished from the face of the earth. it's almost possible to mistake for normal missing persons cases, if it weren't for the way a few of the higher-profile Vanishings have happened to people who shouldn't have been able to vanish at all, let alone in a way that wouldn't be noticed until too late. look at joel's hometown. the people monitoring the dam were supposed to be redundant, and yet--

anyway. not like he cares or anything, except for the fact this stupid disaster or whatever has left him without anywhere to live or anyone to live with, and he still has a year of high school left, so he can't just do whatever he wants. luckily there's this school in a town called new hermiton that agreed to give him a scholarship to finish his education in the name of recovery and solidarity or whatever, and it's kind of a shwankier school than he'd normally go for, but it's free and, more importantly, they're willing to pay for his lodging, and he can't really turn that down. and it's not like he has a choice but to upend his entire life now. so packing what few of his belongings survived into a bag and getting on a train and moving across the country to a new school it is, he guesses.

(he's been having nightmares that inexplicably feature swarms of blue butterflies. last time he checked, lakes don't have butterflies in them. although maybe it's a metaphor or something, on account of the butterflies saying stupid stuff about how people who are remembered can't disappear, and even a false world cannot be erased if it's watched over, and how fate depends on him holding people in his heart. thanks for saying the same stupid shitty platitudes his social worker told him, just more cryptically, butterflies. real cool.)

new hermiton, it turns out, is a small city. while new hermiton academy is a newer school, much of the city is older. he's moved into a nice enough flat in an older apartment building. he has another cryptic butterfly dream. he thinks he remembers someone trying to urgently warn him of something, but it's all... shaky. that morning, he goes to the school for the first time. he's greeted by a fellow transfer student, skizzleman, although apparently he already knows some of the other folks in town, and transferred here so he could stay with them. but it's at least someone else in a similar enough situation to joel, especially since joel can just tell by the way people are looking at him that skizz didn't have much of a choice but to be here, either, and best friends with impulse or not, he's on his own too.

so. a friend. maybe this school won't be that bad, even if joel keeps having nightmares, and even if the weather here is weirdly cold for july, and even if his new homeroom professor keeps on looking at him really weirdly. (aren't professors supposed to be better about stupid rumors anyway? what's that mr. hills's deal?)

and then, two days later, he waves skizz off at the end of the school day, and gets skizz's friend, impulse, at his door, desperate to hear that skizz had just come to stay the night in joel's shitty lonely apartment, because otherwise it looks like--come on man. joel's already having a shit time. the universe deciding to go after his one existing friend too? he promises impulse to help investigate that night, in the vain hope that Skizz isn't one of the Vanished. joel gets a splitting migraine trying to follow their path back, though, and they have to stop for the night.

skizz is reported missing the next morning. joel resigns himself to cutting himself off from the people around him, as per usual. then, strangely, mr. hills corners him as he goes home.

"you'll need this," he says, and shoves what feels like a cheap butterfly knife into joel's hands. "uh, remember, trust your heart! you'll know how to use it."

"what," joel says. "hold on. you're supposed to be a teacher. why are you giving me this. i know for a fact my file says i have like, ptsd or whatever, which is stupid, but you definitely aren't supposed to be giving me a knife, you weirdo?"

"you'll know how to use it," joe hills says again. "goodbye! believe in yourself!"

mr. hills sprints behind a building before he has to explain anything else. joel is left standing on the sidewalk holding a knife, staring after him.

so. that's weird as hell. joel shivers in the cold and continues on his way home. the butterfly knife feels heavy in his pockets. he should probably report that guy to his social worker or something, but actually talking to his social worker feels like conceding defeat. joel can take care of himself. he can prove he can take care of himself. just watch him. step one: go out to get ramen because he forgot to buy any food for his apartment.

he sees impulse putting up signs as he eats. impulse looks miserable. joel thinks about how skizz, just in the short time he'd known him, had sort of unintentionally given away that he felt isolated after his mother Vanished. that impulse was a great friend, but impulse didn't understand what it was like. he never really SAID as much, but--

it's not fair to impulse, for that to be the last thing impulse remembered of what was apparently a friend since childhood. and joel doesn't care about any of these guys, but he can still pay his check and go out and help impulse go looking. he's no good at comforting people and doesn't know this guy, but joel had been alone too, sitting on the roof and crying, when the helicopters came.

except when they go back to the path by the school, joel's head starts to hurt again.

he looks up and there's a butterfly.

"hey, impulse, are butterflies common here?" he asks, a little desperately.

"i mean, not really, why?" impulse says.

"uh," joel says, and gestures. the two of them stare as the strange yellow butterfly circles in place.

"okay, so that is kind of weird," impulse admits.

"right?" joel says. "the only way it would be weirder is if it were blue." impulse gives him a look. joel does not explain.

it starts to fly away.

"we should follow it," impulse says, his voice getting a little dull. "yeah. we should follow it."

"what? no! no we should not follow the haunted butterfly, are you nuts?" joel says, but it's a bit too late. (maybe this is what the knife is for: stabbing impulse. it would be an effective method of stopping him!) he chases impulse down, down to the river, where yellow butterflies are swarming. impulse, as though possessed, simply steps into the swarm and falls through them to the water.

joel's, uh, freaking out more than a little bit? he'll admit he's freaking out. he dives forward to try to grab him, only to realize that he doesn't see impulse anywhere.

a single blue butterfly lands on joel's shoulder. "do you hold his heart next to yours?"

"i'm going insane," joel says.

"no heart is meant to be completely alone. do you hold his next to yours?"

"this isn't happening," joel says. "this is like a stupid manga or something. it's not happening."

"there is still time to save them; you must hold your heart strong, or the consequences will be dire. i believe in you."

the butterfly vanishes.

"fuck it," joel says. "if i drown then it's nothing people haven't expected of me anyway."

he steps through the swarm of butterflies.

that night, he drags both impulse and skizz out of the river. they're all freezing cold. shadows and strange, yellowy liquid still cling to all of their skin. also, joel stabbed himself, which like, glad to know that's what the knife was for, apparently, and the scar is warm and comforting. he can feel his--persona, and don't ask him how he knows that--shifting under his skin, under the mark on his hand. it said its name is pygmalion; it says it is a piece of joel's soul.

this is all patently insane. but skizz and impulse are alive and NOT eaten by shadow monsters, so even if they're both a little unconscious, joel takes that as a win.

they lie on the ground outside the river. someone stumbles across them. "well give me some teeth and call me an alligator. you got out on your own," breathes a fellow student clutching a dagger. joel thinks he's in the class across the hall. also--

"what are you talking about," joel wheezes.

"you found it on your own. you can find them?" the student says. his eyes are wide. something in joel's soul recognizes something in the student's. something in joel's BRAIN puts two and two together and realizes why mr. hills gave him a knife.

"no. no, go away, i don't want to be involved in this," joel says.

"well, don't you think it's too late for that?" the student says, and joel passes out. he's pretty sure the butterflies have to be laughing at him. in fact, as though to mock him further, after passing out, he doesn't even get to avoid it forever, because he wakes up in a glowing blue boat. there is a man with white-blonde hair, blue eyes, and a blue outfit leaning over him, poking him.

joel takes no responsibility for punching him. he'd do it again, too, as the long-nosed man sitting next to the unmanned steering wheel welcomes him to the velvet room.

(this, joel realizes later, all rather sets the tone for what the next year of his life is about to become.)

[hoofpeet]

Are you safe?

yah 👍 tl;dr our NOW-ex landlord harassed us for 7 months after trying and failing to run a rental scam. We had an eviction hearing this morning and literally 5 minutes after leaving the courthouse our now-CURRENT landlord sent us a lease to sign and agreed to let us move in this weekend. So yeah a lot of shit happened but 👍

[diamondsheep]

Happy Birthday to the Best Cook Ever 💛💛💛

[eddiezpaghetti]

It has come to my attention that SOME OF YOU who read my last Byler post remain UNCONVINCED. So I'm gonna tack onto it this:

I'm older than fucking God and air, and I've been out and proud since 2007. Yes, I know what homophobia is, and yes, I know what queerbaiting is. I know about Supernatural and Teen Wolf and Sherlock and blahdyblahdyblah. No new ground is being covered here. I thought I made that clear in the original post, but, clearly, I did not.

I am aware of queerbaiting and homophobia, and I'm still wholeheartedly certain in Byler being canon anyway.

Okay, so there are three types of relationship I want to discuss when it comes to queerbaiting. They're all, like, "queer relationships that could have happened, but didn't".

First off, queer-coding. This isn't really a thing so much anymore, but it still crops up every once in a while. I'd argue it probably happens most with male-male relationships in family shows these days. First example that comes to mind is Mr. Smiley and Mr. Frowny from Steven Universe. You can't make a relationship canon because some shitty overhead bastard overhead said no, so you get as close as you can without compromising the show. Can't make someone gay? Well, now their comedy routine is a blatant allegory for a romantic relationship. Boom-shaka-laka. This is something I don't see being a problem with regards to Stranger Things, but I want it to be there as contrast, a demonstration of one of many things queerbaiting is not. However, one could argue that, thus far, Will Byers is, canonically, queer-coded. It's pretty fucking heavily implied in the show, and the creators have confirmed it, and you're gonna be able to see it if you're not FUCKING BLIND, but word of god is not technically canon which means that interviews don't technically make something canon, blahdyblahdyblahdyblah, technicalities, Robin has been explicitly stated in the text to be queer while Will has, thus far, not, outside of good ol' Show-Don't-Tell. Of course, anyone with two brain cells to rub together can tell that that's going to change by the end of Season 5, but, hey, for what it's worth, I'm throwing this out there.

Alrighty, Thingamajingama Number Two: "Oops, I accidentally made the greatest love story known to man." AKA, a genuine, honest-to-goodness mistake. Unfortunately, we do live in a heteronormative society. Sometimes people who don't think about being gay much write a friendship that's incredibly compelling and don't even consider the possibility that it could have been read as romantic. Something something Top Gun something. This is, again, not queerbaiting. This is Steddie, this is Ronance, this is Elmax, this is your favorite flavor of non-canon ship this week, this is not Byler. The creators know DAMN well what they're doing. They've talked about it. We know this. Nothing new here.

Which brings us to the topic of discussion here. Actual queerbaiting. This usually starts out as an "accidental greatest love story", and then reacts to fan response. And when I say "reacts", I mean like a goddamn chemical reaction. Like bleach and ammonia, bitch. It's noxious and it's gonna kick your fucking ass without mercy. This is when a creator is like, "Hey, let's get our queer audience invested, but we're not actually going to give them what they want because our straight audience isn't here for that/we personally think it's gross/we don't give enough of a shit to want to research a goddamn thing to write a real gay character," blah blah blah whatever excuse they want to come up with this time.

And when you think "queerbaiting", I want you to think "bullying". Because that's what it is. It's lucrative bullying, like beating us up and taking our lunch money, but it's bullying all the same. And it's a real goddamn thing, even if people misuse the word a lot, often when they mean one of the two above, sometimes when they mean "bury your gays", which is another homophobic thing entirely that I'm not going to get into here. Queerbaiting is the thing we're focused on, and it's real, and it's bullying. And here's the reason I want you to think of it as bullying:

They

Think

It's

Funny.

They are actively making fun of us.

That's why Dean had the "Cas, get out of my ass," line in Supernatural. It's why the "Do you like boys?" line happened in Teen Wolf. It's why "Lie with me, Watson," happened in the RDJ Sherlock Holmes movies. Because "It's just a joke, mate." "It was just a prank, bro." "You didn't really think it would happen, did you?" "You should see your face."

So here's probably the biggest reason I don't think it's specifically queerbaiting in this specific instance of Will Byers and Mike Wheeler.

Stranger Things has never, not once, made a gay joke. Ever.

Every single time queerness comes up, it's dead serious.

Lonnie calls Will a fag, and the show is not at all reluctant to show what a goddamn horrible person he is. And when Hopper latches onto that, it's not as "Hahah, is he gay, though?" It's because he's trying to determine a potential motive for Will's disappearance, and even if someone had interpreted it as a joke, Joyce immediately has a line that functions as snapping her fingers in front of the audience's face and yelling "FOCUS" when she says "He's MISSING." Basically outright saying "This isn't funny!"

Troy calls him a fairy, along with targeting Lucas and Dustin for their skin color and disability respectively, and Mike gets damn near murderous. Troy is portrayed as a goddamn monster and the show portrays it as justice when El makes him piss his pants and later breaks his arm.

Steve calls Jonathan "queer" as a slur and gets the shit beat out of him for it.

Billy's father is revealed to be homophobic and abusive in the same breath.

Mike says "It's not my fault you don't like girls!" and we're shown how devastated Will is and Mike immediately follows him to beg for forgiveness.

There is a joke in Robin's coming-out scene, but it's not at Robin's expense. It's at Steve's. Specifically for being heteronormative.

Jonathan has multiple scenes where he's trying so hard to tell Will that he's always going to love him as he is, whether he's gay or not, without pressuring him to come out before he's ready.

Even when there's a little bit of ribbing at Robin's expense, it's always because she's an awkward nerd who's nervous around pretty girls, just the same as Lucas and Dustin are teased when they both first develop crushes on Max, and even then, even then, it always comes as a package deal where they make fun of Steve's girl problems at the same time.

Stranger Things is an emphatically pro-gay show. It may not be the core point of the show the way it is in, say, Our Flag Means Death, but there is nothing less than respect for its queer characters. Its queer characters are always taken completely seriously. No one is making fun of us. They never have. That's why I have serious doubts that this is queerbaiting. It would come completely out of left field for the bullying to start in Stranger Things' final season.

So it's not at all likely to be queerbaiting because queerness is taken completely seriously. The creators have talked about Will's queerness, at least, so it's not an accident. And queer-coding would be silly to expect from this show when it's already on its final season. Like, what is Netflix gonna do? Cancel it? Not to mention all the explicit queerness that's in there already. And no one's gonna "What about the children?" a show that's had sex scenes in it since the first season.

There's no fakeout here. It's gonna happen. Breathe.

[solacium]

presence // aventurine

he'll never outrightly ask you what it is, not at the outset.

he might find you curled on the couch, quiet, trying to breathe out the something in your chest that writhes and constricts, or in tears, but he won't ask, only sit quietly with you, lean against you, the weight of him enough to reassure you of his presence. maybe you reach for him, curl into the hollow of his body, and he'll let you, hold you until the tears stop, or you can feel your hands again, or you fall asleep, to the steady rhythm of his heart.

you'll wake, or look at him, and he'll speak, then, maybe look back at you with those iridescent eyes that you love, as he asks, softly, if you're feeling better, if you want to talk about it.

he'll keep you company, either way, listening. there is a steadiness in the weight of his arms around you, in the even beat of his heart against your back. you'll have to move, eventually, one of your legs falling asleep under you, and you'll both laugh, and shift. he gently disentangles himself from you, to get you something to drink. you settle back down, curled around each other, talk quietly until the sunlight changes.

[anglerflsh]

rabbit squire

[aroaceleovaldez]

Here is a link to the Cherokee Nation's official site. Here is the Visit Cherokee Nation youtube channel. Here is a playlist for learning Cherokee (and here's one for learning Ojibwe, as a bonus cause i'm biased). Here is a link to Daybreak Star Radio, which is a radio station based in Seattle dedicated to showcasing international first nations and indigenous music that you can listen to online. Here is a pdf of various recipes, including references to which tribes they originate from. Here is a link to The-aila-test's buy native tag, and here is a link to Beyond Buckskin's buy native list (though some of the links are broken). Here is a link to the Cherokee Phoenix newspaper's official site.

now go take a minute and come back once you've done some research so everybody can stop being weird about Piper.

[platyroonism]

V.8.0 will have the death ray for sure

[uncanny-tranny]

I think one of the most surprising parts of transition, specifically going on testosterone, is just how... normal it felt to me. When I was watching other people go on testosterone and describe how they felt, I anticipated that I'd feel the huge emotions, the spark, I guess. But I didn't. If anything, I went from being a neurotic mess to being... normal. Almost painfully normal. It's like I've gotten a cloth and dusted off this thing I call my body.

I honestly think it's interesting how natural I feel on testosterone. I never really thought I could feel this normal, but I do. It's like I can stand in a crowd and not feel like eyes are watching me, like ants crawling on a log.

[egophiliac]

I hear you on brave but I think Mr. CEO man could be woz

Which I’m all here for tbh

anon you sent this over 9 hours before the reveal, h...HOW DID YOU KNOW

(I am also all here for it honestly) (I kind of hope they lean really hard into the overworked-CEO bit...how is he supposed to fight evil when there's all this paperwork that he has to get in by Friday, ugh)

[thedragonhermit]

Got hecking possessed by the Serennedy nation and dropped everything to draw a couple of Evil Resident Kens in the hot new Barbie meme :)

Also here’s a few extras I drew before getting my copy of Tears of the Kingdom in an attempt to flush RE4 out of my system for Zelda.

...It failed and now I’m just flipping back and forth between the two ¯\_(ツ)_/¯

[theminecraftbee]

you know sometimes one of the things the fandom does that i like the least is joke about how certain ccs are "lorephobic" because it basically always ignores the lore they actually are really and visibly doing. like, sure, they may not be doing the lore YOU'RE looking at, but, one, lore doesn't just mean "big overarching server storyline" it can also mean solo stuff. it can also mean 'builds that have story built into them'. it can also mean 'fun little storyline between like two guys'. it can also mean character continuity. it can mean many things. two, "this guy doesn't do lore" is NOT the same thing as "this guy doesn't do the specific lore i personally like and want to see them doing" and i don't always think you guys know the difference. all of this, of course, is to say: hey guys did you know zedaph can canonically time travel,

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.