How did you come to draw and paint the way you do? What inspirations do you pull from? All of your art oozes with some strange, almost ethereal emotion I've not quite seen anywhere else, something similar to what I'd like to capture with my own works.
I’ve always had a bit of a hard time answering this bc like…I honestly think aesthetic/inspirational/taste stuff is a library you build up over your whole life, or maybe a closet that you try things on to see what does and doesn’t work for you. My biggest advice to this kinda stuff is to experiment a lot and take in a lot of media in a purposeful way, and try to actively apply things you like about said medias to your work. And don’t just consume stuff within your field, I take inspiration from a ton of stuff that isn’t art. I also recommend having somewhere to keep a kind of reserve of inspo, wether it be on tumblr or Pinterest or what have you.
So with that being said I’ll try to sum up what I can about myself.
I’m a horror lover, have been since I was (too) young. I’ve consumed a ton of horror movies, read a lot of books, and certainly have digested a lot of art about it. I am a bit of a haunted person haha, and I’ve always really attached myself to horror, and with some exception to just purely cute stuff I truly am always thinking about it with my work. I am not really aiming to make people feel comfortable with my stuff, in fact often the opposite, but many feel understood anyways which feels nice. I don’t think horror for horrors sake is always as fufilling to me, it always pulls from something internal that I’ve been wrestling with or are afraid of myself.
I am classically trained in fine art due to the kind of art program my highschool had (magnet program if that means anything to anyone), it was incredibly good and I always feel so lucky I got to go there. Bc of this I learned a lot of techniques in painting as well as the fundamental of art. I don’t think my art would be the way it is without this training, but I also think with how the internet is now you can probably do the same thing at your own pace, just have to be dedicating a decent amount of time and mental energy into it.
Bc of my highschool training I also learned about art history, which had a big impact on me, particularly renaissance, baroque, and rococo. Religious imagery as well had a huge impact on me, particularly catholic (probs cause we learned about it it the most). I would say doing master studies with these would be a huge help.
I would say it’s important to me that each “full” illustration tells a story of sorts, I can’t really help it, I’m a story teller at heart. I use a lot of symbolic imagery, I pull a lot from religious imagery but also within fruit, flowers, personal objects… I think “what am I trying to say with this work” and kind of go from there with what I choose. Make your own personal symbolism language.
There’s like this certainty digital painting aesthetic I really enjoy by niche furry artist lol, many of them really nsfw so I don’t feel comfortable linking to them. It’s like…highly detailed well rendered pieces that they make with literally one brush that is often without any kind of pen pressure, just layering things with opacity. It’s crazy and yeah idk they’re definitely up there in inspo for me.
I really really care about fashion. Lolita was my first love in terms of clothing, and I pull a ton of inspiration from it, but also a lot of other street styles and runways stuff. I like drama and frills.
I play with my art and stories in a way that I don’t know how to describe other than childlike. It’s important for me to do so in my process, but basically, I let my imagination run wild, I talk to my characters, I listen to music and think about them. A lot of my bigger pieces take a lot of time of me thinking about them ahead a time, I draw in my head a lot. Sketchbooks are a huge help in this.
I thiiiiiink that’s all I have to say for now…I could probably list a million things but this feels like a good core to start with. I hope it’s not too vague, but I’m always good to keep answering stuff like this if you wanna know about one part in depth.
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Inspired by Stuart Beattie's script for Obi-Wan back when it was a movie.
Quote from interview:
“Yeah, yeah. Cody was the big one. I love the idea of Obi-Wan having a buddy on Tatooine. Like a secret buddy. So like the first time he goes into town, you see, Cody, and he’s following him through the streets and attacks him, takes him into an alley with a knife to his throat and says, ‘You’re dead.’ And then you realize, ‘Oh, no… Cody’s making a point.’ Like, ‘Come on. You got to be more careful.’”
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PLEASE DO NOT REPOST, EDIT, TRANSLATE, OR OTHERWISE USE MY ART. To share, please reblog! Reblogs and comments greatly appreciated!!!
❀ You can see the rest of my art through the Masterpost pinned to the top of my blog!
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Something different for you today! :D
So I saw a comic and It's lived rent-free in my head. It's great. I love it when this happens. It's by the lovely @strawberry-catcake, who is extremely talented and you should go and check out their stuff! It's based on the following comic
This was fun, I dont usually write Wild like, at all.
Without further ado, may I introduce, Behind the mirror
:D
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Not satisfied with this but :/ Sanxingdui-inspired Erlang Shen design brainstorm because I have a pet theory that the numerous blue-green skinned designs of him might be due in part to his Shu heritage (modern Sichuan area, where the sanxingdui artifacts were unearthed). Also his Heavenly Eye being interpreted as a third eye too but that's less so relevant to this design.
[ID: A bust portrait of Erlang Shen, with screenshots of sanxingdui artifacts and three green-blue-skinned adaptations of him beside him. He has light green-blue skin with black eyes and a golden third eye. His eyebrows extend up into a curlicue design and his two normal eyes have golden eye shadow. Atop his head is a helmet, the front of which echoes the design of several of the sanxingdui artifacts next to him. His head and helmet are colored and shaded, but his chest piece is only a sketch. Like his helmet, the chest piece has curlicue designs echoing sanxingdui artifacts. End ID]
EDIT: Link to more of my thoughts on this because I think it's an interesting connection even if I'm unsure how historically supported it is in reality :>
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