I wanted to ask, when is the piarles exchange? I remember it being on the 10th but I've heard some people say it's on the 16th and I'm thoroughly confused.
Thank youu!!!
ahhhh, hello anon! 🥰 i'm great thanks; hope you are too ❤️ and to answer your question - you are remembering completely right, the initial reveal date was indeed scheduled for the 10th of January. however, since we wanted the exchange to be a relaxed and fun challenge for all the participants, the mods included an option to extend the deadline to give people just a little bit more time, if necessary. we did a check-in a week or so ago, and collectively decided to extend the reveal date until the 16th of January. the AO3 collection will go live at 22:00 (10:00 PM) GMT on the 16th 🎁 hope this clears up the confusion, love! ❤️❤️
Pac: Take care of Ramon, take care of Richas, ok? See you on the other side, big boy.
Fit: [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. [Fit tries to lasso Pac] You're coming with me.
Pac: No, I need to leave!
Fit: You're coming with me. You are not dying today! You are not dying today!
Pac: I need to leave, Fit! I'm sorry, I'm sorry!
Ironmouse: Are you guys like, having sexy time?
Fit: There's homosexual activity going on Mouse, don't worry about us, ok?
Ironmouse: You guys, we don't have time to be gay right now.
[ Full Transcript ↓ ]
-
Pac: I'm just here to say goodbye to you, Fit.
Fit: Goodbye? We're not– we're gonna be fine, we're going to get out of here, don't worry.
Aypierre: Yeah, don't worry!
Pac: I know, but like– I will sleep until the end, you know? I will pass through this moment sleeping, man. I won't be able to be awake for the moment.
Fit: [Laughs] You know, it's– I mean, if that's how you wanna go, but– I mean, that- I mean, isn't that bed kind of like.... I don't know, it's–
Pac: No no, I will be staying on the sofa, you know, I will be staying on the sofa.
Fit: Oh the sofa. Ok, that's a nice sofa! Yeah, that is a pretty nice sofa.
Pac: Yeah, it's a nice sofa right? No, yeah– I'm going to stay on the sofa, you know? So, since I will be going Fit... [Pac starts tossing Fit all his items]
Aypierre: [Not paying attention to their conversation] Is that bigger cell? I don't think it's a bigger- biggest one.
Fit: Oh... Thank you Pac, thank you.
Pac: Everything you need to survive, ok?
Fit: Wow.
Aypierre: Wow.
Pac: And if you need this one also, maybe, who knows? [Throws him more items]
Fit: Ohhh, well hey– just take this to remember me by, ok? [Tosses him a photo of himself – the same one Aypierre was carrying all day yesterday]
Pac: [Laughs] Ok, I will sleep holding the picture you know, like this. You know, I will dream about you, Fit. And I hope this is gonna be good dreams. I see you in the other side. Good luck, my friend.
Fit: The other side... Yeah, you know, yeah, we– we– you know? It's been an honor, Pac. It's been an honor, you know?
Pac: Yeah, for me too, you know? Take care of Ramon, take care of Richas, ok?
Fit: Ok.
Pac: See you on the other side, big boy.
Fit: I will sing your praise– Oh yeah, hey– [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. You're coming with me.
Pac: No, I need to leave!
Fit: You're coming with me. You are not dying today! You are not dying today!
Pac: I need to leave, Fit! I'm sorry, I'm sorry!
Fit: Sorry, there's–
Pac: I'm sorry!
Ironmouse: Are you guys like, having sexy time?
Fit: There's homosexual activity going on Mouse, don't worry about us, ok?
Ironmouse: You guys, you guys– we don't have time to be gay right now, come on. There's no time.
Pac: No, there's no time! Oh, goodbye Fit...
Fit: Ok, c'mon, no no no, come on, we got this we got this!
Shockingly underrated thing about Leo is that he’s legitimately charming when he wants to be?
He’s the Faceman! He’s persuasive! That’s not just some random title he gave himself with no backing to it. People will listen to him. Even if they think he’s being annoying or if they’re upset at him, people listen to him anyway! There’s a reason his bros push him out front to talk to people, and when this happens, that talking nearly always works.
Moreover, Leo knows people. He looks at them and takes into account how they act and what they’re like as he makes his way through the conversations. It’s easy to forget this aspect of Leo’s character because he only brings it out when he really needs (read: wants) to, but it really is a notable part of him that always love to see.
And I say charm in particular because he has a knack for not only getting people to pay attention, but for getting people to stay and listen to what he has to say.
ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--
But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.
And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.
That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.
Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.
And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"
So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.
Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.
Tom's line about Shiv being selfish and "find[ing] it very hard to think about me" is actually so telling because while it's absolutely true that she rarely takes his position into consideration, Tom never once thinks about what he can do to help Shiv unless it also benefits him.
Every single time he makes a move or sacrifice that might help her, it's always something that he thinks will give him a leg up. He volunteers to take the fall for cruises, not for Shiv, who is in no way implicated, or even for Waystar, but because he thinks it'll ingratiate him to Logan, and the second it seems like he might have to actually follow through on that, he immediately tries to get out of it and even throws Shiv under the bus. Meanwhile, for all that Shiv disregards his interests, there are a number of things she does that only help him, and she's the one who actually sacrifices something and undermines her position with Logan to beg him not to let Tom go to jail.
It just makes it so clear that no matter how much he might love her (and I think he does, in his own compromised way), for him their relationship was always built on the underlying assumption that it's her job to prop him up, but it's not his job to help her.
(check the tags for more and also the tag for other fics in the story!)
athena, scowling as she gets bullied into marrying the people she pined over for the last 1000 years, suddenly realising something: wait a minute
odysseus: what?
athena, frozen: wait a damn minute you know what this gives me rights to do
penelope, also realising: oh fuck yes
odysseus: I don't like the sound of whatever's happening here what are you two fucking talking about?
athena, grabbing the marriage wine and tossing it back, then kissing her new wife and husband and handing penelope a spear as she picks up a mace: we'll be back shortly, you can start celebrations without us.
penelope: do u have anything that can start a fire
athena, pulling out an old contract and scanning it before throwing it over her shoulder: yes. are you scared of heights or can we fly.
penelope: fucking bring it I've waited years for this moment
zeus: where are they going
hermes, picking up the contract: they're going to... Ogygia? Oh fucking shit they're going to fucking kill Calypso- hey, hello, WAIT-
Hellooo i saw that you were asking for asks (that sounds funny) and I wanna know some of your hcs on Kevin and Allison being besties/ kevjean relationship
This is my chance to finally share some Allison/Kevin hcs so I'm gonna seize this opportunity with both hands and give you this total MESS of a brain dump
- Allison is the only fox that doesn't make fun of Kevin's eating habits. Kevin KNOWS his relationship with food is fucked up because of the nest and Allison knows it too, so she refuses to make bets or make fun of the way that he eats. Kevin only realised because she once tried to quietly tell Nicky to knock it off when he was pushing Kevin to have dessert or making fun of what he'd decided to have instead.
- Kevin also knows not to talk about the numbers or macros in front of her, too. They have a weird unspoken mutual respect RE: food and they both appreciate each others efforts on that front without ever actually mentioning it. they also have a gesture for each other that's code for "i want a snack do you have anything" and they'll throw each other protein bars if they're out/on a long bus journey etc.
- they are the BEST drinking buddies. Whenever the team starts drinking/partying/clubbing more together post-TKM, they are literally CHILDREN when they're drunk together. Kevin gets tired of the monsters being boring when they go out and there's only so much dancing he can do with just Nicky and Aaron alone. So Allison pulls him up to the bar one night to do a tequila shot, and they literally have the most unexpectedly fun night ever. Kevin loosens up a whole lot without the threat of Riko etc post tkm, and when I tell you he is such a fun drunk. now he doesn't really drink THAT much during the season but off-season? oh he's a party animal. I could write thousands of words about him and Allison getting drunk together and becoming literal best friends as soon as they have a drop of alcohol in their systems but here's some things I think they've done drunk
stole a shopping cart and sat in it as they pushed each other down the road in it (and fallen out of it and laughed so fucking hard) ((but were bruised up as fuck the next day because of it)
he's sat her on his shoulders - while dan sits on matt's - as the two girls try to push the other one off
he's really easily convinced to do things by her. another shot? sure. and another shot IMMEDIATELY after that? alrighty! karaoke? well, okay. jockeyback? stealing traffic cones? pulling pranks and fucking with the other foxes? acting like actual teenagers? okidokie!
she's probably the only person in the world who has successfully convinced kevin day to sing
he holds back her hair if she has to puke
she convinced him to let her do his makeup once. full glam. like a serious look, fully beat, full coverage look. there's a picture out there somewhere of it that she saves for blackmail.
fucked. make out sometimes. strip poker. they dance together :)
he never lets her walk alone anywhere when she's drunk. if she can't find one of the girls to accompany her to the bathroom at a party she'll take him.
she's taught him full dance routines
she was joking that there's no way the raven warmups could be that different to theirs, and bet him that she'd be able to do them without breaking a sweat (he won)
they've both ugly drunk cried in front of each other (but they never talk about that sober)
she's pretty light so he's bench pressed her before
- They know each others drink orders/favourite shots
- if Allison is out, say she's with her friends and not with the foxes, and she has to wait alone for a taxi or walk somewhere alone, she'll call him and he'll stay on the phone with her until she's safe
- They make fun of each other and bully each other like there's no tomorrow (affectionate). the whole "Allison hates Kevin" thing WAS true for a while, but once they get closer, she just pretends to hate him. he's like an annoying brother to her
- Allison is really easily frightened, and Kevin thinks it's funny to scare her. she's never safe walking around a corner or into a room if Kevin is there and in a good mood.
- they're not BEST FRIENDS. like they're not in each others pocket all the time and laughing and joking ALL THE TIME but she can read him like a book. she knows when he's having an off day, or thinking about something too much.
- She also knows when he's being serious and when not to joke around. She knows when he doesn't want cheering up or to joke about something and knows when to back off. The same with him - he knows when she's having a mood that requires being cheered up, or a mood that requires him to leave her the fuck alone.
- He's a big reason why she puts a whole lot more of herself into Exy post tkm. She's always been invested, but once they talk more, and they consider each other friends, she listens to him talking about Exy and it really clicks for her. his dedication. and also how fucking talented he really is. She doesn't do the night training with him but they'll occasionally go to the gym together or start practice a half an hour early to run some basic raven drills.
- They're iconic when they get together to do press after games. they bounce off each other like nothing else. they're just so funny. and he's also like andy murray in that he will ALWAYS defend her, dan, and renee's talent if interviewers start to focus more on him instead of the girls. he'll step in if an interviewer says something shitty or misogynistic. she LOVES directing objectifying and misogynistic questions his way.
- She calls him a bitch and makes fun of him for being a nepo baby. He calls her an asshole and makes fun of her for being a rich kid.
- Have gone to banquets as each others date.
that's just a few random thoughts off the top of my head but yes. Allison and Kevin. Literally the only Two Pretty Best Friends ever to exist.
LSTR-S2301 and the maintenance tunnel ARAR are best friends to me even though that Elster was only on sierpinski for a seemingly brief time, they’re bros who fuck around on the clock during work. I think Elster was probably more willing to put extra time in however she’s also very “okay you’ve given me a list of tasks I did them. They’re done and done well. That’s it, my time now.” Whereas I see Ara being more of a slacker (very valid of her) or at the very least just a bare minimum type of gal when it comes to work.
Idk I tend to imagine them fucking off in the middle of shifts to go find weird lonely corners of sierpinski to hang out in. They don’t even talk half the time but they love it.
really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:
(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")
this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks
i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:
(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)
freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama
as promised, here's the ruisrock footage i have (the full hour). feel free to do whatever with it, just credit it, i guess?? sorry about screaming and bad singing dfgkljf
my irl friend was very focused on jance bc of my instructions but there are some moments with the others and i hope you enjoy! 💜 he's not a professional by any means and it was just meant to be something nice for me/everyone else, so please don't be mean to him
Thinking about...Taliesin saying that Molly would've taken Caleb out drinking and partying. Tried to quiet all the gutting guilt and grief eating Widogast alive by offering him a pleasant distraction from all the pain--a bit of fun, a spark of desire.
And just the implications of...a night spent in someone's arms for the first time in the longest time, Caleb so achingly touch-starved and lonely. Molly's touch far gentler and softer than he'd expected, the same comforting warmth as a tender forehead kiss he still clings to the memory of.
The way Lucien also used sex as a coping mechanism when he was at his most depressed and despondent, so lonely and self-isolated and desperate for any taste of affection. And when Molly sees Caleb wallow in all his self-hatred and sorrow, drawn to his own self-destruction like moth to flame--he can't help but long to reach out, to connect. To give this other Empty, shattered soul a bit of the love he always craved.
Thinking of Molly having the chance to be with Caleb, even just for a moment. Both of them sheltered in the Moonweaver's light, swept up in the lulling comfort of a lover's embrace. Both of their hearts feeling lighter come dawn--