#but i dont really care tbh

[beelas-bees]

Cheeteh z, answer honestly, do you hate women

[jondoe279]

atp i genuinely doooon’t care if the old guard two is the worst thing put to film i just want to see the best character of all time (andromache the scythian) and her loser henchmen and everyone’s favorite girl nile freeman again

[toldentops]

On the topic of “reblogs>likes”, I find that I don’t reblog art with these “out of spite and hatred in my heart” or whatever the fuck, I’m just kind of sad that this is a phenomenon in the first place. Like, as an artist, I absolutely understand that reblogs do count, especially depending on who reblogs it. But also as someone who used to obsess over the numbers on notes and get frustrated about something that I put effort into not getting attention, you kind of have to learn to realize that a) it’s not healthy to seek validation all the time from people on the internet and b) post what you like to post, and you will attract people that will reblog your posts eventually. Sometimes a post will just get happen to get seen by a popular blogger and reblog it, sometimes not, and you are not “owed” their reblog because they’re popular, which is another argument I’ve seen where people think they’re obligated to reblog their art. Sometimes it just depends on the content or the fandom and you have no control over it and that’s Fine. Some art I like enough to reblog, some art I’ll just leave a like, and that’s not a measure of how “good” the art is. And everybody operates their blog differently and nobody should be obligated to do one thing or another. And before anyone brings up “relying on social media for business” I absolutely do understand as someone who does business online, but you’re going to be getting attention primarily from people who already like and follow your art, and from my experience and seeing other people, lamenting on why your posts don’t get notes and if your art is good enough for attention is just going to drive people away. Sorry for being blunt. Have confidence in your art. Idk I wish there was more nuance about this topic but most talk about it annoys me anyways post over

[starrysharks]

alright, here it is: ZENO'S COLOR GUIDE 3.0 !

here, i'll have three "chapters" regarding color:

CH1: how i color in illustrations

CH2: color and character design (in zeno's case)

CH3: how zeno makes his colors cooler

CH1: HOW I COLOR IN ILLUSTRATIONS

it must be noted that, as of lately, i heavily use halftones in my art and the way i use them for gradients effects my color choices. of course you don't need to use halftones if you don't want to, as it's just my personal choice, but anything regarding halftones here could (probably) also apply to regular gradients!

when choosing colors in an illustration, i usually have three things in mind: mood, character, and contrast. we'll be using "gloomy bunny naptime" as an example here.

MOOD: what's the vibe of the piece? for example, here in "gloomy bunny naptime", wanted a mellow, sleepy vibe, so purples and pinks seemed like the best choice. these colors also have a dreamy effect due to being common in real-life early mornings/summer nights - basically, i tend to use associative colors in illustrations.

i usually only use a pallete of 3-7 colors, though of course more characters calls for more colors. for multi-character pieces, i would actually make a "rainbow" of colors based on the mood of the piece - essentially, a bank of colors to use for your colorful casts based on the actual rainbow. you can alter this based on the saturation levels you want! hope that makes sense. i'm not the best at this though, so i would heavily recommend looking for guides from artists who are more skilled in that department.

CHARACTER: velvet is the focus of the piece, and as a character her palette is made up of many purples and pinks. of course, it's easier because she and ribbon both have similar designs, but i would still recommend using colors based on/complementary to the focus character's pallete, though this is a rule that can and should be broken if needed. gradients can be used to provide a smooth transition from color-to-color and add depth to the piece, as well as showcase velvet's pallete. when making any gradient, you probably want to have a vibrant middle color. this is difficult to achieve in most art programs, so i'd do it like this:

you can use gradients in lots of cool ways to make stuff pop! (i think this collage shows i use too much purple and pink though.)

CONTRAST: the context of the piece also aids the color through contrast. (that's a lot of Cs!)- we see that velvet is just waking up, and the light from her switch is glowing brightly. i wanted to convey something like her switch suddenly turning on in the middle of the night, waking her up - so the console emits "light" in the form of illuminating the contrasting color of pink against the purples. it might seem specific to this piece, but what i'm trying to say is that contrasting colors can lead the eye to the focal point of the piece, that being velvet herself. because a great deal of the rest of the piece is dark, we look at the contrasting switch screen - the brightest thing in frame - and our eyes move around and up to take in the focal point character. at least that's how i wanted it to be ;w; i guess you could convey it as something like this?

CH2: COLOR AND CHARACTER DESIGN (IN ZENO'S CASE)

this is where i start to get annoying, so stand back! when deciding on colors for a cast of characters, there are many factors: time period, variety, personality, and more that i can't think of.

TIME PERIOD: this one is simple. for example, a futuristic time period (such as that in x-calibur) calls for colder colors, such as greens and blues. for characters involved in futuristic professions such as space exploration, this works incredibly well. for modern time periods, less focus can be on colors and more on the shapes of the clothes, but this is not a shapes tutorial! i don't have any ancient times oc stories, but i'd probably use earthy and warm tones.

VARIETY: this is also rather simple. i try to be aware of the palletes that i used, and the similarities they might have with other characters. i try to use similar colors for characters who belong to certain organisations or have a uniform, but of course, it's not like catholic school students adhere their entire look to their uniform, so this is a rule that can be broken yet again. art is all about learning things and breaking them, remember that!!!

color can also be used for symbolism. my absolute fav example for this is vivica and octavia - the amount of red in their designs is supposed to represent the amount of freedom/passion/anger/confidence they have or are allowed to express under their different circumstances. as vivica belongs to a strict organisation, she has far less red in her design, showing her emotions are stifled - meanwhile octavia has it as her main complementary color because of her freedom to express her emotions, though those emotions may be destructive because of her circumstances.

PERSONALITY: what colors are associated with your character's personality? i actually usually refer to magical girl groups to see what's commonly associated with different colors. here's the main trend:

red: hot-headed, passionate, firey

orange/yellow: bright, happy-go-lucky, sunshine personality

green: wise, mellow, kind

blue: serene, graceful, elegant

purple: magical, regal, fancy

pink: usually the main character (though this because magical girl anime tends to be marketed towards young girls), sweet, relatable, determined

of course these are only stereotypes from one genre of anime, and different colors have tons of different meanings. color theory is the best way to learn this! these colors can also express different moods, which ties into ch1. i myself constantly ignore these rules - v-con, a bombastic hyper DJ, is purple (though he does have yellow accents) for example. basically, i just take them as a general rule and try to have them in mind while drawing.

CH3: HOW ZENO MAKES HIS COLORS COOLER

this might be the most important part of this guide. once again, there are a few things to consider here: filters, hue, overlays, and more!

FILTERS: for ibispaint, you can use an adjustment layer on your whole piece to use a filter. i usually only use brightness/contrast here - upping the brightness (or darkening it based on the mood of the piece) and upping the contrast. this helps to better express values and intensify the colors if that's what you want. i often use it in all my pieces to some extent.

hue/saturation/lightness is also helpful in moderation. you can alter the hue - though it usually only helps if you bring it back or forward by just a few points, or the entire pallete will change. saturation is what it sounds like, and slightly over/desaturating the piece can help with atmosphere. lightness is what it sounds like - lightens the colors in the piece. i don't use it at all.

posterize and sharpen mask are some that i've used recently. posterize can add some crazy effects to your art, but i'd probably need to edit it slightly after using it because it can mess with certain colors.

HUE: it's a layer type that can change the overall hue of the piece. i usually use it at a low percentage for atmosphere. kind of like a gradient map but nothing like it? idk

and OVERLAYS: i just use a very saturated blue/purple color over the entire piece at a very low percentage, around 5-10%. it can wash out the piece at too high a percentage.

and that's basically it! sorry it kind of derailed at the end i spent like 2 hours on this and got super tired. goodnight i'm going to sleep please also look at other artists etc etc. bye.

[natjennie]

okay fantasy high fans choose your fighter

[soaked-ghost]

Frisk and their last resort shithead dad

[celestialrealms]

some of us are suffering barbussy drought and they dont even care smh

[senditothemoonn]

☀️🌼

[wis-art]

Women, so pretty, so shaped, i am so lesbian,,,

[beaulesbian]

missing them, how they looked pre-time skip..

why did egghead (and since wano especially it's more visible) go back so much on their skintones... they feel like almost different characters, post time skip

fishman island was worse for robin, but at least left some color in zoro and usopp, same for punk hazard / dressrosa

wano seemed okay for zoro and give to luffy a bit

but take away from usopp and robin a lot

and then there's beginning of egghead:

there are these two interesting episodes, that are continuing with similar scene, but are already so different as it shifts into egghead style

1088:

vs.1089 (new egghead opening starts here as well):

and then the egghead arc itself starts (the animation is great and everything, just the skintone choices..like making robin even a shade lighter than sanji)

ep 1094

i think the end of episode 1092 made me facepalm the most (just like robin here), the comparison from robin in water 7, and the new robin beside here are just... sad. so sad.. and they put it on screen together.

[courtney-deserved-better]

telling myself i can't start another tdwt rewrite but dear god do i want to write one focusing on alejandro and courtney in this weird situationship thats a lot more nuanced than just alejandro manipulating courtney and her falling for it. like theyre best friends they dont trust each other theyre the same person they dont know anything about the other one theres a mutual attraction theyre pining for other people theyre codependent they dont care about each other theyre platonic soulmates like i just want to do a deep dive into how messy that relationship couldve been building off of their friendship that exists in my head except the line between romantic and platonic is so fucking blurred they have no idea what they are to the other person

[falmerbrook]

I keep writing posts trying to pin down what my problems are with e/so, but I think it really boils down to the fact that I don't like mmos but I feel an autistic obligation to play this one specifically

[moeblob]

Demyx (my beloved)

[ganondoodle]

im kinda glad i was a tiny child when windwaker came out and i only played it years later without having internet access for the longest time bc i would have NOT survived the hatred i know ww got when it first came out bc it wasnt what most people expected (ww is my fav zelda)

loving botw but not liking totk and seeing the vast majority praise the latter like its the holy grail while alot also discrediting and needlessly hating on botw for it is already making it hard to stay calm about :U

[lindonwald]

did a redraw of the season 1 poster too,,,,enjoy haha

[elminsters]

this is the video of Swen saying no bg4 btw! I haven't seen anyone post his actual words.