#but it makes great lore and experience for writing

[arson-09]

good morning or afternoon. evil tamsand thoughts ahead

When they were younger rhysand definitely would purposely say things to make Tamlin get angry because he thought it was funny (he does it presently in the books) and he knew exactly what to say to get Tamlin to his most vulnerable and upset state. While they were practicing fighting together or just messing around. And it always ended with Tamlin saying smth really mean/hurting rhysand but he would have to be the one to apologize to rhysand (even though it wasn’t his fault and no one should treat you like that and force you to that point for their own amusement)

[pencilofawesomeness]

The consequence of coming up with a full backstory for Sukuna for With the Storm is that I think about it too often. Little things remind me of it and I am compelled to talk about it; alas, it'll be, like, 20 chapters until fully get into it lmao.

Inspired by this amazing graphic made by @dappermouth which is very Sukuna-core to me and I could not stop thinking about it until I drew this.

[bumpscosity]

Vince I will always love you….. (she/he/they/it)

[pink-sugar]

i get the whole making silly lore ufiehdudbd im just not an experienced enough writer to do it myself lol

i get that!! im not a very experienced writer either tbh. i just have to make up silly things or ill die. it helps that i get a lot of ideas very quickly once i get creatively invested in something sfkajf

[fuiru]

A 44 year old man goes to a K-Pop Concert

I promised you a report on the K-pop concert that I, a 44-year-old accountant, went to a couple of weeks ago with my wife and daughter in Toronto. So here it is.

The band we saw were Ateez. They're my daughter's favourite band and my wife's second favourite. I know most of my mutuals are similarly aged like me and may not be familiar with them so let me give you a brief primer on Ateez.

Imagine the most attractive eight men you can think of, just unfathomably beautiful specimens of aesthetic perfection, and make them sing songs that somehow combine the subjects of 'dancing like nobody is watching' with 'we live in a dystopian hellscape that we must all work together to overthrow'. Give them an ongoing music video story lore that literally nobody - not even the band themselves - understand, so that online discussion of their visual motifs looks more like the fevered rantings of a conspiracy theorist, complete with speculation about alternate realities and time being a Moebius strip. There is also a giant sand timer, for some reason.

That's Ateez. That's what you need to know.

Now, K-pop concerts are very different to the gigs I've been going to for the last 28 (!) years. There's no support act, for a start. Also the band perform for like, three hours, with breaks for costume changes and interpretive dance. Furthermore, hanging above everything is the constant looming threat of mandatory military service.

So this being my first such concert, I wasn't sure what to expect. What happened was difficult to explain, but I will try as I am already six paragraphs into this write-up and I'm too invested to stop now. Here goes:

In his Wicked + Divine comics series, Kieron Gillen places modern pop icons as deities, feeding upon and gaining strength from the worship of their fans at the altar of musical performance. I thought I understood that metaphor. I thought I understood it AS a metaphor. I was wrong, because that night Ateez WERE Gods with a capital G and we were their worshippers, a crowd emanating adoration (in the religious and non-religious senses), bestowing strength upon them and gaining their strength in return.

If that sounds weird, it probably is. But as pointed out above, I have lived over four decades and never yet experienced anything like the overwhelming passion of that crowd, the utter abandon with which they conveyed their love for the band.

"But Fuiru, what of the actual music?" you ask. Thinking back, there was a moment in one of their songs - I can't remember which - where I watched the stage, and the people around me, taking it in, and I thought, "Man, I just love Music". But that doesn't answer your question, sorry.

Ateez's music is bloody great. As a tiresome indie/rock/metal kid I'm resisting the urge to add the usual tiresome indie/rock/metal caveat of "...for pop music" because honestly that does it a disservice. They have some genuinely amazing songs. Halazia is an absolute fucking masterpiece that descends into furious hardcore breakbeat. Bouncy is a big, brash racket that somehow is also a perfect pop song. Utopia, Wonderland, and Guerrilla are similarly superb. The obligatory boy band slow number is represented by Dancing Like Butterfly Wings which will make you cry because you will forever associate it with your twelve year old daughter being pointed to and waved at by her favourite Ateez member (Seonghwa) because of her Seonghwa-branded lightstick.

That might just be me, though.

So in summary: being a 44 year old dad at his first K-pop concert rules and you should endeavour to partake in the experience if the opportunity arises.

Finally, for any Atiny reading this: my bias would be San or Seonghwa but my wife and daughter said they were taken so it’s Mingi. My concert outfit (designed and created by my offspring) reflects this.

[micer2012]

a reflection on MatPat's plagiarism

Hello, my name is Della, or micer2012, and 2 years ago Game Theory plagiarized three Tumblr posts of mine, making a video that now holds almost 6 million views.

My posts explaining his plagiarism made their rounds on Reddit, Tumblr and Twitter, but despite the Hermits and Pooka commenting on it (generally in support of me or saying they don’t know enough details about the situation to say either way), MatPat and his team have never owned up to anything, and no mention of my name is present on the video. The one Reddit post they made denying it (which was made before my detailed takedown, which they have never responded to (though the mods on the r/GameTheorists Reddit were kind and made sure it stayed up)) didn’t even mention me by name, just referring to me as “a tumblr user”. (Though one of the screenshotted comments in the body of the post does say my name)

This experience was baffling, but it’s overall had a positive impact on my life. r/Hermitcraft gave me a Golden Apple Award (post of the year, 2021). My inbox was filled with excited fans, wanting to ask me questions or pose their own theories, far more than the hate I got. (Though the hate I got from Game Theory fans was VERY funny. I wondered why none of them gave me shit about saying “MatPat misgendered Evil Xisuma” before realizing none of them read that far into the post.)

And getting on a more personal, and much more important note, I met most of my current online friends through this, including my partner. It helped me grow closer with my irl friends as well and gave me an entertaining story that I tell whenever I have the chance. It was one of the first things in my life that really made me feel like my talents, my autistic hyperfocusing and analyzing of things I love, could be valuable. Useful. Exploitable. It blew my mind that MatPat thought an autistic kid’s ramblings about a Minecraft Youtube joke character were good enough to steal. To put an audible sponsorship on. To get 6 million views off of.

And that’s why I’m writing this post, this update years later. As you might’ve been able to guess, Hbomberguy’s Youtube video on plagiarism reopened this wound. It was really hard for me to sit through, it took days of pausing and taking breaks, because I had experienced everything he was talking about firsthand. 

In my 10 page long takedown post, I wrote about how his rewording of my sentences made him say things that were incorrect, just like Filip did. The content farm production style that made big companies like Cinemassacre take one creator (AVGN/MatPat) and turn him and his content into a brand, a voice that reads out scripts by other people with other opinions/theories, is a history shared with Game Theory. What really hit me was Harris talking about how big creators only do this to people they think they can get away with doing it to. How they view their victims as lesser, as not deserving of their words, repackaging them as their own to give to an audience that can gain from hearing them, but deserves better than to have to listen to the original victim.

That’s the thing, I 100% think a video version of my theory to expose to a bigger community than “Evil Xisuma Fans on Tumblr” is a great idea!! Near the end of the video Harris talks about how video adaptations of things could be a great market, even an accessibility tool, and I completely feel that about my posts. I wrote them quickly assuming the reader was someone well versed on Evil Xisuma lore, after not even watching most of the CarnEvil series, and the diagrams I made to explain them are even less comprehensible. Harris makes a joke that I completely agree with, 

“I’m sure some of my videos would do very well if someone translated them into English.”

I don’t think I would’ve ever made my posts if I didn’t have autism, and a special fixation on Evil Xisuma and Hermitcraft. I made them because I felt the character was being done an injustice, and because I wanted to share with other superfans this theory that might explain it away. I do think that MatPat plagiarizing me was ableist. I used to wonder a lot if this would’ve happened if my posts were articulated better, if they had been peer reviewed, if the posts themselves had been spread to a wider audience before MatPat made his video. At one point when the discourse was fresh (before I had the time to write out my 10 page rebuttal), a bigger YouTuber (100k subs at the time) messaged me and started talking on Discord, interested in possibly making a video on the discourse, but I think my style of typing and general enthusiasm drove him away. You can tell by a single look at my blog (or my original 3 posts!) that I don’t usually type like this. This post you’re reading now has been peer reviewed and edited, and took me hours to format correctly. That video could’ve been huge, the entire outcome of this MatPat situation would probably be much different.

I also used to stress a lot about “being the one who ruined Evil Xisuma’s story”. If you didn’t know, to me S8 Evil Xisuma’s story got wrapped up pretty quickly and unsatisfying (in my personal autistic opinion). (though this might’ve been due to s8 being experimental and ending early with moon big) There was no real culmination of the plot points and arcs going on, and I don’t want to blame myself, but when Xisuma said on stream (when the MatPat thing was first going on) that he didn’t want to focus on the discourse or draw more attention to it, it makes a lot of sense to me that he just wanted to wrap it all up as quickly as possible. For a while I beat myself up about it, of ruining the story of this character I love, but it’s not my fault. If anyone’s, it’s MatPats, but I don’t think it’s useful to just blame someone else. That’s how the story ended up going, and that’s fine. This is Evil Xisuma we’re talking about, their inconsistent lore is what made them such an interesting character. And notably, Pooka made an animation with an awesome culmination of Jeff, the Dreamer, Evil Xisuma, and his own sona’s story, and it makes me so happy to watch. Whatever Pooka does is of course his own choice, but I’m glad he got to give this personal story his own ending (if it is an ending, and not just the start of a new chapter!). 

Typing this all out and getting it off my chest has made me feel a lot better. For a while I wanted to make my OWN video essay about Evil Xisuma’s lore and CarnEvil’s lore, actually going episode by episode to explain it instead of just assuming you knew as much about Evil Xisuma as I did. That idea is still not off the table, but MCYT isn’t something I’m that into right now. Maybe if something else comes out about Evil Xisuma I’ll get back on it, but for now I’m fine with letting that go. But I want to make other videos, share other theories and analysis… if I have the freetime I’d love to make YouTube videos, and if I don’t have the time I’ll continue posting to my tumblr and infodumping to my friends. Apparently my infodumping is valuable enough “content” to steal! Writing this out has made me feel a lot better though, I’m really glad I got it out.

If anyone ever wants to talk to me about the things I’m obsessed with, or reach out to me as a source in a bigger discussion about Game Theory or other channels, my inbox is more than welcome :] Thank you for reading! 

Sincerely, a tumblr user.

[postcardsfromheapside]

This game has been out since Halloween.

In that time, there have been numerous Veilguard positive posts in which patient, loving, wonderful, insightful and intelligent individuals attempt to impart lore onto a fanbase which doesn't deserve their time and attention.

I can't believe I'm running across posts made within the past five days which express disgust and frustration towards the devs over things which have been explained in great detail multiple times on this site, BUT IN THE DAMN GAME.

AND Y'ALL KEEP COMPLAINING THE GAME TELLS BUT DOESN'T SHOW. AND YOU DON'T EVEN LISTEN OR WATCH.

"the crows are presented as wholesome" - they are not. this site has a crow fanbase which has run off and lionized Viago as Daddy, conveniently ignored all the in-game details which either hint or baldly state things Definitely Aren't Cool, and generally fetishized what it means to be a Crow because of Zevran and Lucanis. Then the same people, or others who weren't paying proper attention, whined when the headcanon crowded out the actual in-game material, and they said "Antiva is whitewashed." There have been multiple posts about this.

"slaves are meant to be everywhere in Tevinter and we don't see that" - we aren't everywhere, we're specifically in Docktown which is poor and people generally can't afford slaves there, but we do see evidence of slavery, and we run around with abolitionists and help save people from fascist slavers and free people who will either be slaves or victims of blood magic so IDK what to tell you, there have been multiple posts explaining this too, maybe leave your slave or savior fetish somewhere else.

"Racism is supposed to be rampant" - fuck off. I actually will not be explaining this because for once it was nice not to be called a slur. If you need this to feel "immersed" or to feel there are actual problems, I need you to check yourself fucking hard. If you want to masquerade what it feels like to experience bigotry, go play one of the prior games. This has also been discussed in multiple posts.

"Handling pure lyrium is fine now" no handling the dagger is fine Solas cleansed it, the dagger woke something up in Harding specifically she talks about how some dwarves are connected to the stone, she previously had not been one of them and maybe the dagger woke something up in her, or did you need a pop up explaining this? Were you paying attention during cut scenes and dialogue?

"Adult Dalish without vallaslin" - in the 10 years since Inquisition/Trespasser, doubtless some dalish have come to adulthood and found out what assholes their gods were and made the decision not to go through that specific cultural rites. Or maybe city elves joined the Dalish. Who knows who made up the elf population at that ritual site. Elves are not a monolith. We've made multiple, multiple posts about elves not being monoliths.

"Solas' opinion on blood magic went from neutral to negative" SOLAS FUCKING LIES. We've made multiple posts about Solas lying, if you need this explained further I suggest you play the game all over again, he lies to you throughout the entire game.

"Re-write of the after credits scene in Inquisition to recontextualise the Flemeth and Solas interaction" it's recontextualized because now we know who and what they were to each other. Learning new information does that. This is literally what happens all the time in science and history. You recontextualize what you thought you knew with new information. You're supposed to change your position, not whine about how the new information makes everything different.

These are just some of the things I pulled from a list on a post in which someone was really just upset about everything. Everything. Varric, Morrigan, Solas, everything. But I can't take their criticisms seriously, because they're upset that "too much was told" and "not enough shown" and yet didn't even pay attention to DA lore or in-game dialogue or context clues around the world of Northern Thedas to answer their own questions.

Everything in this game makes complete sense if you use lore from prior games and a single iota of imagination to see how it fits. We've had many delightful posts discussing this, seeing how things could be explained, when approaching the game from a place of curiosity rather than being upset because personal headcanons weren't satisfied or long-held expectations weren't met.

[heytherecentaurs]

That was such a cool premiere episode.

Ally was incredible. I had the same visceral reaction as the rest of the table when Russell calls Liv sweetheart and good girl. But also he’s so hot nobody ever calls him on his bullshit. They’ve built a guy that uses weird sucky boomer language but also intervenes when Dave is being a dickhead.

Rekha always brings so much energy to the table. She’s been on D20 a few time now and I always adore her. She’s so funny. She loves a socially awkward character. Usha auto-corrects to Haha every time I write it and my phone’s right. The bit about no tech working was so great. And her being so horned up for the weird Nosferatu man was hilarious.

I wanted Alex back on S20 from episode one of Mentopolis and I’m so grateful they’re back. Love Liv as a teen klepto. It’s so spot on. Alex has a habit of formulating a very simple string of words and making them gut bustingly funny.

Never doubt Izzy. It seems like she was doing a little bit of a Jennifer Coolidge thing but making it sorta midwestern too. Paula is great. A late 50s who apparently has powerful periods and is so so horny. Izzy will always zero in on something whether it’s New Jersey mansion trash or gifted kid mama’s girl and she’ll heighten it to hilarious absurdity.

Dang is 1000% percent what I wanted from Jake. If you had read to me a description of every character I’d know which was his. He’s got such a distinct comedic voice and he’s always such a lovely presence whenever he’s on a dropout show.

Ify’s character work here is perfect. He is locked in. I feel like he’s pulling from a lot of personal experience. He’s sort of both the nerdy anime kid and the muscly beefcake wrapped in one. He’s ideal for this season. Love him getting his guns out.

Brennan really swung for the fences. Feels like he’s building on so much of what Aabria brought to D20. The crazy dome projections, the costume changes, the props, the custom ttrpg. And he’s also bringing all his own DM excellence. His comedy choices are perfect. His character work spot on and the world and lore he’s developing is exquisite. I’m very engrossed already.

I’m so excited to get to know their other characters.

[ellovett]

. TWST STAFF OC - André-Marie Bonhomme

The now retired music professor + choir director of RSA.. click for better quality!! rbs n likes if u pls!

lore n doodles + other charas under the cut :)

-- "oh, won't you just look at my darling kittens? aren't they just divine!"

Basic Lore n Background:

André-Marie was once globally renowned across all of Twisted Wonderland as an opera singer and musician hailing from the Rose Kingdom. Featuring in very well known titles and is particularly famous for his arias and fashion, André-Marie was a gender nonconforming man and often wore hats suited more for women and long tailored dresses. He was also a standout for his fondness of cats, he owns a white turkish angora named Duke along with his three kittens: Marque, Therry, and Berenice. He takes them everywhere and is never not seen with him during interviews and press photos. A total vintage heartthrob in his youth, your mother AND your grandmother probably all have had a small crush on him at some point in their lives.

At the peak of his theatre career, André-Marie became a music professor and choir director for Royal Sword Academy and quickly became beloved. As a professor André-Marie was very kind and wise towards his students, has fostered young minds into musical geniuses upon graduation. (example: famed jazz musician and current RSA music professor Rudolph Darleigh, who was under his mentorship). The old man's exceedingly wealthy and loves luxury and designer fashion, though he is not vain in anyway whatsoever. On the contrary, he's really charitable, and shares his wealth liberally.

As of now he's living in his lavish countryside estate with his cats and his butler, Edwin Blanchard. Happily retired, he occasionally writes letters to Rudolph and Ambrose the 63rd to see how the academy's doing.

Edwin also belongs to @shoujoqueensstuff :3

Personality:

André-Marie Bonhomme is a kind and gentle old man at heart. Dignified and effortlessly elegant, André is genuine in every sense of the word and often gives more than he takes. Though famous for his high fashion and beckoning stage presence, he has always shunned the vanity and ego often associated with being an old almost Hollywood-like celebrity. He treats those around him with profound respect, often insisting on being spoken to as an equal, especially by those in service to him, such as his devoted butler, Edwin.

He is immensely patient and nurturing, especially to young artists or musicians. Even in his retirement, he remains passionate about teaching, sometimes offering advice to almuni who seek it or mentoring from afar via letters and recommendations. Music has always been a huge part of his life, he's a vocal genius and has a beautiful operatic singing voice.

Despite his refined image, he has a sharp wit and a cheeky teasing sense of humor, often surprising those who expect only aloof grace. He adores his cats like family, and nothing brings him more joy than a quiet morning with Duke and the kits curled in his lap and a record spinning in the background. He always fusses over them and makes sure they're treated lavishly at all times, one of the only few instances André's willing to be selifsh.

Even though he lives mostly alone without relatives with only his cats and Edwin for company, André can be quite the romantic! He's very affectionate with friends and to those he cares about, often spoils them luxuriously.

Him when he was younger!

Trivia

André loves singing to his cats, they're pretty much the only audience he's really willing to belt out in front of. And they make for great listeners!

Sang the lead in "The Thorned Crown," a Queendom of Roses opera inspired by the founding myth of the Queen of Hearts herself! It's his most recognized piece.

Likes dropping by during the annual VDC's, just to experience and appreciate the music and art of schools from all over, he's an honored guest, and performing RSA students vy to impress him!

Collects music boxes and antique perfume bottles. His home smells like lavender, bergamot, and old sheet music.

Famously has never had a lover, despite having all the qualities of a bonafide bachelor. He's always said he's content being on his lonesome, breaking the hearts of many.. 💔

[thedexcat]

ENA:DBBQ Speculation Megapost

OBVIOUSLY SPOILERS AHEAD Hyperfixation waxes and wanes over the ocean of interpretive works, and I once again find myself on the shores of a new captivation. Now, I'm not the type to listen to other's interpretations of things before forming my own thoughts. Perhaps this will be retreading old ground, perhaps there will be fresh takes. I just want to commit my thoughts to writing before I slide down the slippery slope of feature-length lore videos and whatnot.

So, where to begin on the subject of ENA: Dream BBQ Chapter 1? I think a good starting point would be...

1: The Title Character Herselves, ENA

Right from the very first trailer, we could all tell: This ENA is different from the one we know from the webseries. Some say that this is a different ENA from before. Others suggest that perhaps something changed her. Maybe it's something in between. For the purposes of this post, I will be referring to this ENA as being her own individual, with no connection to the previous ENA until proven otherwise. The ENA of Dream BBQ will be simply be referred to as ENA. The ENA of the webseries will be referred to as "Ur-ENA"

So, we have a salesperson with a bit of a short temper. But as we experience the world through her eyes, there are some questions that come to mind. The first of which is, "What is her job anyway?" Well, right off the bat, there's some troubling implications. She appears to be after a "Boss", who has gone into hiding, and whom ENA and Froggy refer to as their "Target". The obvious interpretation is that ENA is a contract killer of some sort. But... there is room for doubt.

It was Froggy who first refers to The Boss as a "Work Target", very specifically using English words, that "wacky language" as he calls it. He may have coined this phrase without necessarily knowing the connotations of referring to a person as a "Target". This is brought up by Theodora the Genie, who asks ENA, "Do you even know the ingredients of that word salad?"

But, for reasons we'll get into later, it wouldn't be particularly surprising to anyone if ENA was hired to kill someone. Not after the incident.

CHEESE AND RICE, ENA

As you talk to more and more people in the game, it becomes clear that this ENA is universally despised. Even a lot of the more agreeable characters tend to have some hint of resentment in their words when speaking to her.

This brings us to what appears to be the underlying theme of Dream BBQ: Sin and Forgiveness. ENA has evidentially committed some unspeakable act in the past, some great Sin that has made her known throughout all the worlds. As to the severity of this Sin? We get a hint when ENA first lays eyes on the Bathroom, a place that has been referred to as somewhere where Sins are absolved and Truth is revealed (seriously, two of the stalls have a damn confessional window between them).

"A giant bathroom? Uggh... It's not enough for this many bodies. I hate myself."

This seems to be heavily implying that ENA was apparently responsible for a horrific massacre that occurred in the past. An act beyond any hope of redemption, hammered home by the conversation with Theodora if you actually make it to the Bathroom.

When first speaking to Theodora, she mistakenly forgives ENA's Sins briefly, which immediately mends the gaping wound in her body. Whatever is going on with Human(?) ENA, it seems clear that the wound is representative of guilt rather than a literal physical injury. Ultimately, Theodora offers to fulfill one of ENA's Asperations, and you're presented with the only dialogue options offered in the current version of the game. You're given a list of choices, but you quickly learn that desires are never fulfilled, nor quenched. Any option that would immediately bring ENA peace is doomed to fail for one reason or another.

Like the rest of them... Like the rest of them... A blissful life? No, that aspiration is beyond what ENA is capable of herself, and cannot be granted.

Eternal happiness? No, the natural order of things cannot be changed.

Frank's forgiveness? Refuted outright, in a way that implicitly says "You know perfectly well why you cannot have that." Punishing the Moon? No, the only one that deserves to be punished for being born is ENA herself. All that ENA can aspire to is to perform the task that she has been given. Nothing more. You leave with more questions than you entered with.

Despite all this, ENA carries on with an unwavering faith in G0D and destiny. Several of her interactions bring up matters of faith in a way that seems to... agitate people. Perhaps they see her penitent ways as a means to evade the consequences of her past actions. Perhaps they may even be right. Regardless, ENA seems to find comfort in the idea of an inevitable fate outside of her control.

(And now for the super speculative part that has me going off of 'vibes' more than anything concrete.) As for her Sin, well, my personal interpretation is that the Incident occurred due to ENA being negligent rather than malicious. I could be way off, but the intense weight of her guilt feels like it comes from a 'personal failure', a mindset reflected in her extremely adamant work ethic.

When attending the Purge Event, even though it's for the sake of reaching the Bathroom, she seems completely devastated by the thought that she is on some level slacking off while on the job.

Her limbs get tangled in gnarled branches emerging from her heart. In these moments, she is fighting against herself. Are the branches restraining her from performing her duties, representing her intrusive desire to lose her worries in the vore disco Purge Event? Or are the branches the opposite, her sense of responsibility unnaturally forcing her not to partake in any of the frivolity?

Honestly, it's too soon to tell exactly. Regardless of the specifics, my personal takeaway is that her work ethic probably stems from some disaster that she could have averted if she were more dutiful. Yet she is still at odds with herself, perhaps yearning to live her life in the carefree way that she (probably) used to. Anyway. That's my analysis/interpretation of ENA herself. But I'm not done with this post yet. We've barely touched the subject of...

2- The Genies of the Doors

Beyond each Door lies a land governed by a Genie. In keeping with the 'digital' theming of the series, I've taken to calling each land beyond a Door a "Domain".

Beyond the Lonely Door is the Domain of the recluse Theodora.

Beyond the Crowd Door is Domain of the deviant Pierro.

And lastly, beyond the Horse Door lies the Domain of a fresh corpse.

Therein lies an interesting issue: Genies, while powerful granters of desires, can be killed. Not only that, but one person you can question at the start of the game has this to say: "No Pierro the Genie, no town." This implies that their existence somehow reshapes the world around them, fitting for such powerful entities. So... what does that imply about a Genie getting killed? The game branches twice in the first chapter. The first branching moment is whether to go to the Purge Event or to complete all the sidequests to unlock the Humanboard and ascend to the orb in the sky. These two branches end up leading to the same destination, the nexus outside the Bathroom. Here, the game branches a second time...

If you fail to cross the river (or interact with the puking guy on the other side. fuck that guy he made me do even more runs.) you end up taking a roundabout path to your destination, and you ultimately find that Theodora, the Genie of the Lonely Door, has died at the bottom of what seems to be a well.

But hang on... If you successfully cross the river and go directly to the Bathroom, Theodora is alive and well! In the well! So what gives?

Well, after your meeting with her in either branch, the world begins to change. Places begin to lose their definition, becoming either distorted or changing into pure white geometry. Landmarks become clipart drifting in the air. Real estate investors swoop in on the newly freed up land. The Domain of Theodora is no more, and the Lonely Door is closing.

Many of the people are gone, replaced by familiar strangers.

...I would like to take this moment to point out that the main theme song of the game, Anemoia, is a word meaning "Nostalgia for a time or place that one has never known."

Anyway, this inevitable loss of identity seems to imply that no matter which route you take, Theodora dies. Whether you're too early or too late, ENA doesn't find out who or what killed the genie. Between this and the murder of the unnamed third genie, there is some malicious entity just barely out of sight, slaying genies for unknown reasons. When considering what this could mean for the story down the line, I recall a certain line spoken by a certain goblin of a girl.

"Rude entities like you get punished for the sins of others." Someone is maliciously reshaping the world. And if these acts are as disastrous as they seem, then ENA is in a prime position to take the fall in their stead. She's already known to have caused some kind of calamity, and she's attempting to seek audience with the genies as they're actively being killed off. Should we meet with Pierro in a later installment, I imagine that things will take a swift downturn from there. It's a shame we don't know anything about the third genie...

...or do we? *Vsauce theme*

3- The Shadow of Ur-ENA

The connections between Dream BBQ and the webseries are few and nebulous... but they are there if you look in the right places. The Extinction Party is mentioned by one of the taxi driver's heads, and the location of that episode can be briefly spotted behind one of the doors of the Purge Event. The Domain beyond the Lonely Door starts morphing into the setting of Auction Day. But there's one point of connection that's been nagging at me... and it's pretty obtuse 🐬

Dialing a hidden phone number, we're met with Phindoll....'s answering machine. The message explains that he's looking for some kind of employment. Perhaps he suddenly lost his job? Who was he working for back when we saw him last? ...Oh, yeah. Runas. That wish-granting entity... on the other side of a... Door... ... The Great Runas might be fucking dead, guys.

We've now seen implications that this game takes place before Auction Day... but after Temptation Stairway. If linear causality has any role in this story, it's as a horrified onlooker.

Of course, this can be reconciled if Runas turns out to be the new genie that replaces the murdered one. But dialogue early in the game suggests that temporal shenanigans may be afoot. After all, the low-poly lady at the desk claims...

"You are too late! The Boss isn't even born yet!"

She's... a very blunt, straightforward person. None of her other lines are nearly as ambiguous and confusing as this one, so I'm inclined to take this line at face value. We are in no position to be making assumptions about how concepts like time even work in this setting. So what does this all mean? ... ... I dunno. We only have chapter 1 to work off of, after all.

But if Runas was in fact the murdered Genie, then there is one suspect in particular that pops into my mind. Someone who has met Runas. Someone who was... unimpressed. Dissatisfied. And found herself trapped inside his domain for a long, long time.

That's all for now. There's some glaring points in the story that I simply didn't have enough insight on to really remark upon. (Was that the Holy Code in the ending cutscene? What does ENA's body-hopping power entail? What was with the other ENA in the sewers, and who was she talking to?) Also at this point, my fingers are snapping in half from typing out all of these thoughts. A lot of this was just my personal interpretation, so don't be surprised if it clashes with the analysis of other people. In all likelihood, when the future chapters come out, I'll look back at this post and laugh at how dumb I was.

[ryoskuna]

Be the Light: Dragon Age: The Veilguard's Davrin - A Character Study/Analysis & Appreciation Post

Hi, my name is Leia, and I’m a Master’s degree candidate in Children’s Literature and Library & Information Science. I’m also a Black woman who loves consuming media, which is not limited to playing video games, reading books, and watching TV shows/movies. 

To my friends who have put up with me rambling about this game for the last three(?)-ish weeks, thank you for entertaining me, putting up with all my thoughts, and pushing me to make this post.

I completed my first playthrough of Dragon Age: The Veilguard on January 6th (and cried twice), and while there is so much that can be said for the storytelling (it’s not perfect; there’s no such thing as perfection since that’s an objective notion), but in my opinion, I believe DATV makes for an excellent and conclusive end to the Dragon Age franchise in regards to lore and the world of Thedas on the best attempts of the developers and writing team. Especially considering it was a game that lingered in development purgatory for 8+ years, and there was such an intense fight to make sure it got released, I will contently take what I received (with some admitted bias as a Solavellen, and someone who does like Solas as a character though there is much to say about him as well but not here!).  When I completed the game, my immediate response was very similar to the way I reacted when I finished my first playthrough of Final Fantasy 15 (another game that I found emotionally compelling- I sobbed for approximately 30-45 minutes straight while on a voice call with a friend during the final cutscene sequences, as well as the credits playing Stand by Me by Florence + the Machine) — I wanted to make a video essay talking about the storytelling and my experience with all of the characters, content, and everything that made me absolutely enamored with the game. (Side note: DATV has the best combat gameplay in any of the DA games, and I will stand by that. Like if they remastered Inquisition and the other two games with the Character Creation from Veilguard and upgraded the combat mechanics/gameplay/UI, I would be first in line to buy the remastered versions.)

(It’s also ironic this is getting posted when it’s been announced that the entire Bioware team for DA has been let go, left, or released to industry, which is a loss of some wonderful storytellers and creatives.)

But I lack the video equipment to make video essays/vlogs talking about my interests like this, and I also don’t know if anyone would watch it. I also generally do not see a lot of Black women engaging in content that would fall into this category or dialogues with media and games, although I wish I did see more of it!

However, this is not intended to be a critique of the game; this is solely meant to be a character study and appreciation post for one of the companions, Davrin, who was the standout companion for me during my initial playthrough and continues to be in my consecutive playthroughs. Davrin is arguably a fantastic character, not only because of his companion quests (which have some of the strongest and most emotional storytelling, in my opinion, whether you romance him or not), but also because of his personality and how he is a love letter to the history and future of Thedas. 

(Additional side note: all of the companions are fantastic, especially the seven that are newly introduced within DATV. Harding is a great connection to DAI, the references to the Inquisition at large, and some additional history of the world of Thedas.)

This is also why I mention my race in my introductory statement, as my analysis of him is based on my experience and understanding as a Black woman. While I am not a Black man, I do have a brother, and my father is a Black man who comes from a military background, and this absolutely does affect my perspective and understanding of Davrin as a character.

This way of analysis in literature is called reader-response, in which the reader has a transaction with the text, i.e., the reader reads the material, and out comes their interpretation of the text (see: here, and Mingshui Cai’s “Transactional Theory and the Study of Multicultural Literature.” Language Arts, vol. 85, no. 3, 2008, pp. 212–20, if you’re looking for more intellectual writings on reader-response.). Reader-response allows for a unique interpretation based on the reader or in this case, the player’s individual experience. 

Lastly, I’d like to preface that this post will reference the game, the podcast - Vows & Vengeance, that was released prior to Veilguard’s release - and some of the books, primarily Last Flight, for additional narrative context. I’ll flag spoilers the best I can but will state that this post is not spoiler-free. 

First, for this to make sense, I feel like we have to discuss why representation in media matters.  So, why? Why does representation matter? 

Well, there is power in seeing someone who resembles yourself or your story on a screen or largely consumed content. It challenges stereotypes (or what one can be), introduces people to cultural exchange, and engages in cultivating a sense of belonging (here’s a wonderful TED talk if you’re interested, but also see this article from PBS, APA (American Psychology Association), here, and here).

Another one of my favorite TED talks about storytelling also touches on why representation matters. It matters when we engage in dialogue when we try to understand our friends and when we seek to build community with welcoming, inclusive people. It is why people seek to build accommodating spaces, and it is one of our greatest acts of resistance to systemic oppression that allows discriminatory stereotypes to flourish. Being in community is an act of resistance. This is also why it matters when people are so excited to see a character be undoubtedly and explicitly a part of a specific affinity group or identity.  There can be a whole essay or book written on why representation matters (and there are, plenty), so I do not want to get to into the weeds with why representation is a valuable contribution in a time where DEIJ (Diversity, Equity, Inclusion, and Justice) is being challenged so heavily. 

Now that we’ve covered that, let’s get to the real reason you’re probably here. This is split into two parts, the character study/analysis, and the appreciation. Not that these two things aren’t similar in nature, but I wanted to make it separate in a way in case anyone wanted to specifically comment on anything, came for a specific portion, or please feel free to use in your fanfiction writing if you’d like.  Just know if you’re going to engage with this post, please be respectful. If I am wrong on something, please feel free to DM me and let me know!

Character Study/Analysis

We meet Davrin initially in the announcement trailer for DATV, but we don’t really see a finalized formation of his character outside of visuals until Vows and Vengence, where they’ve switched from using a British accent of his voice to an American accent. I think this is a neat transition from the whole “all elves are british-accented/welsh-accented” we saw in the 2010s, but for me, this truly emphasizes a correlation to a Black American experience — however, I’ll touch upon this later. When Davrin is introduced to us in V&V, he comes off as a character with a strong sense of responsibility and duty — and he’s already involved with the Griffons as he wants to investigate the rumors of their reemergence instead of investigating the earthquakes occurring in the Anderfels. He chooses to fall into a sinkhole to rescue the protagonist of V&V, Nadia, and two additional characters. When Nadia mentions that the only reason she’s in the predicament she’s in is due to someone called “The Dread Wolf”, Davrin immediately wants to investigate as the involvement of Fen’Harel is a bad omen, and the Grey Wardens should be investigating. There is also the mention of darkspawn, which is more compulsion for Grey Wardens to investigate. 

Additionally, he has a partner at the time named Goff(?) who he later nearly has to to amputate a limb from and argues to carry the man out as he won’t leave him against Goff’s orders; when he does leave him it is reluctantly. He cannot accompany Drayden and Nadia and continues to investigate the Blight, and by extension, what the elven ruins have to do with the Blight, committed to his duty as a Grey Warden.

Which leads us somewhat into how we find him again in Veilguard, where we are referred to a monster hunter named Davrin by Evka and Antoine (they will be another important reference and guide into how the role of the Grey Wardens is changing towards the betterment or future of Thedas). 

I have to appreciate Davrin’s complexity as a character. While the game, in my opinion, is more ambiguous on his standing or practice of the elven religion, he never leaves room to deny his roots and where he comes from. In V&V, he’s familiar with reading ancient elven, and wishes Nadia and Drayden that Andruil guides them on their adventure. Davrin’s vallasin is also dual-sided, which in a reference to the sun and moon quote in V&V (“Guide me on the path that splits the land between sun and moon”) on the mirror mosaic, you can argue that his vallasin is a reference to Ghilan’nain or you can argue that it is for Andruil.  However, I raise that his vallasin is for both goddesses, as Andruil is the reason that Ghilan’nain ascended to “godhood”, and with Davrin’s title as a monster hunter, it would be fitting considering Andruil is the goddess of the hunt.  

He also names Assan after the elven word for ‘arrow’, which is referenced in two of Andruil’s three ways - Vir Assan - or the Way of the Arrow - and Vir Bor’assan - or the Way of the Bow - which the former refers to ‘fly straight and never waver’, the latter being ‘bend but never break’. It makes sense that he names Assan this, as it is almost him speaking blessings over the young Griffon, to fly straight, never waver, to bend (or endure turmoil) but never break (or fail).  To me, it is a blessing from a father to a child, but it is also a reminder to himself everytime he calls the Griffon’s name to himself. 

[Note: all the other griffons presumably have names, he mentions a few of them if you walk to their cages during the first part of his companion quest/adding him to the Veilguard, but they’re a little silly in my opinion. Assan is the only one who is known to have an elven name, and noted to be the only one Davrin himself named.]

Having a vallasin that represents Ghilan’nain is also fitting (and ironic considering Ghilan’nain’s position through Veilguard), because not only was Ghilan’nain one of the people, but as a “goddess” she was dedicated to guidance and navigation. For someone like Davrin, who struggled fitting in with his clan and wanting to go on a different path than solely staying with his clan, he could’ve been asking for all the guidance he would be fortunate enough to get. Additionally, she is called the mother of the Halla, creatures that Davrin was gentle enough to care for, hence where we get the line where we find out that he used to sing to the Halla, and he’s attentive enough to identify when they’re ill, and the best methodologies to feed them successfully.  (Halla are extremely sacred creatures, considered noble, and the Dalish ask for the Halla to accompany them instead of forcing them.  Ghilan’nain is stated to be the first Halla. )

As we go throughout the playthrough of the game, Davrin’s role transitions from being a monster hunter, to a Grey Warden, to a bodyguard for the newly hatched baby Griffons, and then, upon joining Rook, and encountering the Gloom Howler, he becomes something else. Like Ghilan’nain, Davrin has ascended to a more important position than solely being a Grey Warden or a monster hunter. He is now the keeper of the future of the last of the Griffons, hence his urgency in rescuing them, and why the decision of their path (to stay with the Wardens or to live in Arlathan Forest) weighs so heavily upon him. 

This is why I propose that his vallasin is left to be ambiguous or a combination of the two goddesses because of the duality of his nature as a character, but the two sides (or the sun & moon) of the path he’s chosen to live by.  I also think there is an irony that the blight is what corrupted the Evanuris, and he fights it now - especially noting that Ghilan'nain also has the capacity for pulling out some wicked horrors when Solas calls her the "most sensitive of us" (referring to the Ancient Elves).

I would have loved to see something where Davrin and maybe even Bellara discuss their vallasin, and their viewpoint on it, now that they are in a predicament where their myths about their gods have now changed drastically, and is reflected in their lived experience.

However, I also acknowledge that Davrin does not particularly hold any signficant reverence towards the Gods, at least not in the same way Bellara does. He states he thought of them as “myths” and now that they’re real, he has to process that. He also states that he knows the gods being blighted and trying to take over isn’t going to do the elven people any favors in terms of “popularity” with the rest of Thedas, which leads me into my next point. 

He is always mindful of his people. Whether this is the Grey Wardens, who we see him mourn and wish to honor; or the elven people, even if they’re not apart of his clan, he cares deeply for them. (By extension, he cares about the Veilguard and the Griffons, of course.)  During the fight against Elger’nan and the Venatori to rescue the Veil Jumpers, you can hear him state, “These are my people” in a protective manner (much like Bellara can say, as well as an elven Rook). He thinks about how Thedas is going to see the elven people if they find out that the elven gods are behind the Blight, the archdemons, and the issue of the Golden/Black City & the “Tevinter Gods”. 

This mindset also tends to cultivate his self-sacrificing viewpoint (he is willing to be the Warden responsible for killing Ghilan’nain’s archdemon); it’s not only what he’s trained to do, but it is about protecting his proclaimed and declared people (not to mention the innocents he morally is willing to protect). 

I propose that he was not filled with the “spirit” of the archdemon for two reasons: 1) because what they considered to be the “spirit” was the ancient elven magic seeking an out (it’s known and stated in-lore that the ancient elves were immortal because their magic was constantly engaging and adapting to the world) and 2) because Ghilan’nain was right there instead, thus performing a ‘return to sender’ (“Maybe the Gods changed things and the old rules don’t apply”).  He states he wasn’t expecting to live because he had embraced the fact that Grey Wardens have an expiration date, and that pushed him. Now that he survived (and processing survivor’s guilt, as well as the stages of grief), he now has to find a purpose outside of being a Grey Warden and a monster hunter. 

His seeking a purpose is a reminder, to me as a Black person, how we are taught that just being ourselves and contributing to what others contribute is not good enough. Giving 100 percent is not good enough - you must be outstanding. (There’s a quote from Scandal that’s applicable here - watch here; “You have to be twice as good as them to get half of what they have”). In that, being just a Grey Warden isn’t enough, nor is being just a monster hunter. 

What makes him relevant? Outstanding? 

I propose that’s his transition from bodyguard to parent and keeper of the Griffons. It’s this reasoning that also answers his question on why he gets to live. He’s got to be the one to tell the story of the Griffons, of Isseya, of the past of the Wardens he knew, and the future of the Wardens as they move forward and away from slaying darkspawn and hunting the Blights. The fall of Weisshaupt is the metaphorical fall of the old order of the Wardens, with all their secrets, lies, and damage. Davrin’s emphasized bond with the Griffons speaks to how the new order of the Grey Wardens is healing. 

Now, we absolutely should discuss Assan as he relates to Davrin, and I propose that Assan is an extension of Davrin — meaning the way Davrin cares for Assan is how Davrin learns to care for himself. It’s how he learns to hope, to recognize he is capable of being more than just the blade the Grey Wardens made him; that while he’s questioning his future and his path, that he has the freedom to choose.  Davrin states he feels like “a blade sharpened all these years to confront the worst darkness in the world” and when his blade “[strikes] true”, he asks “what now?”

Davrin’s commentary on calling himself a blade is a parellel in how he describes how Assan, as a Griffon, by nature are inclined to fight Darkspawn like a wolf hunting a deer. Davrin’s nature has been to fight, to hunt; just as Assan’s nature is to hunt Darkspawn. But like Assan, during another companion quest, their nature is also to care. To be gentle — Assan, who brings food to the sick Halla — and Davrin, whose nature of care is extended to Rook and the team, and the thoughtfulness that he uses to care for the future of the Griffons, the future of Thedas, and all the areas encountered by the Gods, the Blight, and the Archdemons. 

Davrin adapts.  He’s very rough and tumble (the guy fought a hurlock, broke four ribs and cracked his jaw, got up and then drove a blade through the thing’s skull), but he also comes from places of care, hence why he makes his whittled figures of monsters and is working on an accurate bestiary as a warrior and hunter, not a mage. 

It is also important to note another title Davrin not only earns but self-proclaims, is that of a parent. He states that “parent” is a scary word. (“I’m supposed to be his bodyguard”), but I’m inclined to go with Varric’s advice - if the decision isn’t easy, it means you’re taking it seriously.  He then later proclaims himself, with confidence, that “I’m his (Assan)’s father.”  Davrin’s proclamation as a parent, and a good one at that, strays away from the absent Black father stereotype that is prominent in media, which is rooted in system practices during enslavement where the father was removed to divide up and destroy the Black family.  

Davrin is confident in hunting the darker things in the world, but he doubts how well he can care for a Griffon. It’s the questions asked by a first-time parent, with no manual, and the only thing that a child, or in this case, a Griffon, asks for is to be loved and embraced. 

This is something that we learn that Davrin experienced through Eldrin, who taught him to appreciate nature, embraced Davrin’s desire to leave the clan to find his place in the world, and who reminded him to embrace the light as much as Davrin fights the darkness (to find balance).  In turn, Davrin is reminded by Rook and states himself that he’ll “raise Assan to create a world where the light outshines the dark”. Eldrin told this to a younger Davrin (Eldrin being his uncle figure), and now Davrin tells this to his son, Assan. 

Additionally, Davrin reminds me of my father, a Black man who has a military background, especially when Davrin states, “I can’t be soft on Assan, because the world won’t.” I cannot express how many times I have heard this from my father to my brother, even though my father, like Davrin learned over time that it is alright for them to be soft. 

(Be protective of your child, but also be a safe haven for your child — firm when required, gentle when needed.)

Davrin breaks a form of behavior (the tough father - generational curse seen in Black and POC communities) by allowing Assan to grow and learn in an environment of love and care. Davrin would die for Assan, and he makes that very clear, both in action and dialogue.  In turn, it’s clear Assan loves and is loyal to Davrin (he lays at his feet, always cuddles up to Davrin, and even attacks the Gloom Howler/Isseya to protect Davrin). Davrin even tells Rook to hug Assan for him. This, to me, is the embodiment of the notion of “turlum” - a form of unity. There is respect and love shared by Davrin and Assan, which forms their loyalty to one another and their ability to work as one. 

Davrin fights and becomes more than just the objectification/weaponzation (of the metaphorical blade - of trying to martyr himself to be useful or worth something) and evolves to embrace his personhood, to embracing the unknown, and that his path and development is solely, 100 percent, his own. He goes away from that philosophy mentioned in that one tumblr post from wonderland-mp3: “if U cannot be wanted, I will be needed and if I cannot be needed, let me be used until there’s nothing left of me”.

Appreciation

There’s a lot of reasons to enjoy Davrin, whether it is his handsomeness, his chest, or his nose (his nose is so unapologetically Black; it’s a standout and prominent feature of his, and it is absolutely beautiful) - he was certainly given plenty. However, one of my reasons that I enjoy him is because of the duality of his nature. He is both fierce warrior and gentle spirit. He whittles. That’s a skill that requires an exceptional amount of dedication, patience, and caution, as if you cut too deep, you can splinter the wood, especially for the figures that he makes of the fallen Grey Wardens and of the attention to detail he puts in the ones of the monsters he has fought because he cares about capturing their accuracy for others.  He chops wood when he’s stressed or to clear his head. But every piece of wood he uses, he creates something with. He isn’t wasteful, he makes the wood useful. He puts out his frustration and feelings into the things he creates.

He also is open and unabashed about his feelings. His ability to communicate his feelings is powerful, and deters from the emotionally constipated black man stereotype.  Even when you flirt with him once or twice, he immediately gets the heart and Thrill of the Chase. In my opinion, you earn this status with him faster than the other companions. He makes it very clear that he can be romantically invested in Rook. Even if you don’t choose to pursue him romantically, he is still a devoted and caring friend towards Rook. The walks he takes Rook on are moments in which he pulls them away from the Lighthouse or from some intense moment to reconnect to nature. He may use Assan as an “excuse” but he and Rook need those walks just as much.  

He trusts and befriends his team. He comforts Bellara and her grief (on top of the fact that Davrin and Bellara (and an elven Rook) are trying to process this whole revamped narrative of their “gods”, their myths, and place in the world when the entire society has historically mistreated elves) - and their relationship to me, becomes akin to siblings, or close friends.  He bonds with Taash and takes their advice on making sure Assan is getting the nutrients he needs.  Emmrich and Davrin exchange parenting advice. Lucanis and Davrin become drinking buddies. 

Davrin makes people feel seen. 

Now, when you romance him, he is even more transparent about his feelings. He affirms that there’s more than passing glances between him and Rook, that they spend time together at an increasing rate, and he admits that he’s been thinking of a future with them.  He expresses fear and worry - even a bit of anger of all the difficult decisions that Rook has had to do (his anger is not with them, I believe, but with the fact they have the burden) - over Rook. 

He’s good with children - he offers Mila payment in the form of Griffon Kisses post-Weisshaupt.  He’s also funny and silly (this man tells that the Gingerwort Truffle tea made Rook pee for the rest of the day).

He’s also mindful, tactical and intentional. While hunting the Gloom Howler, during the second part of the quest, aka The Cauldron, Rook may suggest they go after the Gloom Howler/or that she got away. However, you see Davrin state that it is okay, they’re not in a position to hunt her as they don’t truly know what she is, and it is dangerous to hunt something whose nature is not known.  He then solicits help in finding out what or who the Gloom Howler is after allowing Emmrich to discern the nature of the cloth that Assan managed to tear from the Gloom Howler. 

[Spoilers will continue in the next paragraph.] 

(Spoilers: they find out that it is an elf, a former Grey Warden.) 

In his pursuit of knowledge,  Davrin discovers that the Gloom Howler is actually a former elven Grey Warden named Isseya who, during the 4th Blight, was ordered to blight the griffons so that they could not be useful to anyone else after going rabid on the Wardens who were using them to fight in the 4th Blight. (If you want to know more about Isseya, please read Dragon Age: Last Flight).  

Even when he’s mad at the Gloom Howler for kidnapping the Griffons, he takes time to find out who or what she is— and then reminds her of her own humanity as an appeal to try and get her to stop before he puts her out of her misery because she’s basically been blighted and immortal for 500 years and living with that horror of her orders which has driven her mad. 

[SPOILERS OVER.]

He is socially and emotionally intelligent. If you take him on Harding’s companion quest to Kal-Sharok, he is able to greet Stalgard in dwarven, after Stalgard greets him as well. I also consider his ability to place his personal feelings aside in how he reviews Solas’s memories during the quest Regrets of the Dread Wolf, and to empathize where Solas was coming from in some of his decision making as a sign of emotional intelligence.  He states that if he had an opportunity to forever end the blight like Solas did, or even though he did - he would take it, just as Solas had. (This is a paraphrasing, please don’t eat me alive.) Then, reviewing Solas’s regrets, 

Davrin also can acknowledge when he’s wrong. He grows. He has strong opinions on Lucanis, granted, these are emphasized by the incident at Weisshaupt when he is in mourning, processing, and going through the stages of grief of arguably one of the only places he’s considered home since he’s left his clan. However, if you check on him after the argument - he states that Rook should check on Lucanis, and that the shot Lucanis took at Ghilan’nain was “incredible”. He then later tells Lucanis that no one can do what Lucanis can do in regards to taking down Ghilan’nain. 

He’s a man of action. If you romance him, during the romance scene, he reassures Rook through physical touch - they’ve been stuck in a place alone for 2-3 weeks - and then follows up his physical reassurances with verbal affirmations.   He says “I love you” first to Rook, and while this is probably intentional by the programming - for him to continue being transparent enough to admit I love you in a high tension situation speaks volumes. 

Davrin, in the way that he is written is such a dynamic character and his character growth and arc is arguably one of the more long-lasting ones that I think about from DATV. While I’m not sure the ethnicity of his writer(s), they did a fantastic job embodying this man as an unapologetically and explicitly Black man, with all the nuance and roundness that avoided stereotypical behavior and tropes associated with Black men. 

Final Notes

Davrin was my first romance in DATV, and arguably, if I could romance him every time, I absolutely would (however, I’m curious about the other romances, but I am planning another playthrough with my original Rook, Zen, and she will be romancing that man again).  The way he loves is so big. He is the embodiment of to be loved is to be seen (and romancing him and then choosing him for that ending (which in my opinion, shouldn’t have been an option) is absolutely emotionally devastating. But, it confirms what I say: “You saw me, and I saw you”). His devotion (because that man is locked in) is phrased in “wherever you are, there I am”. 

The AMA erasing him and saying that it is Assan that makes the ending so devastating on a level that equates to Harding is a very bad take. Not because it erases his personhood (which is the purpose of his entire companion quest), but also because Assan is a part of him, but he is what you are offered first, Assan is the added bonus.  Additionally, reducing his character to “just the jock” is also in poor taste because a) the jock character is obviously Taash (they literally have weight-lifting equipment in their room) and b) he is so much more than just that, and he is a very gentle character. 

[ MORE SPOILERS BTW ]

(Also, arguably, his scene as a result of leading the second team is so much more worse than Harding’s, in my opinion, because he didn’t even get a fighting chance, and Harding’s status is different than his (MIA vs. Fallen Hero with the disclosure they couldn’t find his remains)

[ SPOILERS OVER ] 

I loved my experience romancing him and playing as a Veil Jumper Rook because he gives banter like “Not bad for a Veil Jumper” even without romancing him. It’s funny, it’s comradery, it is warmth. He jokes with Neve about her assessment on Rook.  

He doesn’t forget his roots and where he comes from, and this is why I propose that Davrin, the Grey Warden, but also the man that he is, is the proclimaiton of the future and change of Thedas at large. He knows he’s an elf (but he states, I’m not a spirit (like the ancient elves), he grows to represent the change of the Grey Wardens. We see this in the flowers found by Rook, Evka, and Antoine under all the Blight that begin to grow in the Wetlands. We see this in how Flynn, the healer from Lavendel, uses the Blight to sense it in their patients; we see it in the changes of the Calling and how for some Wardens in the midst of their hearing the call - it stopped. We see it in the narrative end of the Blight (“the Blight to End all Blights” because no more archdemons = no more gods = no more elven god related blight); we hear it from Antoine who says the song of the Blight is changing and healing. 

This man is built up to be a narrative parallel of the light and hope that comes with the changes in the Grey Wardens, the Elves, and the world of Thedas at large (without the Blight), and I stand by that. Not only do the Griffons represent change, and the Grey Wardens changing their purpose, but Davrin is the light that leads the way for a greater and more positive future for Thedas, in all of his parts that make him whole, connecting Thedas’s past and flaws, to the prospects of a better future.  And for that, DATV told an incredibly powerful story through him (and his beautiful brown eyes).

If you managed to read all of this, I appreciate you. <3 If you liked this, I yap a lot on twitter, bluesky, and elsewhere, and draw doodles and things of my ocs (including my rook zen, davrin, and my solavellen) plus gladio from FFXV (and my oc, persephone). Please feel free to drop into my DMs or inbox!!

[azirafeast]

This year is the 5th Annual #Azirafeast, The Feast Day of the Angel Aziraphale, an inclusive fandom event! It’s celebrated on November 19th! It’s a made up holiday that brings the community together, regardless of how a person participates in fandom.

On Nov.19, everyone is welcome to celebrate The Feast Day of Aziraphale by drinking cocoa and wine, eating good food, reading, being stylish on their own terms, enjoying the company of friends and embracing the spirit of Aziraphale! Please share your pics on socials with #Azirafeast!

On Nov. 19, Creators are encouraged to show Aziraphale indulging in what makes him happy or why you love him (canon or fanon!) Create “Lore” for why Aziraphale has a feast day! What miracles throughout history has he performed? Creations can be dramatic, serious, sexy or silly!

All forms of creation are welcome: Draw, write, sing, act, sew, bake, cosplay or anything else! However YOU want to appreciate our favorite Angel. All variations, versions and representations of Aziraphale are welcome for #Azirafeast

And remember, you don’t have to “make” anything to participate in #Azirafeast on Nov. 19. Eating cake and lying to your boss is a great way to celebrate! Confuse some customers, watch a nature documentary, get drunk, listen to your favorite music, be kind to someone who is new or lost!

Anything tagged #Azirafeast I will reblog, the same on Bluesky, Instagram and Twitter. I’ve had a permanent highlight on my Instagram for the last four years, and maintained this tumblr. Checkout what others have made for previous years!

There is also an AO3 collection: https://archiveofourown.org/collections/Azirafeast

Anything added to it I will promote on my socials for #Azirafeast.

I know I don’t have the biggest following, but the idea is that on the feast of Aziraphale, even fans who don’t have a large social media presence will still be seen, still have their experiences noticed, and will feel part of a community that cares.

Folks can get stressed about creating by a “due date.” I encourage folk to post early if they want, and to keep posting after Nov. 19th if they miss the day or don’t finish in time.

Just make sure to tag your contributions, whether they are pics or creations, with #azirafeast so we can celebrate with you! Please feel welcome to take my words and reshare any way that you would like, and make your own posts to generate awareness! Please do share in any fandom communities your part of, or feel free to try and convince people IRL that this is a totally real holiday.

I do not run, own, control or anything of the sort in regards to #azirafeast. The idea came from Cliopadra and a private discord server, and the brilliant folk there randomly picked a date and ran with it. The reason I made this blog and encourage people to participate is because I think it’s a lovely idea! It is NOT “mine.”

[binarystarhero]

hi i just wanted to say- bsh is absolutely incredible and ive found myself deep in hyperfixation for the past week over it (i . may or may not have gone through blogs when i originally found out you had privated the asks from your dev tumblr + combed multiple for crumbs of ray lore hPOSDHIS). but like . it is so so lovely and im glad i finally gave it a shot. ive replayed it over a dozen times the past week and ive kicked my feet like a teenager with a crush whenever i thought of him!! i found this blog a bit less than an hour ago and reading the asks i missed has been THRILLING.

also like?? the wound scene in particular is INSANE? because i remember reading through it the first time and being struck with the most insane urge to be like . what if mc sank their fingers in a bit . bc its so insanely erotic to me oDOFHSID. when i saw the ask from another fellow ex-catholic i felt so vindicated ab the brainrot over the side wound and im !!! the fact he's forcing mc's hand into parting his flesh , , , i read up on the reasons behind it but also . the fact that it could that beneath the annoyance and resentment in the moment that him shoving their fingers into his wound could also be seen as a desperate bid for connection, for understanding that mc, in that moment, could not possibly comprehend has me going insane .

also !!! hes so fucking cute when the player meets him first in game??? like its so awkward and it endears me soooo bad . like "i prefer it that way" only to audibly say "lets just stop talking" had me in TEARS . i bet he rehearsed that interaction for hours and was mentally cursing himself for how it actually turned out lol

ALSO . the fact that ray is so off-put by the mint latte's color makes me hysterical . bc in this modern day and age matcha has become so popular (and idk how it is in bsh, but im just headcannoning it as the same in my head) so the fact ray is so perturbed is delightful . like damn . u rlly are an old white man (affectionate). it makes me want to have him try desserts from my culture (which can be bright green among other colors) and its so !!! it makes me so genuinely delighted to have had this little interaction with him and also knowing he enjoys watching the great british bake off . i want to see the inside of his fridge so bad .

OH on that note, did ray not have a lot of exposure to different cultural foods after he debuted as a hero? i know he grew up in a gov. facility and then lived in oklahoma with steel sherrif, and can cook well now, so is his culinary know-how mainly derived from western cooking standards/varieties?

oh- and did you have a cologne in mind for ray? its mentioned offhandedly in bsh that mc finds his cologne pleasant, and i wanted to know if you had one in mind when writing the scene/scents that you associate with ray!!!

and also- you mentioned ray has had sexual experiences in the past- does he have experience being pegged/penetrated? for . scientific purposes . of course .

(dont feel pressured to answer all these questions but im just so curious about ray and his backstory- i adore him so much sidofiUSDFH)

ANYWAYS im digitally sending you so many flowers and hearts, concrete. binary star hero skyrocketed to the top of my fave visual novels and i know its going to be consuming my mind for the foreseeable future LOL

Thankyou for your ask, it's so lovely and thoughtful 💕 I'm so sorry you had to wait so long for me to bring back the asks!

"That him shoving their fingers into his wound could also be seen as a desperate bid for connection," - Oh absolutely! The whole game Ray is searching desperately for that connection in a way that is so inhuman it inherently separates himself from the connection he desperately wants. I also love that section of the game because it does feel like a snippet that is so thematic of Ray's whole character in that way.

"i bet he rehearsed that interaction for hours and was mentally cursing himself for how it actually turned out lol" - Yep, he rehearsed it in his head a bunch and still fucked it up, in that moment he really wished he could kill himself lol.

RE: the mint latte - Ray just does not get out that much because he is so busy with work and even if he had the time he isn't really sure what he would do or where he would go. So that being said, Ray absolutely wouldn't know what matcha is 💀. He is an old man, not necessarily in age, but absolutely in being out of touch with current fads and events.

Did ray not have a lot of exposure to different cultural foods - He hasn't, most of his cooking knowledge is pretty western. But he would be absolutely delighted to try a bunch of new foods he hasn't had before.

did you have a cologne in mind for ray? - Nope, I would have to do some research to figure this out lol.

does he have experience being pegged/penetrated - All of his previous experiences have been pretty vanilla, but that is due to him not being fully invested in those experiences/partners and mainly just preforming for what his partner wanted. So he hasn't been penetrated in any of his previous sexual encounters... but with MC though he may be skeptical he would be willing to try (smirk)

[scenesniper]

☆ "weeping clown" ; general sfw & nsfw headcanons

pairing / weeping clown x afab gn! reader

disclaimer / possessive nature, choking fixation, body worship, orgasm denial

word count / 1,335 words

author's note / i wanted more miserable, pathetic, lore accurate toxic weepy so i decided to just write it myself.

SFW

☆ a very clingy man that is far too quiet to ever be the one to initiate a conversation with you. after all, how dare he have such thoughts when you’re shining all so bright. altruist you can say but behind it, he is all but possessive.

☆ you will always find letters forwarded to you by someone of anonymity but his handwriting is all but so familiar. you will always feel a set of eyes following you in everything you do around the circus. whether it be practicing for your next act, applying your makeup, eating, or paying attention to your own body care, it's always on you.

☆ weeping clown by his stage name is very self explanatory. even with his wishes of being so much more than what he is branded by, he carries on his sorrowful demeanor behind the stage. meeting you, whether you’re the first to ever truly acknowledge him or give him the light of day of your time, he will think of that interaction of so much more.

☆ he’s completely infatuated by you, not having the guts or confidence to ever approach you, he will make gifts for you in secrecy, going to great lengths to have it personally delivered to you by a postman to possibly hide the fact that it was him all along.

☆ however, you have suspected the clown for awhile now. the way his eyes avoid your own, his stuttering and brightening red state of his. you have always thought of it as normal for the clown, his cowering state, but there is just something about him that rang alarm bells.

☆ weeping is easily flustered. any hint of your attention on him has him already a profused bashful state. especially any physical contact with each other, even if it’s just holding hands, his hands will instantly clam up and become so warm. he gets embarrassed at these times and would begin to avoid eye contact so you wouldn’t have to see him in such a “pathetic condition”.

☆ kissing the weeping clown is rough due to his very chapped lips. he’s a clumsy and messy kisser, having no prior experience and frankly, only kisses with pure want and no thoughts at all behind it as if you’re going to disappear on him. you’ll always feel his hands messily messing the back of your hair and at times, when he’s pushing his tongue down on you, he loves it when you tug down on his scarf.

☆ his love, to be blunt, is completely unconditional. it doesn’t matter if you kill someone with your own bare hands, even if his idea of you shatters, his ideology still stands. he’s a man that is completely obsessed with the idea of you and while it is a harmful train of thoughts, that obsession turns into a sick love.

☆ even if his love comes from a twisted place, he cares for you in his own little way. he’s overprotective of you and attentive to your mental and emotional needs of yours. if someone is bugging you, he’s immediately on the band wagon in planning on how he’s specifically going to privately and in secrecy, handle it.

NSFW

☆ joker is not a confident man as we all know, and especially in bed. even if he’s bigger than most, around 8 inches or so, he is all but insecure about the approach. he’s a virgin and only has experience by touching himself late at night, clutching a crumpled picture of you and imagining your hands pumping his cock.

☆ he’s always the type to indulge in his personal fantasies and to finally have it happen to him, he’s all but overjoyed but extremely confused and insecure on how you can ever pick someone like him. he has always dreamed of you touching him, even when he’s ashamed of such thoughts when facing you upfront, he’d always go hard over the smallest things from you.

☆ your voice, your lips, your eyes on his, your scent, you brushing skin contact with him even if it’s just a small graze, oh god his dick is practically about to burst out his boxers. he loves the rough feeling of his dick begging to be dicked down and would often grind himself in his own boxers, imagining that friction is your pussy.

☆ he would get so long in those surreal fantasies of his, wanting to just breed you. but once actually having you, his insecurities of having little to no experience comes crashing down once more. you’ll be on his lap and he’ll be completely dumbfounded, absolutely having no idea where to put or place his arms and would stare at you undressing on him which god, is so hot to him.

☆ he’s the type to just cum right then and there in whatever you do to his body. touching his cock, oh he’s already seeing stars and tearing up. your warm mouth on his, he’s grinding his waist and dragging you by your hair to go deeper and deeper, causing you to choke and him getting off by your gagging sounds.

☆ he’s a big crier during it all, his eyes seeming to always tear up whenever he feels absolutely stimulated or from pure happiness, he’ll always throw his head back and bites his lips to the point it begins to start bleeding and then planting his blood soaked lips on yourself.

☆ body worship. weeping clown is ashamed of his disability and amputee, but you praising it and giving it utmost attention (not just only during sex of course) gives him an unexplainable emotion such as relief of your acceptance of him. how you don’t immediately shun him.

☆ he loves to worship you and your entire being, not just being the only one praised. he will always be going on and on, muttering about your beauty. he always feels as though he shouldn’t even have the privilege to be in your presence, let alone touch you. it’s an emotional moment for him the entire time, enveloping himself to your existence.

☆ he absolutely can’t get enough of you, always loving it when he’s the one on your lap or vice versa, he loves to look up at you and you wiping his tears off with your thumb. he loves to nuzzle on the palm of your hand every time you do it. once he’s more familiar and confident with your body, he finds himself more and more lost in sex.

☆ he’s a verbal partner, always gasping and lowering his moans. it’s not a hard feat to have him a mess over you and especially when you’re verbal, he can’t help but feel good knowing he’s the one getting those reactions out of you.

☆ he loves it when you deny him of his orgasm. tie him behind his waist and fuck his cock with your finger, palm, boobs, thighs, anything. he’ll start whining and drawing his voice out, begging for your touch, his tears practically streaming out by then.

☆ bouncing on his cock, he’s still so scared over the fact that you’re in his but he can’t help but get so lost in your touch. he’ll watch you with astonishment, watching your boobs bounce along your actions and begin latching his mouth on the bud of your nipples and sucking on it to the point there’ll be a prominent, red mark.

☆ aftercare with weeping clown would be him cleaning you up with a rag and bringing you the glass of water from the bedside, very quiet and unsure on what else to talk about. it’s a comfortable silence on your part but for the clown, he’s particularly anxious. you’ll have to be the one praising and tucking him for the night. during these moments, he’s especially emotional. he never wants to let go of this moment and then, decide to do everything that he can to keep you by his side no matter what.

[ese1anime]

(Sigh)here we go,my first Au of TADC heheh yaaayyy hope yall like what I got so far of it

If you like BATIM(Bendy And The Ink Machine) then you’ll like what I’m creating for this Au…

Behold!!

Meet the Gang:

Emotion of the others:

🩶:the person

💖:crush

💚:friend/bestie

🧡:normal around

❤️:hate

(For this is the best thing I can come up with on their heights I did my best to keep the height and putting them in a row)

>Lore of the story<><>

For some of us we know that game of bendy and the ink machine has become popular for gamers that have played it or those that seen it along with knowing how virtual reality can bring a whole new side of what’s real but isn’t with headsets.Well what if they both were combined together into a whole new adventure for others to see and experience what it’s like to actually play in a horror game between BATIM and TADC all together called ✨The Amazing

Digital Ink Machine✨

The Digital Studio in a computer that is filmed to bring others that Virtual Reality life that is part of a bendy and the ink machine vibes,where lots of ink flows from the top to bottom and covered in history that is yet to behold of the ink machine.But like most people that get stuck in a virtual world,it takes your soul to another place and into a different body,making it your mission to complete it or be stuck for all eternity (just like jumanji but different 😁).For your soul can contain lots of digital hallucinations when your stuck in a studio for who knows how long and with the ink flowing,places that can be unlocked,and not knowing who you are by then for it makes a person forget their own existence or the life they thought they knew before or what they will become then………

<><><><><><><><><><><>

{}{}The Storyline{}{}{}{

Pomni was put into the system to discover what has happened to those that went missing in the real world and it’s up to her to find the pieces to this adventure she will be taking by Caine 🖤💛🖤

With each path she takes ,she must find each and one of the pieces to fix this mess that has caused a lot of damage to the system and the people that got stuck in the world as well while facing the one that has caused so many to be stuck in this digital world Ink Demon that trapped other players into this place (those that have gone missing and never returned to the real world or to their real bodies)

for Caine[AI] a companion member,comes along to give pomni some company or to help her as he was programmed to do 🖤💛🖤along with the friends that pomni will get to meet as well

Stuff that will be included in this Au:

Studio underground:

For it will bring out circus vibes to it but also make it look like a old cartoon vibe (like bendy and his friends look like)

NPC:

For they are part of the ink and tend to make it a game when facing them or come across their path throughout the quest

ink-Abstractiors:

They are like the abstraction but as giant ink monsters that leave trails of ink when they are found roaming around the area

(For this is what I got so far of the what will be added on here only because I’m working on other stuff more more often,this will be my side project of The Amazing Digital Ink Machine 💛🖤)

<><><><><><><><><><><>

{Boundaries/QnA}

•”Is this a crossover of TADC and BATIM”

Yes it’s kinda like a crossover between the horror game(BATIM) and the show(TADC)

•”Can I draw these characters?”

Sure thing! Love seeing other peoples amazing art As long as you tag me about it cause I don’t tolerate others trying to steal art idea from anyone

•”Can I make an Oc\Fanart of this Au?”

Yes,I would love to see what other bendy vibes for Tadc you come up with for this Au heh

•”Can I write a fic about this Au”

If you got any other ideas of this Au,I would love to see what others like to create of it hehe that would be great ✨

•”Is NSFW allowed?”

Yeeeeaaaahhhhhh Nnnnooooooo thanks but noooo sorrry 😅

•”Is shipping allowed?”

Of course!but most of the ships will be showtime and Bunnydoll more often

/\/\/\/\/\/\/\/\/\/\/\/\/\/\

(If you have any questions let me know just pls be nice cause I don’t tolerate rude behavior on here and I want to make sure others know that as well)

[alittlebitofloveliness]

I think so many of the issues between book fans vs musical fans in the fandom come from the fact that people are pretending they're the same story, so people get really upset when they see one of their favourite characters being mischaracterized or left out, when in reality they are two DIFFERENT stories that share the same SOURCE MATERIAL. Like, I love the book. My blog is very much focus around the book, and there is a reason I don't tag my content with the musical tag very often, because the Darry Curtis I'm writing about is NOT the same Darry Curtis from the musical. And that's okay! It is! I know it seems crazy but they're both great characters, they're just not the SAME character. My favourite character is Steve Randle, but I haven't thrown a shit fit about how he isn't included as much in the musical because it's a different story, and because what content does exist for musical Steve offers lore for a very interesting character. Just like some people get all upset about blogs and content focusing on the soc characters in the musical, and I'm like I don't know what to tell you, I haven't even seen the musical and I know that the socs play a more important role in the story the musical tells than they do in the book; and that the musical universe makes it so it's far more likely that the socs and greasers COULD potentially have more aquaintanceships/childhood friendships/ post adolescent relationships than the book in which Ponyboy consistently notes that neither the greasers nor socs as a whole can see past their way of life to see the other side as people. Idk, I just think people from the book fandom and musical fandom need to just accept they're different stories, with different characters, with DIFFERENT messages and themes. Like, you really can't mischaracterise a character when the character that's being 'mischaracterized' is a different character to start with. Musical Dally isn't book Dally, full stop, but that doesn't mean that the musical character isn't fleshed out and deep and interesting and a complex addition to the musical, just like it doesn't cheapen the fact that book Dallas is the centre of the story. They just serve a different purpose, because they're two different characters in two different stories, neither one is 'better' than the other because they're NOT the same thing. I just wish people would stop vaugeposting and hating and othering each other, and it's getting the point where people need to learn to either engage with both stories or use filters to curate their fandom experience, OR collectively decide to split into two separate fandoms and tag stuff the outsiders book vs the outsiders movie accordingly, because I really love the Outsiders but all the petty fighting is driving me crazy , it's exhausting and it's making me want to leave the fandom altogether and I highly doubt I'm the only one. In the nicest way possible, please examine both stories for what they are, be mature, and act accordingly. Please.