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mercurial-madhouse · 3 years

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Trigger Warning: Healing is painful, but there’s so much light on the other side if we’re strong enough to walk through the dark.

My hope in sharing my story is to help anyone who reads it find peace or healing, just as I always aim with my fiction. If it feels right to you to do so, I encourage you to reblog this. It is highly personal, but I choose to share it publicly.

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This past Sunday, I received an email responding to my desire to withdraw from a fic fest. Instead of the simple “You have been removed from the fest” that I’d been expecting through an official channel from mods to a participant, this is the response I received. Please be aware, the following is painful.

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We've removed you from the fest and will mark you down as not being welcome to participate in future fests. We show a great deal of compassion toward our writers, which is why we send reminders, answer any and all questions, and provide extensions when requested. There's a reason why our fest has one of the highest numbers of fics of any fest/challenge in the fandom - it's because we support our participating writers and do everything possible to assist them as they complete their fics.

However, once a writer has repeatedly failed to communicate and missed both a deadline and an extended deadline, it's clear that they do not have any respect for the fest, the mods, our time, or our own unique situations, as we don't have endless extra hours to track down participants in a fic fest. Several reminders on three different platforms, an extension, and requests for writers to simply let us know if they need more time does not demonstrate a lack of compassion in any capacity. We also showed a great deal of compassion by welcoming you with open arms into the [redacted] after you insulted the fest, insulted [redacted] fics, and made writers uncomfortable last year after signing up to beta their fics, all while pretending to support and uplift writers in the fandom just as you did in your email here.

Have a great week!

- [redacted] Mods

***

This email arrived right at the end of the night, just as I was lying down to sleep. I couldn’t read it all the way through. It elicited a trauma response in me. My heart started racing, my palms were sweaty, I was shaking, I felt sick to my stomach.

I went into fight/flight/freeze/fawn mode. My first response was to freeze. In order to escape the barrage of pain bombarding me, I simply dissociated and disconnected from my body. It allowed me to sleep, but barely. I deleted the email in a desperate attempt to pretend it didn’t exist.

The pain caught up with me twenty-four hours later. I couldn’t breathe, my lungs shrunk in around my heart. My whole body locked up. I couldn’t move. I knew that if I spoke, even to say ‘hello’ to someone, I’d start crying.

The moment I was alone in my room the tears came. The pain came, bursting through me. I sobbed uncontrollably, curled into myself on my bed, begging for the pain to stop, begging for a miracle, screaming internally for relief and to understand what I’d done to deserve this because I didn’t have the air for more than broken whispers.

I fell asleep whispering ‘I need a miracle’ over and over. The mantra blocked out all the disgusting thoughts that wanted to keep swirling through my head. This is it. This is the final proof that you don’t belong here. You never have. You never will. Run away, M. It’s over. You tried, you failed. You always do. You always will.

I fell asleep out of sheer exhaustion.

Grief is intense. These are the moments where we don’t think we’ll survive what we’re feeling. My love, whoever you are, if you are reading this, hear from me. The agony passed. I needed to feel that agony, to allow it to move through me and to give myself the space to feel it. Without diving off the deep end into what hurts, I wouldn’t have been able to find the inner peace to keep healing, to start to understand.

The residual pain is still there, even as I write this post. But it no longer overwhelms my senses. And by Tuesday morning, I’d been given insight into what was happening.

I experienced a trauma response because it mirrored mistreatment I first received in childhood from family and classmates alike and continued into my adult life. In full view of others, it was acknowledged as cruel even by my mother, who struggles with her own guilt because she never stood up for me. No one did.

So I internalized the mistreatment. I must deserve it if everyone else around me is ok with me being singled out like this? At first I spoke up for myself. But in the end I stopped speaking up for myself too. I had never healed this pain and here it was, coming back around again, forcing me to face it, to heal it once and for all.

I still do not know what exactly I may have said to cause these accusations that you see in the email. **I do not and will not deny them.** Even if my words were taken in a way I did not consciously intend, to deny that I said anything that caused someone else pain is to deny my own power AND to deny that everyone’s emotions are valid and worth digging into.

I have the power to inflict pain, just as I have the power to spread and share love and joy.

Whatever I said came from a place of pain, of believing I did not belong in this community. That I am not good enough or worthy enough to be here. A series of unfortunate but necessary events when I first entered this fandom completely disintegrated my core beliefs in my abilities as a writer, something I have always kept so close to my heart, and my belief that I had a place in this fandom.

I expect, as I look into my past patterns, that what I did was try to logic why I wasn’t allowed to belong. At the time, this fest was the only subset of the fandom I knew, I was so brand new. So I looked through all the prompts in the fest. I brought a scientific method view to answering the question: “What is it about the fics people write in this fandom am I unable/incapable of doing?”

This process allowed me to generalize everything I saw that I perceived as ‘I can’t do that, this is why I don’t belong here’. Consumed in my own doubt that I could measure up and write something worth reading, I dropped from the fest last year too. If I can’t contribute writing that’s worth reading, I could at least stick with what I do best, which is helping others be their best selves. I had signed up to beta, and I chose to cling to the only grasp of belonging I had, which was through beta’ing. I ended up beta’ing four fics last year for the fest. And, of course, each of them were (and still are) incredible fics. At the time, it was further proof to me of exactly what I can’t accomplish.

In all likelihood, these generalizations, stemming from a place of pain and jealousy because I wanted to write good fics too, came out in a personal conversation with someone, which they translated as a personal attack. It is valid. Whoever you are, your emotions are valid. It does not matter how I meant whatever I said, pain is what you felt. This person did not feel comfortable sharing that pain with me, so instead they turned to others and shared. My moment of vulnerability and pain then spread more pain.

Pain only comes from pain.

The response was to shadow ban me. In fact, I was never meant to find out about any of this. The pain this person shared was simply taken at face value and that was that.

So on my end, this decision showed up in the physical world this way: Suddenly all my asks went unanswered, people I tagged to share snippets and last lines and get to know more through ‘about me’ posts or who had once talked to me through DMs simply stopped speaking to me in a way that is only noticeable to the person being ignored. I thought I was going crazy. But there it was, right in front of me: absolute proof that I wasn’t good enough to be a part of this fandom.

Is anyone else beginning to see the cycle of pain?

I expect I continued this cycle right back, because the pain turned to bitterness. I’d been doing everything I could to support every author the best way I knew how, and this was what I got? The exact opposite?

I found out about this shadow ban and actual blocking around June of this year. An ask sent in by a friend for me, inquiring why I couldn’t reblog a post that’d been sent to me by someone else, finally gave me the answer that I’d been banned for the accusations you saw above.

Horrified, hurt, and unable to comprehend any of this except to know that I support every author no matter what they write, I sent an apology to the mods, trying to end this cycle the best I could without knowing any of the details of what had happened. There was nothing more I could do.

They thanked me for the apology, though as you can see from the email, it was never accepted. I do not say that as a judgement call, but simply as a statement of what happened. Everyone is entitled to accept or not accept in their own time and their own ways.

I have been healing so much since everything that occurred last year. And the more I dig in to this cycle, the more my heart goes out to the drafters of this email, to the person I hurt with my words who then turned to share it out of context with others, and to the people who shadow banned me in connection with this situation.

We attract to us what resonates with us. Like attracts like. Which means just as I’ve attracted the greatest friends to me, I have also attracted this pain, and conversely, these mods and that person attracted me to them.

Deep down, on some level we share the same core wounds. And the person who can really understand just how painful those wounds can be is someone who feels them too.

So this is my message to the mods of the above email, to those who have shadow banned me and want nothing to do with me, and to the original person I hurt with my words:

I am sorry for my part in this pain. I am sorry for causing pain and I apologize for it. You are loved. You are enough. You are doing a fantastic job. Your feelings are valid. Your hurt is valid. I don’t know what occurred that hurt you before I entered the fandom, but after finding out from others that an email like the one you sent above is ‘Oh that’s just how they are’ tells me something else happened to hurt you before I even arrived.

Your hurt then is valid too. Allow yourself to feel it and process it. Don’t let it consume you. Don’t let that hurt and fear of it happening again or believing that that’s how everyone is push away from you people who in fact love just what you love. If someone has a different belief from yours, don’t let it invalidate what is true for you. Believing internalized lies about myself only caused me pain. And we spread and create what we believe to be true, whether we consciously realize it or not.

So here, now, is my truth:

I choose to perpetuate love. I choose to spread love. I choose to understand my pain and the pain of others, to transmute it, and to heal it, instead of passing that pain on.

I choose compassion. Compassion for myself in making these mistakes, and compassion for those who have hurt me. I do not condone the email that was sent to me. No one deserves to be treated that way. I choose to focus beneath the visceral anger and lashing out, to focus on the agony beneath the words, and stop this cycle of pain.

I choose to belong in this fandom. I choose to support every author in this fandom and ensure no one ever feels not good enough. I choose to own my past mistakes and learn from them.

I choose trust. To trust that those who I truly hope will see this, will see it. I have no expectations of responses or outcomes or reactions. My only hope is that whoever will benefit from seeing this post will see it.

This is not a matter of right or wrong, bad or good, just or unjust. It is a situation of two parties in pain, triggered by the same triggers.

Looking back on that email, I’ve come to realize that half of the pain I felt when I received it was not my own. I felt the pain of the attack, sure, but I also felt the immense pain beneath those words. And I wish I could hug you. I acknowledge your pain and I acknowledge how painful it is because I know that pain myself. I also know that this pain isn’t you and it isn’t who you are.

So I choose to remember the mods I first met around this same time last year in this same email chain. Mods who were so kind and offered advice to a brand new writer even when she sent an email that had nothing to do with the fest and was still struggling to find her place in the fandom. I choose to remember how beautiful that kindness felt. I choose to remember how I was so grateful for that kindness that I shared my gratitude for these same mods in an email with with another fandom friend at the time. I am still grateful for you.

You are so loved. You are loved for being exactly who you are. This fandom is built upon love. A shared love of five incredibly talented lads who have brought so much joy and light when each and every one of us has needed it the most. Shine your light through the dark and believe with all your heart that you are not alone. You have support. I support you. Shine on. Don’t let anyone dim it.

#Being this vulnerable #is an act of courage #I never knew I had #I'm not fearless #I feel ready to vomit #I have no idea how this will be received #but I am sharing my truth #have courage to share your truth #the world needs you

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star1117-archives · 2 years

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Lmao I’m giving up on interaction.

If you wanna read my shit n leave no like, no comment, no reblog fine. But when I start putting in minimal effort in return, I don’t wanna hear a single peep outta y’all.

Apart from the like five (if that) people who will regularly leave comments/reblogs, the only asks I get is people wanting something from me. Not just general talk, not even just a soft/hard thought. I appreciate I have a literal event going on right now, but why am I begging for interaction? Why am I even writing this post right now?

Because there’s hardly any reviews. Hardly any comments. So don’t get pissy with your writers if they start becoming unmotivated. If they devote more time to real life than producing content after content like a machine, only to get one comment, maybe a reblog or two if they’re lucky.

Remember, if you’re a mindless/background/silent reader, you’re the reason why writers give up. Because who’s gonna give a fuck anymore if literally no one’s gonna treat us like fucking humans.

#star ¡! ❞#rant sorry #just annoyed #ignore pls

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maxwell-grant · 3 years

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Jumping off from my previous question/suggestion, might I please ask if there are any superheroes you think would make fine Pulp Villains and any Supervillains you think would make convincing Pulp Heroes?

I'm gonna go ahead and remark that I'd personally suggest to anyone who's trying to create pulp characters inspired by superheroes (which would be probably about 90% of you who may want to do that sort of thing) to flip the script around a little. As in, don't try to create pulp analogues to the Justice League/Avengers upfront, but play around with some of the lesser-known icons and filter those through your idea of what “pulp” means (which is gonna be quite different than my own or anyone else’s).

I’m not gonna really mention characters I’ve already talked about before like Vandal Savage or Namor, instead I’ll pick new ones and see what can be highlighted about them.

Regarding “Superheroes who could make fine/convincing Pulp Villains”, even though he’s a character I've read basically nothing on, Martian Manhunter definitely leaped out to me as an obvious option. He’s a Sci-Fi Superman who takes the first half of the name to an extreme that borders on comical, except he’s not a square-jawed white man, he’s a 1.000 year old green alien from Mars with shapeshifting powers who can look as monstrous as the artist desires. He’s the product of an advanced civilization and genetic modification, and on top of the Flying Brick powerset and shapeshifting, he also has incredibly powerful and extensive telepathic abilities, he can become invisible, phaze through matter, use telekinesis and other weird abilities. A lot of pulp stories closer to sci-fi were based around the idea of taking one of these abilities and extrapolating horrific consequences for them, and J’onn has those by the dozens. He also has an extremely mundane weakness that would allow him to be beaten by Macready with a blowtorch if that’s where the story ended.

He was also a law enforcement officer from Mars who became a police detective and it’s even right there in his name, and again, I have never read anything he’s in (I should probably pick the Orlando mini), I know he’s for all intents and purposes a generally nice man who tends to job a lot in crossovers and cartoons, but the idea of taking all those great vast and horrifying alien powers, combining all of them into a single character who also happens to be the last survivor of a doomed planet (and one who actually lived through it’s collapse), and then making that character a former cop trying to resume his work on Earth?

That is a Pulp Supervillain begging to happen, and a particularly horrifying one at that. And hey, speaking of The Thing-

Now, Plastic Man’s potential for horror has already been explored quite a bit in some of the darker DC continuities like Injustice and DCeased, and it’s quite funny seeing a lot of these turn Plastic Man into The Thing because there were quite a handful of Wold Newton pages that ran with the idea that Macready from the original story was Doc Savage, and that the secret chemicals that Eel O’Brian was hit by that gave him his powers were actually samples of The Thing contained in one of Savage’s labs. Regardless, the idea of a former street crook suddenly gaining bizarre shapeshifting abilities that allow him to reign terror on his gangster associates could make for a great premise as a pulp crime story that veers into horror as the gangsters gradually figure out what is Eel O’Brian’s deal, and then the story can take a more tragic turn.

The thing about Jack Cole’s Plastic Man that modern takes on the character neglect is that, while Plas was a lively roguish anti-hero (arguably the first of it’s kind in comics), he’s still for intents and purposes “the straight man” (HA, right, Plastic Man being “straight”). He’s the relatively sane hero who plays off Woozy’s wackier misadventures and the imaginative madness that Jack Cole paints his adventures with, and it makes for an interesting contrast considering Plastic Man is already a weird character, having to ramp up the strangeness of the world around him so that he still remains the sane man. There are ways to twist this into something quite horrifying, even tragic for Plastic Man as he either struggles to maintain coherency, or embraces the shifting chaos the world’s spiraling into for better or worse (and definitely for the worse towards those on the receiving end of his vengeance, or even his humor).

Now, onto the flipside, regarding Supervillains that could become Pulp Heroes -

Normally I’d not mention the Batman villains here, because I already have a lot to talk about in regards to them as is, they comprise some of my favorite comic characters, but I pretty much have to make an exception for Two-Face in this topic, as not only a pretty obvious option but one with even case studies to prove it, as not only do we have The Black Bat, a 1930s costumed pulp hero with an identical origin story and several other conceptual overlaps with Batman, as well as The Whisperer, a young hotshot police commissioner who dresses up as a disfigured vigilante to kill criminals without consequence (and who’s somehow less of a maniacal asshole in his secret identity than in his regular one), but it turns out that there actually was a 1910s pulp hero called The Two-Faced Man:

Crewe was created by “Varick Vanardy,” the pseudonym of Frederic van Rensselaer Dey (Nick Carter, Doctor Quartz), and appeared in three short stories and two novels and short story collections from 1914 to 1919, beginning with “That Man Crew” (The Cavalier, Jan. 24, 1914).

Crewe is “The Two-Faced Man.”

He is in his forties and has gray hair and a “sharply cut and handsome profile—until one caught a view of the other side of his face and saw the almost hideous blemish that nearly covered it, and which graduated in corrugated irregularity from a delicate pink to repulsive purple.”

Crewe is two-faced in another way. Crewe is a saloon owner in below Washington Square. But he has another identity: Birge Moreau, portraitist and socialite hanger-on. Crewe uses both his identities to solve crimes as an amateur detective.

The only person to know about both of Crewe’s identities is a police inspector who is also Crewe’s friend and who Crewe helps in pressing cases - The Encyclopedia of Pulp Heores by Jess Nevins

And speaking of obvious picks for Supervillains turned Pulp Heroes,

Assuming I even need to make a case for Kraven the Hunter other than just presenting this cropped panel from Squirrel Girl and in particular the art painted on the Kra-Van, or even just telling you to read Squirrel Girl and it’s take on “The Unhuntable Sergei” (I had no idea most of the people saying “Kraven’s arc in Squirrel Girl is as good if not better than Kraven’s Last Hunt” weren’t actually joking in the slightest and I speak as someone who has Kraven among their absolute favorite Marvel characters, it had no right being that good), I’m going to quote the brilliant Rogue’s Review from The Mindless Ones that lays down in painstaking detail why Kraven could make a killer protagonist in that horrifically over-the-top pulp fashion

One thing that strikes me writing this, is how well Kraven could hold his own comic. There’s always room for a book spotlighting a ruthless, hardcore, gentleman bastard, and Kraven’s raison d’etre makes him supremely versatile, so well suited to any genre, any environment. It’s odd that more writers haven’t jumped on the fact that in a universe where off-world travel is possible – indeed, common – a hunter like Kraven would have a field day.

I can just imagine the opening scene – herds of weird cthuloid bat creatures grazing in the gloomy green nitrogen fields, bathed in lethal, bone splintering fog, when, suddenly, LIGHT! from above and an unholy bellowing: “CTHGRGN fthgrgnARAAAAAAAAAAAAAAAAAAHGN!”

They look up in fear and then they start to run – ploughing into and over each other, tentacles flailing, as from the space-ship’s docking bay Kraven silently plummets, barely dressed for the cold, a glowing knife smothered in elder signs jammed between his teeth.

You should have seen him one night previous, sipping alien tokay around the Captain’s table with the other guests, discussing the morning’s hunt; and the way he insulted the Skrull dignitary by forgetting himself and accidentally sporting his favourite piece of formal wear: his boiling unstable dinner-jacket of many colours, fashioned from the hide of one of the Ambassador’s super kinsmen.

Whoops!

Midway through Kraven explaining how the best way to irreparably damage a symbiote is to wait until its bonded with you and then seriously maim yourself, the Skrull decided it might be a good idea to simmer down, while his beautiful Inhuman lover hung on every word.

The deeper I get into this the more convinced I am that the MU’s hunter-killer extraordinaire wouldn’t limit himself to bloody planet Earth. And neither would he limit himself to this dimension, or universe or timeline. The guy’d be just as at home leaping, sword raised, onto the back of a T-Rex in the Savage Land, as he would be ploughing through werewolves in the graveyards of Arkham or tracking a howling Demon across Mephistopheles’ realm.

He’d work perfectly in all these environments because he has a damn good reason to be casting a bloody swathe through them: wherever there’s big game, you’ll find Kraven.

The next choice I guess is an oddball, but not that much of an oddball if you know already what is my main frame of reference towards Marvel

I don’t think people appreciate enough that the main reason Shuma-Gorath has anything resembling a fanbase has nothing whatsoever to do with the comics he was in, but entirely because, when Capcom designers had a list of Marvel characters to pick from to work on Marvel Super Heroes, they took a look at the diet Cthulhu and went “gimme THAT one”, and then went all-in in giving the alien squid monster a funky personality along with a great stage and music and animations and all that great fighting game character stuff, and now he’s maybe the most popular Dr Strange villain along with Dormammu and Mordo, despite having ZERO film appearences or major showings in comic sagas.

Capcom's designers redefined Shuma-Gorath from a nebulous cosmic evil into a comically smug cartoon bastard who can rant about devouring all dimensions and souls horrifically while also cracking poses and zingers like “How do you expect to win a fight with only two arms?” and having dinners with Dhalsim or hosting Japanese game shows in his endings, and it kills me that none of this ever made it’s way into any depictions of the character outside of MvC.

So that’s kinda what I’d go with. I’d take Capcom’s Shuma-Gorath, depower him a bit obviously from his canonical power, and run with the premise of his MvC3 ending where he decides that, well, if he's the unlikely savior of this pathetic planet and these wretched human dogs like him so much, and he’s clearly having a much better time here among them than he ever had drifting among the stars cealessly consuming life, then maybe he can take a break from all that eldritch business and keep up hosting the Super Monster Awesome Hour and maybe fight whatever PITIFUL villains think can take HIS planet. I mean, he’ll probably still end up destroying the planet by the end, but why not give this hero business a try?

Just until he gets his full powers back of course.

I mean you can’t deny he DOES look pretty good in that bowtie, surely The Great Shuma-Gorath wouldn’t be so unmerciful as to deny these vile wastes of flesh something good to look at in their brief and miserable lives.

#replies tag #marvel comics #marvel #dc comics #dc #pulp heroes #pulp villains #martian manhunter #plastic man #kraven the hunter #two-face #shuma-gorath #marvel vs capcom

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luna-tiel · 4 years

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Communication

As an autistic fan, I was not pleased by how Entrapta was treated by her fellow princesses, the people that are supposed to be her friends. It’s been on my mind lately, especially after my recent rewatch of season 5. In my opinion, Entrapta’s dynamic with the Alliance was a golden opportunity for the writers to demonstrate healthy communication. I’ll be focusing on the episode Launch, delving into why I feel like that particular episode models unhealthy group dynamics.

This may be a bit of a ramble, but I’ll do my best!

Relationships are a system. While it may be tempting to single out a person as the problem that needs fixing, in most cases the behavior of all members plays a part in how it functions. Entrapta’s isolation from the princesses is a self-fulfilling cycle. She is enlisted for a project, her excitement annoys the others, confirming their expectation that Entrapta only cares about the project, thus they distance themselves from her, or get angry, and Entrapta’s attempt to connect with them via her work fails, confirming her belief she’s not suited for friendship.

Let’s look at Entrapta from the eyes of the Alliance. To them (and certain members of the audience, it seems), Entrapta lacks empathy. This is a common misunderstanding concerning people with autism. Autistic individuals are often very empathetic, but because they may have trouble reading and understanding social cues and connecting with the emotions of other people, this lack of connection reads as a lack of empathy.

One of Entrapta’s clearest moments of compassion is when Hordak faints in front of her. She may not be the best at reading people, but when Hordak collapses, it’s clear he needs help, and Entrapta doesn’t hesitate to rush to his side and do anything she can think of to take care of him. When she knows someone is hurt, when she knows they need her support, she offers it immediately.

Mermista, Perfuma, Glimmer and the rest haven’t seen Entrapta’s capacity for empathy the way the audience has. In their eyes, Entrapta does only care about tech. Entrapta left the Alliance, built robots for the Horde, and made armor for Hordak that made him a force to be reckoned with in battle. The princesses have a right to be upset about that. They may not see any reason to believe Entrapta cares about their safety. Fine. Once Entrapta is back with the Alliance at the start of season 5, the princesses are given the opportunity to own their feelings and talk it out. Tell Entrapta how her actions made them feel. Express their hurt, their doubts, and their fears. Give Entrapta the opportunity to respond.

Instead of doing this, the princesses distract her so they can talk about her behind her back, and Scorpia has to beg Mermista to give Entrapta a chance before they reluctantly allow her to aid the mission to track Prime’s signal. Despite their anger and resentment, and mistrusting Entrapta to the point of believing she might betray them as soon as she gets close to the spire, no one says anything to Entrapta directly.

Mermista expects Entrapta to disregard the group’s safety in the pursuit of her special interest. She doesn’t trust Entrapta to help the group unless Entrapta is bribed with the prospect of going to space, and talks down to her repeatedly throughout the episode. Perfuma is anxious that Entrapta will lose focus and wander off, and thus leashes her to try and maintain control over the situation.

The narrative frames these as natural reactions. In their minds, why should they trust Entrapta? She’s so spacy she doesn’t even remember who Glimmer is. However, examining the language the princesses use when talking to Entrapta, they are not trying to reason with her -- they have zero patience from the start. Only after Mermista and the others blow up at Entrapta when the mission goes wrong, and she proves she cares about them by continuing to help anyway, does their opinion of her start to change.

The onus is put on Entrapta to prove she cares about her friends, when it should be a joint responsibility. Healthy friendships are built on foundations of mutual trust and communication. Just one of the princesses could have tried to talk to Entrapta in a clear direct manner that wasn’t emotionally charged or condescending. Instead of judging and accusing her, they could have taken responsibility for their own feelings, and expressed their hurt in a more effective way.

Had the team talked it out, had they made an attempt to trust Entrapta instead of seeing her as an accessory to drag along (when she is the key piece in the mission), things could have gone more smoothly. Entrapta didn’t need to be controlled, she needed to be the one in control. The evidence? Once Mermista realizes Entrapta is trustworthy -- that she does care about them, and about Glimmer -- Mermista shifts the entire plan. The team then rallies behind Entrapta to cover her as she leads them forward.

This should have been a lesson to the Alliance. They made assumptions about Entrapta, and they were incorrect. All it would have taken was a small moment of apology or a real attempt to understand what went wrong. They’ve all made their mistakes, but now they can move forward and try to do better. Instead, it’s framed as if Entrapta needed to prove she truly cares about everyone, which is just… disheartening, to say the least.

Entrapta expects to be misunderstood and rejected by her peers (leading her to nearly losing her life on Beast Island), but she tries to help them anyway, in the only way she knows how. It’s not too much to ask the princesses to meet her in the middle.

I am grateful Entrapta didn’t have to sacrifice her identity and “become normal” to be accepted by the Alliance. However, I dearly wish she could have developed a more balanced healthy friendship with her fellow princesses.

Entrapta never had deep ties to the Alliance in the first place. That was the main reason she stayed with the Horde. I wish at some point they realized how much Entrapta was welcomed and accepted there. The enemy -- the Evil Horde -- provided Entrapta with more support than they ever did. That kind of realization should be huge!

A missed opportunity.

#entrapta #she ra season 5 #autistic entrapta #actually autistic #communication issues #it's not too much to hope for healthy friendships #I hope I didn't ramble too badly

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quinintheclouds · 4 years

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YES YES YES YES YES

Spoilers for RWBY Volume 8 Chapter 6

THAT WAS SO MUCH MORE THAN I HAD EVEN LET MYSELF HOPE FOR

It really looks like this is the Volume the writers realized how many answers we’ve needed for years and years, and is answering them now. I wish it’d come sooner, of course, but since they can’t go back and fix the pacing or writing, I’m really impressed and optimistic about how Volume 8 is going!

BUT MORE SPECIFICALLY

I would like to GUSH about how they handled the Oscar and Ozpin scenes. We have needed, nay, BEGGED for this sort of development, and it’s finally here. There’s too much I want to rave about so bullet point time!

[Note: I love the farmboy so this wound up longer than expected -- have a read more for your scrolling convenience -- TL;DR at the end]

We got confirmation that Ozpin has been pleading with Oscar to let him take over so he can burden the pain and torture instead. Oscar is the one refusing, choosing to take it himself because he knows Salem and Hazel will be much harsher on Oz. I thought that was the case, but I’m so glad they addressed it because otherwise we’d be wondering why Oz hasn’t offered. It does make me wonder, is Oz still able to take control without asking? Oscar was able to fight it in vol 6, and he’s come a long way.

Hazel is holding back -- at least, Oscar says he can tell that he is. This would keep in line with the battle at Haven, when Hazel was suspiciously playing defense and stalling by letting Ozpin monologue, then letting Oscar give a little protagonist speech... I mean, it sure doesn’t LOOK like he’s holding back. Look at this kid:

moving on before I cry,

Ozpin suggests he take over and try to escape.

Oscar says no, he has a better idea. “This is our chance.”

Oz: “Hm. Maybe you’ve taken one too many hits.” I like this for two reasons: one, because it gives us a taste of the ol’ lighthearted Ozpin humor we’ve missed since he’s been gone, and two, because it shows that he and Oscar think differently. They have different thought processes, ideas, etc. Oz didn’t immediately know what Oscar was planning.

Oscar explains that Salem can’t take on everyone at once, and thus has been sending people to infiltrate all of remnant first, to attack from within.

I LOVE that they had Oscar come up with this, because it is so in line with his character development in Volume 7. Not to mention how in volume 6 he was the one to figure out how to defeat Cordovin’s mecha. It’s cool to see him as a strategist, because while he’s a sweet kid from the middle of nowhere, he’s proven to be really smart and quick.

Plus, this gives him agency. People wanted Ozpin to return and save Oscar, but this is so, so much better. Oscar’s idea, Oscar’s choice, and Oz gets right on board. They’re agreeing to work together, despite their unresolved conflict. “Ozma learned the importance of living with the souls with which he’d been paired.”

AND THEN, A MOMENT I CANNOT THANK RT ENOUGH FOR:

The captions don’t show it, but Oscar AND Ozpin said this in unison. Now, this and the few seconds that follow were a rollercoaster of emotions. Let’s break it down:

When they said this together, I was positively GIDDY with excitement: they’re leaning into the “like-minded souls” thing and calling attention to the situation! Surely this must be a sign that Oscar and Ozpin will indeed both exist when their souls are one, as they are both equally parts of the combination of lives that is Ozma. Well, maybe not equally (yet?).

Then, my elation was replaced with dread. What if this was actually an indication of them “merging” in the way some of the FNDM interpret it will go, rather than how I think it does? Or what if that’s not what RT is doing, but what if the FNDM takes it as a sign Ozpin is taking over?? I can’t last the whole break without knowing!

AND THEN!!! Ugh, this made me so relieved. Ozpin says, in a slightly amused tone of voice with a trace of a laugh, “We certainly are similar, you and I.” YESSSSS more references to them being like-minded souls!! But still having differences!!

“Maybe we have been presented with an opportunity.” I’m really glad they went the route where Oscar is changing Ozpin’s mind on things. Oz no longer thinks he knows best, and is allowing Oscar to come into his own. Now he’s seeing how far Oscar’s come and the person he is.

Related note: The commentary for the vol 7 finale said that it was Oscar’s speeches to Ironwood about fear and trust that made Oz realize he’s been keeping secrets and hiding out of fear, and inspired him to come back. This is so promising for Oscar’s character going forward.

[Side note: Would love more info on what Oscar meant in volume 7 when he said “these memories... you’re back, aren’t you?” because? Is he just referring to the scenes with things like how he talked about Atlas’ history as if he were there, or does he have access to Oz’s memories now? 2 chapters ago we saw that he doesn’t yet know the location of the Beacon Relic. So unless he was lying really well, he doesn’t have ALL the memories yet. So which ones does he have? RT EXPLAIN]

Next,

I would like to call attention to the fact that Oscar smiled here. After Ozpin said they were similar, I was worried Oscar would react the way he has in the past: sad and conflicted about his identity, worried he’s becoming less of himself. But no. Like we saw in Volume 7, THIS is who Oscar Pine is. His development was his own, and we get to see that when Ozpin returned because Oscar had made him rethink his choices. Oscar Pine is more himself now than he’s been at any other point in the series.

It’s really brilliant how the writers have used these last 2 volumes to show that Penny, the robot, is one of the most human characters on the show; and Oscar, the boy cursed to death and rebirth with a soul that was not his own, is one of the most individualistic ones. It’s just really cool how they’re playing with our expectations of the characters. (They’re doing great with Salem, too!)

[Side note: Penny’s soul/aura was given to her by Pietro, and they still have distinct personalities and identities. It’s possible that’s a parallel to Oscar’s situation, but I do feel the merge’s completion will result in one remaining soul/identity - just not a “taking over” situation]

Okay, that’s the last of that rollercoaster I mentioned.

Time to get on a new one!

At long last, this episode finally gave us something we haven’t had since chapter 4 of volume SIX*:

*(I am not counting the one second of "Oscar." *glowy eyes* *Oscar blinks and is back in control* in the vol 7 finale)

OZPIN IS BACK!!!!

First, HELL YES I WANTED THIS TO HAPPEN!!!

Second, wow, they can change really quickly now. At first it took effort and was super visible, then just shook Oscar up a bit with the glowy eyes, and now it seems almost effortless, seamless. The eyes glow and the transition is smooth. I like it.

We didn’t get to hear Oscar’s thoughts after Oz said “Oscar, please,” begging him again to let him take control. So we don’t know whether Oscar allowed it out of pain, exhaustion, their plan, or a decision to trust Oz and work together here. Alternatively, Ozpin may have simply taken over of his own accord. I wish the writers would give us more insight to Oscar’s thoughts, because those scenes already have him talking inside/to his own head, so leaving some of his thoughts out can seem intentional and open-ended, which could mean more dragging out answers, but I think this was fine. Not the worst case of this by far lol

WHEN! HE! SPOKE!

I was hoping for this with all my heart. Over the course of volume 7 in particular, we saw Oscar’s voice, mannerisms, and speech patters start to resemble Ozpin’s. However, he still sounds and feels like Oscar. Going back to Volume 5, heck, even Volume 6 (which is when we last saw Ozpin in control), the voice of Ozpin speaking through Oscar is similar, but distinctly different from how Oscar’s speaking now. So I’ve been theorizing and hoping, and it CAME TRUE! Ozpin sounds more like Oscar now, while still managing to clearly be Ozpin.

Right from the first “Hello,” it was noticeable. It sounded almost like Oscar. I know it’s the same voice actor when one of them is in control (same body, same vocal cords), but that just makes it even more impressive. This is the first time we’ve heard Ozpin’s voice speaking through Oscar since QRWBY yelled at him in the snow in vol 6. And I was NOT disappointed.

“Why do you follow her?” I’ll keep saying it, but he sounds so much like Oscar confronting Ironwood.

“I know how you see me. But her? Look at what she does, how is she the answer, why not stop her??” This gives me serious deja vu to Oscar’s speech towards Hazel in the Battle of Haven (and his speech towards Ironwood in v7′s finale). That speech had given Hazel pause then, and this one does as well, now. Ozpin sounds angrier, though, more aware of just how far gone these people are, but knowing they can change.

Hazel calls Ozpin out for the same thing the FNDM has been, and honestly, it’s been a long time coming. Hazel’s motivations are extremely misguided, Oscar was right to stand up for Oz/Gretchen at Haven, and the show really needed to reinforce the Ozpin-isn’t-bad-actually thing. Now it’s all out in the open. But it’s Ozpin’s response to this that elevated this scene even more:

That’s it. Ozma has spent countless lives fighting a war that may be impossible to win. But if no one tries, no one will survive. The gods will destroy all of Remnant. Still, every single lifetime, he chooses to try. Like Oscar said in volume 5 (about Hazel’s sister but writing-wise also kinda about Pyrrha), “She made a choice! A choice to put others before herself. So do I.” Like-minded souls.

AND THIS!!! Good gods I’m glad he said this. The show went way too long before anyone even questioned the “You can’t” answer from Jinn. Nora mentioned it in passing earlier, which I liked a lot (though this really should’ve been discussed in volume 6, but better late than never). But here? We see that Oz never gave up, never planned on losing, not sending people to a battle he “knows they can’t win.” While Salem is immortal, she is not infallible. Not even the gods were. Salem can be fought. Even Hazel has a moment of hesitation, perhaps even realization, before Salem enters.

Salem manipulates Cinder, offering her the maiden powers she wants so badly, and Ozpin interjects. “You’ll only be helping her bring about the end, for all of you!”

I just wanted to show these shots because again, just as we’ve seen Oscar’s mannerisms become increasingly similar to Ozpin’s, now that he’s back, we get to see the other way around. Look at the surprise and fear on his face. Look at how he widens his eyes and raises his eyebrows instead of narrowing/furrowing them now. Listen to the sounds he makes when tortured or thrown about. Listen to the desperation and earnest passion held in his pleas. He’s no longer hiding -- he’s being honest with the people who scare him most, and truly trying to help them see the light.

[Side note: Cinder is not showing remorse in this scene, but I wonder how she’d react to Oscar, not Ozpin, being tortured. In the same episode, we have Cinder being tortured with a shock collar, AND we have Oscar decide to try to appeal to the humanity left in these villains. Last time we saw Oscar, Salem was torturing him with intense, almost electric magic. She might not care, but I wonder...]

ANYWAY I’m done for now. Have a TL;DR that wound up being long too

TL;DR:

Basically, I’m super happy with the writers for the detail put into these scenes:

they confirmed Oz has been begging to take over and bear the torture instead

had Oscar come up with an idea himself instead of getting rescued or immediately escaping

had Oscar view his dire situation as an opportunity, reminding us of his optimism and capabilities as a strategist

had Ozpin not know what Oscar’s plan was before he explained it (this might change as the souls become one, but it at least shows they think differently)

Oscar’s plan to appeal to the villains’ humanity and infiltrate Salem’s forces from within lining up with his volume 7 character development

had Oz trust Oscar and put his faith in him, which is progress for Oz

Oz and Oscar speaking in unison and agreeing to work together

Ozpin’s comment about them being similar, not the same

had Ozpin take control to speak to Hazel

Ozpin’s speech to Hazel and Cinder as parallels to Oscar’s speeches to Hazel and Ironwood, which CRWBY said were the reason Oz realized his secrecy is out of fear of trust, and Oscar’s points are what inspired him to come back.

Ozpin sounding and acting more like Oscar just like we’ve seen happen the other way around (though with Oscar, he’s holding true to his own ideas/morals, with Oz meeting him there)

established hope for some of our villains to defect, setting it in motion.

#oscar pine #professor ozpin #rwby ozma #the merge #rwby ozcar #hate calling them that lol but it's a useful tag #rwby8 #rwby #quinpost

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ramblings-of-a-mad-cat · 3 years

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I've never met ANYONE who actually likes the Chibnall era. Would you seriously say that it's objectively good?

Brace yourself for unpopular (albeit positive) opinions.

Objectively? I don't know, I tend to feel like media is very much subjective and down to opinion. But on the whole...yeah. I'm gonna say yeah. I think the Chibnall era thus far is every bit as good as the Moffat Era and Davies Era were. It actually blows my mind to see the fandom come together and almost universally agree that the show has gone downhill. It's part of the reason why I kind of stepped away from the Doctor Who fandom because there's something very demoralizing about re-watching clips from Season 12 and seeing literally every comment just talk about how the show is ruined. And if I re-watch old clips, very often I come across comments that talk about how the show "used to" be good, and should have ended with Twelve, etc. I know a little reluctance toward the new Doctor can be part of the transition process, but normally the fans are over it by now.

Things haven't really changed.

I've been re-watching Twelve's era, and found a new appreciation for him. But I re-watched Thirteen's era right beforehand, and you know what? It holds up. Season 11 is remarkably strong. I can't think of a single "bad" episode in that season. It focuses on the characters, and thus it doesn't have nearly as strong ambitions, compared to one of the Moffat seasons, which were clever but often convoluted. They couldn't always stick the landing. (Looking at you, Season 6) But every has it's good parts and it's bad. The same man who wrote The Wedding of River Song and betrayed the entire season's storyline in the process...also wrote The Doctor Falls, which is probably my favorite final episode of any season ever. The Chibnall Era is the same way. The Tsuranga Conundrum isn't really a bad episode, it's just kind of forgettable, apart from the Pting. But then it is immediately followed up by Demons of the Punjab, which is an exceptional story in every way. I want the Thijurians to return for Thirteen's regeneration, I'm saying it.

My point being that even if there are episodes you can't stand in the new era, is that really exclusive to Chibnall? All the way back in Season 1, they had The Long Game, which I remember disliking, but it was sandwiched between Dalek and Father's Day, which are in my opinion, the two best episodes of that season. A lot of people don't like Orphan 55, for example. But it's followed up by Nikola Tesla's Night of Terror. Does anyone really dislike that episode? You're valid if you do, but I think it's really good. Ask me about any episode in the Chibnall Era, and I'll find something to like about it. (Except maybe Arachnids in the UK...and that one's not even bad, just kind of weak.) Because like I said, there is good and bad in every season...and I do think that the fandom has overblown how "bad" the Chibnall Era is...though that may be in part because I think this era is generally good? Incredible companions, solid episodes, a great Doctor, and hey...this era actually made the Daleks scary again. That is impressive. Even most of the hated episodes, like Orphan 55 as I mentioned...I enjoy them.

I stand by that. I think this era is great. If anything, I don't like that they reduced how many episodes we get, because some of these stories, like The Witchfinders and It Takes You Away especially Fugitive of The Judoon, are just begging to be two-parters. Spyfall is the only real two-parter we've had, in my opinion (Ascension of the Cybermen and The Timeless Children feel like two separate stories to me) and the episode was much stronger for having the extra time. If I have one genuine criticism with the Chibnall Era as a whole, it is the stark contrast between Seasons 11 and 12. I love Season 11, I thought it was beautiful. I like it far more than most people. I also truly enjoyed Season 12. But they are worlds apart, with Season 11 feeling so standalone and Season 12 picking up with a big storyline that really hadn't been hinted at all in the previous outing. The tone is also different, with The Doctor and "the fam" having a distance between them that seems to have developed offscreen in between seasons. It was as though Chibnall wanted to give everyone a breather from big overarching plots after the Moffat Era, but then after one season he decided "break's over" because he wanted to tell his story. And that's okay! It is. But it's jarring. Anyway, let's talk about Chibnall's storyline. You know where this is going.

"That" episode.

I meant what I said before. There isn't a single episode that I actively hate as much as say, Listen. Now let's get very controversial, because I know what y'all are thinking. "Not even The Timeless Children?" And I'll just get this out of the way right now: I don't think The Timeless Children, or it's twist, ruins Doctor Who. I don't think it gets anywhere close. I mentioned before that I was demoralized reading the comments on a clip of Doctor Who...to no one's surprise, it was this episode. Now, I may just be biased...after all, I didn't even hate Hell Bent. But while I have my criticisms of Season 12, The Doctor's revised backstory accounts for exactly none of them. You want to know what really bothers me? That we had a seven season buildup to Gallifrey's rescue, a nine season buildup to it's return...only for the show to do nothing with it, and then just destroy it again a couple of seasons later. As someone who loved The Day of The Doctor, I'm mad about that. Among other reasons, destroying Gallifrey is the kind of card you can really only play once.

So no, I don't think The Timeless Children is perfect. The Doctor had a seven season character arc culminating in them learning the lesson that using The Moment would be wrong, and that it was never okay to do something like that. To hear her even consider using The Death Particle, that "Or, a solution" line in response to Ryan appropriately reacting in horror? Yeah, that upset me. I don't like that Gallifrey is gone again, and even if The Doctor wasn't the one to do it, she almost did, and she left someone else to do it in her stead. That bothers me more than The Timeless Child ever could. That being said...the Timeless Child doesn't bother me. Seriously, it blows my mind that people act like this twist ruins Doctor Who. It...really doesn't, guys.

It does not insult the legacy of William Hartnell. He is still The First Doctor. It's not like there isn't a precedent for secret incarnations from The Doctor's past. We didn't start calling Christopher Eccleston The Tenth Doctor after we found out about John Hurt. Nothing can change The First Doctor's status or take it away, nor do I think Chibnall is trying. He is doing what I've actually wanted Doctor Who to do for a while. Give us a story about The Doctor's childhood. (Listen doesn't count, I don't care, that was all kinds of bad.) Let me ask you, what does this really change? I've seen people complain about the revision of The Doctor's history...but there's a precedent for that too. We could play bingo with how many times Clara fundamentally altered or influenced the show's history. She is the reason he started traveling, the reason he chose his Tardis, and the reason he saved Gallifrey. Why doesn't that bother people, if this does?

I also understand it if people dislike this change because they feel as though it makes The Doctor a kind of chosen one, compared to them having just been an average person who wanted to make a difference. I get that. However, this is down to interpretation, and there are so many ways to interpret The Doctor. Some people love it when The Doctor goes dark, other people cannot stand it and view it as out of character. Some people love it when The Doctor is heroic and badass, when they save the day...others would prefer that they take the backseat, teaching the humans how to save the day themselves. "The man who makes people better." And which interpretation you get, where it falls on the spectrum...it will vary from writer to writer. Moffat loved to make everything about The Doctor, and Davies frequently compared him to an angel or a god. This is not the first time that the show has portrayed The Doctor as a godlike being. It's not even close to the first time. And honestly? I don't think this makes The Doctor special or supernatural. I think it makes them a victim, nothing more. A victim of child abuse.

People also disliked this episode for removing the mystery behind The Doctor...but I fail to see how it did that? There are so. Many. Questions. That this finale opens up. Where did The Doctor come from? How and why did they get to our universe? What exactly is The Division? What went down between them and The Doctor? Where is Tecteun? (No, she's not Rassilon...) As the Masters asks, "What did they do to you, Doctor? How many lives have you had?" Amid all of the comments that made me sad, I did see a great one about how the original creator of Doctor Who actually didn't like it when they introduced the Timelords, because she felt that it boxed the show in and removed the mystery behind The Doctor, and how "She would have loved this episode." I agree with that. (Still salty that they destroyed Gallifrey though...) You know, I am genuinely interested in this story and where it's going to go, especially with the sixtieth anniversary approaching. But it depresses me that they might scale it back now, after how much the fandom has risen up against it. Not that I'm saying the fans shouldn't be happy, but...it's clear that a story is trying to be told here, and I think it should have that chance.

To each their own, of course. But I will never understand why this era is so hated.

#Doctor Who #Dr. Who #The Doctor #The Thirteenth Doctor #Chris Chibnall #Chibnall Era #Doctor Who Season 12 #Doctor Who Season 11 #Long post #Boy did this get long #Ramblings #The Timeless Children #The Timeless Child

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miss-musings · 4 years

Text

Here’s why Sessrin personally doesn’t bother me:

1. The Mythology

Granted, I’m not an expert in Japanese mythology/folklore, but I do know that there were beliefs that male dog demons could be tamed by human women who offered them food. At that point, the dog demons would become loyal to their women and protect them (and in some cases fall in love with them). (EDIT: link to a video about the folkloric roots of Inuyasha here.)

This is exactly what happened between Sesshomaru and Rin. He was hurt; she offered him food; and he revived her and protected her thereafter.

Now, I don’t know if dog demons in the Inuyasha universe are bound by this rule or if this is just an allusion to mythological beliefs. If the former, Sesshomaru either consciously or unconsciously has no choice in his loyalty to and care for Rin.

It might be like — and I hesitate to use this as an example — imprinting in The Twilight Saga. It might be that her offering him food forced his “center of gravity” to start shifting from himself and his ambitions to her and her well-being. Granted, I don’t think this is exactly like imprinting (and I’ll talk about that more in a bit), but it might be like it in that Sesshomaru had no choice in the matter as he was bound by the magic that governs his kind, so that when a girl offered him food, he became attached to her.

But even if it’s just an allusion to the mythology and Sesshomaru isn’t automatically bound to her by way of his demon nature — which the flashback to her smile before he revived her kinda hints at — her kindness still won him over to the point where he does something he’s never done before and shows compassion for a human.

So, it might be that Sesshomaru is “bound” to Rin in some form or fashion, whether by the magic that govern his demonic nature, or simply by virtue of her kindness softening his heart (much like Gohan did to Piccolo in Dragon Ball Z).

2. Undefined, Evolving Relationship

OK, so the reason I say it’s *like* imprinting but not it exactly is that you can see that the level to which Sesshomaru cares about Rin clearly evolves between when he first meets her and the end of The Final Act.

When she’s first abducted by Naraku, Sesshomaru hardly bats an eye. Maybe he’s upset, but if so, he doesn’t show it. Jaken even thinks that Sesshomaru could forsake her by not going to rescue her, and even Rin wonders whether Sesshomaru will come for her. However, he does, although his motives are clearly mixed. Maybe saving Rin was a secondary motive and he mostly wanted to destroy Naraku for insulting his pride, or maybe it was the other way around. We don’t know exactly, but Sesshomaru does confirm that he’s not there *only* to save Rin. In fact, he completely forgets about her until Naraku uses her safety as his ‘ace in the hole’ while he escapes. And, again, despite being told that Rin’s life is in danger, Sesshomaru only looks miffed and it takes him a second to decide to set off to save her. Even as Kohaku is about to cut her down, Sesshomaru just stands there.

Now, compare that to how Sesshomaru acts when Naraku abducts her right before the final battle in TFA. He’s clearly upset when he first hears about it and immediately flies off to save her. When he enters Naraku’s body, his first priority is to save Rin. And I always loved how, even once he saved her, it took him a while to finally pull out Bakusaiga and finish Naraku off. Personally, I would’ve done that the second she was safe, but oh well. It’s almost like he forgot he had a sword that could destroy everything in a single stroke. 😂

OK, so the point is that, even if Sesshomaru is automatically bound to Rin, it’s different than how the wolves in Twilight are bound to their imprintees. It wasn’t immediate, first of all, and he doesn’t act like someone whose entire ‘center of gravity’ has shifted even by the end of the series.

While he definitely cares about her well-being, he also doesn’t become overly affectionate with her either. He mostly treats her with a kind indifference, unless she’s in danger. She’s free to do whatever she wants, but he often leaves her and Jaken behind. I personally believe this is both because he doesn’t want them in the way *and* he wants to keep her out of danger.

We also know Sesshomaru hesitated in having Rin as a traveling companion in the first place.

Even if you don’t count the Forever With Lord Sesshomaru episode because it’s filler, Sesshomaru admits in TFA 9 that he should’ve left Rin in a human village for her own well-being. However she apparently wanted to travel with him, so he allowed her ... for whatever reason. (As I like to say, “Because, plot!” Sesshomaru needed character development and someone to get kidnapped to motivate him to do things.)

Even by the end of TFA, I’d argue that Sesshomaru has finally grown to the point where he’s able to let go of Rin and see that it’s best for her well-being if she *doesn’t* travel with him. Sure, he still visits her and brings her gifts, but he’s not so blindly attached to her to the point where he can’t let her go. (At least to live somewhere else; dying is a different story.)

OK... so that begs the question: who is Rin to Sesshomaru? How did he see her during the Inuyasha series? In what capacity did he care for her?

Going back to the imprinting deal, the wolf and imprintee are regarded as soulmates. Even if the wolf imprints on someone way younger than himself, he will always want to be in her life in whatever capacity is necessary and appropriate (brother, protector, best friend, etc.). Then when she’s old and mature enough, the two will have romantic feelings for each other.

We can already see that this is far different from how Sesshomaru treats Rin, at least initially. Again, he thought about leaving her in a human village after reviving her and eventually did leave her at the end of TFA. He recognizes that he doesn’t need to be in her life and shouldn’t be, either because it puts her in danger or she needs to be around other humans, but probably a bit of both.

So, is this just Sesshomaru waiting around until Rin is old enough to be a romantic interest for him, as is the case with the wolves in Twilight? I argue no, because again, he was never overly affectionate with Rin.

I think Sesshomaru sees her as someone who is under his protection in a very general way. When she’s in trouble, he will save her. If he can’t be there, he ensures Jaken and/or A-Un stays with her. While Jaken says that Sesshomaru treats her better despite Jaken being his loyal servant for decades, I think that’s because Rin — as a human and a child — requires protective attention that Jaken doesn’t need as an adult demon.

Otherwise, Rin seems to fend for herself. Sesshomaru doesn’t teach her, doesn’t provide for her (other than maybe finding that orange kimono for her off-screen, but that’s speculation), and generally doesn’t interact with her much other than protecting her.

He doesn’t seem like a father or a brother, and I don’t think *he* thinks himself in that way. At the very least, others in-universe don’t. Kagura labels Rin as Sesshomaru’s ward and Inuyasha calls her a companion. Even Jaken doesn’t give Sesshomaru and Rin’s dynamic a label in TFA 9, other than saying he treats her better than he treats Jaken (who has his own reasons for being jealous of any attention Rin would receive from Sesshomaru even if it’s because she’s a human child who needs protection in a way Jaken doesn’t).

So, anyway; what I’m trying to say is that Sesshomaru is attached to Rin in a way that’s unique and powerful, but also seemingly undefined in the Inuyasha series. He wants to keep her safe, and he definitely cares about her to the point where he risks himself to save her on multiple occasions and feels that her life was priceless compared to growing stronger by training with Tenseiga.

Now, did The Powers That Be definitely hint that Sesshomaru and Rin would end up together romantically one day (namely by pointing out similarities between her and Kagome and Izaiyoi)? Sure, but you can’t necessarily blame Sesshomaru for that.

Is a girl getting married and pregnant at 16/17, even if it was a different era, something I wish the Yashahime writers would’ve avoided? Yes.

Are people allowed to feel uncomfortable that a male demon knew and looked out for his future wife while she was still a child? Yes.

Do I understand why people are upset about Sessrin? Yes, but I personally am not.

#inuyasha #sesshomaru #hanyo no yashahime #setsuna #towa higurashi #rin inuyasha #sessrin is canon #sessrin

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ravenadottir · 3 years

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You know what? Thank you for reblogging/adding to that post about the hot mess that is Fusebox's handling of LGBTQ characters/content. At first I chalked it up to them having a small team and wanting to emulate the show (which is so straight it's painful sometimes) as much as possible to better market the game, but we're now almost 4 seasons in and as a queer person I am TIRED. They have an opportunity to make the game better and more inclusive in a way the show will frankly probably never be and they're just...not going to do that because ????? (Money. It's because of money). Yet in every survey they have these questions about diversity/identities/inclusivity we want to see so they can pretend like they're going to include it AND get it right.

And yeah, maybe some of it COULD be interpreted as "things a closeted person would say to deflect suspicion" (looking at you Chelsea, our "unfortunately I am very heterosexual" bra 👀), but the thing with that is it will only ever mean anything like that if they actually...write the narrative to show these characters are actually closeted/working through the process of discovering themselves. Which they won't!!!!! So we're just left here reading things into lines here and there trying to build some queer characterization that makes sense because the writers can't (or won't).

oh my god, THIS! ALL OF THIS!! money will always speak louder, and i'm confused on why they think they would lose players over better queer storylines, so they just give us scrapes and drafts.

because hey, if you think players wouldn't download the game and pay real money for it, the homophobia lies within. you're trying to predict something you're not even sure it's gonna happen.

and i follow fusebox on twitter and instagram, and i can say i've never seen people complaining about queer characters' screentime ????

"write the narrative to show these characters are actually closeted/working through the process of discovering themselves."

if there was any intention of bringing those arc to full circle there would be a finishing touch, some realization, development in interpersonal relationships that involve said sexuality somehow.

BUT NO.

there's never more than just joking around and being awkward about it. either they make girls run like criminals (WEDDING EPISODES HAVE ME IN ANGER SWEATING), or having a small crumb of content, and for what!??!

DON'T GET ME STARTED ON THE BOYS.

i said last year that i hated what they did to tai and ciaran's storyline. it was so poorly handled and legit scary how they thought "yes, this is good. it's fine that we never planted a single seed of affection between them, not even a small sign of flirting or banter" and threw the coupling card around like it was nothing.

after so many players begged, OUT LOUD, for a bisexual male couple, after seeing what it was done i was left in tears, man. they really said "TAKE IT. ISN'T THIS WHAT YOU WANTED? NOW TAKE IT."

if the female characters already get the shorter end, the male ones don't even have an end to grab on!

what's the hold up about bi boys??? is it so hard to find them in the wild to get their perspective? cause i follow a shit ton of them on instagram and tik tok, and the subject about them always ends up being how biphobia hits their love life.

the whole point of including queer characters it's because we want people to realize IT'S NORMAL, and we need representation. just because male players are not the majority here it doesn't mean fusebox shouldn't get it done properly!

it feels like the company needs to open the discussion in their office, because this is painfully straight envisioned. besides, you mentioned the show, and i have to say, being based off it, they have the power to bring awareness so it won't stay a taboo.

saying "i'm not straight" shouldn't cause a wave of horror in people. it only stimulates more ignorance on the matter, and people fear what they don't understand.

not giving proper representation only brings more reasons to people dismiss it like it's nothing, but they forget REAL HUMANS ARE OUT HERE, PLAYING THE GAME, ADVERTISING IT ON SOCIAL MEDIA THROUGH MEMES, HEADCANONS, FANFICTION, BESIDES PAYING REAL MONEY TO CONTRIBUTE TO A GAME THAT BARELY CARES ABOUT THEM.

sexuality is a spectrum, and that's the very basic reason why it needs to be treated more carefully, AND MORE FREQUENTLY.

and thank you for your ask, you just legit said everything and a little more on it!

#litg #fusebox #love island the game #fusebox games

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wonda-cat · 3 years

Note

You mentioned rewriting that one analysis post on Tommy’s revival stream and I’d really look forward to it! I never got to read the full og post and that’s the only place I saw these takes. Especially the one about the afterlife being too depressing. It’s not even just about Tommy, the implication that even if every character is safe and happy by the end, this is their inevitable fate is messed up. It’s not “a neat subversion” it’s just depressing and doesn’t add anything.

Hey, anon!

I sorta decided to not rewrite it? I feel a bit differently about the essay in the end, although I still believe in most of my points. I’m also just not nearly as passionate about it as I was when I wrote it (I finished it in a single sitting, which was... interesting.) However, yes, the afterlife stuff still bothers me just the same, as well as the odd changes to Wilbur’s characterization... post mortem.

But—just for you, anon—here’s the entire meta-analysis essay anyway, with some minor edits to the stuff I don’t agree with anymore!

My Many Narrative Issues with Tommyinnit’s Revival Stream

I want to preface this by saying that I dearly love the Dream SMP and understand it isn’t exactly comparable to other mediums like TV and film. With this being the case, most criticism against it is generally in bad faith or strange in foundation. Complaining about streamers for bad acting is the best example that comes to mind.

These aren’t professional actors. Most have never acted in this sort of setting, or even at all. Quite a few have admitted to never roleplaying before. Which is why it’s warranted to praise Tommy, Dream, Wilbur, Ranboo, and others when they deliver stellar performances. The same applies to criticism of music choice, dialogue delivery, focus, tone, etc.

However, one such category I cannot overlook is in regards to its writing. The writing of a story is its entire foundation. It encompasses many things—conflict choice, character development, themes, and morals. The author creates the blueprints for the architect, who then expresses the story with light, sound, color, pacing, and music. It is in its execution that we see if this connection is made or broken.

The reason I find poor writing mostly inexcusable is because it is one of the most available skills to practice and perfect. I don’t mean to say that it’s easy, I mean to say it is something anyone can attempt to cultivate. Whether they do it well or not depends on their methods and experience. If anyone can self-publish a novel and be criticized online for its quality—and even compared to the works of Mark Twain—then I find critiquing the writing of the Dream SMP to be perfectly reasonable.

However, since the Dream SMP script is a set of loose bullet points, tearing apart dialogue and scene continuity—which is nearly all improv—is rather useless. It doesn’t exactly have a clear focus as the plot plays out. The characters talk in circles until they hit the story beat required, and then they move onto the next. Thus, when criticizing it, one should generally critique grand events and narrative-specific shifts, more so than small-scale character interactions.

Which brings me to my main point: The broad narrative choices taken in Tommyinnit’s most recent livestream, ‘Am I dead?’ may lead to disastrous writing pitfalls in the future.

I’ll be outlining each of my issues below, in hopes of creating a better understanding as to why I feel this way.

This might become quite lengthy, so please bear with me for a bit.

Tommy’s relationship to Wilbur has flipped. This change is jarring and seems out of character.

Tommy and Wilbur’s friendship is rather complicated. While Wilbur does care for Tommy immensely, especially during the L’Manburg Revolution and the Election Arc, his mental spiral during exile put a massive strain on their relationship as a whole. Wilbur brushed off Tommy’s feelings and wants, while clinging to him and pushing everyone else away. He was simultaneously distant and suffocating.

Tommy, on the other hand, has an unclear view of his mentor. Since the beginning, and even long after Wilbur’s death, Tommy held him in especially high regard. He saw him as a brother-figure and a wise leader. He followed what he said and did everything he could to impress him. Yet, Wilbur still hurt him while the two were together in exile.

When speaking of him, Tommy tends to flip infrequently between remembering Wilbur the way he was before his mental decline and thinking of him as a monster. Both of these images conflict with each other, but they weren’t nearly as extreme as what Tommy described Wilbur as when he was revived from death. The fear Tommy displays to Wilbur is beyond intense—it feels as if the audience may have missed a month’s worth of character development.

This can make sense, especially since it was stated that he’d spent what felt like two months in the void. However, this shift is still deeply at odds with Tommy’s previous impressions of Wilbur, which is both disheartening and confusing. The fact that Tommy would agree to stay with Dream—his abuser and murderer—over his past mentor is simply head-reeling. It paints a very different picture of Wilbur’s character, somewhat conforming to the fandom’s ableist impression of him—the idea that Wilbur is insane and irredeemable, and always will be.

It also ignores Dream being the driving factor in Wilbur’s downfall, as well as the double-bind deal with Dream which required him to push the button, no matter the outcome. Others have pointed out that Tommy may be lying to get Dream to bring Wilbur back, and there’s compelling evidence for that. For one, Tommy and Wilbur’s conversation seemed uncomfortable, but it was certainly nothing like Tommy implied. (Unless this fear comes from something Wilbur said off-screen.)

Tommy also begged Dream to not bring him back multiple times over, which he should know would make Dream even more tempted to, simply because he likes seeing Tommy in pain. Tommy is also a known unreliable narrator. He may be making Wilbur out to be worse than he is by accident (even still, I’d argue this is a bit of a stretch.)

However, there are some issues with this theory. Tommy offered himself as payment to Dream if he chose to let Wilbur rest. This is a deal Tommy knows Dream is extremely unlikely to refuse. Tommy is what Dream has coveted all this time. If Tommy genuinely wanted Wilbur back, he would not offer this. This sort of compromise is Tommy’s greatest nightmare—something he would only do in response to his friends being threatened or his home being destroyed.

To add, Tommy is not great at lying. Unless he was taught by Wilbur for those two months* in the afterlife, there’s no chance Tommy would be this good at it. Thirdly, Tommy is terrible under pressure. He uses humor to cope. When he can’t, he cries and shouts and spills his heart out. While cornered, Tommy will tell the truth about anything, especially if Dream casually debates killing him again, just for fun.

For now, it’s too early to tell how the relationship shift will play out. In the grand scheme of things, this issue is rather minor.

Season three’s writing is needlessly bleak. The portrayal of the afterlife is a nightmare. There is no rest, not even in death.

I adore the Dream SMP storyline in its entirety. I believe the first season is fantastic, and while the second season has some narrative clarity issues, I enjoyed it just as much. Although, I would argue season one had a more concrete understanding of its Hope-Conflict balance.

To briefly explain, the Hope in stories are its ‘highs’ and good moments. These appear when a character the audience is rooting for is narratively rewarded. They happen during character building in the text—it’s the downtime and peace that allows for connection and relatability. It’s a moment for the viewer to breathe easy.

The other half is Conflict, an obstacle in the story that gets in the way of the main characters’ goals, beliefs, and motives. These are the ‘lows.’ They give the narrative focus and weight. They make the highs feel even higher. They establish consequences and force the characters in the story to change in order to adapt and overcome them.

I bring up the Hope-Conflict balance because a traditional hero’s journey would have an appropriate amount of both. Their highs and lows are generally equalized, as the name suggests. However, this balance has been awkwardly skewed in the latter half of season two and in the current plot of season three. To clarify, it is perfectly reasonable, and even common, for some stories to tip the scale more to one side.

But a common mistake for amateur writers is to create their stories as either hopelessly dark to cause the audience continuous distress for the sake of distress, or to keep everything entirely conflict-free for most of the plot. What do these both have in common? They each make the story boring and predictable.

Season three has taken this concept and thrown a monstrously heavy weight onto the Conflict side and flipped the scale so hard it has crashed through the ceiling. The viewers are hardly given time to find any joy in Tommy’s character, as he’s thrown into yet another abusive situation, just barely after his first narrative reward. The world is painted as relentlessly violent and traumatic.

Every person Tommy meets is morally grey, unhinged, or out to hurt him. Everything most of the characters love is taken from them by those in positions of power. Ranboo cannot even grieve properly because it scars his face. Puffy, Sam, Ranboo, and Tubbo all blame themselves for what happened to Tommy.

The audience watches lore stream after lore stream with the same depressing tone (with the exception of Tubbo’s, but I assume that’s unintentional.) Tommy is revived after being brutally beaten to death by his abuser, surrounded by all of his greatest fears. The afterlife is revealed to be akin to inescapable torture. It’s a colorless void that wraps the individual like fabric.

Time moves thirty times slower within. There’s nothing—nothing but the voices of others who’ve passed on before him. Dying in a world already devoid of happiness takes the characters to a place worse than hell. When a narrative delivers unfair suffering to the entire cast without a moment of joy to speak of, the story will feel simultaneously overwhelming and pointless.

Why watch characters suffer when there’s no light at the end of the tunnel? What happiness could they strive for when we know they’ll never get to keep it? How can I be satisfied with a good ending, if I know that an afterlife too terrible to name is what awaits them, truly, at the end of their story? Death isn’t even a white void that offers rest—it is eternal torment.

Obviously, it isn’t a good message to send by making the afterlife seem like a quiet, perfect place or an escape from pain. But making it an unspeakable anguish which awaits, assumedly, every character who will die in the future? I deeply hope Tommy was only being an extremely unreliable narrator.

More likely, I hope the place Tommy was taken to was a Limbo of sorts, not an end-all-be-all destination for everyone.

The degree of Tommy’s narrative punishment continues to escalate, to an almost absurd degree.

Tommy is one of the most tragic characters to exist in the storyline. He was sent into war at a young age and experienced two traumatic events during it. He was exiled by the newly elected leader and witnessed his mentor Wilbur spiral and break down with paranoia. Tubbo is executed publicly in front of him. When expressing rightful anger at the person who murdered him, he’s beaten nearly to death and never receives an apology.

Schlatt dies right in front of Tommy, after his initial refusal to hurt the ex-president. His brother-figure and mentor is killed in assisted suicide on the same day his nation is blown up. His best friend exiles him from his home for the second time. He routinely self-sacrifices to protect his country and those who live there. His most treasured possessions were taken from him and he was called selfish for trying to retrieve them (although his methods were self-destructive and volatile.)

He was pushed to the brink of suicide after being relentlessly abused and isolated in his exile. He was horrified when he thought he was responsible for drowning Fundy. After making an objectively good decision to stand by his old friends and change for the better, his country was obliterated by the man he once idolized, his father-figure, and his abuser.

He was left scattered and without purpose for many days. Then he fights against Dream and loses, while also reliving his trauma. He watches Tubbo almost die at the hands of someone he once thought was his friend. He doesn’t tell a single person about what happened to him in exile. The day he tries to sever his connection to Dream and heal, he’s trapped with him for a week, surrounded by everything that terrifies him.

He threatens to kill himself, speaking about his own life as if it were an object—something to hold over Dream’s head. He blames himself for everything bad that’s ever happened to L’Manburg and his friends—internalizing a mentality as a scapegoat for everyone around him. He is forced into the role of ‘hero’ despite the title being unfair and distressing to him.

As if that weren’t enough, he’s then beaten to death by his abuser and spends what feels like two months in an afterlife that is worse than hell. When he returns, his senses are excessively heightened. Dream can cause him excruciating pain, just by pinching him. He can send Tommy into an instant panic attack, just by raising his voice.

The punishment Tommy’s character receives is a thousand times worse than everyone he has ever met, or ever will meet. And it shows no signs of stopping, as Dream now has control over Tommy’s very mortality. Tommy now fears the slightest damage and feels as if he’s losing his best friend all over again. He is also forced into a position where he has to kill Dream out of necessity, to protect everyone he cares about.

Characters need fitting punishments in relation to their actions. Not always, but in order to be satisfying? Yes, they do. It is preferred that a main character deal with unfair situations and difficult conflicts, but this is borderline torture p*rn. Putting Tommy in these distressing and abusive situations on repeat and punishing him for doing objectively moral or healthy things is exhausting to watch.

To quickly add, I find the general insinuation of Tommy going to hell distasteful, especially considering the contents of his storyline. I know this may be hard to believe, but Tommy is one of the most moral characters in the plot, besides Puffy and Ghostbur. He’s also the only character, followed by Ranboo, to recognize that they can be wrong and make mistakes. He changed himself in order to heal and be a better person. He was in the process of paying people back for the things he’d stolen.

He’s learned to be hard-working and less violent through the guidance of Sam. He has apologized to everyone he’s ever hurt (with the exception of Jack Manifold, because that man is allergic to communication.) He puts himself in harm's way to protect others. He doesn’t set out to purposely hurt anyone. He goes out of his way to make connections with people and maintain them, even if others don’t reciprocate.

He’s hopelessly optimistic, despite his outwardly bitter façade. He loved so much and put meaning into the smallest things. The thought that a person like him—a suicide and abuse survivor—would go to hell after being beaten to death by the man who took everything from him; it makes me sick to my stomach.

The only thing more morbid than Tommy’s afterlife being different than everyone else’s, is the concept that everyone will end up in this same eternal torture, no matter what they do. Take your pick: Tommy is sentenced to anguish until the end of time for no reason, or everyone will receive the same disturbing ending, regardless of their actions.

The narrative weight of Ranboo’s character is potentially out the window.

For the past few months, I’ve watched all of Ranboo’s lore streams faithfully, curious to see what role he would play in the future. His ‘hallucinations’ of Dream seemed to be sowing the seeds for a plot that has Ranboo taking the fall for every single insidious thing Dream has done. It would also be a tragic parallel to Tommy’s trial.

Ranboo being convinced he was the one who blew up the community house, when Dream himself admitted to doing it, was one of the bigger indicators for me. This is just one of many other unexplained occurrences. Dream seemed to be making an effort to trigger and control Ranboo, especially after Sapnap’s prison visit. It appeared, from the way he went about this, that Dream had some grand use for Ranboo as part of his plan to be freed from Pandora’s Vault.

However, after Tommy’s stream, the way Dream explains himself makes it seem like there was no plan besides seeing if the book worked on people. And if he didn’t after all, then what was Ranboo for? Was Ranboo unimportant? Was Ranboo just some weirdo who happened to phase out when seeing smiley faces and imagined conversations that may or may not have happened?

I bring this up more as a worry, and much less so as an active problem in the narrative. They haven’t actually thrown Ranboo to the way-side or written themselves into a corner yet. In future streams, this could very easily be explained away or developed as more information is revealed.

Only time will tell.

The potential for Wilbur’s future development and importance to the plot is unfeasible.

I feel as if I am the only person on earth who doesn’t want Wilbur Soot or Schlatt revived. There are many reasons for this, but one of them is not a dislike for these characters. I especially adore Wilbur, as he’s one of my all-time favorites. I don’t want either of them resurrected because their stories have already been told. They each had a fitting conclusion that ended their involvement perfectly.

Bringing Wilbur back would especially cheapen the impact of the War of the 16th. It’s the end of a man who was brought to the absolute edge and out of desperation, shame, and self-hatred, he destroyed himself alongside his creation. Bringing him back would leave the climax of the previous story hollow. My biggest issue, however, is that a lack of story importance would likely follow his return.

The only real impact I’d like to see is through a healing arc with Tommy, an apology to Fundy, or a confrontation with Phil/Niki. But that’s really all the potential I can realistically see. While I don’t doubt Wilbur as an agent of chaos, able to create plot out of thin air; what is he going to do now? His country is gone, his friends and family are scattered about, and his mission from the 16th is already accomplished.

What is a well-educated, charismatic politician supposed to do in a world already broken and without nations? Read poetry to himself and cry evilly? However, this is working off the assumption that Wilbur would be returning as his old self.

If Wilbur is resurrected as a ‘villain’ of sorts, then what? He’s not good at fighting in the slightest. He would have no materials. There are no real allies he can make, other than the arctic group. On top of that, there are already more than enough villains to last a lifetime.

We don’t need any more, I promise. Quackity seems to already be shaping up as another antagonist, alongside Sam’s slip into darker and darker shades of moral ambiguity. We also have Philza and Techno, which are already overkill. But then we have Dream who, despite being in a prison, has the ability of selective revival. This is mercilessly overpowered, especially if he makes many allies. The dude could just bring his dead friends back so they can keep fighting forever.

Then there’s Jack Manifold and the Crimson followers; Antfrost, Bad, and Punz. That’s not even including characters who are refusing to get involved. How are Tommy, Tubbo, and Puffy expected to do literally anything to fight back?

Dream’s experiment on Tommy implies he had no backup plan to begin with. This makes his character seem both short-sighted and foolish.

When Tommy woke up after being brought back to life, Dream sounded surprised that the revival worked at all. This instantly shatters the perception that Dream was highly intelligent and thought ahead. With just a few lines of dialogue, it’s implied that Dream killed Tommy, unsure of if the resurrection would even be possible on humans.

Which, to risk something that important, seems unbelievably stupid. Dream needs Tommy, from his perspective. Tommy is his ‘toy,’ the one who makes everything fun. If he lost him and couldn’t get him back, what then? Oh well, everything Dream was doing was all for nothing, I guess.

Why not attempt this experiment on literally anyone else first? Like Sapnap or Bad or, hell, even Ranboo. I suppose it could be that, as soon as Dream got the book, he experimented with it after the 16th. This appears to be insinuated with Friend and Hendry’s revival, although this is uncertain. But even then, he was still unsure of the book’s effect on a human being.

Also, this means, hypothetically, Dream’s entire plan of escape hinged on the experiment working, to begin with, and also on bringing back Wilbur if it somehow did. I find this even more ridiculous. Why Wilbur? That man couldn’t find his way out of a paper bag, let alone get through the traps in Pandora’s Vault. Even if he is intelligent after years* in the afterlife, that’s also a strange assumption.

How do people learn things in the void? Where do they even get this knowledge? I’d honestly argue Techno is a far more competent choice than Wilbur. And even if Dream did bring him back and tell him he owed him his life, what’s to stop Wilbur from just killing him permanently? Or killing himself, continuously?

No way would Wilbur want to be controlled by anyone, ever. The dude would sooner fuck off into the mountains and become a nomad than help a neon green bodysuit cosplay as Light Yagami.

Dream’s discussion about Sam implies that he wasn't playing any part in Dream’s plan, making Sam appear entirely incompetent and neglectful of Tommy.

Dream talked about Sam in a way that seems detached and unaffiliated. He also mentioned him being broken up about Tommy’s fate and not being aware he’s still alive. Dream not being partnered with, or not using Sam in his plan leaves many plot holes. I’ll go through each one. The initial incident was an explosion, coming from the roof of Pandora’s Vault. This did not affect the Redstone mechanism for the doors or dispensers.

Meaning, Sam could’ve had Tommy leave the way that was expected for visitors after he investigated and found no issues. This likely couldn’t have been done in less than a day, but it would be better than an entire week. If Tommy was required to stay for longer, due to protocol, he could’ve gotten Tommy out and then placed him in one of the minor cells for the remainder of the time.

Also, no one else lost a canon life for leaving via the splash potion of harming and returning outside the maximum-security cell; why would Tommy? To add, Sam being uninvolved means that the explosion could have only been caused by Ranboo or Foolish. That, or it was placed long before and timed for the moment Tommy entered the main cell. (I’m going to ignore how ludicrous it is that someone would know the exact time Tommy would’ve entered the room with Dream.)

If Ranboo was the person behind the detonation, this implies he was necessary for Dream to kill Tommy to test the book. But that makes it even stranger. If this was Dream’s goal all along, why not kill Tommy the instant he was trapped with him? It makes no sense for him to wait so long.

Sam is also directly at fault for not letting Tommy out, even after the week was up. There was no reason not to. He already knew there were no issues with the prison at that point. Although, to be fair to Sam, his character may have been paranoid and checking everything more than necessary, just in case. But this still isn’t a good excuse for him ignoring protocol in this one instance, and yet, not in any of the others.

All of these plot holes or inconsistencies would be removed if it was revealed that Dream was blackmailing Sam in some way, or Sam had been working with him since the get-go. That Sam was the person who set off the explosion in the first place to trap Tommy inside. It would also explain Sam’s refusal to let Tommy out and by keeping him in there for longer than necessary.

This can also coexist with Sam’s attachment and care for Tommy. He probably wasn’t told about Dream’s plan to test the book and genuinely believed Dream wouldn’t hurt him. On top of that, Dream is known to be a pathological liar, so his statements about Ranboo and Sam could be entire fabrications.

Who knows?

The Book of Revival invalidates death entirely. The narrative now lacks both tension and consequence.

Another way the Dream SMP differs from other storytelling media is in the way it goes about its character deaths. In a TV show, for example, there will be characters who die just because, or when it’s important to the plot. However, it seems as if the Dream SMP is hesitant to commit to killing its characters. And there are many reasons for that.

The most important one being, killing someone’s character excludes them from the story and some of their livelihoods depend on them regularly streaming on the server. There is also the issue of the cast becoming extremely sparse if characters keep dying. Typically, in stories, when you kill a character, you should introduce another.

This keeps the cast from dwindling as the storyline goes on. This means the writers would have to find new streamers to join, who will develop their own characters and relationships with the plot’s continued momentum. This can be stressful and daunting to those who may be newly added in the future.

Keeping this in mind, the Book of Revival is annoying from a writer’s perspective. When death is no longer an issue for a story hinged on its characters’ mortality, then what do you have as a consequence anymore? We’ve explored every kind under the sun; from abuse, to betrayal, to loss, to destruction.

In stories, traditionally, death is a finality. It’s a conclusion. Whether it’s good or not depends on the character’s actions, its build-up, and the event’s execution. Without this lingering sense of danger, tension evaporates from the story.

Why should I care if Tommy loses in a fight to someone, if he’ll just come back a day later? Why should I care about what happened to Wilbur, if he just returns as if nothing happened? The answer is simple: I won’t. I will no longer care if Tubbo or Ranboo or Sam die in the story, because the idea of revival even being a possible outcome leaves me unenthused and uncaring.

The Dream SMP likes to flirt with death. It teases the demise of its main characters many, many times. More so Tommy’s than anyone else’s. Wilbur’s failed resurrection, which had unforeseen and unfortunate outcomes, is now strange in comparison to Tommy’s, which happened without a hitch.

To be fair, we actually don’t see how many attempts it took. But here’s the problem; Dream could do it without the book being physically present. He’s trapped in a prison with nothing on him, meaning he doesn’t need any materials either. It’s also implied he could do this as many times as he feels, for anyone he wants. This would be exceedingly overpowered, if not for one thing—Dream himself is mortal (at least, I fucking hope he’s mortal.)

If someone kills him one last time, that knowledge is gone forever. And I’m glad they’ve established at least some way for Tommy to win. Because at this point, I was losing faith.

There is also the bare minimum establishment that Dream can refuse to bring back those he doesn’t care for. He can also use it as a shield, holding this power over other people. If Dream is gone, death is permanent. But isn’t that how death is supposed to be, anyway?

What a bleak premise—the afterlife is pure eternal torture while life is cheapened by a lack of consequences.

Conclusion

All this to say, I am cautiously optimistic for the future. I hope dearly that every single one of these can be disproven or developed in the coming livestreams. Obviously, there’s not enough information to really determine what the end result will be, or how everything will fall into place.

Every time I have theorized about the story, it has done something completely different and pleasantly surprised me. I want this trend to continue.

Surprise me again—I’ll be here to see where it goes.

#answered asks #long post #tommyinnit #dream smp meta #dream smp #dsmp #dsmp analysis #this is slightly outdated still but whatever #hope this was helpful anon #tw abuse #tw suicide

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bnhaven · 4 years

Text

A Potential ‘Hidden Quirk’ Idea

To begin: I am so sorry. Truly. I swore I’d be a writer of fluff, and yet here we are...again...whoops.

Anyways, let’s get on with it!

So, if there’s one thing we love about our innocent cinnamon roll of a boy, aka Izuku “Deku” Midoriya, it’s that he’s willing to go beyond (plus ultra style) in order to save the day, even going so far as to break his bones to the point of disfiguration. Adrenaline helps him fight through the pain, and even then I’ve heard a lot of people talk about his insanely high pain tolerance.

Like, ridiculously high. I mean, the Overhaul fight??? Where Izuku just destroys himself so that Eri doesn’t Rewind him out of existence? Wild. It’s like, unimaginable. Even with the decade of bullying to get used to pain, it’s almost unreal for the green bean to be able to push through so much naturally.

Which is where I say: what if it wasn’t natural?

Look, some Quirks are probably hidden ones. Ones that you can’t immediately see, ones that aren’t emitter types. Quirks that just affect the wielder, not anyone else. Like Nedzu’s High Spec, for example. But what’s another Quirk that no one would be able to see?

One that negates pain.

Now, I don’t think that Izuku would have always had this Quirk. I think it’s one that needed the right conditions to form. Like, let’s say...a really hard punch, something with an almost explosive force.

Lucky for Izuku, he has a classmate with a very painful Quirk, and a penchant for using it on those he deems weaker or lesser. Thus, when the bullying started, Izuku’s Quirk finally kicked in after one hit went too far.

The Issue: Nobody realizes that Izuku got his Quirk. Not even Izuku realizes it. Why? Well, Izuku thinks it’s just a high pain tolerance. He still feels Bakugou striking him, he just...doesn’t feel much else. He knows that he feels pressure, so he must have just gotten used to Bakugou’s hits. (And with all of the burn scars that Izuku is gaining, he wouldn’t be surprised if he’s lost some nerve endings due to the damage.)

And Izuku would definitely have burn scars in this AU (I’m not really sure if canon gives him said scars, I’ve done more reading for this fandom than watching, oops.) But no matter what happens in canon, this Izuku would have burn scars for one reason: Since Izuku doesn’t feel pain, he doesn’t cry out. Since he doesn’t cry out, Bakugou thinks his explosions aren’t strong enough to hurt...so the boy uses stronger blasts in an attempt to prove his ‘point’. (There is definitely an inferiority complex going on here, where Bakugou subconsciously worries that his Quirk is weak if ‘Quirkless Deku can stand there and take one of my hits without a single flinch’.) He pushes himself harder, lets more force into every controlled blast, etc.

So Izuku has no clue that he has a Quirk, Bakugou uses crazy amounts of explosions on the boy, neither realizing just how much damage is happening because Izuku can’t feel any pain.

Canon continues. The Sludge Villain stuff goes as usual, and All Might chooses Izuku as his successor just like always. The training montage from hell might actually be more self-destructive, not only because Izuku feels the need to catch up but also because he doesn’t feel so exhausted/sore. (Along with pain, the boy also doesn’t really feel when his muscles and body are sore, so he doesn’t realize he needs to take a breather.) But that isn’t the focus, so let’s move on!

The Entrance Exam occurs, and wow that really should have clued someone in. Because Izuku breaks his limbs for Uraraka and when he hits the ground, instead of dragging himself away he tries to stand up. He actually manages to find a 3-pointer, and breaks two more of his fingers by flicking in its direction, destroying it with a gust of air before he collapses to the ground.

But wow, everyone is just like ‘this boy is wild’ before completely forgetting about how they heard his bones crunching with every step.

Continue on.

Quirk Apprehension Test? Izuku doesn’t really get why Aizawa is complaining about how he shatters himself. Like, he doesn’t need to stop just because his arm is apparently broken. It’s fine, he can still use it. Still, he settles on breaking a single finger because he can’t risk expulsion, and he definitely doesn’t have the courage to talk back to a teacher.

Hero v. Villain Fight? Izuku doesn’t even collapse after the final blast, instead walking off without batting an eyelash. Iida ends up corralling him to Recovery Girl’s room, because first Izuku protested having to leave without getting to watch the other teams, then he got distracted by the school and nearly got lost.

USJ? Izuku goes a little more feral, fun times.

Sports Festival? Oh honey you know things are going to get wild here. Broken bones left and right, yeehaw it’s shatter city baby!

Izuku ends up with even less self-preservation with every passing problem, basically. Since the boy can’t feel pain, he assumes that any injury that he does get isn’t that bad. After all, wouldn’t he be crying and, you know, hurting if it was bad? Izuku knows what pain feels like, and this isn’t it!!

It’s only the realization that breaking bones so often could end his career early that causes Izuku to try new approaches to the whole Quirk-using situation. Even then, the boy has no sense of when to stop, and as such pushes himself to the point of passing out from either exhaustion or blood loss multiple times.

-One such time was after getting impaled. The boy didn’t realize he had a broken pole halfway through his back until Kaminari screamed and passed out from seeing Izuku bleeding, a giant rod jabbing out of him. Izuku tried to shrug it off.

Sometime around the impalation incident, people begin to notice that Izuku has a freaky high pain tolerance.

But nobody really connects the dots until Bakugou goes too far in training.

The bad news: his opponent loses a limb.

The good news: It is Shouji, and it’s one of the regrowable ones.

The bad news: the following dialogue occurs after school…

Bakugou: What the fuck? But that’s barely anything!

Aizawa: Bakugou. That explosion had enough force to sever your classmate’s hand off of his limb due to how you directed it. You should know to limit yourself by now.

Bakugou: But I was! That one is so weak that even Deku can walk away without flinching!

Aizawa: There is no way that Midoriya would be able to move on without needing medical attention after a hit that bad.

Bakugou: He has.

Aizawa: ...I beg your pardon?

Bakugou: Deku fucking has! How do you think I learned my limits, huh? Deku has taken a hit like that directly to the chest and didn’t even flinch! I know how weak I am!

Needless to say, Aizawa proceeds to lose his absolute shit. He makes Izuku stay after class the next day, and questions him about whether or not Bakugou has ever used his Quirk on him.

Izuku, a boy who is unafraid of breaking three limbs to save a girl from a giant robot, but who is terrified of teachers most of the time, cracks without too much pressure. He admits that Bakugou has used his Quirk on Izuku for years, but ‘It wasn’t bad, sensei! They were like love taps, I never even felt a thing!’

And Aizawa knows something is wrong with this, something isn’t adding up because if Shouji lost a limb to Bakugou’s hit, Izuku has to be lying...or there’s another factor in this equation.

Aizawa dismisses Izuku, and spends the night trying to figure it out.

And then he does.

The next day, he makes Bakugou and Izuku stay in the classroom during lunch. He questions them on their past. Bakugou complains about how ‘weak’ he’s always been, Izuku brushes past the concern without much thought because it never hurt, and sure there were markings but-

Aizawa: Markings?

The scars are revealed. Well, the ones on his upper body.

This is when Bakugou begins to realize that he’s fucked up.

During training, Aizawa pulls Bakugou and Izuku off to work with him separately. He

brings out machines that test how much force a blow gives off, and has Bakugou throw his ‘weak’ explosions at them.

As it turns out, Izuku should have been in crippling pain from everything Bakugou did. And then Aizawa drops the ‘I think you have a pain-related Quirk’ on Izuku, and yeah.

I didn’t really plan an end, sorry. I just think it’d be interesting, you know?

On the bright side, at least Izuku isn’t constantly in pain!!! He just got his body a whole lot more damaged than he would have, and has maybe half of the self-preservation that his canon counterpart possesses.

Finally, for an extra bit: Izuku only feels pain when Aizawa erases his Quirk. It’s not pleasant. (And, to make him even more oblivious, Izuku believes that the pain is because his Quirk is being ‘severed’ in its connection, not that this is lingering pain that comes from having bones shattered over and over without hesitation.)

#bnha au #izuku has a quirk #izuku can't feel pain #bnhaven #I went feral once more #my apologies #katsuki out here learning that his standards for strength and weakness have been skewed for a decade

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hatsukeii · 4 years

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Fam I needed to just write something to restart my brain and jumpstart some shit so

Just yeah you can ignore this fic if you’d like but I’d say still maybe give it a read because I don’t even know what I’m doing it’s 6am and I was brainstorming and got this

Angst btw, haven’t done that in a while

Okay but before that look at my baby though like he’s so perfect and precious and I love him sm🥺 so let’s make him suffer more on my blog hm🥰

Proud// Tsukishima Kei x Reader

Word count: 1.6k+

Warnings: Depression, self hatred, self harm, dead reader

Summary: I honestly don’t know at this point I just wrote down everything I could think of

All that clouded his mind were thoughts of disappearing. Staring mindlessly over the school’s rooftop, he felt a sense of euphoria. Maybe it was just his suicidal tendencies, or maybe it was more, but at that very moment, Tsukishima was imagining how it would feel to jump right off. It didn’t matter, really, did it? People took it as a joke. They took his attempts as a joke. “You’re just being overdramatic,” they’d say. “There’s no way you’d ever do that.” “Stop chasing attention.” Even with cuts on his bare skin, nobody reached out. “You wanna die? I’ll buy you pills later, yeah?” Well, yes, he did want to die, but the team never realised he was serious about it. Nobody ever realised he was serious about it. High schoolers took mental illness as a joke anyways. A twisted, disgusting, horrid joke that Tsukishima could do nothing about but smile and laugh along in order to hide his pain.

Except you.

He still remembers the way you would smile at him. God, you were the only one that would do that. How you sat with him in an empty classroom every single day, rubbing circles into his back as you told him everything would be okay. All those library weekends and study dates together, and not once did you ever complain about his need to rant. You were there to listen to him when no one was, yet all good things had to end. You were gone, and he wasn’t sure what to make of your death. It hurt. Everything hurt. His mind wasn’t stable enough to process it.

It was when you finally gave your last breath in that stupid, stupid hospital ward, did he realise how much he needed you. All the times he’s stopped himself from overdosing were because of you. He knew how devastated you would be if one day you woke up to the death of him on the news. You’ve done so much for him, he would never let himself cause you pain. Never. Yet now, he was back to square one. He was alone again. He was left on his own to fight through this dull, torturous, cruel world. He had to push on with his life, yet there was no one here to push on for. His one reason for living was gone.

The rooftop was quite chilly. Wind blew across Tsukishima’s, as if it was slapping him across the face. Did he look good at that moment? Tucking his shirt back in properly, he grabbed a jumper from his bag, pulling that over himself. If he was going to mourn, might as well mourn looking at least decent. He didn’t remember the wind being this cold. Was it always this cold? “Hey (Y/n), do you need a sweater...” He turned around, expecting to face you, when another gush of wind sliced across his cheeks. This was going to take a while to get used to. He used to let you wear his sweaters when it got chilly like this. You would always pull the sleeves over your hands to make sweater paws, the one thing that never failed to make Tsukishima smile stupidly. The extra sweater he habitually brought to school now sat in his backpack, with no one here to wear it. Sure, he could give it to someone else, another girl even, but it wouldn’t feel right. It never would.

“Ahh, it really never lasts does it?”

And he would be right. The best relationships never last for him. Was it a curse? Some kind of sick hex on him? He would never know. Two good relationships down the drain. First his brother, now you. Why didn’t he see the signs? How you oftentimes skipped school without a warning, the way your face went paler and paler by the day, it almost made him laugh at how utterly stupid and unsuspecting he was. How could he have let all those little things slide? He hated himself for not noticing earlier. If he knew he would’ve done anything to make you the happiest person he knew. There were so many things he wanted to do with you. He was planning on bringing you on a date someday, before telling you how he had quit the cutting. He wanted to show you all the constellations someday, as per your request to him. He wanted to feel your arms around him, hands stroking his hair and his neck tickly from you mumbling sweet nothings into it. He wanted to one day hold your hand in his, comparing the sizes as he laced his fingers with yours. He was trying so hard not to disappoint you. He made a promise to himself that he would let you be the first to know, yet that won’t work out now that he can’t tell you anything. He was so close to his goal, going from cuts all over his arm to occasionally a cut or two on his wrist. He could imagine the way you would cover your mouth like you do when you cried at the movies out of joy, before lunging forward and holding him tight, not letting go, just like how you usually would when he made you proud. Would someone else ever do that for him? No, that would be over demanding for anyone else. High schoolers didn’t have time for shit like this. Nobody cared enough to sit there for hours on end trying to unravel the puzzle that is his mind.

He could almost hear you next to him, patting his back and whispering into his ear just like the old days.

“Kei, I’m so sorry. I really am. But I... please don’t hate yourself. Hate me. Hate me for leaving you so soon. Hate me all you want, but never, ever hate yourself. You are the best thing I’ve ever com across. Your poor soul needs to heal, and I promise, I’ll be watching you from above.”

The thought of your last words snapped the fragile string in him as tears rolled down his cheeks, the rooftop breeze blowing them into his mouth. He would never hate you, even if you wanted him to. He simply couldn’t and that goes without question. When he heard about you being in a hospital ward, he practically dropped everything he was doing and zoomed over, praying he could see you at least one last time.

“I... fuck- promise..?”

He shakily held out his pinkie, his eyes shut tightly as he tried to stop the tears. For a moment, he felt your pinkie graze against his, before it fell.

“(Y/n)..? (Y/n) wake up, wake up please! Please, you can’t leave me now, I can’t handle it by myself, please... I’m begging you...”

Your parents stared as the unknown blond boy wailed, pouring his tears onto their child’s hospital bed as he refused to accept it.

“(Y/N)! I’M SORRY, I’M SO, SO SORRY! I’M... I’m sorry, I couldn’t make you the happiest person in the world.”

It’s okay, you thought.

You already did, Kei.

He never got a reply to his question.

“Tsukki? Tsukki! Lunch is about to end!”

“Ah, shit”

Rubbing his eyes, he looked down, eyes painful from crying. Was it already the end of lunch? Probably, but it wouldn’t hurt to skip a class or two once in a while.

“It’s fine Yamaguchi.”

His friend was the most concerned after your death. He knew that Tsukishima was bound to have a hard time accepting the death of his anchor. He may not have realised it himself, but Yamaguchi knew Tsukishima well. And from everything that he’s seen, he was absolutely sure that he was in love with you. He was so in love with you to the point where he would probably never recover from losing you. He could see that you were such an important part of his life, that losing you would be equivalent to dying. Yet now, his best friend was alone again. Yamaguchi never fully understood Tsukishima, you were the only one that was able to dig deep into his mind and console him properly. You were the definition of his comfort and vice versa. The two of you were inseparable. Yamaguchi truly didn’t know how to help at this point. Tsukishima was damaged beyond return.

“Tsukki, I know it’s really hard on you, but I promise it’s going to get better. Please don’t do it even if you think it’s worth it because it’s not. I’m not saying this out of pity. You helped me up at my lowest and I want to do the same for you. Losing you would be losing the person I’m the most thankful for.”

Tsukishima would kill himself with no problem. What stopped him was knowing that even if he did, he wouldn’t be able to meet you. He could never see you again no matter how hard he tried. A person like you, who selflessly helped him during his hardest times, greeted everyone with a smile, you were bound to end up somewhere nice, whether it was heaven, or reincarnated into a millionaire. The universe would never accept someone like himself. He hurt himself and others in many ways, he was going to hell for everything he had done, and although that would be okay with him, a promise was a promise.

So he was going to live.

He was going to live on, stop cutting, and be the best person he could, all in honour of you.

He was going to live and make you, watching him from above, proud, even if the two of you were to never meet again.

Tags:

@izzyphantomgamer @sunshines-and-tatertots @tiredgr3mlin @tiger1719 @skyeackermans @macaronnv @ewfilthymundane @samanthaa-leanne @kaylacinderella @inlwlevi @random-fandomlover @majorfangirl37 @itmekisuu @trashcanweeb @sakusasgarbage @eightaces @fandomwriter73 @mariechan123 @iwaigroomi @oyasenpai @sneezefiction @emsvegetables @poppirocks @shoutsukii @bokutokoutarou @artsamber @xonfusedsoul @justachillgirl @just-another-bored-writer

I’M BACK FUCKERS

I’ll do some requests now lmao

#haikyuu #haikyuu x reader #haikyuu imagines #haikyuu scenarios #haikyuu headcanons #haikyuu tsukishima #hq #hq x reader #hq imagines #hq scenarios #hq headcanons #hq tsukishima #hq tsukki #tsukishima #tsukishima kei #tsukishima x reader #haikyuu angst #manga #anime

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bitch-for-a-rainbow · 3 years

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Supergirl 6x08: Thoughts, Defense, and Criticism

I will say the episode mildly exceeded my expectations. I was very please to see them actually exploring trauma in a semi-realistic way.

I’ll start with my most positive— and most widely agreed with opinion: that Danvers sisters scene kicked ass. It is the kind of content that the show has been sorely missing. From Alex’s failure to open the wine bottle to Kara’s breakdown, there wasn’t a single beat that didn’t work in that scene. I LOVED Melissa Benoist’s performance— the halting, hesitating speech and lack of eye contact— you could feel just how painful it was to talk about the phantom zone, let alone admit she was still afraid. Chyler Leigh played her part wonderfully— the care with which she spoke every word just oozed love and worry. The casting of those two together was just a miracle.

(More under the cut. A lot more.)

There was some awkward dialogue (did they think the audience wouldn’t know who a reporter named Iris was? They had to include the full, hyphenated last name?) but honestly it was pretty good for a supergirl episode, so I can’t really complain.

Melissa Benoist is just a powerhouse of an actor and it showed this week. I could go on and on about her perfomance but there’s a lot more to say about the episode so I’ll just say she’s the bomb and move on.

Brainy and Nia were delightful as always, providing much of the humor of the episode and still shouldering some of the more dramatic beats. Brainy’s welcome home hug for Kara was something I felt in my soul don’t @ me.

The Nia/Lena friendship. I didn’t expect it, but I am certainly enjoying it. Hoping to see them hang out more (though maybe with a different topic than dead moms)

Lena continues to be a seedless addition to the Superfriends. Her leaving is, however, one of the few major issues I have with the episode. It’s weird. And random. From a purely character standpoint I don’t understand why she wouldn’t even wait a week for Kara to get settled back in before leaving. From an overall plot standpoint, I just don’t care about the Lena mom arc. I never have, and honestly I think there are better uses for her screen time— then again, removing her opens up that time for other characters and let’s the writers move along her character development offscreen— it worked for Mon El!

But seriously, i don’t know if Lena is going to just disappear or if we’re going to have a separated sub plot of her doing things and I don’t really care. I just want her to do something that I have any vague interest in, like have her finally pay back that debt to Andrea from 5x01 (did that even still happen? They called Kara a Pulitzer winner this episode.) Or have her work with Nia to track down information about interpreting her magic dreams, or go on a team bonding subplot with Alex where they get over the mind control and attempted murder via satellite thing (maybe talk about Alex’s experience with Myriad, or maybe, you know, have her resolve anything with Kara. Try and bridge icy awkward gap that happens when you realize your best friend was a lying asshole and you slightly overreact by trying to make it physically impossible for anyone to be mean to you ever again.

And speaking of Andrea— I’m actually really enjoying her character for the first time since crisis. She was fun in a way that made me laugh and worked well to both further herself as a character and push the plot. I’m genuinely excited for her scenes next episode. And they wrote all this without changing her at all as a character. Something just clicked this time, I’m not sure if it was how unstable Kara was so her aggression was actually effective or that her subplot actually had consequence this time, but it was nice.

And Zor-El was there, I guess.

I have, personally, been against any Kryptonian resurrections since season 1. Supergirl had their go of it, and it worked very well, and they used up their slot. Reign earned an exception for being a bamf and giving us what the best fight scene supergirl has ever had. The other worldkillers did not. And Argo made me unreasonably angry, especially when it was so painfully wasted.

Zor-El is just the new, shiny version of Argo and equally useless. (Also, Argo is alive again? Did we know that?) This is not to say I didn’t enjoy him at all, this episode is the first that I’ve liked him. But still. That one throw away comment about the phone calls and superhearing being hard to deal with could have led to a really interesting conversation with Kara: tackling the really unpleasant parts of her childhood, the difficulties she has pretending to be human, and ultimately the pain and suffering her caused by sending her off, alone, to care for an infant on a foreign planet. They knew it would give her powers; did they know what those powers would mean? Did they care?

I wanted that conversation, and I wanted the others, Nia in particular, to hear it. (Nia grew up a half-alien in Parthas, Kara grew up with the DEO hanging over her head like an ax— that difference has always intrigued me.)

Zor-El and Sesame Street was sweet, though I don’t know where he found the time to binge that and learn to control his powers all while Kara was still asleep.

Kara saying Clark used to beg to bring her to the fortress is a blatant retcon of seasons 1 and 2, but I think the writers make copies of the show bible just to set them on fire each episode.

And again— very interesting possible conversations. What does Zor think of his so very not Kryptonian-Kryptonian nephew? What does he think of Kara’s distant relationship with him? What does he think of Clark dumping Kara on the Danvers (for very arguable reasons) and then barely acknowledging her existence (for considerably less arguable, I’d totally in-character reasons)? What does he think of Clark’s data crystal that built a whole fortress, while his contained the recipe for his bio-weapon and a hologram of his wife? (What kind of person sends their teenage daughter off with a baby and a bio-weapon? The fuck did he think she’d need that for?) Was it so important to him to preserve his work?

Would it KILL THEM to have one conversation acknowledging Astra and Non’s existence. Just to explain how Kara knew her father was responsible for Krypton’s destruction. Could I have that instead of Oscar the trash monster? (Trash robot? Trash robot monster?)

Overall, I enjoyed the episode— it was better than I expected. I’m cautiously optimistic for next week.

And one more thing:

Where the fuck is Lex?

Don’t get me wrong, I’ve been praying for his character to go away for over a year, but like???

His abuse victim just left him.

The abuse victim who he torments for the fun and attention of it.

That victim.

Just told him he doesn’t get any more attention.

5. Episodes. Ago.

And he didn’t blow up half the city?

No “Look at me! Look at me!” destructive rampage?

Are they building up for something? They haven’t even mentioned his name. Even if he doesn’t lash out, he’s still a supervillain. Who’s got all this power and money, and is in controlling of a bunch of government stuff.

Idk.

Just.

Feels like someone should get on that.

#this was fun #might do it again next week #and yes I am working on that ask I just need to rewatch the episode and stuff #supergirl #supergirl 6x08 #supergirl recap

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