#but because its those characters and the way they are and because of the delivery of that narrative

[mejomonster]

Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).

They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).

Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.

The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).

Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.

And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.

Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo

[potahun]

My boy fang duobing when he said something to the effect of ‘yeah well im angry at him but doesnt mean i hate him’ is very much part of why all his and li lianhua’s pseudo breakups and reconciliations dont feel like too much drama

They’re like that. It’s his personality vs li lianhua’s way of being and the love languages that clash but the love is there and they are aware. Especially fang duobing. he knows he's in there for the long haul

[b-00-biez]

Please do slashers with a reader who giggles and covers her face when they compliment her because she is not used to being told nice things and is extra shy. Thomas Hewitt, Bubba Sawyer, Jason Voorhees and Brahms Heelshire, if it's not too much trouble! 🙏🏻 If they are too many, feel free to choose whichever you feel like writing for the most! Thank you before hand! ❤️

awwww thank you this one is so adorable!

Slashers with an adorable and shy s/o

Characters: Thomas Hewitt, Bubba Sawyer, Jason Vorhees, Brahms Heelshire

Thomas Hewitt

He is also shy and if you return nice compliments hes gonna be shy about it too🥺

He really loves how you giggle it warms his heart and would punch Hoyt if he ever says something bad about it

You might act like that with Luda Mae but its very special when its just the two of you

You both were cooking dinner and the dipping sauce exploded in his face. You cant help but giggle

He was so embarrassed and kinda fell in love all over again? like his heart went OAJEJHFFOEBFKDBF

He just looks at you and you get all shy and flustered , he didn't even say anything!

He feels reassured that you feel flustered and actually see him as a man that makes your heart go crazy.

Bubba Sawyer

Also goes fucking crazy

Like youre just so fucking adorable

How the fuck did he even bagged you???

When you go shy he also goes shy

When you laugh or giggle and cover your mouth out of habit or shrink in bashfulness if he does something sweet for you

His brothers even tease him for it like "get a room!" or "those two love birds"

He does cute things too , if you cover your face he pries your hands off just to look at your blushing cheeks

The way he looks at you in pure awe just makes your cheeks even redder

HE TWIRLS YOU AROUND IF YOU KEPT ACTING SO CUTE AROUND HIM

Jason Vorhees

You both act like middle school couples

Like those cringey but sweet things you both do

Although he got robbed of growing up like a normal kid he just feels like a normal human being with you

You are so shy around him and it makes him feel at home

He stays silent but he gives you flowers and little antics from campers

HE WOULD FUCKING CARVE YOUR INTIALS ONTO A TREE

If you cover your face when you're shy he just cups your cheeks and stares at you or pulls you closer into a hug!

Brahms Heelshire

He makes you blush in an old fashion way

He writes you letters even though hes literally just in your walls

He calls you stunning ,gorgeous, beautiful like a gentleman , like those guys in their 40s that are either still single or have a lovely wife

When you blush he caresses your cheek with his thumb and looks at you longingly saying your name so sweetly

He purposely makes you blush like holds you close from the back or pulls you in unexpectedly

HE PURPOSELY BRUSHES THE LIPS OF HIS MASK AGAINST YOUR SOFT LIPS THEN JUST ACTS LIKE IT DIDN'T HAPPEN?!??

I swear he loves how adorable and bashful you are around him so you better not act like that to other guys ahem ahem delivery boy

I'm sorry it's not that long, I got a little rusty after my hiatus😭💕 but hope yall like it

[moonstruckme]

hi mae !!! i’ve been resding ur stuff for forever & if this request doesnt strike ur fancy i just wanted to at least say that!!! but i would love love love anything you have to say about steve harrington comforting his s/o (maybe shy!reader?? but no pressure on that) after a very tough emotional few weeks? like yknow those weeks that just knock you down & then stomp on you a little & have you saying “it’ll get better if i can just get through the week” but then the next week comes and it’s just as 🕳️🤸 as the last ? idk if this makes sense but ik u wanted more requests w our other boyfriends !!

Hi lovely, thank you for requesting!

Steve Harrington x shy!reader ♡ 791 words

You’ve been trying not to cry for about a month now, and this stupid movie is going to do you in. Steve’s got his arm splayed across the top of the couch, his features lit in the colors of the TV screen and revealing only a vague sympathy for the characters in the movie as opposed to the steady crescendo of emotion that’s building behind your eyes. 

You turn from him so he won’t see your heating complexion and do your best to hold it in. You hold it until you can feel your heart beating in your sinuses. Steve’s fingers start toying with your hair, and it feels so ridiculously casual and tender that it only makes matters worse. 

You must make some sort of sound, because then he’s shifting beside you. His eyes burn into the side of your head. 

“Hey.” His voice is quiet, unsure. “You okay?” 

You breathe in through your nose, swallowing hard. “Yeah.” 

“Are you crying?” 

“No,” you say. But you are now, properly, and your denial is completely undermined by the wobble in its delivery. 

“You are,” Steve accuses, letting his hand drop onto your shoulder just as it gives its first great hitch. He tenses. “Hey, it’s okay. We can change the channel.” 

You let loose a horrid laugh, wet and pitchy. “No,” you tell him, finally breaking and wiping underneath your eyes. “No, it’s fine. I’m sorry.” 

“I don’t want to upset you.” He grabs the remote. His tone has gone serious and a bit panicky. “We’ll find something lighter to watch.” 

“It’s not the movie.” You turn towards him and he pauses, frozen like a rabbit in the forest. “It’s just…it’s a lot of things, you know?” 

Everything about Steve melts. His shoulder sag, the hand with the remote dropping into his lap, his lips part, he slouches towards you a bit, his eyebrows pull up and to the middle. “Yeah,” he says, soft and smooth as butter. “Yeah, I get that.” 

You try to smile, making fun of your own ill-timed meltdown, but another sob breaks free from you again. Steve slumps further. If you keep going like this, you’ll shatter into a million pieces and he’ll liquefy into a stain on the couch and that’s all Robin will find of either of you when she inevitably comes looking. 

“It’s okay.” Steve’s hand makes its way from his lap into yours, taking your hand and squeezing your fingers lightly. “You’re okay, you’re good.” 

And you know you are, but it feels nice to hear him say it. Your shoulders shake, and you tilt your head downwards, salty tears dripping off your nose. 

“Sorry,” you croak out, but he only brings his other hand to your face, angling you up where he can see you. 

“I don’t mind,” he promises. When his thumb sweeps an arc from the side of your nose nearly to your ear, you shudder. 

Steve’s brows twitch together, but he doesn’t alter his grip. 

“What?” 

“Nothing.” 

“No, what is it?” 

“It’s just…” Just that you short-circuit anytime he touches you, and right now your body doesn’t know where to put the excess emotion. You think if he pays you any more attention you’ll have a heart attack. Cause of death: Steve Harrington’s tender ministrations. “Sorry, nothing.” 

His forehead creases as his thumb brushes once more, feather light, under your eye, and then his expression clears. Because though intuitive Steve is not, he’s perceptive enough to catch your unintentional glance to where his hand rests upon your cheek. 

“Oh, sorry.” He stills, eyes flickering back to yours. “Hey, if you want me to stop, I’ll stop. Just say the word.” 

And you have to think, because it is torment, and it might actually kill you. But at least this way you’ll die happy. 

“That’s okay,” you murmur. “It’s nice.” 

A little smile curves Steve’s lips before he remembers you’re sad and tries to squash it. You feel something similar tugging at your mouth anyway. 

“Do you want to talk about it?” he asks.

You sniffle. “I don’t think so. I’m just kind of tired of it, you know?” He looks like he does. “Maybe we could just keep watching the movie?” 

“Yeah, sure honey.” The endearment slips out as if it’s something he says every day, and Steve’s demeanor doesn’t reflect anything different. For your part, you feel a buzzing in your chest so intense you wonder if you’ll disintegrate into tiny pieces. He scoots closer to you on the couch, settling an arm around your shoulders and leaning you into his side. “Let me know if it’s too much, okay?” he asks quietly, like it’s a secret. 

You rest your head on his shoulder and say nothing. 

[rh3maji]

Lil rant abt Caine

Caine is just a lil guy, despite it all. From a design standpoint I thought I was gonna absolutely fucking hate looking at him because those chattering teeth toys make my skin crawl- but the art direction really helps make him look more appealing and whimsical than a disembodied pair of talking dentures sounds on paper.

The thing with Caine is I didn't initially like him that much after the pilot. While his interactions with Bubble were quite funny, that one episode left me feeling like he'd just end up being kinda one note or at the very least one note in a way that'd get on my nerves. Then everything changed when Pomni Wake Up Time to Go On an Adventure! attacked

The comedic timing throughout that announcement video was so fucking funny and thanks to his line deliveries and animation/model [?] upgrades- CAINE LOOKED AND SOUNDED SO ADORABLE!!

Legit it wasn't until this came out that I realized I actually could be on board with Caine as a character and it's been uphill from there. Episode 2 was better than the pilot not only comedically and visually but also in terms of showcasing just how actually unsettling Caine can be as an antagonist. Not because he's vengeful or malicious, but because he's so oblivious to how people work. His mind's always buzzing with terrible ideas and he's so so eager about these adventures, but at the end of the day he really really doesn't get the circus crew. Try as he might to include them, keep them engaged [ZOOBLE WAIT!], or even give them what they want [Exit doors] he doesn't realize how traumatic and distressing their current situation can be. The very nature of being trapped in a digital world is bad enough but it's especially rough here bc not only does its god have limited capabilities, you also are very well acquainted with him, and he can't fully understand your pain nor can he truly save you from it. He won't mourn your abstraction. He will not attend your funeral. He will not understand the distress of your arrival, nor the weight of your departure.

This isn't just sad from the pov of the circus gang, it's also very sad for Caine- not because i think he'll ever feel sad about it himself necessarily, but instead because the situation is sad. New members appear over and over, you craft adventures and games and distractions like [i'm assuming] they'd asked you to, but over and over, one by one, they abstract. They stop laughing at your jokes. They don't like you. They want you to leave them alone. It's confusing and maybe even inconvenient.

Where I'm hoping the series takes Caine is that this dissonance between Caine's intentions and the distress of the circus gang gets worse and worse and worse until something's got to give. I'm hoping that maybe at some point a character will try to sit down and talk with him and for it to either sorta get through to him but completely backfire in some form because he misinterprets what the others want from him OR i'd also be down for him to listen, but not understand any of it and proceed as tho nothing happened. I don't want Caine to come around really, it'd be interesting to see how Goose would go about having him come around to being a better host that empathizes more with humans, but personally I do prefer him to keep on keepin' on being this oblivious and eager antagonist.

My favorite Caine lines/line deliveries so far:

"You, my friend, stumbled into an incredible world of wonders, where anything can happen!…e-except for swearing."

"And here we have THE GROUNDS! Drown yourself in the digital lake, or engage in ridery at the digital carnival!"

"What do you think of XDDCC? You're right, terrible, LET'S TRY THAT AGAIN!"

"Kaufmo abstracted? Why didn't anybody tell me?"

"Bubble you can't say that"

"-ZOOBLE WAIT!"

"Why are you all just standing there?! The- The Canyon- C-Candy Canyon Kingdom needs you now!" [according to his VA, this was an actual line flub but hoo boy am i glad they use it bc it's hilarious]

"I know you guys love your NPCs, but if I start losing track of who's a human and who's an NPC, who knows...what. could. happen..."

That last line there specifically surprised me the most because up until he said that I was under the impression Caine was linked to every single NPC. I even thought he could see through their eyes if he so chose thanks to his "hundreds of all seeing eyes" line in the pilot. Him saying this here implies lots of things. Has Caine forgotten before? Is someone in the circus secretly an NPC ooooooooh~

"Who knows what could happen..."

Honestly, when Caine first said this I did immediately theorize Jax as being an NPC but now that it's been *checks calendar* three months since I watched episode 2, I don't think this is the case anymore. Jax being an NPC would be...something. Jax not knowing he's an NPC would be interesting [i like it when ppl's realities get shattered], but honestly I think this line was a way to telegraph to the audience that no Caine isn't actually all knowing. He didn't know Gummigoo was coming through that portal until he saw him with his own two eyes. My theory is that Caine is only able to teleport, create, censor, transform, and destroy the world around him, but isn't able to see all of it at once unless he tries to. I think Caine's default state is one where he only knows what he sees directly in front of him/what he himself has left waiting for someone else. And rather than implying someone in the gang is an NPC, I think that line in episode 2 was mainly implying Caine can be tricked, that it's possible to hide something from him, to surprise him even. Though I'm not opposed to an NPC we haven't met trying to join under the guise of being human, it'd potentially create some fun tension assuming the audience was given enough reason to care about them.

Jax is actually my favorite character in tadc, but i couldn't fill an entire post with things to say abt him. Caine seems to be- at least as of right now- the easiest of all the characters to try and wrap my head around. I'll probably have a lot more to say about Jax as he exists in canon as the episodes come out [EPISODE 6 MY BELOVED]

but uhhhh yeah, that's all the things i had to say abt Caine. Pls go watch/listen to the fansong Digital Land bye!

[sabertoothwalrus]

OK PREFACING WITH IM SORRY IF I ALREADY SENT THIS EXACT ASK BUT MY WIFI KILLED ITSSLF AS I SENT IT SO IDK IF IT ACTUALLY WENT THROUGH. but in case it didn’t . i know youve gotten this countless times in the past because i blog stalked just in case youve mentioned something similar before but i need to know if you have any specific inspirations when you draw exaggerated expressions specifically like these two images of marcille. ive actually cried laughing over this comic and being able to communicate this type of visceral emotion is such an insane skill and ive followed your art for probably close to a decade through various fandoms so watching you develop this style has been fucking awesome and epic. like i cannot articulate how funny these are to me i just need you to understand i look at this comic to inspire me to draw now. the closest comparison i can draw to the feelings they evoke are like those mspaint reaction images and also mspaint tails i included for reference even though you probably know exactly what im talking about anyways but its actually so much harder to do that intentionally when you study art. also i lied you literally don’t even need to answer this i just had to let you know how obsessed i am over your silly comics and now ive written out a whole ass discussion post about it. im sorry if this is weird at all i think my daily prescribed amphetamines r wearing off and i know this is such a dumb specific thing to fixate on and im so sorry if its not something you want to hear about your art. ive just always seen that as an artist this type of expressive stupid silly style is something that comes after a significant amount of time and practice and study and style development despite being “simple” in theory. its just so cool to have worked with your own style so much that youre able to go “off model” from it and still maintain consistency with the rest of the piece. i said it already and im sorry this is actually rendundant now but the ability to communicate such raw emotion somehow decreases from at its height when someone is a beginner artist learning how to proportion and keep a steady line and what looks “normal” but somehow it all comes full circle because taking all that experience and using it to almost return to where you started but in a fully informed and intentional way so you can make choices to draw characters like this when the situation calls for it is just dhcidogakgoshfhw. i think i need to cut myself off or im going to talk in circles im sorry tumblr user sabertoothwalrus i just am fascinated by your style and progress and the years you’ve dedicated to art can be seen in so many places but this is just one that stands out to me specifically.

MMMMM what a fun question!!!

I'm not gonna lie, I think it's just Letting A Drawing Be Bad. I definitely think the people that struggle with this the most are people who have genuinely very pretty art styles, to the point of being kind of perfectionist about it. and to Draw Funny often means Drawing Fast and Weird. Pretty is kind of the antithesis of funny (unless being pretty is the punchline). do drawings that make yourself laugh. tracing/lining funny sketches almost always makes them less funny.

one of my favorite types of humor is when it skews more deadpan, actually. This is one of the reasons I love Adventure Time. minimal expressions and flat line delivery + absurd context is a really good combo. the key to comedy has more to do with contrast! if your drawings are allllll crazy ren & stimpy all the time, they're not funny anymore cause it's just "normal". if it's all subdued UNTIL it's extreme, and vice versa, then it's funny. The reason this comic is so funny is because of the complete lack of any expression. I feel like the one you sent of Marcille shouting "WHAT" is funnier when you know how much she tries to be dainty and feminine and delicate, how much she values her appearance, and how averse she is to "gross" or "weird" things.

something I find really annoying (and this is with comics/animation in general, not the expressions themselves) is when the joke goes on for too long. Like you'll have the joke, then the punchline, and THEN the characters reacting to the punchline??? Like the author didn't trust that their audience would find the joke funny, so they basically drew in a laugh track. But, this is distinct from a character's reaction being the punchline (like how the examples you gave from my Marcille comic are). MY POINT IS sometimes expressions aren't as funny on their own as you think, and context can affect how you feel about it!

as far as inspirations go!

my own face! even if I don't have a mirror, I like making the expressions myself so I can "feel" where the points of tension on my face are, and it gives me a sense of what to exaggerate.

my brother's art, believe it or not! we've been trying to make each other laugh with our drawings since we were kids, and he's really good at it.

ATLA has some great expressions

OK KO has been a reallyyyy good source for me lately. That show is so tailored to my sense of humor and the expressions and line deliveries feel exactly like the kinds of things I'd come up with. The tone, timing, and art style are all really close to the tv show pitch I'm working on, so when I feel like I've "strayed" too much from it (like after drawing a bunch of dungeon meshi, and my art feels tighter and... idk "manga-ier"?) I like to go and watch a couple episodes of OK KO to loosen back up

A lot of things like OG Spongebob, Calvin & Hobbes, the Simpsons, Chowder, etc etc

memes in general. if it makes you laugh, keep it in mind

and lastly, I wouldn't say I ever try to mimic funny expressions I see. Like if I watch a show for inspo, I'm not pausing it to copy specific drawings, I'm just trying to notice patterns and pay attention to what about it I find funny.

talking about being funny is really bizarre and I dunno if it makes it lose some of the magic. Ultimately it's something you can't think about too much, and just gotta go with your gut.

[nothingenoughao3]

So y'all know how Jeff Combs was doing a theater production which someone involved with Re-Animator saw him in, and how he's suggested that the character he played there influenced how he played Herbert West.

I relayed this to @andalusiapunk and they were like "Oh! That explains it! He's theater-acting!"

I am not an expert by any means, but I did misspend my teenage years in a magnet school as a theater student. I understood immediately what they meant by theater-acting and I'm mad I didn't come up with it.

A lot of this has to do with Herbert's overall physicality. We all love talking about how he's hyper-dramatic, right? How he moves in a particular way that is extremely precise and sharp and, to be on point, theatrical. How he spins the tape recorder in his hand; how he offers Meg's heart in BRIDE; how he fumbles or manipulates syringes in various scenes.

None of that's in the script and it's not necessarily justified by what's happening... unless you're trying to make sure the audience in the backass end of the theater can see you're holding something small, like a tape recorder or a syringe or a human heart. As I observed elsewhere, you can trick the audience into 'seeing' or 'hearing' things that aren't present onstage or screen if your body language insists on its reality.

And, not to get into super-nerdy film history, but: originally theater-acting and movie-acting were one and the same. Early films are blocked like plays, they have extended sequences without constant cutting between shots (like an audience watching a play), and the extremely clear, over-enunciation of a play-actor trying to make sure those poor bastards in the back can hear what they're saying. And like a play, all acting was heavily rehearsed and expected to hit the same points and produce the same results every time.

What changed this was Marlon Brando introducing the idea of improvisation into movie-acting, a choice which also led to a greater flexibility in movie-acting... including delivery of lines. A more "natural", verisimilitudinous delivery became acceptable for films. This doesn't make either style bad, to be clear: each serves its purpose.

Bruce Abbott (to name the most obvious example) is doing movie-acting. He's got some Protagonist Accent going for him, but he has a clear variety of tone and a great deal of subtlety with his facial expressions and delivery. The same goes for the rest of the cast, although David Gale kind of straddles the line between these two styles.

Herbert's delivery is pure theater-acting. When he and Dan invade the morgue, Dan is whispering--but Herbert is stage whispering, which is why he hisses so much. I've made jokes on here before about how Herbert was born on Skid Row in Little Shop of Horrors-verse, and he thinks he's supposed to be in a musical... and, you know, LSOH is a film based on a play, only in that movie, EVERYBODY is theater-acting.

Anyhow, lotta words to find a different way to compliment Combs and the rest of the REANI cast on their acting, because I live for sorcery enjoying these damn movies.

[bellabrady]

Why many people dislike Tommy Kinard

Listen, I don't like to try and dictate what characters others can like. However, I do find it concerning how quick so many people are to forgive a bigot who didn't even get a proper redemption. So, especially for those who simply don't really remember Tommy, here's a quick recap of him:

Let's start with Chimney Begins. Tommy is one of the firefighters at the 118 when Chimney becomes part of the team. The first thing Tommy says when Chim arrives is 'Hey Eli, did you forget to tip the delivery guy?' On its own, this isn't really bad, because it could very much just be a harmless joke. But in combination with Tommy's behavior throughout the rest of the episode, one could argue the comment has racist undertones. But this one's up to interpretation so let's move on.

Although not explicitly stated, it's very obvious the 118 captain is racist which is reflected in the way he treats him: he only lets him do annoying chores, is a jerk towards him, actively isolates him, and so on.

The rest of the team, including Tommy, does nothing to try and change this. In fact, they actively take part in isolating him too, for example by letting him sit by himself at a tiny table instead of the group table while they eat. Even when Chimney attempts to talk to them, everyone but Eli (the paramedic who ends up training Chim) blatantly ignores him.

One time, Chim and Tommy are alone in the locker room and Chim says: "Hey man, let's build a bridge here." Tommy doesn't even react. Chim keeps making suggestions of things they could talk about, like movies or sports, to which Tommy still doesn't react except by rolling his eyes. Chim then asks: "You just really don't like me much, do you?" and Tommy responds: "If I thought about you at all, honestly, I probably wouldn't."

Mind you, he doesn't even know Chimney and yet he's pretty sure he wouldn't like him. What exactly is he basing that on? Race, perhaps? (Tommy is very close to some other guys on the team by the way.)

Eli tells Chim that the treatment isn't personal and that the reason everyone is so distant is because in this job, friends die and that the team isn't just gonna give Chim their friendship until they earn his respect. "You don't name a puppy until you know it's gonna pull through."

In my opinion this is absolute bullshit though. You cannot tell me every single probie at the 118 has been treated this way for weeks (maybe months? I don't remember exactly). Also, keeping someone at a distance doesn't mean you have to treat them like literal dirt. It's also worth mentioning that once the captain, Tommy and his best friend leave the 118, no probie seems to ever be treated this way again. So if it's about the nature of the job, why wasn't it like this for everyone? So, despite what Eli said, I think Chim's treatment was definitely caused by racism.

Eventually, Chimney is finally allowed out on calls and risks his life to save Tommy's, which basically makes Tommy go: "Oh hey! Maybe I could treat this guy like a human being?" He thanks him for saving his life and from this point on they're friends. I don't know about you guys, but personally I think someone who doesn't see it fit to treat you like a person until you save their life doesn't seem like a very great guy.

Let's move on to Hen Begins. The 118 is still under the same captain, who is also a misogynist. Unlike the racism, this isn't only implied but confirmed.

I've seen people argue that Tommy can't be blamed for not standing up to his captain because that's his boss. And yet, when the captain says "This is our new diversity hire" about Hen, Chimney says, "You know, Cap, there's another way to say that," which immediately proves that Tommy could stand up to him as well, and simply doesn't have the guts.

They treat Hen similarly to the way they treated Chim. Tommy, along with everyone else but Chim, for example throws some gear on the ground before Hen's feet so she takes care of it, not saying so much as a single word to her in the process.

Chim tries to make conversation with Hen and says "I would've bet money that you were from the east coast, you just kinda have that vibe." Hen laughs and says "Thank you for the compliment?" to which Tommy replies: "New York bitchiness is a compliment?"

He doesn't even know Hen and she's done nothing that could be seen as 'bitchy.' Just some good ol' fashioned misogyny. Chim also recognizes that comment for what it is immediately because he goes "woah, woah, nobody said anything like that, come on." Tommy only huffs in annoyance as a response.

The captain then goes on a rant about how training female firefighters is a waste of money and Chim once again stands up for Hen, unlike everybody else, including Tommy, who just lets the misogyny stand.

It isn't until Hen rescues someone on a call that Tommy and his friend admit they wouldn't have found in time, that they finally treat her like a person. You'd think they'd have learned from Chimney that maybe people shouldn't need to prove themselves to you in order for you to treat them like a human being, but apparently not.

Ultimately, the team submits complaints against the captain and supports Hen but if you ask me, this should've happened a lot sooner and not only after they deemed her worthy.

And that's pretty much all we see of Tommy, except for some short scenes in Bobby Begins Again in which he just interacts with his team until he leaves for a different station at the end of the episode. There's no redemption, no proper apology and, if you ask me, considering the fact that he treated Hen the same as Chim, there's also no development.

And yet there are people who will defend this man with their lives as if 90% of his screentime wasn't him being a bigot or at best a coward without the guts to stand up to his bigoted captain.

So yes, personally I think liking Tommy Kinard is weird.

[cleolinda]

Re: being ADHD and breaking large tasks into molecule-sized actions,

there’s something I used to do and should probably start doing again. See, I can look around at a wreck of a room and not “see” individual objects. It all just looks like a painted stage backdrop to me, or a hidden-object game background. Maybe a couple of objects really stand out (like the one door in a bland flat room that a cartoon character is going to open), but I just get overwhelmed by the concept of THINGS. And that’s why I can’t start cleaning. Once an object leaves my hand and drops to the floor or lands on a chair, it is now Landscape.

So when I was REALLY desperate to clean, maybe on a specific time crunch (like the time there was a hole in my ceiling and people were going to ENTER MY HALLOWED ABODE to fix it), I would stand in the center of the room. And I would start talking to myself. Out loud. “WHAT IS ONE THING YOU CAN DO. PICK ONE THING. FIND A THING. YOU CAN DO IT. DO IT!! COME ONNNNN!!,” I would end up urging myself, much in the tone of Ellen Ripley screaming at an airlock not closing fast enough. And finally, I would spot something like a mostly empty box of crackers from seven months ago. “THROW IT AWAY. DO IT. GOOD, YOU DID IT!!”

That tiny spark of dopamine would help me loosen up; there would be less browbeating from that point. “Okay! What next! What can we do! LOOK IT’S AN EMPTY GIFT BAG” but I really want to save that “NOPE GOTTA GO THERE IT GOES.” You’re kind of play-acting a person who has executive functions at that point. But the Accomplishment Dopamine starts building. And pretty soon I would be bustling around picking up Things of my own volition. If I started balking again, I would keep asking myself, “What is the tiniest thing I can do next? Come on, you’re doing great, just go get the Box and keep going.”

See, I would also find a box of some kind, be it a storage container or the last delivery box I (obviously) didn’t throw away, and that would become the I Don’t Know Box. I achieved a lot of spare-room deep-cleaning this way. A key chain. Three stray game pieces. A perfectly good pad of Post-Its. An old coin purse. Mail I haven’t opened yet and probably never will. Where do they go? Fuck if I know, but that’s not my problem right now. Off you go into the IDK Box. Which can be shoved into some quiet corner to be konmari'd later. You either 1) know where an object lives, 2) you know it goes into the trash, or 3) you don’t know, and you make those three options as quick to enact as possible.

You can apply this to just about any hellaciously complex ordeal—talking aloud to force yourself to answer, which then becomes guiding yourself to answer, which then snowballs into getting into the flow of doing things (until you run out of function spoons for the day). “LOOK AT THE EMAIL. LOOK AT IT. ANSWER THE EMAIL. GOOD. MAKE THE PHONE CALL” noooo I hate the phone call “COME ONNNNNN!!!!” aaaaaaaa “YAY WE DID THE PHONE CALL.” And I really don't do this as often as I should, because it does actually work (for me). I know not everyone can do it--including me, much of the time—but it's an idea to add to the toolbox.

[ask-whitepearl-and-steven]

You don't have to answer this if you don't want to, but how has your opinion changed on Steven Universe now than when it first aired? Like I have fond memories of watching the show while it was airing but now I realize that it had a lot of problems that I feel like a lot of fans either flat out ignore or bend over backwards to make sure their rose tinted glasses stay on.

... okay, fair question. Let's talk about this.

I'll try not to wax poetic too long, but there are a lot of things to be said here.

First and foremost - how has my opinion changed since the show has ended?

Simply put - it hasn't.

When I started watching Steven Universe over 7 years ago, I didn't have much knowledge of it. I sat down, saw a few of episodes and went 'well, this is a silly show for kids with a goofy but loveable protagonist... but it seems like it's also incredibly charming with its delivery and has some nice, more complex themes about loss and healing and grief throughout.'

And if you ask me what Steven Universe is now... I would probably say that exact same thing.

Am I wearing rose tinted lenses? Interesting question.

What ARE 'rose tinted lenses' in this context anyway?

What do these lenses represent? What do they obscure?

Since you didn't go into specifics, I can only assume what you're referring to when you say that many fans ignore the show's problems.

There have been many discussions surrounding various aspects of the show and how it might be read as 'problematic' (ahhh how I've come to despise that word.... without context, it has all the descriptive power of the word 'icky' - none of the critical details and all of the emotional punch of scrunching up your face like a cat that just sniffed a lemon...)

Is this about something as simple as the 'SU doesn't have a consistent size for its characters' debate?

Because that has been gone back to, over and over again, and proven to be a point of opinion. SU favored allowing storyboarders to show off their personal flourish, and even though Peridot was 30% hair in that one episode, it did not overall take away from the plotline being told, which was their goal. If you wanted to watch a show with consistent styling throughout, you can always watch a 3D modeled show, but keeping that up was simply never one of SU's main pillars. And I feel like it didn't have to be.

Is this about something more complex such as the way Rose was presented?

...and how her arc was shown backwards instead of forwards - showing first the person she became in the end, and afterwards revealing all the growth she had to have to get there?

That was on purpose! And I don't think this is a problem. It's a feature, not a bug. Rose was never meant to be an ideal character - she was meant to be complicated and messy, and I think the fact that the fandom is so split in their opinions of her shows that the Crewniverse pulled that off really well!

She fucked over Bismuth! She forced Pearl to be silent! Those are both parts of her character arc that were never resolved because she died before she could resolve it - that's BY DESIGN. Sometimes, you just do something absolutely stupid and cruel, and you cannot go back to fix it.

Is this about the Diamonds? The fact that they were not put in space jail, after being put on trial for space crimes, and then publicly executed for space eco-genocide?

Here's the thing - most people I know who watched and loved SU are fully aware of that. But simply put - Steven Universe was not a story about Revenge.

Steven Universe was a story about love. A story about family. A story about truth, and lies, and hurt, and healing. About how sometimes healing doesn't happen. And how sometimes it will, but you won't be around to see it.

But it's not a story that can be all things for all people.

That is the thesis of my reply: It is a story.

It is not a manifesto. It is not a bible. It is not a Complete Truth.

It is a single story. Made by a group of very talented people, who cared about these characters, who did their best. They made a funny, emotional, well-drawn and complex cartoon show about the things THEY personally wanted to tell stories about.

Does it answer all questions the way everyone wants them answered? No. That's impossible.

Everyone wants a different story. Everyone wants a different solution, a different resolution. A different ending.

Steven Universe is one story. It cannot satisfy all people.

So when you ask me 'has your opinion of Steven Universe changed'? The answer is 'no'.

I went in, expecting to see a story. I saw a lot of what I liked! I saw some parts which I thought were interesting. I saw some parts which, yes, I disagreed with a little.

But overall, it's a good story. And that's what I expected, and that's what I got, which means I'm pretty satisfied. I love that story.

I feel like recently, there's this expectation of media, to be Everything For All People. And it's a bit unrealistic. No one call tell the perfect story. We are all simply telling the stories we want to tell. And people will vibe with that, more or less.

A single story, made by a small group of people, will never be that for you. There will never be an Unproblematic Cartoon that you watch that will be devoid of things you disagree with.

Being critical of media doesn't mean 'Criticize the FUCK outta that media, and the one with the least criticisms is the best one'.

Critical thinking is about evaluating things critically - that means being critical of YOURSELF. Being critical of your OWN reactions. Asking 'why did I like this?' and 'why did I dislike this?'. Asking 'this doesn't mesh with me, but who WOULD it mesh with? It isn't for me, but who is it for? Who would it hurt, but also who would it help?'

Some people HATED how SU: Future ended. They beat their fists on the wall and cried about how Steven was leaving his family behind, and how THEY could never imagine doing something like that, and how he was running away from his problems just like Rose had.

Me? I loved it. I think it was the right choice, and I COULD imagine it and thought it was in character. I thought he needed to be his own person, instead of shouldering everyone else's responsibilities for once. Was one of us more right than the other? Maybe not? Maybe that was the whole point?

Loving things is not about putting on rose colored glasses. Sometimes, choosing to love something with flaws is an act of rebellion. It's about knowing you have differences, but understanding that there is value in the things you DO agree on, and knowing you can consume that.

Healthy consumption of media does not mean throwing the whole cartoon away as soon as you notice something is wrong with it, like a bruise on an apple.

Healthy consumption of media involves critical thinking AND feeding yourself. Acknowledging you may disagree with parts of it, but not starving yourself just because your apples all have small imperfections.

Eat, for fuck's sake. Feed yourself. You'll feel better.

Thassit.

[scorpiussage]

The Robin to My Batman (Neil Lewis/Fem!OC)

Pairing: Neil Lewis/Fem!OC 

Summary: A comic book store opens up next to Gumshoe Video prompting a hot and heavy feud between the two businesses and their nerdy owners. 

Theme: Romance - Enemies to Lovers 

Warnings: Nerds being nerds, smut 

The early morning walks to open Gumshoe Video are always enjoyable for Neil. He loves getting coffee from that family owned Armenian coffee shop down the street, greeting the old man who owns the hardware store across the street, and contemplating what the day’s theme should be. 

However, his gorgeous, peaceful morning comes to a screeching halt as he spots a large moving truck parked in front of Gumshoe— no, parked in front of the vacant store to the left of his. He quickly darts into the alleyway across the street and watches with mounting horror as some—so far unrecognizable—new business moves in. 

“No no no no no,” Neil mutters to himself, already picturing the worst case scenario. What if it’s a competing video store? Or perhaps on of those Christian shops that sells over priced bible themed tchotchkes? Both are miserable possibilities and he has no idea what he’ll do if either of those ends up being the case. 

When the coast is clear of movers, Neil goes sprinting into his store and making a made dash for the phone to call his friends. 

He has a bad feeling about this. 

…

The first time he sees her is at the grand opening of Golden Age Comics, the new comic book store next door. The first thing he sees when he walks in isn’t the life sized cutouts of various comic book characters placed strategically about nor the wall display of rare figurines. 

No, the first thing he sees is her, Bailey Taylor, the owner of the shop. She’s dressed like Wonder Woman, displaying these long shapely legs that have Neil’s jaw going slack in awe. She flutters about the store, greeting customers and advertising the big grand opening sale she’s running. 

Johnathan and Lucien, who came into the store with him, start needling each other excitedly, muttering about how hot she is and Neil can only feel dread. This can only spell bad news, he just knows it. 

Not at all like a coward, he quickly flees the store before she can approach him. 

…

The first time he actually meets Bailey, she comes into his shop. Today Gumshoe is having a deal on westerns and so Neil is dressed accordingly as a cowboy. When she walks into his store, it creates a rather comical juxtaposition as it appears her own store is having a sale on Japanese manga. 

Sailor Moon Bailey and Cowboy Neil stare each other down. 

“Um, hi,” she greets with an awkward little wave, her smile bright despite the uncomfortable mood, “I own the comic book store next door. My name is Bailey.” 

Neil nods stiffly, doing everything in his power to not stare at how hot she looks in that cosplay. When Neil fails to respond, an irritatingly adorable frown mars her features 

“Okay,” she mutters to herself before saying, “Well, I just wanted to see if you’d be willing to do a team-up and have a collaborative sale.” 

Neil scoffs, “And what? Hock old Adam West Batman tapes?”

She perks up and nods enthusiastically, “Yes! Exactly! I actually have this really great id-.”

Neil shudders at the thought and cuts her off before she can get going, “The old Batman show is absolute garbage in its cinematic delivery— no way would I subject my customers to that.” 

The glare she gives him could cut steel and admittedly makes his happy bits stir in interest. 

“Garbage?” She snarls, “That show was a pioneer for superhero media! Just because some over hyped alcoholic wife beater didn’t direct it, doesn’t mean it’s not good!” 

Neil’s eyes narrow at her and he crosses his arms, trying to appear more authoritative than he usually looks, “Oh believe me, the director has nothing to do with the bad editing and poor visual shots!” 

The woman looks like she’s visibly holding herself back from launching herself over the counter and decking Neil in the face. His cock makes another inappropriate twitch at the thought and he internally scolds himself for these reactions. 

Without another word, Bailey storms out of the store and stomps her way back to her own shop and Neil breathes a sigh of relief. 

God, he really needs to get laid if some uneducated comic dork is getting him riled up. 

…

After that disastrous first encounter, a Cold War of sorts settles over the two businesses. If Neil is having a sale, Bailey will have a better one. If Neil does a midnight showing of a movie, Bailey hosts a free-to-join D&D party. If Neil dressed up, Bailey does too but does it better. 

It’s aggravating. 

Neil doesn’t even know what it is about her that has him going absolutely insane, but it’s beginning to be a problem. For instance, last week she dressed up like Cat Woman and strutted about both in and out of her store, placing herself in full view of Neil boredly manning the register of his own shop. He had to go and jerk off in his office like five times; and he was still horny afterwards!

Like he said— problem. 

And it’s only getting worse. 

“Dude, oh my god! She’s dressed like a school girl today!” Johnathan says while rushing into the shop, a lecherous grin on his face, “Her skirt is so short!” 

Lucien cheers and Neil rams his head onto the surface of the checkout counter repeatedly. 

He’s gonna die horny and infuriated by her subpar taste in cinema, it’s inevitable. 

Lucien just gives him a sympathetic pat on the shoulder and leaves him to his melancholy while he and Johnathan go next door. 

“Ugh what do I do?!” He laments pathetically to himself. 

…

The second interaction that Neil has with Bailey happens on a slow night for both businesses. 

Neil is parked on the shop couch, watching Lady in the Lake and barely staying awake when she comes into his shop. She’s dressed normal today in a worn Captain Marvel t-shirt and denim shorts and he’s a little too tired to properly hide the slow up and down he gives her. 

A little blush settles on her face when she catches him doing that. 

“Slow night?” She asks after clearing her throat awkwardly. 

“Yeah, you?” 

Bailey blows a raspberry and nods, walking over to the couch and throwing herself down onto it next to Neil. He quickly scoots over, giving her room while trying to smooth his shirt and hair down to look less like a mess. 

“What are we watching?” She asks. 

Things sort of devolve from there. Whether it was one innocent comment taken the wrong way, or an intentional dig, it prompts a fresh new screaming match between the two of them over the cinematic quality of the Adam West Batman series. This woman will not let go of that trash TV series, Neil realizes.

Bailey gets up from the couch at some point, Neil hot on her heels as they move their heated argument about the store. It’s when they’re next to the wall that Neil pushes her against the surface and pins her arms high above her. He’s not thinking when he kisses her, pushing his tongue into her mouth to taste her— he’s running purely on adrenaline and instinct. 

That first kiss they share is not a gentle one; it’s rough and filthy and hot. 

“You are such a brat,” Neil bites out scathingly, his hands slipping away from her wrists to start running over her chest, cupping those perky tits of hers in his hands. 

“You are an obnoxious tool!” She sneers in return, her now free hands making quick work of his belt buckle and the button on his jeans. 

“I can’t believe how terrible your taste is in cinema! A rock would have better opinions!” Neil helps her push his pants down and then reaches forward to yank her shirt off. The bra she’s wearing is just a simple navy colored one but it has him physically biting back a moan at the sight. 

She smirks up at him, then pushes him away with a rough shove, sending him into one of the shelves. She gets into his space, wrapping her arms around his neck and initiating another one of those blood racing kisses. 

He reaches down and grabs her under her thighs, hoisting her up to wrap her legs around his waist. He starts walking them back towards his office, fully intent on throwing her down onto his couch in there and getting all this frustration out of his system. 

Sex has always been pretty gentle and by-the-book for Neil, he’s never had a desire to be rough or for a partner to be rough with him, but Bailey makes his head fuzzy. She makes him want to do things he’s never done before. 

“Fuck— Neil!” She gasps when he puts her down and immediately sticks his hand down the front of her shorts and starts rubbing along her slit. It’s so wet and he groans, his cock twitching in anticipation. 

“Can’t wait to shut you up,” he tells her, his long fingers alternating between rubbing vicious circles on her clit and slipping down to enter her with harsh thrusts, “Been thinking about this for weeks.” 

Her fingers scratch lightly across his stomach as she pushes his shirt up, “Well, you’re going to have to do lot better than this to make that happen.” 

His eyes narrow and he pulls his hand out of her shorts, ripping the button open and yanking them down her legs. He grips her around her hips and flips her onto her stomach, climbing onto her legs to keep her from kicking about. 

“I am so sick of that smart mouth,” he tells her before laying a loud slap to her right ass cheek, making her cry out in surprise that dissolves into a moan. He would spank her in earnest, but he’s been so fucking horny for so long that he only gives her a few smacks before slipping his fingers up under the edge of her panties, rubbing the buttery soft skin of her ass. 

Trailing his hands up, he unhooks her bra and climbs off of her so that she can turn over onto her back. She’s quick to shuck off her bra and panties, exposing herself entirely to his hungry gaze. 

“You said you thought about this for weeks,” she remarks while slipping her fingers down to her folds, “How many times did you jerk off to me?”

He groans and goes down to his knees, leaning forward and shouldering his way between her thighs. 

“So many fucking times,” he admits shamelessly before licking into her with enthusiasm.

Her fingers thread through his hair, tugging him forward and using the leverage to grind against his face. He could die here, smothered between those shapely thighs, and it would be in total bliss. Her moans are the sweetest thing he’s ever heard and he endeavors to hear them get louder. 

“Are you gonna cum for me, baby?” He asks, his fingers returning their journey of entering her and his eyes watching with hooded rapture as her cunt sucks them into her. 

“Neil,” she gasps his name, chanting it like a prayer and he picks up the pace with his fingers. He sucks on that hard little bud of hers and feels her cum around his fingers, that soaking cavern gripping him tightly. 

“Fuck, baby,” he groans, “please let me fuck you.” 

Her thighs are shaking as she comes down from her orgasm high, “Yes, fuck yes.” 

He doesn’t need any more encouragement— he’s barely got his underwear down before he’s pushing into her. She’s tighter and wetter than any other pussy he’s been in and he tells her as much, rasping filthy things into her ear as he begins a brutal and unrelenting rhythm. 

“Thought about bending you over the front counter and fucking you stupid so many times.” 

Her nails dig into his back, raking along the surface and certainly leaving their mark. 

The thought alone of her marking him could make him cum. He bites his lip harshly to try and wrestle back some control, unwilling to see it end so soon. 

It barely works as his hips stutter in their thrusting. 

“Can I cum in you?” He asks— no, practically begs her.

Her arms snake around his shoulders, tugging his head forward to rest against hers, their mouths finding each other hungrily. Between filthy, tongue filled kisses, she gasps, “Please!” 

Permission granted, he buries himself as deep as possible inside of her, the head of his cock nudging her cervix, and he cums. He groans loud and long as those warm, wet walls squeeze every last drop from his cock, sucking it better than any blow job could manage. 

He pulls out of her slowly and almost reluctantly, sad to part from that perfect cunt of hers. A flow of white cum follows his departure, dripping from her opening and over her ass in thick globs. 

He’s never seen something so sexy in his life and he doesn’t know what he’ll do if he doesn’t get to see it again. 

Stepping back from Bailey, he grabs his shirt off the floor and uses it to wipe her clean, chuckling at the deadpan look she gives him for the effort. Tossing the shirt aside, he climbs onto the couch and lays himself out next to her, pulling her to rest against his chest. 

They lay like that for a long time, catching their breaths and basking in the after glow. 

“You don’t really hate the Adam West Batman series, do you?” Bailey asks, her eyes looking up at Neil imploringly. 

Neil about answers the way he normally would but when he looks down at her and sees the earnest expression she’s wearing, he doesn’t have it in him to be an asshole. 

“No, it’s not that bad,” he lies and feels his heart flutter when she shoots him a beaming smile in return. 

He thinks he can stand mediocre cinema for her sake. 

[lady-phasma]

I'm still here. I'm still on this bench with them.

Anne Rice wrote a series of BDSM erotica books under the pen name A. N. Roquelaure, The Sleeping Beauty Series. She understood the Dom/sub dynamic and I am convinced she would be pleased with the way this was handled.

I will not move on, but these two moments are so impactful. The organic way that they understood each other. Jacob's delivery of his line "You sure about that, Arun?" is so in character with his New Orleans persona. Armand's default setting is submission, he didn't hesitate to use the honorific. When we see him speak it a second time, Assad's performance expresses the sincere disappointment at having his trigger word invoked. (Here's a post where I discuss his trigger word because I am completely normal about this.)

They are equals, they fight like equals (toxic but equal), but there is something in each of them that responds to the inherent role of the other. Anne didn't have this scenario play out in her books, yet I believe she would approve of the way this was portrayed. There is no discussion for the benefit of the audience, they do not spell out what these words mean to them. It's not "if you know, you know," it's "this is how some people live, who they are when they are in their intimate relationships."

I mention the Sleeping Beauty series for people who are new to Anne Rice because of Interview. It's not at all like her Vampire Chronicles, but everything that she put in those books is subtext for the Chronicles. She wrote "progressive" (read: controversial) novels for the time period and even within the erotica genre, Sleeping Beauty, was controversial. In fact, almost a third of The Vampire Armand would be considered nearly a "dead dove" by fanfiction standards. I know representation on screen is important for all of us and maybe my passion about Anne, her characters, and this portrayal is a little too revealing about myself, but I am genuinely overjoyed at the subtlety used in depicting this relationship. Their D/s dynamic does not become the subject, the subject remains their toxic relationship and all its nuances. This dynamic serves to make them more dimensional.

[utilitycaster]

Unpopular opinion: parts of the cr fandom are really dismissive/ reductive of Travis’s characters. It feels like it’s due to Travis being seen as THE cis het man of the group, and by extension his characters must be heteronormative and bad, despite the fact that you could have queer interpretations of his characters. At the very least, Travis’s characters explore masculinity and the different ways it might look. It’s like the people who are all “ew men are gross and shitty” and act like that’s an absolutely normal reaction to a man just existing.

So this is another one in that I agree with the initial statement, but I'm actually not sure re: the reasoning why. I think it's possible but I could not tell you for sure.

I used to, again, think this was people carrying through Campaign 1 elements well beyond the point where C1 had ended, and so Grog having an intelligence of 6 was being applied to Travis; and this definitely does come through to an extent when people treat Fjord (objectively as smart as Beau without her circlet) as stupid or act shocked that Chetney is the brains of Bells Hells or that he can play a Cerrit, Fjord, or Nathaniel. However, again, I think this is one of those opinions that pops up among people who weren't around for Campaign 1 (or early enough in C2 to be exposed to it regularly) so I don't know if that's the case anymore. It could still be - it could be that Approved Fandom Opinions get passed down even when the logic behind them has long since been lost; that's a really common thing in institutional memory. But I can't say for sure.

I also have in the past credited it to, as you said, people assuming his characters are the cishet guys and then writing them off. That's still possible - I've seen both Fjord and Chetney called "token straight" despite considerable evidence of bisexuality, and they also paradoxically are both commonly headcanoned as trans while still getting called "token straight," which sort of ties into a post I would need to find from someone else from quite some time ago about which cast members are granted agency by the fandom in their choices vs. which are assumed to be the victims of circumstance. And I do think that there are people in fandom who have decided men are icky or whatever, and I used to think this came from a place of bigotry and a slide towards t*rf ideology but I now do genuinely think it's just idiots who don't grant interiority to characters outside their own limited understanding.

But I think it's also useful to consider a few things, most of which I've brought up before:

Travis is extremely offline. He is not here to entertain your headcanons; he has been politely but openly dismissive of some (imo, really fucking dumb) fanon/fan theories. I think the cast frequently talks about how it's their table, and I think that's valid and correct, but Travis is one of the players who lives it the most. He is playing this game with his friends, and he'd like it to be a good story, but if you don't like it, he is not here to make you like it. I think that really fucks with the parasocial connections some people desire with the cast.

Travis's characters tend to examine masculinity as a performance but also the general performance of the self, and the fact that you cannot in the end control how you are perceived entirely, and I think that really unsettles people who have equated presentation with reality and are again, looking for external validation of the self.

Travis can play it big but he's often extremely subtle, especially with his more serious characters, and he's not as easily quotable out of context as some others at the table. I think because he is a lot more naturalistic than dramatic at times (Chetney notwithstanding) and isn't as pithy and quotable in his characters as many of Taliesin's PCs are, and a lot of the strength is in the delivery, he gets overlooked despite being very good with words on the fly.

And finally: this would be a whole post on its own but people are still very foolishly wed to this idea that pressing the big red button in D&D is Wild and Chaotic and haha Big ADHD Man when it's actually how you play D&D if you're not a coward; the button is where the story is stored, and a lot of Travis's strength is that he is extremely good at understanding what the GM wants and supporting it with sufficient grace that it's only visible if you know what you're fucking doing.

[another-lost-mc]

Player Two LEVIATHAN x gn!Reader 1.7k words | NSFW | Yandere-ish | Developing Relationship Content Warnings: Manipulative and possessive thoughts/behaviour, some suggestive thoughts towards the end. obey me! masterlist

When you arrive in the Devildom and try to get to know him, Leviathan's immediately suspicious of you and even more skeptical of your bold declarations. He has a hard time believing you really like gaming. He assumes you’re just trying to sound like you do to get close to him, for some foolish reason.

He hates to admit how much more interesting you are when you manage to actually convince him that it's a genuine hobby of yours.

When Levi shows you his room, you're amazed and he feels a sense of pride, like his hobbies are validated by someone that understands him. He pretends not to stare at you while you slowly browse the shelves of games and collectibles in his room.

You notice he plays a Devildom MMO game, and you're instantly curious about it. Levi didn’t think you’d be into those types of games - they require a lot of time and effort.

He thinks that maybe, just maybe, you’re not such a boring normie human after all.

You ask him if you can watch him play the game, and you point out similarities and differences when you compare it to the human world MMO you played before.

When you're both called to dinner, it interrupts your conversation about Levi's guild. You tell him funny stories from your previous gaming guild, and he's finally convinced that your interest is legit.

Levi decides to do something nice to help you out - a test to see how serious you really are. He won't give you another chance if you blow this one.

He might happen to have a spare laptop you can use, and he offers to lend it to you. If the game is already installed and ready to play, Levi's just trying to be nice and do the boring installation stuff for you. And if Levi sends you a Recruit-A-Friend invitation to set up your own account, it's because he gets perks from it - he really doesn't care if you play or not.

Levi even goes as far as adding his payment info to your new account to pay the subscription fee. He doesn't have the patience to wait for you to borrow someone else's credit card. "You can pay me back later,” he tells you, even though he has no intention of ever asking for the money back.

You might know how to play an MMO, but he believes he's still got loads to show you about this one. His desk is a bit cramped, and it’s inconvenient dragging the laptop back and forth between your room and his.

He offers to lend you a spare headset - one that’s brand new and still in its packaging from today's Akuzon delivery - so you can use voice comms together, and he can stream his screen to yours while he talks to you directly. Isn't that convenient?

He's already set up a private voice comms server just for the two of you - don't tell his brothers about it though, okay? It's only for the two of you.

When Levi creates a new character to play with yours, he says it's easier than trying to show you things on his maxed-out character.

He chooses to level a tank class to protect your squishy glass cannon character, and he reminds you that he's doing you a favour and saving you from so many unnecessary deaths. If he happens to show off along the way, who could blame him? He's really good at this game, and if you try hard enough, maybe you can be too.

He raids the game's most difficult content with his guild at night. For some reason, he really wants you to watch him play. He doesn't want you to level your character without him, either. (He won't ask you not to, but he secretly hopes you don't.)

You mention that one of his guildmates, someone that doesn't raid, offered to play some low level dungeons with you while Levi's busy. For some reason that upsets him, but he doesn't know why.

Levi's half-focused on his raid while he occasionally checks your character status. He absolutely does not keep track of how long you're in the same dungeon as his guildmate. And he definitely isn't checking whether you're in a separate voice channel together.

By the time his raid is over, you've already sent him a message wishing him good luck and goodnight. He's a bit disappointed that you went to bed so early (even though its well past midnight).

He sees another message from before that, when you told him about a cute pet you found in the game (it's a reward anyone can get from doing a simple quest, it shouldn't be that exciting). You mention offhand that you like collecting pets and you might try to find some more tomorrow.

Levi acts like it's not a big deal when you log in and discover he's sent your character dozens of new pets for your collection. He shrugs and claims he had duplicates that he had no use for. (They weren't, he bought them all specially for you, but he won't admit it.)

By the time you hit max level with your character, Levi's bought you expensive crafted gear and he's planning on getting you the other items you need so you can try raiding with him his guild.

Sometimes he thinks of your character as his own virtual Henry - and spending so much time together means he starts to think about you as his Henry outside the game, too.

What Levi doesn't realize is how genuinely happy you are that he's given you a chance. He was so defensive and secretive about his hobbies, and you hoped having a shared common interest would make it easier for you to make friends in this strange place.

You wanted to prove that unlike his brothers, you understand why gaming and anime gives him so much joy. You don't think it's a waste of time or money, and you can appreciate the hard work he puts into those hobbies even if no one else does.

And you knew he was skeptical of you at first, but things are so much different now. He's not calling you a stupid wannabe human otaku anymore, and he encourages you and helps you like a friend would.

You used to ask Levi if he wanted to play with you - but now, he's asking if you want to play with him, and you know that means he likes you, in his own way.

Sure, it might be weird playing a game with someone in different rooms of the same house, using voice comms to talk to each to each other because it's easier than typing everything. It's definitely easier than having to drag your laptop around, and that's what he tells his brothers when they comment about how weird it is living with two nerds instead of one.

One thing you notice about Levi is that he's more confident behind his screen. He doesn't stutter or get shy the way he does if you try to talk to him in person, but you're socially awkward sometimes too so it doesn't bother you.

The truth is, he notices that you're more talkative over voice comms with him too. You're not afraid to ask him silly noob questions anymore, and he doesn't call you a noob now even if you do.

Levi realizes that there's something very intimate about having your voice in his ear when you're on comms together. It makes him feel things because this is something you only do with him and not with his brothers.

You're friendly with his brothers, sure - but you never sound this happy except when you're spending time with Levi. It's not even limited to gaming anymore - you get excited talking about the new anime series he invites you to watch with him, or the manga you ask to borrow.

When you mention you like to read, he lends you his copies of the TSL novels. If there's other books or movies you want, he buys them for you so you don't have to ask his brothers for anything.

He thinks that he's the only one to see your true, authentic self. He likes you now, and he doesn't want to share.

The first night you join him for a guild raid, Levi notices that you're not nearly as talkative with the larger group of players present. When you do speak, you're so quiet. He hasn't heard you sound this small since you first arrived in the Devildom.

When you're alone again after the guild raid ends, you thank him for inviting you and tell him how much fun it was. You sound more like yourself again, and even though Levi didn't expect you to be so shy around his friends - well, part of him likes keeping this version of you for himself.

He can't help feeling just a bit selfish. He likes the way you laugh openly at his jokes or the way you tease him (or yourself). When you're gaming together, you gasp loudly if something surprises you, or you groan if you do something silly that gets one of you (or both of you) killed. Normally those types of things would annoy him, but with you, it's fun.

Your relationship with Levi changes, and grows, and maybe you underestimate how much of an impact you've had on him. You don't mention when things between you start to shift towards something more than friends, and neither does he.

His brothers know there's something going on between you. You blow off their invitations if it interferes with plans you already have with Levi. They start to make subtle hints and jokes about Levi and you and dating, and Levi scoffs loudly and slams the door when he stalks off to his room.

You're not dating him, you're just friends. Sometimes he thinks about you in ways that aren't strictly platonic, but his denial still runs deep.

So what if Levi starts recording your conversations so he can listen to your voice when he has trouble sleeping? He doesn't feel bad because it's not hurting anyone.

When you play together late at night, your voice is softer, quieter and breathier. Maybe you're just trying to be considerate of everyone in the house trying to sleep, but the reason doesn't matter. It's like you're whispering in his ear and it sends his mind spiraling.

When he gets hard listening to the sound of your voice telling him how amazing he is, or how lucky you are that you met him, it doesn't mean anything.

It's a harmless little secret. You're his friend, his Henry.

You might not realize it, and he might not admit it, but you've lured him in - and he won't let you go.

[drconstellation]

Dr Constellation's Good Omens Master Post of Metas

(Updated 4 June 2024)

See my Google Doc for a full list of Tumblr posts of interest.

Future Echos of the Past

The story of the Great War in Heaven as it appears in the present

#1: The Great War of Tadfield Manor #2: The Newton/Crowley Mirror/Parallel in S1 #3: "Not Even At Gunpoint"

Archangel Gabriel

Supreme Archangel Gabriel often stands on the demonic left-hand side in scene blocking, rather than the angelic right. He’s also fond of taking center stage! Gabriel as a Shoulder Angel: S1 Study S2 Study Part 1: Ep.1 The Arrival and Ep. 2 The Clue S2 Study Part 2: Ep.3 I Know Where I'm Going and Ep. 5 The Ball S2 Study Part 3: Ep.6 Every Day First-Order Archangels Part 1: Maybe You'll See An Archangel

Gabriel and Crowley act as both parallels and foils to each other in S2. In Part 1 we look at some of the ways they are alike.

First-Order Archangels Part 2: Foils of War

Part 2 takes a look at where Gabriel and Crowley oppose one another, as well as highlighting some parallels between their respective partners, Beelzebub and Aziraphale.

First-Order Archangels Part 3: Seeing Eye To Eye

Gabriel and Crowley both have an interesting connection to time.

The Assistant Book Seller

Jim’s knitted vest holds a wealth of symbolic information - and a surprise nod that you didn’t expect.

Giles the Herald

An interesting parallel to Gabriel at the end of S1.

Aziraphale's Edinburgh Journey

Part 1: Detective Aziraphale

One of the reasons Aziraphale goes to Edinburgh is because it is a narrative parallel to Crowley’s trip to Heaven. There are also a couple of other things we need to consider, too.

Part 2: Aziraphale-Beelzebub Parallels

While Gabriel is Crowley’s mirror in S2, Beelzebub is Aziraphale’s. And there is a third character that makes an interesting mirror-triangle analysis that combines and reflects both major characters together as well.

Part 3: Stocktaking in the Basement

Aziraphale does a lot of reflection about the past while he’s on his trip to Edinburgh. How can this help him in the future?

Part 4: Judgement Day

Aziraphale's trip to Edinburgh - and most of S2 - is filled with hints and references to the Second Coming. Gabriel's statue is one of them, but it has another role as well (and it's not for hiding anything under, sorry.)

Part 5: I Know Where I'm Going

Named after a Powell and Pressburger film, and an old Scottish folk song, this title sets the theme for Ep. 3 in S2. It's a discussion about Fate versus Free Will, the dangers of trying to escape fate, and looking at things from a different angle.

Archangel Rings

All the Archangels have golden rings, as well as Aziraphale. Find out what they reveal about each character.

The Golden Lions of Heaven (includes Aziraphale's Lion ring) Michael the Watchful Uriel's Star Ring The Brutal Truth about Sandalphon's Ring

A Companion to Owls minisode

Goats, Crows and The Flood

Crawley turns Job's goats into crows to save them. Why crows? And how does this link to the Flood?

Angelic Sheep and Demonic (Scape)Goats

Understanding the link between goats and demons gives you a deeper insight into Crowley's story - and also some of Aziraphale's.

Come Back When You Can Make A Whale

Take a deep dive into the Book of Job - and find out what it might be foreshadowing for S3

Aye, a Newt

Why Job’s children are turned into geckos, and a S1 connection.

Crossing the Threshold

Inside the Dirty Donkey

We’re going to the pub! What secrets does the Dirty Donkey hide behind its name?

Lifting the Veil on the Bentley

Peering behind the meaning of the Bentley’s number plate.

Memento mori

This is one of the major themes of the series - Remember that you die.

Obligatory Reminders and Crossing the Lines

Have you been wondering why Shax tries to do a mail delivery to Crowley as he escorts the shop keepers to safety from Aziraphale's Eldritch Ball? It seems a pretty random thing to do at that moment.

Stand-Alone Metas

The Ineffable Ducks

What are all those ducks doing? Ever got the feeling that somewhere, somehow, a duck is watching you…?

The Altar of Eccles Cakes

The Eccles cakes don’t look like they are doing much, but they are there for a reason - so is some of the other food you see.

The Cupperty Ceremony

Every bit of food and drink in both seasons has a metaphorical significance. Tea is no exception. It’s one of the few times an eastern philosophy creeps into Good Omens, but still meets with a western ideal.

When Crowley Met Jesus, and The Other Demon at Golgotha

Aziraphale suggests not one but two demon names to Crowley when they meet at Golgotha. Together they make a clever joke about the Third Temptation that most people miss.

Being Kind to One Another

Some clever and subtle word play on kind, linked between two scenes in the S1E3 Hard Times cold opening.

Once and Future Royalty

There’s a King Arthur and Camelot sub-theme running through parts of S1 And S2. Grab your coconuts and saddle up for a crazy ride through time and space!

Portable People

Crowley's yeeting them around while stress-cleaning the bookshop, Jimbriel is trying to sell them to the investigating archangels, and Muriel just wants to read them all. Should we give a second thought to any of these books?.

Bebop and the Book

Why can Anathema always put her hand on the right card at the right time?

Chiastic Structure of S1

Chiastic structure is a literary device where the story line is mirrored in reverse around a central point. S1 has an amazingly detailed chiastic structure, which actually reveals and confirms some meta speculations!

Chiastic Structure of S2

S1 was a fantastic example of a mirrored story line. S2 …isn’t. But there are still a substantial number of chiastic pairs to be found.

Liberty versus the Tree of Life

A philosophical look at the choices between coffee, freewill and death compared to access to the Trees of Knowledge and Life in the Garden of Eden.

Taking Things At Face Value

How our internalized values influence the way we judge people, often based on their outward appearance alone.

The Rules of Engagement

The Technicalities of Licenses, Permits and the Limits of Authority in Good Omens

A Tale of Two Peacocks

A look at the relationship between Gabriel and Michael: what they think of each other, and how they act as foils to each other.

If you are looking for more metas there is a group effort on this google doc here: Good Omens Crackpotting Theory Tracker This brings a lot of ops together in the one place.

[capt-t-leela]

why don't the new Futurama episodes scratch the itch in the same way that the classic episodes do?

I'm dashing this off quickly while my kid naps, so please keep that in mind when I speak generally and broadly and mostly from memory. It's also a very rough draft.

Classic Futurama had a pretty reproducible format that made it work from a story telling perspective as well as comedically and emotionally. The main source of humor was character driven - put a bunch of very different people into a sci-fi situation that they need to figure out and the conflict, comedy, and resolution will come together from that.

You could break the episodes down roughly like this and they'd all come together, with all of these established things paying off in the end in someway. Again, speaking broadly you establish the first act:

ACT ONE:

a. some big over arching sci-fi OR culturally satirical adventure / theme / scenario

b. an emotional conflict between some of the main characters / something someone is struggling with on their own and they need help with. This conflict is consistent with what we would expect from the characters and their development / traits.

c. a third seemingly goofy thing that was often played for laughs, but had some sort of plot relevance and helped drive the story forward.

Basically, in the first 7 minutes of the episode you'd get all three of those things laid out. The pacing is QUICK and it doesn't patronize its viewers.

Let's look at My Three Suns as an example:

ACT ONE:

a. delivery to the planet trisol - a unique and interesting setting that's new for everyone, not just fry.

b. fry is annoyed that Leela is so protective of him. Leela is annoyed that fry is being a careless idiot. Note: they both have VALID points here, one of them isn't just being irrational and easily dismissed.

c. wtf does bender actually do around here? SO once all of that is setup, we see the humor, conflict, and twists and turns stem from the questions all of these beats raise.

To boot, the characters work through whatever interpersonal / intrapersonal conflict in the context of the Big Adventure.

e.g. Fry realizes that his impulsivity has an effect on the people he cares about -- thanks to Bender's cooking leading him to drink the emperor and getting mixed up in another planet's dealings that then requires Leela to save him, despite her repeated warnings that he shouldn't be an idiot. None of this would have happened without the delivery to Trisol.

Another example:

Farnsworth Parabox:

ACT ONE:

a. the boxes with an infinite number of other universes. big sci-fi scenario to work through. with the potential for adventure! (big overarching adventure)

b. why won't Leela go out with fry??? they both know there's something there, but why is Leela so hesitant? what's stopping her? (interpersonal conflict / something emotional that needs to be resolved)

c. this episode spends a lot of time in the first act showing us key facets of the Planet Express Crew's personalities and quirks - how Leela goes about guarding the box (and her coin flipping, specifically), fry and bender trying to steal it and getting distracted (and Leela knowing what will distract each of them), professor being a crackpot, Hermes being a no nonsense pencil pusher, zoidberg being the worst - these are the goofy things that pay off because The Fighting Mongooses are our crew's foils and fun house mirrors and the comedy comes from their similarities and differences. (something seemingly goofy that helps drive the plot and conflict forward)

All of this is established in the first seven minutes of the episode!

Think about your favorite episodes, and I bet they breakdown similarly. Think about the episodes that don't land for you and I bet they're missing one ingredient (usually one, some, or both of the first two with the third thing usually being something completely irrelevant to the story).

Some Comedy Central era episodes that absolutely follow this formula to great success (not an exhaustive list):

The Prisoner of Benda

The Late Philip J Fry

A Farewell to Arms

Fry and Leela's Big Fling

Which leads me to my final point here....

IMHO one of the best Hulu era episodes is Related to Items You've Viewed, not just because I love me some Freela, but because it follows the formula. Momazon - tech company / monopoly cultural observation. Fry and Leela move in together, they have to navigate that big change together within the context of using Momazon. Bender does a Bender and feels left out, so he acts impulsively and runs away also to Momazon.

The formula isn't EVERYTHING, but it's a solid structure on which to hang lots of references and jokes and character growth.

Ok I gotta go actually like do parenting things, but there ya go. whatcha think?