#but ive only practiced in like three angles lol

[cabbagestrand]

day3: still practicing faces so dont mind the hands and the body lmao

[peacockrulz]

youre so right about narration!! i could go on all day really, its the biggest thing for me that takes a fic from good to great, especially with characters like j- characters with a persona of sorts, characters that lie to themselves or are in denial, or characters with a lot they need to sort through, and j is sort of all three in some capacity. i cannot wait for hostile takeover to update! if you ever decide to try writing a fic id love to give it a read! ive noticed you have a lot of interesting ideas about characters and their dynamics through your fanart, something i think could translate to writing well. you also clearly have an understanding of what makes a fic good- though i know from experience its often easier said than done. still, id love to see you try! this is actually my first time rp-ing canon characters, ever. right now im playing j (thanks hostile takeover) in a discord server, though i might try n soon because i reaaallly struggle with characterizing him. ive been roleplaying my whole life really! i started with roblox warrior cats though... im shuddering with you id kill for more dollxn art from you though. no pressure but you get them it seems. its been a while since i listened to final girl but its definitely their song suggestive lyrics or not i hope they die and go to robo-hell together <3 - juzi anon

*sigh* putting this under a readmore because HOO BOY did I maybe went full analyzer on this one. thanks for your time Juzi Anon <3

I've read alotta fics in my time on the internet and honestly? I don't think I've ever read a fic that hooked me on a character narration quite like Hostile Takeover's J. J's awareness of every part of what shes doing and how shes doing it makes it even more subtle when you realize that despite all of that, she has so little awareness over what she thinks. Like she doesn't question it. Uzi's narration makes a point to show how she censors her own thoughts, she doesn't allow her mind to wander to certain parts of the past, shes completely aware of how some thoughts sound and decides against saying it all together. Meanwhile, J will go on and on about how much better the job would be without V's constant talking back and N's inability to do anything right, and in the same paragraph be constantly thinking about the argument with V, and what got V so messed up to begin with. J is like a rock, a precipice of confidence. But the moments where she doesn't know what to do, (like when she thought she was going to die in that church tower from the rising sun) its almost like she has to put on appearances even in a moment where shes completely panic-ed, that she still somehow has to pretend she knows what shes doing, even with no one around. Its why the fic made me rethink J in general, I've loved J for while but Hostile Takeover was the first time I actually was able to SEE what J could be as a character story. It really puts into perspective how important narration can be in telling a damn good story. (Sorry this became a J paragraph. I could analyze fics for the rest of my life and be happy lol)

Haha maybe one day I'll finally sit down and write. I'm not really the greatest at translating my thoughts to text, for some reason its easier for me to illustrate my feelings about a character then to write it out. The only reason I can draw fanart like that is because I analyze these characters to death lol. Looking at all the angles of two characters and then asking the question of 'what would it take for them to be on friendly terms' is a pass time I indulge it frequently!!!! Thats why I like rarepairs, sometimes they're dynamics are alot more unique than most, even if they're 2 characters that have never once canonically interacted (which is my favorite. Alot more creative thinking with that one yknow?) Still, maybe I'll get to it :O (prolly would practice writing analysis post first. because I always have to stop myself from doing it on other posts XP)

I've also grew up on roleplaying (my brother is into roleplaying and that got me started on it lol) used to roleplay on roblox even before I could read (which. isn't a joke actually. who gives a 5 year old unrestricted internet access???) funnily enough I can't even say I ever completely grew out of it, I still visit alot of roleplay maps on roblox (including WCUE!! never actually roleplayed there but I think its fun to spec) but mainly I used to roleplay on animal-based mmos like FeralHeart in my younger days.

Iffff,,, I could say anything about N's character,,, to hopefully help inspire some ability to write him (and sorry this gets its own paragraph) I would probably say that he is a very self-destructively selfless person, whos never gotten over anything or anyone in his life (I.e when V was in stasis during their time in the manor, N constantly visited her and would draw pictures of the two of them together ((as lizards)) and is kinda implied to have been reading books to her during this time. Even after getting 'digitally lobotomized', while N couldn't exactly remember V as he knew her back then, he still carried that affection he had for her all that time ago. He never stopped caring about V, even when he forgot) while I wouldn't describe N as in anyway 'innocent' or 'naive', N still has a habit of unconditionally caring about pretty much anybody lol. He had like, what, a 27 minute conversation with Uzi? And while it wasn't enough to completely convince him, it still was something that made him hesitate ("I really enjoyed our time together,"). And while I'm here (having mentioned Uzi) I would also say N is a very lonely character, seeing as he was often belittled by his peers (J) or in some cases completely ignored (V, but she had her reasons and thats a different discussion) a funny part of N's character is just how much he IS like Uzi. A person completely isolated by his kind because of how he is, who was never given an explanation as to why, why everyone is so oddly cruel to him. The biggest difference though being that N never fought it, he completely accepted getting knocked around if it meant he could stick around. It took someone else to point out how fucked his situation was to make him think twice about it. Uzi is the type of character to go down kicking screaming and punching(asterisk but thats also a different discussion), and N, despite being in such a similar place to her, isn't that kind of guy. While I wouldn't say N is the type to take everything lying down, there is something to say about just how much he is willing to take before getting angry, yknow? Overall, I think N is a very loving, loyal-to-a-fault, kinda guy, but his compassion for those around him is often times the reason he gets so tunnel-visioned in the first place (i.e causing explosions and throwing rocks and debris everywhere in a mass, angry panic, trying to go save V.) and its why he is so willing to get himself hurt in the first place. ("I really enjoyed our time together, but I can't have you shooting V with that thing.") (Or yknow, cutting his arm off, but thats alot less selfless-ness and alot more self destruction) His patience and understanding is one of his biggest strengths and somehow always the reason he gets hurt. Basically I think he need to go a lil insane as a treat.

((Oh its also good to note that his unconditional love for everyone around him is also the only reason why he has lived this far to begin with (the characters this includes: V, Uzi, AND Cyn.)))

I also think the above, is the reason why I enjoy NxDoll so much. it takes SO MUCH for him to hate someone and yet Doll did the one thing that would make him do it (hurting someone he cares about the most). I just knoooowwww if they saw eachother in that church it would've been ON. That fight would've taken out the whole god damn BUILDING. it would be two people fighting for the exact same fkcing reason!!! REVENGE!!! the horrible chain of trauma contuines with them!!! killing one will only leave the other with what remains!!!! And yet I also see them as two people who would really benefit from being on friendlier terms. Both becasue N's softness is just not something we ever see Doll treated with, and because Doll's avocation for justice might just be the thing N needs to get a god damn backbone for once and earn himself some self-appreciation.

But I also think its more fun when its enemies AND lovers.

They should make eachother worse <3

[yesimwriting]

Dying Starlight

A/n: i dont think an audience for this exists?? ik it’s not shadow and bone related, but ive been reading red queen and i wanted to try writing maven and ive been playing with this idea. umm...on the off-chance that there is an audience for this i do think of this as more of a series but i’ll probably end up deleting this lol 

(Series?) Summary: reader is a childhood friend of Mare’s who isn’t officially part of the Scarlet Guard but gets captured by Maven. As a prisoner, she feels like her mind is being messed with as she begins to see a more human side of Maven. The new King tells himself the only thing he sees in her is that she’s a way to get to Mare, but something about her genuiness is infectious. 

-- 

Irony twists things. Right now, the irony that my last thoughts might be about how I wish I had been trusted with a suicide pill twist my impending doom into something almost comical. I’d laugh, but I’d rather not startle the rats in my cell. This has been their home for presumably years, but I’ve only been down here a few hours. 

I scratch the back of my wrist, staring at tired stone walls like they’ve done something to me. I wish I knew what time it was. How long have I been down here? How long has it been since I was separated from Mare? An hour? Three?Each passing minute strikes me like a bullet, but I can’t count them. I’ve never had a talent for accurately feeling the passage of time.

My head aches, frustration and dread tangling themselves in the pit of my stomach. Mare told me the Queen can search through someone’s mind, seeing memories even they can’t remember. What will they do when they see I know virtually nothing? What will happen when they see how close Mare and I truly are? i can’t do anything and the unknown hurts more than my bruised rib. 

The sound of the heavy door that divides the luxury of the castle from the wasteland of the cells creaks. I only let my arms flinch, moving from my side to wrap defensively around my stomach. Dull footsteps echo down the pathway that lead to the cell I’m in. I don’t cringe, not even when the sound of walking stops. 

I was not born into a rich family, but I was born into a proud one. Fear was practically a criminal act in my household. I’ve been trained to suppress all signs of weakness. My eyes don’t leave the stone wall, I mentally trace the pattern of a long crack in a specific rock. It reminds me of the slope of the Big Dipper. 

Will I ever see stars again? The answer leaves a sharp pain in my chest. 

“Mare told me about you.” 

The words jar me, my stomach dropping in revulsion. Mare had trusted him, and here he stands--successful because he’s a traitor. I know what it’s like to be the most overlooked sibling and to crave to change that. I know what it’s like to want to succeed more than you want air in your lungs, but I don’t think I’d ever betray someone. I like to think that there’s a line even the monster in me won’t cross. 

I don’t look at him, partially out of an attempt to protest and partially because I’m afraid of what I’ll see. “She might have mentioned you in passing.” 

His scoff is ridiculous. “She didn’t lie about your sense of humor.” 

That almost makes me wince. His words are too close, too personal. It’s like he knows me. I turn my. head, ready to cut through the uneasy beginning to get to the miserable middle if it brings me to the end faster. 

“You’re here to torment me, not make small talk.” Turning had been a mistake. I regret it instantly. His expression is unforgiving--cold, sharp, and made up of only angles. But that’s not why I stare. I did not expect him to be objectively attractive. The fine slope of his nose, the sharpness of his cheekbones, and the ice blue of his eyes. I need to snap out of this mindset. I’m sure his beauty will not be so distracting when he’s burning me. “Though some might consider that the same thing.” 

He scoffs again, the sound dry. The sneer of his lips does not diminish his attractiveness. The fact makes me loathe him. “I wonder if you’ll still be so prone to humor after you’ve been broken--any information of worth extracted from your thoughts.” 

“Let me save everyone the trouble and just tell you everything that I know now.” My back straightens despite the pain in my ribs. I look pathetic, dirty and in a torn dress. He’s regal, dressed in fine, all black clothing. “I know that Mare wanted to kill you today, I know that she needed a distraction and that her distraction needed to be expendable, which is why I’m sitting in front of you.” I squeeze my hands together awkwardly, a bit of genuine irritation rolling in my stomach. “That’s literally all I know, I’m not even part of the Guard.” I scratch the back of my wrist. If I were him, I wouldn’t believe that, but I’m being honest. How pitiful can one person be that they’re worth more disconnected from the group they work for than as an actual member? “You don’t take that kind of risk for someone that’s only skill set is in thought.” 

I didn’t mean to say that out loud, but I don’t regret it. Maybe he’ll think that my story is so pathetic it has to be true. “You have to know more than that.” 

“The Scarlet Guard only reaches out to me on a need-to-know basis, and anything worthwhile to you is something I clearly didn’t need to know.” In a way, I’m glad I can’t give him anything. “So are you going to kill me with a bullet or do you prefer more flamboyant executions?” My death should be plain. I am human completely--I bleed red and I have no powers. “I do think anything more than a simple death is more trouble than I’m worth.” 

His lips press together oddly, something beneath his expression tightening. “You don’t think your dearest friend will return for you?”

The sarcasm in his voice sparks something in me I thought only my sister could. “I think she has a lot of responsibilities and I wouldn’t blame her for having priorities.” 

His eyebrows draw together. “I think you’re painfully unaware of how attached to you she is.” I press my lips into a thin line. “She’ll come for you.”

Something selfish in me hopes that he’s right. No one has ever wanted me enough to come back for me. My mother wanted perfect daughters that knew how to only think in terms of trapping men with stable careers. My sister did it, but I could never manage, and to my mother that made me useless. 

“If you believe it,” I mumble beneath my breath.

I don’t know if he hears me. I can’t bring myself to care if he did. “For your sake, you better not have lied to me.” 

My back relaxes against the raspy wall, fighting down a grimace as the motion irritates my rib injury. “Cross my heart, Your Highness.” 

I watch him carefully, his expression turning into something much more grim. “A King is referred to as His Majesty.” 

“My father was a prominent war general and my mother only wanted daughters she could use to social climb.” I fight down a grin. “I know what I said.” 

His expression darkens into something bone chilling. “I am the King and you’ll refer to me as such or deal with even less pleasant circumstances.” 

I fight against the urge to cower, picturing Mare’s strength in my veins. There’s weakness in everyone, and if I squint I can see the thin cracks in him. “You have everything--the crown, the power, the support of the people, and it’s still not enough. You won and you still feel like you’re competing.” 

“You don’t know anything,” he seethes, practically growling. 

I shouldn’t press him, but the more he reacts, the more weaknesses are revealed. “I know what it’s like to have a sibling that’s the sun, and no matter what you do, no matter how hard you try, you’re always trapped in a shadow.” 

The lighting makes his eyes look almost glazed over. “My mother will be here soon and the truth will be revealed.” 

He can run from me, but not the truth. Cal has nothing, he has everything--the father that never cared for him is dead, and yet he’s still trapped. Our similarities hurt me more than my physical injuries. 

Maven turns, his gaze moving off of me feels like the removal of heavy shackles. “It would do you well to not press me. You’re worth as much whole as you are broken.” 

There’s the strangest hint of something more to his voice. I wonder if he’s speaking to more than just me. “You haven’t won until that voice in your head telling you that you’re not enough is silenced.”

“You’re a powerless girl who isn’t even wanted by a dying cause and couldn’t find a husband to drag her above the poverty line. You know nothing about me, and if you keep pretending I’ll slaughter you in front of your dear friend.” 

He leaves without another word. I fall asleep with my back against the wall and my ribs aching. 

[yostresswritinggirl]

@butterfly-mochi​ Rewrote this freaking thing thrice because it keeps getting deleted wth tumblr agjvahkfajkvk- I enjoyed writing it a lot tho and since I’m too weak to the characters I ended up writing for all of them (except for Sucrose, im sorry bb huhu, I ran out of brain power). This is my first time writing for so many of them in one go so please excuse me for any mistakes or blandness ywy thank you for letting me write for my baby Ganyu too hhhhh

Universe Reversal 2

Genshin Impact Character Reader and Modern Players with Zhongli, Childe & Ganyu (how they simp for you) (event masterlist / Part 1 / Part 3)

Zhongli the F2P

The most relatable out of the bunch because this man is still broke and can only rely on the primogems he can farm. And he had a LOT. The one thing he doesn’t have a lot on, however, is his luck.

So how did he manage to pull you?: Well after exhausting all his primogem on your banner with nothing but weapons and other characters, he has lost his resolve. But by some weird luck, there was a character bug that was fixed and in his email was the almighty consolation primogem. Enough for ONE pull. And by the Gods he FINALLY got you.

He’d nonchalantly post his screenshot of pulling you using a single acquaint fate in his friend group without any words and everyone else just loses their shit. “You got them in one pull?!” “Yeah” A riot.

This was partnered with the fact that not only is Zhongli an F2P player, but also barely has any five star characters.

He looks calm and apathetic over the news, but behind the screen he’s exhausted and relieved, silently livid.

He has no primogems left to squeeze for a constellation so you’re instead pampered with the best weapon suitable for you (because that’s all he keeps getting).

Zhongles spends most of his time farming for materials to quickly level you up, unlocking all your stories and voiceline, but he fucked up on your build (his artifacts are messy).

He follows communities, forums and videos regarding your character to know all the things he needs to perfect your build. You can barely make a dent against normal mobs, so he knew he was doing something VERY wrong.

Is the type of person to keep refreshing the page for new content, very updated.

Ask him a question about your character and he’s gonna bring you the word vomit that is his research. He’s not gonna stop- probably accidentally developed a copypasta for you.

Also follows your VA in both Tiktok and Twitter to indulge in every bit of content. He also has that screenshot of his pull saved and locked.

On his birthday, a friend of his gifted him a chibi plushie of you and he has treasured it ever since, treating and handling it like its a figurine.

“It is merely pure luck and grace from the gacha gods that I got this character, and I will make sure that they know I am very grateful for this fortune.”

Favorite Voiceline: Birthday Message

Childe The Whaler

This lucky wealthy bastard with no remorse for his money whales for EVERY character. He’s making a collection, which is to get all the characters, especially the five stars. So when your banner finally popped up, he’s gonna square up and trigger a whole ass meteor shower.

How he pulled you: Money. His luck with this games are actually not the best so he always compensates with money, he got you halfway through the first failed pity, almost giving him a heart attack that he might actually break the bank just to get you.

And then he pulls more to raise your constellation lol.

The first thing he does is look over your character info and read through it all; constellation infos, your base stats, artifact compatibility.

At the end when he’s maximized everything, he would then focus on playing around with your character *coughs climbing noises coughs*

He thought you’d just be another part of his collection but playing with your character was very enjoyable and in-line with his playstyle- oops 100 screenshots with the Kamera-

Any and all merchandise that he fancies would be his, and he’s definitely flexing it to the other sweetie nerds who call themselves simps. He’s fighting for the simping title, and he’s currently neck and neck with this fanartist in Pixiv.

Speaking of that fanartist, he definitely commissioned an expensive and detailed portrait of you, full rights and everything. No one else was allowed to use it but him.

Was also the first one with the audacity to call out your VA to create an account on Tiktok to create more content with your voice. He was successful.

His obssession also comes in the form of self-indulgent contents, and had been keeping track of the ship wars happening. During conventions, he cosplays as the character shipped with you the most (or the character he thinks should end up with you).

Silently scrutinizing those who cosplay you, only ever taking pictures with/of the best looking one, sorry haha

Definitely flaunts that you are his waifu/husbando and will fight for best girl/best boy during debates or polls. Has mobilized the community to vote for you once. He’s very persuasive.

“Hm? Why I’m just the best collector in the game, and I am more than happy to let everyone know that I am their number one fan haha, everyone who claims otherwise is definitely wrong!”

Favorite Voiceline: More About (Y/N) I-IV, (Y/N)’s Hobbies...

Ganyu the Employed

Ganyu, our dearest overworker, is one of the players in the older stage who actually has a job but still plays Genshin for their past times. The gorgeous sceneries and the music is her main focus in playing the game, not much of a try-hard but still decent in the combat mechanics.

How she pulled you: You came home within 50 pulls! And you appeared again after another 10 pull! Ganyu was so SHOOKT and so distressed because oh goodness, what does she do? She doesn’t know anything much about you!

Will rewatch your three trailers to try and understand your skills better, ended up saving the soundtracks from them because that was such a nice trailer music! Tnbee gains a new follower!

Ganyu will take a while before she can properly play or build you up because she’s so busy with work, she only ever plays when she feels fully done with her work.

During her break she plays with your character while multi-tasking on eating, earphones plugged in and sight on the phone as she farms materials and artifacts for you.

The moment she gets more help from her player friends tho, holy shit, you just ended up being so OP. She had so many good artifacts and weapons for you because she didn’t know what they were for before.

She loves how you’re so easy to use and can easily solo the enemies and even the boss fights. A huge breather, because now Ganyu can cheese the battles that takes a while, to give her more time to focus on the storyline and lores.

Since Ganyu plays for the story and aesthetic, she’ll find you almost always in her team. Still very proud of her pull, she makes the best screenshots of your fights or in the best angle through exploration.

Treasures you so much she starts talking to her phone- “Ah, no, please don’t fall.” “There’s violetgrass up there, let’s try and get it”

Blushes everytime you produce a sound when climbing, doesn’t change you anyways tho

Hums to your trailer music while working, and if permitted, would have the song on repeat while she buries herself in work. She finds it really refreshing and the time she spends in work miraculously flies by fast when she gets lost in the sound.

At one point, when she was given a day-off or if the convention was on her free time, she attends to look for cosplayers of you and take a picture. No one rejects her because she’s so adorable and cute when asking shyly.

Had brought a decent amount of merchandise, preferably the functional/practical ones like a phone cover, mug or keychain. Also has an earphones clamp with your little chibi self as the holder.

When asked, she would shyly announce that she likes your character the most.

“Their character theme and music really soothes me during work, it feels nice to have them, and I have not once regretted ever pulling for them. They are the best.”

Favorite Voicelines: Good Night/Afternoon..., About Us, Something To Share..., Interesting Things...

so enjoyable...

@moaa @zelos-simp @legionqueensav @dandelion-dreams @snackgod @rxsalinee

[bmpmp3]

Do you have any tips for drawing bodies from multiple angles?

WROTE A LOT SORRY its under a cut!

honestly i dont have the most practice with it since a good 70% of what i draw is characters wait up standing looking 3/4s left or right orz BUT some things that helped with the few interesting poses i draw once every fiscal quarter IS.....life drawing orz

specifically life drawing sessions where you do a bunch of quick gestural figures (like a 60 second timer each pose) at the beginning and then slowly increase the time for later poses, like 2 minutes, then five, where you slowly increase the amount of detail and rendering each pose, and then one or two long 10 minute ones where you go all out. i think that kinda structure helps a lot to 1) warm you up and get loosey goosey with ur lines and 2) get in the zone to think about how bodies work without overwhelming urself - like in the 1 minute sketches you could basically only get a weird stick figure, in the 2 minute ones maybe you might get a little more definition in the sillhouette, at the 5 minute poses you got some folds of the flesh implied with a few lines and a bit of hatching, and by the 10 minute ones ur really thinking about how the different parts of the body all interact because you already did some practice (the previous poses) if that makes sense?

ALAS we are in a world situation where cramming 40 people in a room to silently draw one naked person for three hours is not......happening (at least not where i live) so for the past couple years ive had to make do with online resources, which arent half bad! theyre not quite the same, for me at least (i think in person i can see more interesting angles) but they do the job! here's some I've used:

http://reference.sketchdaily.net/en

https://line-of-action.com/practice-tools/figure-drawing

https://quickposes.com/en

https://youtu.be/mNNSwITdPIM (linking this channels clothed references so no one gets a surprise titty in the face but normally i personally use nude references) (although recently ive been using some clothed references as well just because i realized im so out of practice drawing clothes hsjlkfBJKLFJSFKLD)

figure drawing and life drawing and especially gesture drawing is also something thats kinda tricky to learn if no one ever taught you (and honestly its tricky if someone DID teach you lol) so maybe someday i'll get around to trying to explain what ive learned myself if that could help someone

ive tried using 3d models but ive never foudn them that useful, probably for the same reason i prefer irl models to pictures (easier to see whats goin on) BUT sometimes it can help as a rough guideline if ur doing a weird angle youve never done before!!

SPEAKING of guidelines. guidelines are ur friend. guidelines r ur lifeblood. guidelines will always help even if u dont follow half of them they are SO helpful - I OFTEN find myself kinda skipping them, like you can see here in this drawing i havent erased the sketch from yet that i drew a circle and then a line for shoulders and gave up (probably impatient lol):

BUT guidelines can help so much~ when im drawing a full pose i'll usually have guidelines that really are no more than stick figures like basically like:

stick figures with dots for joints and maybe some rough lines here and there like it doesnt need to be nice or perfect since its just gonna get erased anyway~ it helps me keep track of how bones work hjfsdskjvfdfs

OH and artist mannequins.....like 3d models theyve also never done me any good like those wooden ones? I hate em theyre so stiff and i dunno what to do with them BUT.....okay...action figures? not bad....like maybe not so much with anatomy but if you have a doll or action figure with good articulation you can kinda use that to help out with funky poses sometimes!! like i have this one gundam and honestly....even though its a mecha with a giant mecha dong or whatevers going down there its like....not a horrible mannequin for poses jfksdlfjrfkehjklsd

WITH REGARDS TO foreshortening.......................................we are all on our own with that one orz LIKE i have tried every trick in the book, every funky tip and method and technique and none have worked for me so i just wing it jhkDmFJKDLS WELL actually having like a page of really sloppy loose stick figure sketches where you experiment with proportions helps a lot!! i do that with weird poses or angles, like dont worry about about how it looks HELL unfocus ur eyes. unfocus ur eyes. i do that all the time while drawing and its great it helps you see the big picture and the silhouette without focusing too much on one thing~

anyway yeah i dunno i guess a lot is just experimentation but hopefully some of these resources might be useful!!

[illegiblewords]

Notes under the cut!

Having made a lady WoL collection, I decided to do a dude one too. As before I have more, but not all are leveled and I have some I’m more attached to than others.

I do want to push for more range honestly--I’m not sure how I wound up with three midlander dudes and a highlander lol. I should really follow through with a male au ra, hrothgar, and lalafell. I did an odd green/brown hair hybrid that I suppose could qualify for brunette, but otherwise my tendencies toward black and blonde hair came through real strong. Mysteriously absent are redheads. I may also want to experiment more with color palettes and cultural influences a bit.

For the guys, there are spots where I played into job expectations and spots where I defied them. I wanted to try designing some characters in ways I hadn’t seen so much in-game, as well as designing characters who would immediately evoke a specific tone! There are also definitely jobs where I deliberately tried to show some traditional masculinity where it’s less expected, which was fun.

Cenric/Black Mage Midlander: People have criticized hyurs before by calling them “too vanilla”, since they’re the human stand-ins. I figure though, they’re hyurs. Hyurs are imaginary and don’t need to follow real world biology. Play with color palettes and features so you get a more definite fantasy look if you want to. With Cenric, I specifically tried to go super dark and de-saturated to evoke a walking silhouette (sort of like drow) and gave him the palest eyes possible with strategic face paint so they’d look like they glow. This was all in the name of making a character who evoked Final Fantasy’s classic black mage, just going in a more adult and extra spooky-goth direction.

Maerec/Dark Knight Midlander: Maerec, I designed specifically to both be a step off of the default midlander from commercials and to embody the Dark Knight questline as best I could. Giving him some edge visually while still feeling reasonably natural was fun to balance! To this end, I knew dark eyes would be important to helping the black hair fit in. Going with a very dark red I figure it almost seems like he could have brown eyes until you look closely. Making him feel very Ishgardian was also fun, with the horned helmet and Fray-esque glamour. I also designed him to both parallel and contrast with Lahabrea given their stories are intertwined. If there’s scattered angel/demon imagery between them that works even more.

Sublime Tiger/Samurai Hellsguard: I know that my natural inclinations go toward bishonens lmao, so figuring out the angle I wanted to work with the SUPER BEEFY male roegadyns was wild! One thing that gave me inspiration at the time was realizing that, with their black noses, Hellsguard roegadyns can 100% evoke big cats--among other animals. I usually prefer designing Sea Wolves for lacking the black noses because my impulse is for it either to be visually unified with the rest of the face/body or go without--so I often feel a bit more limited with what kind of designs I’ll do for Hellsguard. With Sublime Tiger, originally he had both orange and black striped hair (one of the styles available works it) as well as the black face paint evoking tiger stripes. I found the hair more limiting with helms though so made it pure black instead. Deciding what glamour would look good and play well with proportions was also a process--wanted him to feel like he’s from Othard since there is a big Hellsguard population there, so samurai made some sense to me in building that. After experimenting though, I wound up going with a look that took a bit of inspiration from One Thousand And One Nights. I have additional ideas for what I might try going forward though.

J’mor/Red Mage Miqo’te: This was a combination of a lot of ideas! One was wanting to embrace the physicality of red mage as a job, and explore it as a worldly kind of caster who works well with ease of movement and does a lot of darting around the battlefield. Mages in-general are often seen as kind of ivory tower sorts, and by shedding the usual frills I wanted to show that it’s possible to have a caster’s knowledge while being very connected to the world at large. Also give a strong sense of SWASHBUCKLER where the magic kind of slaps you in the face with additional power. I also noticed I hadn’t seen as many black male miqo’te in-general, along with fandom stereotypes about catboys as soft. So I decided to design J’mor with that in mind--playing him as a very shonen kind of hero while the beard brings an extra bit of hardness to his features.

Asah’zi/White Mage Miqo’te: Asah’zi is another case where I wanted to challenge the idea of male miqo’te as soft, and I added to that challenge by making him a white mage when that is often filled by lady characters. I was also interested, lore-wise, in the tension between Keeper of the Moon tribes and Gridania (where white magic has very strong ties). That Keepers of the Moon are also very matriarchal gave added interest for me making a more rough and traditionally masculine-feeling white mage sort, especially since Keepers often build a lot of their lives around hunting through the Twelveswood. I also wanted to bring some sense of druid into white mage as a job, given the nature ties. With Asah’zi, using skydruid skins, claws, a wooden cane, and on all contributed toward the vibe I wanted to build for him. Using emotes that show off his fangs helps bring a bit of cockiness to him too, which is fun. And stealing Thancred’s hair lets him have a bit of a roguish vibe lol.

Amir/Dancer Highlander: Like I said, I tend to go for bishonen-sorts in designs a lot. HOWEVER! I do love this highlander face type specifically a ton, and think guy highlander proportions are well-balanced overall while being beefy. I knew for a while that I had a specific design I liked a lot for male highlander with Amir, and I definitely wanted to do something with him. The choice to make him a dancer specifically came from a conversation I saw just after the job’s release. An IRL male hip hop dancer mentioned feeling a bit bummed out because a lot of the animations felt like they played more to softness/grace and traditional femininity, and he’d been hoping for the option of a little edge with battle dancing because that’s what he does. Some players said he should just play monk, others were kind of mean to him and acted like what he wanted was somehow shitty. I felt for the dude to be honest since he was coming from a place of feeling frustrated by stereotyping, so I decided to look at the animations and see how much they could be integrated into a design that felt more traditionally masculine. I saw a lot of bright greens (especially with the peacock feathers) so I tried to unify that with a green glamour. The mask reminds me of rave aesthetics a bit, and I’ve seen dudes wear shorts similar to the Nezha ones before. I’m a big fan of the idea that fashion can be a way to create what you want tonally, and I tried to explore that in this design.

Navarre/Paladin Midlander: At some point it hit me that I have been avoiding traditional knight-in-shining-armor looks like the plagues in my tanks lol. This made me think a fair bit. What struck me was that if the only thing a glamour has to say for itself is “this is a knight”, that doesn’t feel so interesting to me. If it’s supposed to be a knight in shining armor specifically though, bringing an almost angelic, elemental feeling to the look is something I’m 500% there for. And weirdly, people don’t seem to do this as much. I’m less used to paladins compared to dark knights, warriors, or even gunbreakers--and since paladins are so associated with that holy knight-vibe I figured it made sense to go that direction. While I was looking into glamours, one thing I found was that a lot of them dyed with unchanging patches of black, had edgy red woven in, or otherwise came across as having been designed with dark knight or warrior in-mind. I decided part of what I’d do in this instance was really make a Warrior of Light who immediately screamed “yes I am the Warrior of Light” when you looked at him, and took inspiration from Cecil Harvey from Final Fantasy IV toward that end too. Every piece in this glamour was carefully picked not just for whether it worked as a silhouette, but also how it would dye.

Cesaire/Dragoon Elezen: Cesaire has gone through a lot of design phases. Initially he was a red elezen, because it’s a direction I don’t see used a lot but has a very doable fantasy feel I think is fun. Then he was a champagne/cream color all over as inspired by a particular breed of horses. Now, having put a lot of thought in, he is deep gold with blue eyes. The underlying concept for him was that I wanted to make a golden dragoon who looks like he should be terribly heroic, but then in practice he’s a kind of blood knight WoL who is about as close to Zenos as a Warrior can get without going outright evil. I played into gold and more general adventuring gear for the reason that I think Cesaire has absolutely left Ishgard behind him, and strongly prefers to be someone defined by what they do rather than where they’re from. Given elezens’ wide shoulders I also had to think about what combinations would work for balancing proportions, and I wanted Cesaire to visually hold his own visual niche within my overall Famfrit lineup so a lot was chosen with that in mind.

[caden]

i feel we should examine the whole idea of “do spoilers matter” or not at a deeper level then ‘people who complain about spoilers are annoying so spoiler warnings are stupid’. like the idea that a lot of you guys seem to have of “if having the plot spoiled ruins the movie for you then the plot wasnt any good anyways” seems sort of... not fully wrong but also underdeveloped to me. like, there are tons and tons and tons of stories that are widely considered to be amazing and have clear artistic merit that you absolutely wouldn’t want spoiled. Like, you wouldnt want to know darth vader was lukes father. you wouldnt want to know bruce willis was a ghost the whole time. For drama to be effective you need tension, and a very very efficient way of keeping the audience engaged is by putting them in a mindset where they’re unsure of what will happen next, or by revealing a game-changing plot twist, or by suddenly putting a character into an unexpected position. It seems totally disingenuous to me to be like ‘well it shouldnt matter to the audience whether or not they get to be surprised by what happens in the film they’re watching’. You can’t honestly believe that to be true. Being able to be surprised by a story is like one of the fundamental draws of good storytelling and probably has been for all of human history. Imagine how much worse US or Get Out or any Shakespeare play would be if you knew exactly where the plot would go before you saw it. I know there’s some research that suggests people actually enjoy stuff more if they already know what will happen but you can cast a lot of doubt on that data-- i think that it indicates more that people are more likely to appreciate a good plot once they understand it more thoroughly, hence why you might like a great movie more the second time you watch it. That doesnt mean there isnt value in the first time, it’s just a different way of viewing it.

All that said, the stuff with people not wanting spoilers for endgame has different wrinkles to it. (dont worry im not about to spoil anything). It can’t all be chalked up to ‘people care super deeply about the characters and plot and the writing is always so unpredictable and engaging that they dont want to know a single thing before going in’. Ive spent a lot of time recently thinking about the way infinity war and endgame are constructed, and they’re made in such a way that REALLY facilitates them being ‘spoiled’. because they’re written around moments. The plot isn’t so much a naturally moving thing with motivations and momentum of its own as much as a connective tissue between various cool things happening. Like, whoa, spider-man just met the guardians of the galaxy. oh sick, theyre in wakanda. holy shit, half of them died. Endgame goes REAAAAAALLY hard on this style of writing. And as a method of milking emotion from the audience, it really really works. Assuming the moments themselves are all effective, you’re guaranteeing constant engagement because every three minutes another epic thing is gonna happen. And I think when people fault marvel fans for being obsessed with spoiler warnings, this style of filmmaking is really what they’re trying to critique. because there’s a suggestion that if your movie is just jumping from crazy twist to shocking death to funny reference to epic fight, you’re losing the thing that should actually be the connective tissue of a film-- its themes, character arcs, ideas, setting... etc. And while I personally don’t think those things are mutually exclusive, (bc i do believe that infinity war and endgame genuinely have themes they try to discuss), i would also agree with the argument that reliance on shocking moments over actual ideas is bad writing. But as I mentioned earlier, a filmmaker like Jordan Peele whose works are generally agreed to be very good also uses this writing style-- his plots escalate via twists and turns and are expertly constructed to keep the audience wondering what’ll happen next, and he does a really great job with it. 

Now, i DEFINITELY think there’s an argument for ‘disney intentionally plays up the spoiler warning angle in a way that’s ultimately toxic to the filmmaking process’. Like I don’t believe that the “tom holland doesnt get to read the script” stuff is true, I 100% think it’s all a publicity stunt-- but they shouldnt be setting a precedent that makes people think doing something like that to a lead actor is acceptable. It’s not how films should be made, and the only reason I’m sure its all fake is because I have enough filmmaking experience to know itd literally be impossible to efficiently shoot a big-budget film under those conditions. Of course all the buzz about endgame spoilers is HUGELY beneficial to their marketing teams, so obviously they’re gonna go hard as hell on enforcing that narrative. Like they 100% WANT everyone to both be spoiling the movie and getting anxious about having the movie spoiled, because its all free advertising for them. But in terms of ‘big movie studios having greedy practices that harmfully affect the artistic process and make their films worse’, its incredibly low on the list of bad stuff that studios do imo. 

So, like, if you’re gonna critique all the various aspects of that, I think you should A) put your efforts towards exposing all the spoiler panic through the lens of how it affects the way that films are produced and consumed, or B) put your efforts towards analyzing the media itself, watch the film and ask ‘is this film more engaging and well-made because of its reliance on moments that can be spoiled? If no, why is that not working? If yes, is that engagement coming at a cost or is it justified? Essentially, I’d like to feel that the criticism was either coming from a social angle or an artistic one. And if that were the case I think i’d have less of an issue with it. Just saying “people are dumb for caring about spoilers” is silly. Maybe it’s dumb, but that’s not the point. People will consume media however they want to and if they want to care about spoilers then they have a right to care. You guys aren’t wrong if you think marvel shit is stupid and badly made, because art is subjective and no opinion on it is wrong. But other people also aren’t wrong for liking and caring about it, and being like ‘we should spoil it for them to teach them a lesson” is gross and totally unproductive. I know 99% of it is jokes but you gotta remember that some people have spent a very long time being very excited to see this movie and doing something that wrecks that for them is just mean and inconsiderate. It’s not about whether them feeling that way is stupid or not, because yeah, it’s stupid to be that invested in superhero movies. It’s about it not being cool to intentionally hurt someone just because you can. And the reason i don’t have a lot of tolerance for it is because I feel like saying “caring about spoilers is stupid” is a kneejerk, surface level attempt at media criticism and we can do better. I obviously care pretty deeply about the way we consume and criticize pop culture and i think it’s in everyone’s benefit to have more productive discourse about this stuff. No ill will towards my friends who are saying the things that i’m ragging on, i obviously don’t think it’s coming from a malicious place or anything-- this is just my read on the situation. Was gonna post this like two days ago but then decided someone would prob message me a spoiler because of it lol

[jagaimogoshujinsama]

rambling about shin men and hyu/kan. its long and self indulgent but if ur curious where my brains been at recently here it is

ive been in an out of a couple fandom interests recently, im still following new shin chan episodes closely (and i’ll get back to subbing some eps probably, at some point)...

anyway the past couple weeks i got, weirdly, super into hyu and kan as a ship. even though theres not a TON of content to work off, and also theyre ostensibly a het ship which can turn me off (and did at first, when i first realized kan is a ~secret girl~, in fact i have my reaction in writing

but then i gave shin men more of a chance and rly grew to appreciate all of the characters and.. the thing as a concept, and BOY!! i love kan a lot, like a heck of a lot. and since shes a girl who deliberately takes on a lot of masculine attributes its very easy to read her as genderqueer or transmasculine or even a trans dude straight up - though as a demi...gender?? person myself i like reading her as Soft Transmasc, because projecting onto cute little cartoon ppl is my favorite thing to do

so one of my main questions when i encountered this series was: who came up with this and why? what IS shin-men? this post will be me trying to explain it to myself:

shin-men was a concurrently-running anime AND manga series created in 2010 to celebrate the 20th year anniversary of shin-chan. the anime is obviously more well known, but the manga chapters tell the stories quite a bit differently and provide some more backstory - i own the first two volumes with the third on the way. the anime is awesome because it was seemingly spearheaded by Masaaki Yuasa (the kaiba dude), and as soon as I saw the first episode i assumed Shin-Men was his brainchild from start to finish. i’m not sure EXACTLY how much was his creation, conceptually speaking, but it is true that he finalized designs and a lot of basic concepts for the characters.  (parabon is straight up hyo hyo!)

(from masaaki yuasa’s super huge sketchbook, which runs in the 40-50 dollar range. let me know if you find it cheaper anywhere ill accept a used copy with heavy spaghetti stains)

yuasa boarded the first five episodes of shin-men, and a subsequent 8 episodes were released with different boarders (primarily yuji mutou, who’s been a heavy hitter on shin-chan since 1998). yuasa’s 5 episodes are beautiful - i mean look at this

yuasa always brings an otherworldly, dreamlike quality to whatever story he’s telling. on shin chan he generally seemed to prefer fun AUs and outlandish stories about buriburi zaemon that would allow him to invent colorful new settings and costumes.

that’s what’s so refreshing about shin-men - it’s the first time the show completely abandons its core cast of characters and focuses on NEW ones, in a universe with different rules. except, just kidding, because shinnosuke is still the main character, he’s just red now and called gou. so even while shin-men is TECHNICALLY breaking the fundamental rule of shin-chan - that shin is the main character who is in every single episode no matter what - it’s still abiding by it, and it still feels like shin-chan. that’s not criticism, though - i like the various alt-universe appearances of shin-chan characters in the shin-men universe. my favorite is matsuzaka, who is called “matsuzakaroni”, is STILL a kindergarten teacher even in this very alien universe (and despite the fact that she, i think, hates it?), and most uncannily of all, gets hit on by gou?? also gou is an adult i think, in this universe’s rules, he’s just really short like all of the other shin-men who are also adults?? i mean, i THINK? why does nobody in universe ever seem to mention how tiny these apparent grown-ups ar

anyway i’m not an expert on shin-men. despite my efforts i don’t really understand exactly where it came from or where gou’s ears are

i hope some day someone will create really good english subs of it, though i realize that’ll be a serious effort since yuasa’s episodes ABOUND with onscreen text - fuck, just imagine editing the moving gossip clouds on botswanawana to have english text. how would you even do that.

but i do wanna talk about kan a little and why shes cool thats the topic of this post

kan akaluislar (thats her last name..) is one of the 5 shin-men, superheroes with elemental powers who all look like a 5 year old named shinnosuke nohara from another universe, but don’t think too much about that. kan’s the only one who doesn’t actually have a superpower - she’s the Iron Man of the group, like, literally she’s tony stark, she’s the super wealthy and successful president of a major automobile company and rules the school in her home country, Detahoit. (which is maybe a pun on detroit? i’m not sure what’s up with that name)

anyway in addition to being iron man she’s also Transformers and Fullmetal Alchemist, she’s all three of those guys. she turns into a car a lot and transports her teammates everywhere. she also OWNS a car and drives it around when she’s not being a secret car superhero. is that bitterly tragic, or does kan secretly PREFER to be the car? is that her darkest fantasy? to be a full time car instead of a car-driving ceo? that is my headcanon

kan guards the fact that she’s female from the group, convinced they’d treat her differently. specifically, she’s convinced gou and nyoki would hit on her (confirmed), sui would bitch her out for not having a proper skin care regimen (that’s sui’s big thing, by the way, is that he’s a bitchy youtube beauty vlogger), and - worst of all - hyu would kick her out, since girls can’t fight.

...which seems like a pessimistic view of hyu. hyu is the wind elemental in the group - he’s buff and a little dopey but kind hearted and sweet, the noble hero type. also a bit of a spoiled prince.

each member of shin-men gets a yuasa episode dedicated to them, and hyu’s episode - his main arc, really - centers on his love for kan, which he keeps secret, despite the powerful curiosity of his country’s gossipy citizens.

what interests me is the disparate ways the anime and manga handle this plot thread. the anime treats hyu’s crush very earnestly, maintaining an undercurrent of quiet affection from him that appears in the majority of its episodes. the manga, however, emphasizes kan’s disinterest in romantic advances from both gou AND hyu, then practically drops the topic of hyu’s crush. it doesn’t exactly defy or contradict the relationship they have in the anime, however -- but it makes me sad, because hyu’s crush on kan is extremely cute and endearing. (as a sidenote, gou’s thing for kan is also pretty  cute, but it only exists in the manga, and, well - it’s not really a /romantic/ crush.

the shin-men manga makes a lot of different choices to the anime, and since the two were released concurrently i have no idea which “version” of any one story was the “original” - and in some cases i’m sure there isn’t an “original” version of a story, just two different ones. sometimes i really prefer the anime’s decisions (not drawing eyelashes on kan) and other times i’m... not sure what to think (the manga chapter with pimawari does NOT focus on kan, so did the anime decide to highlight kan’s relationship with pimawari because... kan’s a girl?? did they really do that? am i over thinking this?)

the manga does a GREAT job of fleshing out kan, though, even though it does so by torturing her, endlessly. she gets trapped inside of a washing machine. then has to use up all her fuel exploding out of the washing machine. the good news is, kan can repair washing machines, we learn this in episode 5 of the anime.

but be it manga OR anime, kan and hyu frequently wind up as partners who work well together, and its understandable. kan and hyu have private lives that mirror each other, both of them being high-profile and wealthy, pressured (kan by her conniving older sisters, hyu by his palace’s grand chamberlain) to settle down when neither of them is particularly interested, both preferring the life of a superhero. their private lives seem lonely and neither of them has any friends outside of shin-men. but within shin-men they team up frequently, and (being natural leaders) the two of them tend to take charge and stand out as The Responsible Ones.

(pointing = leadership)

this is what sells me on them as a couple - that they have this core of collaboration and mutual care in their superhero lives, which could build into a supportive friendship in their personal lives.

i very much love that hyu has a crush on kan despite thinking kan is a guy. that angle never comes up in the anime, though its lightly touched in the manga - and yuasa explicitly addresses it in his earliest notes. to quote,

“kan (iron shinnosuke) is the only girl within shin-men. since only men can be shin-men, she wears an iron suit to conceal the fact that she's female from everyone. and since she doesn't have a superpower, she relies on the power of her suit. hyu (wind shinnosuke) secretly likes kan but keeps thinking things like "could it be that i actually swing that way.." (lol). eventually, he's the only one who knows about her true self, but hides it from everyone so it won't be known.”

so, kan’s expectation of how hyu would react, having a sexist freakout and banning her from battle? apparently not representative of reality. which is good news because, even if kan doesnt want a love connection, she DESPERATELY needs a friend whom she doesnt feel the need to hide her private life from.

and at th end of the day thats what makes me happy: the idea that hyu can be this friend to kan, and they just chill out together, smoke a bong, get their truant son gou to cook them some curry, consolidate oil and wind technology to make both of their countries more sustainable and energy efficient, kiss etc.

im so curious if vol3 of the manga will give me any further insight.. i doubt it but im excited anyway