木漏れ日 | tsukishima kei, oikawa tooru
Synopsis: Tsukishima Kei's always felt like he's meant to save a seat for someone, and while you felt the same, neither of you seem to want to break the silence and say that "perhaps this could be more," first. And the realization that sometimes, keeping love in the silence only does more harm than good.
Characters: Tsukishima Kei, Oikawa Tooru
Genre: Slice of Life, Hurt/Comfort, Office!AU, Slowburn, Love Triangles (But not really), Happy Ending, (2nd person POV writing)
WordCount: 20,500+
A/N: This is a commissioned piece from @tsu-kiss ! Thanks for letting me write about you & your day 1 <3 heart heart | Playlist
commissions | ko-fi
There’s many things about Tsukishima Kei that you always found best described as odd.
To start, he’d wear a god awful blue button up, that was never quite ironed properly, under a coat that you always thought suited him. You heard he’d gotten that coat as a gift, from his mother, so you suppose that perhaps fashion just wasn’t his thing.
But you never minded him much.
He wore matching socks, and brushed his hair often enough to never spot any weird clumps no matter how much you’d squint towards the back of his head—of course just on the days when you find that you didn’t have much to do in your office other than hyper fixate on just about everything you can see.
(Unfortunately for him, he’s the cubicle right in front of you.)
(While fortunately, for you, he seemed to be interesting enough to fit the bill for most parts.)
He had a dinosaur charm hanging off of his car keys, purple. There’s a couple of rocks—fucking rocks—sat in the corner of his desk, right beside his mug with the weird illustration of a frog on it, and more pencils instead of pens inside it.
Pencils, you would remind yourself. At first, you thought that maybe he sketched on his downtime, but eventually, that self-imposed theory was quickly debunked. During a company outing, a few months ago, your team had went against his for a nice game of skribbl.io, and while your side emerged victorious, you couldn’t help but feel pity for the team that had to scratch their head at the scribbles the man could only come up with.
Tsukishima Kei was peculiar, but then again, at the core of it all, you suppose that he was interesting too.
Interesting enough to squint your eyes at when work was slow, and your boss wasn’t around. The papers in your desk would still be in piles, but the deadlines were too far for them to be scattered around your workspace.
You couldn’t see the view past him, considering his height, but you suppose having no other option than staring at a wall would be a worse situation, so with this, you settled.
Purple dinosaur, rocks, pencils in a mug with a weird frog on it coworker.
He was a sight, but he wasn’t unpleasant—so this would have to make do.
Your friend always told you that people often hung the most intimate parts of their stories around them like charms off a corner of a bag, so perhaps there was more to him than just the odd bits and pieces that never quite fit together.
Stories, you think.
You’ve always loved them.
-
All the while, in front of you, Kei thinks the same.
There’s a drawl that comes with the slower days during office hours. Time moves at an incredibly slow pace, to the point of feeling like he’s merely dragging his body to move through the motions with every minute that passes.
Recently, it’s been feeling like life just moves through the cycles, but because the drawl doesn’t exactly feel too bad, he supposes that he can’t mind it too much.
He can stare at the clock from seven until one, and type the same sentence on a file again and again when his superior walks past his desk. The dinosaur charm on his set of keys was cute, along with the array of rocks on the table.
-
And while things for each of you worked like that, when moments were molded together, it worked like this.
(A little awkwardly, if anything.)
Relationships between coworkers had never been much of a taboo thing, but it was the kind of topic you tend to avoid. Schedules for the both of you worked around a clock, and compromise was a word you didn’t even bother trying to skirt around.
He was Tsukishima Kei, as the man who stapled his papers a little too loudly and had more pencils than pens in his cup, while for him, you were just Nina.
The girl who sat behind him who dressed like the tones of earth and smelled like caramel coffee every 9am.
You know each other by name, and maybe by coffee order, but there were still more than just a couple questions of “who are you, exactly?” that still were left unanswered. Though then again, you were never really certain if those kinds of questions were the ones that even needed answers in the first place.
You could ask yourself what you should wear today, and you’ll shuffle through your closet before eventually deciding on that beige cardigan instead of that yellow turtleneck. Before the barista would ask you what you wanted to order, you’d already be in line, asking yourself the same question and answering with your usual order ready to be spoken out loud.
There were questions where the answers for them were necessary while some, could be satiated with just the fact that they were even asked in the first place.
Why did you pick a dinosaur for your keychain instead of something more…age appropriate?
Why pencils over pen?
Why do you scrunch your nose right before you sneeze?
Why that blue striped undershirt when you look more fashionable than just that?
You don’t know, but it’s not like you’re curious enough to care. Looking at him, or rather, squinting through the frames of your glasses, it dawns on you that Tsukishima Kei will just be one of those sentences with a question mark, because even if the tone which you read it as would sound as a question, there was never a need for an extension.
An answer.
To wonder freely, but never dwell in curiosity. Fleeting.
He’s just a fleeting thought; just the coworker who just happened to occupy the desk in front of you and was interesting enough to look at from 8-6.
And while those were always your thoughts, he thought the same too.
Truth be told there was a lot about the both of you that mirrored each other. While he didn’t have to jump off his car when he’d make his way out, he always was the type to have sporadic bouts of road rage. He’d sigh when your boss came over your area of the office, and tap away on his keyboard as if he was trying to finish a report, even though he’d already had all of his files ready to be sent, finished and stacked in a folder two hours ago.
Much like you, he had a bit of a sweet tooth and was never really the type to turn down a slice of cake if he was offered a piece.
-
Questions, Kei often thought. There had always been an abundance of questions in his life.
Though, admittedly, a majority of them nowadays are just admittedly centered on you.
What’s your name? being the first, and he remembers that it was spoken out loud almost two springs ago. How are you? as the stereotypical question number two; though admittedly, it was only asked under the clauses of what social etiquette dictates for people who are at least acquaintances.
When he thinks about it, you are an acquaintance. You’re Nina; the girl who smells like caramel anything coffee every 8:30 am, and the desk behind his with the keyboard with the keys that never clicked too loudly.
Who are you? as the question he thinks, often, when his thoughts drift.
And most of the time he can answer it. Objectively speaking, he can just look at things from a wider perspective and say that you’re you, all the while he’s always just been him.
But truly, it’s undeniable that when some days when nine am would hit and he’d turn to ask for a stapler from either you or the desk beside yours, there would just be something about your little corner of the room that would just make him think.
All the words in every language he knows, only the word beautiful remains. It’s an observation, and he can admit that much. A passing thought, perhaps, thought of in the midst of what is this or that, but it’s one of those thoughts where he just won’t bother to deny it nor even begin of trying to write it off with a different explanation.
Nine am was yours, and as was the morning light.
A murmured question, the smell of coffee, and a thank you that blends with the harmony of morning. A soft click, the shuffle of the chair, and the sound of your soft keys tap, tap, tapping away from behind him.
Who are you? he asks; a question he never bothered to try to find the forever answer to.
(Because nothing is a constant, Tadashi used to say.)
(Because everything flows, he remembers some more.)
But Kei keeps it as a passing thought none the less. He’s always supposed that questions like these are reserved for the hours within the day where the clock would tick slow, and time would feel like a routine like drawl.
Blank thoughts and typing out the same sentence again and again to seem busy did probably lead to questions about the unprecedented and the constant in his head.
Whereas the constant was you; his nine am touch of caramel and soft tapping noises. While the unprecedented was this:
The word beautiful, as the only thought that explains a majority of what he sees. Turning around to give back the stapler he really should stop borrowing, and catching a glimpse of your profile under the sort of light that he can only really see during spring mornings.
It’s like finally realizing that this is where the good in good morning comes from.
Who are you? he thinks again, and it’s at every 9:07 where he’d think to himself that perhaps he wants to know you more than just your name.
The four letters that spell out Nina suddenly seem insufficient, and he wants to ask why it’s caramel you order instead of mocha. When he’s in the breakroom and looking in the fridge to grab the Tupperware of fruit he keeps as a snack throughout the day, even though it’d only been a fleeting observation to him then, it’s now where he wants to ask why it’s crème brulee instead of the strawberry shortcake he always hears you comment about.
Who are you? as the translation to I want to get to know you, but he’s always quick to remind himself that these are just the kinds of questions best left unanswered. It wasn’t the fact that there was a lot at stake, because truth be told—nothing much would change at all should they be answered, but at the same time, he liked the drawl the routine brought.
Curiosities were best kept as curiosities, and some questions would remain read out loud as questions, but ultimately just filed as passing thoughts at the end of the day.
Eight AM to six, Tsukishima Kei would move through his routine by willing his body through the motions, even if his thoughts did admittedly drift off to you. Just curiosity, he’d reason.
When he’s driving to work before eight and he sees you hop off your car and adjust your bag, he wants to ask if traffic was bad on the drive here. (Just curiosity.)
When the time of the morning rolls around and he smells your signature caramel and hears you murmur a quiet good morning to the entire office, he wonders what it would sound like if you just said good morning to him. (Just curiosity.)
When he’s catching peeks at you from the corner of his eye just to see your profile turned to the side, and facing up to feel the filtered sunshine through the window, he wants to know if you’re the type who prefers spring over the winter, and why. (Just curiosity.)
So even with that, Tsukishima Kei supposes it’s just because of curiosity that leads him to approach you when he sees you on a Sunday, sat by the window in Starbucks, with a drink that doesn’t look like caramel in your hand, right as he asks—
“Is this seat taken?”
-
It’s not as if you mean to say that it feels like fate is telling you that you’re still waiting for something, but some days has you feeling like you’re meant to wait for someone.
Moments like this—like now.
You’re staring out the window of the nearest café by your place, with nothing really written for the agenda of your day. Times like these are where you usually tell yourself that it’s okay, and that day offs existed for a reason—but the mind always did have a way with never staying still.
And while for some, thoughts just rolled by—yours on the other hand, always had a habit of running.
You’re waiting for something, it says, but as soon as you take a peek at what’s beneath the underneath, you know that something is just a loose replacement for the word, “someone.”
But as of now, someone is just a figment in your head.
Someone is the reassurance that there’s something to be met after this, or in the midst of this. This, as your twenties—as your maze.
More than ever, you know that this is the part of your life where you’ll carry the burden of trials rather than wear the crowns of victory, but you suppose that there’s a couple hidden gems you can only find throughout the journey. Or at least, that’s what you have to remind yourself. Then again, epiphanies like this didn’t exactly happen like they were just thoughts that would come easy, without much thought. Sometimes, you think, the most profound epiphanies were uncovered within moments wherein they would just come to you.
The blank period between just beginning to build your foundation and laying out the perimeters for the solid home above that was this exact point of your life. Weekends and day offs where you could try to catch your breath right before you dived back in the trenches again.
(You hate Mondays.)
(But not as much as you hated Sundays.)
Though the silver lining found within the two was always your coffee. Your kick of caramel within that bitter shot of espresso. Your weekends between life was comparable to the silver lining most people usually talk about. A pit stop, and a taste of sugar. Caramel within espresso, where the difference between something being underneath and blended with was made clear.
You suppose that life was never really layered in the end.
As much as people try to separate the specifics within it, at the end of the day it all would just blend together.
Like trying to pick apart salt and pepper, when you sit by your 9am light beside the window on your moments of rest during Sundays off—you admit to yourself that you can’t really tell apart the intricacies of life.
(Timelines, you mean.)
Sometimes you remember that the reality of the matter is that you’re twenty three years old and a little more lost in the world, when at sixteen you thought that by now you’d be found—or at least three steps away. The poems in the letters that bring you comfort tell you, in the timeless words meant to ground the lost in the moment, that what even is the definition of being found?
There was no universal timeline that everyone had to follow, and even if that was true, what you feel regarding the matter still felt like it was beyond your control. (Beyond your reasoning.)
Nine AMs and their light was a comfort. They come to you, metaphors delivered in silent whispers and ghost like touches: on your shoulders, your cheeks, and your eyelids, and for that short while they’re there you feel okay. (Safe.)
Mornings bring about the kind of comfort that feels more everlasting than even the idea of a ring on your finger. The sunbeams tell you they’re there—still there—because they’re what’s timeless. Diamonds on your ring, and a finite love to call yours be damned.
(The light’s what’s stayed, and what will stay.)
—Or at least that’s how you feel for a sliver of the time.
Because truth be told, you feel like you’re still supposed to be waiting for something.
Perhaps it’s a sort of love, or perhaps it’s the love.
(You don’t know, because for now love doesn’t have a face.) Love resonates to an unfulfilled yearning you have within; the kind that can momentarily be satiated by your nine ams and kicks of caramel every weekday morning and iced shaken passion lemon tea every Sundays as a treat for yourself.
For now, saving the seat in front of you and taking up a table meant to seat two by the window during your weekends will have to make do.
Asking yourself questions throughout the day that most of the time don’t really need answers will make do.
Blinking at the nine am light while sipping your daily dose of sweet is enough to keep the thoughts that where you are won’t be enough after this, away.
And because there’s a lot of for nows, that you decide to cling on to for the sake of keeping what’s here feeling like it’s enough, you move through your day with the idea that even if the seat in front of you will always be saved for the eventual kind of love you know will manifest one day—having company can’t be so bad. (To at least satiate your for now.)
Like Tsukishima Kei, and his god awful stripped blue button up you just know he can do better than. His presence during weekdays from eight to six was expected, and blended well with the routine unconsciously established during your work hours.
It wasn’t like you meant to move closer towards him, but it was an undeniable fact that a person will somehow gravitate towards those that mirror them in a sense.
Maybe it’s the pencils on his desk, or the purple dinosaur you admit is cute hanging off his keys.
He isn’t love, because he’s just a name, and a presence that’s become a sort of permanent fixture in the routine you know is only a temporary flow. But what he is is the curious head that towers above Sunday’s afternoon crowd that squints at all the occupied tables in the room.
He’s the light brown sweater, golden hair, amber eyes, and purple dinosaur keychain that hangs right beside his set of keys looped on his right hand. But most importantly—and most recently, he’s the question, “is this seat taken?” when his eyes widen at the sight of you after a quick scan of the crowd in the room.
And he’s the face, that breaks out into a smile, come sunshine, as you think of all that is golden and illuminated, that says “Thank you,” right after you say your yes.
(It dawns on you just then how good it felt to even say no.)
-
If wouldn’t take a genius to figure out the unspoken connection brewing between you and the constantly brooding blonde.
Then again, the view from the bubble was different than the view from a different angle. While the whole office, and frankly any stranger who could differentiate the color blue from red saw the both of you as a pair, you both still looked at each other as just the temporary company who warmed the seat you’re still saving for someone.
“So what’s the deal,” Tadashi says, rounding the corner and dropping a pile of unsorted files on Kei’s desk. “—With you and,” he continues, then pauses, flicking his eyes to the side to ensure that your desk was empty before continuing with, “you know.”
Kei blanks, momentarily forgetting how the pile seemed to make a slight thud that already pokes at the incoming migraine of today’s workload manifesting behind his head. “I what?”
Tadashi smirks, an expression that Kei still can’t seem to wrap his head around. “Nina.”
“Nina,” Kei deadpans. “Our coworker Nina.”
A few beats of silence pass, and Tadashi chuckles at the sight of his point completely flying right over his friend’s area of awareness and presence. “Lena saw you at Starbucks last Sunday with her.”
Grabbing the first chunk of the pile, he begins to sort, his attention already shifted. “It’s social etiquette to talk to people you’re acquainted with.”
“Acquainted,” Tadashi parrots, laughing. “So last week and the week before that was just because you’re acquainted.”
Kei sighs, looking up and dropping the three pieces of paper previously clasped in between his pointer finger and thumb, its contents already long forgotten at this point.
“Just a coincidence,” he reasons, knowing that his words will more so fall on ears that aren’t exactly keen on accepting the rather objective truth.
Tadashi’s always been the type to try to read in between the lines, but unfortunately for him, Kei thinks, there wasn’t much of a metaphor in this situation. He goes to the café every Sunday because his brother would usually crash by his place in the weekends, and Kei found that even if he did love him, he still wanted a slice of his day off dedicated to himself.
He never mentions that to Tadashi though, already knowing that the man would just counter back just as quick, with the question of why is he spending time with you then? Asking you if the seat is taken despite the empty tables that had always been abundant ever since after the first meeting.
“Okay,” Tadashi shrugs, hands raised up and smirk in place—a weird look on him, Kei comments to himself inwardly again—as he turns back around to make his way back to his department.
“Still rooting for you though,” he calls out, turning around to launch a last ditch comment towards the steadily irritated man who can only do nothing but stare at him blankly in response.
-
“What do you think about Tadashi?” he asks you, four weekends later when you’re sat in the same table, at that same coffee shop again.
Writing his question off as a passing comment, you shrug. “From accounting?”
Kei nods. “From accounting.”
You give his question a couple moments to let it soak in, before you eventually just shrug, again, not really definitive with the answer you come to a conclusion to. “I don’t know him that well. What’s this about?”
“Nothing, really,” he answers. “I just thought you both would be good together.”
“Like for a project?” you ask, as you absent mindedly continue to scroll through the contents on your phone. There was a sale at Muji, the ad on Instagram reads, so you make a mental note to maybe stop by on the way home after you finish your grocery run.
“Like together,” he responds, and it had you been looking at him instead of the screen on your phone, you would have seen the sly way he sips his coffee and watches for your expression from the corner of his eye.
And because you’re a lot more aware than you give yourself credit for, even though you don’t see it, you feel him basically boring his eyes onto your profile. You realize you lack an opinion regarding what to think of the situation, so you let him stare.
Truth be told, you don’t know what his staring could exactly pertain to, so in response, to try to satiate both the curiosity in your head along with his question, you shrug, answering, “I don’t think about it. Why?”
He’s quick to turn to the side, to his left facing the window where the child across the street suddenly looked more entertaining than trying to wrack his thoughts for more words to fill in the conversation.
“Cute,” he hears you hum, right before he turns his head to catch a glance of you wearing the smile he tells himself doesn’t catch him off guard every time, peek through the rim of your cup.
There’s a lot about the details founded within tidbits of moments he thinks is worth the most. As if trying to immortalize the bits and pieces that don’t matter universally, he knows when coming across the specific kind of people he’d probably get chided for it.
Kei remembers his mother scrunching her nose at the way he’d eat the bready part of the cupcake right after scraping off the icing, and how he’d give the skin on his fried chicken to his older brother when kids his age usually liked the crispy parts the most.
It’s a funny thing, he thinks—about just how false the universal standards really are.
What “matters” really is relative in the end, because the joy you come across to is what remains the same. Like yesterday, finishing his work early was joy. Finding that his superior had skipped a day of work to attend to family matters hence the lighter workload on his desk—that too was joy.
And strangely enough, spending another of his Sundays yet again sat in the café he tells himself he really should stop coming to for the fourth time in a row, sat across you, is joy.
(Joy, like the way your face lights up at the sight of the boy holding his mother’s hand as he crosses the street.)
(Joy, like the emotion that blooms on your face, radiance comparable to your nine am shower of sun.)
(Joy, like the word best used to tie to what’s swirling with him in the now, because even if a lot of things were hanging and left as questions to dangle in the space between what can be answered and what could just remain as what ifs—this little moment makes something in him bloom.)
“Yeah,” you hear, and you will yourself to not think about the way his voice seems to deliver more than just a passing comment. “Cute.”
-
Like drifting away from the current, this is the part where you break from the waves and try to make sense of all the ocean that’s in front of you. The water’s clear, and the waves aren’t knocking your air out of your lungs, but the shore’s still far, you think.
There’s the presence of birds circling you from above, so you know land isn’t too far. There’s a safety net, that’s there, but you’re still in the water. There’s the feel of sand beneath your feet, along with water against the palms of your hand. You’re not swimming, but you haven’t waded too far in to be drowning either.
Just testing the waters deep enough for you to know what the waves feel like—just to get a taste of the thrill must be like—but never too much to the point of being overwhelmed.
A dance between two strangers, or a conversation shared between two souls too familiar to just be acquaintances. It doesn’t take long for Kei to settle into the rhythm you’d composed for yourself.
Work still moves through the schedule from eight to six, and your boss is still the cause for most of your headaches with every additional file set on your desk every Monday. Nine AMs was still your favorite hour of the day, along with the kind of sun it brought and offered you, day in and day out. Tsukishima Kei was still the boy with the god awful striped blue dress shirt that sat in front of you every day.
But then again, there were changes, but most of which were welcome, none the less.
When he turns to ask for a stapler, he’d lean by your desk and strike up a conversation instead of promptly end it with a solid thank you. Breakroom conversations during lunch were often shared together; in the beginning just coincidences, but eventually, slowly, planned. Some mornings you’d find a cup of coffee on your desk when you’d be running late, and for the first few times, you’d spend a hefty twenty minutes or so pondering about it, before eventually remembering that this was the exact coffee order that you told Kei you wanted to try just the day before.
A friendly hello, turning into a knowing glance, and the thank you said out of courtesy turning into light conversation exchanged in hushed voices.
There was a story now, behind the purple dinosaur, because when he’d seen you look at it a little too long, that same afternoon you found an identical one on your desk, beside your pastel highlighters you let him borrow with no problem, when you had always known yourself to be quite specific about it.
Conversations in the break room that used to hold just passing thoughts, and a couple nods to the head just to acknowledge the other, now turned into actual conversations. It wasn’t the comment that ended with a period, anymore, because every day there would always be somewhere where they had left off of.
Kei smiles, often, because with the light, comes you.
He can’t call you his, because there would always be a whole lot more to it than just calling you something that you clearly aren’t,
“—yet,” as Tadashi would often tease him with.
But he finds it undeniable to say that what you are is something.
Like having conversation plus the company.
The seat he tells himself he’s saving for someone, or something, occupied with a stranger. And even if neither of you can exactly call the other yours, the both of you could always call the little purple dinosaur and the box of nescafe caramel instant coffee—
“—Ours,” he hears you say.
He looks up, from his mug and his stack of papers that all need his signature on his desk. You’re in a similar position as him, with your own mug in hand and stack of papers in front of you. He’s watching you smile, first at what he presumes to be your first sip of coffee, then at the recruit who peeked in the break room to ask you a question.
Then it’s your next smile, for him, and he’s struck in between a thought and action: a little breathless if he were being honest with himself—but because for now you’re just the conversation that comes with company and nothing more, he keeps the thought as just a thought.
It doesn’t pass, but it stays, and he knows this is the kind that’s most likely going to linger a little longer than the rest.
“Ours,” he hears you say, again.
You’re motioning to the stack of caramel sachets in a box that he had bought for the both of you to share, nodding your head. “Oh,” you say. “It’s ours,” you continue, motioning towards him.
“Yeah,” he parrots, not so much as being high in love, but struck and rooted was a good word to describe the situation.
To describe what he means for you.
Ours, he echoes. It’s a good word.
Yours or his was too daring of a word to dub for any of you, but ours fit the boundary he found the both of you to be situated within.
He could call the purple dinosaur and the story with it ours, and the taste of caramel just the same.
Ours, he thinks.
It makes sense.
-
“It’s just,” Tadashi explains. “Nina makes a lot of sense.”
Kei nods, agreeing. “She’s a smart girl.”
“No she makes sense for you,” he counters, leaning half his body across the desk. Tadashi eyes the keychain, and at the stack of caramel sachets by his mug, giving Kei a smug look afterwards.
“For you, Tsukki,” he says, a knowing tone in his voice. “I mean that she makes a lot of sense for you.”
As always, Kei keeps his eyes on his screen, as he taps away, continuing his work and keeping his focus trained towards it instead of humoring Tadashi. He knows he means well, as always, because as observant as his friend is, he always means well with his intentions.
Knowing that his friend isn’t the type to give in, Kei relents. “Why do you say that?”
Tadashi beams, leaning forward even further, squinting his eyes up at his friend who looks at him with bored eyes. They’re golden, he thinks. Kei had always had a certain hue of gold he could never match to what’s around, but it’s under the glow of the kind of gold nine AM gives where the puzzle piece finally clicks.
“I say it because it’s obvious,” Kei hears Tadashi answer.
It’s simple, really.
Not just because of a keychain and a cup of coffee, but because of the puzzle pieces he didn’t know would even fit together are now here, suddenly being nudged into place.
Kei pauses; leans back in his seat, arms crossed over his chest, just as he looks at Tadashi.
His friend wears the smile he already knows the meaning behind, so he sighs, the thoughts he knows he should think through being pushed away by the third party wall called objectivity and false rationality.
“She’s just a friend,” Kei reasons, blunt. Underneath his thoughts, he knows it’s not much of a reasoning, but more like an on-the-surface answer, but he tries to push it as his truth anyway.
Tries.
There’s a bandage on his hand from yesterday, because of a burn.
“I’m nice to you, because I’m your friend,” he hears your voice from yesterday echo in his head. It baffles him still, to think that you’d have a supply of unopened bandages and burn ointment in your drawer, when he knows you’ve never been the clumsy type.
Kei looks past Tadashi, to the empty space of your desk, and tries to tell himself that it’s just a desk. He tells himself that your seat is just a seat, and the pillow there is just a pillow.
He pushes away the memory that’s on the edge of resurfacing: of you, three days ago, saying that the leather on your chair is a little too uncomfortable for you to comfortably sit on. All the while it was he, in return, taking it upon himself to deny the fact that on the way home that afternoon, his reason for taking a U-turn three streets away from home to drive to IKEA was because he needed a new trashcan.
And the pillow, with the serenity blue fabric was just conveniently right by the trash bin section of the store.
It’s because he’s doing a favor for a friend, he told himself.
Sometimes you take a U-turn, even if you see the roof of your apartment building, to do a favor for a friend.
You were a friend who happened to just share a little more stories with him than the rest, and that was okay.
Friends can have conversations in between work and share a few stories together. And favors, Kei reasons. Friends do favors.
You rubbed ointment on his hand and bandaged it from a burn, because you’re doing him a favor. So in return, he bought you a pillow to sit on, because he just so happened to remember your passing comment regarding the fact that leather is uncomfortable for you.
There’s a spare trash bin in his room that doesn’t even get filled up.
Really, he prefers mocha over caramel, but caramel isn’t so bad.
The glare from the sun bothers him a bit, but he tells himself that perhaps a little sun is nice only when it’s 9AM.
Tadashi smiles.
“Tsukki,” he recites, just stating what he sees. “She’s the one you’ve been saving your seat for.”
-
And you think the same.
Conversation that ends with a comma means that there’s more to come. Tsukishima Kei turned into the “hello” that would branch off to ”how are you?” in the hallways, and “coffee again? This Sunday?” if you caught the same elevator as him when you were leaving work for the day.
Caramel in your coffee, with the perfect kind of sweetness you now know that he only sometimes likes.
Never to be one for sweets, but the slices of strawberry shortcake from that one bakery down two blocks away from his building was always something he couldn’t say no to. You know that now, you realize. You’ve known it for a while, because three weeks ago he had brought two slices to work after you told him you always were the kind of person with a sweet tooth.
You know why he has more pencils than pens, and laugh because you think it’s fitting. He’s always liked to doodle in the corner of his files, so for as long as he drew with a fairly light hand, he could always go back in and erase things if need be.
He told you that, over coffee one weekend, again. With a telltale shade of pink dusted across his cheeks and a slight pout to the lips, you found that Tsukishima Kei did look pretty.
At least you think.
Often, you’d overhear the ladies in the breakroom exclaim that he looked a little more scary than necessary, but you think it’s because they haven’t seen him laugh. Contrary to their belief, Kei often wore more than one expression, but only when it counted the most.
He laughed; expression lit when he’d scroll on his phone and watch a video that satiated his kind of humor that you’ve now also grown familiar to, and you’d think to yourself that him looking bright is fitting. When he’d come across a pack of the cottage cheese one of your coworkers always left open in the refrigerator, he’d crinkle his nose and pout, instead of look angry.
Kindness is a good look on him.
“I really enjoy your company,” you remember him say, just last Sunday when you were at that coffee shop right by the window again.
He smiled at you, in the way that delivers his truth far better than words ever could.
You don’t think there was ever a reason to doubt him. He was blunt, when needed be. He reached for a tissue when you had a bit of whipped cream on your lips, and told you that your files could be organized better when you were passing off folders for him to sign and pass forward.
Errors concluded through an objective point of view, where seldom did he try to peer at what was asked to be critiqued with a biased eye.
You conclude that Kei’s just the type to mean well, so you suppose there could be no harm in wading in a little deeper than you usually would.
The universe gave, so you took.
(And clutched on a little too tight.)
Clutching onto it, like your hand on the new tube of ointment you purposely drove to the pharmacy for before picking up your coffee and his as you made your way to work. You held on tight to the steering wheel, smiling at the thought of sharing your nine AMs with someone again, even if you told yourself you’re saving that spot—like he saves his seat—for the someone, or something that’s inevitable to come.
Perhaps love could look like a purple dinosaur charm and taste like caramel. Perhaps you’ll warm up to the sight of a blue striped long sleeve and think that it’s fitting with beige.
Serenity blue had always been a pretty color, you think.
Pretty.
Pretty like Kei—a thought you tried to pass off as just a fleeting kind of epiphany when you were drumming your fingers against the steering wheel of your car while stopped at a red light. Pretty like Kei—as the thought that stayed, and bloomed into a truth that comes wrapped with his name.
Pretty, like his thank you, when he murmured his gratitude to you like a secret. His face just a few inches above yours, as he looked down, watching you rub ointment on the burn on his hand and bandage it with the daisy patterned stickers, patient.
Patience was pretty.
It’s not like he’s love, because that’s a word that needs more justification than just a couple conversations and some one-sided epiphanies conjured up in a haste.
You weren’t in a rush, personally, at least you try to tell yourself that. You drove slowly around the block when the sunset was pretty, and took your time in picking out that tumbler you bought at starbucks. You could wait for a lot of things, because time was the constant where despite the ticking, still felt limitless.
So it’s a mystery to you, that you’re rushing right here, right now, at nine in the morning when the windows by the hallway you had to walk through to get here often showed you the best view. A tube of ointment in hand and the hope to have your first sip of coffee taste like nescafe’s caramel instead of the blend you like from Gigi Coffee down the block from where you live.
Pretty like nine AM streams of gold, and pretty like Tsukishima Kei and the overgrown bangs that suit him quite well.
So when you’re in the elevator and staring at the reflection of you in the mirror to your left, you don’t exactly have it in you to admit that it is a little out of character for you to reach up and fix your hair more than just a couple of times.
The left seems a little too off, while the right was too unnatural. You part your hair in the middle, like usual, and brush the little fringe you have to make it look pretty, and smile.
You remember that time, just one Friday ago when Kei was riding this same elevator with you to the parking lot in the basement, as he looked at you for a briefly, before glancing up
He could be it, until he ends his story with just the role of an almost.
So it’s almost, you repeat in your head. A new tube of ointment clutched in your hand and the three more steps until you round the hall and make it to your desk. Almost there, as the thought that excites you more than it terrifies you this time.
Here, the sun is yours, as is the light. When nine AM ticks on the clock, the sunbeams falling everyday almost as if all it’s done is defy every call the clouds the rainy season brings about.
Perhaps that seat that’s been both empty and filled is almost actually occupied. Almost like one more step, that you take without hesitation as you tuck one strand of your hair back and brace yourself for light.
For the wounds on his hand you wish to mend and for the word “almost,” you think would be rewarded with a happy ending, you allow your heart to speak its truth and blend with the moment, unfiltered, as you smile.
You think of rehearsing a small hi, but decide against it at the very last second, because you want to say his name instead.
Kei, the name he’d insisted you call him with red on his cheeks while his gaze was set to the side. His Strawberries and cream on his glass instead of the espresso people would think is his style, and you smile, because it’s nice to know him as more than just Tsukishima Kei at the office.
Like knowing how his face looks when he scrunches up at the sting from the ointment, you know better now to get the one that he said doesn’t sting as much. You know he’ll appreciate the plain bandaids you have in your bag, instead of the daisy covered ones he had to make do from the stack you had laying on your drawer.
You ready yourself for the friendly hey, instead of the practiced hi, with the smooth good morning everyone that’s just a coworker in this room gets instead of the smile you think you’re set to give to him today.
You look forward to the taste of instant caramel, plus the sight of the sun.
One step, then you turn. You’re not blinded, but the scene in front of you is illuminated. Tsukishima Kei, his back against the chair, bandaged arm on the desk, and an expression of what looks like apathy scribbled across his face.
You pause, not so much as if you’re a deer caught in the headlights, but more like something within roots you to watch.
A stage is set, and the story looks to be continuing, instead of just beginning.
Tadashi smiles, patient. There’s a story behind the peace he wears, and you catch yourself thinking that you wish you knew the context behind it. In a way, you feel as if you do, but your thoughts blank when you try to dig for more connections, so you watch.
“Tsukki,” you hear him recite, just stating what he sees. “She’s the one you’ve been saving your seat for.”
“Nina,” Kei deadpans.
Nina, your thoughts echo. That’s my name.
You listen.
“I barely know her.”
Tadashi sighs, in dramatics. “The point is to get to know her.”
In response, Kei sighs too. “That’s already a lot of unnecessary work,” he mumbles, offhandedly.
You stay still, starting to think that maybe you don’t want to listen.
“C’mon Tsukki,” Tadashi pushes. “You meet up every weekend and the whole pantry in the breakroom has pretty much become you and her’s snack station.”
You watch, still rooted as Kei heaves a sigh in response, like the context of the conversation is the kind of weight that’s thought more like a nuisance instead of just a little heavy. “She’s convenient,” you hear.
Convenient, the word echoes.
Convenient, as the word that you let ring.
-
It’s funny how you almost slipped and clicked your shoes against the tile too loudly as to alert them that you’ve been there.
Just like how you almost turned around, when you made it to your seat a little later that morning, and he was already tapping on the edge of your desk, undoubtedly asking for the stapler.
There was a sense of hesitation in his voice, that didn’t fly past you. On the other hand, you didn’t turn around, like you usually would do, to at least strike up conversation. It was more convenient, like this you think. You’d place the stapler and your mug with the highlighters in the end that’s closest to him, and you’d turn your monitor a little to the side, so that you can avoid the glare from the window that always bothered you.
Right, you think. The glare.
Typing without that damned glare made work a lot more convenient. Humming out a quick response instead of trying to piece together what to say worked the same, and staying in your desk and ordering in your coffee instead of going to the break room to get your usual cup of caramel was also like that.
“Just for convenience,” you say as your reason to Kei, when he asks you if you wanted to get lunch with him that day, and you told him no, because you wanted to stay in the office instead.
It’s convenient too, when you look away and continue to type, willing yourself to focus on the text in front of you instead of his retreating figure your peripherals still catch a glimpse of.
-
Just like how the Sunday after that, the reason why you chose to still sit in that same table by the window is because it’s convenient. Two chairs with only one occupied, you cross one leg over the other under the table.
There’s a file open on your laptop, with the material you need to go over still stuck on the first page even if you’ve already been sat in the same spot for 3 hours now. You wore a cardigan over your top on the drive here, and took it off to hang it over the chair across yours because it’s more convenient to just do that than drape it over your bag on the floor.
When Tsukishima Kei walks in, you ignore the fact that this seems like it’s just clockwork.
You click your tongue, a gesture more towards yourself than towards him, as you try to remember at least the last three things that’s ben staring at you on your file today.
Blank.
He spots you, so you clear your throat, reach forward to take another sip—too sweet—and squint at your screen.
The words are in complete jargon, as are the thoughts in your head. You tell yourself that the thoughts that come are just meant to be fleeting little nothings, but the truth is that they aren’t.
Convenience, it echoes, and you come to realize that you aren’t exactly in the place to be angry. Company was because of convenience, and it did start like that.
You suppose that it was just on you that you started considering Tsukishima Kei as the conscious choice you eventually chose over the usual—every day.
There’s a lot to be defined and sorted through when you think of the word almost.
Objectively speaking, almost wasn’t that much of a heartbreaking word to ponder about. You almost made it past the light, but orange tells you to slow down. You almost sent in your order before the restaurant closed, but ended up not doing it anyway.
To you, almost was a reminder that if something didn’t happen, there was just a greater someone above and perhaps beyond, setting down the foundations to say that this would only end up as a bad scenario.
Just like how you almost looked at him.
“Nina,” he smiles.
“Tsukishima-san,” you respond, keeping your poise.
Quite audibly, he shuffles. You clear your throat again, trying your hand at dissipating the awkwardness that sort of settles. “Is this seat taken?” he asks.
With hands that just barely pause above the keys, the best you offer him is a friendly smile.
“Ah,” you respond, then blink. When you look up and over towards him, he’s holding his bag in one hand with a cup of coffee in the other. There’s a lot of almosts that run through your head.
To be fair, you could say yes. But that was being fair to the rationality of the situation and not exactly to yourself. You hate the word convenience, because that meant that it was just another one of those for nows.
(You hate how temporary presence can be. More so within instances where the world makes you feel as if you’re the temporary.)
Like the seat you’ve occupied across him this whole time, you think to yourself that perhaps you were just the conversation that was convenient enough for him to sit with until what was to come arrived.
So you stare.
The absence of caramel is a little new, but it hasn’t settled enough for you to decide if whether you’re welcoming it or not.
Kei shifts his weight from one foot to the other, and waits.
He waits.
Waiting.
It’s annoying, you think.
You tell yourself that waiting shouldn’t always make you feel like you’re on the edge of something that won’t play out well, but in the moment, there’s not a lot of comfort you can cling towards.
So you grasp at what you have. Right now, you hold your cup of coffee and own company. The reminder that what you must be waiting for probably wasn’t him—the almost, you call it—present in your head, repeating like a mantra. The kind of mantra that’s meant to deliver you to safety, you hope.
He motions towards the seat again, when you don’t answer, so you straighten your back, bearing your thoughts together to try to atleast string some words as a response.
To be fair, you do ponder about what to say. You realize that not a lot can be weighed because if Kei had already made his intentions clear yesterday, you suppose you can give yourself your own clarity too. Transparency meant you were granted your own peace of mind, and you’ve always hated how foggy the word almost looked.
You don’t think about the two more sachets of caramel in the breakroom—almost finished.
You stare past him, focusing on the menu you can’t even read from this distance behind him, and try not to sigh.
He stares, and you hate how you know what kind of coffee he bought.
You despise how you know the exact files he’s probably carrying with him in his bag right now because you know him that well at this point. Too well, the voice in the back of your head nags.
But you hate how fleeting the word “convenience” feels. You’ve always thought to yourself that even if the seat in front of you had always been empty, the fact that you were seated in yours was the constant you’d forever abide by.
“Seat’s taken,” you hear yourself say, before you almost caught yourself saying no, it’s free.
It’s yours to take, you would have told him, because you felt like you still had enough in you to give him a couple more pieces you thought you wouldn’t need.
But the truth is, you realize, is that at the end of the day, you’d need every piece of yourself to be whole. Whether that seat across yours would be occupied right now, tomorrow—or even ten years into the future, it felt wrong to just have another almost keep it warm.
“Sorry,” you repeat, hoping to deliver your truth to him. “It’s taken. Just waiting for someone.”
“Ah,” he nods, though he doesn’t turn away. You feel him stare right through you, and you feel naked. Perhaps there’s a part of you that craves for him to know your actual truth and confront it, but the part that was all rationality said that that wouldn’t be a convenient thing to do, so you relent, and let go.
“Someone,” he echoes. “You’re saving that seat for someone.”
You nod, absent. “Yeah,” he hears you say, and he wishes you’d give him a little more than just the tendrils of a lie lying on the surface. “Someone.”
-
Just like how you almost missed a stop and rescheduled that trip to your friend’s flower shop next week again.
You almost missed him.
(But you didn’t.)
So you think that maybe this was the other road you’ve been meaning to take. It’s not a seat, but it’s a space. In between the bookshelves and the counter, there’s a space for you to fit in so you could reach past the bloom of hydrangeas to call your friend’s attention.
Except it’s another that catches yours first.
With your feet planted on the ground, you remind yourself that there’s no chair beside you to hang your jacket over as if you’re meaning for someone to come. Somebody already is here, you realize. He doesn’t glow like how komorebi reflects on your earth, but at the hues of his eyes you do see a semblance of the roots of earth.
Like two pools of hazel, you see the deeper shades of the sunset.
“Hi,” he grins.
“Ah! Nina!” your friend calls, so you turn to her.
She hesitates a little, setting down the vase she carries right before she picks up the conversation again—first motioning to you, then next to the man.
“Oikawa Tooru,” you introduce. “Makki’s friend from highschool,” you hear her continue. “He’s back in the country for a couple family stuff but his work is in Argentina now.”
You smile, appreciative of the conversation. “Business?”
Oikawa laughs in response, boyish. “Something like that.”
“He’s being humble,” you hear Takahiro chime from across the shop. “That’s the shit he does when he wants to be smooth around a girl,” he adds, laughing.
The man beside you rolls his eyes, albeit evidently enjoying the light atmosphere in the room. In a sense, you do too, so when your friend joins the other two in their laughter, you contribute to the happiness with your own chuckle.
The context of what was going on didn’t exactly sink in quite yet, but you found yourself still in place.
“I play volleyball,” he tells you, a little after when the laughter dies down. He’s still smiling, you note, just like you are, so you suppose that it’s nice that happiness can linger.
“Professionally!” your friend adds, her voice muffled from the distance in between you and her across the room.
“You relocating?” you ask, curious.
Oikawa leans forward, head propped up on his palms, as he shakes his head in the way you assume to be a no. “Just visiting home for a bit.”
“Ah,” you nod. “Homesick?”
He chuckles, airy. “I guess you could say that.”
Oikawa’s pretty, you think. It’s not like Kei’s kind of pretty that’s comparable to the light, but Oikawa’s is more leaning towards the same kind of pretty that’s to be associated with flowers. Like petals on roses, his pretty was classic.
(It’s just a shame that you like the tiny white petals on daises just a little more than the classic red.)
When Oikawa looks at you, and offers a smile that has you feeling like you’re meant to know him as more than just the stranger you bump into coincidentally at the coffee shop, you’re reminded, once again, about how this was another encounter that you almost missed.
-
“It’s nice to meet you, by the way,” you tell him afterwards, when you’re both outside of the shop, the expected goodbye lingering in the air.
It’s you who initiates it. On the other hand, it’s him who tries to prolong it.
Oikawa ponders about what he’s ought to say, pausing just for a few moments before he turns fully to face you, smiling again. “You too,” he chose to say.
(Chose.)
“Almost missed you,” you say. “Glad I stopped by the shop today.”
“Almost,” he laughs. “I almost didn’t come too,” Oikawa admits, eyes to you, present in the moment instead of being somewhere far away.
“But you came,” you laugh.
“And you made it,” he replies.
-
It’s interesting, he thinks.
You, he means.
It doesn’t go as far as saying that he’s only admitting to this because of all the time he has on his hands—as if you’re just the constant that’s there and convenient to think about, but he means it in the sense that he’s aware about you.
Your dynamic with Oikawa Tooru worked well in an odd sort of way. He was polite, much like Kei, and didn’t overstep his boundaries. Looking at him from a wider point of view, it’s safe to admit to yourself that he does check off most of the things written on what you think is your “someday.”
Almost as if you’re satiating a part of yourself and writing a closing chapter for the child within that hoped for a prince charming that would pull out your chair before you sat on it, Oikawa fit the bill to the T.
In contrast to what you had with Kei, Oikawa shared the same boundaries as you did. He never was the type to pry too much, only going as far as asking you a little about your job, but nothing much afterwards.
There was a sort of certainty that you found intertwined with having conversation with strangers. Like knowing names, then seeing boundaries before anything more was breached. A comfort, as you would call it, was given through the fact that the both of you knew the ending to this far in advance.
He was meant to stay in the city—thus your life—for just ninety days at most, given his visa, so you started speaking to him with that in mind. On the other hand, you assumed that he did the same for you.
-
When you move about with the thought that this was one of the things that was certain to remain as just a for now, you find that it’s easier.
You know his name, but this time you know better than to ask for more. There were some answers from yourself you weren’t sure you’d be able to give, so you never bothered to try to ask for the same.
Almost became a word that was bitter at the taste, and you didn’t want to taste more. Perhaps this time around you’d try to wait for what’s actually meant to come and leave that seat empty.
But it’s undeniable, that when Oikawa Tooru smiled, he was pretty.
He always sat in the seat beside the one with the jacket over the back—an unnecessary gesture, really, but it was appreciated.
“So what’s your story?” he asked you one day—today—and you think that he’s hovering just a little over the boundary that had been set. Comparable to a child standing over their parent’s bedroom door, trying to ask for one more snack before they’re sent to bed, Oikawa looks to be doing the same.
He swooshes his drink around with his straw, and asks away, though his eyes are not on yours.
Hesitation is the first emotion you sense—where despite the stillness of his voice—you could still pluck out the shaky foundation it seems to be just thrown on.
Still, you humor him, finding that his curiosity wasn’t exactly threatening. “Story?” you ask, though it was already clarified.
Oikawa hums out his affirmation, still not looking at you. He peeks, though, and at the very last second you catch him staring at you rather intently from your peripherals when you swirl your own drink around and look down.
“You don’t have to say anything,” he laughs. “I’m just wondering why you’re always putting your jacket over the seat in front of you.”
A few moments pass, and he lets it stay, before he eventually clears his throat, breaking the silence before it settles and overtakes the flow of the conversation. His curiosity was something he’s had for the short while he knew you by now, and he didn’t want to let go of the chance of getting answers to it now that you seem to be willing to drop at least a few crumbs of your truth.
There’s not much that’s intentionally hidden, he thinks. The earth around you didn’t look scarred, or too broken in for something to be buried underneath, so he realizes that every bit of your truth was already out in the open. Perhaps it’s masked, or perhaps it’s too intertwined with the vines that it looks natural already, but none the less, he wants to be able to see and read what’s there.
In between the lines, or through the foliage and its vines, Oikawa Tooru can say that he wants to understand and know the contours of your earth.
May it be as vague as the hue of your sky, and feel of the grass, or may it be as specific as to know the feel of every petal of the flowers planted on your soil, he wants to know something.
But what you give him, in return, is a question of your own.
“What does your someday look like to you?”
Oikawa pauses, his eyes on yours. “My what?” he reiterates, with a chuckle.
In response, you let out a laugh of your own, amused at the blank look on his face. Oikawa looked like someone who was always two steps ahead of whatever was there, in front of even himself, so to see him in this state—a little caught off guard and baffled—it was more or less interesting to say at the very least.
“Your someday,” you laugh, straw pinched in between your thumb and pointer finger.
You watch as he chuckles, one hand behind his head as he exhales a lighthearted sigh, responding, “You’re gonna need to give me a little more information than just that.”
He smiles, blinding. You see that you kind of want to look away. “I’m not someone who’s too smart when it comes to reading poems.”
“So you don’t like reading underneath the underneath?” you ask.
“Nah,” he shrugs. “I’ve always been upfront with stuff in a way.”
“Funny,” you retort, leaning forward to rest your chin on your palms. “I was told the opposite about you.”
He raises a brow, still smiling. You’re still blinded, and you still want to look away, but a little later on you find that the light doesn’t exactly burn. So with that, you stand your ground and look. The light at 4PM isn’t anything like 9AM, you think. It’s blue skies and shining skies; white clouds, and a cool breeze. The day feels like it’s been lived—like things are established and there for yours to take—and you find that you don’t know what to think about it.
“So you have dirt on me,” is what he says, and he leans forward, intrigued.
“I’m a lawyer,” you retort. “It’s in my nature to be inquisitive.”
“So what you’re saying,” Oikawa says, slowly, “—is that you look at me like you would look at a client?”
“A client,” you parrot, huffing in exaggeration. “I’m just curious about a lot of things,” you admit. “I like clarity and certainty over standing on stuff that’s vague at most.”
“Plus,” you add, “in what way am I supposed to think about you?”
“As a friend?” you challenge, leaning forward to take a sip. Oikawa tries to steady his gaze with yours, but he swallows, frankly a little nervous.
There’s no answer why he’s nervous, but the feeling settles, so he decides he can’t do much other than simply just let it be.
“Is that what’s open on the table for me to take?” he asks you in return, and when you open your mouth thinking you have the answer, the silence tells you that you don’t.
“I don’t know,” you answer. “That’s something I can’t answer right now.”
“You mean that’s a part of the someday you have yet to answer?” he counters, smirking. The tides of the conversation have turned to favor him, Oikawa thinks, so with that in mind, he treads around his words, hoping not to slip and dive.
But even though he knows how to swim, he was always cautious enough so that he wouldn’t drown.
“My someday looks like that seat in front of me finally being occupied by someone who won’t leave.”
“So your someday,” Oikawa notes, “is someone that’s permanent?”
Shrugging, you explain your thoughts, “It doesn’t have to be someone, my someday can be just something.”
“But a chair’s built with the intention to be sat on, right?” Oikawa prompts, looking at you like the very essence of your truth is dancing right on the palms of his hands. “You can drape a jacket over the seat as much as you’d like but it’s okay to want to save it for someone and not just think that all it will end up being is a something.”
His words reach you, but you stay behind the line.
The wish to jump and dive doesn’t fill you, but the curiosity of what could happen should you take the leap is present enough for you to push for more of the conversation. Then like holding your palms out into the sky, you keep your distance from the waters and try to imagine what the waves could feel like under your skin.
Whether the seas may storm or not, you pull back because you realize that it’s the solidarity of the depth that terrifies you.
“Who are you to tell me what my someday is?” you ask, unafraid. Behind the boundary, you’re safe, and your feet are planted within the soil of a steady earth.
Across you, Oikawa gives you the sight of the skies, but also give you a glimpse of the seas.
It holds a promise, you see. A pandora’s box—but that’s the thing. A box like that was never meant to be opened.
You pull back before you can give yourself the chance of even opening your palm.
But Oikawa insists—in the way that doesn’t terrify you, but you find that it doesn’t exactly convince you well enough either. “I’m just showing you a different angle,” he explains. “You miss a lot when you just look at things from a first person point of view you know.”
“What if my reasoning already feels complete to me though?” you retort, out of curiosity, not necessarily aggression.
“Then that’s for you to live out,” he smiles. “I’m not gonna dig in places I’m not welcome in, but I can just tell you things you either could choose to believe or not.”
“So someday,” he sighs, as if he’s been holding his breath for this long while. Perhaps he has, but you don’t ponder too long in regards to it. “Your someday at least, is just whatever lands in that seat.”
You shrug. “I guess, but I hope it’s something good.”
“Or someone great,” he smiles, still offering his little variation of a truth.
“You’re really pushing that agenda huh,” you laugh.
“I can stop if you’re uncomfortable,” he replies, joining you in your laughter.
You smile, then make known your honesty, saying, “Who says I would even listen to you?”
“Ah,” Oikawa nods. He looks at you, then at the seat that’s empty beside him. “So would the someone that’s bound to take this seat be someone you’d listen to?”
You laugh, choosing to glaze over the metaphor he lays for you to uncover and instead just keep yourself safe at the distance. “Hopefully,” you shrug.
“I got a lot of hopes for my someday,” you smile. “I just hope it looks like happiness.”
“Why?” Oikawa prods. “Aren’t you happy now?”
Smiling, you poke a little bit of the more vulnerable end of your truth. “I am,” you confess. “My happiness is my nine am sunshine and pastel highlighters. So I can say that I really am happy.”
“But more happiness is always welcome,” you add, wistful.
Oikawa recognizes the look of yearning quick, but he doesn’t dig. Neither does he ask, nor prod—instead, he just lets you be.
He lets the empty seat stay empty, and doesn’t question it when you stare at the spot a little bit longer every time you turn your head towards it again.
“Something or someone good is something constant right?” he smiles.
You do the same, the truth in his words resonating with you.
All you do is smile, and Oikawa already hears what you mean to say.
(He hears a yes that holds all the longing your heart tries to rewrite as strength.)
-
What Kei does, on the other hand, is do a complete 180.
From an outsider’s perspective, it looks more like an odd dynamic if anything. There’s the awkward glance, when you catch each other at the breakroom at the same time, while the box with the remaining two sachets of caramel instant coffee remained on the shelf untouched. Some days you wished for someone who was a little more unaware would just grab at least one or maybe even both sachets, taking it for themselves, so you at least would have a reason to throw away the box.
But it doesn’t work that way.
The thing about almosts, you realize, is that when it leaves, what you’re left to deal with are the tendrils of it.
The things that’s there—that lingers—but in this case, while it’s there, in a sense it just looks like a stain.
Like the ink from your pen bleeding into the paper because you paused too long, and pressed too deep, the things that was yours and his looks like a stain.
It’s not like you take off the keychain or turn from him whenever he said hello if he came across you in the hallways, but most of your exchanges have felt more like the standard greeting the two of you started on.
Square one.
You think to yourself that perhaps he’s become the co-worker who just shares an office with you again, but the more you allow your thoughts to simmer, you realize that at the core of it that’s all he really has been this entire time.
Through the eyes of a poet who chooses to write the things they see through the rose colored lenses, perhaps Tsukishima Kei could have been an almost. The physical manifestation of the someday you’ve been saving the seat across you for, where he answered every metaphor you tell yourself you didn’t even think was there.
(At the truth that had been wrapped with your layers of optimism and false leads of poetry, you think that maybe you had waded in far too deep and held your breath too long, that your lungs just simply gave out.)
You blink.
This wasn’t heartache, but your chest felt dull.
Tsukishima Kei wasn’t love, but he occupied the seat intended for your someday for that short while a little longer than he should have, so like vines wrapping around old stone, you tried to hold onto something.
(Anything.)
Caramel and dinosaur charms; the band aid on his finger, and a quiet look that felt like nine am.
It’s just the difference between nine am and Tsukishima Kei—was that while it was a choice for you to turn your head and bask in the light—at the constant that was the light in the first place, all Kei had been was the temporary caught in the mix.
And by his words, you concluded that he means the same.
Convenience, he said.
A fickle, fleeting thing, when from your point of view, you began to see what could have looked like something that lasted a little longer than that.
You tell yourself that it’s just more convenient that way. Workdays that start from eight, will move through the hours so that it can end at six. You’ll type your files, call your clients, and highlight what matters with the pastel highlighters in the cup that’s been moved from the corner of your desk to the spot right beside your computer screen now.
Kei begins to bring his own, as well as his own stapler, so you think it’s safe to say that that’s all there is to it.
Working around what’s convenient, you mean.
An air of something incomplete hangs around for a while, often coming in passing. Awkwardly clearing your throat when you catch him in the same elevator, or when you hop off your car and he’s just getting out of his. He’s still polite, none the less.
When he sees you by the stock room carrying two boxes of refills for the printer, he takes them from you, even though you had always been the type to refuse with your redundant “no.” In the breakroom when you’d have to stand on the tips of your toes to reach the biscuits at the top of the shelf, he’d still grab them for you.
The obvious change in dynamic was just made known through the drop in conversation.
There was a stop, after the usual hello, and a goodbye, after you’d say thank you because of a favor. Like the both of you finally adhering to just what’s socially acceptable for acquaintances, even though you knew Tsukishima Kei would never be a stranger—these days it’s felt like he’s everything that’s got to do with that.
But the seat’s saved, you think.
Maybe his is too.
Perhaps the difference between the both of you was just that while you wanted to keep it open and waiting for what or who’s eventually meant to take it, Kei seemed to not have much of a problem at letting what’s convenient keep the spot warm.
Too many moments of for-nows, that’s okay at the start, but it eventually turns draining in the end.
Though still, you can’t help but admit that the taste of instant caramel seems a little sweeter than your usual brew that you’ve had for years now.
-
Oikawa Tooru comes into mind when you think of the word that could possibly mend the broken that is almost.
In a way, you tell yourself that there’s a lot that you should leave up to the voice of fate. The final say that it dictates, and the path that looks lit, and well swept, evident for you to walk on instead of the one that’s still covered with vines.
(You’ve always argued with the word fate.)
Though there was a balance of what was given and taken with the universe, you liked to think that at te very core of this all—was a choice.
Convenience was like fate, and with fate, came a multitude of only almosts that exist just to end as is—doomed to never make it.
Left as a comma in a sentence, within a work in progress, abandoned.
Hanging.
But you think to yourself that Tsukishima Kei had a definitive end.
Not as a person, or a connection, because those are just some of the things that’s meant to stay. To evolve. To change.
(Change.)
You think that it’s a little unfortunate how his identity seemed to change when you felt like you were on the cusp of moving towards somewhere greater. But the consolation, after the discovery of what he had made known as his truth, was that perhaps the silver lining in fate was how it often blessed a person with serendipity when they least expected it.
Maybe yours wasn’t the light, after all.
Maybe nine am and caramel was meant to be just a bridge, or a nudge in the direction to have you standing where you are right now, led to this exact moment, and what was meant to be yours—sat in the seat that you had been saving—were the petals in the shade of almonds and turquoise.
A few words spoken in Spanish, where the r rolls quite nicely, and a laugh that feels like he knows your story even without him digging too far down.
There’s bedrock beneath the soil, impenetrable. But Oikawa Tooru digs his feet into your earth anyway, content with what you lay for him in this surface.
(An in between of whether you particularly prefer that or not is caught in between in your head.)
“So what was your almost?” he asks, and ripped from your thoughts, you feel yourself land back into the surface.
At the haze that triumphs over your head, you have to remind yourself that the surface is nice. The surface is where the flowers grow, and face the sun. The surface, is the final product—the defining face—of what you are and what you have.
“What makes you think I have an almost?” you respond, curious.
Oikawa chuckles, evidently amused. “I think we all have an almost.”
With that, you relent; shoulders sagging, though your guards are still somewhat up. They stand guard beside you, this time, instead of cover you directly.
“He was meant to just be that I think,” you say. “An almost,” you clarify, then smile, as you add an afterthought. “I don’t hate him though.”
“Ah,” Oikawa nods, smiling like he just solved another piece of the puzzle. “So it was a someone this whole time.”
At his words, you roll your eyes, but chuckle afterwards anyway. “Was is a pretty good indication that it’s done with now.”
“I never pegged you as the dramatic type.”
“I like to think I’m unperceivable,” you comment.
Oikawa grins, “I’ve always liked solving puzzles.”
“I’m a person,” you retort, “not a stick of cardboard cut-out just to fit with something.”
“So what you’re saying,” Oikawa says, smirking, “is that you’re already the full illustration?”
“I deserve to be the whole piece,” you laugh. “I invest into things that fall in line with that.”
“I don’t think being just a piece right now is bad,” he says. “You’re what, only 23?”
Laughing, you wave him off. “You’re making it seem like I’m a lot younger than I am.”
Oikawa smiles with you, the happiness shared—amplified even. “You are young.”
“Sometimes it feels like that,” you admit. “But I think I’m at the part of life where I should be taking control of my time a lot more seriously. Leaving things up to the universe or fate or whatever hasn’t really been good for me.”
“But serendipity is nice,” he chimes.
And you nod, swiftly admitting that he does have a point. “Serendipity lead me to thinking that caramel was the one meant for me.”
Oikawa stares at the brew in your cup, eyebrow raised in question. “But don’t you like caramel?”
“I do,” you smile. “But not exactly enough to drink it for the rest of my forever.”
“What do you want to drink forever then?”
“You know you jump from one question to the next pretty quickly,” you note, laughing.
“I don’t wanna dig too deep,” he tells you, leaning back against the back of the chair, his shoulders slumping. Oikawa looks relaxed, you note. Like leaves just swooshing back and forth depending on the feel of the breeze, he looks like whether he turns towards the right or left, somehow he’s always going to find a nook to settle into place.
You envy the fact that he seems to be the type to find a place wherever.
“So what do you wanna drink forever?”
What do you see in that seat in front of you?
“Well,” you start, relenting. “I almost would have settled for caramel, but maybe it’s still a drink I haven’t even heard of yet.”
“So like a surprise,” Oikawa grins.
“Serendipity,” he adds, not even a minute later.
You take a sip, the taste familiar. While the voice in the back of your head reminds you that you’ve always been quite fond of the familiar, Oikawa smiling at you like he means to stay with the intention to reintroduce you to something that is everything but that, in a way, excites you.
You grin. “I don’t know about that, but I guess if it’s what’s meant to come then that’s what I should focus on building on top of, right?”
He clinks the corner of his drink with yours, laughing at the dull sound of plastic clashing. “I have a feeling that you think you’re running out of time.”
“So you mean you’re playing detective now,” you say.
“I’m a stranger,” Oikawa shrugs. “I’ll pass by here and after I leave you’ll probably only remember me as that really hot dude you bumped into at your friend’s flower shop.”
Rolling your eyes, you lean back on your own seat, huffing. “You left out conceited.”
“I think the adjective hot covers the important parts.”
“So you mean for me to just swoon at the memory of you?”
At your words, Oikawa smirks, right before it mellows into a smile, as if he’s triumphant. “So you mean that you admit you swoon for me?”
Knowing that this is mostly just empty words, you only laugh again in response. Not a lot of what Oikawa shows you hangs around what’s vague. You’ve always appreciated the clarity in whatever this was or is going to be, so the smile you let out is honest.
Oikawa stares.
A bit of silence settles in, but you let it, finding it comfortable. A little more passes before he smiles again, his eyes unwavering on yours.
“Did he ever tell you that you smile pretty?”
-
You should have said a solid no.
(Because that was the truth.)
Instead, you remember how you turned away and smiled in a sad kind of way, as if you’re missing something. “No,” you recall you said. “But he knows the kind of coffee I like.”
“And that’s enough for you?” he asked, and when you opened your mouth, thinking you had a response, silence was the only thing that met you halfway.
You think about it. Was it enough?
The more you allow for the thoughts to settle in, the clearer the heartache becomes. You come to realize that there is heartache that’s even present, in the first place, because to an extent you invested a part of yourself into this.
Tsukishima Kei didn’t just become the flow that moved with your day, nor just someone who fell into your clockwork. He wasn’t love, but the idea that he could have been was what rooted itself in your thoughts.
You let him take the seat you meant to save for what you hope would be permanent, and unknowingly, intertwined your vines with his. This whole time, you thought you faced the sun.
But when Kei nods his head towards you every morning as if it’s just a polite greeting—like all you are to him now is just a gesture—you realize that the sun you’ve held this whole time was just the bits that was filtered through the leaves.
(Komorebi.)
There’s an ache, but it’s dull.
The two damned sachets are still in the cabinets, collecting dust, and it bothers you how no one seems to want to touch it. You see the way he frowns at how bright his highlighters are, then try not to remember how
But while you thought that way, what doesn’t dawn on you is how Kei wills himself to turn from the window, and ignore the sun.
Slivers of the light he’s always thought was yours still dance in his desk. The way it comes is gentle; filtered through the leaves from the trees outside, on the canvas of his space he sees spaces. Of where there is light, and where there is shade, there in the spaces in between written are the thoughts he tries to ignore.
Though there was a lot that remained unsaid, the tragedy of the story was made known through the sight of the sun—from his eyes at least—that’s begun to look dim.
Kei stares at the yellow on the paper and thinks it’s out of place. He recalls, even though it’s a memory he actively tries to push down, the coffeeshop the two of you often spent your weekends at together.
There, he was reminded of how perfectly in place he had felt.
There, within your company, and conversation. While you were sat in the chair he thought he had always been saving for something, he hoped that he was sat in the place where you saved for yours.
Though there was the absence of explicit communication, he hoped the little things at least spoke to you. The coffee he used to place on your desk, that was made in the way he memorized by heart now. The pillow that he can’t help but notice you still using, on your chair, and the two pieces of caramel left on the cabinets.
(Like they’re there, just waiting.)
(As if on pause.)
(He hopes that this is just a pause.)
And he wanted to ask you too, to at least put words to perhaps quell the worry undeniably raging in his head.
His mind begs him for clarity—for answers. But the most he can do is feel his fingers twitch and throat lump when you pass him, muttering another, “Goodmorning, Tsukishima-san,” without looking in his direction.
The yellow on his paper is too bright and he hates the way it looks against the ink. It looks like a stain, he thinks.
You calling him Tsukishima-san instead of Kei feels like it’s a stain.
(But it eats him alive when he can’t bring himself to do anything other than sit still, rendered into absolute silence, even as the memory of seeing you at the café yesterday, sat across a man who took his seat.)
You were smiling, like you would towards your 9am everyday, so his words were left to remain as just thoughts.
His thoughts, like being just barely strong enough, almost pushing past that final barrier in his throat, but dying before it could overcome the final hurdle.
You’re more than just a question and an answer, he acknowledges his thoughts say.
You’re more than just pastel highlighters, sachets of caramel, and a stranger with a story that sat in the seat he saved for his someday for a while.
He sighs, his eyes still transfixed on the stain of yellow.
And it’s his almost that had him choosing to look towards you at the very last second, smiling. With patience, he gives himself a countdown from ten to breathe, before he looks at you.
You’re facing away from him, like you have for a while now, but even if the light wasn’t there, in the safety and secrecy of his thoughts, he admits to himself that you’re beautiful.
There’s a lot of uncertainties that come with life, but this moment, founded in the heart of everything that had been unclarity, he finds a moment of understanding. Time doesn’t stop, because it was founded with the intention to move—in a linear pace, so instead of losing himself, he rides the steady flow of his thoughts instead.
As if it’s another secret, he murmurs your name instead.
And because the world is a traitor to the almost lovers who arrived into their own set of conclusions in the silence, you hear him.
You don’t say his name, but he admits that he wished you did.
Like the day before, at the sight of seeing you offer him a smile, regardless if it was just for formalities, his hands are already clamming up. There’s a sprig of your hair, on the left side that’s a little askew, and he itches to reach forward and fix it.
The way you call him Tsukishima-san flashes in his mind again, so he pulls back.
He meant to unravel himself then and there—almost.
(He realizes how much he loathes that word.)
You look at him a little funny, but you maintain your patience anyway. It looks like he’s holding to a lot of something that he needs to say, so even if you’re apprehensive of his intentions now, you think you still have it enough in you to listen.
For a while he gives you just silence.
“Are you seeing someone?” he blurts, the sudden spike in volume of his voice a little awkward.
Furrowing your brows together, you try not to squint towards him. “Why would that concern you?”
“I saw you out with someone yesterday,” he murmurs, his voice more on the quiet end.
Half of him hopes you wouldn’t hear, that the world would be on his side just this once, but as always, it never was one to favor the uncertain.
“Tooru,” you say, testing the waters. “His name is Tooru.”
“Congratulations,” he tells you, but before you could respond, he’s already turning away. You know it’s not like you to leave whatever this is as just another hanging thing with the intention to just be left behind.
But he turns away, rationality tells you.
The more you dwell on your thoughts, you know there’s not much of a need to actively try to seek for closure in something that gave you nothing but blurred lines and a hazy outlook right from the beginning.
You turn away too, but somehow, the silence that you thought you had grown familiar to by now seems a little colder.
There’s sunlight that comes, but it’s filtered.
In the spaces between light and dark, Kei crumples his paper, fishes out a fresh copy from the side, and grabs a pencil to circle what he needs instead.
(When he passes the paper off to you, you try to ignore the way only your name was circled with permanent ink.)
-
“You know,” Oikawa hums one day. “You need to try being a little more blunt.”
The fact that he’s picking you up from work now should have been a red flag, about how comfortable he’s been settling into your life, but each time you think you’re aware enough to ask the question, he always beats you to the punch with something else.
Like now.
His hands are on the wheel, steady. There’s a kind of look in his eye you can’t quite read, and you’re suddenly thankful for the fact that he has to legally keep his eyes on the road, and not on you. He steals a few looks, though, and it’s through the feel of his eyes watching you from the rearview mirror where you’re reminded of how close you’ve gotten to him.
In proximity, literally, and more as just people.
In this sense, it terrifies you.
You don’t pull away though.
It doesn’t feel like things are clicking into place much like it did with Kei, but what you’re holding onto now, you see, is clarity. Or what you think clarity should be like, at the very least.
“Down this street, right?” Oikawa asks, breaking the silence, but not exactly the flow of your thoughts.
You think to yourself that it’s a little odd that he knows. Though the more you put some thought into it, it’s been a lot like it lately. Your car’s been in your garage more than usual, and he’s waited outside your office for a majority of this week. And the last—and the last before that.
There was consistency in his presence—the kind that was so intense and so tangible that it began to have you feeling like you’re supposed to be on the edge of something.
Perhaps right on the cusp of a change, that’s meant to be delivered all in good nature. You shift in your seat, opting to look at the window to your left, thinking that anywhere but the rearview mirror is a good view in the moment, and sigh.
Oikawa catches it, like always.
(You don’t know how to feel about constantly being seen this much.)
“Tough day?” he questions.
“An understatement,” you laugh. You find that Oikawa always has this way of looking at you like he knows you more than he lets on, and while for the most part, it didn’t exactly bother you, for now you find that you have to physically fight the urge to turn away.
In the end, you succeed, because your eyes are on the road ahead instead of towards him. Still, you feel the pull, so the most you do is catch a glance at a red light.
“Tsukishima Kei,” he says, quickly catching you off guard. “I remember him from highschool.”
You shift in your spot, interest piqued. “You know eachother?”
“Just acquaintances,” he laughs, his hands still on the wheel. “Knew him for a while that’s all.”
“So basically strangers,” you mumble.
He steals a glance: one that you don’t quite catch. “Yeah,” he says, hands on the wheel, foot on the brakes, and his eyes on you. “A stranger.”
And it’s in your eyes, that are cast down at his words, as you mumble, “same,” where the questions he didn’t dare pose to you are answered.
He gives himself a moment to take a breath, then when he sees that the light’s still at red, he taps his finger a couple times against the steering wheel before he takes another and holds it this time. “So it’s him,” he says, and the silence has never rang this loud.
“You’re a lot more obvious than you give yourself credit for, you know,” he laughs, a little louder this time when you choose to stretch the silence as your reply.
“And that’s a bad thing?” you counter, challenging him.
“Depends on how you look at it.”
“How are you looking at it?”
Briefly, Oikawa considers skirting around his words, but decides against it anyway. “Like I said,” he says, easing his foot slowly off the brakes when the car in front moved. “You could try being a little more blunt.”
“By blunt you mean….” you trail off.
Down this road, right past the house with the oddly shaped tree, and you’re home. It still doesn’t sink in when Oikawa pulled the brakes before you could even dictate to him where your driveway was.
“By blunt I mean if I ask you why you’re angry, you can answer it without sugarcoating anything,” he says, his hands on the wheel and the key still in the ignition.
Your hands pause before you could feign the notion of nonchalance. In a way, you suppose Oikawa had a point, but like always, vulnerability was something that wasn’t just given. Though to be fair, you didn’t want him to fight for something you weren’t willing to even lay on the line either.
The silence in the car is stifling.
“What do you think?” he says, breaking the tension that’s been steadily rising. “Can you?”
A pause, then, Oikawa shifts, unbuckling his seatbelt to face you. “Will you?”
And truth be told, nothing exactly overcomes you. It doesn’t happen like how they depict in the movies or write about in novels, where you become washed over by a certain kind of grace that’s overwhelming or empowering.
There’s no clarity that gives healing, or answers for the matter, but what does come to you is the feel of your shoulders slumping against the seats as you lean back instead of move forward to leave.
You know you don’t want to stay, and you know you aren’t stuck, but you still won’t move. Simultaneously it baffles you and intrigues you.
Oikawa’s still silent, and the low hum of the car’s engine hums. From the corner of your eye, you notice all the trinkets in the car that probably isn’t his, yet the way he holds on to the steering wheel and relaxes into the seat makes it seem like the latter. Perhaps he just had a way of making himself blend in the background, looking like he’s home even though in reality, he’s quite far from it.
“I’m just a stranger,” he says. “When I go your secrets go too.”
“Why should a person’s pain always have to be a secret?” you ask, letting what comes, trickle.
It starts slow. They don’t come as words, but rather bursts of emotions. You’re apathetic, then you’re tilted. Angry, then okay. On the cusp of disbelief, then tired. But what breaks your heart, you realize, is how you can’t seem to find a trace of joy in any of them.
And that’s when it’s made clear to you.
“I’m angry because there is no joy,” you say, your words coming out slow. Your breaths remain controlled, as is your pose, but there’s a part of you that wishes you’d move. Not in the sense where you’d break free for the sake of letting go, and letting loose, but the stillness grips you too tight and you feel like you can’t breathe.
Letting a semblance of a lifelong ache go should have you breathing by now, but instead you’re here, trying to catch up with air.
It’s disorienting. You’re inside a car, parked in your driveway, with a stranger who doesn’t feel like a stranger sitting on the driver’s seat staring at you like all he’s done his hold life is hold your truth. For the most part, you felt as if you haven’t been holding on to it yourself, so perhaps just feeling the full weight of it now is just overwhelming.
You like it; then you fucking hate it. The notion of risk is terrifying to anyone who’s stood on solid ground their whole life, and now, standing at the depth has you feeling like there’s nothing but unsteady waters beneath your feet ready to pull you under.
You throw a lifeline.
“I’m angry because I don’t want to be just another convenience,” you finally exhale.
“It’s scary, you know?”
“I’m angry because I feel like at my age I should just be saving. That fucking seat across me, investments for the future, and myself,” you sigh. Your shoulders begin to tremble, but Oikawa doesn’t hold you. What he does is lean back, and face forward again, letting what comes cascade over you in private.
“Is that why you’re so guarded?” Oikawa questions, tentative.
A sliver of the aching piece of you leaks. “Does it seem that way?”
He smiles, then crosses one arm over the other. “There’s nothing wrong with being a little more cautious sometimes.”
“But that’s the thing,” Oikawa pauses, “remember to only do that as a sometimes kinda thing.”
“I don’t want my life to just be a series of conveniences, Tooru,” you confess. “I want to be chosen as much as I want to choose. We’re all given a choice, aren’t we?”
He nods. “We are.”
“I’m terrified of marrying because of convenience and washing the dishes too fast because I can’t stand to be in the same room as who I’ll end up with.”
Oikawa juts his bottom lip, then blinks. “Who says it’ll be like that though?”
“Because if you choose what’s just convenient, that means you’re just relenting to what’s there.”
“You’re overthinking this,” he points out. “You’re okay.”
“Now I am,” you reply, voice just barely above a whisper. “But that’s because I’m taking control of what I can now and making sure I won’t end up in that position.”
“You’re gonna be okay you know,” he says.
“You say that like you know what’s going to happen to me to the end.”
“Maybe I do,” he laughs.
You shake your head, choosing to ride the lightness of the conversation instead of allowing yourself to further be pulled under. There’s limits when it comes to giving pieces of yourself to a stranger, but regardless of what you showed, you can’t deny that you feel a little lighter.
“You know sometimes I wish you did,” you breathe out with an exhale. “Would you give me a head’s up?”
“Then how will you learn if it doesn’t catch you by surprise? That’s the fun part in life.”
“Making mistakes?”
“Bingo.”
You snort. “I’m not enlightened about anything from this conversation by the way.”
“That wasn’t the point,” he hums. “I got you laughing didn’t I?”
“For now,” you sigh, rolling your shoulders.
“That’s enough.”
Unbuckling your seatbelt, instead of stepping out of the car you just readjust your position to lean back against the seat, sighing. “I guess,” you relent. “Thanks.”
His eyes anchor themselves on your profile again. “That’s my girl,” you hear, and by the chuckle you can tell that only means to convey his happiness.
Exhaling a sigh through your nose, you mumble, “Don’t call me your girl.”
Beside you, Oikawa quirks an eyebrow, challenged. “Because it’s too soon or because you just don’t want me to call you that?”
“And Nina,” he says, to which you turn your head to. At your attention, first he offers you a smile, before he continues, saying, “You’re young. You can take a couple detours if you feel like it. Just don’t tell yourself that everyone who takes that seat is automatically gonna be the convenience thing or the one. We’re all in the inbetween stage of life right now.”
“For someone my age, you talk like you’re so old.”
“Hey,” he laughs, arms raised in mock surrender, “Thought I’d end up in Nationals and only trained in Argentina to get exposure for when I come back home, but now I play for the fucking national team there.”
“Shit happens,” he says. “You never know.”
-
You never know, Oikawa told you then, and you had smiled at him and muttered your thanks before you left the car.
He knew that if he was a little braver, and a little more full of himself, he would have leaned in for a kiss on the cheek at least, but not today. Not with you. It’s not that there’s something about you, but rather, it’s feeling like it’s everything about you.
Oikawa Tooru was never the type to believe in clichés much, so this was considered as one of his predicaments.
“You never know,” as the words Iwaizumi told him when he contemplated buying that ticket back to Tokyo just for a while.
You never know, as the thought in his head when he switched lanes at the very last minute and visited Hanamaki’s flowershop instead of meeting up with an old fling he’d begun to have doubts with.
You never know, as the phrase he tells himself time and time again, because this could lead to something better.
(And it’s you, as the something better that met him in the middle; his heart, unprecedented.)
He really should be driving home by now, but instead of doing that, he’s rounding your neighborhood two more times.
You never know, he told himself, the day after he met you at the flower shop, phone in hand, three minutes before he made up his mind to press the call button and ask you for coffee the very next day.
You never know, turning into irony because all he knows is that he’s fucked.
The more he thinks about it, he should really have listened to reason instead of spontaneity. He could have stayed on his lane and drove in accordance to his schedule. Had he stayed where he was meaning to go that day, he could have drove down the streets of your neighborhood and not know where to turn. The streets could have stayed unfamiliar, and it would have been fine.
(But that’s not the case, because now he’s going on his third turn, and instead of merging with the highway, he makes another turn towards your street again.
Huh, Oikawa thinks, suddenly remembering the sight of you beside a bloom of hydrangeas. Never knew daises were that pretty.
- (italics-flashback) -
“You know you really need to stop being so impulsive,” Hanamaki points out.
Oikawa takes the seat across him, sliding in after a quick roll of the eye. Accepting the can the former slides towards him, he sighs, before opening the tab and clinking it together for a quiet cheers.
The brunette sighs. “Just got caught up in fate, that’s all.”
—Fate, like the story that started with hello. Hydrangeas and roses, and a light illuminated that streamed in through the glass, filtered by leaves.
Fate like seeing you against the light of Komorebi, and thinking to himself that perhaps this is what they mean about feeling the roots of a promising maybe take place and hold still.
“Love isn’t just built on fate,” Hanamaki shrugs in front of him. “It’s the little steps you choose to take every day.”
Oikawa snickers. “Wow, so you’re a poet now.”
“I’m not,” Hanamaki deadpans. “You know I’m shit with words,” he adds, holding his bottle out.
Oikawa leans forward and clinks his against his friend’s, laughing. “But here you are.”
“Here I am,” he laughs. “I chose to be,” he says, looking around the shop, the look on his face telling him that this is what he means by home.
(—Like he chose to be here.
Nine in the morning where he should be on a train to Miyagi to spend the last week of his trip. It’s a choice, he thinks, that he made when it was 8:48, and he was still too delirious on the high that he could just about do anything regardless of time.
At 8:55, despite the truth of the matter shown crystal clear to him, he still pressed on. ‘It’s fine,’ he thought then. ‘Just a quick stop and I’ll still have time to pack.’
And it’s a quick stop that looks like that café down the road, where it’s just a 10 minute walk from your place. He’s never been the type to particularly enjoy coffee as much as you, but he supposes a couple brews is worth it to try. The most he knows is your schedule that runs from eight to six, and that your favorite time of day was nine.
Perhaps it’s how the sun feels on his palms, and the kind of warmth it gives that’s only met through this time of day that makes you fall in love with the hour. From what he remembers about the comments you say in passing, he knows that it’s always under the light like these where you favor having your usual cup of coffee.
And because spontaneity is what drove him to pull at the roots of the maybes that have already dug into the soil, he still doesn’t budge when he recognizes the telltale shade of blonde just a few spots in front of him at the café.
It’s a choice too, he thinks, to nod his head towards the blonde in acknowledgement when he turns and allows for the person behind him to take his spot.
“Oikawa-san.”
Truth be told, he wasn’t sure if a greeting was due, but he supposes that social etiquettes dictates the things that must be done, and so, he follows.
“Tsukishima Kei, right?” he asks, as if it’s the first he’s said that name in a while. “ Though a semblance of truth is with his words, he still keeps his reservations.
It’s silence, for the next few while. A couple steps forward, and a silence that isn’t exactly comfortable to prolong or share, before it’s Kei who takes initiative and turns to face Oikawa, as he says, “Congratulations, by the way.”
“Nina’s a great girl,” he adds, after Oikawa lets the silence hang. In front of him, Kei shifts his weight from one foot to the other, basking in the awkward of the atmosphere because of Oikawa’s lack of response.
It doesn’t strike dawn on Oikawa until he’s moved up a couple more spots up the line, where he’s face to face with the cash register, what Kei means to deliver with his words. Mouth forming into a small ‘O’, his thoughts just blank.
There’s a saying that he remembers often, and it’s ignorance is bliss. In most cases, for the sake of keeping his peace of mind, he would agree. In the moment, he disagrees.
“Can I take your order?” was just supposed to be a question, and it shouldn’t have made him think too hard. And looking at it from a more objective point of view, he would have just texted you, asking what you felt like drinking that day, and that would have been the end of that.
Phone in hand, and your contact that he’s still been meaning to save on the screen, he’s halfway to shooting you a text, but before he could, someone’s already beat him to the punch.
“She likes caramel latte with sweetcream cold foam on top on a regular day,” Kei says, beside him, towards the cashier. Afterwards, he looks at Oikawa, adding, “But on weekends if she feels like it, she’ll usually order an iced shaken passion lemon tea with two shots Asian dolce sauce and sweet cream cold—“
“We’re not together,” Oikawa interrupts, though he doesn’t break the chain of his actions. As if running on autopilot, he speaks with a smile, pockets his phone, fishes out his wallet, and hands the cashier his card.
From the side, Kei watches as he smiles his thank you: the first towards the cashier, then next towards him.
“We’re not together,” he clarifies, repeating his words with a little more grip to his tone. “You don’t have to worry,” Oikawa smiles. )
Oikawa shifts, eyeing Hanamaki. “You see,” he responds to his earlier words, “I can think that love is like that—that it’s the little choices and shit, but if it doesn’t work out—“ he pauses, heaving a sigh, “—then I can just tell myself that maybe it’s not meant to turn into love. And that makes it okay.”
The atmosphere dips, and Hanamaki chooses to keep his silence.
He watches as Oikawa nods his head, evidently trying to convince himself. “I’m okay,” he reaffirms, first to himself, then to Hanamaki who stares at him with a careful eye.
“Tooru…”
(And he means when he say that he’s okay, because truly, how could he not be when he’s stopping by your office and seeing you beam at him with the same streams of komorebi illuminating you like a halo behind your head.
He’s okay, when he sees that the purple dinosaur charm still on your keyring looks too identical to the one on Tsukishima Kei’s that’s set on top of his desk, next to a stack of papers.
He swears he’s okay, because a maybe is all this will ever be, and he’s made peace with that. Though on second thought, there was no issue to even make peace about—at least he thinks.
Thinks.
He thinks he’s okay, still, when after you say your thanks, you follow up with “How’d you get my order right?” and when he answers that he didn’t, you looked somehow happier when he nodded his head towards Kei’s desk.
“Ah,” he heard you reply. “Thanks, still.”
There’s a bit of red on your cheeks he wants to blame the light for, but he knows better. Ignorance is bliss, and in the moment, he craves for it.)
Oikawa sighs, leans back and cocks his head back to stare at the ceiling. There’s an absence of stars, but the blankness suffices. To his distant right, he hears Hanamaki swing back another gulp, before he too, follows suit and blinks at the starless ceiling.
“But I’m not gonna lie,” Oikawa says. “It stings a little.”
-
To be fair, he tried to make it only sting. And because the world can only give so much mercy, it only offers him this.
A seat beside yours, under the midnight sky that covers the secrets he knows he’ll have to try to hide. Like the red on his cheeks, the fidgeting of his fingers, and the nervous tap of his toe inside his shoe. You face him, a question in your eyes, but for the while that the silence is one of comfort, he resides in it like he would home.
And it’s nice, Oikawa thinks.
It’s nice to be like this and stay like this.
You can watch the stars, and smile at the moon. Should the world have given him more time than he has, he thinks in another life, he would have loved you under komorebi. Through a foliage of green may the sun come, and you’ll hold your hand out like the illuminated light comes just for you to take.
(And it’s warm, Oikawa thinks.)
(The palms of your hand looks warm.)
“The seat’s already taken isn’t it?” he says finally, breaking the silence.
You look at him, on the cusp of an apology, but he cuts you off before you get the chance to say a word.
“It’s okay,” he says, voice forgiving. When you turn to look at him, he has his own apology in his eyes. “Please don’t tell me sorry.”
“I’m not sorry about anything, Nin,” Oikawa smiles. “I won’t say I was sure about you, but there’s too much uncertainties hanging around for me to try to keep this up. Don’t wanna burden you with that too,” he continues with a laugh.
“You say that Tsukishima’s that almost for you, but you know the difference between calling someone an almost and a maybe?” he questions, though he doesn’t look at you. To the midnight skies he shifts his eyes instead, and so you do the same, hoping to see clarity within the haze of the clouds.
(You don’t see a thing.)
“An almost means that you’re sure about it enough to pursue it,” he says. “An almost means that you’re getting there.”
(You see the moon.)
Oikawa stares at your profile, and thinks of the hydrangeas. “Do you like hydrangeas?” he asks, seeing the memory of you from day 1.
You nod, eyes still to the moon. “Yeah.”
In your eyes, he sees the tendrils of what is meant to eventually bloom as love. “Would you accept it if I gave you one right now?” he asks, prompting the question for his ending.
By some mercy, you turn to him. Mindlessly, you ponder for a few moments, before you shake your head. “Maybe,” you say. “I’ve always loved daisies the most though.”
He laughs. “Noted.”
“Moon looks pretty tonight, doesn’t it?” he asks, sealing the ending close.
“It always looks pretty,” you smile.
He supposes the silence that comes is the first of peace. A moment more, under the midnight skies, and though his fingers itch to reach forward and hold your hand, he wills it to lie still.
You smile, again, and he knows the clock’s up.
“I think I’ll head out first, actually,” Oikawa says, getting up with a stretch. “Early train to Miyagi tomorrow; might as well make the most of it before I fly back to Argentina.”
“Should I say see you later?” you ask.
“Of course, you can,” he smiles. “But I should probably leave now. Seat’s taken right?”
-
For just a little bit more, the last traces of midnight stays, before dawn breaks.
Hanamaki stands beside him, upper body leaning against the railing, his eyes to the skies, where dawn slowly starts to break. “Did you really cancel your flight?”
Oikawa chuckles, shaking his head. “Of course not.”
“But you extended it,” Hanamaki replies, laughing with him.
Oikawa nods, a slow smile tugging at the corners of his lips. “That I did,” he admits, nodding his head.
“Never thought you’d be the type to go this far,” he says. “Say if it worked out and she asked you to stay, would you?”
“Maybe,” Oikawa laughs.
“So almost.” Hanamaki notes.
A nod. “Almost.”
“I almost didn’t go to your shop that day, by the way.”
“But you did.”
(A truth he would never replace.)
So Oikawa smiles, blinking at the bleeding colors of dawn that steadily breaks. “I did.”
-
There’s a lot of things about you that Tsukishima Kei can best describe as beautiful.
Like the way you tuck your hair behind your ear when you lean forward and get some work done. Your photos of your friends by your monitor, and the stack of sticky notes behind your monitor that you refuse to throw away because you think you might need them later.
Komorebi, and the filtered light it brings, because it’s warm. The feel of residual warmth that lingers on the surface of the mug long after the coffee’s gone.
A lot of what’s beautiful is you.
Your pastel highlighters, and the way you wave at the cat that loiters around the parking lot.
Tsukishima Kei learns to love the word ours, and further appreciate the taste of caramel only when it’s shared.
Like what he wants to do now, he supposes. Lately it’s felt like you’re starting again, from square one all over again, as he stares at the same contents in the fridge and the cabinets. Only this time, most of the questions he has are already answered.
He knows you like crème brulee over strawberry shortcake and it’s just because. You prefer spring over winter, because the winter’s too cold for you to take. When you say good morning, just to him, it feels nice and he feels seen.
And most importantly, he knows your favorite kind of instant coffee is the caramel ones from nescafe.
Like the two sachets still left alone inside the cupboards in front of him.
“Ah,” he hears, and when he turns, he sees you, awkwardly standing by the door looking unsure about where you are.
“I was just making my way out,” he nods towards you.
Sheepishly shaking your head, you refute his words, “No need,” you smile. “I’m just making coffee.”
“Ah,” he comments. “Busy day ahead, right?”
“Yeah,” he smiles.
“The other day,” you hear him hesitate. “The thing with Oikawa-san…” he trails off. “I’m sorry if I crossed any boundaries.”
“You’re fine,” you smile.
“And with you—“ he extends, almost as if he’s in a panic. “I’m sorry.”
“I know I used the word convenience, and I’m sorry,” he repeats. “I need to be a lot better with my choice of words.”
When you keep your silence, his eyes snap back up to yours, a little frantic. “Not that I mean it’s an excuse though, I mean, I’m sorry. I want to get to—no,” he interrupts himself, before he relaxes his shoulders with a sigh, and just looks at you, defeated. “I like you.”
“I’m sorry too,” you smile. “I looked at things a little too extremely than I should have, you know,” you tell him. “I think there’s just a lot between us that needed to be said.”
“We never really spoke much out loud,” you note, casting your eyes to the side, towards the cupboard with the two sachets of caramel.
“But thanks for always getting caramel though,” he hears you say, and he smiles. “Thanks for the keychain too,” you add.
“You kept it,” Kei notes, nodding towards your ring with a fond look.
“Of course I did.”
“Can I make you a cup?” he offers, watching you round the corner, walking towards the table.
“Yeah,” you answer. “I’d love that.”
Gesturing to the seat across here he’d take, you nod towards him. “This seat taken?”
Recognizing the familiarity in gesture, Kei grins. Like memorizing the patterns Komorebi casts on the blank space in his table, he finds his puzzle begin to click into place again.
Perhaps this is a start, or perhaps this could be just a detour that will be for now, at best. You smell caramel in the air and see your 9AM light leak through the door and spill into the room. It’s peace, as the place you choose to settle in.
Komorebi.
Sunlight filtered through the leaves.
May it fall on your hands, or kiss the skin on your face. You’ll accept it as the light it is, where it will illuminate you regardless of the patches where the shade overlaps the light. Light and dark, intertwined, but what you hold and feel is still light.
(Still could be love.)
A seat that’s empty, and your hope for the mundane to be redefined into all the words of love.
His purple dinosaur keychain and the fact that the plethora of messages you’ve delivered over moments of little nothings are now pushed back into the light, and made clear.
(Is this seat taken? you ask, much like he did in the days before.)
“All yours,” he says. (You answered.)
(All yours.)
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The Meet-Cute, Part One
In which Ruby decides that what Emma’s love life needs is a good old-fashioned meet-cute, and sets about arranging one for her. Or two, or three, or six...whatever, she’ll set up however many it takes for her friend to meet The One. But it may turn out that Emma doesn’t need any help finding The One after all...
Rating: T
Words: 5.2k (first chapter)
On AO3
-
LOOK @optomisticgirl I WROTE THE THING.
Also, @ohmightydevviepuu, @shireness-says, and @distant-rose you are complicit in the writing of the thing.
-
PART ONE:
“What you need, Emma Swan, is a meet-cute.”
Emma swallowed a sigh but couldn’t hold back the accompanying eye-roll. “I’m pretty sure that’s the last thing I need.”
“No, hear me out,” Ruby insisted, her eyes alight with excitement. “This is actually perfect for you.”
Emma let the sigh go this time, reminding herself firmly that Ruby was her best friend and had been for years.
“All right,” she said. “Tell me why I need a meet-cute.”
“Yesssss,” said Ruby. “Okay, listen. There’s nobody at work you’re interested in dating, right?”
“My co-worker is literally my brother.”
“Yeah that’s kind of what I meant. Most people meet their future spouses at work—”
“That’s not a real statistic.”
“—but—yes, it is real—but there’s no one at work for you and that’s not likely to change, so you have to look elsewhere. Now, the next most common place to meet someone is where you live—
“Seriously, you’re just making this stuff up.”
“—but there’s no one for you there, either,” Ruby pressed on, ignoring her. “No cute guys across the hall—“
“No straight ones anyway.”
“—and seeing as you are for some strange reason dead-set against online dating—”
“I absolutely am.” Emma shuddered at the hideous thought.
“—which actually does work, by the way.”
“It doesn’t. You and Mulan are just outliers.”
“Look, Emma, don’t knock the matchmaking power of Good Omens Discord chats until you try them.”
“Yeah, no thanks.”
“Well then,” Ruby declared, in a voice that suggested she thought she’d won the argument. “That leaves you with no option but the meet-cute.”
“Really, that’s my only option?”
“Just think about it, Emma.” Ruby’s eyes grew dreamy. “Adorable mix-ups in coffee shops… picking up the wrong leash at the dog park…”
“I don’t have a dog.”
“…you both reach for the last croissant…”
“Where am I going to find a croissant in Storybrooke?”
“The last bear claw then, the pastry is really beside the point.”
“And what is the point?”
“The point is that you meet someone and it’s fucking cute, okay? And then you fall in love and live happily ever after.”
“Or I could just, you know, go on as I am, not meeting anyone.”
“Don’t be ridiculous, woman,” said Ruby sternly. “Do you want to live the rest of your life alone?”
Emma shrugged. “It wouldn’t be the worst thing.” Better than being stuck with someone she didn’t love, just for some dumb reason like—
“Do you want Henry to grow up without a father?”
—like giving her son a decent man in his life.
“Henry has a father,” she reminded Ruby. One he hadn’t seen for the best part of a year, but still.
“Do you want Henry to grow up without a father figure who isn’t a massive douche?” amended Ruby. Emma sighed again.
“Neal does the best he can,” she insisted.
Ruby snorted. “Sure he does.”
“He does, really. He’s just… not cut out to be a parent.”
“Well, that’s for sure.”
But Emma didn’t blame Neal for being a shit dad, though she knew her friends and family did. It wasn’t his fault it was hers, for stupidly falling for and getting knocked up by a guy whose ‘best’ was showing up once or twice a year to shower Henry with presents and promises before disappearing again without a word a few weeks later. At first it had broken both their hearts—Henry’s from disappointment and Emma’s from anger and guilt over his disappointment—but Henry was twelve now and starting to learn that the parents he adored were human and flawed, and to adjust his expectations accordingly. Emma had to admit that it was a relief not to have to cover Neal’s ass anymore by trying to make excuses for him, however deeply she regretted Henry’s loss of innocence.
And yeah, it would be nice not to have to raise her kid alone. Neal got to be the fun parent, buying Henry all the stuff she couldn’t afford and taking him on trips to exciting places, leaving Emma to enforce bedtimes and check homework and try to make Henry eat the vegetables she herself hated. Having someone else around, a real adult she could rely on to share those responsibilities with her, that would be good. Great, really. Wonderful, in fact. But dating was hard enough without having to start it off by explaining that even though you yourself weren’t yet thirty you came in a two-for-one deal with a near-teenager, and Emma had had far too many first dates end early and awkwardly to hold out much hope that she would ever meet the man of her dreams, be it cute or any other way.
“I appreciate the thought, Rubes, I really do,” she said. “But I’m just not looking for anyone right now.”
“But don’t you see?” Ruby cried. “That’s the best time to meet someone—when you’re not looking.”
Emma threw up her hands. “You are impossible and I’m not talking about this with you anymore. I’ve got to get back to work anyway.”
“All right.” Ruby shrugged and let the subject drop, but the glint that still remained in her eye warned Emma that this wasn’t over—not by a long shot.
—
Before she returned to work after her lunch with Ruby, Emma stopped by the library. Belle wasn’t at her usual spot behind the desk so Emma ventured into the stacks on her own, in search of some books that would help Henry with his school project on the solar system. She was standing in the astronomy section with her hands shoved into the back pockets of her jeans, frowning at the frankly baffling array of options when a voice spoke just to her left.
“Can I help you find something?” it said.
Emma turned with a smile that stalled abruptly as her mouth dropped open. “Um,” she said, blinking in confusion at the blue eyes and dark hair that very definitely did not belong to Belle, and the bright smile that took her breath away. “I actually could use some help, but—sorry, but do you work here?”
The owner of the voice—and the hair and the eyes—laughed. “I do, for the moment at least.”
“Did something happen to Belle?”
“To her grandfather, apparently,” he replied. “I’m not sure of the details but Belle told me she had to go back to Australia for family reasons.”
“Oh. I didn’t hear anything about that.”
The man’s eyebrow twitched in a small frown. “Well, it was quite at the last minute, so she probably didn’t have time to tell everyone. But I’d spoken to her recently and mentioned I was looking for a quiet place to spend a few weeks’ holiday and so when she asked if I could come here and cover for her for a while, I gladly agreed.”
“And why would she call you?” Emma nearly flinched at the harshness in her tone but the man’s smile widened and his eyes twinkled, sucking even more air from her lungs.
“We’re old friends from library school,” he explained, as Emma struggled for breath. “My name’s Killian Jones.”
His smile began to crumble as Emma just stood and stared at him, until she managed to shake herself out of her breathless haze and smile back. “Emma Swan,” she said. “I’m the town sheriff.”
“Ah.” Killian’s grin brightened again, and Emma thought vaguely that he should really have a licence for that thing. “That explains all the questions.”
“Yeah, sorry about that. We don’t get many new faces in Storybrooke and, well—”
“Aye, of course, you can’t be too careful.”
“Um, right. Exactly.”
“Well, Sheriff Swan,” said Killian, with an absurd little waggle of his eyebrows, “I can assure you that haven’t broken any laws, but then I did only arrive in town last night so there’s still plenty of time.”
Emma laughed. She couldn’t help it, his goofy humour and ridiculous eyebrows were too charming. “But if you broke the law I’d have to lock you up,” she replied, and fucking hell was she flirting with him?
He seemed to think so, if the way his eyes glinted as he leaned in closer was any indication. “I might not mind being locked up, if you promised to stay and guard me,” he murmured.
Emma’s breath caught again at the look in his eyes, the edge of danger behind the flirty charm. “Do you talk like this to all library patrons?” she asked, cursing the raspiness in her voice.
“Definitely not. It’s highly unprofessional, but then there’s not much else I can say when you still haven’t answered my question.”
She swallowed hard. “Wh—what question?”
“Can I help you find anything?”
“Oh.” Duh, Emma. “Um, yeah, actually. My son has to do a project on the solar system, so I’m looking for some books he could use.”
She waited for Killian to freeze up, to awkwardly withdraw from her now that he knew she had a kid. But he simply nodded and asked “How old is your lad?”
“Ah, he’s twelve. Sixth grade.”
“Hmmm, in that case I’d recommend this one.” He reached over her shoulder to take a book from the shelf, giving Emma a whiff of some spicy cologne and a briny scent like he’d been out on the sea. Her knees went weak, and when he held out the book she stared blankly at it, trying to marshal her scrambled thoughts back into some kind of order. “It’s an excellent overview of the solar system with plenty of details on all the planets,” Killian explained, “but the language is accessible for someone your boy’s age.” His eyebrows rose again in an expectant look.
“Um. That looks great, thanks.”
“See how he gets on with it, and if he needs more information I’d be happy to make another recommendation.”
Emma nodded and followed him to the check-out desk, wordlessly handing him her card and watching as he completed the process of checking out the book. When he finished he tucked a bookmark between the pages and handed it to her with another warm smile.
“Well, Emma Swan, it’s been lovely talking to you,” he said. “I hope it won’t be a one-time thing.”
“I—I’m in here a lot,” she replied. It was only a slight exaggeration. Henry was in the library a lot and she often came to pick him up. “So I’m sure I’ll see you again.”
For the third time in fifteen minutes Killian Jones stole her breath with his smile. “I’m looking forward to it already,” he said.
—
The next morning Emma was at Granny’s waiting in line for coffee when out of nowhere someone gave her a hard shove, knocking her into the man in front of her, who had just accepted his cup from Ruby.
“Oh my God!” she cried. “I’m so sorry, I don’t know what happened!”
“It’s okay,” said the man with a tight smile, shaking droplets of coffee off his hand as Ruby’s eyes grew comically wide.
“Oh, no,” she said. “What a terrible accident. Let me get you another cup, sir.”
“Thanks,” said the man, and Emma’s own eyes nearly rolled clean from her head. Ruby was known for her lack of subtlety but this was ridiculous, even for her. Emma glanced over her shoulder just in time to spot the tip of Mulan’s braid just disappearing through the door.
“So,” the man was saying to Ruby when Emma returned her attention to him, leaning on the counter and giving her a crooked grin. “You come here often?”
“Every day,” said Ruby dryly. “I work here. But maybe you’d like to ask Emma that question.”
The man’s pale blue eyes flitted to Emma, then rapidly away. “I’d rather ask you.”
Ruby gave a frustrated huff. “Here’s your coffee.” She thrust the new cup at the man and turned her back.
“What’s her problem?” the man muttered.
“I don’t know,” snapped Emma, “maybe you should ask her wife.” The man’s eyes widened in alarm at the look on her face and he backed away, slowly edging towards the door.
“Have a great day,” she called after him, then turned to her best friend as the man fled the diner.
“I hope you’re happy,” she hissed.
“Why wouldn’t I be?” Ruby asked, the picture of innocence. Emma rolled her eyes.
“I’m guessing this was your attempt at a coffee shop meet-cute? I spill the man’s coffee, apologise profusely, he laughs it off. I offer to buy him another cup, he refuses but asks me to dinner instead? Was that the idea?”
“...maybe.”
“And you see how well it turned out?”
“He was clearly just not The One,” said Ruby stubbornly.
“There is no ‘The One’ Rubes, that is a myth, and I cannot believe you roped Mulan into this nonsense too.”
“I didn’t rope her in, she volunteered! We both want you to be happy, Emma.”
“And you think dumping coffee on the world’s creepiest doctor will make me happy?”
“What? Have you met him before?”
“Yeah. Last year when Henry broke his arm. You’ll be pleased to hear that he tried to hit on me then. Right in front of my kid.”
“Oh.”
“Yeah, oh. Meet-cutes only work in romcoms and fanfics, Ruby. Here in reality they just piss people off.”
“Well,” said Ruby, handing Emma her coffee, determination clear in the set of her jaw. “We’ll see about that.”
—
Emma: What do you want for dinner?
Henry: What have we got?
Emma: Nothing, that’s why I’m asking. I can stop at the store on the way home.
Henry: I suppose pizza isn’t an option?
Emma: We had that yesterday.
Henry: Not a problem for me. But chicken or something would be okay too.
Emma: One of those rotisserie chickens?
Henry: Yeah, sounds good.
Emma: Okay, kid. See you at home.
Emma was standing in the grocery store, frowning as she compared the rotisserie chickens when a voice spoke just to her left.
“I don’t think there’s much of a difference between them, love.”
Her heart leapt and her skin tingled, and yet when she turned to face Killian Jones—and his damned smile—she was still not prepared.
“Hi,” she said breathlessly. “I, um, didn’t expect to see you here.”
“No reason why you should, I guess, except that I like all people do need to eat from time to time.”
“Of course.” She felt foolish, but his expression was warm and only slightly teasing.
“How did your son get on with the book?” he asked.
“Really well! He read for like two hours last night. Thanks for the recommendation.”
“Any time.”
They stood grinning at each other until someone behind them cleared his throat and they both gave a little start. Killian rubbed the back of his neck as he moved aside to allow Mr Clark to select a chicken.
“So, um,” said Emma after he’d left. “Are you getting stuff for dinner?”
“Aye. I’m staying in the apartment above the library and this morning I discovered that the oven doesn’t work, and the repairman can't come until tomorrow. So I need something that comes pre-cooked. Hence rotisserie chicken.”
“Solid plan,” said Emma, though she felt sad thinking of this lovely man eating dinner alone in that tiny apartment, and that was the only reason that she blurted out “But, ah, why don’t you come over and eat with Henry and me?”
“Oh.” Killian blinked in surprise.
“Since we’re both having the same thing it makes sense not to waste a chicken,” Emma barrelled on. “When Henry and I get one we’ve always got leftovers, so… I mean, you don’t have to if you’d rather not—”
“No, no. I mean, yes! Yes, I’d like that.”
“Oh. Um, good.”
He smiled again, bright as always but with a hint of shyness that caught her off guard. “Is it, ah, just the two of you?” he asked. “Presuming Henry is your son, that is?”
“Yeah.” She nodded. “His dad’s, um... not in the picture.”
“I see. Well then I would love to share a meal with you, Emma Swan. And your son. And perhaps you would allow me to bring dessert?”
Emma’s heart was pounding so loudly now she was sure he must be able to hear it. “That’d be great. Um, here’s my cell number, just at the bottom of this.” She took a business card from her pocket and handed it to him. “Text me and I’ll send you directions to our place. Can you come over about six?”
“Six it is.” Killian slipped the card into his own pocket carefully, as though he didn’t wish to harm it. “I’ll see you then.”
—
Emma finished the rest of her shopping in a daze, wandering haphazardly through the aisles and putting random things in her cart without thinking before giving herself a mental slap and a stern admonition to get a fucking grip. She removed the strawberry syrup from her cart (she and Henry both hated fake strawberry flavour) and the tuna (what the hell had she been thinking?) and then remembered that Henry was nearly out of peanut butter. His favourite kind was the most popular one and the store could hardly keep it stocked, so she was pleased to see that there was one jar left as she approached the shelf. Just as she was reaching for it, though, another hand appeared and snatched it from her grip.
“Hey!” she cried indignantly. “That was mine!”
“Sorry,” said the man who’d taken it. He didn’t look sorry in the slightest. “Maybe they’ve got more in the back?”
“Are you kidding me?” Emma huffed.
“Nope,” the man replied. “Look, I really am sorry but someone needs this peanut butter. She sent me in here to get it specifically.”
Emma hissed her breath out through her teeth. “She did, did she? And did she say why she couldn’t get the damn peanut butter herself?”
“Ah, no,” said the man, frowning warily at her. “She didn’t. But listen, lady it’s just a jar of peanut butter.”
Emma’s lip curled into a snarl and the man’s eyes widened in alarm. He backed away from her, nearly stumbling in his haste. “So, um, I’m going to, ah, go now,” he stuttered. “Bye.”
He turned and fled towards the checkouts with Emma close on his heels. She followed him to the self-checkout line where he kept shooting nervous looks over his shoulder at her and she amused herself by giving him darker and darker glares each time and keeping her eyes fixed on him when he took the jar of peanut butter and ran out the door.
When she arrived at where she’d left her car Emma was entirely unsurprised to find Ruby there, leaning against the hood and looking slightly sheepish.
“So what was the plan this time?” asked Emma. “That we would both reach for the last jar of peanut butter, our fingers would touch, sparks would fly, and we would exchange cute banter with sexually charged undertones ending in a date?”
Ruby nodded. “Something like that.”
“Ruby, I keep telling you, that is not how real life works!”
“Oh yeah?” Ruby challenged. “Well, what about David and Mary Margaret! They had a meet-cute.”
“He mistook her for a burglar and she hit him in the face!”
“Exactly!”
“How is that a meet-cute?”
“How is it not? They met, it was cute, and now they’ve got an amazing story to tell their kids.”
“I met Neal when I tried to steal the car he’d already stolen,” Emma pointed out. “That’s an amazing story and yet our relationship was a fucking dumpster fire that I’d be happy to forget all about if it weren’t for Henry. Not all cute meetings end in happily ever after, and frankly I don’t think a squabble over peanut butter in a small town grocery store is the best way to jump-start true love.”
“And what would you know about true love?” Ruby snapped, then gasped in horror as her eyes went wide and she clapped a hand over her mouth. “Oh my God, Emma, I’m so sorry,” she whispered through her fingers. “I didn’t mean it.”
Emma’s chest felt tight. “It’s okay,” she muttered.
“No, it really isn’t.” Ruby gripped Emma’s hands in hers. “I love you, Ems, and you’re one of the most loving people I know. That’s why I want so badly to see you happy.”
“I know.” Emma nodded and gave Ruby’s hands a squeeze. “I know you didn’t mean to say it.” However true it might be, she thought bitterly.
“Let me make it up to you—”
“Oh my God, please don’t—”
“—with this free jar of peanut butter!” finished Ruby triumphantly. She reached into her bag and removed the jar, offering it up with a flourish.
Emma smiled as she took it. “Thanks. I wasn’t looking forward to telling Henry how someone stole the last jar right out from under me.”
Ruby flashed a grin, then turned solemn. “Are we okay, Emma?” she asked hesitantly. “Truly?”
“Of course we are,” Emma reassured her. “Truly. I do have to get going though I have—uh, Henry will be getting hungry.”
“Of course.” Ruby stepped back to let Emma unlock her car door. “See you tomorrow?”
“Yeah, see you.”
As Emma drove home she tried not to think about why she hadn’t told Ruby that Killian was coming for dinner. It might stop her friend’s meet-cute-ing attempts if she knew Emma had a—well, not a date exactly but a man coming over to... well, just to eat really, but still. She could have spun it so it seemed like a date and got Ruby off her back, at least for a while. Yet for some reason Emma wanted to keep Killian just for herself. At least for a while.
—
Killian Jones was punctual and he could follow directions, Emma thought when her doorbell rang that evening at six o’clock precisely. That alone put him head and shoulders above Neal... and what the hell was she doing comparing a man she’d literally met yesterday with her son’s useless father, even just in the privacy of her own head?
She smoothed her hair and the front of her blouse and took a deep breath to calm herself before opening the door, and still she was not prepared for that stupid, gorgeous smile.
“Good evening, Swan,” Killian greeted her. “I come bearing brownies.”
And wine, she couldn’t help noticing as she stepped back to let him in. “Great, uh, brownies are my favourite,” she lied. “Um, Killian, I’d like you to meet my son, Henry.”
Henry came forward with smile on his lips and mild confusion in his eyes. “Hi Killian, nice to meet you.”
“And you, lad. I hope you like brownies as well.”
“I love them,” Henry replied. “Though my mom usually prefers—” he broke off when Emma gave him a Look. “Ah, she prefers hers without nuts.”
“Well, she’s in luck because these are nut-free.”
“Sounds perfect!” said Henry brightly, and Emma didn’t think she’d ever loved him more.
“Let me just take those from you,” she said, relieving Killian of the box of brownies and bottle of wine. “Henry, can you show him into the living room? Oh, and Killian what would you like to drink?”
“Whatever’s easiest, love.”
“Water, soda, beer?”
“Beer would be great.”
“Coming right up.”
Emma fled to the kitchen, doing her best not to look like she was fleeing. Once safety through the door she set the brownies and wine on the counter and desperately drew air into her lungs. She wasn’t going to survive spending much more time with Killian if she didn’t learn to breathe around him, she thought wryly, and also why was she even thinking about spending more time with him—this was nothing but a casual, friendly meal and they had only just met.
“Get a fucking grip, Emma,” she reminded herself firmly, and went to pour some beer.
When she entered the living room a few minutes later Killian and Henry were sitting next to each other on the sofa, deep in discussion about the solar system. Henry had his project notes spread out on the coffee table and Killian was rubbing his chin, listening intently as her son spoke, and Emma’s heart absolutely did not melt at the sight of them. It didn’t.
She set a glass of soda in front of Henry and a beer in front of Killian, who looked up at her with a smile.
“Thanks, love.”
Aaaand there went her breath again, thought Emma. Damn it.
“Ah, I’m just going to go finish up dinner, um, if everything’s okay in here?” she said.
“Aye, I think we’ll be all right.”
“Mom, guess what? Killian knows all about astronomy and he’s going to help me make sure my project’s good!” Henry exclaimed.
“All about astronomy, eh?” teased Emma.
To her astonishment Killian’s cheeks and the tips of his ears turned pink. “A slight exaggeration on the lad’s part,” he said, scratching at a spot just below his ear. “But it is an interest of mine and I’ll do my best to be of some use to him.”
“He’s already helped me with Saturn’s moons, and now we’re gonna talk about the rings on Uranus,” said Henry excitedly. “Did you know Uranus has rings, Mom?”
“I did not,” said Emma, biting her lip as amusement glinted in Killian’s eyes.
“Yep,” Henry continued, oblivious to their mirth. “Just skinny ones, though.”
“I suppose bigger ones wouldn’t fit,” said Emma. A muscle danced in Killian’s jaw as he clenched it tight. Henry frowned.
“Uranus is still pretty big,” he said. “Not as big as Jupiter or Saturn but—hey! Are you guys laughing at Uranus?”
“Of course not, lad,” said Killian. “Uranus isn’t funny at all.”
“It’s very serious actually,” said Emma.
“I certainly take it seriously,” Killian agreed.
Henry glared at them. “You guys realise I’m the twelve-year-old boy, right? If anyone should be making Uranus jokes it’s me.”
“Well you have been letting some excellent joke opportunities slip by you, my boy.”
“Yeah, Henry, we’re just picking up your slack.”
“Much like rings on Uranus might.”
“Oh my God,” Henry groaned, as Emma lost control of her laughter and collapsed onto the sofa. Killian was grinning like a maniac, ridiculously pleased with himself, which only made her laugh harder. Henry held out for nearly a full minute before he started giggling too, then all three of them held their stomachs and roared.
—
Their fit of shared hilarity helped Emma relax, and the dinner ended up being one of the best evenings she’d had in a long time. Killian, as it turned out, had spent several years in the navy before he became a librarian. He had hundreds of stories about his adventures in far-off lands and seemingly endless patience for inquisitive twelve-year-olds who wanted to hear every single one.
Emma sat and ate and listened as Killian regaled her son with his tales, and tried not to think too hard about how simply nice this was. Like the sort of pleasant family meal she’d always dreamed of as a child and regretted that she couldn’t give Henry, and she really needed to stop thinking about Killian like he was an actual part of her life when she’d barely known him for a day. She knew better than that. From bitter experience.
And yet. Killian’s kindness to and interest in Henry was genuine, she was sure of it. There was no hint in his words or actions to suggest that he was trying to use her kid to get to her, or that he was only pretending to care about Henry’s project. Her superpower didn’t even twitch. Every instinct Emma had was screaming that the most sinister thing about Killian Jones was how dangerously attractive she found him. He was just a nice man who knew how to talk to children. A nice, insanely hot man with the prettiest eyes she’d ever seen and a smile that stole all the air from her lungs, who not only didn’t run when he found out about her kid but actually liked him.
Fuck, she thought, as Killian caught her eye and gave her a little half-smile that had her gasping for air. Fuck, fuck, fuck.
—
“Well, thank you for a lovely evening, Swan.” Killian’s hand was on the doorknob but he seemed in no great hurry to leave, and she was equally not eager to see him go. “I had a wonderful time.”
“Me too. And thanks for being so nice to Henry.”
“Your boy is a delight, it was no hardship.”
“Still. It meant a lot to him.” She didn’t mention Neal and Killian didn’t ask, but she had the strangest feeling that they both wished they could.
You only just met him, damn it!
“It was my pleasure,” said Killian, and the way his voice went gruff on the word pleasure set her heart racing and heat blooming across her skin, and when his breath caught and his gaze dropped to her lips she had to force herself to remember that this wasn’t a date and she didn’t actually know this man. But she could tell from the rasp in his throat and the flush on his cheeks that he was feeling the same things she was, that he wanted the same things just as badly, and it would be easy, so easy just to lean in and press her lips to his—
Too easy, and far too risky. Emma gulped and stepped back as Killian gave a shaky exhale, closing his eyes as his Adam’s apple bobbed and Emma shoved her hands hard into her jeans pockets. He opened his eyes and then the door and gave her a brief smile before stepping into the hallway. Emma dug her fingers into her legs and firmly squashed the tiny part of her that wanted to beg him to stay.
“Well, ah, thanks for coming,” she said. “I guess I’ll see you around.”
“Aye.” He took two steps then stopped and turned back. “Er, perhaps next time you might allow me to provide the meal?” he said hesitantly. “Just for you?”
“Um. What?” said Emma, then immediately wanted to kick herself.
Killian’s nervous expression softened. “Well you see, as much as I enjoyed Henry’s company this evening, I’d very much like to take you out, Emma,” he said. “Just the two of us. On a date.”
“Oh. Really?”
“Aye, really. On Friday, perhaps, if you’re free?”
“Ah, yeah, I can be,” she replied, trying not to sound too eager. “I’ll have to see if I can get someone to watch Henry, but… yeah. I’d like that.”
That breath-stealing smile broke across his face as she knew it would, and yet she still wasn’t ready for it. “It’s a date, then,” he said. “I’ll pick you up at seven. Wear something warm.”
“Uh.. okay.”
“And love, if you can’t find someone to look after Henry at such short notice I’d still like to spend the evening with you.” Killian’s face was earnest now. “With both of you, I mean. We’ll just postpone our date until a more convenient time.”
A lump rose in Emma’s throat and for a moment she thought she might cry. “I—that’d be good too. I’ll let you know.”
He nodded. “Good night, then, Swan.”
“Good night.”
—
@katie-dub @thisonesatellite @spartanguard @kmomof4 @stahlop @mariakov81 @teamhook in case you’re interested :)
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