#but also this is getting into like philosophy above my level

[gay-artificer]

i always thought artificer was irredeemable - even with everything from this world being able to come back from the dead it still attempted genocide of the scavengers. and sure, i'm not saying that others can't like arti (in fact i do like them and their story) or write a redemption arc, they can have their fun that way. but i don't want to be guilted into thinking otherwise

I don't like to terms like 'irredeemable' on animals, even more sentient/intelligent (and fake) ones. Artificer is absolutely expressing unchecked hostility, but ultimately its still in the form of a creature reacting to its own trauma with aggression and, as a more intelligent being, with spite. Slugcats (and scavengers) are at their core not meant to be stand-ins for humans, and I think that there is a tendency for fandom (and humans with other 'smart animals') to correlate intelligence/sentience with at least somewhat of an obligation to conform to human morals. As a biologist who's a fan of wasps, I know how much people tend to project a need for human reasoning and morals onto creatures who literally could not comprehend it nor would want to. Hell, on an individual basis, even humans disagree on where things like that do and don't apply.

Do I think Artificer is good? Hell no, I said myself that I think they're something so violently consumed by their own grief and anger that on a literally spiritual level they have damaged themselves beyond reasonable repair. I think you need to be pretty uniquely fucked up and far gone to achieve that in such a level that it's literally scarred your own karma. I guess I think they are irredeemable in that sense, but mostly on a more meta level referring to their actual ability to recover vs. a moral one. The narrative of the story certainly condemns their actions pretty heavily in what is, effectively, a form of divine punishment- a complete and total inability to find peace in the form of proper ascension no matter what they do now. I feel that even if they threw away their grievances and just lived with Five Pebbles forever they would be unhappy and restless, just stuck with a permanent stain they wish they could ignore because it was an itch they scratched entirely through violence. But in that same sense I don't think the scavengers are uniquely, humanly evil for killing a slugpup for stealing just because they are also an intelligent creature with the capacity for culture and understanding. I believe the scavengers fully understood they were attacking the equivalent of a slugcat child, and they did not care. That did not matter to them, because they are just naturally very selfish unless they have reason to believe youre on their side already, and even then they aren't above violence due to personal grievance. They killed Artificer's pup because it violated a rule it couldn't have known was a rule, and its unfair that it died for it, but I don't think it makes the scavengers evil for it in the same way I don't fault a lion for attacking the weak or young of a herd, or a bee for stinging. I mean hell, even the scavengers themselves do it- They attack anything they perceive as threats, and will send squads to eliminate ones they think are particularly significant, even going out of their way to track them down. Sure, this is the a result of the creature already harming them- but Artificer was harmed. They were originally fleeing in their dreams. You could say it's different because Scavengers only target the one, but they already have a natural hostility to some slugcats and slugcats are generally independent (although its worth noting that slugpups pay for their parents' crimes by sharing reputation)- scavengers are not. They're all animals, they do what they perceive to be in their best interests, even if they perceive their best interest to be going out of their way to fight. The Ancients are the closest we have to a society with established morals in Rain World, and their favorite pastime was advanced genetic modification and disrupting ecosystems. It seems a little silly (to me) to be hung up on if any of these things are 'good' in that sense.

[dreadfuldevotee]

I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?

I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.

I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).

I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.

Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.

I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is

[crystalandbow]

WHAT LESSON ARE YOU CURRENTLY LEARNING 👀🩰

-pac edition (3 piles)

For entertainment purposes only

PILE 1

I hope you are having a great day🎀

let us dissect & discuss the image you have chosen (swans)

no cards today😭 *experimental reading*

firstly, what you are learning rn is related to trust, bondings and friendships (for few it could be about trusting your family members)

it isn't about romantic love (so far, even though the image can relate to love, but i am not picking up anything like that so far)

for those that felt called towards the 3rd pile as well, it talks about self love , appreciating one's own efforts, taking care and being gentle with your own soul.

i'm also getting the word "pause", like time has paused / everything is going slow and you are just wondering whats happening, observing everything around you for answers. things might be going slow and easy, for some they find peace here.

im also getting the image of the hermit which shows: being alone, and on hilly mountainous regions) things are cold ? meaning no progress, like i said above things & progress are slow which some people are okay with since yall understand that things take time (you have understood this lesson and are now getting tested, once you pass this you'll be upgraded to the next level soon);

while for some it's stressful, unbearable, you wanna get out of this slowness and being by yourself. but that is your lesson and you need to get okay/comfortable with this feeling of being out of your comfort zone, you need to understand that you'll be okay and getting out of your shell will not always be that painful/ hurt you.

should i do more of these?

that is it for you guys! please do lmk what you think about this reading for private readings : click here! my tipping jar : click here!

PILE 2

I hope you are having a great day🎀

let us dissect & discuss the image you have chosen (the rose painting)

no cards today😭 *experimental reading*

love, straight up!

if you

so the women holding the rose is wearing the color white which symbolises purity, innocence, i m hearing the word "childlike" while being drawn towards the sun card in the tarot deck, and even pinterest lol. well the white dress + the sun card, could show how your inner child/ childhood dream is close to coming true (but that isnt really a lesson so). the sun card is alot about success for you in this story. so even success and bright/ joy in your love life. as a lesson it talk about comforting that inner child, providing it that love and care as it has been hurt from outsiders, you have been upset/sad, might even think that your love life is very bad, almost as if you have been cursed to stay away from loyalty and love but that isn't the case for MOST. it is because your inner child is so very wounded, it is sacred to interact with others because it thinks they'll hurt them and obv it will think so because honey be honest! what mental diet do you have? do you care about your inner child? do you show love to yourself? your inner child is wounded and your lesson is to show care for it, treat it like your own lil baby, take care of yourself. for yourself. otherwise even the right ones won't stay long.

have a positive diet of purity and celebrate the innocence within you, be easy! if you wonder why your life had to suffer just know that the suns shines bright because it burns like that. only when yiu go through the pain can you appreciate the love and light is my philosophy for overcoming any dark night of the soul.

have fun with your inner child, play with it & make it feel at ease so that it helps you attract better opportunities.

TAKE CARE AND BYEEE

that is it you guys! please do lmk what you think about this reading for private readings : click here! my tipping jar : click here!

should i do more of these? lmk

PILE 3

I hope you are having a great day🎀

let us dissect & discuss the image you have chosen (lipgloss)

no cards today😭 *experimental reading*

the lipgloss pile😄i was sooo excited for this specific pile. i wanna know what it is for you!

anyways lets begin

well firstly, life could be all over the place, in a mess or in chaos, im getting new york city vibes aswell, showing how life cools so cool on the outside (to other people) but in reality it is also in some mess. its fast paced and chaotic (THE EXACT OPPOSITE OF PILE 1)

your life might be all over the place and in chaos, so much that you don't know what you should focus on, you want to do everything, you are trying your hands everywhere in all fields and everywhere hoping something might work out?

this pile is all about having too much in your plate and the problem is that it isn't organised. you need to be organised, its not bad but you aren't able to focus on anything which could be creating more & more problems. im getting attention deficiency. you need to learn how to not procrastinate & to remove distractions from your life. to be more organised and to know what is good / healthy for you.

for some y'all could be a lil worried about money and want a sign/guidance about it, maybe like a conformation of whether or not you are on the right track

your lesson is to set prioritise and work on them, be focused on them and now that doing a specific task will take you closer to achieving that goal/priorities & what will take you away from your goals/ priorities.

set goals & work TOWARDS them & get out of a mess, get organised is your lesson

should i do more of these?

that is it for you guys! please do lmk what you think about this reading for private readings : click here! my tipping jar : click here!

[shibaraki]

THE KIDS ARE GONNA BE ALRIGHT ┊ AIZAWA SHOUTA

synopsis: teachers are like bridges, there to facilitate students on their ungainly journey through life. add a war, a new subject, a gaggle of traumatised children and a handsome coworker with an apparent sleeping disorder—see where the bridge leads.

tags: GN reader (referred to as 'Sensei'), coworkers to lovers, reader is a teacher at UA (quirk science), single parent aizawa (adopted eri), some workplace shenanigans, meddling kids (class 2A + B), mutual pining, fluff + angst, learning difficulties, references to PTSD, getting together, first kisses + making out, suggestive content + heavy themes, post war arc (heavily implied spoilers ahead), HAPPY + HOPEFUL END

wc: 19K

From: Principal.Nedzu@UAedu.jp  To: QScience.teacher@UAedu.jp  Subject: Welcome to UA! Message:  Good morning!  It is my pleasure to welcome you to UA — we are very excited to have you aboard! The files attached to this email are as follows:  

A map of the campus

The UA handbook and Emergency guideline

The Teachers Code of Conduct 

Please refer back to these regularly to familiarise yourself with everything. As we discussed in our prior phone call a place has been prepared in the teachers dormitory in preparation for your move. Your key and security badge are at the reception desk. Please bring identification to collect them. Do let me know if you require a reserved spot in the parking area. 

One last thing to note: 

The staff lounge and kitchen is located in the west wing of the first floor heroics building. It is regularly restocked with snacks and beverages. The coffee machine is also available to you at any time. Feel free to help yourself!

If you have any further questions you can email me or call me. I will get back to you as soon as possible. 

Kind regards,

Nedzu Principal of UA High School  〒123-4567 Ōikuyō, Shizuoka, Musutafu.  Go Beyond, Plus Ultra!

Your new world is bordered by a large imposing wall. 

It towers above your head, reinforced concrete and steel reaching for the heavens, housing weapons you could only imagine. Gone is the classic archway that once welcomed students with open arms. The public walkway leading uphill to the school is cordoned off. 

Even alongside global assistance progress was slow. A large chunk of Musutafu had remained levelled— debris and dust, unrecognisable. After the battle ended, rebuilding the country came first. Hospitals and emergency services were given priority; more shelters followed close behind, and once given the go ahead, individuals confined to UA were able to slowly integrate back into their own communities. 

One step at a time. Life stops for nothing, that is clearer than ever. 

You qualified as a quirk specialist, mainly working with college students, teaching science, history and philosophy of quirks. Principal Nedzu was an old acquaintance. You crossed paths at a conference or two, and you saw his name in citations of papers you read from time to time, but it never grew beyond professional respect. Thus, having him reach out to you through your private number had come as a big surprise. 

After the war a number of the current student’s quirks had evolved at an unprecedented rate, largely due to the trauma and strain they endured. He expressed his wish to include quirk study in the new curriculum and reasoned that having someone with your credentials on staff would not only ease the anxiety of the teenagers, but also that of the remaining teachers, who were inexperienced in dealing with stress manifestation. 

The call ended an hour later with a sixty three page contract in your inbox and a new job. You covered a broad range of subjects but your field of study was an elective, therefore smaller than you are used to. Even so it was your territory now. You tried to own it. The desks have been rearranged into a U shape, charts with interactive pieces affixed to the surface, and you decorated the space with Nedzu’s express permission in hopes of making it inviting. 

Over a month into the term and you can’t yet say you regret taking up his offer.

“Phyletic gradualism and punctuated equilibrium are the two extremes in a continuous model of evolution. The first kind is a far more uniform and gradual accumulation of changes that subsequently generate new species…”

Your mouth keeps moving as you scan the classroom for the fifth time, words muffled by the brief loss of focus. The students don’t notice the lapse; most eyes are still on you, some clouded and others intent on listening. It’s a true miracle that nobody has fallen asleep—though Kaminari is always a close call. Beneath it all is the soft, frantic scratch of Midoriya’s pen to paper and his low mutter, holding the attention of a bone weary Bakugo. 

“…Comparatively, punctuated equilibrium proposes that once a species appears, it becomes stable, showing little evolutionary change until an event triggers a rapid speciation process”.

Yaoyorozu’s hand flies up and startles Shinsou to attention. Her enthusiasm brings a slight smile to your lips. You point to her, “Yes, Yaoyorozu?”

“In that case, Sensei, would that mean that quirks are an example of punctuated equilibrium?” she asks. 

“That is the most agreed upon theory amongst the quirk science community,” you reply, directing the answer toward the entire class. There’s a scarce mix of Class A, B, and support students. Monoma straightens under your gaze. He’s flanked by Kouda, who returns a mousy smile, fingers idly petting Yuwai-chan, his pet rabbit. 

“Quirks are our reality—that much is undeniable. But with that comes a myriad of unknowns. How, why, and when did this happen to us?” Striding toward the board you uncap a blue marker with your teeth and write the phrase ‘theories’ down in large, neat penmanship. You cast a passing glance to the clock. Any minute now. 

“There is still no definitive answer. So for your next assignment I’m going to ask that you research and write an essay on a specific theory about the dawn of quirks,” you are helpless to the wicked grin that pulls across your mouth at their collective groan. “It’s due next Friday. That’s ten whole days to complete it! So generous, aren't I?” 

Overhead, a bell blares out an incessant ring to indicate the lessons end, and in a moment of synchronicity each student rouses from their chair. Bakugo shoves his hands into his pockets and makes a beeline for the door and ignores Midoriya’s aborted squawk as he shoves his notes into his backpack. 

“Thank you Sensei,” he stammers, rushing after the boy. “Wait for me, Kacchan!” 

Nobody calls attention to the seemingly tumultuous relationship. The 2A kids in particular watch their interactions with a trepid fondness. They’re always like that—or so Shinsou told you, once, barely audible over Bakugo’s incendiary growls as he hauled his childhood friend into a headlock. You understood it a little when you heard Midoriya’s bubbly laughter for the first time. And you let them be. 

The others file out slowly, lost in conversation or waiting on a friend. Iida stops at your desk and bows before leaving, bidding you an effusive goodbye, a habit he has steadfastly maintained no matter how much you assure him otherwise. In stark contrast the two subdued support students, Toma and Nakao, throw a simple salute with startling synchrony.

Just when you think you have some peace, a shadow crosses your peripheral vision. “Yo, Sensei,” Kaminari chirped. There’s an edge to his voice that draws your attention. Shinsou lingers nearby feigning disinterest as Kaminari fidgets with his blazer button. “About the—uh. About the essay…”

Blinking away your initial confusion you sit up in realisation. “Oh! That’s right,” Kaminari tenses as you lean across the desk, flicking through your copious bits of stationery. You peel off a cloud shaped sticky note and write down a date and time before handing it to the boy. 

“I scheduled a one to one so we can go over everything you’ve done before the deadline,” you explain gently. Kaminari takes the note between his fingers, grip delicate either end as though afraid it might tear. “Don’t worry if you lose that. I’m going to send the details to your student email, and I’ll remind you again on the day. That sound good?”

Had you been any younger your eyes might’ve stung at the clear wonder unfolding on his face; surprised and happy to be accommodated without interrogation. Now there is only a dull ache beneath your skull and resentment in your heart. His reaction spoke to the copious rejection he faced before UA. 

You’ve come to learn that children are only ever as brilliant as you allow them to be. 

“Y—yeah. That’s amazing, thanks Sensei,” Kaminari steadily brightens. His fist hits his chest with a quiet thump, “I won’t let’cha down!” 

“I’m sure you won’t. And please don’t forget to bring your overlays,” you call to them as they amble out into the hallway. Shinsou holds the door, nodding shortly in acknowledgement. The savoury smell of curry has already distracted Kaminari enough to have him forget your discussion. 

You sigh, hearing their laughter grow quiet in the distance. Another muted pang echoes through your skull. Expression contorted, you wince and gather your things, thoughts latched onto the lacquered bento box that awaits in the teachers lounge to distract from the pain. 

The once stream of bustling students becomes a mere trickle, stragglers hanging by the bathrooms, others cross legged in front of their lockers, grouped tightly together without causing obstruction. They appear wilted. An overarching air of despondency; grey against the brightly painted corridor. 

The muscles in your face twinge. You resolve to greet them all, offering a smile as sincere as you can muster despite the heaviness in your heart. For many of these kids, if not all, life would never be the same. So young, grappling with such unprecedented loss. 

You come to a halt. Lofty double doors loom. Your fingers curl into the recessed handle and you slide them open. Though the walls are bare, the windows are large, and into the staff lounge beams intrepid light. 

You’re met with a chorus of sluggish murmurs, few heads lifting to see who has entered. Of the faces present there are two you’re most familiar with—class 2A’s heroics mentor and their homeroom teacher. 

Yagi is hunched at his computer desk. A cardigan too large for his frame is draped across his shoulders and pools around his wrists. Cradled in one hand is a thermos covered in stickers. Steam pours from the open top, wispy tendrils curling into the air. You inhale and recognise the weak scent of bone broth. 

Those sunken eyes flicker as you approach, striking blue roving over your form. Whatever he sees must be cause for concern. “Are you feeling unwell?”

You had felt an immediate fondness for Toshinori Yagi when you first met him. The presence of All Might hung tangibly in the air, a stifling ode to his service that still unnerved those who did not know him, but you were different. Like his colleagues, you looked back and saw a well meaning, sweet but bumbling older man. 

“No, no,” you demurred. “It’s just a headache”. 

Yagi grimaces sympathetically, furrow etched into his brow. Hips slumped low on the staff sofa, garish yellow sleeping bag at his feet, Aizawa hums a low amused sound that draws your attention. You’re surprised he’s awake. “My kids will do that to you,” he murmurs. 

The Erasure hero’s head is tipped to bare his throat, jawline shadowed by stubble. Dark curtains of hair fall across his shoulders. Aizawa is handsome. This you cannot deny. Before you met you’d heard him described as quite the opposite. Yet here you are, magnetised to him; to his callous humour, and the rough, rare instances of laughter; to the sturdy body hidden beneath baggy clothing and the deep, blasé manner in which he speaks. 

You swallow the sight thickly and pinch the bridge of your nose with a self deprecating laugh. It’s just a silly crush. “Nothing like that,” you assure him. The chair creaks slightly beneath your thighs as you recline. “I don’t think I slept well last night”. 

Admitting it invites a sudden wave of fatigue. Aizawa is no stranger to exhaustion. You think he could probably sleep anywhere—hell, you’ve seen him sleep standing up. He regards you thoughtfully, and the longer he stares the warmer your collar becomes. You feel his scrutiny even as you avert your eyes. 

Incognisant to the tension, Yagi continues to fret. “Ah, that’s no good. Let me make you some coffee,” he insists, brushing off his pants as he stands. Yagi sheds the feeble slope from his shoulders and you blink at the burst of energy. 

“Alright. Thank you, Yagi-san,” you reply, voice dwindling as he ducks into the modest kitchen connected to the lounge. Aizawa clicks his tongue. 

“You’ll regret that,” he breathes, ensuring the other man would not hear. “Unless you’re a fan of drinking tar”. 

“Don’t be mean. I’m sure it’s not that bad,” your trembling lips press firmly together, not wanting to to give him the satisfaction of making you laugh. He exhales and shrugs as if to say ‘it’s your funeral’. 

Yagi soon returns holding a cup of coffee and your bento box. “Here. I thought you might want to eat,” he gives a signature toothy grin. You say nothing of the shake in his hands as he sets them down on your desk and bring the hot drink to your mouth. 

The coffee is awful. You hold your breath and smother the urge to cough, swallowing it down with feigned enthusiasm. The astringent taste lingers. A shudder runs throughout your body and you inhale sharply. “That—will definitely wake me up. Thank you, Yagi-san,” you rasp, trying to smile. Yagi looks rather pleased and gives a thumbs up. 

Next you look, Aizawa has shucked the sleeping bag up to his midsection and burrowed into his capture weapon, leaving only bloodshot eyes visible above the fabric. They’re crinkled at the edges and full of mirth—you interlock and he lifts his chin to mouth, “Told you”. 

That shouldn’t be so attractive, you think.

On the next mouthful of your rice you subtly uncurl your middle finger from beneath your chopsticks and pointedly flip it at Aizawa. He snorts, amused. 

“Gesundheit,” Yagi chimed between sips, enjoying the warm broth in his thermos flask. From what you understood he had to follow a strict liquid only diet. He could hardly stomach solids anymore. “Are you getting sick too, Aizawa-kun?” 

Aizawa sighs at the obliviousness, though you think he’s a little glad for it. 

The conversation tapers and the lunch hour crawls on. Your mind drifts to the students as you idly chew, grains ground to mush, vision blurring out of focus. Thankfully it appeared to be one of their better days. Shinsou remained awake for the entire period. Yaoyarozu participated confidently. The shadows under Bakugo’s eyes hadn’t been as severe. Iida’s legs had not restlessly bounced under the table. Midoriya kept his hands to himself and felt no need to feel for his friend's heartbeat. 

However one of your more boisterous spirits, Monoma, had been noticeably withdrawn. Kouda’s rabbit—trained to detect and assist with anxiety—scrambled into his arms on numerous occasions. 

Your skin prickles, alerted to the weight of someone’s gaze on your back. Not a second later you hear the low call of your name. Aizawa slips into the chair opposite, disconcertingly silent in his approach, and leans his chin against his fist. 

“If you keep thinking so hard, All Might really is going to give himself a hernia,” he mutters. 

Yagi’s lighthearted chuckle devolves into a harsh spluttering cough. “Blunt as always, Aizawa-kun,” he jokes, voice muffled by his hand. 

“I’m not sure he could even get a hernia…” you muse, offering him a tissue. Yagi nods in thanks as he wipes the blood from his mouth. “I was thinking about the kids, that's all”. 

Aizawa tilts his head. The sun settles at her highest point and golden pleats stretch across his face. These are the rare instances that his artificial eye becomes observable. Light refracts in the iris, glittering crimson through graphene layers. 

“They’ve really taken a shine to you,” he says, and it comes like an accusation, softened by the slight jut to his lips. You smirk, shutting your bento box and setting it aside. How wonderfully petty. 

“Curious?” 

“Midoriya burst into class last week and asked Tokoyami if he had a twin that he ate in the womb,” he drawls, brow twitching. Yagi splutters. “So yes, I’m curious what it is you’re teaching my students”. 

A fleeting sense of exasperation comes over you. Trust Midoriya to abandon delicacy in his eagerness. “I assume it’s because we covered the genetics of chimerism and how it relates to quirk inheritance,” you say, bemused. Hopefully Tokoyami was not offended. It’s a wonder he didn’t ask Todoroki.

“And how does it?” Yagi blink owlishly as you turn to him in surprise. “I’m curious!” he defends. 

“Oh. Well, genetic chimerism is when an organism has multiple sets of DNA often originating from the fusion of different zygotes,” you recite. Instinctively, your posture straightens as though you were back in the classroom. “This can happen with twin embryos. One absorbs the other and as a result, they have two sets of DNA”. 

“O—oh…?”

“So,” you continue, fingers wrung together in your lap, turning to give him your full attention. Colour drains from the retired hero’s cheeks. “The question I presented was this: would it then be possible for the surviving twin to inherit an additional quirk?”

“I see,” Yagi swallows and his grin strains at the edges as he realises you are waiting for a genuine answer. “Ah, I’m not—”

The lunch bell abruptly begins to ring. You both startle in your seats. Unperturbed, Aizawa pushes to his feet. His hair falls forward as he sways in place and meets your gaze. “As interesting as this is, we need to get to gym gamma for basic heroics,” he says, tone laced with monotony. 

Yagi jumps at the chance to escape. You try not to laugh. He continues to nervously glance over his shoulder, worried that you might be disheartened, but you wave them off happily. 

Coworkers come and go throughout the afternoon. Kurose keeps you company during their free period, later joined by Yamada, who insisted on quizzing you about western rock music. With no classes left to teach you spend the remainder of your day planning quirk counselling sessions, printing worksheets and sending routine emails, headache persisting. 

━━━━━━━━━━━━━━━━━━━━━━━━

From: QScience.teacher@UAedu.jp  To: Kaminari.Denki@UAedu.jp  Subject: Reminder [High importance] Message: 

Good afternoon,

Please see the two files I have attached to this email. One has a highlighted version of the essay brief, and another detailing how to structure an essay. 

As I mentioned, I have booked a one to one session for us to go over your draft and any concerns next week on [x] September 13:00 — 14:00. However do not hesitate to email me with any questions you have before this date. 

Take care!

━━━━━━━━━━━━━━━━━━━━━━━━

After the final bell rings you linger a while, not wanting to be swept away in throngs of students making their way to the dorms. There are no stragglers as you leave and your footsteps reverberate unsettlingly throughout the main building. 

The sky bleeds into early dusk with disquieting rays of light. Gentle enough that you can look directly into the sun and see the canvas it paints. Standing in the middle of the walkway, balefully watching the far off horizon, the early autumn air makes you shiver. 

Living on campus was a big change. Even so you had little to complain about. The staff dormitories are larger and much more private. You’d been given a studio on the second floor, neighbour to Ishiyama, the rather withdrawn cement hero. While there is a bathroom and kitchenette in each apartment you usually preferred to cook in the shared kitchen, conjoined to an open plan common room. 

Another familiar face greets you as you enter. Powerloader is seated at the dining table, mulling over a mess of blueprints. Quirk science and quirk support often went hand in hand thus you had collaborated before, albeit very rarely. 

He lifts his head at your entrance, face obscured by long, spiked copper hair. Seeing him free of his big excavator helmet—much like with Kurose without their space suit—is still quite strange. “Hey, Maijima-san,” you skim over what looks to be a box buckle belt. “Working on anything interesting?”

“I’m designing an MMF induction system for Tetsutetsu in 2B,” he explained, sifting through the papers to show another preliminary sketch. You notice the ink stain on the heel of his hand. “I’m hoping with the belt and armbands acting as coils we could turn him into an electromagnet of sorts”. 

“Wow. That’s actually pretty cool. There are so many things he could do with that,” you mumbled. Flash bangs. Emergency power. Assisting in triage. The possibilities were endless. Awed, you lean forward to scrutinise the chicken scrawl dotted around the drawings, some characters smudged beyond your comprehension. “How do you plan to measure his tolerance to—?”

“Mochi?!” a small, giddy voice interrupts. 

“…Mochi?” you repeat, bewildered. You look toward the source, gaze falling upon two silvery pigtails. Eri rocks on her heels and excitedly holds out a curved plate full of rice cakes. The height draws her sweater sleeves down her thin, scarred forearms. She makes a droning noise to stress that you take one. 

Aizawa strolls out from the kitchen behind her. A dull clink accompanies his footsteps, slanted to one side. You immediately note the various colourful clips pinning his hair away from his face, tied into a similar pigtail style, though tousled and loose.

“Eri,” he rumbles. “It’s impolite to interrupt private conversations”. 

The little girl wilts a fraction as her expression pinches in worry. She lowers the plate, but before it is out of reach, Maijima stretches across the table to snatch one up. Eri brightens at the exaggerated happy sound he makes as he chews, “This is some good mochi, Eri-chan. I’ll forgive you this once”. 

“Thank you, Maijiji,” she chimes. At that Maijima’s jaw unhinges mid-chew, the corners of his mouth twitching in quiet shock. Aizawa’s nostrils flare. He turns his head from the scene. Similarly, you tuck your chin to conceal your smirk and pluck up a mochi for yourself. 

“These look delicious,” you tell her, diverting the topic from Maijima—who, in your periphery, is mouthing ‘old man?!’ toward Aizawa with some incredulity. Eri’s focus remains on your face. She watches intently as the sticky dough yields under your thumbs. 

You tear a piece away to eat. Softer, smoother on the inside. It begins to melt on your tongue. The red bean paste is sweet with earthy undertones. “Wow!” the exclamation comes warbled, muffled. Eri tugs at the hem of her pink knit sweater, her smile stretching wider. “You’re very kind for sharing these, Eri”. 

“Mhm. S’because Yama-san teached me a quote in English today,” she effuses proudly, “He said sharing is caring”. The foreign enunciation doesn’t quite fit, like the words are choppy in her mouth, but they fall easily from her lips as if she has practised them a hundred times.

“Taught,” Aizawa corrected, bending into view to take the plate from her hands and set it on the table. She blinks at him curiously, and he explains, “You should say ‘Yama-san taught me’, not teached”. 

“Oh,” she says. You watch fondly as he licks his thumb to wipe away a smear of bean paste on her chin. Her face scrunches up, lips pursed and air in her cheeks. 

“And now you’ve been taught a new word,” you add, pulling off a bigger piece of mochi. Eri bounces in place as you offer it to her and she shoves it into her mouth. “Thank you for the treat, Eri. I think I’ll enjoy this in my room”. 

“Ywor lea’win’?” 

Aizawa sighs and concedes defeat to her poor manners. He cradles the crown of her head with his palm, stroking her hair. “I’m a little tired so I really want to take a shower and get in my pyjamas,” you say, hoping to placate her with a smile. “But I’m sure I’ll see you again sometime tomorrow, okay?”

Eri concedes rather reluctantly. Her fondness for you, once a stranger from the yawning unknown, is warming. Though her dejection is short-lived, soon distracted by the late arrival of Yagi and Yamada. 

The soft hair on your neck prickles. Sensing his stare you meet Aizawa’s gaze, heavy enough to feel like touch. It stirs a fleeting sort of hope in your chest. He looks gentle, frame wrapped up in the gauzy evening lustre. You clear your throat, “Did heroics go well in the end?” 

His brow twitches and you get the distinct feeling that you’re being laughed at. “No broken bones. So I would say so,” he deadpanned. 

“If it were anyone else saying that I’d be concerned,” you smiled, knowing class 2A in particular was well renowned for incurring injuries in training. “It was their first one since… everything, right? I’m glad they’re doing okay”. 

He hums, eyes sliding toward his daughter when her laughter breaks the delicate quiet. You shift awkwardly where you stand, overly conscious of Maijima seated nearby, now engrossed in his work. Aizawa levelled his voice, “How’s the headache?” 

“Persistent,” you murmur. Acknowledging it invites another dull pang inside your skull. “Honestly I can’t wait to get in bed”. 

“Hear hear,” he breathes. The corner of his mouth curls as he looks at you and gravity vaults around your stomach, rendering you momentarily weightless. Just a crush, you think, half hysterical. “Get some rest. If you plan on missing dinner then take a jelly pouch or an energy bar with you”. 

Touched by his concern you sway toward the kitchen. Your teeth sink into your cheek, biting down a grin where he cannot see it. “Yeah, okay,” you laugh under your breath. Louder then, “But I’m going to take your favourite flavour”. 

“Don’t push your luck,” he dared. 

You retire to your apartment with a green jelly packet in hand and a clunky wave. Energy seeps out of you like water through a sieve as soon as your door shuts. Fatigue creeps in; the body needing rest yet the mind restless. 

The shower does little to shake you awake. Dragging your feet to your bedroom, pouch uncapped and held between your lips. Tepid air sticks to still damp skin. Your bed yields, thoughts slowing. You crawl across the mattress, cheeks hollow as you lazily suck the jelly until the foil wrinkles. 

Cocooned in plush fleece and linen, you tilt your head and let it loll against the pillow; exhaustion sweeps through you, consciousness waning. The ache behind your eyes lessens as they close. You sleep. 

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From: Kaminari.Denki@UAedu.jp  To: QScience.teacher@UAedu.jp  Subject: RE: Reminder [High importance] Message: 

Hi hi

The worksheets really helped!!! You’re the best, Sensei!

I was talking to Mido and he said some ppl think quirks are a genetic mutation from a disease spread by rats?? ? (◎-◎;) super freaky. Can I make that my essay topic? 

Thnx!

Kaminari Denki AKA ⚡️ CHARGEBOLT

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From: Midoriya.Izuku@UAedu.jp  To: QScience.teacher@UAedu.jp Subject: An analysis of the Q-gene theory Message:

Sorry to email so late! Or early haha… I found some articles while I was researching that I think will be helpful to my essay but the journal is not open access. Is there any way that I cannnnnnnnvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvccccccccccccccvvvvvvccccccccccccccccvvvvvvvvvvvvvvvvv

Sent from my ePhone 

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Morning comes abruptly. The sound of your alarm cuts out as you stretch across the bed to hit snooze, limbless and heavy handed. You rise with a crick in your neck. Barely cognisant, the floor rises to meet you, cool against the soles of your feet. 

A mottle of pale blue and white blended into a grey low lit morning, flooding the common area. It’s no surprise to you that people are already awake. Snipe is seated on the couch meticulously cleaning his pistol while Kurose is clad in their gym wear, jogging in place where they wait for Yagi to zip up his jacket. 

Upright, he beams at the sight of you, “Good morning! You look much better today”. 

You do not feel much better. 

“Morning,” you return lightly, rubbing the sleep from your eyes. Snipe tips his hat in your direction with a quiet grunt. “Are the others still asleep?” 

The drooping blonde hair that frame’s Yagi’s face sway as he shakes his head. “Not everyone. I believe Yamada-kun is at his radio station. Ectoplasm is out walking the perimeter with Hound Dog. Though Aizawa-kun may be sleeping…”

“He got back from night patrol a few hours ago,” Kurose adds. They wave both hands at you, spacetime wielding fingers wiggling as though to entice you, “That aside, would you like to join us on our morning run?” 

Your expression immediately shifts, exhibiting strong disinclination. “I appreciate the invite, but I’d rather return to a horizontal position until my work hours start”. 

Kurose laughs warmly. Yagi, however, insists on reciting the benefits to early exercise while he ties and reties his shoes. You send them off, holding the door open to breathe in the morning dew, and spend a minute feeling the cool air prickle your cheeks. 

The day crawls on. You get to your classroom before the first period and review the lesson plans. The third years stagger to their seats. You can sympathise with their dead eyed stares—two hours of quirk regulation law is not exactly the most riveting topic—and take no offense to their spiritless attitudes. 

Third period is spent fostering discussion about politics with the business students. By the time lunch hour comes and goes you have barely left your classroom. Your next set is composed of first year hero students. This academic year both class 1A and B had been mixed into the same group. Hardly six months after a war steeped in blood and sacrifice, Japan’s citizens were not so eager to hand their children over to a hero school. Thus there were few applicants. Nevertheless, Principal Nedzu remained optimistic about their potential. 

Straight away you understood his judgement. In covering the quirk history module you saw first hand their iron willed determination to learn from the past and change the system. Hands are thrown high in the air—eager despite your intention to wind down—as you inquire their thoughts about the quirk classification system. 

“The whole thing is bull—brainless!” one of your more headstrong students, Higuchi, calls out. You can picture the lurid glare behind his blacked out glasses. His classmates murmur in agreement. 

“He’s right, Sensei,” Kaneko, 1B class president, adds quietly. The air distorts around her when she speaks and your jaw clenches, withholding a flinch as your ear pops. “Why are there only three categories? It makes no sense”. 

“I agree. The classification system is simplistic and outdated. Which is what leads me into my final question…” you hold out your hands in mock surrender, brows pointedly arched, and they settle down. In that instant, the door slides open and disrupts the peace. Every head turns to watch Eraserhead slip brazenly into the classroom, and after a pregnant pause, gesture for you to continue. 

Heat rises to the high point of your cheeks. His expression is soft in the artificial light, fixed on you with intent and sincere intrigue. Your tongue feels thick in your mouth.  “Ah—What was I saying?” you joked nervously. Sensing your embarrassment the kids begin to laugh under their breath. “That’s right. My question is, if possible, what are some of the categories you would introduce to improve the quirk database? Brainstorm for me. There are no wrong answers!” 

Those eyes nag at you for the remainder of the hour. With another teacher present, heralded as a war hero no less, the motivation to impress increases tenfold. You bullet point their answers on the class board, prompting further explanation or examples and suggesting your own. It’s a welcome distraction—

And the outcome is far more comprehensive than you expected:

Generation describes quirks that allow the individual to create something from their body. Example: Creati. 

Manipulation refers to quirks that control what is pre existing. Example: Poltergeist. 

Users with a Transmutation quirk can change or alter the function of things around them. Example: Mudman.

Augmentation quirks allow the individual to improve their own body in some way. Example: Mount Lady. 

Information quirks classify those that can detect, understand and apply information. Example: Nighteye.

You watch them rush to scribble the list down. Murmurings carry through the classroom as they turn to one another, listing more examples, giving thought to how each quirk should be designated. Pride swells in your chest. 

“I have a question”.

Aizawa remained hunched in the corner, one hand deep in his pocket. The other is raised lazily above his head. This elicits some anticipation from your students. You motion for him to continue, “Yes, Aizawa-sensei?”

“Erasure is listed as ‘Emitter’ in the quirk database. This means I share a category with quirks which are fundamentally different, such as Hellflame,” he speaks with a calm, assertive cadence that holds the kids' attention. His gaze sweeps across the class and they squirm. “Tell me, what would you categorise my quirk as to draw that distinction?”

The long silence is contemplative rather than daunting. Higuchi fakes a cough. He lifts his fist, fingers unfurling as his wrist then falls limp, feigning indifference. It was made no secret that he admired Eraserhead, given their shared ocular abilities. Allure was a powerful quirk. Persuaded with a single glance, inhibited only by the specialised lenses in his glasses. 

Thus you recognise the attitude change for what it is—a preemptive measure in the case that he slips in front of the man he admires. “Higuchi,” you warmly addressed. Aizawa centres his attention on the boy. “Do you have a suggestion for Aizawa-sensei?”

“Y—yeah,” he says. “I thought we could add something like ‘Condition’ to the list…?”

“Can you elaborate on that?” you try to encourage. Aizawa’s posture shifts, his interest piqued. 

“I was just thinking, Erasure doesn’t fit any of the shi—stuff we thought up,” Higuchi continues, his fingers knotted tight on the desk, knuckles white. “Condition would cover people whose quirks enforce a condition on others. Like an infatuation quirk or—or my own quirk”.

Everybody is seemingly waiting with bated breath. You glance back at Aizawa, now carefully regarding Higuchi. You know that look. “Not bad, kid,” he nods, quietly pleased. Higuchi grins. 

Smiling, you move to add ‘Condition’ to the list. 

You’re on edge after the bell rings. Aizawa’s presence brushes you like a breath of balmy air, biding his time while you send off your class, grunting in response to those who bow in his direction. When you finally turn his half lidded gaze is mellowed. 

“So,” you begin clumsily. “Is there any particular reason why you interrupted my lesson?” 

Aizawa hums. A sound so deep, so supple you want to lean into it. “I have a favour to ask. Is the rest of your afternoon free?” 

“The Eraserhead asking me a favour?” you tease, needlessly lining up your stationary before collecting your things. “I’ve got no more classes to teach, if that’s what you mean. Why?”

“All Might can’t assist supervising heroics training this afternoon,” he mutters, examining your display boards with absentminded curiosity. 

“You need to give me more than that, Aizawa”. 

He exhales, mouth pressed thin, ducking into his capture weapon. You see a shift in expression, the skin of his cheeks drawing up to crinkle around his eyes. The petulance brings a smirk to your lips. Aizawa had been mildly avoidant and emotionally reserved from the moment you met him, but for someone so motivated by logic he seemed to expect you to read his mind lately. 

“Two people are required to oversee the class”

“And you want that second person to be me?”

“If you’re going to be difficult I can ask Thirteen,” he replies dryly. The tip of his tongue wets his bottom lip, tempting your gaze. You feel yourself consciously resisting. 

The empty threat hangs lightly in the room. Your smirk gentles into a smile. He tracks your movement, standing aside while you tuck in the desk chair. “No, no. I’ll come,” you demurred. “I want to help. Let’s go”. 

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From: Shinsou.Hitoshi@UAedu.jp  To: QScience.teacher@UAedu.jp  Subject: — Message: 

Hisorrywoulditbepossibletogetanextensiononmyessay?Myspacebarisbroken. 

Shinsou Hitoshi

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From blue rafters to monochrome stone, the arched structure of Gym Gamma comes into view. Towers over you as you approach. Aizawa’s footsteps are purposeful and his legs carry him forward with a lumbering gait. You’ve changed into shoes befitting the outdoors—a pair of boots that hug your calves tight and keep your ankles warm as the afternoon wanes toward an inevitable cold evening. 

“The students participating today have been previously cleared for training in a controlled environment by their psychiatrist,” Aizawa says, breathing slightly visible in the autumn chill. His hands are buried deep in his capture weapon. “First they’ll start by sparring without quirks to warm up. If I see no risk they can then move on to using quirks”.

Allowing the kids to train again had been a sensitive matter. Not a single hero student came out the war unscathed; the first years especially, given the proximity to AFO, were dealt extensive physical and psychological trauma—a handful even undergoing  forced quirk awakening. Throwing them back into a battle environment, controlled or otherwise, needed to be handled with care. 

Aizawa did just that, and to your knowledge he always had. He exercised caution with his students. Even if it came across as harsh. Even if the chances of danger were nil. He was staunchly protective of his brood. You understood that to be the reason why their parents trusted him to lead them forward—

And you hoped it meant he would be open to your advice throughout the training. 

Your head bobs, nodding in acknowledgment. “During the latter half of the session, if I see signs of a student in distress—?”

“Inform me,” he cuts in firmly. A flash of crimson pools into his irises, gone between blinks, and you’re left to wonder if it was just a trick of the light. “I’ll erase their quirks and stop the spar before it escalates”. 

You ponder that as Aizawa shields his eyes and scans the beyond when a chorus of voices reaches your ears. An amalgamation of 2A and 2B are waiting by the gym doors, with the few that recognise you excitedly waving their arms and calling your name. 

“Understood,” a small smile pulls at your lips. You wave toward the group, donned in their UA tracksuits. “You’re the boss”. 

Iida graciously bids you both welcome, his hand chopping through the air as he speaks over the others and attempts to assuage them. Questions of All Might’s whereabouts are few and far, instead entirely focused on your unexpected presence—all the more surprising that Midoriya visibly brightens, unaffected by his mentor’s absence. 

You allow Aizawa to take the wheel while he makes introductions, rocking idly on your feet, nodding along when prompted. “I’m sure some of you are well acquainted, whether it be through individual quirk consultations or taking quirk science as your chosen elective…”

Yaoyorozu is poised beside a fellow student, Jirou, arms crossed over her midriff. Fingers wiggle by the crook of her elbow in another subtle wave, smile gracing her lips. Bakugo catches the movement and his eyes flicker in your direction. He acknowledges you with a short nod.

“Today is not about analysing the progression of your quirks. We will be observing how you apply them,” he continues. There’s a fleeting emphasis to his voice. It carries an underlying warning, the same way a parent might quietly reprimand a child. The class visibly stands straighter and Midoriya raises his hand. 

Aizawa exhales, a fond sort of exasperation shining through, “…Midoriya”.

“Will we receive individual feedback?” Midoriya eagerly questioned. “And can we get Sensei’s opinion on our own ideas? Because—!”

“Kid,” Aizawa drawls. Colour paints Midoriya’s face pink but he seems bashful rather than ashamed. “Once we move onto sparring with quirks, yes, you will be notified of anything we deem significant. After class”. 

Bakugo, Monoma, Shinsou, Tetsutetsu and Midoriya appear particularly motivated by this. You clear your throat, gaze sliding to Aizawa as you add, “And anyone seeking my opinion or reassurance is free to email me. We can set up a meeting. That’s what I’m here for, after all”.  

The hour wore on. Aizawa was happy to watch in comfortable silence, offering up any thoughts and observations as they passed. There’s a clear sense of pride about him. A softness. Comfortable showing it now he’s a distance from the prying eyes of his students.

Hand-to-hand warm ups progress to quirk use. Some have formed small battle royale type groups while the others chose to pair up. You scan the gym with a keen eye. The quick streak of Midoriya’s red sneakers as his left foot pivots on the mats catches your attention. His opponent, Todoroki, falls into a balanced stance. 

You watch their fight unfold. The intensity swells. Dread prickles down your spine. “Aizawa…” you cautioned. 

Green lightning pulses. One For All activates. A metallic taste sticks to the roof of your mouth. Midoriya’s body twists, and with it his right foot swings up in a singular, upward path. It cleaves through the air, a slice more than it is a swing, and the force lands squarely on the side of Todoroki’s skull—or it would have, if he hadn’t blocked it with his arm, encased in ice. 

There’s a split second in which everything stops. An immense, charged force bore down on your lungs. Your vision blurred. As quick as it came the lightning died out and a deluge of shattered ice fell to the ground. 

“Ouch,” Todoroki says, cradling his wrist. You think that probably doesn’t even begin to cover it.

Aizawa sprinted across the room without ceremony, his hair hung high in suspension and ready to step in. Todoroki interjects first. Presumably to defend his friend and assure them both that he’s fine. While Aizawa scans his forearm for any sign of major injury you watch Midoriya return to himself. Colour drains from his face. Chest heaving. There’s a violent tremor in his legs.  Between rapid blinks you hear the crack in his mumbled apologies. 

Aizawa settles a gentle hand on his shoulder. The rest of the students return to their matches, save for a select few who spare Midoriya a concerned glance—nevertheless, nobody is truly surprised. You can only wonder how often this happens. 

Midoriya broke himself for the sake of others more times than you could stomach, and you’ve been witness to how uniquely adept he is at hiding those splintered parts first hand. With the wound still so fresh, people needed the courageous, forthright, spirited version of him, the one with the beaming smile and the promise of safety. At only sixteen years old that is already his delegated role in life. 

There are not enough words to depict just how catastrophic the war had been. You suffered heart-wounds of your own but in facing the sacrifice these children gave you felt a contrite, shameful hole in your consciousness. This is victory; the only one on the table, and it is painful.

While Aizawa calms Midoriya, your focus returns to the rest of the class. Tetsutetsu is holding his own against Iida. Kuroiro is half steeped in shadow, reflexively sinking into his quirk as he wards off Bakugo’s punches. You note that Kaminari is unsteady on his feet, having already discharged too much electricity. 

Something about Monoma’s hesitance also holds your attention. Of the abilities he’s used there has only been four. Odd, given his ability to hold five at a time, and the plethora of quirks surrounding him. 

You chew your lip and it occurs to you that he must be keeping one on reserve from prior to the lesson. The next thought comes unbidden, inhaling sharply as a sudden, cold sort of clarity slides through you. 

The only quirk you imagine Monoma could still be intentionally holding onto is the one he took during the fight against AFO. Erasure. 

“What’re you thinking?”

You shake out of your stupor and find Aizawa closer than expected. Somewhere in between he had tied his hair up. He tucks a wayward strand behind his ear, eyes squinted and wrinkling the scar tissue high on his cheek. “What?” you ask dumbly. 

“You went somewhere,” he clarifies. You feel his knuckles lightly knock your temple. “What are you thinking about?” 

“Ah,” you smile, abashed, and rub the spot of skin he touched. “Just making mental notes. I wish I had brought something to write with”.

“Well?” Aizawa says, as though his silence was enough of an invitation. “Tell me about them”. 

“It’s obvious the student’s have made incredible progress when compared to their first year quirk assessments. But there are some minor adjustments that I think will help considerably…”

You go on to list ideas for development and support tech. Things like regularly involving parkour into all their training routines. Or having Iida request smaller engines along the front legs of his costume for faster braking, or sharper turns. Or experimenting with Mina’s quirk, testing how precise her control is over her acid’s viscosity and if she could potentially create gaseous forms.

Your awareness wanes periodically, pausing open mouthed to discern the skill of each group, weighing your thoughts. To his credit Aizawa does listen to you ramble, mellowing the longer you speak. Tension seeps from his shoulders as though pulled down by gravity and that look of contentment returns. 

“In terms of wielding their quirk the one I’m most concerned about is probably Kaminari,” you hesitate, chewing your lip as your voice lowers. “I believe he still views his quirk as a final move”.

Aizawa leans forward, attentive to your opinion, and hums. The dulcet melody is warm by your ear—

You become conscious of his proximity. The air retains his heat, the indistinct woodsy notes that always clung to his clothes. 

—and your throat constricts as you swallow.

“Because of that he immediately jumps from zero to one hundred. I’ve seen his files. It results in mild cranial nerve lesions which then induces temporary impairment mid battle,” you continue soberly, staring ahead with lips stretched into strained assurance as some of the students begin to notice your proximity. 

Monoma strikes the back of Tetsutetsu’s leg as he makes a suggestive gesture, making him collapse on one knee. You close your eyes as embarrassment floods your body, “I have to wonder if he ever worked with a quirk counsellor in the first place”. 

Aizawa signals his agreement and moves back a fraction. His expression remained unchanged. He is by no means an unfeeling man, but you can’t help being jealous about how unshaken he is. All the while you probably look like a spring bouquet. 

“So, how do you suggest we help him?” 

His genuine countenance tempered your short lived frustration, and the word ‘we’ echoed in your mind. You knew what he meant, but it still brought a pleasant flutter to your chest. “I think we should start by having support give him a multimeter,” you reply. “Atleast that way we can discern the point that he begins to lose cognition and work upwards from there”. 

“Alright. I’ll ask Maijima-san once we’re done here,” he nods. There is a tentative pause. “Anything else you think needs to be addressed?” 

“There is…Monoma,” you add. His head turns in your peripheral vision, visibly taken aback. 

“Monoma?” he repeated. 

“This is just speculation on my part,” you grimace, sparing a glance toward the students. As the session winds down they’ve gathered in the centre of the mats, talking to one another. “But I have a hunch that he might still be holding onto your quirk”.

Aizawa’s face becomes pinched. The apparent frustration grows as his expression shifts. Mouth twisting, jaw moving with gritted teeth. “I should’ve noticed,” he mutters. 

“Monoma is primarily in Kan-san’s care, not yours. If anything he should be the one to notice,” you say, subtly detailing his side profile as he continues to observe his class. “Between the media circus, your physiotherapy, teaching and being a father—you can hardly blame yourself”. 

The bridge of his nose wrinkles at that. “Shit, sorry. Did I overstep?” you fret. 

Aizawa’s expression smooths out, reluctantly. He exhales. “No. I’m just not used to the idea of being a parent, I suppose”. 

“Guardian, then,” you amended with a flippant wave, hoping to lighten the sullen atmosphere. “Though I guess teaching is like a sub-branch of parenting in itself”. 

“How so?”

“Good or bad, a teacher plays a big part in shaping a child, right?” For a strange, short moment, you’re hyper aware of how closely he watches you as you speak, and you deal with it by finding great interest in the gym floor. “Y’know. Their self confidence, beliefs and ambitions… didn’t you have anyone like that?” 

That gives him pause, and while he thinks you drink in the line of his jaw, angular and shadowed by stubble, the wispy strands framing his face as his haphazard ponytail slowly loosens, and the faint crease formed across the bridge of his nose after grimacing so frequently. 

Aizawa’s brow arches. Caught, you quickly cast your gaze to the gym floor. “Well. There is the man that made me realise I wanted to go underground,” he says, graciously ignoring your ogling. “His purple highness”.

“His purple highness?!” you echo, voice clamouring through the now quieted din, diverting the students attention from their post training stretches. “Fuck, sorry. Of all the heroes I wasn’t expecting you to say him”. 

Nakaoji Tenma, now retired hero ‘His purple highness’, was the polar opposite of Aizawa. Widely renowned for flamboyance and theatrics, his notorious vibrant two piece suit and frilly open chested jacket sporting vibrant epaulettes on each shoulder was particularly unforgettable. 

“You wouldn’t be the first. I thought Nemuri was absurd for recommending Oboro and I during her work study,” he reminisced. 

“Surely it wasn’t that bad”.

Aizawa cracks a rueful grin. “His highness quickly recognised that I would have poor media presence and tried to teach me ‘how to smile’ properly. As you can see, it didn’t work out”.

You weren’t so sure. Aizawa’s amusement always started behind his eyes, a mirth that flashed across a grey midwinter and trickled into his chest to create a brief, reserved huff of laughter; though you sense underlying melancholy as he recounts his internship and lost loved ones, his smile still curled sincerely at the edges. 

“I don’t know. I like your smile. Even if it can be a little…”

“Disturbing?” 

“Disarming,” you return, nudging his side. Without intention your fingers brushed against the rough skin of his knuckles, fine hairs prickling—and then a sudden, shrill whistle cuts suggestively through the mood, shattering it. 

Kaminari stands proud a few feet ahead of his snickering classmates, lips closed around his middle fingers. Aizawa rolls his neck with an indignant sigh. The joint clicks. He raises his voice and impassively announces, “For that you can all do ten laps”.

A chorus of objections fills the gym. One by one, the students drag their feet toward the outer edge and break into a jog. You bite back a smile, “You’re awful”. 

“Never claimed not to be,” he tells you. “All Might has another hospital appointment at the end of next week, if you want to join us again”. 

A nascent fondness unfurls in your chest. “Sure,” you murmur. “I’d like that”. 

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From: Aizawa.Shouta@UAedu.jp To: Maijima.Higari@UAedu.jp Cc: QScience.teacher@UAedu.jp Subject: Request [High importance] Message:

Our resident quirk scientist has advised us to provide Kaminari Denki [ID: 16XXXX] with a multimeter to assist in his training. Do we have one on campus or am I going to have to do more paperwork?

Aizawa Shouta 2A Homeroom Teacher, UA High School Private number: +81 (03) 1234-5678 Do not call unless you are dying. 

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From: Yagi.Toshinori@UAedu.jp  To: QScience.teacher@UAedu.jp  Subject: An email is here! Message: 

My friend,

Young Midoriya informed me that you took my place alongside Eraserhead in training this afternoon. He found your input very impressive, and even expressed the desire to have you look over his notebooks. That is quite the privilege! Ah, but please don’t tell him I told you that…!!!

Thank you for your hard work today. I will see you at dinner.

Yagi Toshinori Heroics Department, UA High School └（★ｏ★）┐ 𝓹𝐥𝔲ｓ Ǘ𝐋ⓣ𝔯𝓐 ┌（★ｏ★）┘

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Something indiscernible has since shifted. 

The work week is long, and when you crawl your way out of the mire of trepidation that decidedly hung over you, the source becomes clearer. 

The kids are being weird. 

Heroes in training, absolutely, but masters in subtlety they are not. Less than innocent, mischievous whispers would reach your ears, and silhouettes duck behind the nearest corner whenever you look back. Above all else they’ve taken to closely observing your interactions with Aizawa—sometimes going as far as forcing them. Kaminari even deems it appropriate to be nosey about your love life—or rather, your lack thereof—during your supplementary one-to-one. 

“That is not your business nor is it relevant to your essay,” you told him, tapping the end of your marker against the desk. The gentle reprimand did nothing to placate him. Scratching his cheek, Kaminari simply laughed and returned to reading the annotations you’d left on his work. 

Aizawa doesn’t bat an eye to any of it. While he presented himself as an extremely private man with clear boundaries drawn between home and work, it was obvious to you that that line had been trampled. He was accustomed to their harmless meddling. 

“Believe me. It’s worse if you tell them to stop,” he said, as if they were toddlers and would eventually tire themselves out.  

You have the pleasure of teaching their final class that Friday. If you’re lucky, come Monday they’ll have forgotten whatever it is they’re hatching.

Their focus wanes with the hour, your lesson structure a little looser to lead them into the weekend. Eri had joined unexpectedly, hidden behind Midoriya’s legs and teetering on her tiptoes to peek around the room. Kouda let’s Yuwai-chan rest in her arms as she sits on her very own chair beside Shinsou, mumbling small delights. 

“Focus, guys. We all have something called a Plus Alpha Mechanism in our DNA…”

Your pen glides along the board. The quiet repetitive sound of Bakugo’s tangle fidget matches your meridian rhythm, and you could almost forget the nonsense that has shadowed you since the training session. 

“…Here. The simplest way to think of it is like this,” following along with a finger, you read the written equation. “For example, if somebody has a tail—”

“Like Ojiro-kun!” Midoriya chirps. Bakugo gives him a sidelong glare, and his cheeks fill with air. 

“Correct, Midoriya,” you smile at his sheepishness. Your finger moves along to the latter half of the equation, “But the mechanism to move and wield his tail comes from the Plus Alpha. Added together, this forms the Quirk Factor”. 

“Sensei, is it then possible that quirklessness can occur when the Plus Alpha gene expression is not activated?” Iida inquires. Midoriya’s pencil stutters. 

“That’s right,” you flash him an encouraging smile, wider as he preens. Bakugo’s hands, too, have notably faltered, the tangle fidget balled up into a knot. “It’s a popular explanation amongst fourth gen members of the medical community. Older generations tend to prefer the whole archaic toe joint theory—but I don’t have time to cover that today”. 

Midoriya and Bakugo exhale in tandem. Monoma observes their behaviour closely, chin cupped in his palm. He seems well rested which alleviates the heaviness in your chest a fraction. You hope Aizawa has had the chance to speak with him. 

“Any other questions before I start to wrap up?”

Shinsou goes to raise his hand, stopping midway. Your brow arches and he indicates to wait. You watch on as he leans down to whisper something to Eri. Her doe-eyed gaze snaps from Yuwai-chan to his face, meeting an expression apologetically soft. And whatever it is he says, she pats his cheek in response. 

Sufficiently reassured, Shinsou once again raises his hand above his head. And as he relays his question a sober atmosphere befalls the class. 

In a roundabout manner—and refusing to name him—Shinsou asks about the Quirk erasing bullets used in the Shie Hassaikai case. You, like him, immediately seek Eri’s permission to speak on it. She gathers Yuwai-chan closer and nods. 

“Despite the name, the quirk erasing bullets did not technically erase any individuals quirk genes. They were engineered to directly attack the Plus Alpha,” the tip of your pen squeaks as you write out the words below the previous equation, underlining them twice. “Therefore the quirk could no longer be activated, making them functionally quirkless”. 

Shinsou accepts this, cheek sunken where he chews the flesh. Between blinks the pensive downturn to his mouth begins to curl into a faint smirk. “What about Aizawa-sensei’s quirk?” he asks, feigning innocence.

Your benevolence tapers as the class titters. Eri giggles, muffled by Yuwai-chan’s fur, and her shoulders hunch to hide in the little neck she has. 

“While I understand why you might conflate the two, Aizawa-sensei’s ocular quirk, Erasure, deactivates the Plus Alpha temporarily,” you answer at the end of a short sigh, taking a step back to lean against the wall. You skim the room with a pointed look, “As I’m sure you have all experienced first hand”. 

A few shudder at that. The whiplash of having the connection to your quirk severed must be alarming. You imagine it’s not something one can ever get used to. 

“Oc-u-lar?” Eri repeats. You feel your expression gentle as you meet her curious gaze. 

“Ocular means it’s connected to his eyes,” you explain simply, pointing to your own. “That is why his left eye glows red when he uses his quirk. Cool, right?” 

Accepting this, Eri’s cheeks swell with her smile and she chirps in agreement, “I like his eyes. They’re pretty”. 

“She likes his eyes,” Kaminari repeats with a faux-solemn nod. “Do you think so too, Sensei?” 

Iida sits ramrod straight in his seat. The abrupt jolt knocks his glasses halfway down his nose, “That is hardly appropriate for the classroom!” 

The electric blonde waves in surrender, “It’s just an innocent question, Prez! Not like I asked if he was United States of sma—”

“Kaminari-kun!”

Something snaps. Yuwai-chan yips. A litany of orange curved pieces spray across the table. Bakugo slumps, wearing a scowl dark enough to silence the chaos, debris from the broken fidget between his fingers. “Who gives a fu—” he spares Eri a quick glance and releases a long, deliberate exhale. “Who cares. Bunch’a nosey losers”  

Worry paints Momo’s features. Somewhat uncharacteristic of her, she readily rolls up her sleeve to offer the creation of another tangle. “Bakugo-kun, do you need me to…?”

“Don’t worry, Yaoyorozu-san!” Midoriya interrupts with a sunny complexion. He lumbers his backpack into his lap, zips it open and pulls out an identical fidget. “Kacchan breaks them a lot”.

You stifle the urge to groan into your hands, or gather them all into an uncomfortably strong hug, or both. For as much as you could tease Aizawa for allowing the students to bulldoze through his work-life boundaries it is becoming clear you're just as guilty. 

Bakugo lingers after the bell rings. The others file out, some with apologetic smiles, and neither of you speak until the classroom is empty. “Is everything okay, Bakugo?” you ask lightly. 

He itches his neck. Shoulder jerking as he shrugs, giving a stiff nod. Looking a little frayed around the edges, Bakugo mutters, “Sorry about the mess. M’staying to pick it up”. 

“That’s not necessary,” you objected. A slight pout works its way onto his lips. You know well enough that for all his posturing, Bakugo respects the word of his teachers. “I assure you it’s fine, Bakugo. But I really appreciate the sentiment”.

“Whatever,” he says, barely above a mumble. He shoves his hands into his pants pockets and motions to leave. “See ya Monday, Sensei”.

“Take care, Bakugo,” you call after him. Your ears latch onto the leaden echoing of footsteps until they disappear down the hallway. Silence creeps in while you pick up the small curved pieces.  The little moment of peace you had sought all week does not arrive. There are still emails to attend to, assignments to mark and future lessons to structure—

Your stomach rumbles and interrupts that thought. Again, evermore persistent while you attempt to ignore it. Eventually you dump the collected orange pieces into your desk drawer and make for the staff lounge, switching off the lights as you go. 

All Might and Present Mic are the only two in the room. Yamada spots you first. He’s yet to remove his costume, and the leather sleeves cream as he lifts his arms, waving loosely. Yagi spins on his axis for the source of the fuss. There’s a spoon in his mouth, and his lips stretch into a smile around it. 

A smile that dims as soon as you land in your chair with a heavy sigh. “I feel that,” Yamada says. His comically tall hair reaches high over your computer monitor, green eyes peering over the frame. “Kiddos run you ragged today?” 

“I don’t know how they do it. It’s not like we’re sparring,” you snort lightly and rest your chin against your hand. The muted scent of Yagi’s greek yoghurt lingers in the air. You wrinkle your nose, “Have either of you noticed them behaving…oddly? I feel like they’ve been scheming”. 

Yagi pauses mid scoop, bewildered. He looks from you to Yamada, who appears infuriatingly in the know. “Odd?” he asks. The shadows around his eyes darken in concern. “Is there anything we should be looking out for?” 

“I wonder,” Yamada titters, tapping a finger against his nose. Green eyes smile at you over the top of his tinted lenses. “Could it have anything to do with Mina asking me about your blood type?”

“Blood type? Whatever for?” 

Covering his mouth, Yamada bends and covers his mouth, amplifying his cryptic whisper, “Romantic compatibility”.

Chewing your inner cheek, you shake your head and insist, “It’s just a popular theory about personality types from the pre quirk era”. Yagi’s expression clears. He accepts the explanation easily. You wished it were that simple. “I’m sure it’s nothing…” your attention wavers as you notice movement out the window. 

A distant black figure grows larger the closer it gets. Eraserhead is coming back from his afternoon patrol. He sweeps up onto the roof of a nearby building and dashes along the eaves before leaping off again. His capture weapon lassos the adjacent dormitory building and he swings in a perfect arc that vaults him upwards. The movements flow into one another naturally, without thought, nimble as he twists through the air. You can’t take your eyes off him. 

“No, you’re right. It’s definitely nothing,” Yamada quips lightly, his voice drawing you to the present. The implication behind his tone rings loud and clear and it shakes you from your reverie. 

Embarrassment sours your expression; it feels like you’ve swallowed the sun. “It’s not like that,” you insist, laughing nervously. Your gaze settles on a heart sticker Eri pasted on the desk. An old coffee stain has blurred the colour, cheap ink smeared into the wood. Your fingers come away stained pink. 

“Young love is exciting! There’s no shame in it. You can be honest with us. With me,” Yagi’s large hand comes down on your shoulder to give a reassuring pat. “I may be old but I’m not that dense. I think”. 

“You’re hardly old, Yagi-san. You’re only fifty”.

Yagi chuckles in that signature All Might fashion, a blush glowing bright on his cheekbones. “Thank you. But that is beside the point,” he says. The laughter mellows into a contemplative hum and you fidget while he watches you closely, warmly, “…It’s just, Aizawa seems a bit more alive when you’re around”. 

Yamada leans forward to rest his chin in his palms, held open like a flower in bloom, and murmurs his agreement. 

“What…do you mean exactly?” you ask. 

Yagi exhales, wringing battle worn hands in his lap. “He has been through a lot,” he begins. “Of course we all have but as I’m sure young Yamada here can attest, Aizawa shoulders more responsibility than he needs to”. 

“Lotta unnecessary blame, too,” Yamada nods. A bittersweet tone pervades the air. “Always has, ever since we were kids. Reckon that’s why he doesn’t sleep”.

“See, there’s the kind of exhaustion that usually just requires a good night’s sleep,” Yagi’s face is sallow, and his gaze flickers to Aizawa’s empty desk. “But there is also another kind that asks much more—and I see that in Aizawa. Like he’s wearing a heavy coat that became heavy bones”.

Despite the clumsy metaphor you feel his words weighing on your heart; notably shared in a way that makes you think that he, too, wore a similar heavy coat of blame. And you thought: such is grief. 

“But!” Yagi suddenly blurts, restoring his former enthusiasm. “Since you started here it’s like…” he gesticulates with his hands then, searching for the right thing to say, stalling as seemingly he does not find it. “All that is to say Aizawa has a fondness for you and I think you should go for it!”

Self conscious, you pick at the skin around your thumb. Yagi’s encouragement was appreciated. With the quintessential All Might optimism unintentionally bleeding through it almost felt like you could do anything. But your head shakes and you laugh breathlessly at the thought, “You’re actually quite a gossip, aren’t you, Yagi-san?”

Yamada’s cackle reverberates around the lounge as Yagi splutters his shock into a tissue. You pat his shoulder. Pressing your lips thin you try not to smirk. 

“What are you doing?” 

Simultaneously, the three of you freeze, voices converging the instant you three blurt, “Nothing!” 

Aizawa frowns, displeasure framed by windswept hair tousled in all directions. He loiters in the open doorway a moment longer and his scrutiny pervades the air. You tightly cross your ankles under the legs of your chair and maintain an innocent look. 

Feigning obliviousness Yagi attempts to redirect the subject, “Did anything interesting happen on patrol, Aizawa-kun?”

Ultimately, Aizawa let it go. He shut the door behind him and the tension slipped from his shoulders as he shrugged and accepted the deflection. “Nothing significant. A bit busier than usual,” he replies.  “Seems like the commercial district has finished being rebuilt”.

Your heart beats and blood rushes to the tips of your fingers—dark eyes do not leave you as Aizawa slinks past to the kitchenette, taking with him a brush of cool fresh air. Yamada ducks between the computer monitors. Mouth puckered, he begins making an exaggerated kissing face at you. Oscillating between flustered and irritated, you reach for the nearest thing and throw it. A pencil bounces off his forehead, clattering to the floor, and he yelps. 

Aizawa returns holding two nutritional jelly pouches. “I don’t doubt you deserved that,” he comments, blasé as he passes you one of the colourful packets unprompted. It takes great effort not to gawk at his fingerless gloves, the once buttery leather now weathered. 

“Wow. Where’d my best friend go?” Yamada laments. He makes a dramatic show of the betrayal, long limbs sagging across his desk. “And no jelly for me, either. For shame! What happened to brothers before lovers?” 

Twisting off the cap to the pouch with his teeth, Aizawa sucks out the gelatinous innards until the plastic flattens. A smile plays on his lips as you stifle your amusement. “Hizashi, you know I flunked English,” he deadpans. 

The voice hero deflates. He turns to wave the previously thrown pencil at you, “Here. You left this knife in my back”. 

“You’re ridiculous”. 

“Et tu, Brute?”

The interaction does nothing to ruffle Aizawa. Like water to a duck's back. He merely saunters over to his desk, discards the empty pouch in the small bin beside his chair, and scoops up a thick binder of papers.  

“And now he flees,” Yamada pouts, holding the pencil between his top lip and his nose. 

“No, I need to wash up,” he dismisses Yamada and indicates toward his prosthesis, then dryly adding, “And I’m not sticking around to listen to you recite Shakespeare’s Julius Caesar simply because I didn’t bring you a jelly pouch”.

“Aw. That’s cold, Sho”. 

You bask in their back and forth. A friendship built on open hearts and feet that bleed. They share jabs, opinions and hardships without worry because there’s unequivocal trust there. Watching them together unearths a fraction of envy; stuck between wanting someone like that at your side, to wanting it to be him. 

Aizawa leaves not long after. He casts you a sidelong glance that you can’t read. One job to another, the work is patently endless, though you can’t help but to notice that it is self imposed—being stagnant is never in the cards. 

You exhale a breath you hadn’t known you were holding. Yagi clears his throat in the prolonged pause. “So. What is your blood type?” he asks with little tact, avoiding your look of betrayal. “If I had to guess, Aizawa-kun must be type B. He is quite honest and unconventional…”

Yamada cackles again. 

You put your head in your hands. This is hell. And it is largely populated by the UA heroics department.

The three day weekend couldn't come any quicker.

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From: Yamada.Hizashi@UAedu.jp  To: QScience.teacher@UAedu.jp  Subject: Check this out! Message: 

HEEEEEY 😎

[HYPERLINK: myquirkyintrovert.jp//11-introvert-friendly-activities-perfect-for-a-first-date/] Figured you might need this. ROTFL !

(Rooting for you)

Yamada Hizashi English Department, UA High School Put Your Hands Up Radio 81.3FM QOTD: If music be the food of love, play on 🎵 

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The morning spills over your senses like a heady fog. It obscures your vision, sleep-sand still tucked into the corners of your eyes. Dust fairies dance in the spotlight cast through the room and you turn into your pillow, away from the performance. 

You’re caught in a web—linens tangled around your ankles, anchored to the bed, suffering through cottonmouth and haze. According to the time you slept plenty. According to your body, however. 

The floor is cold against your feet. You yawn, joints clicking as your limbs stretch. Meander through the typical morning routine without a second thought, or a third. Only when your face is washed and you’re significantly more awake do you wander out of your apartment.

Cushioned by a set of fluffy, foam soled slippers, you stumble into the common area, welcomed to a languid, warm atmosphere. Surprisingly, a few people are already there. Yamada is dressed in his civilian clothing, waist length hair pulled back into a braided ponytail that mimics a mohawk. Eri is seated on one of the kitchen stools, squirming as his fingers work through her hair in gentle twists, styling it to match his own.  

She’s wearing a denim overall dress dotted with embroidered cats over a long sleeved shirt, matching the subtle pattern on her white tights. Her legs kick happily under the island. A smile pulled at your mouth as you watched the homely scene. 

A familiar sleep-worn voice murmurs your name and you try to look more alert than you feel.

The smell of percolating coffee reaches your senses. You retreat from the stinging heat that brushes your knuckles as Aizawa nudges a freshly poured mug toward you. “Oh, shit. Thanks,” you mumble. The surroundings are still gossamer soft and blurred at the edges; you’re impassive when your fingers slip through the curved handle and overlap his. 

Faint, coarse hair on his knuckles. Dull nails. Rough skin. You take the mug and bring it to your face. Steam kisses each cheek, billowing as you blow across the tawny surface. Aizawa’s throat bobs. Your stare lingers over the rim longer than appropriate, dragging down his body to take in the rare casual appearance. 

“You look nice”. 

His jaw ticks, eyes fixed on the button of his loose knit cardigan as he rolls it between his thumb and finger. Black, like most of the articles in his wardrobe, but stylish. The hem falls below the hip, hung over a pair of dark slacks. It’s flattering on his frame despite being oversized.

“Contrary to popular belief I can actually dress myself,” he says. 

“Colour me surprised,” you sip the hot coffee in a poor effort to conceal your grin. Even as the remaining dregs of sleep subside you can’t find it within yourself to be embarrassed. “Are you guys going somewhere?”

Before he can respond Eri is bounding over. She crashes into your legs, chin above your knees as she looks up and chimes, “Good morning!”

“Good morning sweetheart,” you say, holding your hot coffee out to the side. Eri’s eyes squint with the force of her smile and sunlight pools through tall standing windows, highlighting the glittery clips in her faux mohawk braid. “Your hair looks beautiful”.

“Thank you,” she delicately pats the top of her head. “I wanted it to look pretty today. We’re going to the com-mer-cial dis…”

“District?”

“District,” she nods excitedly. “Have you ever been to a district? Deku said there are lots of fun things for us to do. Will you come with us?” Then looking to her father for permission, she clutches her dress and asks, “Please?”

You blink. The coffee mug begins to sting the skin of your palms. “We can always use an extra chaperone,” Aizawa offers slowly, eyes sliding over you from head to toe, making you all too aware of the ratty old pyjamas you’re still wearing. “You can accompany us if you want to”.

The next words leave you in an instant.  “Do you want me to?” you asked. They’re clumsy and your voice fractures, bringing with it a flood of warm embarrassment. “Sorry. I think—I’m still half asleep”. 

Shouta suddenly appears to have swallowed a lemon. 

“Of course he wants you to,” Yamada strides over. The absentminded tapping of his phone’s keyboard echoes amidst the awkwardness. A smarmy grin plays on his lips and he tucks his chin to peer at Eri over the rim of his yellow tinted glasses, “Ain’t that right, Eri-chan?”

Eri nods insistently. Aizawa settles his hand atop her crown, careful not to disturb the braid, and stops the bobble head movement. “I don’t need you to speak for me,” He sighs, and the sound is fond more than anything else. “We’re meeting the students by the bus in thirty minutes,” He meets your gaze. A red-gold hue catches the light against the dark limbal ring around his iris. “You should come”.

Your chest flutters and you put his tone down to imagination. “I’d love to,” you reply, patting down your pyjama shirt. “Let me just get ready”. 

Quiet bickering follows you upstairs. You rummage through your wardrobe at a frenetic pace. There’s really no time to spare to worry about what you should wear. Once dressed you cram a water bottle, a lightweight fleece, sun protection, recovery gummies—

You pause, eyeing the unnecessary bulk in your rucksack. No doubt the kids were old enough to bring their own bags. Your tongue smooths over the teeth marks inside your cheek and you set the thought aside. No harm in being prepared. 

The clock on your phone screen blinks. Five minutes to go. You slip it into your pocket and hurry out the door, bag strap drawn over your shoulder. Kurose looks up from the couch as you stumble through the common area, navy hair flattened to one side, a few stray golden strands upright and reminding you of an antenna. 

“Hi Kurose-san,” you huff, jogging past and giving a quick wave. “Bye Kurose-san”. 

“Have fun out there,” they cheered. “Don’t do anything I wouldn’t do!”

“That really doesn’t narrow it down by much,” you call back from the genkan, slipping into your shoes. Laughter bleeds through at the faux wounded look Kurose sends your way before you leave. 

The crisp morning air bloats your lungs on a deep inhale. Not a cloud to be seen, the sky a pleasant blue canvas. You descend the steps and follow the path toward the staff car park. Ushered into a single file line, a modest flock of hero students wait beside the minibus. You can’t help noticing how much younger they seem without their uniforms. 

Eri locks onto you instantaneously. Her lips move, and you think she must’ve called for you, but her voice was too small. Still it beckons the attention of the teenagers around her. One by one they shout your name, their clamouring coming together in an ill practised chorus.

Yamada ducks out from the minibus. “Yeaaah!” he beams, leaning against the folded door. “Right on time, my friend. We were just discussing the buddy system”. 

That reminder elicits a quiet groan from the class. Yamada laughs good naturedly, “I know, I know. But safety comes first, kiddos. Have you picked who you’re stuck with today?”

There are various nods and shrugs. Numerous heads turn to Bakugo, including both Midoriya and Todoroki, and he appears indubitably unimpressed that he’s spoiled for choice. Yamada’s focus lands on Eri. “What about you, mini me?” he pokes at the swell of her cheek. “Gonna be my buddy today?” 

Her anxious eyes flicker between you and him. You’re admittedly flattered that she’s torn. But the doubt is short lived, decided by an inconspicuous wink from Yamada. A toothy grin brightens her face. “Okay,” Eri chirps, holding out her hand for him to take. 

“We get to be passenger princesses today,” the voice hero whispers excitedly. You do well to restrain the coo building in your throat as his palm dwarfs her fist and her lips form an ‘o’. 

Suitably organised, the kids begin to climb onto the bus in their pairs. Iida and Todoroki sit in the spaces in front of Shinsou and Bakugo. There’s a soft pout to Midoriya’s lip but he happily joins Kouda, fingers moving in graceless strokes as they sign to one another. Yaoyorozu joins Jirou, taking the window seat. Tokoyami listens along to Kaminari’s aimless rambling; Sero, Mina and Kirishima behind them at the very back. 

Aizawa is already aboard the bus discussing safety policy, capture weapon draped around his shoulders. He pauses conversation with the driver and smiles as Yamada ushers Eri into seats positioned at the very front. Languid, his focus slides to you, the very last to enter. Heartbeat quickening. There’s something there, you feel it existing on the fringes. 

“Enough. Settle down,” he says, voice rough and commanding authority. The commotion dwindles. You nod before shuffling through the aisle to the remaining spaces. “I’m sure I don’t need to remind you that this trip is a privilege. I am trusting you to behave, follow instructions and stick together. Understood?”

“Yes, Sensei”. 

“Do you all have your phone notifications on?”

Yamada throws up a peace sign and jumps in, “Yes, Sensei”. 

Aizawa rolls his eyes but doesn’t comment. With the polite incline of his head to the driver the bus doors whirred on their hinges and began to shut. He tucks a curtain of hair behind his ear, adding, “Any questions before we leave?” 

Shinsou clears his throat. His elbows rest on the back of Midoriya’s chair. He lazily points towards Aizawa and drawls, “Does Aizawa-sensei have a buddy?” 

You immediately become conscious of a tangible weight. Their stares fall to you, his included. Dark eyes like flint to your very core. You grin and bear it—grimace through the tension and hope his sharp intellect does not extend to 

Aizawa pressed his lips thin, “Any actual questions?” 

The figures in your periphery all shake their heads, biting back amusement in the face of their teachers' chagrin. The pressure does not dissipate when Aizawa takes the spot next to you, nor when the engine sputters to life and the looming barrier bordering the school entrance lifts to allow passage. 

The destination isn’t far. A fifteen minute drive at best. Still, as the journey progresses the air grows notably sombre. While much of the city has been restored, ghosts will remain. Skeletons of buildings sit on the landscape. Once a sprawling metropolis now made a uneven scar tissue terrain. 

That twinge of concern has you looking over your shoulder and scanning the bus in a less than subtle way. Everyone seems fine. Kaminari waves when you catch his eye. The only student that gives you pause is Bakugo, who has taken to staring hard out the window, discomfort etched into his features.

Or perhaps it’s your overactive imagination. The frown smooths into contentment and you realise he’s sharing a split earphone jack with Shinsou—maybe it was a song he didn’t like. 

You try to shake off the trepidation hanging over your mood. Aizawa notices but doesn’t pry and you find yourself grateful. 

Your concerns become minor the moment the minibus pulls into the commercial district. Standing prominent against the skyline, the building is sun drenched and unsettlingly clean. Inside, light pours through the high domed ceiling and reflects on the shiny tiled floor. There are three upper levels visible on spiralled balconies, each dedicated to different departments. 

Ground level is rather miscellaneous. Record stores, hobby crafts, tech booths and things of the like. Soothing music plays in the background, gentle melodic notes. Being somewhere that brought a sense of normalcy boosted the students morale. You’re warmed by contagious excitement—Aizawa too, lacking his usual force and a smile in his tone as he tells them. “Remember, you’re not to leave this building. If something happens you contact one of us”. 

They split off in opposite directions with the promise to meet at the food court in two hours. Eri and Yamada linger a few minutes longer. She tugs at her fathers sleeve and when crouched to her height she plants a short kiss on his stubbled cheek. 

You are then gifted a sparkly clip for keepsake, as though she were giving part of herself to take with you. “Thank you sweetheart,” touched, you attach it to your bag strap. “I’ll keep it safe”.

Satisfied, Eri thrusts her hand up for Yamada to take, and she comically leads him to march in the direction of a children’s store. The crowds are unexpectedly thin. Though you supposed a majority of the general public did not yet have the confidence nor the funds to make leisure trips to the mall. You’re only thankful they are respectfully giving your class a wide berth. 

Aizawa puffs an indignant breath, “…I think we’ve finally been set up”. 

Fondness surges deep in your chest and you bite back a grin. There’s urgency to it that you can’t satisfy. “Glad I’m not imagining things,” you wet your lips, moving to match his stride. “Does it not bother you?” 

“Which part?” he asks. He’s looking anywhere but you. There’s a playful lilt in his tone that equally settles and ignites your nerves. You would search his face for answers if the lower half were not obscured by his scarf. 

“The ‘clearly trying to get us to date’ part”. 

“There are worse people to be lumped with”. 

Aizawa’s profession rarely left time for indulgence. You’ve heard him discuss it before. He never thought it sensible to involve another person in what he had presupposed would be a tumultuous relationship. For that reason, you wonder if he has much experience in romance at all.

“Ever the charmer, Aizawa”. 

“Shouta,” he says. You blink, narrowly caught in a stupor. The erasure hero sinks to burrow deeper into his capture weapon. Warmth rises to the tips of his ears in spite of his efforts. “Just call me Shouta”. 

Very eloquently, your response is, “Oh”. 

“Or don’t,” he grunted. 

There’s a wealth of unspoken confessions behind a single name. Your heart feels full, stuttering in a way it hasn’t in a long while. “So. What should I tell my friends?” you pick up speed, giddiness spurring your pace and taking you a few steps ahead. “‘This is Shouta. We work together. He has twenty-something kids and our first date was spent patrolling the Musutafu mall’?”

“I have one kid—” Shouta falters, though fleeting, as if he hadn’t realised he’d begun to walk the perimeter. He arches an unimpressed brow, any scorn decidedly betrayed by the mirth in his eyes. “Did you have somewhere in mind?”

An hour rolls into another. You meander various stores together, occasionally bumping into the students and ignoring their suggestive looks. He buys some things for Eri—or so he claims, now in possession of three different cat gel pens—and you pick out new books to keep in your classroom. 

And in the grand scheme of things it’s a paltry affair. You’re looking around a newly built mall with a man you’ve known for close to two months. Simple, comfortable, as most things are with Shouta; yet it feels like a path you’ve walked more times than you can count. Fastened by mattress stitch seams, shoulder to shoulder, you share conversation written in passing glances, so many possibilities etched into a handsome crooked smirk—

Three message alerts come loud and in quick succession. That alone is enough to shatter the atmosphere. They feel frantic, and Shouta’s expression is explanatory enough. 

“It’s Shinsou. Something happened with Bakugo,” he mutters. In one fell swoop he is dashing ahead and you are not long behind. He turns a corner. Your kids are bunched together, seemingly bickering and distraught. Midoriya’s frantic voice can be heard above them all. Civilians have parted, tucking themselves against walls and waiting at security’s instruction. You’re comforted by the fact that they are not rushing out in droves. 

Bakugo is absent. The air smells like smoke but there’s no notable damage. Shouta flashes his hero license and steps into the shoes of a guardian so naturally you wonder if he ever takes them off. The officers standing nearby offer sympathetic smiles, allowing you through, too, after seeing your UA badge. 

While Shinsou is relaying what happened to Shouta you approach the others. A chill spikes the air, colder as the distance lessens, and you realise it must be Todoroki’s quirk. He’s standing at Midoriya’s side, exhaling visible breaths, laying a cold hand on his friend's neck to allay the panic. 

“Hey guys,” you greet gently. “Aizawa-Sensei is just clearing things with Shinsou. Do you know what happened?”

Midoriya snaps to attention, “Sensei—Kacchan, he’s—!”

Kaminari closes in, careful as he drapes his arm across Midoriya’s back. “It’s alright, man,” he murmurs. Todoroki nods. There’s a helplessness in his expression. “Kacchan’s okay. He just needed to blow off some steam. Or smoke, I guess”. 

A repetitive sound loops above your heads. You realise then that there’s a jumbo multi screen hovering in the centre of the ceiling. Clips depicting Gigatomanchia's rampage fade one into a title card, the words ‘twenty city rampage’ highlighted across a sepia backdrop. Your stomach churns at the sight, inhaling sharp between your teeth. 

“It’s that new bullshit documentary,” Jirou interjects. She fiddles anxiously with the jack hung from her earlobe. “They—uh. There were pictures of…”

“I understand. Thank you, Jirou,” you say. They needn’t relive it again—but they had. They will. Bakugo simply raised his head and saw his worst experiences pilfered for television. 

You exhale, taking with it the abrupt anger and frustration. They’re looking to you for reassurance. “I promise we’re going to find Bakugo,” you tell them. “I’m sorry that any of you had to see those images again. Like Kaminari said, I imagine he got overwhelmed and needed some space”. 

Midoriya swallows thickly and he nods. The motion is unsettlingly lifeless. His blank stare passes over your shoulder, and a silhouette of bodyheat settles behind you. 

“Shinsou explained everything,” Aizawa says. His presence visibly untangles the knots in their posture. “Security informed me Bakugo is still in the building. I need you all to wait here for Yamada-sensei—” he holds his hands out in a placating gesture as Todoroki begins to interrupt “—you will wait here while we look for him”. 

“I’ll start heading that way,” you point where the wide walkway narrows towards the southern exit and hard turns left, not wanting to remain still for longer than necessary. Aizawa regards you with a meaningful look and nods. 

You take off. The air retains a faint smokey smell. It grows thicker, more prominent as you pass the various hero merch stores, meeting the eyes of a Edgeshot cardboard cutout. Acrid nausea rises unforgiving in your stomach. 

It guides you to a fire door slightly ajar. Through the door is a dreary stairwell, presumably to be used by customers on the upper floors during an emergency. Bakugo’s hunched figure can be seen through the crack. He’s sitting on one of the steps, head cradled in crossed arms. 

You quickly text Shouta to let him know, and ask that he give you two a little space. You’re hardly expecting him to talk. But where Aizawa-sensei goes his ducklings will follow, and you have a feeling Bakugo is not yet in the mindset for company. 

The door creaks on its hinges as you enter. “Leave me alone,” the Bakugo shaped lump growled. An emotional hurricane in the body of a boy. Your throat swells. It threatens to drag you in. You can feel the sharp winds clipping at your resolve as you lower to sit on the step beside him and he bristles, furiously spitting, “I said fuck off!” 

Another, someone more volatile and disciplinarian, could be tempted to jump in. A person such as yourself, lenient and with less experience, might find it easier to flee; to let the gale propograte northward and weaken on its own. Before being employed at UA your students had always been older, plausibly wiser—but, you suppose, children still. You are honest enough to inwardly admit that you don’t know how to make this better. But you are determined to try. 

So you see your body relax and let your voice flow out calmly, “I’m not going anywhere”. 

Bakugo laughs humorlessly and snaps, “What, you gonna lecture me now?” His hands are wrung tight to stop the tremors. Blood surfaces beneath the pressure and seeps into his nail beds. “Gonna tell me some bullshit about how heroism isn’t defined by success and things will get better if I stick it out?” 

“No. I didn’t come here to lecture you,” you say. He eyes you with suspicion. “I just wanted to make sure you’re okay. We can sit here as long as you need”. 

What follows is a long, thick silence. The lives of people can be heard muffled through the stairwell walls. Unawares, and in a way, unintentionally mocking. Bakugo’s laboured gasps toll louder in your ears. You don’t speak. You monitor the rise and fall of his chest, gradually slowing until the defensive vitriol clears away. 

“I hate losing control like—” Bakugo’s expression twisted uncomfortably then, as though the confession tasted bitter, and you patiently held your breath. "Fuck. How can I call myself a hero when…" his voice loses strength, reminiscent of an echo. 

He rubs harshly at the spot where his heart rests. You take the young hero by the wrist. You envelop his split knuckles wearing a thin smile, admittedly strained, and squeeze around those shaking fingers while the moment simmers, a gentility not in the absence of violence, but despite it all. 

Bakugo blinks up at you. The movement knocks a tear free, careening down the side of a flushed cheek. The sight lodges something in your throat, thick and hard to swallow; all the words you don’t know how to say. You would never understand what it means to reside in his body—to think of yourself as the scene of a crime. 

Family members, strangers, had visited his hospital room to mournfully listen to that pulse one last time, and Bakugo told them to come by whenever as though he were a living effigy of their lost son. You saw the disconnect he felt from himself. That lifelong debate of what makes a person a person. 

He’s just a kid. 

“Bet you’ve heard hundreds of ‘I’m sorry’s’ at this point, huh?” you murmur. Bakugo snorts. 

“Try thousands,” he rasps. Clicks his tongue to his teeth to save face. “Never know what they’re really apologising for. Rubs me the wrong way”. 

And after being witness to how Bakugo’s mind works you understand what that means. Atleast, you think you might. Teenagers hold enough shame without the weight of another person's life in their arms. You only imagine he hears their regret, guilt, disappointment—hears ‘sorry it was you, kid’ and ‘sorry it wasn’t him’. 

“It’s okay to be angry, you know,” you vowed solemnly. “There’s so much pressure to channel what happened to you into something positive. To make it your strength. And maybe you will, eventually. But you’re allowed to step back and say ‘I went through something scary and traumatic and that changed me forever’”. 

Bakugo grunts. He scrubs under his nose with the back of his hand. “Don’t need you to tell me that,” he says, tone lighter than before. It sounds a lot like ‘thank you’. 

“I’m glad,” you nudge his side and return your hands to your lap. “In that case we should talk about something else”. 

“Like what?” 

“Your assignment,” Bakugo snorts, rolling his eyes. “Hey. I’m serious. Most of the others have come to me with their topics but yours is still a mystery”. 

“‘Cause those losers need help and I don’t,” he says. There’s no malice in it. His cadence is lighter, the burden he carries now far more loose fitting. You watch him pick at the rips in his jeans. “…Mine’s about mythological figures. Some cult wackos out there believe the old Gods had quirks. Hence the animal heads and shit”. 

“That’s a brilliant choice, Bakugo,” his answer brings a sincere smile to your lips. “Gives you a lot more to explore in your discussion. I can’t wait to read it”.

The muscles in Bakugo’s face twitch. Mouth deliberately downturned. A flustered yet pleased blush paints the tips of his ears and the simple praise breathes him to life like a technicolour Oz. It eases the anxiety simmering under your skin. You prompt him to talk further, pleasantly surprised to find that his curiosity extends further than Japan’s own mythology. 

Eventually you need to update Shouta again. Leaving it too long would only worry him further. Bakugo’s eyes track your thumbs movement across the keyboard as you type. “Are you texting Eyebags?” 

“I’m texting Aizawa-sensei,” you correct blithely as a text bubble appears on the bottom left of the screen. “I thought Shinsou was ‘Eyebags’”. 

“They’re interchangeable,” he rebuts. You huff a laugh, screen going dark with a quiet click. Bakugo’s reflection looks back at you where he’s peeking over your shoulder. 

“You two a thing or somethin’?” he asks, not even attempting to hide his interest. 

“We aren’t ‘a thing’,” your fingers form quotation marks around the words. And it’s true. You aren’t. Yet. “I don’t know why you all came to that conclusion”. 

“Probably ‘cause you look at him all googly eyed. And he always shares that shitty jelly with you. Basically his alternative to a proposal,” he smirked. Shouta is still typing—

Your phone vibrates. The message comes through.

—A thumbs up emoji. 

Bakugo laughs. His eyes crinkle. A crease deepens on the bridge of his nose. The brief flash of a toothy grin. No longer a hero-too-soon on two tired feet but instead a teenage boy, poking light fun at his teacher. 

“The hell. He texts like my old man”.

You hum in amusement. “Some people do better face to face,” the ‘like you’ remains unspoken. Shadows pleat across the stairwell as clouds shift, disturbing the dim stream of light. You become conscious of the hour. And it seems so does he. 

“How do you feel about heading back?” 

Bakugo’s stare fixed itself onto his hands. You notice the crescent shaped marks, the skin around his nails fraying, picking at his body like a seam. “I can go back,” he grunts. 

“You can, but do you want to?” you ask, blindly feeling up the strap drawn over your shoulder. The small, glittery claw clip is still there. “Humour me for a sec,” you unclip it and Bakugo frowns as you proffer it to him, rolling in the centre of your palm. “Let it bite you”. 

“Let it bite me?” he repeats dryly. 

“Clip it around your fingers or pinch your hand with it—yeah, like that,” you grin as he blindly follows the instruction. The little claw clip bites into a swathe of the skin from the back of his hand. “Better, right?” 

Lip jutted into a pout, Bakugo eyes the clip dubiously; no longer focused on the anxiety, and you take it as a big win. “I guess. Thanks Sensei,” you tense in surprise as he gets to his feet, dusting off his jeans. “I want to go back,” he says, nothing short of a demand. 

There’s certainly no love lost between you and the cold step under your thighs. You stretch as you stand, shucking the backpack higher up your shoulder. “Alright. Then let’s get you back”. 

Bakugo doesn’t protest when you remain at his side, keeping pace. His finger and thumb work at the clips hinge while he walks, absentmindedly opening, closing, running the teeth over his knuckles. You’re sure Eri would gladly let him keep it. 

Tears are all dried up which Bakugo appears grateful for. The class doesn't immediately rush him, though you can see that they want to. Rather they wait for him to come to them, parting like arms and coaxing him into the centre. 

You branch off to where Shouta is standing watch with Yamada. Eri stands behind his leg, clutching at his pant leg. Her eyes are glassy and wide as she looks up at you. “Bakugo is alright now,” you tell them. “But you know what?”

Eri instinctively pushes up onto the balls of her feet, as though climbing higher to hear a big secret. Lowered into a conspiratorial hush, you say, “I bet he would feel even better if you gave him a hug”.

Shouta’s hand crowns her head. He carefully pats the side of her braid, giving silent permission. Expression tight in a determined pinch Eri ducks between his legs and toddles toward the group. 

“He really doin’ okay?” Yamada quietly asked. 

You murmur an affirmative, shifting in place as you turn to watch the scene unfold. Eri pats Bakugo’s hip. He seems vaguely nervous as he rests on his haunches and allows her to tangle herself around him. 

Shouta’s knuckles knock your own. His fingers twitch, unfurling as though to reach out and then thinking better of it. “Do you think I should talk to him?” 

When you look at him he’s already looking right back. Eyes soft like the sun had made them warm. You mind the small gap and stretch your pinky, brushing the outer curve of his palm and retracting again. “Bakugo respects you. He feels safe with you,” you assure him. “I think it’d be good if you talked”.

“Maybe some extra sessions with Hound Dog, too,” Yamada adds. Your heart staggers, having near forgotten he was there. “For all of them”. 

“I’ll see if he can do another class session during their independent study period,” Shouta says, attention returning to Eri’s antics—she’s now walking Bakugo over, hand in hand, subsequently bringing the other students with her. 

Shouta exhales, clicking his neck. There’s a finality to it. You see the internal headcount he does in their approach, and how the preparation to jump back into action recedes at the confirmation that all his kids are present. 

“We’ve got two options now,” he announces. “I’m sure none of us want to stick around longer than we need to. So either we go up to the food court and eat, or we can head back to campus”. 

Mutterings break out amongst the group. Iida diligently attempts to organise a sensible vote and asks for a show of hands, but his effort is squashed the instant that Kaminari suggests WcDonalds. 

Eri keeps hold of Bakugo's hand the entire way back, and insists on sitting with him. Yamada switches buddy’s without complaint, wiggling himself into the window seat beside Shinsou, happy to pull out his headphones and collect music suggestions from his beloved students. 

Shouta remains at your side. You hear unfettered laughter and think you might be close to tears—the tender kind. Softly, you mumble, “I’m glad I took this job”.  

He exhales slowly, and the loss of tension has him leaning into you ever so slightly. Your shoulders touch. “Me too,” he says. 

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From: QScience.teacher@UAedu.jp   To: Principal.Nedzu@UAedu.jp  Cc: Inui.Ryo@UAedu.jp; Aizawa.Shouta@UAedu.jp Subject: Incident report [High importance] Message: 

Good evening,

Attached is my account of the incident that occurred at Musutafu Shopping District on Saturday, [x] September 11:34am. 

Hound Dog and I have also brainstormed a few suggested classroom additions for students coping with anxiety. 

Take care!

━━━━━━━━━━━━━━━━━━━━━━━━

Sleeplessness is an open invitation to overthinking. 

Everyone has since retired to their apartments and it is long past the hour for Eri to be in bed. Time slips through your fingers. You count the dust bunnies behind your eyes but nothing works. 

Clarity shrikes through you with small cuts. The day wears on your body like a bruise that you cannot ignore now the adrenaline has subsided. You’re processing the fleeting touches, the purposeful looks, the whiplash of panic, the heartache that comes with being helpless—

Your mind is a spinning top with no hands to stop it, not even the clocks. Though it falters at a single thought passing overhead.

There is one man you can trust to be awake at this hour. 

You kick off the sheets, unsteady as you nudge each foot into the wrong slipper. The dormitory is cast in shadow. Your eyes are slow to adjust, shapes and lines sharpening around you. 

Shouta is seated at the kitchen island, dark space doused in the low lighting from the stovetop hood, warm across the contours of his face. Papers are laid out before him in organised piles. 

“Burning the midnight oil?” 

A pen spins around his thumb. He peeks through dark hair curtaining his vision and hums. Your gait is heavy, like wading through waist high water. The quiet clink of melting ice draws your attention to his glass. “I didn’t take you for a gin and tonic kinda guy,” you murmur, leaning your elbows onto the counter. “Regular old sake, maybe”.

The corner of his mouth twitches and he takes a pointed swig of his drink. He smacks his lips. “Gin and tonic keeps me awake,” he explains dryly, nudging the glass in your direction. You fold to his soft suggestion and bring it to your nose. The smell alone is enough to make you shiver. 

Shouta laughs at your grimace. At that point you sense in your gut that maybe, maybe you should have stayed in bed. You’re warm, pleasantly sleepy, and your tongue feels dangerously loose. 

Seeking distraction, your gaze drops to the papers stacked before him. You set down the gin, beaded condensation wet around your fingers, and lean in for a closer look. The grade written at the top is worryingly low. “That’s… not looking so good,” you prompted. 

“This is Todoroki’s,” Shouta clarifies, brow pinched. He gives an empathetic nod to your wide eyed stare. From reading their files you knew Todoroki consistently ranked top five in class A.  “It’s not just him. They’re all struggling in different areas. And I was never expecting things to go back to normal but it’s…” 

“You’re doing what you can,” you say. 

Shouta clicks his tongue, “But is that enough?” 

You cover his hand without thought, thumb outlining the rough dips and peaks of his knuckles as you insist, “Yes. I believe it’s enough”. Somewhere in the spaces between seconds Shouta overturns his wrist, and your fingers are intertwined, and you’re squeezing until your palms kiss. 

You think of that heavy coat Yagi referenced. Of a man wearing his failures as self imposed repentance. “You aren’t the only one here helping them. We’re going to get them across this bridge, and then the next, and the next—” Shouta turns a cheek to hide his amusement as your rambling becomes more exaggerated. 

“You’ll never be rid of them. Not even after they graduate”. You smile softly, “The kids are gonna be alright, Aizawa”. 

Dark eyes smile back, “…You did good today, you know”.

Hundreds of butterflies hatch inside your stomach. “I—I did?”

He huffs at that, wetting his lips. “You’re impossible”.

Something unspoken weaves into the atmosphere—the attraction between you becomes a tangible thread before either of you speak another word. He’s much closer. Every movement he has made you’ve mirrored without meaning to. 

“Impossible?” you repeat, hushed.

He pitches his voice low and says, “I thought I told you to call me Shouta”. 

At what point had you settled into the cradle of his thighs? Your breath catches. Two hands are on your hips, soft flesh yielding under his thumbs as they massage shapes from memory. You clutch at broad shoulders and exhale, settling into the hold and surrendering yourself.

“Shouta,” you echo, charmingly dumbfounded. 

Gentle, Shouta takes your chin and turns you toward him. A large, rough palm cups your cheek. He brings your forehead against his, close enough to hear his breath falter. The air is clammy. Taut, primed to break with another tilt of your head, and he must sense it. There’s trepidation—hesitance to handle something as tender as this when the things he knows best are animosity and bloodshed.

You offer mercy in taking the lead. Your hands slip from his shoulders to his jaw. Shouta lets himself be guided into your magnetism, a contented hum rippling in his throat like the water of a wellspring. 

He kisses you deeply and it feels four weeks too late. It feels like muscle memory. It feels like something you’ve done a thousand times over. Those hands circle around your waist, splayed at the lower back, heat radiating through your shirt. Lips part at the light swipe of his tongue. You taste the faint notes of citrus and juniper, coaxing him into your mouth, swallowing a soft groan. 

Heat flashes through you. Familiar want is coiling low in your belly, so stark that you shake with it. Hands wander. Lips too. Shouta kisses across your cheeks, nipping the delicate line of your jaw. Stubble tickles your throat. He mouths at your pulse and pulls you impossibly close, a desperate edge to it as though he were making up for all the times he wanted to but couldn’t. He outlines a topographical map of your figure, fingers walking the bumps, curves and dimples, tentatively slipping up your shirt to reach your soft stomach. 

The hair along your arms stands on end. Fingertips climb higher toward your chest, and a heart that threatens to leap right out through your ribs. “Aizawa, we can’t—”

“Shouta,” he mutters, continuing his path down your collar. You shudder and his fingers flex, sensing the aftershocks of his touch. 

“Shouta,” you amend breathlessly. “We can’t have sex in the common area”. 

A rare clemency follows. Shouta stops, and your hands come to thread through his hair. Dull stubble tickles the dip of your collarbone. You feel his lips stretch thin into a smirk. 

He leans back to look up and doesn’t take his eyes off you. Half lidded and soft, wrapping you in a gauzy roseate veil that hems the whole world pink. Something about the surety of his desire stunned you. To be wanted by a man who always seemed above such things—it makes your chest pound and your face warm, exhilaration spreading to the very tips of your fingers, restless with the urge to touch him. 

“Who said anything about sex?” he asks, tenor low and deeply amused. It seems any mercy from him ended there. 

“So now you can play dumb?” you mumble, an indignant exhale puffing through your nose. You feel him twitch, heat seeping through the thin fabric. “As if you were going to stop there”.

Shouta merely gives you a crooked grin. The scar tissue around his eye wrinkles. You find him unfairly, preternaturally handsome. You like him so much you’re dizzy with it. 

All at once you are torn apart. Shouta has pushed you into the adjacent seat and turned back to his papers. An ephemeral dread rushes through you—immediately washed away by the sound of a door opening. Two familiar voices follow. 

“I bet he’s somewhere down here,” Yagi whispers. He turns the corner into the kitchen, awkwardly bent to hold a small hand. Swimming in her sleep shirt, Eri shuffled in beside him barefoot and rubbing the sleep from her eye. 

“Look, see. And even…” Yagi’s eyes widened as he spoke your name. They flickered over your dishevelled state and then to Shouta, who is equally unkempt. Luckily for him that is nothing suspicious. You, however—

“I’m here Eri-bug,” Shouta says. His clothes have been smoothed out, hair tucked back over his ears, expression soft and unruffled as he crouched to her height. She stops short of him, laying her palm over his outstretched hand. 

“Did you have a bad dream?” he quietly asks. Eri shifts in place and nods. You look away from their vulnerable moment with instantaneous regret. Yagi meets your gaze, freezing mid step as he backs out, brows arched high on his forehead. There’s a slight blush around his ears. You grimace. He absolutely knows. 

Something small clutches at your shirt sleeve and tugs. The yellow ochre of light dances in Eri’s big red eyes as she studies you from the security of her father’s arms. “Hi there Eri,” you murmur gently. “Are you okay?” 

Her grip doesn’t loosen. She blinks long and slow, “Did you have a bad dream too?” 

Shouta adjusts her on his hip but says nothing. Behind the nonchalant veil lies fond amusement and warmth. “…Not a bad dream,” you tell her. “I couldn’t sleep because I was worrying a lot. But I’m feeling better now”.

A sleepy smile stretches across her lips. Eri is seemingly satisfied by your answer but not by the distance. Without ceremony she leans away from her father’s embrace into your own. You make a short noise of surprise as she wraps her legs around your middle. 

The weight is oddly comforting. You run a hand down her back, “Eri…?” 

“Bed now,” she slurs, rubbing the swell of her cheek against your shoulder. “Sleep safe”.

Shouta moves closer. There’s something in his gaze that makes your throat dry. You’re not sure what he’s seeing. What it is he has been seeing in you all this time—

“You heard her,” he pressed a kiss to Eri’s hair, then turned to kiss your temple. He lingers, and each word leaves another. “Let’s go to bed. We’re alright now”. 

—You can only assume, like for you, it is everything. 

━━━━━━━━━━━━━━━━━━━━━━━━

From: Principal.Nedzu@UAedu.jp  To: QScience.teacher@UAedu.jp Subject: [High importance] Message:  Good morning!

I heard the news and thought it important that you’re reminded of UA’s relationship policies:

There are none! Ha ha! Did you panic?

Much happiness to you both. It is always a pleasure to see love blossom.

Kind regards,

Nedzu Principal of UA High School  〒123-4567 Ōikuyō, Shizuoka, Musutafu.  Go Beyond, Plus Ultra!

[thef155]

Carlos’s comments at his karting event - February 5, 2024

"I'm fine, don't worry about me. I'm calm and we are already working on the future of course, but above all also on what is ahead of us or a very important year. It will be my last season with the team and I will want to do it in the best possible way, for this reason today I am here on a Go Kart track to train my best to give all this year."

"Obviously these things, maybe from the outside you don't notice them, but I from the inside I see and know things long before you and I have prepared with my team for all the changes that will come. As I said, however, I don't want to think about anything other than this season and I want to give it my all for Ferrari."

"It's been a different winter this year. It's true that I've changed all my coaches, and also the way I prepare for the races. I'm doing a lot more cardiovascular work with the bike, and of course the more I can ride with the Karts or with the Formula 1 car the better. We did a few days of testing in Barcelona last week and tomorrow I will be in Fiorano with the 2022 car to do a couple of runs."

"I think I'm a driver who gets better with the passage of the seasons, it doesn't seem to me that there has ever been a year in which I took a step back during my career. I'm continuing to grow, this year I'm going to be thirty but I feel younger and more motivated than ever. I always try to find that extra something I can have on the Go Kart, the bike, or the Formula 1. That's my philosophy and it will always be like that."

"That's why I'm telling you that I'm very quiet. I know what my level and my value is. I know there will be good things in the future, but for the moment the most beautiful adjective I have in mind this year with Ferrari is to do the best."

"This last week is not the best to start a year, but since I'm going to put on my helmet in Bahrain, I'm going to get on track and start working with my engineers I can assure you that I won't hear anything. I will feel that I will want to go as strong as possible and if there is an opportunity to become world champion I will be there to see it."

Article Here

[hadesisqueer]

I like Zaheer as a villain but he is so overrated tbh. Not only because he's not as smart as neither him or people think he is —if he were, he wouldn't have prevented facing Korra in a fair fight only for at the end being like "Oh, Korra, we're poisoning you so we can force the Avatar State and kill you in it; I'm sure that straight up telling you that and therefore giving you a heads up instead of taking you by surprise —like Azula did with Aang— will not matter at all because you totally won't be able to defend yourself after we trigger a literal defense mechanism that gives you the power of a God. Yeah the chains will totally stop that from happening because they're platinum so you totally won't break free even though the Avatar State also enhances your already impressive physical strength." Definitely that was not his smartest move.

It's because they put him as one of the top Airbenders in the franchise and like. That's not true lmao. Zaheer was a good Airbender compared to most of the New Air Nation but tbh you can't compare a guy who was already a skilled martial artist and who was adapting his skills to Airbending to a random guy from Ba Sing Se named Wang who's 38 years old who just got Airbending and hasn't done any martial arts before in his life. Most of Zaheer's advantage in fights comes from 1) him being already a skilled figher 2) people being taken by surprise because they didn't know he was an Airbender 3) people not being used to fighting Airbenders 4) him not holding back unlike most Airbenders. You think he's impressive for suffocating the Earth Queen? All Airbenders with a bit of training probably have the ability to do that (Gyatso literally did that against a whole battalion of Comet Firebenders), they simply choose not to because it goes against their ideals.

Airbending Zaheer could deal with average and a bit above average-good benders/fighters (like White Lotus members or Kya; Kya was a healer, not actually a fighter, and the White Lotus are talented and all but you can't compare those guys in Korra to the main crew lmao) due to his martial arts skills that adapt well with Airbending. He was talented, okay. He defeated Tonraq on top of a mountain while Tonraq had a limited access to water, cool. Now, him being one of Top Best Benders of the franchise? No lmao, most actual Top Benders TM like Iroh, Jianzhu or Amon could probably deal with him pretty easily. The rest of his Red Lotus pals could beat him. He is not even one of the best Airbenders, so don't put him in that top; he just got Airbending, he's talented but there is no comparison. You really think this guy is anywhere close to Gyatso? Kelsang? Aang?! Zaheer wasn't even at Book 1 Aang level. Zaheer needed to gang up with the rest of the Red Lotus against Tenzin because he was kicking his ass and Tenzin wasn't even breaking a sweat while doing so lmao. You put him against an actual Master and he gets bodied. Book 3 Korra would mope the floor with him with Waterbending and she could probably deal with him with just Airbending. Post Book 4 Korra could probably mope the floor with him with just Airbending. The only thing Zaheer does that makes him stand out against any other Airbender with more experience than Random Guy Wang or literal children is that he doesn't hold back like most Airbenders and that he learnt how to fly. And the flying thing, as impressive as it was, was less of a talent thing and more about that he could do it because he didn't have any earthly attachments anymore.

Zaheer was a great antagonist. I really liked him as a character, he was very interesting, his philosophy was interesting, to me he was the best antagonist in all of TLOK along with Amon and just behind Azula and Yun as my fave antagonist in the franchise. And he was talented and skilled, and a threat. But he is just not as powerful as some people make him out to be imo and that's it. Actual Top Tier Benders could eat him for breakfast.

[poetrysmackdown]

what makes a poem a poem? does it have to be written in a certain way? is this question a poem if i want it to be?

Fun question! This is just my personal sense as an avid reader and less-avid writer of poetry, but for me it’s useful to distinguish (roughly) between poetry as a genre and poetry as an attitude or philosophy through which language and the world can be understood. And of course these two go hand in hand. I see poetry the genre as essentially a type of literature where we as readers are signaled, somehow, to pay closer attention to language, to rhythm, to sound, to syntax, to images, and to meaning. That attentive posture is the “attitude” of broader poetic thinking, and while it’s most commonly applied to appreciate work that’s been written for that purpose, there’s nothing stopping us from applying that attentiveness elsewhere. Everywhere, even! That’s how you eventually end up writing poetry for yourself, after all. There’s a quote from Mary Ruefle floating around on here that a lot of folks have probably already seen, but it immediately comes to mind with this ask:

“And when you think about it, poets always want us to be moved by something, until in the end, you begin to suspect that a poet is someone who is moved by everything, who just stands in front of the world and weeps and laughs and laughs and weeps.”

Similarly, after adopting the attentive posture of poetics, there’s plenty of things that can feel or sound like a poem, even when they perhaps were not written with that purpose in mind. I’ve seen a couple of these “found poems” on here that are quite fun—this one, for example. The meaning and enjoyment you may derive from the language of a found poem isn’t any less real than that derived from a poem written for explicitly poetic purposes, so I don’t see why it shouldn’t be called poetry.

That said, I do think that if you’re going to go out and start looking for poetry everywhere, it’s still important to have a foundation in the actual language work of it all. Now, this doesn’t mean it has to be “written in a certain way” at all! But it does mean that in order to cultivate the attentiveness that’s vital to poetry, one needs to understand what makes language tick, down at its most basic levels. It will make you better at reading poetry, better at writing it, and better at spotting it out in the wild.

Mary Oliver’s A Poetry Handbook is an extraordinary resource to new writers and readers, and a great read for more experienced folks as well. Mary Oliver’s most popular poems are all to my knowledge in free verse, and yet you might be surprised to find her deep appreciation for metrical verse (patterns of stressed/unstressed syllables), as well as for the most minute devices of sound. In discussing the so-called poetry of the past, she writes,

“Acquaintance with the main body of English poetry is absolutely essential—it is the whole cake, while what has been written in the last hundred years or so, without meter, is no more than an icing. And, indeed, I do not really mean an acquaintanceship—I mean an engrossed and able affinity with metrical verse. To be without this felt sensitivity to a poem as a structure of lines and rhythmic energy and repetitive sound is to be forever less equipped, less deft than the poet who dreams of making a new thing can afford to be.”

In another section, after devoting lots of attention to the sounds at work in Robert Frost’s “Stopping by Woods on a Snowy Evening”, she writes,

“Everything transcends from the confines of its initial meaning; it is not only the transcendence in meaning but the sound of the transcendence that enables it to work. With the wrong sounds, it could not have happened.”

I hope all this helps to get across my opinion that what makes a poem a poem is not just about the author's intention, and not just about meaning (intended or attributed), but also about sound and rhythm and language and history, all coalescing into something that rises above the din of a language we would otherwise grow tired of while out in our day-to-day lives.

I'll always have more to say but I'm cutting myself off here! Thanks for the ask

[fuumiku]

They’re really interesting foils in many ways. I’ve always thought that Marcille & Mithrun have underrated dynamic potential. Give me the cringefail dungeon lords. Give me the elves with ears-centric metaphorical self-image issues. Give me the academic elites whose deepest strongest desires will always remain unreachable and the only option is to turn to the corrupt forbidden fruit of a demon pact. I am so so normal about Mithrun and Marcille

I wonder if the resemblance between captain Mithrun and general Hagreus aka Marcille’s fave in Dalclan is intentional… They definitely look very alike. It could represent idealization vs reality? Something something the romanticization of elves and their societal drama in their fiction vs a very real and imperfect product of their military system. The canaries certainly aren’t glamorous next to whatever Hagreus is the general of. I feel like she never had the opportunity to notice the resemblance herself bc within seconds of meeting him he was wrestling her on the ground but. If she had… She would so think he should have been his actor in the tallman stage play of Daltian Clan in that new extra comic hehe. I love the little details like Hagreus’ lips being drawn with extra details because they’re full and pretty while Mithrun’s lips are drawn with extra details because they’re chapped lmao.

This art is all silly and surface level but in my head mithrille is like so dramatic and I make up daltian clan level big plots with them gbdgd. I made a spotify playlist for mithrun if y’all interested, rn it’s mostly centered around cravings that consume and losing yourself and illusions inspired from his time as dungeon lord but it’s branching out. Varied vibes, levels of intensity and degrees of confusion and await you ✨ I would emotionally rant about Chainsaw Man ost lyrics and how they tie in with Mithrun and the winged lion’s relationship but this post is already a monster

I want more of these two please please please pleaseee just one or two interactions in the new canon content coming up… All they ever did was debate philosophy on desires and human self-fulfillment and try to murder each other, please… I never get to gush about them and I can’t shut up so if you want more thoughts I talk about them more below

To get a girl to peacefully accept arrest follow these simple steps: in private, ominously stand above her and forcefully interrogate her, while in public, tell her you’ve met before (untrue and also not a pickup line) and interrogate her with a thin veneer of decorum. If all else fails, threaten and follow through on said threat. My guy needs more than just physical therapy I’m afraid

Sorry if most of these were Marcille-centric with Mithrun standing there looking cool, if I were doing these more from Mithrun’s pov things would be like "She’s a bit much but I guess I don’t mind hanging around her." or "Oh you’re a half-elf? -insert elven supremacist rethoric-" or "I have to keep her from becoming demon stew." immediately followed by "Did someone say demon? Kill kill kill kill kill" since these are set prior to like really knowing another. Then things would be more like "huh she has bad tastes in novels but her magic research is pretty interesting" and "I’m lonely and don’t understand myself— Oh she loves talking about feelings? Oh shi-" That last one is an aspect of why I like Marcille and Mithrun’s potential dynamic lol. She’s very… Emotionally intelligent alongside being impulsive. You think you have no feelings because the world has beaten them out of you? Think again!! Marcille be upon ye! -In a therapy sort of way but mostly in a connecting with people and your own self through interpersonal relationships and talking kinda way. I just think a lively, upbeat, annoying friend way too interested in your personal life would do him good, the canaries are nice but like if Marcille went to prison and was a sort of extra new bunkmate I think that’d be interesting and fun to read is what I’m saying

Unlike Kabru she wants all the useless messy filler of his backstory, eating chips while listening. Like two chibi sets side by side, "me and my fellow canaries, name name and name-" "Hold on that’s too much info we have to compact this" vs "Then we were to sleep on the third floor of the dungeon, which had the look of a mausoleum, and name and name got into a fight over the campfire placement." while Marcille is like uh-huh what next what next while kicking her feet. She thinks of pre-dungeon pompous Mithrun and is like omg you went through a character arc and became better as a person- and then he opens his mouth and she’s like nevermind let’s keep working on that. She would also go "ew ur hair is greasy" and give him a full hair care treatment. What I’m saying is I need them to be forced to spend time in a dungeon together and become besties through a life or death roadtrip

Marcille is insecure about her ears, long, like an elf’s pride should be, but rounder, inelegant. Seeing Mithrun though, the epitome of beauty, with his half-cut ears make it a sillier thought. Not sure if Mithrun is the best person to reconnect with ur elven culture with but it sure is an option Marcille would so appreciate being around someone both cool headed and kind, I genuinely think they’d get along, like not that Senshi isn’t that too most of the time but I think Mithrun would be in a way that’s more refreshing to her. I’d be so curious about them discussing Dalclan, I doubt he’d have read it but she could make him read it, maybe post-canon with the excuse that they’re trying to find him a new hobby hah. He’d tear into the writing and everything but it’d be a fun time, I like to think that it’d make him a bit less prejudiced. Marcille @ Mithrun "👉👈 Soo maybe you don’t know these books they’re pretty recent having come out 50 years ago but…"

I’ve been in a Mithrun phase I want to make and read Mithrun-centric fics and angst so baaad. I razz him a lot here but he’s literally a traumatized military man that became obsessed with revenge due to bad coping and neglects himself in the process idk not much for him going on and some of it is because he has to work on himself, but hey no one’s perfect it all comes from a place of love and relating though I prommy. He’s the one ungodly angsty squeaky toy blorbo with brain damage rep I have don’t take him from me

[ducktracy]

the first clip for "the day the earth blew up" was posted on twitter. can you spare us your thoughts?

@aadrawings: So uh how about that new Looney movie clip?

I MOST CERTAINLY CAN SPARE MY THOUGHTS! TWIST MY ARM! first, i'll link it here in case anyone hasn't seen it:

FIRST (and most obvious) THING'S FIRST: I'M SOOOOOOOOO EXCITED UUUUUUUUUUUUUGHHH!!! the film JUST started premiering in Annecy as we speak and my heart is literally pounding MY FINGERS LITERALLY SHAKING. so i apologize if this turns into a discombobulated mess i'm so so so excited and trying to keep an eagle eye out for any and all details. BUT ANYHOO

IT LOOKS GREAT!!! this is a fully rendered clip of the roughs that were uploaded back in September of 2022, so i'm already pretty familiar with this since i gushed over it to hell and back then, too. i had a few teeny tiny neurotic nitpicks that i would not take too seriously--honestly me nitpicking anything modern LT is a good sign because it means i'm ENGAGED and actively thinking and engaging with the material. there are a lot of modern LT adaptations i cannot say the same for. so it's all out of a labor of love and i also realize that most of these nitpicks are very.. you guys know my level of fanaticism. don't take it too seriously. my standards for this series AND THESE TWO KNUCKLEHEADS IN PARTICULAR who are my favorite characters of all time are so high that even the classics don't meet those expectations half the time. we all know i'm insane. BUT ENOUGH BLUFFING

my biggest critique is that it's going to take me quite a bit to get used to Eric Bauza's Porky. i LOVE Bauza, he is such a sweet guy (he sang me happy birthday as Daffy Duck and i almost exploded) and so talented and it's been really great seeing him rise up the ranks. i used to only know him as "the guy who voiced Stimpy in APC" and so i'm VERY glad to see he's gone on to greener pastures LOL.

but, with that said, the first time i saw these roughs i actually thought Porky's lines were scratch audio. there isn't enough stuttering--it's important for me to note that people give Porky's stutter WAY too much prevalence, in terms of how he sounds and just characterization as a whole. a stutter is not a personality. BUT, in the clips above, he doesn't really sound like Porky unless he's stuttering. it moreso sounds like Daffy talking to himself. Mel Blanc had Porky speak (and even sing!) in full sentences all the time, but it's never noticeable unless pointed out because Porky still sounded like Porky and Blanc knew how to make his personality come out in his voice beyond the vocal fluff of a stutter.

part of it is because i'm so used to Bob Bergen. and, even THEN, if i watch too much LTC or Duck Dodgers in one sitting, i need to "recalibrate" with the originals and hear Blanc. Bergen's Porky is much different than Mel's, more formal, the stutter more concrete in its formula (fun fact: Blanc's Porky has a southern twang in his voice if you listen for it depending on who's voice directing and i love it so much. biggest giveaway is how his "i"'s will often sound like an "ah" instead, not thinking of the stutter. I WARNED YOU we are getting into super pedantic territory here), but, much like how Joe Alaskey's Daffy is a much different interpretation than Blanc's Daffy, he was able to really make it his own. i think Bauza's Porky is still in a little bit of a limbo in finding its identity with that regard. but, also, keep in mind we've only heard him in this clip and Space Jam 2 and i have no plans of revisiting SJ2 to make a point here. sorry

THAT'S MY BIGGEST CRITIQUE i'd say! others are small, such as the design of the landlady is fun but reads like something out of the 2020 Animaniacs than anything based in the LT design philosophy, and you could argue that the fluidity is more Richard Williams-esque in its visual fluffiness and perhaps even excessiveness than, again, anything relating to LT. but i take less stock in that last one because the animation is STILL GORGEOOOOOOOOOOOOUS WHAT THE HECK!!!! so many fluid arcs and i really love that scene of Daffy talking to the landlady. the subtle twitching on Porky's cheek as a secondary action made me laugh.

other than that... you guys know that I. LOVE. LTC. i have been tracking it before it released, and there are posts on this blog (i think i saw one even dating back to its initial announcement in 2018, though it may have been a 2019 post of the 2018 upload. dunno.) dating back before i was even into LT at ALL. i've been keeping an eagle eye on every single development. the day they premiered i watched the entire batch 3 times in a row. i streamed it for you guys too! some people reading this may have been in that room.

ALL THIS TO SAY, i LOVE LTC SO MUCH and it's been the most excited i've been for anything in a very long time. i also have my fair share of nitpicks, but, as i've expressed above, they all come out of a place of love. some of the Porky and Daffy shorts in the LTCs i would have handled differently if i had my hands on them. Porky and Daffy are two characters who are deeply special to me, everyone knows me as The Porky And Daffy person including my coworkers and bosses, my friends who worked on the show and film have told me many times they're eager for my thoughts. the pig and duck are literally a part of my identity. so my critiques come more out of a place of fanaticism and love for the characters and wanting to do them justice and wanting people to see what i see in them, rather than an actual dig at the product

THAT ALL BEING SAID. there are some pitfalls and little traps the P+D (and a lot of LTC in general) shorts run into that i'm expecting to be in the movie as well. there's a little bit here with the screaming and some lines of dialogue that i probably would have shaved off (like "our roof?"). months ago i started typing up mini reviews of each LTC short that i may compile here someday--my Max subscription was about to run out and i wanted to watch all the LTCs one last time while i could. and then i renewed because i couldn't watch quickly enough and now need to return LOL--and it allowed me to lay out some of the nitpicks i have with the series more clearly, which i am fully expecting to also be in the movie. and that's okay!

ALLLL OF THIS RAMBLING IS TO SAY: I AM SO EXCITED. i've been tracking every single detail of this movie and this SERIES like a hawk since it was announced. i was even asked to work on the film back in 2021, but turned it down because i wasn't secure enough in my abilities and didn't know what job security would look like after i finished on the film. i'm glad i stuck with the decision as i did, because i figured i can draw those two any time i want, and the fact that i got asked meant that there are eyes on my work and i may get asked with other LT related offers (which turned out to be true!). needless to say, turning down the offer was genuinely one of the most excruciating things i've ever done and it seriously sent me into a pretty big funk for the next few days and weeks.

so, with all that said, it is ESPECIALLY important for me to see how this movie is and celebrate it and keep my fanatical obsessive eagle eye out. i'm so glad i get to live in a world where this is a movie that is happening and coming out. i've already got plans to see it with a best friend who i've shoved the agenda of the pig and duck down her throat many times. i am so excited to cheer on all my friends and colleagues who worked on this film. it's the most excited i think i have ever been for anything actively coming out in my life.

[rassicas]

I don't think this nuance carries through in my posts all too well with how much i criticize splatoon's english localization. But I believe the fault is less so on the localizers themselves and more so on the higher ups and whoever is managing the localization team. For one thing there needs to be better communication between the Splatoon team on the JP side and the localization team to convey whats going on with the worldbuilding. I'm not all that involved with the Kirby series, but I am aware that there have been some localization choices that seriously contradict with the JP version in a way that affected the lore. I don't know how well the localization of Kirby and the Forgotten Land turned out, but one of the developers mentioned that there was collaboration with the localization team to ensure they got the lore right.

And with some of the choices made in Splatoon 2 especially, (like pearl making all the octopus jokes about marina and references to the destructive power of pearl's voice being cut, both of which ended up being really important for octo expansion) this level of communication about Splatoon's world and story was definitely not happening for the writing Splatoon and Splatoon 2. Splatoon 3 it's hard to say, but there's were certainly some questionable choices in the Squid research lab posts leading up to Splatoon 3, and also whatever happened with Mr. Grizz's characterization...We'll see how Side Order turns out.

also according to this article (from 2022), nearly half of NOA's localization team are contractors rather than full time employees, and there were no full time hires over the past 3 years. It sucks for the contractors who don't get those privileges of fulltime employees, and it sucks for fulltime employees who have to reorganize workloads to compensate for those whose contract expired. I'd imagine this also leads to less time for some of the localizers to really get to know the source material of what they're translating.

One other weird thing about this is that the majority of weird localization changes are from NOA, while NOE localizations tend to be more accurate to the source material. There's probably a variety of factors at play, like what philosophy NOA takes in localization practices + the other factors mentioned above. anyways just getting thoughts out there. what the hell is happening at nintendo treehouse

[queerprayers]

hello, i've recently come across more accounts similar to yours and they have really helped me feel closer to God. so for starters i appreciate you and everything you have to say is very insightful. i am new to Christianity (looking into Catholicism) but i have struggled with my relationship with God for a few years as i am queer. Anyway, all of that is not entirely related to my question. as i wasn't raised religious, i have done some things that i am not proud of that i hope won't ruin God's love for me. for example, i have said stuff that could be considered "taking the Lord's name in vain" such as saying "oh my god", "jesus christ", etc. do you think that is actually taking his name in vain? truthfully, i have been trying to cut down regardless as i love God and mean no offense but it's hard as i have said words carelessly in the past. i apologize for the longer text!!

Welcome, beloved, I'm so glad you're here!

This is always such an interesting topic and I'm sure I won't do it justice, but I'll try to answer your question. The third commandment has been oversimplified for a lot of Christians, and I do think we should take it seriously—but when we caught up with people saying "omg" casually, we miss a lot.

"Taking the Lord's name in vain" can encompass quite a bit: cursing God, swearing on God falsely (in the sense of making promises you don't keep), treating sacred things with disrespect, using God for your own gain, using God to justify evil actions, claiming God's name for harmful theologies—really anything that profanes/using hollowly/for profit the name/essence/qualities of God. "Name" is more than language—it's a presence. So is the third commandment addressing casualness with religious language? I don't think that's what it's specifically interested in, and because the Ten Commandments functioned communally/legally more than personally I'm inclined to say it's concerned more with the promise type of swearing and temple rituals, but I do think the philosophies behind these large things can be brought down to the personal language level, especially for those of us who aren't ancient Israelites.

An old anecdote from my church is that for years they had a plain wooden cross in the sanctuary, but my childhood pastor had a crucifix put up. (This was before I was born, and I'm so thankful I got to grow up with a full, embodied cross rather than an empty one.) An old lady stopped in her tracks that morning, staring up above the altar, and said "Oh my god." The pastor said, "That's right, he is." Besides being used to poke fun at this lady (who had probably never encountered traditional art of the crucifixion in her rural Protestant life) and as a justification for having a crucifix (to more fully confront God), it was also used by my mother to explain why we weren't allowed to say "oh my god" unless the situation necessitated it.

This has made me rethink some of the things I say—and I think there are lines here that we all have to draw. Many exclamations/curses are religious in nature (like damn or hell), and should we only say those when we mean the full essence of the thing? My mother thinks so, and I've gone back and forth. I think what we say matters, and carelessness should never be our framework. I also know that I don't get offended when people say things like "oh my god"—and I've definitely said it before, in way less necessary situations than confronting him bleeding.

When we look at all the things the third commandment can encompass, exclamatory swearing is surely at the bottom of the list in terms of what matters interpersonally and religiously. The megachurch pastor who uses God to sell things and the abuser who uses religion as an excuse are much more relevant to me. This is about your attitude toward your faith, how you want your language to reflect that, and how seriously you take words that are really only translations of a human approximation of a theological truth.

A line I draw is "Jesus" vs. "God"—one is the personal name of my god, and one is more of a title. I don't swear using Jesus's name, but I've dropped an "oh my god." I'm also more likely to use religious exclamations in the face of things I genuinely care about—I'll say "oh my god" to something beautiful but am more likely to say "shit" when I drop something. Is this all arbitrary? Of course! But the language we treasure and the language we're less careful with always is.

I won't tell you where to draw your lines, but I will say the best way to approach any of it is to notice these things—which you definitely are! Whether or not we end up changing something, it's always good to be aware of what we say and how it could affect us. So ask those questions, think through it all. Don't let casualness make you forget the enormity of what we're talking about when we say "God," but also, turn to God with every emotion and in every situation. Don't bring religion into everything because you're being careless—do it because it's where you and the universe touch.

To answer another (and in my opinion more important) question you've asked, no, God's love for you isn't ruined. I don't care what you've said, what you haven't cared about, what you've done—God's love is incapable of being ruined. This would imply weakness or unfaithfulness, which our faith does not characterize God with. And Christianity is firm that it is never too late to repent—meaning, to turn around and dedicate yourself to not going back. (God's love reaches the unrepentant as well, of course—it is a matter of whether we can see it and move through it, not whether it's there.) Repent, for the kingdom of heaven is at hand—as in, it's always been here, it's happening now within you and your communities, and it will arrive.

Whatever changes you make and journeys you begin, God's love goes with you—it's not something we work toward having, but something we work toward honoring. It is hard to change habits—it's hard to change anything, and your dedication to thinking about this new part of your life is admirable.

I want to say don't get caught up in the smallest possible meanings of the commandments as you continue into Christianity, but I love that you are and that's not really the advice I want to give. What I mean is more, don't let this be a barrier. Every tiny thing is part of our lives, which means they can trip us up, be things to obsess over, be things we focus on to avoid other things, be areas we become perfectionist when that energy could be used more usefully. I am contributing to harm in countless ways that don't include swearing, and to be an imperfect human in this world, you are too. I give you permission to not let this be the hill you die on. Christianity calls us to be willing to die on so many hills, y'know? The enormity of our dedication can be overwhelming, but we move forward knowing the love of God is on our side.

The sacred Name has only ever been put into human words in the form of Jesus, and meeting him in both the sacred and ordinary is how I honor the Word. As I navigate the countless ways I exist and affect and am in relationship with the world, I come back to that. That true holiness can never be profaned, so I must not act as if it can be. When I find myself acting as if God could be hollow, I know I must turn back. I may embody this idea differently than you and others—we cannot all pay attention to everything at once. But I honor your commitment to the small things, and I pray that you live confident in the knowledge that nothing you have done or will do can stop God from entering into communion with you.

<3 Johanna

[lestats-ovaries]

putting in my two cents as an aroace hazbin fan to the whole alastor shipping debate (adding a cut below because this got long-)

before I start, it's important to remind everyone:

alastor is canonically ace and (semi)canonically aro, and that should be respected the same way we'd respect angel dust's identity as a gay man, or vaggie's as a sapphic woman.

"ace" and "aro", while also functioning as labels unto themselves, are umbrella terms for a lottt of identities. Some of which do include the ability to experience sexual and romantic attraction, in different ways and at different levels (demi, cupio, lith/lithro, grey, aro-and aceflux, the list goes on).

So, given all that, is it possible to interpret alastor as experiencing some level of romantic attraction, or sexual attraction? Of course, identities like the ones I listed above are just as valid as any other acespec and arospec identity.

So, what's the issue then? Right now, a lot of fans are using the breadth of aspec identities and experiences as a shield, to excuse them shipping him like they would an allosexual/alloromantic character.

Just to make it clear, that in itself is erasure. And I know that's a strong statement, and that there being such a broad aroace experience adds nuance to any statement you can make on that, but we have to acknowledge as a fandom that there are objectively wrong ways to handle aspec characters, both in the way we discuss them and in the way we portray them in fan works.

And before anyone says it, saying "alastor isn't real" or "fanon content won't change his canon sexuality" doesn't work when real life aspec people can't even look in a tag of a character that's supposed to represent them without seeing their identity erased. It's the way I feel attempting to engage with a lot of hazbin content, and I know a lot of my fellow aspec hazbin fans are feeling it as well.

So, what's the solution to all this? That's unfortunately kinda complicated. Everyone has a different opinion on what constitutes as erasure, what is good rep, how much benefit of the doubt we should give people, et cetera, and so everyone's solutions look different. In a way there also isn't a way to solve it, since aroace erasure is so normalized in fandom culture (not just the hazbin fandom; fandom culture as a whole) that there will always be a significant portion of fans who will ignore, erase, or otherwise deny alastor's or any other aroace character's sexuality.

So, to put my two cents on it:

My philosophy is that if you're going to ship alastor (or any aspec character for that matter), it's best to have an identity in mind for him to use as reference. For example, I think of alastor as sex-repulsed aroace, and I write him with that in mind. Whatever you pick can be a steadfast headcanon, an identity tailored to the story you want to tell, or one you want to explore in your fanwork, whether for fun or to educate yourself on it better.

What's better is that you don't even need to mention the sexuality itself in the work! Show don't tell is a great writing tool, and for alastor specifically, who canonically isn't aware of his sexuality, it works perfectly. Just simply creating with it in mind, asking yourself, "how would someone with [insert identity] experience this?" and going from there, makes a world of difference.

Just in terms of good fanfic etiquette, I'd also make sure to include it in the tags if you're posting it on ao3, just to make sure your readers know what's up and to help with filtering (I personally don't read any alastor ship fics that don't include the asexual or aromantic tag at this point). Bada bing bada boom, that's representation right there!

Since Alastor is one of very, very few ace characters in mainstream media, and even less aro characters in media period, us as a fandom creating good representation with him is really important, especially in terms of the breadth of aspec identities. We don't get much representation, so claiming he's definitively one label or another isn't productive, and hurts the community in the long run. Fanfiction is first and foremost an exploration of canon, so why not play around with what "aro" and "ace" can look like for him?

Case and point, I've seen some incredible ship fics that headcanon him as demisexual and/or demiromantic, and do a great job representing those identities. I've also seen some really good fics that portray him as sex-repulsed, and others that portray him as sex-neutral or positive. All of that is great, and again, even if it isn't directly mentioned: adding subtext, putting it in the tags, and even simply writing the fic with the sexuality in mind does wonders.

Me personally, I headcanon Alastor with the same identity as me; sex- and romance-repulsed aroace, but open to queerplatonic relationships. That doesn't mean fics that interpret him with a different aspec identity are less valid, or are interpreting him wrong. All of it is valid representation.

And that's not even getting into queerplatonic relationships, which is what I put Alastor into for my own headcanons (queerplatonic radioapple fic when). For that, please do your own research, but remember that queerplatonic relationships tend to look different for every couple. They can be poly, include kissing and physical intimacy, or look just like what most people would consider a regular friendship or regular romance.

So, can you ship aroace characters? Sure you can, as long as it isn't at the expense of their sexuality, or more accurately, the representation their sexuality gives to a historically underrepresented group.

That's pretty much it from me, please remember to support aspec fanartists and fanfic writers, and happy (early) aromantic spectrum awareness week for all my fellow arospecs!!

[cinnamonbunpuff]

how a song changed my year.

achilles, achilles, achilles come down, won't you get up off, get up off the roof?

it's officially been one year since i first heard this song. it's kinda crazy how much can happen in that time, in reality and in mentality.

i still remember stumbling upon it. i'm sure i've seen it on my recommended in the past but this was the first time i really listened to it. it was late and i was sat on my bed, recovering from a cold. stressed over my barely-started application for some of the UC schools i never saw myself going to. i paused to take a little peruse through youtube, where i saw this performance. based on the song of achilles (a familiar name), and choreographed to achilles come down (an unfamiliar title).

i was drawn immediately in. not just by the smooth flow of the dancers portraying their characters, but by the power of the lyrics and how it affected what i was seeing of achilles, patroclus, and briseis.

and so i decided to look up the actual song and its lyrics, to see what they really were. and they were beautiful.

today of all days, see, how the most dangerous thing is to love,

this song, all seven minutes and two seconds of it, has seen me through so many monumental changes in my life. from growing positively mentally, to graduating high school and starting uni, to familial tensions.

how you will heal and you'll rise above, crowned by an overture bold and beyond,

it's honestly a wonder how i haven't grown bored or tired of it yet. and i think that's because every time i sit and really listen to it, there's always something new i'm discovering or interpreting, whether that be compositionally or lyrically.

to start, it was realising that the only instruments are strings - definitely a cello, and in all most likely a string quartet. as a violinist myself, i love hearing any use of strings in modern songs. having a whole song relying on the softness and dynamics of them though? that's gonna get me every time. how almost the entirety of the song is underlaid with the eighth notes of the cello, and throughout the verses the intermittence of the higher strings.

as i grew familiar with achilles come down, i discovered the power that all the lyrics held. there were a select few that drew my attention, from either how poetic they sounded, to how they seemed to mirror an aspect of my life that i didn't know could be put into words.

loathe the way they light candles in rome, but love the sweet air of the votives,

then there were the sections of spoken french. i thought that the addition of a second language in the song really added to it as a whole, but upon looking up (and attempting to translate what i could), i found that they added another level of melancholy. because what better way is there to make the song more emotional than including snippets of french philosophy about the value of life?

qu'on appelle une raison de vivre, est un même temps une excellent raison de mourir

through this year, i've found myself coming up with scenarios in my head, with this song playing in the background. mostly it's been with characters of my current hyperfixations, but i've found myself in these situations as well. it's definitely a reflection of who i see myself to be, but i hope it's also an envisioning to who i hope to be.

thank you to achilles come down for finding its way into my life. thank you for the past year, and i hope the next is just as exciting.

throw yourself into the unknown, with a pace and fury defiant

[absolutebl]

This Week in BL - Disappointing Doom

Feb 2023 Wk 3

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying most.

Ongoing Series - Thai

My School President (Fri YT) ep 12fin - Them openly dating and flirting with each other (finally) while keeping it “secret” was hilarious. No surprise they got outed tho. The whole “coming out homophobic teacher” sequence was very extra but suited this show. And ending with prom could not be more YA. Plus smiley kisses! 

CONCLUSION?

GMMTV gave us a classic high school set Thai BL with tropes like messy boys singing their feelings that was Love Sick for the modern age with all the gentle sweetness and pining ache, but none of the dated damaging tropes or issues.  Yes, we’ve seen it all before, but this is me: I ADORE this shit. Who let my BL be this wholesome and funny? This show was fantastic, it’s only flaw was the singing (and that’s my baggage). My favorite GMMTV offering to date. 9/10 (could go as high as 9.5 on my more forgiving days) 

Bed Friend (Sat YT, GaGa & iQIYI uncut) ep 2 of 8 - I’m ending my week with this one these days. I feel like this is an EXCELLENT life decision. King’s pining is WBL levels of EPIC. Uea’s ma may be the worst ma in Thai BL (and that’s some stiff competition.) Ah getting tested together, such a right of passage. I like King a lot, his attitude, life philosophy, the way he looks an Uea, everything. This show is GREAT. 

Bed Friend extra sexy bits explained:

YouTube has the cut version with slightly less sexy content (this is what I’m mostly watching). 

GaGa ALSO has the cut version, BUT they have “extra clips” with the uncut content, you’ll need to find and watch them separately. 

iQIYI has the uncut version with the above mentioned extra sexy bits integrated back into the full episode.

Okay? 

Okay.

Moonlight Chicken (Weds YT) eps 5-6 of 8 - The break up btw Wen & Alan was really hard to watch, both actors are so good. Speaking of good actors, where did GeminiFourth come from? Seriously? I love these characters almost as a much as TinnGun. Heart’s parents are EVIL. Told ya they’d kiss as this couple bf TinnGun. Back of head wrap ‘Kiss’ tho, haven’t seen one of those from Thailand in ages. Old school. And then Khaotung just broadsides us with PAIN. This is such an aces show, but it is A LOT. 

Never Let Me Go (Tues YT) ep 11 of 12 - More cute BF intercut with agony. Holy role reversal dad butler! Otherwise a somewhat lackluster ep 11 of DOOM as dooms go, but I’m okay with that. 

Chains of Heart (Sat iQIYI) 1-2 of 10 - This is a suspense thriller about smugglers, amnesia, and lost love. Haii is good (and gorgeous) in the lead but the story is choppy, disjoined, and confusing. May be intentional, bad writing, or the captions being particularly bad (or all 3). It’s an interesting and different start. Not good but interesting. It reminds me a little of Manner of Death only with better action sequences. But I’m not sold on it because MoD had MaxTul, and this... does not. Ep 2 did not improve matters. When Ken & Lue flirt it’s fine and the Thai food bits were fun. (Kao Soi is one of my fav northern dishes, I’m sad he didn’t get to finish it.) At the funeral, why are they all texting when it can be traced and they could just be talking to each other? Honestly, everybody behaves like an idiot in this show. So I guess this is a revenge narrative? I’m so confused. They pretty tho, so I’ll keep watching because I am weak, but if you can wait, I think this is one that’s gonna be better as a binge. 

Our Winter (Thai & Korea YT & TikTok under ThaiMiniSeries) eps 1-7 of 14 - TutorYim microseries, told in vertical (TikTok) shorts. (Thanks to the BL spies for reporting in.) Cute Trope snippits but Korean is HARD to understand with a Thai accent. I’m not watching it with Eng subs and I’m not wild about this style short form but still - cute. Funny how they styled TutorYim so that they look slightly Korean - wardrobe and makeup wizardry. 

Hit Bite Love (Sat YT) ep 6 fin - Degrassi Junior BL concludes in a very soap opera way, with new characters and new/extra drama. Trigger warning on the original trigger. The investigating cop was super hot tho. Can we give him a BL? Also I liked the final scene makeup tons. But honestly what a total mess. I don’t know what i just watched and neither does it. 3/10 (sorry babies)  

Ongoing Series - Not Thai

HIStory 5: Love in the Future (Taiwan Weds Viki) ep 9 of 10 (or 17&18 of 20) - Kind of a filler ep and lackluster for a penultimate DOOM installment. But the HIStory franchise gets this way sometimes. 

Jack o’Frost (Japan GaGa) ep 2 of 6 - I’m finding it a bit dull. 

It’s Airing But ...

My Beautiful Man 2 (Viki & Gaga) - Because there are only 4 eps, I’m waiting to binge this.

Boyband ep 2 of 10 - Stopped airing on YouTube, and only available in Thailand & Japan. Not sure if they’re working a distribution deal or just fucking with us. 

Destiny Seeker (Tues WeTV ) 10 eps - it’s not on any WeTV I can get ahold of. Bad Buddy the pulp rebirth meets Japanese handsome host club action. FairyGodBLer came through for me, but I’m collecting to binge just in case. It’s my new policy with the grey stuff. 

Cafe In Love (Thai) 10 eps on Ch3+ - Thai pulp, about trying to save a coffee shop. Same as above. 

Gossip

Thailand’s famous gay pink milk comes to Oakland, CA, USA. This amuses me greatly. And yes, next time I’m in the area, I’ll probably try to hunt it down.  (What is Pink Milk?) 

Kim Ji Woong is doing fine on Produce 101 5 Boys Planet. I agree with the pundits that he’ll likely make it through. (Yes, I think he’s a better actor than idol, and yes, we will mostly lose him from BL if he goes all in with whatever group results from this.) But does that matter when Peak Time is also airing? No, because Peak Time is MUCH better and more interesting show and it has Karam (Happy Ending Romance) fucking KILLING IT. You all know I love Leo’s voice but clearly VIXX-euphoria distracted me, because I had no idea Karam was such a stable vocalist. He’s insane and it’s fun to watch a 2nd gen fucking SERVE it up (have you ANY idea how hard Mirotic is to do LIVE?). 

In case you missed it 

Viki has acquired the airing rights to Advance Bravely. We can’t expect it to be much altered, but at least it will be legally available, and one hopes the subs will improve.

Viki added The Eighth Sense to their upcoming KBL roster, new one to me. “A university romance about the confusion often felt by college youth regarding life and love.” 

KBL A Shoulder to Cry On AKA Comfort the Boy coming to Viki, March 13. (MUCH anticipated by me, this is a high school set hurt/comfort delayed by OMGEA X scandal.) This will be the first BL to star idols from the same group! Fingers crossed it’s good because this is a group that definitely needs BL’s support. 

Next Week Looks Like This:

02/28 = Tin Tam Jai (Thai Gaga & iQIYI) 10 eps - Adorable Tin has a life-long dream to marry an older boy in his neighborhood, Park. Same production co as Coffee Melody & Ai Long Nhai. I'll likely binge it.

03/01 = The Promise, (Thai WeTV) 10 eps - friends-to-lovers, follow up to a previously aired miniseries Phupha | Nanfah. Because of this and the WeTV platform I likely won’t bother.

03/02 = All the Liquors (Korea Gaga & Viki) 8 eps - Liquor company rep and party boy Han Ji Yu buts heads with hot chef Park Ki Hoon, who doesn't drink.

03/02 = Heesu In Class 2 (Korea unknown prob Viki and/or Gaga) - A gay(er) version of Sex Education. I’m still not sure this one is actually happening. 

03/03 = A Boss and a Babe (Thai YouTube) 12 eps - ForceBook in an office set boss/employee rom-com. 

03/04 = Love Syndrome (Thai unknown prob iQIYI or Gaga) 10 eps - trailer, violent, hot/cold, hurt/comfort, amnesia. (Stars Frank formerly of FrankDrake.)

Full list of upcoming in March 2023 is here. 

2023 forthcoming BL master post. (see comments, some are inaccurate, NOT KEPT UPDATED)

THIS WEEK’S BEST MOMENTS

That tentative hand GOT me bad. 

I love it when a character call’s out another character’s main characteristics. Very meta. (Moonlight Chicken.) 

OMG hot cop! 

Make up game ON POINT. 

(Hit Bite Love.) 

SO GOOD. (Bed Friend) 

(last week)

Current Kpop(ish) earworm? SHAUN & Jeff Satur - Steal The Show, you should watch it ALL THE WAY to the end, just trust me. Have I ever led you astray?

No.

Don’t answer that. 

[cherrypikkins]

@wild-moss-art Hi there! I'm more than happy to share art philosophy about lineart! You are correct, I am definitely spending less time than usual on my lineart to get these requests done, but I'm still glad with the final results. :3

Here are the three stages that I take to achieve clean and polished lineart.

1) The Rough Sketch is used to figure out what the final product may look like. No fine details yet, only guidelines and basic shapes. I make sure the proportions, alignment, and composition is correct. The completed Rough Sketch gives me a good idea of what the rendered lines may look like, but is a bit too messy to follow. While I do have the option of erasing all of the guidelines and cleaning up the lines, what I usually do is lower the opacity of the rough sketch and start on a new layer.

2) The Under Drawing is done in a non-black color on top of the rough sketch. Here is where I get into finer detail with expression and anatomy. However, because we are following the messy lines of the rough sketch, the Under Drawing will still look a little unpolished. It is still very suitable for coloring if you plan to render all of the details in the painting stage, or if you are going for a more sketchy style.

In order to get sharp, detailed, finely rendered lines however, an additional stage is required.So lets lower the opacity and start a new layer using black ink this time.

3) When Rendering Lines, I carefully follow all of the details provided by the Under Drawing, which shows exactly where each line should be placed. I take my time going over each line, using the zoom tool and rotating the canvas when needed to get the best angle.

Because the final product should have a sharp and clean look, it can be very time consuming and pain staking to go over all the details. That said, I have a few tips that will help this stage go along faster while adding visual appeal to the final product.

Let's use an example. Suppose you place down your lines and end up with something that looks like this.

It's not bad, but it could use a little work. The expression and level of detail that we want isn't there yet, but it's actually a good starting point. If you are new to line art or still practicing, you may wish to aim something like the drawing above so that we can take it a step further using the steps I will demonstrate in the tutorial below.

So how do we make clean lineart into something even greater?

Here is what I mean by line weight. Lines of lower weight are lighter and thinner. Lines of heavier weight are darker and thicker. Then there are modulated lines, which gradually increase or decrease in weight.

In the example drawing, all of the lines are of equal weight. We can make the line art less monotonous by increasing the weight of certain lines. For demonstration purposes, I will only make changes to the right side of the drawing so that you can see the difference.

To start, we will add another line to the upper eyelid and fill in the gap, creating a new, bolder line.

We will also build up the iris, pupil and highlight, adding details as we go. Already, it is looking more expressive.

Lets build up the nose and mouth lines while keeping the ends nice and thin.

Then, we can add weight to the face and ear lines. For the hair outline, we want to make the lines heavier closer to the roots while keeping the ends thin. Hair lines on the inside can be left alone.

Finally, we make the outside line of the character heavier. With these small changes, we have a much more expressive, detailed, and visually appealing product.

Here I've highlighted in red where the lines remained unchanged. You will definitely want to leave some lines alone while building up others. As a rule, outlines should be thicker while the detail lines on the inside should be thinner.

If you increase the weight of all lines with the same amount, it will remain flat.

So, you should aim to have a variety of light lines, heavy lines, and modulated lines. You may wish to use the eraser to lighten up heavy lines or create modulated ones.

If you can do all the steps above, then a lot of detail and expression will be preserved even when the image is shrunk down

Hope that helps :3 Let me know if there are any other questions I can answer.

[linkspooky]

Thoughts on Higuruma?

He’s personally one of my favorites. I’m interested to know if ya had any analysis/opinions on him. And how you think his arc will go in the future.

Higuruma’s character is interesting on two levels, one because he is subversive of a lot of characters thinking in Jujutsu Kaisen “the ugliness of the weak, might makes right, the solution to every problem is getting stronger” he also contrasts Geto in an interesting way as they both have similiar reasons for breaking down but end up going in the complete opposite direction. I’ll explore more under the cut. 

1. Harder, Better, Faster, Stronger

In Jujutsu Kaisen and in shonen manga in general, the attitude is that the solution of every problem is to just train and get strong. This is an attitude echoed not only by Gojo but also his students especially in the earliest parts of the manga. If there’s a difficulty you can’t face, if you lose someone, then the solution is to work harder to get stronger. 

This is an understandable attitude especially after Yuji’s death is caused both by Yuji having to rely on Sukuna instead of controlling him, and also a death that could have been prevented if Megumi fought Sukuna using his power to his full potential. In such a situation where you are rendered weak and helpless due to your lack of ability, it makes sense you would want to be stronger so as to not be caught in that situation ever again. 

There’s a certain logic to it, if you’re weak you can’t even help yourself especially in a crisis situation so of course if you want to help other people you have to be at least that capable. 

The problem for Gojo and his students is that they really only know how to be strong, as if that is the solution to every problem. Megumi, Nobara and Yuji all train to get stronger, but by the end of the Origin of Obedience arc, they all suffer from a lack of communication because Yuji and Megumi both want to keep secrets from each other in order to protect the other one. Maki is someone who wants to get strong enough to fight back against the entire Zenin clan and prove them wrong about her, and yet she’s also incapable of basic communication with her sister Mai that could have solved their conflict. 

This is a lesson that Gojo learns early on in life too at the end of Premature death, that being strong was not something that could save Geto. The reason why I say “Might makes Right” is a common philosophy in the Jujutsu World is because Gojo himself had a bit of a complex, believing that people like him and Geto were so much stronger than normal humans that they couldn’t have human flaws too. 

The reason that Suguru’s downfall gives Gojo such whiplash is because he didn’t believe someone he saw as above other people like him was capable of making such a human error. It’s not just refusal to believe that a friend like Suguru would do anything wrong, it’s his entire world getting flipped on its head. 

Which is where we get this might makes right philosophy, that those who wield power are always righteous, whereas weakness is some kind of sin. Despite the fact there is no human being on earth who is strong all the time in every situation, and everyone has vulnerabilities, flaws. This is where we get Higuruma himself is a subversion of that kind of thinking, because while most characters either look down on, or try to ignore weakness Higuruma is a rare person who tries to look at that weakness instead. 

He is someone who remembers the basic fact that all people are weak sometimes, and as selfish as they may seem they are people who are in need of help. Expecting a person who’s suffering and a person who’s weak to also be completely morally pure at the same time, to suffer nobly, to not show any ugliness at all when they’re in pain is almost expecting too much out of them. Whereas Higuruma’s logic is simple, Itadori’s weak and he needs help, and Higuruma’s reason for helping him is that there are probably lots of people just like Itadori who need help too. Weakness is something we all share in common. 

2. The Ugliness of the Weak

Geto and Higuruma are also both two characters who continually tried to help weak people around them, because they believed they had a duty to do so out of their position as someone strong. Geto is one of the strongest curse users in the generation, whereas even when he was just a lawyer, Higuruma was regarded as a genius. 

They are both characters with higher minded goals who believe they have to act out of duty to protect others. 

Their duty is not something they can look away from or shrug off. However, it’s this positivity, this drive they have to help others that ends up leading to their downfall. Higuruma and Geto even have incredibly similar breakdowns. Geto describes his as getting stuck in the cycle of exorcising and consuming curses without making a real difference in the world. Higuruma’s caught in a similiar cycle. 

They are both essentially exposed to the ugliness of people over and over again until they completely lose faith and believe what they are doing is pointless. At which point they snap and become an inversion of their former selves, Higuruma kills people in the game seemingly without remorse, Geto starts massacring the humans he once swore to protect. 

It is also for both of them more the systems they are caught up in that are to blame, then the weak people themselves. The indifferent masses seem like an easy target to lash out against, but Higuruma’s frustration comes with the law system, and Geto’s frustration is the corrupt sorcery world that commands young sorcerers to die over and over again. 

If there was a difference between the two of them it was Geto flipped his opinion and started to despise weak people entirely. He could never divorce himself from the idea of might makes right, so even when he started to lose his way he didn’t face the ugliness of himself. Geto can’t see any resmeblance between the weak people he looks down on and himself, even though by the time of Jujutsu Kaisen Zero he’s perfectly willing to kill Yuta an innocent to make his plans go forward, the same way Toji ruthlessly executed Rika. Might makes right, after all, the strong are the ones who have the right to decide over the weak. 

Whereas Higuruma is still capable of seeing weakness in himself, because he recognizes that all people are weak and ugly and that he is no exception. It’s Yuji’s admission of his own weakness and taking responsibility that brings him back down to earth, because there’s a better path forward in helping a weak person than there is in eliminating them. 

Higuruma is able to reflect upon the weakness in himself in a way that Geto can’t, and because of that he’s able to process his remorse and realize he regrets the people he has killed so far, something that breaks him out of the cycle of violence whereas Geto is still caught up in that cycle until the end.