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#but it wasn’t spn
sweetpapercroissant · 5 months
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MASSIVE side eye to people who write sam as this extremely sensitive teenager who doodles hearts in his diary that he also writes poetry in and cries at every second thing because on the one hand you do you write for yourself and no one else but also that guy was the bitchiest angstiest angriest teenager on earth who screams at his father barely restrains himself from decking that one jerk at every school they go to and sneers at dean for being too emotional especially about his family
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sunglassesmish · 1 year
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happy anniversary i guess
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m1zumono · 4 months
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i think a lot of people don’t realise that cas pulling dean out of hell in lazarus rising wasn’t cas pulling dean off the rack, it was cas pulling dean AWAY FROM the rack, away from the people he was torturing
the first time cas touched dean he saw the pain dean was inflicting on other people, saw the way he enjoyed it, and it didn’t change how pure dean was to him, it didn’t make him any less good
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opheliasam · 2 months
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guys he’s so . wtf…WTF . angel
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monstersandbrothers · 20 days
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then what is it about?
sam and dean + the Big Unspoken Thing
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heh… hey guys… remember when dean confessed in a freaking confessional that there were people and things he wanted to experience differently than before and maybe even for the first time? remember how that was never mentioned again? heh… yeah me neither… *clawing my eyes out*
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wormieapple · 2 months
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please understand that i will never and can never condone John Winchester’s actions but some of y’all really don’t understand what “he did the best he could” means.
he neglected and at the very least emotionally abused his kids, and there’s a pretty good argument that he might’ve physically abused them as well. he isolated them, prevented them from forming any lasting relationships outside of immediate family, left them alone for days if not weeks on end with firearms and very little food. And that’s not even the half of it. and everything he did was a manifestation of grief and drive to protect his family. which does not in the slightest justify how he treated sam and dean, but it does lay out his morals and motives pretty clearly.
He loves his kids, he really does. and while struggling to deal with his own trauma he was doing everything he could in his mind to keep them safe. but that doesn’t make his best enough, not by a long shot. that doesn’t even make his best efforts good efforts. at the end of the day he abused his kids and royally fucked up their ability to cope with their own grief and trauma in ways that i cannot touch with a 10ft pole rn or i’ll be writing 57 essays right here and now.
and again i hate john just as much as the next person but he did not set out to abuse his kids. he didn’t have nefarious intentions when it came to how he raised his kids. he was a good person who turned into an abusive asshole due to grief, paranoia, and alcoholism. and it makes perfect sense that sam and dean still love him even if they recognize the damage he did to them. because they also know how hard their dad tried, and they’ve said as much several times. and i get it cause that’s how i grew up. my dad did everything he could despite his grief, despite his depression, despite working 14 hour days in poverty and homelessness, and he still neglected and emotionally abused me. not because he was a bad person, but because he had no tools to deal with everything he was going through. and his best wasn’t enough, his best failed me. and i still love my dad cause not every memory was bad, and he does truly love me and my siblings. And i’m lucky in a way that sam and dean never were because my dad recognized where he failed us, owned up to what he did and tries everyday to repair the damage he did.
I have closure, and that’s something sam and dean could never really have. but they do have the clusterfuck of emotions that is he tried his best and it wasn’t enough.
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wigglebox · 2 months
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Hey there 💫 [x]
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episodeoftv · 9 months
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Round 1 of 8, Group 1 of 8
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propaganda and summaries are under the cut (May include spoilers)
Community: 3.04 Remedial Chaos Theory
tws: a gun is fired and a character is shown smoking
At Abed and Troy's housewarming party, Jeff decides to let the decision on who gets the pizza rest on the roll of the dice, leaving Abed to contemplate six alternate realities.
Even if you have never seen the show, this episode HAS impacted you. It is the origin of the phrase “the Darkest Timeline” and is also where that gif of the guy (Troy) with pizza walking into a room that’s on fire/total chaos. As an episode, it is so unbelievably tightly written. Despite this being the fourth episode of the third season, if you watched this as your first ever episode of Community you would IMMEDIATELY get who all of these characters are. And not just that, but the group dynamic. It’s hilarious but also a great, well, “study” of the Study Group. Also the “what does a pregnancy test look like?” Joke is still one of the funniest/most clever things ever put to film.
this episode is such a banger no notes
origin of this gif/meme. also a great character and character relationships study
https://en.m.wikipedia.org/wiki/Remedial_Chaos_Theory
Supernatural: 6.20 The Man Who Would Be King
Castiel tells his story in his own words and confesses to some interesting choices.
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boywifesammy · 11 months
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i feel like the boys’ representation in “it’s a terrible life” is a really accurate and insightful look into how they work on an Instinctual level.
at first it seems like just a funny bit for dean to be the one dismissing the ghost thing, but dean wesson actually fits perfectly into dean’s personality. i mean, think about it. hunter dean is OBSESSED with the job. he lives breathes and sleeps hunting. he’s proud of who he is and what he does, and he enjoys being a part of something. this episode shows how that’s part of dean’s intrinsic personality. he needs order. structure. discipline.
sam is mischaracterized as ‘the emotional one’, but i think dean’s a lot more of a romantic than him. he likes the idea of a stable life, whether that’s hunting or a cushy corporate job. he wakes up at 6am everyday, has a distinct routine and a circle of friends. he does herbal detoxes and drinks frothy rice milk lattes.
life is a package for him. dean likes fitting in. he doesn’t like breaking status quo. he instinctively looks to blend in, whether that’s in a corporate environment or with his father and other hunters. dean likes the idea of family. connection. he needs people, people who are familiar and trustworthy. he’s very community/family oriented. he’s not a lone wolf.
but sam on the other hand, he’s intrinsically in tune with weird frequencies. he’s strange and he picks up strange things. he cares about people and appreciates connection but he values himself and his gut instinct more. he loves sticking his nose where it doesn’t belong. he doesn’t give a fuck about blending in. he didn’t as a hunter so he sure as hell doesn’t in a goddamn tech support cubicle.
sam straight up tells dean that everything about this feels wrong. and you can TELL that dean feels it as well. sam tells him that he thinks he should be doing more, it’s in his blood, he hates everything about this fake life. but dean deflects. no matter how uncomfortable he seems he pushes it down in favour of predictably and routine. even if deep down, he knows its wrong, it takes him a lot more time than sam to admit it.
this shows that sam is more than ‘hunting bad’ and dean is more than ‘hunting good’. it was never about hunting. sam refuses to turn a blind eye. he WANTS to rebel. it’s his nature. he instinctively looks for things that don’t line up and he calls that out. he doesn’t care about the backlash. dean needs stability. he needs people. he needs to feel like he’s a part of something. it’s why he brushes off that feeling of wrongness so quickly at the beginning of the episode, because he’s willing to overlook some of the bad for the benefits.
it’s just like how hunter dean is willing to defend john, defend the grisly violence of hunting, and convince himself into thinking this is his only choice. sam refuses to do that. he instead latches onto that feeling of otherness and rebels even though it costs him family and familiarity.
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adammilligans · 5 months
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Okay but if you think about it, Michael didn’t really have anything to gain from him and Adam’s agreement like… he literally just wanted a friend. The whole thing with he agreement is that they’d coexist which Michael at first wouldn’t need, he’s an ARCHANGEL who has spent years and years by himself, but no he really just decided to agree to coexist with AND eventually give over control to (at the time) an insignificant human.
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castielssuperhell · 1 year
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the empty got him again :(
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sunglassesmish · 1 year
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an interview with jensen about the finale!!!
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blanketforcas · 7 months
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✨ cockles' gay ass auto/op/con shenanigans that spark joy ✨
*doesn't include panel stuff or else this list would get way too long
**incomplete so i'll add stuff as i (re)discover more
2015
cockles having fun at photo ops part 29342
ass grab + op story
2016
jensen carries misha bridal style
j and m both insist the sunset pic is romantic
2017
"crazy eyes" and "crazy mouth" auto
underbear op
a really adorable hug
2018
"that's the part that's too gay for you?"
“you’re asking jensen to hit on me? that’s definitely something he will easily do”
2019
misha calling jensen tidy
2021
jensen finds it easy to "look in love with misha"
misha hanging onto jensen's arm inbetween ops
jensen loving a "sounds gay i'm in" shirt
super cute photo op
thee "paparazzi shot" and "why? i live it" auto
another couple of super cute hug ops
misha signing the no room for jesus jib selfie, asking if that is a real post jensen made
2022
eye-fuck each other? "we can do that"
misha doing a good jensen impression
jensen clinging onto misha and looking really happy
funny op with a misha+danneel shirt
two fun arm wrestling ops
2023
"i'm proud, darling" after wearing a bi flag with a fan
cosy fanart inspiring jensen to write fic on the spot
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lambmotifz · 2 days
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they were having violent sex here
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leverage-ot3 · 21 days
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okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭
bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)
but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good
some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember
he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business
one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man
he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)
they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)
not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it
and then the long goodbye job happens
hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.
so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.
and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.
not this time. not to sterling crowley
he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)
nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to repare fully.
he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.
the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.
but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.
‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.
watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it
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