#but it's a good plot lbr

[dulcewrites]

I think the thing that shocks me the most about the discourse, if you can even call it that, around book Alicent vs show Alicent, is the idea that people think book Alicent had full autonomy over all her choices and she wasn’t a “victim” like show Alicent.

Now first, I put victim in quotations bc the way people who do not like her have almost bastardized that word. Alicent is a victim, and those things (rape, abuse, neglect) were done to her. That says everything about the men who did that do her and nothing about her. But people are hellbent on throwing Alicent, a woman in a violently patriarchal environment, being victimized back at people as if it is moral flaw of hers. Which is just terribly ironic bc the same folks who say Alicent “did it to herself” or “deserves what she is getting” also seem to think the crux of the story isn’t about generational trauma catching up with itself, how far people will go for power, or even how all girls and women are harmed - albeit to different degrees. But more the fact that Rhaenyra is the only woman to be harmed - and the only harm done is not getting the throne easily. Those same people wouldn’t be caught dead admitting that Rhaenyra is also a victim in the way they shit on Alicent for being. From the father who sets her up fail, to the baby daddy that’s been eyeing her since she was barely 18, to the uncle that grooms her. It takes away from the fantasy projected onto Rhaenyra if she too is surrounded by men that use her and she never escapes that.

Second, it’s funny how F&B gets heralded by some as this exploration of how history is skewed depending on who is telling it. But people can’t read between the lines (you honestly don’t even have to do that much work) with book Alicent. Showing 14 year old Alicent being preyed on, 16 year old Alicent being pregnant with her second child, and 18 year old Alicent being raped is somehow the show needlessly making Alicent a victim. But reading about a 13 year old bathing, dressing, and taking care of a king who mistakes her for the daughter he abused and neglected, and then that same girl, at 18, marrying another king that killed his previous child bride is just girl bossism on book Alicent’s part?

People hate conceptualizing the idea that (even book) Alicent is caught in patriarchal trappings bc to some that takes away from Rhaenyra’s plight…. Bc they can’t wrap their heads around several women *gasp* all going through hardships, and that ultimately people will respond to trauma differently depending on tools/knowledge they have at their disposal. Alicent neither being gleefully evil nor picking herself up by her bootstraps to somehow end years of patriarchal violence is not the neat box they want for her.

[leupagus]

Am I writing the Meereen scenes as essentially "1776" with less singing and more threats of burning each other alive? Look,

x

Just then a group entered the library, arguing at and over each other. They were the most unlikely hodgepodge collection of people Tyrion had ever seen in his life: a young man in the rough spun smock favored by Meereen's freedmen, a tall bearded fellow wearing ornate robes that identified him as a member of one of the "great families," a woman dressed in the silk sleeveless tunic of a prostitute, and a half-dozen others, each more surprising than the last.

"All I am saying, my lord Hizdahr," said one woman, wearing a flowing dress and the choker that signaled her status as a Red Priestess, "is that your ridiculous notion of religious 'persecution' is so broad as to render any religious judgement meaningless!"

The tall bearded one slammed the door shut behind them and followed the group as it meandered its way over to a large oval table near a window, piled high with scrolls and books and half-written sheets of paper. "And all I am saying, my lady Kinvara, is that reducing the population via pyrotechnics is directly contradictory to achieving peace and stability, as well as freedom for all Meereenese!"

"Both of you shut up," sighed the man in the smock as they all settled into what seemed to be their usual seats. Thus far none of them had taken notice of either their queen or of him. One of the group, an old man with a white beard and a limp, got up almost immediately to totter over to one of the bookshelves, pulling out an alarming number of tomes with a thoughtful expression on his face. "And stop calling each other 'my lord' and 'my lady' when you're irritated, it makes my hands itch and I just want to wrap them around your throats."

"And you would be free to do so, were we followers of the Drowned God," snapped the one called Hizdahr as he rose to his feet, striding over to the old man and taking the pile of books. This evidently didn't put much of a damper on his ability to argue, however, as he twisted round to glare at the Red Priestess. "Any blood shed by a faith is fine, so long as it's your own devout you're killing? That seems to be your definition of 'religious freedom.'"

"Does the Drowned God punish its criminals by strangling them?" asked a young person surrounded by papers, fingers blue from ink and scribbling madly. "I thought it would be. Well. Drowning."

This seemed to side-track the conversation for a bit, and Daenerys moved away toward the door at the opposite end of the library.

"Who in the hells are they?" asked Tyrion as he followed her, before remembering his audience and wincing.

"Meereen's new Governance Charter Council," replied Daenerys, looking torn between annoyance and amusement. "They're drawing up a new system of laws and regulations for the city, as well as a system to choose their leaders."

"Is that all?"

"Yes, well, it seemed like a good idea at the time. It still does," she added, somewhat reluctantly. "But tyranny has its advantages."

"For the tyrant, certainly," he agreed, and winced again.

Fortunately, she laughed. "Certainly. But I mean for everyone. A just form of government will still fail its people, after all. And then who do they blame? Themselves, for choosing their own leaders? At least with me, Meereen has someone to hate."

"Do they hate you?" asked Tyrion, somewhat surprised. Granted, he'd not had much chance to mingle among the hoi polloi, but the crowd at the fighting pits had seemed quite approving of their new queen.

"They don't love me."

Tyrion rolled his eyes. "Well, love. That always fades in the end, doesn't it?"

"Does it?" Daenerys looked thoughtful. They had arrived at the other door and a librarian opened it for them. She did not bow, he noted; simply nodded and closed the door behind them. Daenerys seemed not even to notice, mulling over his question as though it had been a serious one.

[starbuckaroo]

I think I would be happier w bucktommy all these episodes down the line if Tommy still interacted with or asked after Eddie. I know there’s a lot the show doesn’t put onscreen so there’s no reason why it couldn’t have plausibly happened or couldn’t still happen (and I hope it does), but Tommy was Eddie’s friend first! They hung out a lot!

And yet, since he got together with Buck, we haven’t gotten to see them interact.

Granted, there hasn’t been a lot of screen time for Tommy and that’s fine, it’s a short season w very little room to breathe. This isn’t some sort of angry anti bucktommy tirade. But it does make me just a tad uncomfortable the way things are at this moment. Bc it’s not a stretch to theorize that maybe Tommy was hoping things Eddie might go somewhere and when they didn’t, he tried with Buck. I don’t think that’s supported by the text, but it’s also not negated, either. Idk. It’s not a huge deal at the moment, just a little snag?

Listen I am a buck fan but I am an eddie fan!!!!!!! And I am so so sad for eddie this season it’s been rly fucking rough on him! Not like buck needs to change anything (except not be a jealous freak and lash out physically if he can’t use his words), like I said I’m here for bucktommy I think they’re great. But like. Where’s the awkward “hey how do we hang out now that you two make out sometimes” or whatever?? We deserve to see that tbh! It’s a more common issue in queer circles, that ppl have to slip in and out of romantic/platonic interactions when people partner up or break up. It’s also the first time either of them have dated anyone within the LAFD and so it’s the first time this could ever have even come up!

Idk man. Just I keep thinking about how happy eddie seemed when he was hanging out w Tommy and maybe it’s just bc that ep was meant to be from Buck’s pov but i don’t know what’s worse, thinking it WAS real and now he doesn’t get to have that friendship anymore or that it WASNT real and he was never actually having that good of a time.

MY REAL POINT is that anyone who WAS or IS a buddie shipper or anyone who likes Eddie at all has to acknowledge how important buck and eddie are to each other, right? Which means that in any relationship that either of them ever have, if they want it to be serious and have long term potential, they actually need to integrate their partner with their best friend.

Maybe this is too weird for some ppl? It’s always seemed like a given, like if there’s someone new and important in my life, I def want my best friend to meet them and like them bc I want us all to be able to spend time together! I don’t want to feel split between them all the time! And esp with Tommy already having connections with most of the 118/main cast, and particularly Eddie, it would make sense for us to see them interacting!

Idk. I’m probably wanting too much from my network tv show lol I just. I will literally never take bucktommy seriously as a pairing if they don’t manage to address the Eddie of it all. And not in a “address the fact that buck loves him” contrived jealousy nonsense. I mean address the fact that their lives are bound together! And it predates anyone that either of them will ever date! Plus imagine the character growth it would take for Buck to send Tommy to Thursday basketball with like a plate of cookies and orange slices or something but not show up himself. Be like “have fun with the boys, slap Eddie’s ass for me” or whatever 😂 I would believe Buck was finally on his way to being ready for a long term adult relationship if they managed that, is all I’m saying

[ssaalexblake]

Does anybody want to tell the people still complaining that 13's era didn't have enough political commentary that the anti-imperialism themes, the condemnation of the treatment of refugees and immigrants, the emphasis on violence for violence's sake being bad but violence in the name of protection and self defence is acceptable and heroic (you can and Should fight back against violent colonizers), and and absolute refusal to give any ground to abusers (something the other eras were sketchy at Best over), we could talk about the environmental protection themes that appear about as subtly as a brick more than once (ideally environmental protection shouldn't be a political issue, but idk if you've watched the news lately, it is) were like. Really thematically obvious? And that if you talk about the Less obvious, it gets deeper.

We could talk about medical exploitation and the parallels of the timeless child to henrietta lacks (look her up). We could talk about the northern working class emphasis in the whole era and that its avoidance of the south is a statement in itself, from Sheffield steel to nobody having an upper class accent (sans that one time lord who ran division who had the Snootiest of snooty high class accents. Almost like they were making a Point). We could talk about how all our characters and reoccurring are working class, a bus driver, a trainee mechanic, a hotel manager etc etc, we could talk about the portrayal of actual honest modern poverty, and that it's explicitly shown that Dan Wants to work and is threatened off of the premises instead as the indictment of capitalism it is. We could talk about the very clear condemnation of tech companies taking advantage of their customers (calling fake google Vor was unacceptable tho, no defence available).

I could go on, but I'd like to drink my tea before it gets cold.

Sorry 13 didn't say the words eat the rich, but idk if you noticed, there was an actual whole episode where in the future the 1% who ruin the earth beyond repair literally get hunted and eaten by the mutated remains of the 99% whom they left to die 👍

[coldvampire]

need at least 1 person to be mentally ill with in the dms about my own writing perhaps then ill be able to publish something

[welcometotheravenclawcommonroom]

Me as a writer: I’m going to research every little thing that I’m referencing or using in my story world-building for authenticity and a more believable reading experience… until the reality of the things I’ve learned become inconvenient for the plot, in which case I reserve the right to suspension of disbelief.

[sorcerry]

i love how the two most consistent things about outer banks are that 1. the parents will be extremely shitty at almost every given opportunity (the heywards are outliers and will not be counted bless their hearts) and 2. every season will be more all over the place and chaotic

[izzymalec]

just finished lucifer, now all shows i started watching (minus she hulk but fuck that) are finished omg #productivity

[sen-ya]

Life After Info Post

[Click here to access the Life After Digital Comic Book]

Summary: Two years ago, a viral outbreak rose the dead. Considering how his life had gone up to this point, surgeon Trafalgar Law figured this might as well happen too. When a supply run into the nearby city gets intercepted by a seemingly reckless and impulsive former patient, the dependable routine Law had settled into in this new life shatters. He finds himself exposed — his body out in the infected landscape, his conscious clawing to define what he believes is right, his heart begrudgingly deciding to find a new home on his sleeve. Maybe there’s more than a virus roaming the new world that can bring a dead man back to life.

Content Warnings: Canon typical violence, zombies/body horror (but lbr I am not good at making scary things look scary)

Relationships: Luffy x Law

Update Schedule: New page every Monday/Wednesday/Friday

Page Count: [37 posted | 55 drawn]

Latest Update: [7/21/24] WOWEE did I get myself carried away this morning. I just spent 5 hours organizing my comics and creating the digital comic book pages. I could have spent that time drawing or idk not doing what I do for my job, but I cannot be stopped. Anyway I blocked out 30 pages of this comic last week and they include the most intense action sequence I've ever done in my gotdang life. Wish me luck because I am nervous about tying down all my drawings lmao.

OLD UPDATES:

[6/29/24] HULLO! I'm doing so bad at keeping my masterposts updated lately I am sorry. All pages of life after are tagged life after if you're ever looking between masterpost updates! Also exciting update, I finally have figured out all the different plot points i'm gonna be hitting (yay!). I got hung up on something for awhile that made me not wanna work on this project, but I'm back at it. I think we'll end up with 6-7 parts! I have probably another 80-100 pages to draw lol. Also i got the app Magic Poser and it's AWESOME and I immediately used it to block out sets cuz MAN I hate backgrounds.

[6/10/24] HELLO. I'm sorry I've been shit at updating my masterposts lately. It's easiest to do from my computer, which I rarely use, and life has been happening. I also can't believe I bungled the queue and posted pg19 before pg18 i am very sorry 🤦 Eventually I'll have to turn this into an airtable base I'm sure, but until that day comes where I have like 100 pages of this comic we're stickin to the regular post lmao

[5/26/23] I got real caught up in doing summer of lawlu comics this week and this is the first week since the first week of April I haven't drawn new Life After pages and it feels weird 🙊

[5/19/24] More Luffy backstory comin' this week! :^)

[5/12/24] Updating now so get myself on schedule to update on Sundays like I had been with my other comic master post!

[5/8/24] Thank you to everyone who's liked/reblogged/comment on the first few pages!! It means the world to me that anyone's reading my silly little comics.

[4/28/24] HULLO. It’s happeninnng. I’ve spent the last few weeks working on this comic, and I gotta make this post so I can start queuing pages & link this in them! This is the most like….legit? Comic endeavor I’ve undertaken perhaps….ever. I’m very nervous about committing to how long it will need to be lol. This story is dear to my heart — zombie content is kind of my very favorite. I’ve always found it to be a great backdrop for exploring themes like grief, coping with change, community, and learning to live again. It’ll be a long haul but I hope you’ll ride it out with me!! Tomorrow I’ll be posting the first two pages. After that a page will post every Monday/Wednesday/Friday. As of this post I’ve completed over 20 pages so that I have a good lead on what’s posting and continuing to write, so I’m hopeful that’s a cadence I’ll be able to maintain. I’ll update this post weekly to include the most recent pages the way I do with my main comics master post. All pages will be tagged 'Life After' and I'll tag any pages with zombies in them with 'zombie' for blacklisting etc.

[kanohivolitakk]

I don't know if I ever said this before, but one of my most steadfast believes with Bionicle is that you cannot put into traditional categories of "objectively good" or "objectively bad". Not just because Bionicle itself is all over the place qualitywise with very high peaks and abysmally low lowpoints, but also because of what Bionicle fundamentally is. A toyline.

Sure, there have been a lot of toylines that have their own stories just look at Transformers or Masters of The Universe instance. But a core difference between those and Bionicle is that most storydriven toylines have the story and toys be fundamentally separate. Even if the toys were made first and the story just exists to sell toys, the story still exists as a separate entity with little connection to the toys. The toys mainly exist as to be memorabilia of characters the kids can recreate the plot with rather than having a concrete purpose.

Meanwhile with Bionicle it being a toyline is a large part of its identity largely thanks to it being a Lego product. Legos entire brand is all about creativity, to let kids come up with their own ideas with imagination as the only limit. Sure, they do have themed sets but the themes have always been more of a suggestion than a demand. And this mindset applies to Bionicle as well. Bionicle is ultimately a creative sandbox, a springboard that gives the base concept and set up kids can build their own adventures around.

And heck this translates to not just kids but even teens and adults. As the audience got older they got to affect the story more what with those MOC contests, story contests and what not. Not to mention, a lot of the canonization Greg got critiqued for were less his ideas and more kids headcanons he just gave a seal of approval (because lbr at some point we fans clearly cared more about the worldbuilding than Greg ever did). And then there's all the stuff we are now doing as community, with all our fanfics, projects and headcanons to expand on or play with this world and characters we all love so much.

Because sandboxyness and creativity is a major aspect of Bionicle's identity, it cannot be judged as a traditional story. Trying to judge Bionicle as a traditional story that has a "set" beginning, middle and end removes a huge aspect of what makes Bionicle work as is. Yes, you can (and should) critique the "canonical" story, but judging Bionicle from that alone isn't smart. It'd be missing the forest for the trees essentially.

[yusuke-of-valla]

The thing about mean rivals is that like there's kinda a reason we stop having them the second the plots started getting world-ending in scope and that's because you do not have time to deal with some whiny asshole who you've beaten over and over again's shit when a space chinchilla is about to suffocate everyone in the region

Like if they're a dick to you the entire way through they quickly become all bark and no bite because narratively they're going to keep losing to you, and again progressively destroying the ego of a small child is second to whatever this year's eldritch abomination is (and if they went so far as to help the eldritch abomination it raises questions about why they're friendly enough to battle you in the post game).

So like. It's simpler if they're just nice? And have arcs where the fact that they keep losing to you is the point? Your rival isn't the final boss anymore you don't have to build up to finally being able to defeat them for good (except not really) (I guess Hau in USUM arguably but LBR the final boss is Ultra Necrozma)

Like I guess I get annoyed when people don't acknowledge there's a point to how the rivals have been handled since gen 3. You don't have to like it per se but there's a reason the rivals are like this and it's not just the devs don't want to upset little kids.

The fact that the adults care about your safety on the other hand...

[ssaalexblake]

It’s kinda ironic that legend of the sea devils was heavily rumoured to have been cut to pieces (it had a run time of 50 minutes for a special.... did they really think we’d not notice specials are normally an hour and a half long???) specifically to appease international markets who were unimpressed with it bc i’ve spent Years watching people excuse execs cutting any and all queerness from the media so they can air it abroad and lo and behold, the Only plot in this episode that was consistent and not butchered was the gay one. That got left alone. 

Like, it’s funny. Infuriating, but funny as well. 

[melrosing]

What would you say is the single worst decision D&D made?

uhhh probably to have been so inflexible on how long they wanted the series to be. it should’ve been obvious to them that 72 eps wasn’t going to cut it, and to think they originally wanted to do even fewer than that - or even at one point just wanting to finish the show with like…. three feature length films?? they never really had the writing chops for this show and especially not when it came to making up the material GRRM had yet to write so lbr it was never going to be good in their hands, but if they’d at least devoted more time to it then maybe they might have been able to convince a few more people they weren’t utter hacks. like I know people who desperately wanted to enjoy the final season, who would’ve swallowed those plot points if they’d been halfway convincing - but they couldn’t and were complaining about it w the rest of us. like even the most charitable audience couldn’t defend how things ended up

also lol I saw an excerpt from a recent interview with one of them where he was like ‘oh the online reaction was rough but a guy at airport security said he liked it!’ and it’s like oh well then I guess I was wrong I’ll delete my blog

[jacquesthepigeon]

Watching a video talking about the portrayal (or lack of) of economic class in Emily in Paris and she makes a good point about escapism and why it’s understandable for the creators to gloss over certain aspects of parisian life in order to achieve this, much like how Bridgerton took a colorblind approach, and since I’m in a posting mood I’m going to make it about ML again

Looking at a series from the context of what it’s trying to provide for the audience is important and, while it should always be open to criticism, I do think we should adjust our standards accordingly when critiquing

However, in ML’s case, you can’t really make the argument that the series is meant to be unserious mindless entertainment with no interest in making any political statements or including serious messages

To begin with, the entire concept of the show revolves around mental health and how difficult situations can sometimes turn you into something you’re not, with some of the promotional interviews explicitly stating their intent to help kids cope

Okay the “mindless fun” defense failed before it even got to the door

From the very first season, class, race, political corruption, and abuse of power is used to push the plot of the day forward

At the same time, the creator of the series is showing off his whole bare ass on the internet (figuratively, not literally) patting himself on the back for being such a great ally to every minority group under the sun for making such a diverse cast of characters

S1 ends and the company decides to ride the hype train by promising greater stakes and social commentary

The crew’s blatant sexism and refusal to acknowledge abuse becomes undeniable, racist stereotypes galore, blind weapon master trope with weird vibes bc lbr at this point most of what they’re doing is starting to feel off, etc etc

By this point that guy is all in on the “most groundbreaking piece of media in decades” claims and responding to any critiques from the demographics he claims to be lifting up in the absolute worst way possible, obviously prioritizing his own ego over any goodwill he had towards these groups

Over time, every already existing problematic aspect is turned up to 100, now POC are responsible for the police brutality they face, dark skinned characters are getting white washed as soon as they become superheroes, n*z* imagery is presented as neutral and defended, almost every single “message” the show is sending feels very strongly based on spite rather than good intentions so on and so forth

The crew and marketing continues pushing this narrative that the series is so diverse and inclusive and #girlpower

Then S5 comes out and is almost entirely composed of a crappy white man’s wet dream of absolution from responsibility and accountability and finally getting all the praise and recognition they “deserve” bc nothing is ever their fault and every horror they commit is actually a service to humanity

So yeah. You could argue that the crew has no obligation to promote certain kinds of messages or to go out of their way to make a meaningful impact on young children’s lives bc it’s just a dumb kid’s show, but when so much of both the official marketing and the crew’s independent promotion on social media relies heavily on supporting progressive political and social goals, it’s completely normal to expect them to keep their word.

[sage-nebula]

Thinking about how they decided to bring back the whole "one Gerudo male born every 100 years to be king" bit in TotK for whatever godforsaken reason, thereby creating the question of: why have there been no kings since this Ganondorf?

The flashbacks with Ganondorf took place well over 10,000 years ago, considering the first recorded Calamity took place 10,000 years before BotW. Fast forward 9,900 years ago, and we have the plot important Calamity that leads to BotW. Fast forward 100 more years, and we have Link waking up in the Shrine of Resurrection.

And yet . . . there is not a single Gerudo voe.

The magic law governing the sex of Gerudo babies doesn't specify that the previous king has to have fully died before a new one can be born. We can assume that's usually the case given Gerudo aren't known to live past 100 without magical intervention, but that's not part of it as far as we know. So even though Zombiedorf's crusty ass was hibernating underground, there should have been, what, at least 100 kings after him? There at least should have been one EITHER during the first Calamity, or born around the time Link woke up in the Shrine of Resurrection (with "around the time" including a time frame like a couple decades or so).

But there isn't one, and Gerudo Town is instead led by a chief. And further, men are (usually) not allowed inside.

Which makes me think that, after Ganondorf decides to go full Demon King . . . maybe the Gerudo said, "we're sick of this shit, no kings ever again." In other words, when a boy is born to a Gerudo mother, he is NOT sent back to Gerudo Town when he's old enough to talk, but is instead raised as a Hylian.

If we consider Sonia and Rauru's Hyrule to be Hyrule 3.0 (which it kind of has to be), this is not the first time a Gerudo King has made life worse for his people. In OoT, the Gerudo were regarded as thieves because of IRL racism / colorism lbr and Ganondorf actively made things worse for them by trying to take over Hyrule, having Koume and Kotake brainwash Gerudo who didn't fall in line, etc. In one branch of the timeline, this led to the Gerudo being left to drown in the Great Flood. In another branch (the one that leads to Twilight Princess) we don't see them at all, suggesting that they were perhaps driven from Hyrule's borders after Ganondorf's bs was brought to light and he was put on trial. And then we have the timeline merge and this Ganondorf, who again took them to war and transformed himself into a demon king and just overall fucked over his people. When you consider all of that, along with the fact that we don't have a single good Gerudo King in recorded history . . . it's not too much of a stretch, I think, for the Gerudo women to say "no kings ever again, no men allowed in Gerudo Town aside from Princess Zelda's twink."

And thus, the 100+ sons that would have come after Ganondorf . . . were raised as Hylians.

(Of course, if one of these AMAB Gerudo-raised-as-a-Hylian later realized she was a transgirl, she would be welcome in Gerudo Town. But she wouldn't be there to take the throne. She's just there to be with her sisters. Transvai are vai and welcome in Gerudo Town. Just no voe, except Princess Zelda's twink.)

So if we consider this a possibility, then it could be that there is actually a Gerudo voe—who wouldn't acknowledge himself as Gerudo since he was raised Hylian—in present day Hyrule. Someone with dark skin, tall, with a muscular build, accustomed to warm climates . . .

Someone like Tauro.

[mtkay13]

So I made those as requested by abscess chemical on twitter and figured it may be fun to share them on tumblr as well. And you know what? Share a break down of my choices as well, because why not! I tried doing it seriously haha.

Zhou Zishu:

Intense - 6/10: He can be very intense, re the things or people he's invested in, but he also has a chill and detached quality to him, a way of being at peace with things that he won't blow things out of proportions.

Complex - 9/10: I think that he's a very nuanced, multi-faceted and deep character, but I guess I didn't go 10/10 just because there's also a very straightforward and easy to get part of him (esp. from WKX's perspective.

Fruity - 2/10: I think the guy's very gay but not the most bombastic about it LBR.

---

Angst-lord: although it's not as obvious in TYK, QY gives us some EXTREMELY tasty ZZS angst and a good look into how ZZS can process things through anxiety. It definitely got more lowkey post-QY canon, but...

Flavor container: IDK what that means really but I wanted to tick it

Soft and sweet: I actually didn't check it on the twitter version initially (but published an erratum). He is described as soft on the inside by too many people not to check it.

Braincell haver: self-explanatory, the guy's brilliant

Chew toy: literally!

----

Tragic backstory: if QY can count as a backstory, then everything that happened with Jiuxiao works.

Frequently violent: duh

Sidekick owner: WKX is ZZS's sidekick from everyone else's perspective (or vice-versa) and my opinion abt it won't change ever.

Pet stray animals: ZCL, for one, and for two we all know he pets cats and raccoons

Chronic insomniac: technically, in TYK, the nails do force the insomnia, but we know from QY that he had a lot of trouble sleeping at night.

Murderer: well

----

Just some guy 95%: clearly he's a natural-born NPC/side character

Too many thoughts 100%: he overthinks everything!!

Awful company 15%: I think that a goofy drunkard like him is fun but not the best company, especially when he goes all grumpy shifu/shixiong

Beloved by all 60%: most characters REALLY like him (and the others don't even know he exists) and often praise how sweet he is. Charming against his will and attempts at being invisible uwu

Trauma x1000 10%: again, I think that the Jiuxiao story left deep scars.

Helps others for fun 70%: pretty much the plot of TYK

Scary-smart 80%: I think he's really brilliant but then you have these moments where he's just clueless abt stupid stuff and clearly doesn't care/doesn't want to know or try so those 20% left are the deliberate goof I guess.

1000 weapons and tools 50/50: it's both!! every rock is both a tool and a weapon and he just keeps pulling random shit from his bosom--

At peace with life 48%: I think, for the most part, he is--at peace with both life and death, until he decides that keeping on living is just the best option in the end.

Break the rules 80%: I had no idea w this one but... in TYK he pretty much does whatever he wants, so---

Extra comments: The way the "evokes" ticks every boxes for me to various degrees of intensity... sigh It was difficult for the "want them to have" section since I think he has everything post-canon, but I tried seeing it from a mid!canon perspective.

----------------------------

Wen Kexing

Intense - 9/10: While WKX's feelings are generally cold, they seem equally intense to me, just like his eyes or his stare. He's intense about his love, about his revenge, about his plans.

Complex - 6/10: I've had interesting convos about how WKX is... nuanced, of course, but not as complex or deep as it may seem on the surface. That doesn't take anything from how interesting he is, but he is rather straightforward in what he is, ultimately.

Fruity - 8/10: I MEAN--

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Enemy of the State: he's literally THE main Jianghu villain

Flavor Container: I still don't know what it means but it felt right once again

Braincell haver: the guy is EXTREMELY smart and outsmarted everyone in TYK so yeah

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Tragic backstory: can hardly do worse than parents murdered in front of you, ate your dad to survive, took care of a child in the wildest, most dangerous part of jianghu, fought to reach the top while "serving" the previous master........ He scored it all!

Orphan: again, fully checks out

Frequently violent: yes

Has enemies: in SPADES

Sidekick owner: GX and ZZS are WKX's sidekicks 100%

Murderer: yes

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The antagonist of life 70%: had to change from protag to antag because he IS the TYK antagonist (if TYK had been a traditional wuxia from ZCL's perspective...); of course it ends up being subverted but you know

Too many thoughts 75%: I think he's a big thinker as well

Awful company 85%: Let's be real guys

Hated by all 30%: I think he's too underestimated or not even really acknowledged enough to be hated, but I am pretty sure that more people dislike him than the opposite

Trauma x1000 60%: well.......... I think he has a bunch!

Sadistic for fun 15% : I doubt he's one to like helping and we know him to have those sadistic tendencies

Scary-smart 80%: same reasoning as for ZZS

1000 weapons or tools: mostly bare handed for everything save for the occasional whip or walnut shell but---

Enemy of god 35%: I have to be honest I don't really know what that means but I guess he's defied death a few times!!!

Break the rules 95%: WKX shits on the rules

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Additional notes:

Mostly ticks everything in the "evokes" categories as well, but I unticked "symptoms of projection" because I don't feel like I project much of anything on WKX... maybe? (save for the ZZS lewding.. LOL) always hard to say, IG we always do a bit of that on every character, eh

and The Horny ofc because i'm kinda known for not really lewding my good WKX atp

I want a lot of things for him during canon, but again, all I can think of is how post-canon WKX really got it and then I gush and am simply happy for him.

That's it thank you for reading this mostly unnecessary breakdown!!!! Edit, following a comment asking for the sheet: