#but i need to write papers

[radioactvunicorn]

i wish my laptop would stop making strange noises

[teethlordd]

There are worms in my head

[lucky-fy]

For the Laicion nation (aka, me and three other people)

I had this illustration commissioned (a big thank you to @lunehowls) for my werewolf AU Laicion fic (still a WIP).

The general pitch is as follows :

AU in which Laios never got to meet his sister again, putting his life on a whole other path, a more desperate one. A military deserter with barely a coin to his name, Laios hitches a ride on a boat to one of the elven continents, where he learns about magical tattoos that binds one’s soul to a wolf’s, effectively making them artificial werewolves. Illegal magic be damned, this feels like the answer to… everything.

In the process, he learns about the existence of an illegal fighting ring in one of the elven cities, where beastmen gladiators gather. Freshly tattooed and without anywhere else to go to, Laios decides to head there, where he meets Lycion, an elf and artificial werewolf gladiator. If they first bond over a simple shared meal, by spending time together (sharing the same room in the barracks, maybe the same bed? gasp) they find that they have a lot in common, notably a shared distaste for the body they were born in, a dysphoria partially remedied by becoming a werewolf.

They bond :)

NB: I commissioned another piece, go take a look :D

[vixenfoxpup]

I need more dca fics to read, not just because they're all so cool and special and unique-

I want to collect their y/n's in my pocket, and bring back the y/nverse. All of them in a lil pocket dimension (the dca stay in their respective stories, this place is reserved for the self inserts and side characters/family to interact. The boys can have their own pocket dimension)

The y/ns live on the same street or apartment complex, being bunched into groups that are roomies

For example. Bamsara's Solar Lunacy y/n, Paper-Lilypie's CCRT y/n, and bones-of-a-rabbit's staffbot y/n. SB is there so CCRT can perform routine maintenance, plus CCRT can be a but messy, plus they could help clean up after ccrt's kids. SL is where, you may ask? Their room has been vacant for some time, but CCRT and SB keep it clean and regularly dusted, out of respect. They don't know if or when their friend will return, but they'll be welcome at any time.

Naffeclipse's y/ns share a suite, probably.

spadillelicious's LDR y/n could stay with saltciphblr's lovebug au y/n

Again, I need to read more to get a better feel of the different wonderful y/n's

This probably won't be uploaded, maybe someday, but this is mostly self indulgence that my brain has been blasting on repeat all day

Into the y/nverse, I raise you from the depths

[rawrsatthetree]

I’ve seen people compare Julian Devorak to Astarion, and honestly I think you’re all embarrassing wrong.

Gale Dekarios is Julian Devorak.

Astarion is Count Lucio

[thresholdbb]

what's the threshold theory

There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.

If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.

[fudgelling-away]

When you try to give people what they want and write [REDACTED], [REDACTED] and some [REDACTED], but the baby girl keeps taking your notes and pens away...

[fudgecake-charlie]

shh i'm posting no one tell my professors or the projects im involved in

[yorufi]

acrylic markers practice!!

[moonshine-nightlight]

Courtship Confusion: Part One

You’ve been working with your siren partner for a couple years now. A consummate flirt, you’d initially been put off by his whole charming deal, somehow he's become your best friend. You’ve been wanting to see if he’s still interested in dating, but unfortunately he’s not picking up your hints. A pair of visiting cubi remind you of the cultural differences that come with interspecies dating. Maybe you’ve both been misunderstanding each other. Maybe it’s time you set the record straight.

Modern Fantasy, friends to lovers, siren/harpy, male monster x reader, Part 1 of 8

Ao3: Courtship Confusion Chapter 1

Part One

“Start blocking the exits, people. They’re making a run for it. Team Lure, you’re up,” the static-y voice says from your radio.

“Confirmed. Lure moving into position,” you answer for yourself and your partner before clipping the walkie talkie back onto your belt. You glance over to your partner who, per usual, looks far too unconcerned and cheerful for the mission of stopping a crew of smugglers. “Where do you want to set up?”

Morgan grins at you, sharp white teeth flashing even in this dim warehouse. “You know where.”

You stifle a grin of your own, knowing one of you needs to remain professional, and roll your eyes instead. “Wherever you can be the center of attention, right.”

He preens as he fluffs out his feathers. You only asked once how exactly his wings can go from resting comfortably and unobtrusively on his back, hardly seeming to take up any space at all, to a full wingspan that was enough to carry him. The highly technical arcane answer he’d given had been enough to serve as a reminder that, despite his carefree attitude, he was a fully licensed arcanist and make sure you never asked again. You’re the investigator and rules side of your inspector partnership—Morgan was the technical and social side. You liked it that way.

A career as an investigator of potentially illegal arcane workings isn’t nearly as glamorous or exciting as most people think it is. Most of the time it was just about handing out fines to people dabbling in things they shouldn’t and accidentally flooding their apartments or conjuring too many hamsters. But, sometimes, like today, you end up having to bust an illegal coven.

When containment spells failed and the criminals scattered, it’s your job to pull them all back. Well, mainly Morgan’s job.

From his high quality suit to his expertly applied eyeliner, he didn’t look the least bit like an inspector. Even the other department arcanists didn’t have his flare. Lively and cheerful where most were bored and weary, he breathed life wherever he went. And he loved to show off.

As you enter the large open area of the warehouse, you quickly begin setting up the broadcasting equipment—probably not needed, but protocol—while Morgan picks his spot. Within a few seconds, your carefully managed set up, ready to unfold for fieldwork in record time, is ready to go. You’re long practiced after being partnered these last couple of years.

Looking up, you find Morgan spreading his gorgeous black and white wings to alight on a stack of old pallets the cult left in this warehouse they’d been using as their base putting him several feet above everyone else.

“Careful!” you call despite knowing it's a lost cause.

Morgan flicks his wings in a careless, shrug-like gesture. “Worrywart,” he teases. You only have to give him a look to remind him of the incident with the ice for him to pout, the dark red of his lipstick making the expression obvious even with the height and distance. “That was one time! Are you set up?”

His voice is easily audible, as always, but you have to raise yours to reply, “Yeah, ready to go.”

He looks at you expectantly.

You put your hands on your hips to communicate ‘really? Do we need to do this every time?’ and he grins in response.

“Let the show begin!” you grudgingly prompt.

He’s no longer a performer by profession, but you can’t deny that's who he is in his heart. It’s hard to begrudge him the little bow he gives. Not when his eyes glitter with simple glee as he does so. “Thank you, darling.” Morgan clears his throat and closes his eyes, thankfully keeping him from noticing the effect the endearment had on you. Regrettably, the effect of him calling you “darling” to you has only gotten stronger with time.

Before you can dwell on it, Morgan makes a sort of clicking noise in the back of his throat. He’s tried to explain to you once why all of his songs started that way, but you’ve never truly understood. Not that it really matters because it’s always followed by him opening his mouth to sing.

A beautiful wordless melody begins to flow from him.

Haunting and alluring on its own, you know his siren song must be far more potent to the criminals he’s purposely luring back here. Every member of the team was introduced to Morgan before the operation began, so Morgan was able to exempt them. His control is impeccable, but they’re still liable to get distracted. Nothing magical about that. It’s hard not to when a master like Morgan sings.

Morgan primarily sings in the siren’s language when he performs spells such as this one. He says that for spellwork there’s simply more nuance and specificity in Soprety than in any other language when it comes to the subject of things such as lures, madness, lullaby and so on.

Despite knowing very little of the language, you still understand the message the song is trying to convey: where are you going? Come back, join me, this is where true happiness lies. Such is the power of a siren’s song. It’s hard to articulate the difference between the magical pull of a compulsion and the mere auditory pull of Morgan’s smooth voice. He’s never truly tried to compel you, but each time you hear him you have to put effort into focusing, into not simply basking in his voice. That’s only gotten worse the longer you’ve known him too, the more times you’ve heard him.

You don’t think it's that his singing is better, it’s only that it had seemed in the beginning, despite it’s obvious beauty even that first time, somewhat generic. Artificially or distantly beautiful. Now, his voice is so clearly entwined with who Morgan is, you can’t fathom how you thought it generic initially. His coaxing nature, always ready to persuade you to follow his lead, is woven through the words he sings as clearly as it is when he tries to convince you to take a coffee break. His promise of something better, something more fun and entertaining, if you only would listen. Of course, in this case, the outcome will only be entertaining for him. His seductive way of complimenting those he wants so that they will make the best choice by choosing him.

The music he makes is all very compelling is the point. You huff and focus back on the messages from the team—text since they’ve all got ear plugs in and don’t want to interfere with Morgan’s spell.  You don’t need the plugs, as his partner he can exempt you easily and you’ve practice functioning while he sings. Besides it's always good to have someone who can hear him in case he does need help. You check again to confirm how many you are nabbing. Seven, natural for a coven, even a criminal one. That means the rest of the operation didn’t manage to catch a single member.

Usually illegal covens are more subtle, caught due to smaller disturbances or the wrong people stumbling upon them on the wrong night. This crew has been smuggling truly nasty ingredients for dark magical spells, bewitching or killing anyone who tried to interfere. They’d been making a big enough splash despite their travels and have caught major heat by now.

The National Investigatory Agency has been tracking them. They followed the trail of memory loss and death they left in their wake. That’s not even mentioning the longer term problems that would impact a community after they’d traded their illegal and dangerous wares—increases in love potions, poisoning, and general curses. You’d managed to catch a break locally. Someone had lost their nerve about this year’s shipment in your city and your department was coordinating with the NIA for this capture. Well, at least your team was—truthfully most of the local office was just providing backup.

Morgan, as always, had a habit of disrupting the usual with just his presence. His skills had been enough to catch the head NIA officer’s attention and your captain had vouched for your effectiveness. As such, while NIA coordinated a wide-spread tracking net, your team would try to simply pull them back. It was a common enough play you two ran and this was no different.

There was some worry a witch might have protection, but most aren’t prepared for a siren song, not given how rare sirens are and especially inland. Besides, you’d unclicked the safety on your tranquilizer gun, that’s why you were here to watch Morgan’s back. He’d be pissed if you let someone interrupt his song.

Movement on your left draws your attention. A woman stumbles out from between to shipping crates, her expression muddled but searching, urgent. You check for the signs she’s ensnared as she walks closer. You’re only supposed to handle the ones who weren’t, so you let her approach once you’re convinced. When she spots Morgan, high on his perch and singing his heart out, a look of joy and greed takes over. She hurries towards him.

You wait a second before nudging a fellow officer with your boot. A transfer from another precinct, he’s not been involved in one of these operations before. He shakes himself, tearing his eyes away from Morgan to look at you. You jerk your head at the coven member and he blushes. Hastily pulling out his handcuffs, the orc goes to secure her while you train your tranq gun on the man darting out from a different doorway. This time an NIA member snags him before he can press up against the base crate Morgan’s on, for which you’re grateful.

Technically, Morgan should have crafted his spell so that the listeners won’t be too desperate to get to him, despite how he was enticing them. People will still react differently than each other so there’s no guarantee when trying to pull in a group like this. Morgan said that the more people, the less control he had over anything more than the base aim of the spell. A lullaby could put ten people to sleep, but they would likely all end up sleeping for different amounts, whereas if it was just one or two, he could control how long they slept for.

Similar thing here. He can pull them in and do his best to keep them calm, but there’s more margin for error. And Morgan’s one of the best there is. Arcane workings are always more complicated and nuanced than most people assume. If they weren’t, you’d be out of a job making sure any mistakes or malicious workings didn’t hurt anyone.

There’s a text that the NIA agents caught a pair on their own, meaning three more to go. It’s not long for them to join the others. The officers who are familiar with these types of stings are efficient, cuffing the ensnared with practiced ease.

You wait for the confirmation, all using sign language to confirm the criminals are secured. That’s your cue to whistle, two fingers in your mouth and loud enough to cut through Morgan’s song—you’ve had to practice. The whistle lets Morgan know you had them all and he flips his hand to show he’s heard. He’d never just cut off the song—for specific arcane reasons, but also because he considers it poor etiquette from a musician’s perspective. He carefully and artfully wraps up and slows down, gentling the song until it fades out.

You can’t help but feel as enraptured as the criminals are, although you try to hide it. It's too hard not to when you’re in love with him.

[gehennnas]

Repent, Motherfucker!

[alphabetcompletionist]

my abecedarians. my booboo bears. i beseech y'all for those scholarly article websites. my uni databases keep giving me results for articles that aren't available and, like a pirate with a helm on his crotch might say, it's driving me nuts

ABCDEFGHI KLMNOP RSTUVW Y

22/26

[tariah23]

I sketched these real quick at my work desk the other day they’re a mess lmfao

[liatai]

Question!

Neurodivergent peeps of Tumblr, I have a question.

I know that "nonverbal" or "selectively mute" are specific terms that mean "I cannot force words out no matter how hard I try," so... is there a term for "I can speak if I have to, but right now it requires extra energy?"

Like, I'm autistic. I have times where I can speak and even hold conversations, but stringing a verbal sentence together takes effort, the same kind of effort lifting a heavy load with your body would but in your mind. I can be perfectly eloquent and verbose in text when this happens, and sometimes I'll even make some of the limited signs I know in ASL without an issue, but speaking aloud uses up all my mental RAM and I can feel the metaphorical fans of my mind-computer whirring in overdrive. X3;

It's exhausting, too. Usually if I've been verbally social for a while, that's when it kicks in.

I can understand spoken words just as well as other times when this happens, as long as I don't have to speak to reply. If I have to speak, the mental effort and stamina needed to do it tends to push details aside in an endeavor to save processing power. ^^;

I know autism is a spectrum, and I'm hoping someone might have a name for this "not QUITE nonverbal but verbal words are VERY hard right now" feeling ^^; "Partially nonverbal" or "partially selectively mute" doesn't seem quite right.

Help?

[love-toxin]

"i support women's wrongs" yeah but do you support whatever the fuck eun-ji has going on in all of us are dead?

[itsdefinitely]

LOVING YOUR LORDS IN BLACK ART!!! ESPECIALLY TINKYYY, HE LOOKS VERY SKRUNKLY <333

he's so insane <3