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sleepykittypaws · 3 years

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Celebrate the Olympic Spirit

Sure, the Olympics aren’t a holiday, per se, but the every-four-year, or two if you count both Summer and Winter editions separately, massive international sporting events sure seems like a reason to celebrate, especially given their recent, unprecedented delay. And what better way to get into the Games mood, than by watching a sports movie?

Here are my favorite motivating, inspirational, and aspirational tales of athletic derring do…

Favorite Sports Movies

The Cutting Edge (1992) - This figure skating romance was released around the 1992 Olympics, and actually name-checks that year's winter host city, Albertville, more than once. It's not good in the traditional sense of great storytelling or athletic veracity, but I loved it so very much I saw it three times in the theater as a teen. Watching it at some point during every Winter Games is a tradition for me so, yeah, I can’t help it, I love this silly sports movie/romance, which also features a bit of holiday feels.

Wimbledon (2004) - It's a rom-com. It's a sports movie. It's a rom-com sports movie that really should be better known. Notting Hill but set at tennis' best-known event. Paul Bettany and Kristen Dunst have surprisingly great chemistry, and there's more sports-related tension than you'd think.

Friday Night Lights (2004) - A football movie for people who don't really like football. a.k.a. 🙋‍♀️. The TV series it spawned is also brilliant (”Clear Eyes, Full Hearts,” indeed), and well worth a watch, but the original movie, starring Billy Bob Thornton, is, honestly, a masterpiece. Definitely Peter Berg's best work and the original book, written by Berg's cousin, Buzz Bissinger, is a great read.

Muriel's Wedding (1994) - You mean you forgot this Australian export, which made Toni Collette a star, was a sports movie? Yep, one of my all-time favorite movies, of any genre, this absolutely brilliant, ABBA-soaked comedy is not only a girls-night go-to, but also a stealth Olympic sport classic.

Remember the Titans (2000) - OK, football isn't in the Olympics, but it sure does make for a good sports movie setting. Even if this early 1970s-set story is most definitely Disney-fied, Denzel Washington, Will Patton, Ryan Gosling and a baby Hayden Panettiere really sell this sort-of true story.

Invictus (2009)-Rugby isn't an Olympic sport, or even one most Americans know much about, but this Matt Damon-led, Clint Eastwood-directed, based-on-a-true-story tale made me care about a sport I'd only tangentially knew even existed before watching.

Hoosiers (1986)-I grew up in Indiana so, by law, I have to include this basketball classic on any "best of" sports movie lists. Also, it actually is really very good.

Rudy (1993)-Ditto the above. But, again, it's hard not to root for Sean Astin (and Jon Favreau!) in this love letter to the Fighting Irish. Plus, there’s no better scavenger hunt task or TikTok challenge than going into a bar and convincing a patron to allow you to put them on your shoulders and march around chanting, 'Rudy, Rudy, Rudy.'

Miracle (2004) - Given how much more popular the Summer Olympics are, it's weird that the Winter Games seem to get all the good movies made about them, but this Kurt Russell-led true tale is another Disney sports movie classic.

McFarland, USA (2015) - Disney, and Kevin Costner, just really know how to make a sports movie, damn it! This movie made me care about cross country for which it, too, could have carried the title Miracle.

A League of Their Own (1992)-The best baseball movie ever. Yeah, I said what I said. Tom Hanks, Geena Davis, Lori Petty—even Madonna and Rosie O'Donnell are making it work. 1992 was a weirdly great year for sports movies.

Moneyball (2011) - A movie about baseball, and math, and yet it's also great, I swear. In addition to all of the above, it's also a stealth Christmas movie and maybe Chris Pratt's best non-Marvel, movie role.

Creed (2015) - This surprisingly effective Rocky reboot starring Michael B Jordan as Apollo Creed's illegitimate son has spawned its own movie series which, in many ways, exceeds the original Rocky franchise.

Rocky Balboa (2006) - Maybe it's because I was a toddler when the original Rocky came out, so only saw the ever-worse sequels as a kid, but this mid-aughts return to the character for Sylvester Stallone, as both writer and actor, is a triumph.

Eddie the Eagle (2016) - That Hugh Jackman features in as many movies (spoiler alert) on this list as Kevin Costner surprised me, too. This story of the English ski jumper who became infamous for being, well, less than golden, is one of those non-Olympic triumph stories that really works. If you're going to watch one underdog-at-the-Games movie, I definitely prefer this this to the more ubiquitous Cool Runnings.

Love & Basketball (2000) - Only because I'm an anglophile is this great, chemistry-filled Sanaa Lathan and Omar Epps college basketball romance not my favorite sports-movie-meets-rom-com.

I, Tonya (2017) - Margot Robbie and a nearly unrecognizable Sebastian Stan are perfectly cast in this sarcastic, highly stylized look at the Tonya Harding scandal.

Pride (2007) - Apparently I like this swimming movie, which I think almost no one saw, better than critics, but I found this 1970s-set, Terrence Howard-Bernie Mac-starring story of inner city kids excelling in the pool emotional and entertaining.

Field of Dreams (1989) - This Kevin Costner magical realism baseball classic is often goofy and imminently tease-worthy and yet…It also works. Maybe it's no surprise that someone who loves cheesy Christmas movies as much as I do would have a soft spot for Field of Dreams.

42 (2013) - Chadwick Boseman is absolutely fantastic as legend Jackie Robinson. One of those movies that's ostensibly about baseball, but is really about so much more, except not in a pretentious way.

Race (2016) - Before Jason Sudeikis was Ted Lasso, he was famed track coach Larry Synder in this Jesse Owens biopic that is far from perfect, but still important. Plus, I honestly don't think Stephan James got enough credit for his relatively nuanced portrayal of Owens.

Goon (2011) - This overlooked gem starring Sean William Scott as a semi-pro hockey player whose main skill is his ability to take, and dole out, a beating, is surprisingly great.

Real Steel (2011) - This is a robot-boxing movie starring Hugh Jackman that is basically Rocky meets Over the Top—and yet it's actually really good. Yeah, I was surprised, too.

Forget Paris (1995) - OK, so maybe Billy Crystal playing an NBA referee doesn't really make this a sports movie, but it does begin and end (spoiler alert) at real NBA games, and I will die on the hill that this rom-com co-starring Debra Winger is wildly under-rated.

Bend it like Beckham (2002) - This girl-power sports movie has some highly questionable romantic dynamics (the coach is their love interest???) but this Parminder Nagra-Keira Knightley movie is also a heckuva sports movie and an inspiring immigrant story.

Bonus Pick: The Apple TV+ series Ted Lasso is one of the best things I watched in 2020, and I'm sure of that, because I watched it twice since, just to be sure. Jason Sudekis is absolutely perfect as an American college football coach taking over a UK Premier League team. This sweet show with a heart of gold is smart, funny, and absolutely impossible not to love—even for a cynic such as myself.

More Sports Movies Worth Watching

For someone not very into sports, I am, apparently, into watching movies about sports, so while not a comprehensive listing of the entire, vast genre, here are a few more suggestions I personally think are worth watching.

The Miracle Season (2018) - This movie about high school volleyball champs whose star player dies suddenly stars Helen Hunt and is a lot better than you'd think based on its tiny budget and, honestly, fairly small story. Just missed making my Top 25.

The Way Back (2020) - This Ben Affleck as a drunken high school basketball coach movie is a lot better than expected. Released just as the pandemic kicked into high gear, it was overlooked last year, but worth seeking out.

Fighting with My Family (2019) - Does it count if it's a show, not a sport? Either way (but that's why this isn't in my Top 25), this stealth Christmas movie/love letter to the WWE is a lot better than it ever needed to be thanks to some really great performances from Florence Pugh, Lena Headey and directer Stephen Merchant. Even The Rock reins it in.

Warrior (2011) - You couldn't pay me to watch an actual UFC bout, but this Tom Hardy story of (literally) battling brothers is incredibly compelling and well done.

Win Win (2011) - This movie isn't really enough about wrestling, even though its ostensibly centered around the sport, to make it into my Top 25, but it's still really good, and Amy Ryan gives an outstanding performance.

Fever Pitch (2005) - Drew Barrymore and Jimmy Fallon star in this remake of a UK film whose ending they had to shift when the Red Sox unexpectedly won the World Series.

Fever Pitch (1997) - This Colin Firth-starring, Arsenal-centered original is much smaller, more realistic and arguably better than the big budget Barrymore-Fallon redux.

We are Marshall (2006) - A real-life sports tragedy made into a sports-movie tearjerker starring Matthew McConaughy. And my tears were very much jerked by the end.

Coach Carter (2005) - Samuel L Jackson plays real-life basketball coach Ken Carter and, because it's a Disney movie, doesn't use the F-word even once. Now that's a feat worthy of its own sports movie.

Invincible (2006) - Yes, it's Mark Wahlberg, and another based-on-a-true-story, Disney sports movie that hits all the cliches, but dang it, that works on me. It just does.

Glory Road (2006) - If you're sensing a theme with me and Disney sports movies…Well, you're not wrong. This look at the first all-Black starting lineup at the 1966 NCAA Final Four does, unfortunately, center white coach Don Haskins, played by Josh Lucas (though I always mis-remember it as Josh Charles), making the important story it tells less than what it should be, but it still mostly works.

Million Dollar Arm (2014) - Admittedly one of the lesser Disney sports movie entries, and another that centers a white guy in a film mostly about people of color (not a great look), this Jon Hamm movie about a scout seeking an Indian cricket star who can make it in the Major Leagues still mostly worked for me.

The Mighty Ducks (1992) - One of the few movies on this list aimed directly at kids, this beloved peewee hockey saga actually is cute, and mostly does hold up.

Cool Runnings (1993) - Kind of shocked this movie that is part White Savior-movie and part-wacky kids movie essentially making fun of a real group of athletes of color came out in 1993 and not 1973, but the earnest charm of John Candy and a general Disney gloss keep this from being totally unwatchable and mostly just mildly, rather than extremely, offensive. Not really recommending, but feels like it belongs on an Olympic movie list.

Nadia (1984) - This made-for-TV, mostly true biopic, starring Talia Balsam as Nadia Comaneci, was a Disney Channel staple in that network’s early days.

Munich (2005) - It's a movie with the Olympics very much at its heart—namely the 1972 Israeli athlete hostage tragedy—that isn't really about the Olympics at all, but this Steven Spielberg-directed movie about national revenge is compelling, if problematic if you think about it for too long.

American Anthem (1986) - Is this Mitch Gaylord-Mrs. Wayne Gretzky (a.k.a Janet Jones) starring movie good, realistic and/or well-written? No, no and none of the above. But did I still watch it 8,000 times as a kid on HBO? Yes. Yes, I did.

Men with Brooms (2002) - Once, on a business trip to Canada, my husband was stuck in a hotel that only got three channels, and one of them always seemed to be showing curling, which actually got him weirdly into this obscure sport. This movie wasn't quite as fun as I hoped, but it's still a mostly charming, if slight, Canadian classic.

Unbroken (2014) - The harrowing and incredible real-life story of Louis Zamperini deserved better than this Angelina Jolie-directed movie delivered, but it's still a serviceable version of a worthy tale.

Chariots of Fire (1981) - I remember being bored out of my mind by this movie trying to watch this movie on cable as a kid, but no denying that, if nothing else, the score is iconic and indelibly linked to sports-movie magic.

Without Limits (1998) - Jared Leto’s Prefontaine beat this one to the theaters, but this Billy Crudup-starring film is the better of the two movies about the life of running pioneer Steve Prefontaine. There’s also a 1995 documentary, Fire on the Track: The Steve Prefontaine Story.

Personal Best (1982) - Mariel Hemingway’s story of ambition at odds with love, is a sports and LGTBQ+ classic.

Olympic Dreams (2019) - The story of how this small, meandering movie was made during the 2018 Winter Games is, unfortunately, more interesting than the movie itself, but there is some charm in watching Nick Kroll as an Olympic dentist making his way through the real Village, while interacting with real athletes.

Foxcatcher (2015) - This excellently-acted story is more true crime than sports inspiration, but if you're seeking a look at the dark side of the Games—and don’t want to turn on a doc like Athlete A—this is very dark tale indeed.

Seabiscuit (2003) - Every great athlete deserves to have their story told.

Any Given Sunday (1999) - Oliver Stone and Al Pacino take on pro Football. 'Nuff said.

The Replacements (2000) - I mean, the movie isn't amazing, but Keanu Reeves is super charming and Gene Hackman is always worth a watch.

The Program (1993) - Another bit of a dark-side-of-football take, worth it if only for the fantastic cast: James Caan, Halle Berry, Omar Eps, Joey Lauren Adams.

Everbody’s All-American (1988) - Not a movie I particularly love, but this Dennis Quaid-Jessica Lange football story that spans decades has always stuck in my memory.

Bull Durham (1988) - Just let Kevin Costner play actual baseball already.

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hiccanna-tidbits · 3 years

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Hiccanna--100 OTP Questions, Part 2

So I said I would finish this OTP question meme someday--and I decided, entirely on random impulse, that “someday” is today!!! My Hiccanna-centered account has not been producing enough Hiccanna content lately, and this simply WILL not do.

QUESTION SOURCE: https://the-moon-dust-writings.tumblr.com/post/159857601812/100-otp-questions

LINK TO PART 1: https://hiccanna-tidbits.tumblr.com/post/635744326176129024/hiccanna-100-otp-questions-meme-part-1 51. Does either of them know how to fight? I mean...canonically yeah, they both do??? Lol I mean Hiccup has his fire sword and obviously would know how to fight with the weapons he makes/invents, and Anna literally just instinctively grabs a sword to protect her buddies in Frozen 2 and I mean we all really love Sword Anna anyways and also she PUNCHES A MAN OFF OF A BOAT so long story short yes they can both fight 52. What do they do for Valentines Day? Anna rents a rom-com and pulls Hiccup down onto their couch to watch it with her, and he kinda internally groans because he figures it’ll be something super sappy and cheesy and Anna will just be squealing with delight the whole time. Legit as soon as the first scene begins, Anna begins brutally roasting the main couple. Turns out it’s a really terrible rom-com and Anna rented it solely to make fun of it. Hiccup is like “aight this definitely wasn’t what I was expecting but I’m on board” Also Hiccup gets Anna like 3 boxes of fancy chocolate because...do I really need to explain? Anna gets Hiccup a particularly aesthetic floral arrangement for their kitchen table, something she knows damn well he secretly likes but would never admit XD 53. Who swears more? Anna, for sure. This tends to surprise people, but Anna is actually a notorious pottymouth when she gets comfortable XD Hiccup has a pretty big and borderline pretentious vocabulary, and so he tends to express his frustration in more...articulate ways when things don’t go his way. Like he’d stub his toe and just say “wow, I’d literally rather saw off my other leg than have to deal with this right now” while Anna, in the same situation, would let loose every curse word known to man XD 54. Who has the better comebacks? Hiccup, absolutely. His smart-ass comments to every conceivable situation on earth go absolutely unmatched. Anna can’t help but envy how he can almost instinctually pull out a near-perfect snide remark within seconds, whilst she, at best, thinks of the ideal comeback in the shower 3 days later. 55. Who would start a fight with another parent at a bake sale? I feel like Anna would seek out the most passive-aggressive, bitchy, entitled Karen and just wait with barely-concealed anticipation for her to say something super awful so Anna can just nail her in the face right in front of all the other moms Hiccup and their kids, meanwhile, can’t help but be awed at their wife/mother’s impressive Right Hook 56. Who reads buzzfeed? Anna. Hiccup keeps being like “you know half the stuff on there is total bullshit, right?” and Anna just shrugs like “who cares? It’s entertaining!” 57. Who is the hopeless romantic? Anna, good god, ANNA. After the whole Hans debacle I imagine she’s a bit more subdued about so openly showing this part of her personality, but at heart she just can’t stop being a romantic. Once Hiccup catches wind of this, he naturally makes a point of frequently surprising her with Grand Romantic Gestures and such, which makes Anna’s entire face go bright fuckin red as she cries out “NO STOP WHAT HAVE I DONE TO DESERVE THIS YOU’RE TOO NICE” 58. Do either of them know how to do a handstand? Nope! They’d both fall on their faces and it would be hilarious. 59. Who can rap better? I love the idea of them both being looped into a rap battle somehow and Anna just dreading it immensely because she figures they both really suck and then when it’s their turn Hiccup comes out and busts out the BEST, MOST SAVAGE RHYMES Anna has ever heard COMPLETELY ad lib and the poor girl just goes completely catatonic with shock for like 10 minutes. 60. Do either of them want to go sky diving? See initially I was gonna say Hiccup definitely would not because it would give the poor boy an anxiety attack, but then I remembered he basically skydives in canon??? And Anna strikes me as a bit of adrenaline junkie too, so fuck it--yeah, I think they’d both enjoy it. 61. What do they usually text about? They talk a lot about movies, games, books, and shows they both like, I imagine--Hiccup especially likes to overanalyze them to ridiculous extents and Anna thinks this is adorable. The rest of the time, they send each other dumb memes and talk about random animal fun facts. Anna likes to brag that her boyfriend knows more lizard trivia than anyone else on the planet, and how many lizard facts does YOUR boyfriend know? Probably little to none, you big loser. 62. Who is the dramatic one? Anna is INCREDIBLY dramatic. Although Hiccup certainly does have a “dramatic flair,” as he puts it, I still think Anna can out-dramatic him, at the end of the day XD Although perhaps admittedly not by much. 63. Is either one confrontational? Anna certainly can be. She’s usually pretty friendly, but if she ever feels like she’s being challenged, demeaned, mocked, or generally not taken seriously, she’s ready to go to WAR. She certainly not as soft as she might look! I imagine there’s situations where someone is being a dick to either Anna or someone else and Hiccup has to physically hold her back to keep her from just decking them XD 64. What is their favourite cuddle position? Probably just good old-fashioned spooning. Hiccup actually really loves being the little spoon (because Anna just makes him feel so damn safe), but he is loathe to admit it. They also have one I like to call the “Needy Cat,” where Anna just goes and completely drapes herself over Hiccup when he’s sitting on the couch. He’s usually in the middle of doing something else, and is forced to find ways to play video games/read his book/watch his show around Anna XD 65. Who are their favourite musical artist(s)? Hiccup has exactly 3 music moods--pretentious classical stuff (to listen to while working on inventions), obscure underground 90s hipster bands no one’s heard of (to play air guitar to when no one else is home), and some more well-known emo/alt rock stuff (to sing along to in the car dramatically). I can see him liking Panic! at the Disco, The Killers, Fall Out Boy, Linkin Park, that kinda stuff. Anna, meanwhile, likes the trashiest, most generic-sounding pop music and refuses to apologize for dancing to it in the car XD She is most DEFINITELY a Swiftie, no question. She also likes some “edgier” bands like Paramore and Hey Monday. She went through a hardcore Avril Lavigne phase in middle school and she still totally listens to her but is embarrassed to say it. Also I feel like Anna would be into 90s/early 2000s boy bands??? She relates to the boys’ endless pining and just flips the genders in her head so the songs are about Hiccup (before they start dating obs) XD I AM DEFINITELY NOT SPEAKING FROM EXPERIENCE HERE, NO SIR 66. What are their parenting styles? Anna would probably be like...kind of stern, when she needs to be, but intensely nurturing as well, if her relationship with Elsa is anything to go by. Hiccup would be a pretty laid-back, chill dad who would probably try too hard to be cool and make no end of absolutely horrible dad jokes XD They both lowkey seem like the kind of parents who would end up letting their kids get away with a lot though lmao 67. Who would be the more laid back one? Hiccup probably. I mean, he IS the pacifist/diplomat guy, besides have you MET Anna??? Girl absolutely has NO chill. 68. Who listens to more vulgar music? Anna, surprisingly! Hiccup just kinda enjoys what he enjoys and doesn’t really feel the need to “prove” anything by listening to songs that swear a lot. Anna purposely listens to vulgar music to feed her hidden rebellious side and because it makes her feel badass XD She honestly kinda hates being written off as 100% wholesome and innocent all the time and will readily pull out the “I’M NOT A SWEET LITTLE FLOWER I SANG ALONG TO THAT SONG THAT JUST SAID FUCK SEE” line whenever given even the slightest chance XD 69. Do either of them have secrets even the other doesn’t know? Kind of depends on when in both their timelines they meet. If they meet in the middle of HTTYD 1 or Frozen 1, they probably wouldn’t tell the other right away that they have a dragon and an ice-powered supersister, respectively XD I definitely think they would as they came to trust each other, though. Also I read a headcanon that Hiccup has burn scars from the Red Death incident where he lost his leg, and that’s why he wears so much armor and generally long sleeves--and I kind of love that. So maybe Hiccup would be cagey with Anna about how he lost his leg and that whole incident for a while before he finally opens up to her about it. Other than that I feel like they’d be pretty honest with one another, other than maybe trying to hide the more embarrassing parts of themselves to impress the other person XD 70. Who is their go to couple for a double date? Jackunzel, obviously! They’d probably all go to an arcade or an amusement park or something else pretty fun and high-energy. 71. Do they tip the waiter/waitress on their date? I mean yes, they’re not huge assholes????? 72. How do they work out a fight? I imagine Anna tends to get more worked up and yelley and loud, while Hiccup doesn’t raise his voice much at all but can say some damn cutting things if he wants to. Since Anna probably gets angrier, I imagine she apologizes first, whether or not the fight was actually on her or not--it’s just kinda this girl’s default to apologize for everything XD She’d probably say sorry for yelling and probably overreacting, while Hiccup would also be EXTREMELY apologetic if he realized he crossed a line with one of his jabs at her. I imagine a lot of what they fight about is Anna doing some impulsive Dumb Shit^TM and Hiccup just being like “oh god DAMMIT that’s DANGEROUS you can’t just go WORRYING me like that!!!” and Anna getting offended because she kinda views this as him being a little overprotective and not trusting her to make her own decisions. Ironically, Anna occasionally also gets mad at HICCUP for doing Impulsive Dumb Shit, so he’s not always nearly as much the Voice of Reason as he thinks XD Hiccup also sometimes gets mad at Anna for not taking better care of herself (take it from a fellow ADHDer--we tend to Wallow in Despair sometimes, or straight-up forget to do basic care things like eat lunch XD)--I have an IRL friend who reminds me a lot of Hiccup and he’s ALWAYS getting on my case about not eating enough, not drinking enough water, constantly berating myself, stuff like that. I imagine Hiccup sometimes slips into Mom Mode with Anna when she gets in a bad spot, which she appreciates after the fact but kind of annoys her at the time because she wants really badly to be independent and all that. Basically TL;DR most of Anna and Hiccup’s fights can be resolved by Anna and Hiccup agreeing to next time Use A Brain Cell before they do a thing, or Anna agreeing to take better care of herself XD 73. Who brings home an illegal pet? In literally every AU possible I like to think that Hiccup brings home some variation of illegal pet XD I mean, it’s probably just a dragon (”just a dragon” is never a string of words I imagined myself using in that order like what do you mean JUST a dragon lmao) in a standard crossover timeline, which he basically does in canon, but I do love the idea of a modern AU Hiccup showing up to their apartment with some kind of weird exotic monitor lizard from Bali and being like “I found him in an alley, he’s gonna live with us now” and Anna is like “D: Is someone gonna arrest you???” And Hiccup is like “Nah, no cops followed me home” and Anna’s like “Okay!!! :D” and then goes to PetSmart to buy a big fluffy bed for her new scaled friend XD 74. What side of the bed do each of them sleep on? I honestly don’t think either would care much, and they usually sleep in a tangled-up mess anyways so by morning you can’t really tell who started on which side XD 75. What is their favorite photo of them two together? One from before they got together: I’m just imagining a big group photo with the Entire Squad (Rapunzel, Jack, Merida, Moana, etc.), and Anna has her arms laced around Hiccup’s neck and her chin on his shoulder and a GIANT smirk on her face. Meanwhile Hiccup is laughing and trying to push her off, but his cheeks are BRIGHT fucking red and he’s trying really unsuccessfully to hide it because he’s a pale boi. Anna loves it because you can so CLEARLY see Hiccup’s blush, and she loves to tease him about how flustered he got around her. Hiccup loves it because it reminds him of what was probably the first time Anna was THAT openly cuddly with him, and how exhilarated and giddy he felt the first time he had her that close to him. 76. Who takes longer in the bathroom? Probably Hiccup, if only because I HC him as a bit of a germophobe who is a tiny bit obsessive about washing his hands sufficiently. 77. Who has more songs on their ipod? Anna, mainly because literally every time she hears a song she likes she’s like “!!!!! Gotta download it!!!!” LITERALLY EVERY TIME. And she wonders why her ipod is always running out of space XD 78. What movie did they first see together? As of the Modern AU Hiccanna one-shot I wrote ages ago, Revenge of the Ancient Dragon Masters! XD If we’re talking movies that actually exist, I imagine it would be a Marvel movie, a Star Wars movie, or some super-fancy-CGI high fantasy epic. 79. What do they like to see each other in? You mean like...which of the other’s outfits would they find the sexiest??? Aight, I’ll take a stab at this. Anna gets literally SO fuckin thirsty every time Hiccup wears his dragon rider outfit (the one from HTTYD 2), like it shows off his cute skinny body in the most perfect possible way whilst making him look like a badass and oh how Anna DREAMS of feeling him up in that! (One day, she finally gets to! XD) She’s also very into the scale armor from HTTYD 3 when she’s in...a very different kind of mood XD As for Hiccup, his favorite outfits of Anna’s are probably her coronation dress and her queen dress, mainly because he loves how she looks in green. He also really likes her travel outfit from Frozen 2, mainly because it’s sexy AND practical and damn, he’s gotta admit, that’s a nice shade of purple and she absolutely SLAYS in it XD 80. Who makes jokes during inappropriate times? Honestly both of them??? Like neither are great at picking up social cues, and Anna canonically DOES do this in Frozen! (Remember her comment about ice-selling being “a rough business to be in right now”???) I can see both of them attempting to lighten a tense mood by making an ill-timed joke, hoping to make things less uncomfortable, and they end up making everything MORE uncomfortable XD Honestly sue me, I love the idea of these two idiots bonding over how terrible they are with social cues in general 81. At what age do they discuss the possibility of children? I imagine not til like...their early 30s, if ever. Like I mentioned in the first part of the questionaire, I actually am not sure if they would even want to have kids at all, but if they DID decide to, it definitely wouldn’t be until they’re older and have settled down a bit, and have (somewhat) gotten both of their lives together. 82. What do they love about each other the most? Hiccup loves Anna’s energy and optimism, and how she’ll basically cheer him on and believe in him with all her being no matter how high the odds are stacked against him. And oh boy does he LOVE how hard she can kick ass when push comes to shove, and how goddamn overprotective she is of him. The sword skills and the general willingness to punch problematic people in the face are definitely up there as well. She’s like the perfect blend of fun and badass, and there’s never a dull moment with her for him. Anna adores Hiccup’s connection with animals and general animal skills, especially with the more less-loved and “scary” of the world’s creatures (i.e. dragons lol). She also loves and admires the shit out of his intelligence and inventiveness, and wishes she could make contraptions half as cool as what he turns out. And, of course, she loves that he’s a pretty humble dude who's actually pretty insecure about his accomplishments, and isn’t some cocky guy wanting to shove them in everyone’s face. And, of course, she loves his sarcasm and his dry sense of humor, and few people can make her laugh as hard as Hiccup can. Before she met him, she had no idea pessimism could be this entertaining XD 83. Who is the one that sees the big picture, while the other focus’s on the small details? Hiccup is very detail-oriented--he has to be, in order to make any of his contraptions work! Anna is very much focused on the big picture and gets stressed and exasperated trying to keep track of details--she figures she’ll either sort through the details as she goes, or Hiccup will help do it for her XD 84. What would they write on their partner’s social media’s for their anniversary? One of my IRL friends wrote “Happy anniversary bro, you’re pretty great” on his girlfriend’s instagram for their anniversary, and she wrote back “Happy anniversary, you’re a good buddy, I love you” and I just XD That’s the EXACT kind of weird dorky nonsense I can see Hiccup and Anna doing for their anniversary tbh 85. Who is bad at math? Anna, bless her soul, needs a calculator for literally EVERYTHING. Hiccup kinda trained himself to be decent at doing math in his head, since he often has to calculate measurements for his inventions and whatnot, but Anna is absolutely atrocious at it and generally would like overly-complicated numbers to not be anywhere near her. 86. Who googles everything? Probably Anna, mainly because she’s pretty forgetful and doesn’t trust her own memory half the time so she feels the need to verify everything on the internet XD 87. Who does stuff on impulse? Anna 100% canonically does, although Hiccup has some shades of this too more than he would ever admit, in fact, for someone claiming to be the Voice of Reason 88. How do they comfort each other when they are helpless to do anything about the situation? Hiccup’s approach is probably just to try and distract Anna and take her mind off of it, which he’ll do by either trying to make her laugh, telling her a story, or explaining one of his inventions to her (which she never gets bored with btw, because everything that boy gushes about is fascinating to her <3). Basically he figures if he entertains her enough, it’ll take her mind off of whatever is freaking her out and she won’t fixate on it as much. Anna’s approach is more to accentuate the positives in a bad situation (although like I mentioned in Part 1, not really in a condescending “count your blessings, it could be worse!” kind of way, but more in a “I hope he’ll feel better if he focuses on happy things” kind of way, if that makes any sense?) and also focus on when Hiccup DID do great and utterly kick ass and tell him he’s always better than he thinks he is. 89. What is an inside joke they have? If anything, him calling her “Tiger” as a pet name (which I think I mentioned briefly in Part 1??? Can’t remember) is this, because in my mind it developed because whenever Anna is about to do some Dumb Shit, or punch someone she really shouldn’t in the face, Hiccup has to physically hold her back like “Whoa, slow down there, Tiger!” This happens so frequently that eventually it just gets shortened to him nicknaming her “Tiger” and all their friends are kind of baffled as to why XD 90. Who makes the other smile with almost no effort at all? Hiccup barely even needs to start talking in funny accents or imitating his dad before Anna is just DYING laughing. She thinks he’s the funniest damn person on earth. He honestly gets a kick out of her impressions too--she can do some pretty amusing ones, if that deleted coronation dress-up scene from Frozen 1 is anything to go by. So the feeling is mutual!!! They’re super good at making each other smile and laugh with little to no effort!!! 91. What is their favourite holiday? I feel like Anna especially would get REALLY into Christmas/Yule, mainly because of how much Elsa can spice it up with her powers. And judging by the OFA short, Arendelle gets very hyped for the holidays in general, so it’s probably hard NOT to have a good time. Anna probably also like Mayday a lot because the dancing, the spring cheeriness, and the flower-related festivities are definitely to her taste. Hiccup just likes the energy and general vibes, and would rather sit back and relax and watch Anna dance around and have fun XD Also dun best believe they BOTH get hella into Halloween, because they’re dramatic motherfuckers who loves to dress up, and it gives Anna an excuse to buy a shitton of chocolate and eat all the leftovers XD 92. Who is the one that is calm and collected while the other is angry and destructive? Lmao Anna is definitely the “berserker” of the two of them. She DOES tend to get destructive when she’s angry, if being ready to fight a giant-ass snowman and smacking a wolf in the face with a lute is anything to go by. Hiccup is definitely the calm and collected one, and very rarely gets genuinely angry. 93. What is their favourite board game to play? Does Dungeons and Dragons count??? I can totally imagine Hiccup being hyped up over that or some other super nerdy RPG game and being so enthused to show it to Anna, who just falls even more in love with him after seeing how EXCITED he gets about it. Of course he’s super eager to teach her, and TBH Anna has a really hard time getting it at first because DAMN these rules are COMPLICATED, but after she finally gets the hang of it, she realizes she absolutely LOVES DnD and RPG games in general (I mean...have you SEEN OFA??? Girl gets just a little TOO into reminiscing about her old play-pretend toys XD) and she and Hiccup constantly geek out about it together. 94. Who accidental sets something on fire? Anna, 100% also this is an ever funnier question if applied to Hiccanna in my Fire!Anna AU 95. Who has the car ready while the other is robbing the store? Anna is waiting while Hiccup robs the store, if for no other reason than that Hiccup is much better at Stealth Mode than Anna is XD Anna’s uncoordinated ass would probably knock over like 5 shelves’ worth of merchandise before reaching what they were actually trying to rob XD 96. What artist/group did they go to for their first concert? I M A G I N E D R A G O N S lmao Look what can I say Anna likes the Imagine and Hiccup likes the Dragons 97. Who sleep talks? Hiccup. He mumbles about dragons a lot. Sometimes he jolts awake randomly and just yells out “THE DRAGONS ARE IN TROUBLE!” and Anna has to calm him down after she dutifully manages to not burst into laughter at this. Doubly funny if this takes place in a Modern AU. 98. Who is the more social one? Anna! Hiccup generally prefers to either keep to himself or hang out with animals. 99. What are their karaoke songs? For some reason I feel like anything by P!nk??? Idk why, but I can see them like rocking out and singing along to p!nk songs together and getting really into it. Also basically anything by The Killers and, at Anna’s request, The Chainsmokers (Hiccup thinks this is very basic music indeed but goes along with it for her sake XD). AND “Whatever It Takes” by Imagine Dragons. And they sing it LOUD. 100. Who would get up on stage and make a fool of themselves just to make the other laugh? Highkey both of them??? I kinda feel like Hiccup moreso though, if his little comedy routine imitating his dad in HTTYD2 is anything to go off of. He definitely wouldn’t be averse to making an idiot of himself to amuse Anna, especially since she’s so damn cute when she laughs. Anna, for her part, loves returning the favor, and is all about trying to do all sorts of Goofy Antics to amuse her boyfriend. And she’s overdramatic af, so she gets WAY too into it XD

#hiccanna #hiccup x anna #anna x hiccup #hiccup #anna #otp questions #hiccupxanna #annaxhiccup #rotbtd #rotbtfd #httyd #frozen #crossover #hiccup haddock #princess anna #queen anna

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hilarieburtonmorgan · 3 years

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Hilarie Burton Morgan On Home Beyond Hollywood And Working Beside Her Husband On ‘The Walking Dead’

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From her standout performances on beloved television series to a recent bestselling memoir, Hilarie Burton Morgan continues to take us along on her journey called life. Beginning her career as a MTV VJ in 2000 to regularly lighting up the small screen ever since, the 38-year-old actress and author wears multiple hats these days, with an even more important title of mother & wife leading her charge. Now with several exciting projects on the horizon, including her long-anticipated introduction into the expanding world of The Walking Dead beside her husband Jeffrey Dean Morgan , Hilarie is no doubt maintaining a lasting impression.

To truly appreciate her on-screen chemistry with Jeffrey, it would be helpful to know how they first connected off-screen. “I knew right away,” Hilarie tells Forbes about how soon she knew Jeffrey was the person for her, while sharing the story of how they met. “My very dear friend Danneel Ackles is married to Jensen Ackles and I would stay at their house every time I would go out to LA. When I was 26, I went to stay at their house and I think they got sick of me dating drifters. So Jensen was like ‘I’m going to introduce you to someone that I want to hang out with’ and he introduced me to Jeffrey, who had played his dad on Supernatural . It was pretty from the jump. He started sending me packages right away of books and love letters and he laid it on nice and thick and it worked! Here we are 12 years later.”

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Easter Sunday on AMC, The Walking Dead will reveal to viewers the backstory of Jeffrey’s character Negan and his ailing wife Lucille, played by Hilarie. Even though this important “Here’s Negan” season finale episode will be the first time you will actually see Lucille in action, Hilarie points out that her character has played an integral part on the hit series for some time now. “The mythology of Lucille has been around as long as Negan has been around,” Hilarie explains. “When it was introduced that he had a baseball bat that he used to kill people named Lucille, obviously there were questions surrounding who that was named after and he has been pretty forthcoming throughout the series that his dead wife was the inspiration for the name and he has talked a number of times about her cancer diagnosis, about her death, about what that loss meant to him. While Negan and my husband have been vilified over the last five or so years, to me what Lucille is, is a real glimpse into who Negan was pre-apocalypse and the man that she wanted him to be.”

Hilarie says being a real-life married couple portraying a married couple on television was an experience they really enjoyed together. “It was really wonderful. We have a really similar energy on-set. Neither one of us takes ourselves very seriously. We like joking around.” Hilarie also hopes that fans will better understand the violent ways of Negan after they get to see the love and heartbreak that he came from. “If there was ever a time for people to understand Negan’s aggression or his way of doing things, I feel like the entire world has been prepped for that over the last year. So Lucille comes in as the person who loves him the most and loves him even with his flaws. Perhaps the audience if they don’t already love him, which they should, perhaps they can follow Lucille’s example and love him through the tough stuff.”

Josh Stringer/AMC

In reality, Hilarie’s life with Jeffrey and their two kids is far less dramatic. When their son was in preschool, the couple decided to set roots as a growing family in Upstate New York and ultimately build their home on a farm. “We rescue animals and we got tons of chickens and ducks and cows and llamas and an emu and a donkey that are in love. We have got a really large vegetable garden that we definitely expanded on during quarantine and our son just turned eleven and our daughter is three and they are fully onboard with getting involved in there.”

Following the unexpected death of their local family friend Ira Gutner, Hilarie and Jeffrey decided to become co-owners of Samuel’s Sweet Shop to keep Ira’s storefront from closing, with the help of a handful of nearby friends, including another familiar face, actor Paul Rudd. “It has been such a wonderful experience for our kids because they all know what their first job is going to be,” Hilarie adds. “It has been fun for our community because we have been able to use it as the trophy case for all our food artists in town. During quarantine, when you can’t celebrate with the people you love, we hired all new people and created a new space to do gift baskets. It was so wonderful that our community and people from all over the country were supporting a small business, because we know what lockdown did to those this year.”

AMC

Last May, in the height of the Covid-19 pandemic, Hilarie published her memoir The Rural Diaries: Love, Livestock and Big Life Lessons Down on Mischief Farm . In the book, which she says is meant to be a love letter to her husband, her community and her children, Hilarie very openly discusses the miscarriages she endured and says she did not expect so many people to connect with her story over the past year. “This has been a book that people have gifted their friends or their loved ones during a really difficult time. For me, the responsibility of being a voice for people who have felt like they needed to keep miscarriages or infertility a secret, I’m very serious about it. I never want to cheapen that for anyone because I know how terrible it is to fall asleep at night devastated.” Hilarie is currently writing a second book, which she hopes to have done by next year.

Even as new projects continue to pop up for Hilarie, her nostalgic fan-favorite projects from yesteryear also seem to have the possibility of returning in some capacity. When discussing her role as Sara Ellis on the stylish con artist series White Collar and her commitment to finding a way to work with that cast family again through a revival series or simply together on a new project, Hilarie says, “We’re going to get the band back together, hell or high water. We love each other.”

Hilarie’s six seasons starring as Peyton Sawyer on the hit drama series One Tree Hill has led to her having a substantially large and vocal fanbase for nearly two decades now . “Peyton was the Negan of One Tree Hill because there are people who really hated her and then there were people who really loved how messy she was. Those are the characters that I have always been drawn to, which is probably why I am so defensive of my husband’s character. I love Peyton Sawyer. I put so much of my real self into that character and really fought for her a lot behind the scenes.” When reflecting on the longevity of this series that ran from 2003-2012, Hilarie has noticed the loyal One Tree Hill fan community growing larger and larger as time goes on, as younger generations are now experiencing the series for the very first time through the in-demand world of video streaming. “It’s going to be weird when my son or my daughter comes of age and has to reckon with all the dumb stuff their mother did in her early twenties because it’s there forever,” Hilarie jokes.

FilmMagic

When referencing her One Tree Hill co-stars, which include Sophia Bush, Bethany Joy Lenz, James Lafferty and Chad Michael Murray, Hilarie says, “Those are going to be the people that I’m close with forever. Those are the people who were with me when I was most unsure about myself and we’ve all seen each other fall in love and break up and been through it. All of those life experiences matter, now that we are almost twenty years later and we’ll love each other forever. We’re always scheming on how to continue to work together.” When hoping Hilarie will elaborate further with any hints for fans, she responds, “I will say that the girls in particular are very, very close. We went through a lot together on that show and we evolved together on that show and so we may have some things in the works that we will be excited to promote later this summer.”

As Hilarie strives to make time for her new and revisited projects, she is consistently striving to make her family’s schedules work as one. “We definitely take turns. Jeffrey’s Walking Dead schedule is obviously the thing that takes precedent. So if I can maintain my side hustles around that (laughs) . The kids’ school year is a big deal for us and what has been really lovely is that in the time we have lived in the Hudson Valley, the film community there has really blossomed. Everything is about making it work for the family and I think once you have that as your center point, it makes every other decision that rolls around it very easy.”

Hilarie wrapped up our conversation thinking about other women in the world right now that have to juggle many responsibilities at once during this life-altering era of the pandemic. “For me, the struggle is always between being a good mom and working and quarantine pulled so many women out of the workforce. When I see those numbers of the amount of women that had to leave work to be able to take care of their children because schools were closed and because we didn’t know what this virus was going to do, that’s heartbreaking. Being able to be a working mother from home and take my kids to school and take them to dance class and write my book and produce movies is something I don’t take for granted at all. I want a shine a light on all the women who are doing it. Homeschool and working and cooking dinner and cleaning the house and just all of it. You’re never good enough. So for the women who out there trying their absolute best, I just want you to know you’re good enough and you’ve kicked ass and your kids are going to be great and they saw how much you cared and how hard you worked and that’s important.”

#hilarie burton #jeffrey dean morgan #the walking dead #news #2021

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lovemesomesurveys · 4 years

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800 questions part 7

301) Is the glass half full or half empty? It’s just empty.

302) Is the grass greener on the other side? I saw this quote once that was like, “sometimes the grass is greener on the other side because it’s fake.” I just take that to mean that things aren’t always how they seem--it may seem better from your end where you see it, but that’s not always true. It’s fake, a mirage. Upon closer inspection you see that there’s problems on that side, too.

303) If a tree falls in the forest and there’s no one around to hear it does it make a noise? I know philosophically the answer is no because sound is something perceived and if no one is around to hear it, then there’s no sound. Something like that.

304) Why does it always rain on me? You’re caught in the middle of a storm and can’t seem to find your umbrella.

305) Have you ever sailed a boat? Nope.

306) Do you love or loathe Harry Potter? Neither. I enjoyed the movies, but I never read the books or considered myself a a huge fan. I wasn’t like obsessed.

307) Do you do your utmost for the environment? Definitely not. :/

308) Do you love or loathe the Eurovision? I’m not familiar with what that is.

309) Have you ever wielded a sword? No.

310) If you were famous would you want a statue or a building names after you? I wouldn’t want a statue or building named after me just because I was famous. I wouldn’t care to have either one for any reason, really.

311) What’s your favorite type of fish? I don’t have one.

312) Which do you prefer pony tails or pig tails? Pony tails.

313) What’s the ultimate cake topping? I’m good with just some buttercream frosting.

314) Do you like marzipan? I honestly don’t think that I’ve ever had it before, to be honest with you. <<<

315) What’s better? Center Parks or Butlins? I don’t know what either of those things are.

316) If you were in a band, what instrument/role would you play? I can’t sing or play any instruments, so I don’t know what I’d be doing in a band.

317) Can you erect a tent? No.

318) Do you suck or bite lollipops? I’m not a lollipop fan, really. I don’t even know the last time I had one, honestly. But anyway, I just licked and sucked on them until they got small enough and then bit it off.

319) Have you ever used the yellow pages? Yeah, back in the early 2000s.

320) If you have an mp3 player what size is it? I don’t have one.

321) Do you still have any music on vinyl or cassettes? Nope.

322) Do you still have a camera that uses conventional film? No.

323) Approximately how many DVD’s do you have? Uhhhh. Maybe 30.

323) Approximately how many Albums do you have? I don’t have any.

324) Do you talk to yourself? I think out loud to myself, yeah. It helps sort out my thoughts.

325) Do you sing to yourself? Not necessarily to myself, just along with the music. <<< Yeah. Or even if there’s not a song playing, I just have a song stuck in my head or something.

326) Do you know any identical twins? Yeah.

327) Have you ever given blood? No.

328) Could you ever be a medical guinea pig? No.

329) What’s your favorite radio station? I don’t even listen to the radio anymore. It’s been a few years. 330) What’s your favorite letter of the Alphabet? I don’t have one.

331) Which is better? rollerblade or rollerskates? I can’t rollerblade or rollerskake, so.

332) Have you ever written a love letter? No.

333) How many valentines cards did you receive this/last year? I always receive a cute card from my mom.

334) What are cooler? Dinosaurs or Dragons? Dragons.

335) Have you ever made your own ice lollies? Yeah.

336) Have you ever made your own Ice cream? No.

337) Which foreign language did you have to learn at school? I took Spanish all 4 years of high school and one semester in college.

338) and do you still remember enough to hold a conversation in that language? Somewhat. I’ve been practicing a lot lately with my mom who has been doing Dualingo. It’s been really helpful actually and I’m surprised by how much I still remember. I’ve been able to help her out quite a bit.

339) Do you know CPR? Nope.

340) Do you have any swimming badges? Swimming badges?

341) Do you prefer digital or rotary/analogue clocks? I tell time perfecting fine with analogue clocks, but digital does make it more convenient. It doesn’t require any thinking.

342) How tall is the tallest person you know? 6′1.

343) Have you ever got lost in a maze? No.

344) Have you ever been attacked by a wild animal? No.

345) Have you ever ridden a camel? No.

346) What’s your opinion on rats? Ew.

347) Have you ever been to a gym? Yes.

348) Have you ever been in a helicopter? Yeah, after my accident I had to be flown to another hospital.

349) Have you ever cheated at a test? No.

350) Have you ever ridden a tractor? Nope.

#personal #text #survey #surveys #800 questions survey #301-350

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laterpeaches · 4 years

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The 30 Best Movies for Kids on Hulu

This post is updated regularly to reflect the latest movies to leave and enter Hulu, which you can sign up for here. *New additions are indicated with an asterisk.

You’re stuck at home, pushing the remote control through so many options on your smart TV, looking for something, anything, that you can use to distract the kids and not make you feel guilty. Let us help.

The truth is that none of the streaming services are particularly great at family options now that Disney+ has cornered that market, but that doesn’t mean there aren’t some great choices on Hulu. Here are 30 worthy films to distract the little ones or schedule an entire family movie night around (if you have the energy after homeschooling).

It may have some familiar story elements, but this 2019 film has some of the most gorgeous visuals in any recent animated movie, including a wave of flowers and the design of its lovable main character, a Yeti who needs the help of a girl and her friend to get back to his home at Mount Everest.

The weirdest animated story of the early days of the CGI form was the competition between DreamWorks with Antz and Pixar with A Bug’s Life — two films that the detail lives of the Earth’s smallest creatures in clever ways. Pixar seems to have won the longer battle, but there’s more to like here than you remember, including a strong voice cast and fun visuals.

Nancy Meyers co-wrote this clever family comedy about a successful woman who finds herself the unexpected mother of a 14-month-old baby girl when her long-lost cousin leaves her the child after her death. This may be for the slightly older kids, and some of its gender politics are dated, but Diane Keaton keeps it moving with her ace timing.

Exactly which titles Disney allows to jump from its streaming service to others doesn’t make a whole lot of sense, but here’s the adventures of a sweet stunt dog named Bolt, the leading pup of this fun movie from 2008. John Travolta voices the dog who believes he actually has superpowers, which allow him to head out on a cross-country journey to save his owner, Penny.

Travis Knight of Laika fame (Kubo and the Two Strings) directed the best Transformers movie in this unexpectedly joyous spinoff of the massive Hasbro series of films. It’s a movie with the same kind of family-adventure spirit as ’80s classics of the genre, buoyed by fun performances from Hailee Steinfeld and John Cena.

Remember when movies were as simple as pitting felines and canines against one another? This 2001 family flick has been pretty much forgotten by history, but it was actually a pretty big hit at the time. Maybe you’re old enough to have some nostalgia for it or want to introduce it to your little ones now. Which side will they pick?

We don’t deserve Aardman. The geniuses behind Wallace & Gromit, Shaun the Sheep, and others made their biggest cinematic splash with this 2000 hit. A clever riff on prison-break movies like Escape From Alcatraz (but with chickens!), this is actually the highest-grossing stop-motion animated film of all time, a title it’s held for almost 20 years now.

Who doesn’t love the Man in the Yellow Hat and his lovable primate? This is the 2006 theatrically released version of the book series by H.A. Rey and Margret Rey that have been popular around the world for generations. With voice work by Will Ferrell, Drew Barrymore, Eugene Levy, and many more, it’s a sweet adventure story for the whole family.

This live-action adaptation of the Nickelodeon cartoon has no right to be as funny and clever as it is. It helps that newcomer Isabela Moner is a delightful lead as Dora, but there’s also a delightfully self-aware tongue-in-cheek tone to this film, one that’s funny without every taking itself too seriously. It’s a sweet family adventure movie that works equally for parents and little ones.

Maybe wait for the real little ones to go to bed first, but there are certainly some families that can handle this coming-of-age story from the master Steven Spielberg. Christian Bale stars in the story of a young boy whose life is changed forever when he becomes a prisoner of war in a Japanese internment camp.

It became something of a punch line, but this family film was huge when it was first in theaters. Who can’t relate to the story of trying to free a gorgeous animal like the orca that gives this movie a name? It made over $150 million on a $20 million budget and launched a franchise. Willy was freed to run all over pop culture.

From the director of Mad Max: Fury Road! The family filmmaker side of George Miller directed this musical comedy about penguins who basically have to stop the apocalypse with their dancing and singing. It’s not as good as the original, but it has some clever visuals, incredible voice work, and some good tunes to boot.

People often point to the Toy Story movies as the model for a great animated series, but credit should be given to the trilogy of movies about a boy named Hiccup and his dragon Toothless. The third and final film in this blockbuster series is already on Hulu, and it’s a gorgeous, heartfelt, moving final chapter to one of the best franchises of the 2010s, animated or live-action.

The LEGO Movie is one of the most creative and enjoyable animated films of the 2010s. The sequel may feel a bit too cluttered at times, but it retains enough of that energy to make it worth a look on Hulu, especially as all of our creative faculties have been reduced by the insanity of 2020.

This is not the Danny DeVito–voiced recent version but the 1972 short original that aired on TV about a thousand times when you were young. One of Dr. Seuss’s most beloved books gets a loving adaptation in this classic, a story of responsibility and environmental consideration that will never grow old, and should spark some memories for parents of the right age.

Look, a documentary! Yes, non-fiction films can be family ones too. In fact, it was that cross-demographic appeal to the story of the annual journey of emperor penguins in Antarctica to find their breeding grounds that made this such an amazing success, winning Best Documentary at the Oscars after making over $120 million worldwide. Having Morgan Freeman narrate always helps too.

Will Ferrell voices the title character, the supervillain who wants to get some of the credit and adoration of his superhero counterparts. After actually killing his superhero nemesis, Megamind learns that life isn’t worth living for a villain without a hero and ends up creating a villain even worse for him to defeat. A clever spoof of the superhero genre that would dominate the next decade of blockbusters, this movie plays even better now than in 2010.

We don’t give Laika enough credit. They don’t make nearly as much money with films like Paranorman and Kubo and the Two Strings as companies like DreamWorks and Pixar. Their latest is already on Hulu, dropping less than a year after its theatrical release. It may not be their best, but it’s gorgeous to look at, revealing the company that made it as arguably the most visually fascinating animated studio around.

My Dog Skip

This family dramedy from 2000 adapts the autobiographical book of the same name by Willie Morris. It’s the story of a 9-year-old who is given an adorable Jack Russell terrier on his birthday, whom he names Skip, and some formative chapters of his life that he shares with his pup. It’s a sweet coming-of-age movie with added interest for dog lovers.

Listen, this movie is kind of a disaster, but it’s always a fascinating disaster. Joe Wright directs this prequel telling of a new origin story for Peter Pan and Captain Hook, played by Garrett Hedlund. Hugh Jackman, Rooney Mara, and Levi Miller co-star in this undeniably strange blockbuster that seems to be gaining a reappraised following over the years. Why are people still talking about Pan? Check it out on Hulu and report back.

The Pink Panther 2

Let’s just politely call this one a gateway to better things. The sequel to the Steve Martin–led reboot of the Pink Panther series isn’t objectively “good,” but it may intrigue your kids enough to watch the brilliant Peter Sellers movies or even some of the original cartoons. And, heck, even if it makes them want to see more of Steve Martin, that’s probably a good thing too.

This was the first DreamWorks feature to be traditionally animated back in 1998 and was a bigger hit than you probably remember. It’s the story of the Book of Exodus and how Moses went from being just the title character to leading the children out of Israel. It’s a very pretty film visually and features some good music as well, but history seems to have forgotten it in the wake of how much Disney dominated the ’90s.

Gore Verbinski directed one of the best animated films on Hulu, this Oscar-winning featuring voice work by Johnny Depp in the lead role and some of the most inspired visuals in any animated film this decade. Rango is a chameleon who stumbled into a town called Dirt in this inventive riff on the Western genre that plays equally to children and adults.

Smallfoot

Channing Tatum wonderfully voices the lead character in this musical comedy from 2018. He plays a Yeti who descends from his cloudy mountain village and encounters a human — both realizing that the other species thought them a mythical creature. The visuals are engaging and the jokes are just clever enough to work for all ages.

Disney+ has stolen almost all the superhero movies but Sam Raimi’s original version of the webslinger is still on Hulu. Starring Tobey Maguire, this blockbuster doesn’t get enough credit for revitalizing the entire superhero genre in a way that plays to both parents and kids. It still rules.

This 2016 animated film is the story of how storks work to deliver babies, assisted by humans at a distribution center in the sky. One of those humans gets involved in a mistake when she creates a baby they’re not supposed to and end up having to help care for it with her stork partner. The visuals here are strong even if the story is slight. Still, it’s a creative story that you haven’t really seen before.

Not only is the beloved Tiny Toons series on Hulu, but so are several movies from the franchise: 1992’s Tiny Toons Adventures: How I Spent My Vacation, 1994’s Tiny Toons Spring Break Special, and 1995’s Tiny Toon Adventures: Night Ghoulery.

Yes, they made a movie about a creepy line of toys. No, it’s not a modern animated classic. But it is something recent that may get the attention of your kids. You can’t make them watch old shows and movies all the time. And sometimes they just want to see something that was in theaters not that long ago, especially given they can’t go out to one in 2020. So, what’s this about? You probably know. Dolls. They’re kind of ugly.

This 1988 TV movie actually landed 14 years after the end of The Brady Bunch, and reunited almost all of the original cast members (Cindy was recast. Poor Cindy). It’s pretty simple — reunite with the Bradys, this time around Christmas! With the kids all grown, Carol and Mike buy airline tickets so everyone can get together around Christmas, in-laws and grandchildren included. It’s likely to make you jealous in 2020.

Wonder Park

Paramount released this computer-animated flick in early 2019, which feels like a lifetime ago now. It’s a bit simple and silly, but that’s kind of all right in our current stuck-at-home situation. Wonder Park is the story of a girl who puts her imagination away when her mother gets sick and how an imaginary amusement park helps her find that creative spark again.

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siempre-pedro · 5 years

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Noisy Neighbors

Ben Hardy x Reader

Summary: A noisy neighbor moves in down the hall, terrible drum sounds ring in the ears of the reader who is trying to have a well-deserved self-care night. After hearing enough she goes to tell him off, when he opens the door he’s not what she expects.

Word Count: 1.9k

A/N: My first Ben story. Ugh, I love him.

“Come on, Come on,” you grumble impatiently to yourself in the elevator, staring at the glowing red numbers that told what floor you were on. It moved painfully slow, you tapped your heeled foot and anxiously waited for it to ding. “Finally.” The elevator dinged and you ran as fast as you could while in heels to the glass double doors at the end of the hall.

“You’re late,” the grumpy male receptionist tells you as you enter, fixing your hair. He didn’t even bother to look up at you from your computer. You roll your eyes and wave him off, walking towards your desk in the large office space. You worked for a large advertising company in the heart of London, it was busy and demanded a lot of time and work, but you enjoyed it (most of the time.)

“You’re late,” Karen, the girl who sat across from you sings. You smile and roll your eyes, placing your black purse on top of the white desk.

“There was a moving truck outside the complex again,” you groan, slumping into your chair, “I swear it hasn’t left in 2 days.”

“Sounds like you have a new neighbor.”

“I haven’t seen anybody new, I checked the mail slots.”

Karen nods in response and opened her planner “Any plans for tonight? There’s this new club opening,” she wonders. You shake your head and open up yours, holding it up to show her the circled date and ‘self-care night’ in bright pink pen and illuminated with a highlighter. Karen’s brown eyes shifted between the highly detailed date and your proud face.

“What do you plan on doing?” she asks, shutting her planner.

“The usual,” you smile, placing your elbows on the desk and resting your chin on your hands. “The best chick flicks of the early 2000s, manicure, face masks, maybe masturbation…I haven’t decided,” you laugh. Karen chocks on air and places her hand over her chest before joining you in laughter.

“Have fun, Darling.”

And you planned on it. Your apartment was nicely lit with your favorite scented candles, the smell of the candles was mixed in with your favorite take-out. Smiling in delight, You take your place on the couch and grab the remote. “Here we go,” you say breathlessly, pressing play to Legally Blonde. Before the first words could be said, loud banging came from outside the apartment “What the hell?” you look around, checking your phone to make sure it was off.

The sound wasn’t even good! It was like a toddler banging on pots in the kitchen. “Must be the new person.” You stood up and paused the before walking over to the door. Be kind, introduce yourself and politely ask them to lower the volume.

You briskly walk down the hall towards the sound of the drums, rehearsing what to say in your mind. What if it as some scruffy looking biker or a really nice old lady…words were everything. You stop and look down “Shit,” you curse when you realize you were in your silk pink and white striped pajamas. Rolling up your sleeves you loudly knock on the door. The drumming didn’t stop you decided to bang louder.

The drumming stopped “What?” You heard from the other side of the door.

“Yeah, hi, I’m from down the hall and I can hear you,” your voice sounded like a question, rubbing your sore knuckles.

The man laughs from the other side “I’m so sorry I’ll try to keep it down,” he yells. You smile triumphantly and utter a thank you before returning to your apartment.

You were only a few scenes in when the drumming happened again. Did it get louder? Your cheeks heat up with frustration underneath the cool sheet mask. He seemed like a nice guy from his tone of voice earlier so you decided to compromise. You turned on your Bluetooth noise canceling headphones and connected it to the tv. Trying hard to focus on the movie, and it was getting to your favorite part when Elle was going through her first day at Harvard.

How in the hell was the obnoxious banging getting louder? You turned off the headphones and made sure to set them down gently. Peeling off the mask you storm out of the apartment, grumbling curses underneath your breath as you approach the light brown wooden door. With your fist raised you roughly bang on the door “Hey! Knock it off!” you shout aggressively.

Even when the drums stop you continue to knock on the door, giving him a taste of his own medicine. The man quickly opens the door, making you hit his chest. You gasp and take a step back to place your hands on your hips and look up. The angry expression on your face subsides when you see how handsome he was. He was around your age with shiny blonde hair and green eyes. Your eyes glance down at his soft pink lips and his strong body in his grey long sleeve sweater and blue sweat pants. “Can I help you?” he asks annoyed, making you look back up at his handsome face, making you feel embarrassed at the fact your face was still dewy from the mask and pink from the anger.

“Yeah! You can!” you yell.

“You’re the girl from earlier,” he smirks, leaning against the door frame.

You sigh “Please. Lower the volume, I’m trying to have a night in.”

“I need to practice,” he opens his door wider and reveals a drum set in the middle of the apartment that still wasn’t completely moved in.

“At 10:30 at night?”

“No time like the present.”

“You have some nerve,” you huff.

“Ok ok,” he reasons putting his hand up to stop you from complaining his ears off. You press your lips together in a straight line and narrow your eyes. He carefully rakes his teeth along his bottom lip “I promise I’ll try to be quieter so you can do whatever you were doing,” he tells you.

“Thank you,” you drag out mockingly as you slowly cock your head to show the displeasure. So much for him being a nice guy. You turn to leave only to roll your eyes as you walk away from the man who was staring at you with a playful smirk.

“Wait,” he called.

You stop in the middle of the hallway and turn to Ben “Yes?” you ask with caution.

“I never got your name.”

You slightly squinted your eyes in confusion, after all, that he wanted your name? “It’s Y/N.”

His lips turned up in a smile “I’m Ben.”

Ben. He looked like a Ben. “Keep it down Ben,” you challenged before walking away. The way his deep voice said his name made you shiver and the way you said it made you want to say it more. A blush crept up on your cheeks as you approach your door. Taking the chance and turning the brass doorknob, you look over and see him still standing there. He raises his hand and waves it to the side slowly to acknowledge your presence.

You shut your door and scratch your head with your fingernails. You silently prayed your night wouldn’t be interpreted again. Switching movies, you found that you were now having the night you wanted. No interruption, a good movie, and a half decent manicure.

Around midnight, you dozed off in the middle of Mean Girls cozied up in your fluffy blanket. The sudden loud clang of a drum cymbal startles you, your body jolts up with a panic. Your shallow breaths escaping your mouth as you look frantically around the apartment. Then it happens again, and again. “Damnit Ben,” you whisper while trying to catch your breath. You get up for the last time, with different threats circling your mind.

For the third time that night you’re banging on his door in anger. He opens it with a smile, twirling a drum stick between his fingers “What the hell Ben? Do you want me to call the landlord?” You provoke.

“I had a reason this time, I promise,” he tries to reason, pushing back his blonde hair. You raise an eyebrow and motion for him to continue. “I forgot to get a pretty girl’s number.” Oh shit. You try hard not to squeal and make things awkward.

“By banging on those Godforsaken things?”

“It was the best way to get your attention.”

“Was it?”

“You’re here aren’t you?”

You grumble a response and shrug your shoulders “Yeah.”

“Do you want to come in? Grab a drink with me?” He offers.

“I don’t think so, it’s late,” you say.

“Please, it’s the least I can do for interrupting your night.”

You sigh and put on a half-assed smile “Fine,” you agree and walk into his apartment. It was a lot similar to yours in the way it was designed. Most of his belongings were still in boxes stacked up on each other with empty take out boxes on a few of them. That stupid drum set was there in the dead center of the living room, making you scowl at its mere existence.

Ben walks over to the kitchen, opening up one of the brown boxes and taking out a few bottles of liquor and glasses “Vodka ok?” he asks you. Your fingers trace the logo on the gold cymbals and look back at him.

“That’ll be fine.”

He brings over the drink and you gladly take it, letting your fingers brush against each other “So when did you decide to get a new hobby?” You question.

He winces “It’s not exactly a story, rather I need to save my ass.”

You chuckle at his response “You have to tell me the story.”

He takes a sip before walking over the blue couch by the window. You follow him and take a seat on the other end “I’m an actor. And I said I could play the drums for this role I wanted and…I can’t.”

“I can tell,” you joke as you take a drink.

“I got the job so I can ease up on the drumming for a while,” he says with a smile as he glances over at the drum set.

“Oh, well, you’re going to be a big shot actor now,” you laugh.

“It a good part.”

“What is it?”

“I can’t tell you, Love,” he looks at her and forms a cocky smile. “Unless you go out with me.”

You look up and bite your lip “Well I don’t need to know that bad,” you sigh dramatically, leaning further into the couch.

“Are you sure?” he hinted.

“Well, you did interrupt my planned evening three times…”

“Will you Y/N? No drums, I promise.”

You stand up and stroll over to the counter, setting the glass down with a light clang as it hits the marble “No drums?” you question.

“I promise,” he comes over and places his empty glass next to yours.

You look up and gravity pulls your bodies closer together until your chests touch. He was only a few inches taller than you were, his green eyes stared into your Y/E/C ones. It was magnetic, all the anger you felt earlier in the evening went away although the sound of terrible drums would scar you for life.

Ben’s face comes closer to yours, his cologne was intoxicating mixed with the smell of vodka. Your hand cautiously comes up to his cheek, feeling his soft skin and strong jawline that you were now jealous of. You let him come closer and his soft lips cover your own. The kiss was soft and sweet, but too short when he pulled away “I’m sorry if that was too forward.”

You shake your head “No. No. please do that again,” you say.

“Go out with me?”

You press your lips to his “Fine. But no drums,” you mumble against his lips. Ben wraps his arms around your waist to draw you closer. Fingers stroking the silky fabric. You place your arms around his neck and troke the back of his hair.

“No drums,” he repeats before kissing you again.

#ben hardy #ben hardy imagine #ben hardy x reader #ben hardy x you #ben hardy oneshot #ben hardy fluff #roger taylor #roger taylor imagine #roger taylor x reader #roger taylor x you #ben!roger taylor #ben!roger taylor imagine #bohemian rhapsody #bohemian rhapsody imagine #borhap #borhap imagine #queen #queen imagine

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shenlongshao · 5 years

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GG Strive Thoughts: Part 3

Welcome to the last part of my Guilty Gear Strive thoughts!^_^ I'll be focusing on the art-style and character designs, so there will be lots of pictures in this post. I hope you enjoy reading!

Art-Style & Graphics ---------------

Guilty Gear's visuals always had a detailed, Sci-Fi fantasy anime look with creativity of the 1990s and early 2000s. This mostly stayed the same until Xrd SIGN, which introduced 3D cel-shaded graphics in a new way. The art-style also changed a bit from previous games, although it has kept its creativity.

GG Xrd SIGN and the following games(Revelator and Revelator 2) look beautiful, but it took me a while to get used to the art-style because of those dreaded chins. The characters should've just used their chins to fight cause of how long and pointy they are; just go "SLLASSHHHH!" XD Certain features of characters were exaggerated like Sol's shoulders being a bit too wide for his body or how Baiken's hair is thicker and spikier. Some people say it's "too anime", but that isn't the right word for it. I would say "whimsical" is main trait from the art-style, which is fitting for how funny the interactions are in-game and lighter tone in story.

Guilty Gear Strive keeps the cel-shaded 3D graphics, but manages to expand it further. Instead of its presentation akin to an anime TV series, it's now akin to a high-budget anime movie with detail given to both the characters and the environments. It's less whimsical this time, giving the impression the story will be darker in tone. I'm really happy the art-style was changed to being closer to the older GG games like X2; no more ice-cream cone chins!XD The characters also got redesigned to match the essence of the new game. I'll be talking about eachone in order from least to most in terms of design changes. I'll also rate them in Guilty Gear style grade form. POTEMKIN ------------------- There seems to be mixed reactions when Potemkin got revealed for GG Strive. Some were happy he looked generally the same while others were a little disappointed and asked, "How come he didn't get a huge redesign like the other characters?!" The answer is he already did; this is how Potemkin originally looked like in the GG series.

This design relates to Potemkin's story in the beginning. The Zepp empire in the past was a very corrupted, technology advanced nation. It contained battle-slaves with strength enhancement steriods and bound them with a special limiter. Potemkin was one of these battle-slaves with his huge, red metal color being the limiter. If he ever took it off, it would explode. However, Zepp was changed when Gabriel became President and freed all the Zeppian slaves, including Potemkin. He now serves as Gabriel's bodyguard out of genuine loyalty, gratitude, and care for his mentor and the renewed Zepp.

Judging on his old design by itself, I think he looked average(based on what he's wearing). His features definitely fit the saying "don't judge a book by its cover" because Potemkin is actually a gentle giant who's very intelligent. But the way he looks(except when interacting with certain characters), it's like he wants to break someone's bones, lol.

In the concept artwork in Guilty Gear X Plus(Japanese exclusive game), it hinted of what Potemkin will eventually developed into look-wise and story-wise. Even the pose from this pic was used later in Xrd SIGN. I really wish the design of the boots was used instead those weird looking ones he's wearing now, XD.

Now to look at Potemkin's design in Xrd SIGN.

This is Potemkin's drastic redesign needed because of the changes in his life and his resolve being tested. I love this design so much because it accurately portrays Potemkin's personality. The first is his steel helmet with a spike at the top, accented with the Zepp symbol at the center of his forehead. His face is mostly shrouded in darkness except for the glowing lens. The yellow ponytail fur attached adds to the essence of a modern steel knight. Next is the black collar having spikes at the front; he also has on spiked shoulder plates to emphasis his strength. The power part is also in the round-shaped limiters attached to the upper parts of his uniform and glove compartment of his gauntlets. The design of his gauntlets is derived from the GGX Plus concept art, except the gloves completely cover his fingers and has a robotic aesthetic to it. I notice green is the most dominant color in Potemkin's design and there's a reason why besides it being Zepp's uniform.

Here is the Green Personality taken from Color Psychology (https://www.empower-yourself-with-color-psychology.com/personality-color-green.html):

You are a practical, down-to-earth person with a love of nature. You are stable and well balanced or are striving for balance - in seeking this balance, you can at times become unsettled and anxious. Having a personality color green means you are kind, generous and compassionate - good to have around during a crisis as you remain calm and take control of the situation until it is resolved.

You are caring and nurturing to others - however you must be careful not to neglect your own needs while giving to others. You are intelligent and love to learn - you are quick to understand new concepts. You are a good citizen and like to be involved in community groups. You have high moral standards and doing the right thing is important to you.

There is more, but I only taken pieces that describe Potemkin's personality, showing why green is his main color. Now onto his look in GG Strive starting with his helmet.

On the forehead of the helmet, the Zepp symbol is no longer a design mark, but an carved symbol with the words "Armor-clad faith" underneath. Instead of just darkness on his face, it accentuates the robotic aesthetic with the gears and the lens having an orange tint. Next is a full body screenshot of Potemkin.

The spiked shoulder plates is less noticeable and his uniform is more formal. There's now a maroon-red collar with white trim and yellow buttons. The spikes on the black collar part of his outfit is gone, there's thick pockets on the lower part of his suit and has a brown belt instead of black. His boots is also brown instead of black and the plates around his feet is orange instead of red. There's additional limiters on his upper back that is revealed when doing certain attacks, showing his power has grown more. His muscle mass has also gotten super HUGE to the point I wouldn't be surprised if he reached Sentinel(X-Men) size, XD.

Design Rating: S++(Fantastic!) SOL BADGUY ------------ ---------- Sol Badguy is the main protagonist, so there was never a worry or surprise of his GG Strive design. There's also the fact his design isn't really new; it's heavily derived from the artwork of Guilty Gear 2:Overture. But first is looking at Sol's most iconic design from the GG series.

I'll always love this design because I think it's stylish, cool, and timeless. He's handsome in the traditional tough-guy way and perfectly fits the anti-hero type. His metal red headband acts as a limiter for his Gear powers and has the words "Rock You" in the center of his forehead. Besides it symbolizing his love for Queen's "Sheer Heart Attack" music album and controlling his Gear powers, it also symbolizes how he keeps his inner thoughts to himself and close-mindedness. He wears a black undershirt layered with a sleeveless, chest-length red jacket with a buckle strap. This style is very unconventional, which is exactly Sol is; he doesn't follow typical conventions. His red and black gloves conveys his toughness while his belt with the "FREE" tells of his philosophy. This also hints complexity to his nature since the belt is from when he was in the Holy Order, an aspect of his past. This shows he's inwardly caring and values the people in life along with his experiences. Lastly, is his white pants accented with buckles and red shoes.

The GG2:Overture Short Stories goes into some detail of the events before the game like how he was entrusted to raise Sin(Ky & Dizzy's son), etc. The major difference with Sol's design from the short stories is he's wearing a sensible red jacket similar to his old one, but its design still has traits of being its own style. His black undershirt is slightly different with a small V-shape cut-out in the middle, longer sleeves, and slightly loose around his stomach instead of fitted. His gloves has more of a biker vibe to them and no aspect of red nor buckles within them. He still wears red shoes on his feet, though tweaked in its looks. While this did hinted of Sol's character development, it wasn't a large factor because alot of the huge events at the time and before were placed on him rather than him confronting it by himself. It's why for Xrd SIGN, he primary reverted to his iconic look, though his GG2:Overture Short Stories look did get tweaked and used within the game's Story Mode. Now for his GG Strive look.

His GG Strive design blends both his GG2:Overture Short Stories look and aspects of his iconic design, which I really like. The red jacket with black trim conveys his free-spirited persona, yet also comfortable and relaxed. There's also a little bit more white seen on the cuffs of his jacket, meaning his heart is more open. This relates to his character development of finally confronting his past, his feelings, and his relationships. But he's still Sol Badguy and there's much for him to find out and explore, especially since red and black is still his main colors. There is deep meaning to this too.

Red Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-red.html):

You are action oriented and physically active - sex is a necessity to you - you have strong survival instincts. Lovers of red are the explorers and pioneers of the world, the entrepreneurs and builders who like to be first in discovering new physical realms. You are always in a hurry, wanting to do everything right now. Patience is not one of your strong points. Red people can be aggressive and easy to anger, often exhibiting a violent temper - this is negative passion and energy. You flare up instantaneously but calm down quite quickly once you get it out of your system and then forget it ever happened. You have a strong need for power and control which is connected to your basic survival instincts.

Black Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-black.html):

You are independent, strong-willed and determined and like to be in control of yourself and situations. You may appear intimidating to even your closest colleagues and friends, with an authoritarian, demanding and dictatorial attitude. You hold things inside and are not good at sharing yourself with others, possibly out of fear. You may be retreating behind black during a difficult time in your life such as a serious illness or a period of grief - black protects, allowing for a deep inner healing without interference from others. I'll add traits of the color White since there's a noticeable amount on Sol.(https://www.empower-yourself-with-color-psychology.com/color-white.html): Positive traits of White: Simplicity, self-efficient, growth/new beginnings, open, equality, rescuer, and sense of completion. These traits describe Sol. Overall, I like the design and feel it suits him well. Design Rating: S+++(Perfect!) MAY ----------- So far, May is the only female character revealed for the initial roster of GG Strive. There's mixed reactions with May's redesign for the new game. Some are happy she finally looks like she's in her early to mid teens(like 14 or 16) instead like a little girl. But others aren't happy with the changes to her outfit, saying it's bland. Let's look at May's iconic design.

In my opinion, May is the coolest looking child character. Her open-sides style coat with side slits layered with a skin-tight bodysuit blends both cute and stylish. Adding to it is the tricon pirate hat, silver plating on her wrists and neckline, and orange short boots with black trim. Lastly, a black belt is around her waist while buckles accents her orange coat. This shows she's spunky, cheerful, and deceptively strong. In the story, her origins was unknown at the time, which perfectly fits due to there's black as part of color scheme(one of the meaning for black is mystery). Story-wise, May's development gradually grows from finding Johnny and later recruiting Dizzy as a member of the crew. Her curiosity of her heritage surfaces, causing some changes in her design.

In Xrd SIGN, Her skin-tight bodysuit is gone and replaced with just a black, fitted tank underneath her orange overalls. Her pants is loose-fitting along with having a big buckle around her waist and different boots still in orange with black trim. She doesn't have the silver plating collar, but other aspects of her iconic look like her pirate hat is kept. May finally finds out she's Japanese and dealing a mysterious condition that (currently) can't be cured. This is a huge story development for May that leads to be expanded further and another redesign. First is looking up the facial shot of May for Guilty Gear Strive.

May's facial features is the first noticeable difference. The art-style is a strong factor in this, but May looks physically older. She still has big, cute brown eyes, though not as large as in Xrd SIGN. This makes her face appear a little longer face to convey a hint of maturity. Yet, she still hasn't escaped being just cute in an innocent way. Another difference is her hair is slightly shorten to halfway to her back instead to her waist. It's also loose instead of a thick ponytail within her pirate hat, which I think it's a nice little change. Her hat is shaped more round instead of oversized tricon while still retaining the pirate skull at the front. The anchor design on the sides makes it both simple, yet stylish. Now to see the full body of May's new look!

.....Lol, May is wearing a dumb orange hoodie, XD. What's worse is the hoodie has no special designs pertaining to May's personality or style; it's overly casual. There's also no shape, making her look like a fat fish. The skin-tight black short-shorts doesn't help with how oversized the hoodie is, which if it weren't for certain angles, it gives the illusion she isn't wearing anything on her lower body. It looks like lounge wear meant to be worn around the house instead of clothing a person would wear going on an adventure. Speaking of adventure, she has a backpack.

The backpack itself is cute because it's Chimaki(mascot of GG) and do see the the letter J with a heart; meaning love for Johnny. But other than this, this backpack also doesn't really relate to May. Besides being the mascot for the series, Chimaki is specific to Sin because it's favorite toy. None of May's official art ever showed her having a Chimaki toy or accessory. The casual look gives me the impression she quit the Jellyfish Pirates, but her winning animation of her saying "Jellyfish victory!" and Leap(the elderly lady who cooks) being there disproves this theory. Besides the hat, the only things kept from her iconic look is her gloves and boots. There's a heart on one of her thighs; a fitting aspect for a pirate.

Now to look at the Orange personality since it's May's main color(https://www.empower-yourself-with-color-psychology.com/personality-color-orange.html):

With orange as your favorite color, you are warm, optimistic, extroverted and often flamboyant. You are friendly, good-natured and a generally agreeable person. You are assertive and determined rather than aggressive - having a personality color orange means you are more light-hearted and less intense than those who love red. You thrive on human social contact and social gatherings, bringing all types together.

You live your life based on your 'gut reactions'. You are an adventurer - you love the outdoor life, camping, climbing mountains and indulging in adventurous sports such as sky diving and hang gliding. You are the daredevil, always looking towards your next challenge, your next great adventure.

This definitely fits May's nature. My impression of her simpler look probably hints of May is unsure of herself and trying to figure something out. Her expression in her new character portrait has this too; it's the first one of her not smiling. But I still think this new look for May is bad(except for the hat, the boots, and the gloves). Her design should've been something like this picture link below.

https://imgur.com/Ue1XdhT The top would need to cover her stomach, but this design perfectly fits with May's nature and role as a Jellyfish Pirate. It also conveys she's adventurous and can easily implemented the backpack as part of the design. But it wasn't used... I'm nicknaming her May of the Jelly-Fat, lol. Worst design so far(and hopefully the only one). Design Rating:D(for Derailed) KY KISKE ----------------- Ky's radical redesign for GG Strive was such a huge shock to everyone. At first, people thought it was Sin(Ky's son) until examining him closely. It's funny how many people are saying "Ky's handsome now" and saying he has an athletic body when in reality, he always did, XD. It isn't the first time Ky got big changes to his look based on the events in his life, but I'm going to focus on Ky's iconic design.

Ky is the opposite of Sol; the traditional knight-in-shining-armor type hero. This is another design I'll call timeless and my personal favorite look for Ky. He's very handsome in a princely way, which is fitting since Ky is a French noble. He wears a white shoulder cape containing a high collar with blue trim. It's attached to the blue knight-tunic with black trim in the front, accented with a white, trench-coat like detail. There's twin belts attached to his blue and black gloves while one is on his matching boots. Layered underneath his uniform is his black and white, sleeveless turtle neck and fitted detached sleeves. The belt around his waist with "HOPE" conveys Ky's philosophy. This attire is the Holy Order uniform, which conveys how strongly Ky holds onto the teachings and experiences he had during those times. His story at the time was about fulfilling his duty and doing what he knows and believes is right. Blue and white has always been Ky's main colors, which tells alot about his personality.

Meaning of White Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-white.html):

Having a personality color white means you are neat and immaculate in your appearance, in the presentation of your home and in your car, almost to the point of being fanatical. You are far-sighted, with a positive and optimistic nature. You are well-balanced, sensible, discreet and wise. You think carefully before acting - you are definitely not prone to impulsive behavior. You tend to have a great deal of self control. You may appear to be shy, but you do have strong beliefs about most things and love the opportunity to air those beliefs. The challenge for you is to be open-minded and flexible and to communicate your needs and desires. Meaning of Blue Personality(https://www.empower-yourself-with-color-psychology.com/personality-color-blue.html): You are conservative, reliable and trustworthy - you are quite trusting of others although you are very wary in the beginning until you are sure of the other person. At the same time, you also have a deep need to be trusted. You are not impulsive or spontaneous - you always think before you speak and act and do everything at your own pace in your own time. You take time to process and share your feelings. You are genuine and sincere, and you take your responsibilities seriously. Having a personality color blue means you have a deep need for peace and harmony in your everyday life - you don't like having your feathers ruffled. You would benefit from daily meditation and quiet time for reflection, introspection and self-discovery.

You appear to be confident and self-controlled, but may be hiding your vulnerable side. Being a personality color blue means you are generally fairly even-tempered, unless your emotions take over - then you can become either moody and over-emotional, or cool and indifferent. You are sensitive to the needs of others and caring with your close circle of friends. While you are friendly and sociable, you prefer the company of your own close group of friends.

You are a rescuer and love to be needed but one of your lessons is to learn to love yourself first - you live from your heart and are always busy putting the needs of others first. You can be rigid - you like to stick to what is familiar to you and it is hard to sway you from your path - you stubbornly do things your way even if there is a better way. You need to have direction & order in your living and work spaces - untidiness and unpredictability overwhelm you.

You are approachable and friendly, always making people feel welcome in your life. You have a thirst for knowledge in order to gain wisdom and appear knowledgeable in whatever area interests you. You are spiritual or religious with a high degree of devotion to family, God, or other causes that are important to you. If reacting negatively, you are prone to self-pity. These perfectly fit Ky's personality and has mostly stayed with him throughout his character development. Now to look at his GG Strive redesign beginning with the head.

One of the obvious difference is Ky's hair is short, reminiscent of his iconic look. But it raises the question of how since according to the story, it's stated his hair grows rapidly no matter how many times he tries to cut it(due to heavily implying he's part Gear). I'm guessing either Ky followed Sin's method of cutting his hair every 3 days or he found a special hair product to prevent rapid growth, XD. I notice the style of his hair is a bit different; the strands of his bangs is shorter and thicker. It creates a boyish look instead of a young man, which doesn't fit Ky. It doesn't seem noticeable during gameplay, but cutscene-like sequences it's the opposite. His hair should've been exactly like GGX2.

His facial structure and eyes in GG Strive is exactly like in GGX2 except for one part; his chin. While Ky's chin was never wide like most male characters, it usually isn't this narrow either. The narrower chin makes him look younger and with how the hair is styled, it gives the impression it's Ky from an earlier timeline. If his chin was similar to how it was in GG X2, it will improve his look alot and show he's mature and sophisticated. Next is examining the full body picture of his new look.

This is a huge departure in many ways. The only aspect inspired from his iconic design is the shoulder cape, but it lacks the blue trim around the helms and collar. Instead, there's black trim at the helms and hints of blue at the back with the words "Illyrium". His semi-fingerless gloves with fingernail plating is something he doesn't usually wear, but the back of his hands does have plating saying "Nothing can be done without hope". It shows he still generally has the same philosophy and key traits he's known for. The fact his "HOPE" belt is replaced with 2 standard belts(one black and the other brown) implies his mindset he carried from the Holy Order is gone and became open-minded. His open, V-neckline shirt with a single sleeve is inspired from this.

I do find it interesting how this reveals(pun intended) a different side of him, XD. It adds a sense of sensuality that leading men from romantic novels have and obviously it being sexy. Next is his fitted pants accented with blue crosses at the front then his boots with blue trim at the bottom. The most significant change is how Ky's dominant color is now black, which has important meaning to his character development.

Positive traits of Black: Include protection and comfort, strong, contained, formal, sophisticated, seductive, mysterious, endings & beginnings.

Negative traits of Black: Depressing and pessimistic, secretive and withholding, conservative and serious, power & control, sadness and negativity.

All of these fit Ky and since he's wearing alot of black instead of blue and white, this implies he has or going to have an internal struggle. I haved mixed feelings about his new design.

I love the concept of it and think it's nice to see Ky wear something different as his main attire. By itself the outfit is good and easy to adjust to, it's just not as unique as his original design. The design of blue crosses from his GG Accent Core Plus ending should've been implemented in the new design and add some gold trim to balance out all the black. I think his gloves should be changed to be more stylish along with the silver plating. If it had these tweaks, Ky's new design would be perfect.

Design Rating: A(Great!) CHIPP ZANUFF ------------------------ The reveal of Chipp's redesign has mostly been positive, but all of us immediately said "He is so BUFF!" People say he looks handsome now and have joked he worked out at the same gym as Chris Redfield, XD. Let's look at Chipp's previous design!

Chipp's iconic look definitely displays the street-punk style and rowdy persona. This perfectly fits with his dark past of being a former biochemical drug dealer and addict. He has wild spiky hair, small red earrings, and a leather choker around his neck. The fishnet undershirt is both punk-style and those who practice ninjitsu wears. He has fingerless gloves with silver, square-shaped plating. This aspect is also on his belt and short-length boots. There's two leather buckles strapped around the right leg of his white pants and has on a loose-fitting ninja vest with silver buttons. This highlights his newly adopted values he got from his mentor and father-like figure Master Tsuyoshi. Chipp even has on black eyeliner around his eyes to emphasizes the punk look. Since he primarily wears black and white with hints of red, this tells about his personality. Black and white together obviously means viewing things in a straightforward way instead of complex like gray. Red conveys of his hot-headed masculinity, passion, and impatient nature. Combined with the other colors, it shows Chipp's other side of having pure intentions, even though it doesn't always come across right.

In Xrd SIGN, only minor tweaks were made such as adding a red sash attached to his belt, extra detail on his pants and boots, and slightly thicker eyeliner. Ever since becoming president of a (currently) unofficial nation dubbed "Eastern Chipp Kingdom", Chipp's personality seemed to have mellowed some, though still has his impulsive tendencies. Chipp has been through alot of character development since the beginning. Now for his redesign for GG Strive starting with his face.

One of the things I notice about Chipp's face is while it's still narrow, it's a little fuller and smoother with slightly higher cheek bones. His chin is also about an inch or 2 wider than how it was in the Xrd series. His eyes still has the same defined shape, but the eyeliner isn't as thick. These tweaks to his facial features makes him look handsome and approachable instead of angry and rough. But his fiesty side is still there because besides his eye shape, his upper teeth now has some small fangs. Now to see a full body picture...

Chipp's hair also got tweaked; tt's still spiky, but more stylish instead of wild. Instead of strands of hair rest on his forehead, he has noticeable asymmetrical bangs. Besides his red earrings, Chipp's 2 main colors(black and white) is kept along with a little more red from the strings attached to his ninja gauntlets and strapped sandals. He still has the red sash attached to his belt, though this time he has a thick, rope belt(I think it's called "Obi"). His white pants is very loose-fitting and no longer has twin buckle straps, but does have a little more detail with the side silver buttons. On his upper body, Chipp has on a leather vest with a form-fitting, sleeveless turtleneck. The height of the collar covers his mouth and contains buckle straps. This look is inspired from his design in "The Butterfly and Her Gale".

It has aspects of the high collar, gauntlets, and boots, even though the boots was tweaked to be sandals. This redesign shows Chipp fully embraces Japanese culture and the ways of ninjitsu. I think it may also hint of him being or becoming a master himself and training others, especially with how he's gotten so muscular. The way they mixed old and new with Chipp's redesign is amazing and love the tweaks to his face and hair. I do think his pants maybe a bit too wide along with the rope-belt, but other than that his look is perfect.

Design Rating: S++(Awesome!) AXL LOW ------------------- "Axl got PANTS!" is the main reaction people had when he got revealed and the majority agree it's a much needed upgrade. This is the 3rd time Axl has gotten major design changes since GG:The Missing Link. His look from GGX and onwards greatly emphasizes he's heavily inspired from real-life singer Axl Rose. For Axl, I'm going look at his redesign for Xrd SIGN.

In comparison to the others, Axl's design was never high-fantasy or elaborate, but it makes sense he's from the 20th century. His look in Xrd mixes aspects from the 1st GG and GGX, which conveys his easy-going nature and trying to adapt to the future he's in while maintaining his values of the past. He still has his signature UK cap, brown fingerless gloves, and matching shoes. His white shirt has a unique black zipper tie that adds a hint of contemporary along with his blue jacket. Attached to his black belt on the hips is cloths of the UK flag and has on blue shorts. Red and blue has mostly been his main colors(with some white) that tells of his peaceful, friendly, and passionate nature. In the story, Axl is finally confronted about why he time-skips and must make a hard decision that forever change his life. The choice he made leads him to major character development along with what role he will play in the story, so he needed another redesign to reflect this.

This design shows Axl has embraced the current timeline while maintaining his love for his country. His fingerless gloves is a lighter brown along with his ankle-length boots. He wears a red plaid jacket with white sleeves and black with orange trim at the helms. Underneath is his a sleeveless, form-fitting tank with 3 zippers at the front and a brown buckle at the mid-section. On his lower body is a belt with a UK buckle and fitted, detailed black pants with zippers on the side. This look is inspired by the concept art.

I notice his new design as a mixture of colors compared to before, though it seems black is the most dominant color. One of the meanings for black is power and control, which fits with how Axl now has control over his Time powers. He also has an aura of confidence compared to his uncertainty in the past games. This is the perfect design for Axl because he looks amazing and conveys his personality well.

Design Rating: S+++(Perfect!)

Thank you for reading this! I'll make a series of this as more characters of the game are revealed in the future!^_^

#GG2020 #Guilty Gear 2020 #GGS #Guilty Gear Strive #GG Strive #arc system works #daisuke ishiwatari #Sol Badguy #Ky Kiske #May #Chipp Zanuff #Potemkin #Axl Low #character redesign #my thoughts #analysis

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junker-town · 4 years

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Justice for Icebox and other memorable women in classic football movies

Becky “Icebox” O’Shea (Shawna Waldron) takes the field with her cheerleading skirt still on in Little Giants. | Little Giants/Warner Bros.

Unfortunately, in this case life still imitates art.

The first time you meet Icebox, arguably the protagonist of the 1994 classic Little Giants, is at pee-wee football tryouts. “Gentlemen, suck it up!” the coach shouts at the group of disheveled 10-year-olds, until one finally lays out the ball-carrier with a satisfying thud. “Oh baby, now we’re talking,” he says with a grin, running over to the group. “Nice pop, Icebox.”

“Thanks, Uncle Kev,” she replies, her long brown hair tumbling down as she pulls off her helmet. It’s intended to be a shock. “Can you BELIEVE a GIRL is playing FOOTBALL?!” the director practically screams at the viewer. But that shorthand — the reveal that beneath the comfortable anonymity of the helmet lies a girl — and its close relative, the ponytail sticking out from beneath the helmet, have become ubiquitous to the point of cliché throughout both popular culture and coverage of girls and women playing sports society still doesn’t expect girls and women to play.

Little Giants/Warner Bros.

The viewer sees Becky “Icebox” O’Shea (Shawna Waldron) for the first time — just after she takes off her football helmet — in Little Giants.

Yet for some reason, the helmet hair phenomenon still works despite the fact the movie is almost 30 years old. It’s enough of a twist to get your attention, in the same way that girls and women playing football still garner coverage based on nothing more than their decision to suit up — though they’re just the newest of more than a century’s worth of “girl gridders.” The seemingly immutable expectation that girls don’t play football, won’t play football and aren’t interested in football, though, has been repeatedly contradicted on the silver screen just as it is in reality. In fact, some of football’s most iconic films have featured girls and women who subvert that exact expectation, even as they reinforce a whole slew of other sexist stereotypes.

The central conflict of Little Giants — ostensibly a film about the (spoiler alert) triumph of dweeby male underdogs — is sexism. (It’s currently streaming for free on IMDBTV.) Becky “Icebox” O’Shea is introduced as one of the better football players her age, more than hanging with the boys at tryouts and putting one in a headlock when he gives her guff. Yet, of course, it’s not enough to make the team, a reality that is presented to the viewer as immediately, unequivocally unfair. “What about Becky?” her father Danny asks the coach, Kevin, who is his brother and a retired football star. “She’s better than half of those boys.”

“Danny, I hate to break it to you but Icebox is a girl,” Kevin replies. “Maybe if you started treating her like a girl, she’d start acting like one.” His response clarifies that he is the central villain; soon after, his own wife calls him “pigheaded and chauvinistic” for not letting Becky on the team. Becky, disappointed but unfazed, bands together with the other rejects to form a new team (after single-handedly running off their bullies), and the Little Giants are born.

One of the more compelling aspects of the movie is that the few characters who are skeptical about Becky’s ability — mainly Kevin and a late recruit named Spike — are unsympathetic. All the other kids and adults readily accept her passion and talent for the game. Her gender is never mentioned as a potential hindrance, and when she opts out of playing, the rest of the team is not just sad but afraid to compete without her. “Without Becky, we’re cream of wheat!” laments the kicker.

The same can’t be said of 2000’s Remember The Titans, the Disneyfied version of a true story where football is presented as a foolproof way to solve racism — and the directors make a halfhearted attempt to shoehorn sexism and homophobia cures in, too (intersectionality … question mark?). In Titans (currently streaming on Disney+), Sheryl Yoast, the nine-and-a-half-year-old daughter of the assistant coach Bill Yoast, is a football fiend to the point of practically being a savant. Like Becky, she’s depicted as the only child of a single father, a similarity that was far from coincidental: the real Sheryl had three sisters, lived with her mother, and didn’t care about football at all.

The heavily-fictionalized Sheryl (played by a young Hayden Panettiere) taps into a few different clichés. She’s extremely precocious, and precocious children are one convenient way to diffuse tense scenes (of which there are plenty in Titans). Her constant presence (explained by the passion for football and the single-parent family) makes Yoast more sympathetic, when he might otherwise seem uncomfortably similar to all the other racists in town. Mostly, her presence reiterates the idea that girls who like football must be explained. Without the feminizing influence of a mother, these films argue, it’s only logical girls will deviate from heteronormative expectation and dive into sports, which are still ultimately gendered male.

Remember The Titans/Walt Disney Pictures

Sheryl Yoast (Hayden Panettiere) and Coach Boone (Denzel Washington) watch film together — with Yoast offering some harsh words for his offense — in Remember The Titans.

“Why don’t you get this little girl some pretty dolls or something?” the otherwise undeniably great Coach Boone asks Yoast at one point, as Sheryl scowls. “I tried — she loves football,” Yoast replies. By the middle of the movie Sheryl and Boone are grinding tape together.

That brief moment of acceptance is about as good as it gets for Sheryl, despite the fact she’s the one who, at the movie’s most pivotal moment, compels her father to finally collaborate with Boone to win the state title. “Mama, are all white girls that crazy?” Boone’s own daughter asks at one point — a memorable line that unfortunately once again reinforces Sheryl’s difference, which is repeatedly shrugged off until it is ultimately ignored. Her interest in the game, convincingly depicted throughout the film, is nothing more than a means to an end.

Becky’s bugaboo, in contrast, isn’t that people don’t take her interest in the game seriously. Instead, it’s the other side of the double-edged sword that women in sports have to confront: the idea that sports are inherently anti-feminine, that it is impossible to play them wholeheartedly without implicitly rejecting all the things (white supremacist, cisheteropatriarchal) society deems valuable about being a woman.

Little Giants/Warner Bros.

Icebox tries on lipstick as she debates quitting football and becoming a cheerleader in Little Giants.

It’s wrapped up in her nickname, Icebox: When “hunk” Junior Floyd joins the team (keep in mind they’re all supposed to be around 10, which makes it a little weird), Becky’s instantly conflicted. “I’m the Icebox, the Icebox doesn’t like boys … I don’t get crushes,” she says as she eats powdered donuts straight from the box (the film’s proof positive of her lack of self-conscious femininity). Even at that early age, it’s presented as a given that girls will understand playing sports is perceived as antagonistic to heterosexual romantic relationships.

That internal conflict ties her to one of the least sympathetic women in football cinema, Any Given Sunday’s owner/general manager Christina Pagniacci (played by Cameron Diaz). For how nuanced a picture the Oliver Stone classic (currently streaming on Netflix) paints of life in professional football, the portrayals of women throughout the film are two-dimensional to the point of being confusing. (Why on Earth does Cap’s wife hit him when he says he wants to retire? Even the most stereotypical gold digger presumably has a little heart.) But Christina gets the most screen time out of any of them, enough to depict her character as Icebox ... if all Icebox’s worst fears were realized.

Pagniacci’s behavior throughout the film doesn’t seem much worse than how billionaire sports team owners are prone to acting (that is to say, very badly). She wants to move the Miami Sharks to Los Angeles to take advantage of tax incentives (where have we heard that one before?). She argues with the head coach constantly, which is presented as excessively combative even when she’s right — as in her insistence that the team should invest in the passing game and stop running the ball so much (how is this movie 20 years old?). She pushes to keep players on the field even when they’re not healthy, and her involvement in the team is centered on growing profits (which, obviously — that’s how ownership thinks).

Any Given Sunday/Warner Bros.

One of many disputes between Christina Pagniacci (Cameron Diaz) and Coach Tony D’Amato (Al Pacino) in Any Given Sunday.

But it’s a lot easier to make ownership the villain when ownership is a woman. Christina was modeled after late Rams owner Georgia Frontiere, who moved the team to St. Louis and had already inspired several money-grubbing, ice-queen lady-owner characters. Pagniacci’s greed and calculation are repeatedly lamented by the other characters on gendered terms: Instead of being savvy and pragmatic she’s hard-edged and heartless, characterized as such by a bunch of people who themselves could easily be described that way.

“He wanted a son more than anything else in the world, and when you really think about it, what Christina is is just such a tragedy,” her own mother tells Coach D’Amato (Al Pacino) within earshot of Christina, who cries silently in the next room (another confusing scene). “I honestly believe that woman would eat her young,” mutters the league commissioner towards the end of the film. It’s not enough for her to merely be the bad billionaire boss, which would be easy enough to make convincing. Pagniacci has to be presented as cold and distant — intrinsically undesirable, despite the fact she’s conventionally attractive — to make her villainy irrevocable. For women, there’s no redemption from men not liking you.

That’s what Becky realizes by the midpoint of Giants. In a patently strange scene, she sits down with her sexist uncle, torn up about why Junior doesn’t seem to like like her. “He’s probably gonna want some cute girl, not some teammate,” the fully-grown man tells his 10-year-old niece. “But I don’t know about being a cute girl — I’m good at sports,” Becky replies (again, being a girl and playing sports are shown as intrinsically at odds). “You have a lot more to offer than football,” her uncle says very creepily, in another classic deflection: sports are too bad or dumb or boring for a nice girl like you. “Do you think I’m pretty?” she asks. The strings swell, and Kevin replies, “I don’t think you’re pretty … I think you’re beautiful.”

The scene is so, so odd, and deeply out of sync with the rest of the movie to that point. Kevin was an unrepentant misogynist and then, suddenly, his “guidance” (telling Becky to be a cheerleader) is shown as positive. Becky takes his advice, quits the team before the big game and only comes back late in the game with her cheerleading skirt still on. It’s visual evidence of the compromise she’s already made: it won’t be possible for her to have both of the things she wants — the attention of boys and the chance to play sports — so something’s gotta give. It would be less depressing if it weren’t so often a reality: girls drop out of sports at remarkably high rates after puberty.

Becky’s star turn and unsatisfying conclusion probably shouldn’t have come as a surprise. Of course a girl was the center of an underdog story: Who’s more of an underdog in sports than a girl? Little Giants ends with the Annexation of Puerto Rico, a problematically-titled, game-winning play that holds a beloved place in sports lore. The play begins with Becky charging down the field, drawing all the defenders to her — after all, she’s one of the best players on the team. Once the opposing players are concentrated around her, she opens her arms: no ball. It was all just one, long fake.

Little Giants/Warner Bros.

Icebox reveals the fake during one of Little Giants’ most memorable moments, the Annexation of Puerto Rico.

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oscopelabs · 5 years

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Telling Lies In America 1985-1995: The Joe Eszterhas Era by Jessica Kiang

“Written by Joe Eszterhas” is a phrase that has not had much of a workout on US cinema screens in over twenty years—and it’s arguable whether the 1997, 19-screen nationwide release of certifiable shitshow Burn Hollywood Burn: An Alan Smithee Film exactly qualifies as “a workout.” But for those of us who had the parental training wheels come off our theatrical filmgoing in the late ‘80s or early ‘90s, there were few individuals more central to our cinematic coming-of-age. And with perhaps the sole exception of Shane Black, a different animal in any case, none of the others—the Spielbergs, Camerons, Tarantinos—were exclusively screenwriters. For over a decade, the Hungarian-born, Hollywood-minted superstar writer of Basic Instinct bestrode the adult-oriented commercial screenwriting mainstream like a smirking colossus in a tight dress wearing no underwear. And given that Hollywood is primarily how the USA, the most loudly, proudly self-created of nations, expresses itself to itself and to the rest of the world, by the man’s own bombastic standards it’s only a slight exaggeration to suggest that America, between the years of 1985 and 1995, was written by Joe Eszterhas.

But for all the dominance he exerted, the rules he rewrote and the sheer money he made, examining Eszterhas’ heyday today feels like an act of paleontology, even for those of us who lived through it. 1992 is not so very distant; in a variety of ways it is still with us. It was the year Quentin Tarantino, whose latest film is in theaters right now, broke out with his first, Reservoir Dogs. It was the year the current loathsome, racist, tinpot President of the United States made a cameo appearance in Home Alone 2: Lost in New York, back when he was merely a loathsome, racist, tinpot property tycoon. It was the year that the number one box office spot was taken by Disney’s animated Aladdin, which felt close enough in time that the live-action remake which—and I’ve checked my notes on this, apparently was a thing that happened to us in 2019—felt entirely too soon.

But it was also the year of Paul Verhoeven’s Basic Instinct, the sine qua non of Eszterhas-penned films. And if Sharon Stone’s lascivious leg-cross (Verhoeven’s invention, incidentally, not Eszterhas’) provided posterity with the most iconic upskirt of a blonde in a white dress since Marilyn Monroe’s encounter with a subway grate, that is largely all that remains to us of it today. Well, that and the instantly forgotten sequel (sans Eszterhasian involvement) that already seemed wildly anachronistic in 2006. The original film, its writer, the erotic thriller genre it exemplified, the dunderheaded sexual politics it upheld while attempting to subvert, the whole idea of a mainstream screenwriter having a brand at all (even one as loosely defined as “writer of films you don’t tell your parents you snuck into”), all seem like ancient relics. These are the artifacts not only of a bygone age but of an extinct genus, a whole evolutionary branch that was nipped in the bud so comprehensively that even now scientists might argue over how closely the skeletons of certain bird species resemble the bones of Basic Instinct.

This containment, however, is what makes looking back at the Eszterhas era so fascinating. His brief Hollywood hegemony is a microcosmic event in cinematic history, one with a beginning, middle, and an end (barring some late-breaking epilogue, or a post fade-to-black pan down to an ice pick under the bed). And it didn’t start with his first produced screenplay, for the leaden Sylvester Stallone truckers-union drama F.I.S.T. (Norman Jewison, 1978), although the glimmer of future feats of financial alchemy was already present in the reported $400,000 he received for the novelization. Dawn really broke for Eszterhas, as it did for three of the only other people who could legitimately be termed his peers as purveyors of massively popular, high-concept, low-brow ‘80s sensationalism (producers Don Simpson and Jerry Bruckheimer, director Adrian Lyne), with 1983’s Flashdance.

It was an improbable success, less a film than an aerobics video occasionally interrupted by some awkward sassy banter and Jennifer Beals’ popping-flashbulb smile. Its vanishingly thin story, which Eszterhas co-wrote, is of an 18-year-old welder in a steel mill, who moonlights as an exotic dancer while aspiring to become a ballerina—a logline that sounds like a hoot of derision even as an unadorned description—and is full of Eszterhasian hallmarks. There’s the high degree of preposterousness. There’s the gym scene, during which the ladies of the cast grimace and lift weights in full makeup, and while here the frictionless unreality of Lyne’s TV-commerical aesthetic makes the sequence abstract, the peculiar faith in the erotic potential of a workout would recur in the squash sequence in Jagged Edge (Richard Marqund, 1985) and the ludicrous gym date in Sliver (Phillip Noyce, 1993).

And Flashdance also prefigures almost the entire Eszterhas oeuvre in being a story that centers on a woman’s experience and that laudably—if here laughably—positions her career ambitions as at least equal to her romantic aspirations in the mechanism of the plot. But, as elsewhere, it’s a view of women constructed by a proudly unreconstructed man, directed and photographed by men. (Eszterhas’ hard-drinking, womanizing, hellraising, Hunter S. Thompson-of-the-movies persona is enjoyably self-mythologized in his memoir Hollywood Animal.) If anything, what comes across most strongly in Eszterhas’ conception of a “strong woman” is his bafflement when tasked with imagining what such a woman might have going on inside her brain. His filmography may be full of female-fronted titles, and may contain the most famous mons venus in film history, but most of Eszterhas’ work could not be more male gaze-y f it were written from the point of view of an actual phallus, like the closing chapter of his 2000 book American Rhapsody, which is narrated by Bill Clinton's penis, Willard (I am not making this up).

This powerfully eroticized dissociation, this sexualized incomprehension of women as people with interior lives, is the animating idea behind the most Eszterhasian of Eszterhas scripts. But it’s a blank space in which directors, and especially actresses, could sometimes find room to create for themselves. Sharon Stone is genuinely, in-on-the-joke fantastic in Basic Instinct—who else could have delivered “What are you going to do, charge me with smoking?” as if it were an unreturnable Wildean riposte? Costa-Gavras’ Music Box (1989) is by some distance the sturdiest and least dated of Eszterhas movies, a lot due to its comparative sexlessness, but also because of a great, warm, real performance from an Oscar-nominated Jessica Lange. Debra Winger just about wins out in her more thankless role in Costa-Gavras’ first Eszterhas collaboration, Betrayed (1988). And Glenn Close imbues the heroine of the superior thriller Jagged Edge with such shrewdness that it’s almost a liability to the believability of the central deception.

But live by the sword, die by the sword, and when the director/actress combo fails to operate in similar sympathy we get Stone horribly miscast as a… sexy wallflower?… in Sliver, or Linda Fiorentino visibly flailing as a… downtrodden femme fatale?… in Jade, or poor Elizabeth Berkley thrashing wildly about in the neon-lit swimming pool of kitsch that is Showgirls. In these failures, the writer’s almost panicky vision of women as vast, dangerous cognitive black holes is best revealed. But then, mistrust of the opposite sex is only one aspect of the wider mystery that underpins even Eszterhas’ outlier titles: his entire output is preoccupied with how little any of us can ever know anyone.

In Eszterhas’ semi-autobiographical Telling Lies In America (Guy Ferland, 1997), a teenage Hungarian immigrant (Brad Renfro) is dazzled by Kevin Bacon's smooth-talking DJ, but blindly unable to work out if he is friend or fiend. Music Box details a lawyer’s dawning disillusionment over her adored father's murderous past—eerily mirroring Eszterhas’ discovery of his own father’s collaboration with the Hungarian Nazi regime. Betrayed has Winger’s FBI agent falling for Tom Berenger’s farmer only to discover he is, in fact, the neo-Nazi she insisted to her bosses he was not, in similar vein to Jagged Edge, in which Close’s lawyer discovers that the lover she successfully defended actually dunnit after all.

Oftentimes, the credulity-stretching ambivalence of these characters is all that powers the suspense, as in the is-she-gonna-kill-him-or-is-she-just-orgasming moments in Basic Instinct. In the misbegotten Nowhere to Run (Robert Harmon, 1993) Jean-Claude Van Damme plays a ruthless ex-con turned valiant protector, his blockish inertia apparently meant to signal that inner ambiguity. More often, it leads to final-act fake-out twists so unmoored to anything like recognizable motivation that they become weirdly weightless, as in Sliver when Stone’s Carly does not know if she’s killed the right man until the final four seconds of the film, and where, had the coin-flip gone the other way, it would still be equally (un)believable.

If it’s part of the egotistical remit of the writer to believe they have an insight into human psychology, it’s remarkable how much of Eszterhas’ oeuvre pivots around how fundamentally unknowable people are to one another. And while that schtick, by which you can’t tell if someone cares for you or is simply a talented sociopathic mimic, resonated briefly at the exact moment when the grasping, solipsistic ‘80s were segueing into the untrustworthy, PR-managed ‘90s, it proved not to have much long-game sustain. Critics had always been sniffy about Eszterhas, who clearly mopped up his tears with massive wads of 100 dollar bills. But when audiences started staying away, like in the Showgirls and Jade-blighted annus horribilis of 1995, the inflationary bubble that allowed Eszterhas to command millions for two-page outlines scribbled, one suspects, on the back of strip club napkins, abruptly burst. The idea of screenwriter-as-auteur, or rather as reliable bellwether of commercial success, proved a fallacy, an expensive experiment that began and ended with Joe Eszterhas, its earliest progenitor, luckiest beneficiary, and biggest casualty.

Glossy, vacuous, adult-themed thrillers were not the only thing going on in Hollywood, and Eszterhas was not the only big-name screenwriter. Shane Black, writer of Lethal Weapon, also commanded astronomical sums for his early ‘90s scripts, but the key difference is that Black wrote in the register of the franchise-able action-spectacular blockbuster that would eventually trounce all others as the Hollywood model for the future. Black has gone on to become part of the Marvel machine as a writer and director, while aside from one Hungarian-language period film, Children of Glory (Krisztina Goda, 2006), Eszterhas’ contribution to the pop cultural landscape post-2000 has been in the form of self-aggrandizing memoirs, or highly public fallings-out with celebrities, like Mel Gibson, of a similarly corked vintage.

The tastemaker point of view has historically been to consider Eszterhas among the worst things that ever happened to Hollywood—so much so that disdain-dripping sarcasm seems to be the fallback for critics summarizing his impact. But while no one is going to make the case for the man’s filmography as some sort of artistic landmark, the Eszterhas era did represent one of the last gasps of a Hollywood that believed, however misguidedly, in personality over product, when the idiosyncrasies, idiocies and ideologies of a single person—a writer at that—could, with studio backing and a 1,500 theater release strategy, influence the cinematic development of an entire generation. That might not have seemed like a good thing but retrospect, like cocaine, is a helluva drug and in 2019, with blandly anonymous, market-tested content churned out by mega-corporations bi-weekly to siphon your hard-earneds away, the kind of salacious tackiness Eszterhas represented feels oddly adorable, even quaint. Now that singular talents—even the obnoxious and objectionable ones—who could make decent returns on mid-budget, adult-oriented mainstream fare, have been steamrollered by infantilizing, monolithic billion-dollar mega-franchises, it’s hard not to be a little nostalgic for the vanished hiccup of time when Hollywood briefly uncrossed its legs for Joe Eszterhas, and Joe Eszterhas told us all what he saw.

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whatisthisnonsense · 5 years

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Okay you know what I am gonna talk shit in a proper well-thought-out manner because I’m salty and stressed and I may as well channel it into something fun like yelling about anime in an over the top display of angery as befitting this cesspool of a social media platform. This being said I’m gonna do it under a read-more ‘cause most of ya’ll ain’t got time for no negative nonsense and some of you genuinely enjoy Tri, and you know what, I respect you, you’re valid.

Okay so to explain how much I want to throw Bandai into a dumpster, we first need to go back and explain Adventure and the fiasco that was 02.

Digimon Adventure came out in 1999 (March 6th in japan and August 14th in the states, which coincidentally means this show came out exactly on my sixth birthday!) and lasted for about a year, with 54 episodes. The plot was simple; seven punkass grade schoolers turned out to have been chosen by fate to defend the Digital World, an alternate plane of reality created by various forms of digital information (the wee baby internet of the era, for example), mostly to kind of justify Bandai’s V-Pet (Tamogatchis but they’re gross and can FIGHT) and sell toys. So like, Transformers but with more human characters and kickass monsters and sometimes a lesson about the Power Of Friendship. Later, they find out they were chosen because they saw their neighborhood get wrecked by two monsters and Inexplicably Forgot This, as well as the fact there’s actually a missing member of their group (which less than surprisingly turned out to be the leader character’s little sister, who had already been seen in a prior episode and had also been involved in that early monster attack). It was hokey, the english dub generally bordered on that of a proto-abridged series if not aggressively sanitizing things (turning sake into green chili sauce, for example) and it was just good dumb fun and in the end everyone was crying anyway because dammit, while it was dumb fun you still cared about these characters and loved how they grew up. And then came 02.

Hoo boy. Digimon 02 came out in 2000 (April 2nd in japan and August 19th in the states) and lasted for another year or so. While sometimes listed as a second season, in truth it was a sequel series and it had...some interesting ideas, lets say. And I mean that sincerely! They did have some good ideas! But it was pretty clear from the lack of direction and the constant roller coaster of serious and stupid that it was being a sequel for the sake of being a sequel. For example, a whole new super secret crest turned up out of nowhere, which brings up a lot of questions in the lore but is mostly used to prove Ken isn’t irredeemable because he’s a Chosen Child ,as well as the questions about how this Crest is still present and useable and then literally gets no use. No Ultimate Form Wormmon for you, folks, NORMAL digivolution is out! I think I and @yunisverse have made our opinion on how to use that crest better clear while we’re being salty over Wizardmon, ha People have said that it’s big draw was that it had a heavier focus on character development and...yes and no? On the one hand, Ken and Cody’s arcs were genuinely enjoyable, Kindness shenanigans aside, as was occasionally exploring TK and Kari’s trauma, something often brushed over in the original series. On the other hand, more or less the whole of Adventure centered AROUND character growth where in 02 it’s...sporadic. Sometimes even random. However the main two reasons everyone was mad at 02 were these;

The original digidestined that were not Kari or TK got shunted onto the backburner, usually using excuses as they had given up their crest powers sometime between Our War Game and the present (despite that A) this is otherwise disregarding the fact they were supposedly not able to enter the digital world again until 02 and B) the power is literally inside them as part of their core, not something the digiworld actually gave to them, and while it could be diminished it could never actually be removed) or that it was the New Kids turn, often with wildly out of character personality developments. (Looking at you, Sora’s new docileness and Mimi’s lack of involvement in most of the plot period.)

The epilogue, which not only gave everyone really weird future jobs (why is Matt an astronaut?!) but also seemed pretty much out to be as aggressively Happily Ever After without actually stopping to think about any implications or actual lead-ups.

02 usually gets a pass from riding on the Adventure coattails, but everyone still tended to be at least disappointed in what had occurred. Also, more serious takes on Digimon, such as Tamers and some of the games, had been growing in popularity.

Thus Bandai, in it’s infinite wisdom, decided to cash back in on Nostalgia by focusing on the Adventure kids, making them closer to 02 so they’re older and they can therefore do more serious mature takes like Tamers, while also trying to rectify how they would even begin to come around to their epilogue jobs. They do this by killing the 02 cast in the first two minutes.

Welcome to Tri folks! Okay, so the 02 cast isn’t actually dead, but we don’t know where they are for six movies. Six movies!! The most we know for a few years is Ken, for some reason, has reverted to evil! And he has Imperialdramon, which implies Davis is brainwashed too!

He is basically doing this most of the series (which was initially going to be a mini-series before becoming a series of movies which then proceed to often be cut up into episodes, which that alone should tell you the problems BEHIND the scenes much less on screen) and we find out what he is (not actually Ken but an evil Gennai clone which is also out of nowhere) and what he’s doing (apparently bringing Yggdrasil, long time lore big bad of various digimon continuities and also god, into the Adventure storyline) not by efforts of the kids. Oh no. They’re too busy playing with their new friend Mei!

God I wish I was joking. The original squad literally shows no concern for where the 02 gang is until halfway through, and it’s a handwave at best and quickly moved on from. Hell, they barely react to “Ken” and CHEER on defeating Imperialdramon! More gravitas was given to having to kill the plot coupon of the day, Meicoonmon, than someone they actually know and should be upset about. Also making Tai NOT want to rush into a fight (what?), Turns Out Homeostatis Is Also Evil Or At Least Amoral (why), a reveal one of the backstory five original digidestined went mad with grief (no), and also I guess for some reason the kids and digimon were separated again given their reactions despite 02′s ending? That’s. That’s not even keeping your own continuity. Why are you like this. Also connecting to the epilogue just seem to be on a whim (not metaphor, Matt decides to be an astronaut on a whim), the general lack of gravitas in most moments followed by moments of SEVERE gravitas (which is the 02 problem but Worse), and bad jokes. I don’t mean Good Bad Jokes like Adventure, just really not funny jokes. And the real bitch of the matter? It had a few things that should’ve made it AWESOME! Like listen, I miss these idiot kids a lot, and the concept of a virus forcing a reboot on the digiworld and thus having to explore, finally, the digimon as characters and what they would be like without the kids? That’s cool! The idea of undoing all the Perma Digideaths (like WIZARDMON goddammit, and in this own show friggin’ Leomon again) with said reboot and thus having a pretty legitimate reason to allow it? Also cool! Worldbuilding about the previous five digidestined? Neat! And lets be real, you all cried at the cast version of Butter-Fly. You know you did. But the thing is they didn’t DO anything with most of this, or did it in a sloppy way. Example; the virus was basically a means to an end for waking up Yggdrasil (I’m not calling him King Drasil, that’s stupid), right? Why? When the Adventure-verse, often to it’s own detriment, is actively tied to the Milleniumon mythos, you could just pull in that eldritch horror and finally have Ryo make sense everywhere not japan. Or heck, the Dark Ocean! Remember the Dark Ocean? Where literally cthulu is and also Daemon now? Apparently neither do the script writers since that would’ve been a golden opportunity. Of course, this would be asking for continuity, which Tri has issues with within its own narrative. Remember when I said the reboot should’ve undone all permadeaths? Yeah, Wizardmon still shows up as a ghost later to lead Kari out of trouble. No lines or anything, just pops up facing away from the audience and leads her out, and then vanishes, despite the fact that according to the rules they made up for the reboot, he should be a cute little Mokumon in Primary Village at the moment who remembers nothing. Also it kind of low-key has the vibe that growing up is terrible and results in having to make awful decisions? Which I’m not sure is what they meant to do, but it does pretty much have that end result. And that sucks! Even Tamers didn’t do that! Growing up is HARD, sure, but there are GOOD things about it too, and being Adventure one would think that would be the main focus! Nope. I just. This should have been good and when it was announced I was super excited and now I’m pretty much exasperated by its mere existence. And now we’re getting a sequel after ANOTHER timeskip.

Bandai if this is how you give us a nostalgia feels trip, do us a favor and let Adventure die. You’re just making the sugary memories of childhood have a bitter aftertaste. Or, if you must, just do a proper reboot. Tie up things that actually WERE wrong with the original series and do some clean ups but otherwise leave it untouched. We all know you’re trying to capture the magic twice, guys, you’re not even trying to hide it now. TL;DR, The only parts I like about Tri are Butter-Fly (cast version) and the fact Tai and Matt are gayer than ever

#Digimon Adventure #Digimon 02 #Digimon tri #I'm about to get REAL salty so like #If you like Tri don't look you're still valid #I just do not and want to express why since I've been mulling it over since that ask

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intoxicatingimmediacy · 5 years

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Big Ups: Clipping Pick Their Bandcamp Favorites

“Right from the beginning, we always wanted to make a horror-themed record,” says Jonathan Snipes, a producer in the Los Angeles-based progressive noise-rap trio Clipping, alongside MC Daveed Diggs and fellow beatsmith Bill Hutson. The group’s third project for Sub Pop, There Existed an Addiction to Blood, updates the cult horrorcore hip-hop trend of the mid ‘90s in a thrilling and forward-thinking fashion. It’s a striking and deeply atmospheric record, powered by synth-based sonic experimentalism and grisly concept-focused writing that exudes a sinister and shadowy feel.

There Existed an Addiction to Blood adds to a stellar canon of work that kicked off with Clipping’s introductory midcity mixtape in 2013. “That one was really us learning how to be Clipping, and what we sounded like,” says Hutson, who helped mastermind the project’s metallic, glitch-afflicted beats. On the following year’s debut album, CLPPNG, the crew moved further towards what Hutson calls “dark and noise-tinged instrumentals.” The omission of the letter I in the album title represents the way Diggs avoids rhyming in the first person. Hutson maintains that if much of hip-hop involves MCs rapping about their own lives, Clipping’s music strives to be “a novel, not a memoir.” Case in point: 2016’s Splendor & Misery took shape as an Afrofuturist sci-fi adventure that explored an artificial intelligence world; 2017’s single “The Deep” inspired the author Rivers Solomon to expand the song’s environment into a novella of the same name.

Basing There Existed an Addiction to Blood around horrorcore and gory movies is a natural representation of Clipping’s influences and the way the trio approach writing songs. “Horrorcore is this forgotten and maligned subgenre of hip-hop that we’ve always had a tremendous amount of affection for,” says Hutson. “So much of Clipping is about referencing styles of hip-hop—almost all our songs were conceived as our take on a certain type of rap song—so this horror album was always going to happen.” Snipes adds, “We think of each of these songs as self-contained movie scores of vignettes in a specific genre.”

The original horrorcore movement that inspired Clipping’s latest album was spearheaded by RZA and Prince Paul’s Gravediggaz project, plus artists including Houston’s Ganksta N-I-P, Detroit’s Esham, and New York City’s Flatlinerz. ‘90s horrorcore lyrics were packed with macabre imagery and references to psychological disorders, satanism, and cannibalism; the gruesome verses were often relayed over willfully dank and grimey production. Clipping’s resurrection of the subgenre taps into the same lyrical themes—but this time Digg’s intense verses are backed by marauding waves of monstrous synths, sharp abrasive stabs of discordant noise, and snatches of field recordings that bring a chilling realism to There Existed an Addiction to Blood.

Key song “Run For Your Life” plays out like a frantic short movie. It co-stars Memphis MC La Chat, who used to roll with Three 6 Mafia and the Hypnotize Minds roster back in the ‘90s. “She’s hunting down Daveed and approaching and moving behind him in a car,” says Snipes. “Then in the third verse, we’re fully in the car with her.” To drum up the effect of the protagonist being chased to a bloody demise, Digg’s lyrics are surrounded by constantly shifting ambient noise: The sound of passing cars blasting music and dogs barking literally pulls the listener into the chilling scenario.

The same blend of adventurous production techniques and concept-heavy writing present on Clipping’s latest album also runs through Hutson and Snipes’s Bandcamp recommendations. Blasts of abstract hip-hop lyricism mix with innovative thematic albums and avant-garde film scores, adding up to a smart representation of Clipping’s advanced-level musical DNA.

Bill Hutson

Dax Pierson - Live In Oakland

I first saw Dax Pierson play around 2003, when he was in a group called Subtle that was an Anticon side project with Dose One and Jel. Dax was also the secret weapon of the Themselves project, which was also Dose and Jel, and on tour he’d play keys and finger drum on MPCs. Dax is this compelling, creative performer and composer. This tape came out on Ratskin and it’s from a more recent show—I might have even been at the show! His music is fascinating, almost uncategorizable left-field dance stuff that’s blending all these ideas.

John Wall - Hylic

I was really enamored of improvised music in the early ‘00s, and it’s a lot of what fueled my ravenous collector habit, which came from having to track down these obscure records that came from Japan and Germany and Switzerland and England, where they were only pressing a couple of hundred copies. John Wall is very careful as a computer music composer, and he’d spend years and years cutting up tiny pieces of improvised sounds and turning them into these totally austere and totally alien compositions. I was fascinated by the disparity between how much intention there was behind it and how alien the result sounds. Hylic almost sounds like there’s no human brain making logical choices that would compose this music—it feels like it’s naturally occurring in some way, like you’re listening to the background radiation of the solar system—but there’s also the most extreme version of authorship going into it.

billy woods - Hiding Places

I think billy woods is a fantastic example of this very abstract and angular and strange rapper but with these really strong connections to the history of New York rap. It’s almost like he’s from a different timeline where southern hip-hop didn’t take over the mainstream in the ‘00s and we kept going with Nas and Wu-Tang, and it’s developed into this new form. [Producer] Kenny Segal is a buddy—we’ve toured with him—and he would have been a youngster in the Project Blowed days but came out of the experimental L.A. hip-hop scene that produced Abstract Rude and Freestyle Fellowship and, later with the beatmakers, birthed the whole Low End Theory and Brainfeeder movement. This album is a New York and L.A. collab record that seems to perfectly synthesize two different types of left of center aesthetics, but feels completely natural in a way we wouldn’t have expected maybe 20 years ago.

Kevin Drumm - 09082001 gtr/synth ‘solo’

I included this not because anyone needs me to tell them Kevin Drumm is a fuckin’ noise hero, but I wanted to include Drumm because I think what he’s doing is a really unique thing that Bandcamp can provide: A couple of months ago I bought Drumm’s entire discography for like $22, which was like a hundred or so releases! He puts out so much, and it’s all of such high quality. This specific recording is from my favorite period of his work in the early-2000s, but it wasn’t available [back then] until he started bypassing labels and physical copies and started putting everything up himself direct to the fans.

DEBBY FRIDAY - DEATH DRIVE

[The label] Deathbomb Arc put out some of the first Clipping stuff. I think of [founder] Brian Miller as A&Ring my listening habits because he’s out there finding new artists I wouldn’t come across and putting out their records. DEBBY FRIDAY completely blew me away—this release seems both out of nowhere and so fully formed. It’s just brilliant and sort of industrial hip-hop. It’s really like the best Skinny Puppy album we never got but with way better lyrics and content and performance. It’s so smart and dark—she’s a really great lyricist.

Jonathan Snipes

Missincinatti - remove not the ancient landmarks

Missincinatti was Jeremy Drake, Jessica Catron, and Corey Fogel, and they had this band for a short time in L.A. where they played these contemporary arrangements of sea shanties. They’re all incredible musicians, and their arrangements were always so off-kilter and smart. This album is only on Bandcamp, and it’s like a little monument to this band that I loved so much for a short time. One of my favorite things is arrangements of folk music that almost feel like critical theory about folk music and this project feels like it’s in this realm. I wish they were still around playing shows so I could go to them.

François-Eudes Chanfrault - Inside

I discovered François-Eudes Chanfrault when I saw the movie for which this is the score. Then, when I started looking into François’s music, I realized that I’d run across him in online nerdy computer music circles. He became one of my favorite composers, and I became obsessed with tracking his music down. The development of the Inside score is really slow and tasteful, and that’s hard to accomplish when working with film. I also score movies, and film music always feels like if the music’s following a picture. It wants to be fast and have abrupt changes—but François is someone who is somehow able to make these really long elegant cues that actually play against the action of the film in this really striking way. It’s probably the last score I’d expect anybody to write for that movie, and it hits exactly the right tone. His use of electronics and computers and his use of a chamber ensemble are perfectly matched.

Lauren Bousfield - Fire Songs

Lauren’s a really good friend, and this album’s only available on Bandcamp. She’s an incredible musician—an absolute genius. This is the album she released shortly after her house burned down and she lost all her possessions in the fire. It feels very personal. It’s easy to think of electronic and breakcore as just splattered breakbeats that feel mechanical and machine-based. But this one, with the context [of the backstory], feels very emotional, and almost makes me tear up when I hear it.

Bryce Miller - W A S P

Bryce Miller is someone I found through some Bandcamp journalism, which I read regularly. This album, which is based on the Stieg Larsson Millennium books, is elegant and precise. There’s a lot of this retro ’80s synthwave stuff flying around—I’ve made a fair bit of it myself—but somehow this really nailed the tone of feeling very contemporary, but also very ancient. It’s like what I wanted synth records in the ’80s to sound like at the time, but they never quite did. The sense of melody and structure and tension and release is really spot on. Bryce feels like a real composer in that realm.

Max Tundra - With Love To Mummy

I first heard Max Tundra on the double disc compilation Tigerbeat6 Inc. from like 2001. I was really into Aphex Twin and Squarepusher and Kid606 and Matmos, and I was trying to figure out who was doing weird electronic music and that comp came out and it ended up being a huge window into bands I’d never heard of. Max Tundra’s track [“The Bill”] sounded like a general MIDI soundtrack to a spy show that he’d recorded into his answering machine! I’ve been a lifelong fan of his since then, and this collection is, like, his teenage recordings—it’s really interesting to hear his old music. It’s charming and fun to listen to as a fan, and to note where his music took him after that. I suppose other people feel the same way about that Radiohead release.

#clipping.#clipping #bill hutson #jonathan snipes #daveed diggs

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minaminokyoko · 5 years

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Spider-Man: Far from Home--A Spoilertastic Review

Oh, my baby boy is back and it feels good.

Like many of you, I was looking forward to FFH due to the trauma left behind by our final film with all the Avengers present, and I needed to see my sweet Spider Son to try to dry my tears. I'm happy to say Far from Home is just the popcorn flick we need this summer: light, enjoyable, fun. I do admit to a bias right off the bat, before I begin the review: I am one of the hugest fans of the Iron Dad and Spider Son dynamic, and so I knew by default that I wasn't going to like this movie as much as the first one. Sorry. I am a skank for adopted family tropes, and I think Iron Dad and Spider Son was one of the strongest relationships developed in the MCU period. Losing Tony is just...agonizing. I've sectioned it off in my brain as Did Not Happen just to get by, honestly, and so keep that in mind as we proceed.

Spoilers ahead.

Overall Grade: B

Pros:

-Lemme get this out of the way: MY SONNNNNNNNNNNNNNNNNNNNNN MY SPIDER SON OH MY GOSH PETER PARKER IS SUCH A GOOD BOI AND A SWEET SMOL BEAN AND I HAVE NO MATERNAL INSTINCTS EXCEPT WHEN IT COMES TO MCU PETER PARKER AND I LOVE THIS CHILD MORE THAN ANYTHING AND I JUST WANT TO PROTECT HIM AND HUG HIM AND BRUSH HIS HAIR AND COOK HIM DINNER I LOVE MY LITTLE BOY Y'ALL.

-Ahem. Tom Holland still shines in this role. I really, solidly care about Peter Parker. He's a great kid and he's very realistic in the way that he's written and acted. He's just a shy, awkward little nerd with a heart of gold who unfortunately has been forced into the worst situations that he's not ready for. I wanted to punch "Nick" in the face for how much goddamn pressure he put on a kid who is literally still in the goddamn mourning process just like everyone else. Peter has so much to deal with and he's only had these powers for a short amount of time, so it's natural that he's so frustrated and anxious and he wants time to go after things that are important to him. I found that very understandable and sympathetic, even if the "I just want to be normal" trope has been done to death in superhero media. MCU Peter has so much heart and I'm proud of this baby for what he's able to accomplish.

-The allusions to Tony and the void left behind hit home quite hard. Especially that fucking gravestone part of the Mysterio sequence. That was just...cruel. Tony taught Peter so much, and he genuinely loved that kid. He grew to love him and trust him and worry about him, and it's so awful that Tony won't get to see him grow up to be his own man. I'm grateful for the time they had together, and I really love Tony leaving Peter the glasses and the A.I., knowing that while he might still make a mistake, he would do the right thing in the end. (Side note: EDITH is as funny as it is fucked up, "Even Dead, I'm the Hero." God fucking damn you, Tony, that is so in-character and it hurts my soul.) "Nick" shoving all that pressure onto Peter made me want to kick his ass, especially since he talks down to him and tries to blame him for not being ready when he only just got into the game relatively speaking. But I also loved the sequence of him in the plane doing exactly what Tony used to do in his lab. It's such a great parallel, showing that Peter is his own person but he's also a chip off the old block, and that is very sweet to see. (I also squealed at the Led Zeppelin comment, oh my son, such a cutie.)

-I was extremely hesitant about them choosing Gyllenhaal for the role of Mysterio (not because of his skill as an actor, just because he looks like a giant puppy, sorry) but now I see why. He's an unstable narcissist and it fits him. What a jerkoff. I was furious with how callous he was and how he shifted blame everywhere like it's just SO necessary to kill all these people for fame, fortune, and money. Ugh, what a shitbird. So kudos to him. I didn't think he could pull it off, but he sure as hell did.

-The effects were fantastic. I really do think the illusion sequence will go down in MCU history as one of the most visually creative, disorienting, heartbreaking things we've seen so far in the saga. It was harrowing, especially the Iron Man suit crawling out of the grave. What a kick in the fucking nuts for Peter, and for us.

-Peter and MJ, while it did get a little overwhelming, were cute as shit. And I'm glad that the modern films are removing the stigma of the "I can't let my family and friends know I'm the hero" thing. It was definitely heavily done in the 80's, 90's, and early to mid 2000's and I'm fine to see it being phased out at least in terms of the MCU. It's a little more realistic that most of your family or friends would be able to handle your secret, and not only that, help you out on occasion. I'm glad she knows and their kisses were freaking adorable. Sweet babies.

-That. First. End. Credits. Scene. What a fucking killer. First off, God bless whoever at Marvel Studios listened to the thousands of fans begging them to cast J. K. Simmons as J. Jonah Jameson again, continuity be damned. The man IS the embodiment of the character, and I absolutely fucking ADORE that they gave us the nod and the wink we all wanted even back when Spidey was Andrew Garfield. Thank you, thank you, thank you. Next, oh my God, my sweet baby boy, my smol bean, got called out and branded as a murderer. Fuck, this is gonna be a serious problem, and considering the fact that we don't have the next MCU film lined up yet (at the time this was posted, and mind you, San Diego Comic Con is in two weeks, so maybe they'll clarify) the consequences could definitely be crazy. Poor Peter. He's gonna have a lot of work to do in order to undo this mess and prove that he's not Spidey, but this could also mean they're adapting some part of the Civil War story, maybe. We'll see, but that was a big ass bomb to drop.

-The Skrulls second credit scene was a genuine surprise, and it made sense. I thought Nick felt a little off the whole movie, and that really does explain why--it's someone else doing an impression of him and trying their best. Nick would've been smart enough to know probably right off the bat that Beck wasn't who he said he was. His story was way too noble and convenient. Nick would've probably have run facial recognition and then it would ping for a former Stark Industries employee, and that would've been a wrap. I like that it being a Skrull justifies what would be a plothole. Neat idea.

-I appreciated the Spidey's eye view of the action. Those were some cool shots and they were centered well, so you didn't feel nauseous or anything. It kept you in the action and was very engrossing and cool.

Cons:

-The bystander syndrome that everyone got this time around is a little irksome. It's the same reason that while I really, really love Guardians of the Galaxy Vol 2, I default don't like it as much as the first one since everyone got put into the bystander spot except for basically Peter in the very end. While it was nice to have them defend themselves, I'd have liked it more of MJ and Ned and the others figured their own way out of escaping the drones. Why? Because it would show Peter that it's not always on just his shoulders. His friends are competent and they can help, and I think that would've been a better way to go rather than him doing it himself.

-Some of the humor was flat. JB Smooth and the other teacher are the worst offenders, I'd say. They were given too much screentime and they're not that funny.

-The May and Happy subplot goes almost nowhere and isn't fully explored, and I kind of would've been fine if it hadn't been in the movie at all. It doesn't add much.

-The ending was kind of unclear? Did Beck actually get shot and die from his wounds? If so, then what was the official story about the drones and his body and whatnot? It's all pretty damn vague. If Beck is dead, that's disappointing. I kinda wish Marvel would stop killing the villains at the end of almost all the films. Longest running recurring villains are Loki and Thanos, I think. Vulture lived, and I'd like him to return in the future if possible. You can use actors more than once, Marvel, they're not tissue paper.

-Nitpick: It did almost feel like we missed a movie where Peter likes MJ. She was more a cameo in the first one than a full lead, so it almost felt like there's a short film somewhere of them getting closer and him getting over Liz and liking MJ instead.

-Nitpick: Same with the whole "other guy also likes MJ" subplot. Eh, I could leave it out and not miss it.

-Nitpick: I still can't with how they expect anyone to buy that Night Monkey story. I mean, it's black suited Spidey no matter which way you look at it. And yes, people should immediately notice he's at the very least one of the students at Peter's high school, and then it can't be too hard after that. I mean, Peter doesn't even change his voice while he's in the suit.

-Nitpick: I was kind of hoping for more clues or reactions to half of everyone, you know, being fucking murdered by Thanos for five years and returning to their lives. But I guess that was just pushed aside because it could become a whole rabbit hole issue. Still, though, I was hoping someone would tell us if the Snapped just don't remember being dead or if there is some kind of afterlife they experienced. (Side note: wow, holy shit, the teacher's mini story about it was dark and awful but I did laugh out of shock. I mean, damn. Low blow, wifey. Low fucking blow.)

-They mention spidey sense but I'd have liked it if they explicitly explain why he has it sometimes but other times he doesn't? It seems to fluctuate, but why and how? Is it more like anxiety or an extra sense? Is it based on his emotional health? I want clarification.

All in all, I had a good time and I'd put this in the middlegrade MCU films. I still really enjoy Holland in the role and I want nothing but good things for him and this franchise.

#spider-man #spider-man far from home #far from home #movie review #film review #spoilers #spoiler alert #iron dad #spider son

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incorrectmlpquotes · 5 years

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My Thoughts on Equestria Girls: Rainbow Rocks

Or: Are we sure this didn’t come out in 2004 rather than 2014? Because the “battle of the bands” story line feels super dated for some reason. I feel like almost every early 2000s cartoon had some sort of music contest episode, and I never liked them. I blame American Idol for making those popular.

Some History:

I’m under the impression that everything in this movie I dislike is a completely subjective thing that wouldn’t bother someone else. I know that, from a movie standpoint, this is much better than the first, but I just don’t like it as much. Everything that warrants complaint comes from a personal hangup that I have (such as: my lack of any musical ability causes me to not care at all whether their band is successful), so if you disagree, I completely understand. These are all my opinions, and I’m aware that this is probably the best of the four movies. (As stated on a previous post, I haven’t watched any of the shorts from 2017 or 2018 as of this entry)

There were a series of promotional shorts released before the movie debuted that explains how the members of the Main 5 came to play their instruments in Rainbow Dash’s band, and some other random stuff. Here’s the link to the playlist on youtube. Here’s a quick rundown of what I think:

Music to My Ears : meh

Guitar Centered : funny, but kind of mean spirited

Hamstocalypse Now : Hilarious.

Pinkie on the One : exactly what you’d expect it to be

Player Piano: a masterpiece

A Case for the Bass: Applejack is one word, why would she have AJ embroidered on the strap? I know people call her that but those aren’t her initials

Life is a Runway: There’s a reason they didn’t let Rarity write the songs

Shake Your Tale: Bad.

This was a pretty clever way to establish some musical background within the group without taking up time in the movie. It also is some sneaky foreshadowing with Trixie, which I appreciate.

In the actual movie: My nitpicks are going to be less Why is no one in class? Why is doesn’t anyone have homework? Because I realize this is a movie and depicting high school as it actually is would be boring to watch. Besides, there are plenty of other things to complain about.

We open on a scene of this film’s villains. And yes I am going to refer to them as villains instead of antagonists because 1) they are actually a threat and we see them doing bad things, and 2) other people will serve as antagonists. A villain is different from an antagonist, even though the terms are often used interchangeably.

The Dazzlings are so cool, they make a cameo four years later. Either this is some really deep foreshadowing, or by season seven the writers were so desperate for an ongoing arc, they looked to other properties. But we now know that the guardians banished them over 1,000 years ago. So they really are ancient magic. And now they have to go to high school. Talk about eternal torment…

Way to take all the credit, Starswirl

We are shown how they are a sort of siren, who feed off of people’s negativity and discord and use their beautiful enchanted voices to cause mayhem. Kind of like a mix between Ursula the sea witch and Spectra from Danny Phantom. Oh my gosh, this is the second one of these reviews that I’ve brought up Danny Phantom. Maybe this is why Butch thinks he’s so popular.

The Dazzlings, we can infer, have been exiled to the EQG-verse from Equestria. So apparently this universe is like the pony version of colonial Australia, where they send all their criminals and miscreants. A solid plan that couldn’t have any negative repercussions. The sirens see a beam of light that must be the one from the last movie. This is good news for them, but bad news for me because now I have no idea how much time has passed the two films. Has it been a couple days? Weeks? Moons? This will make a difference in regards to why people still don’t trust Sunset. But why waste time setting up the story when we can get right into the remix title card?

At this point, I can only assume that principal Celestia threatened to expel students if they told the news or the FBI about the magical winged demon that attacked the school, because no one seems too concerned about that incident.

But they have plenty of time to hurt my baby’s feelings

I’m going to be honest, when I first watched EQG I thought that Sunset was faking her remorseful act after being defeated. As cool as that would have been, she makes a much better reformed bad guy than an antagonist, because she really wasn’t in the last movie that much.

List of “evil” things Sunset Shimmer has done: send fraudulent text messages and emails that honestly could have been pretty easily disproved, made fun of Fluttershy, made fun of the steamers in the gym, somehow divided the school into cliques, ran a mostly unsuccessful smear campaign against Twilight’s bid for dance princess, threatened to destroy the portal to Equestria, transformed into a demon to hypnotize the students, and she dissed the Apple cider.

Ok, that last one is pretty evil. But what really makes this and all subsequent movies great is that we get to see her learn and grow and change from the experience into a real friend.

I am glad to see that the Main 5 have forgiven her, but no one is quite ready to absolve her of guilt. Like, I might not think she did all that much bad junk, but the students of Canterlot High seem to think she was one tier below Mussolini in terms of maniacal dictators, so I don’t blame them for being cautious. It takes a lot to earn back trust.

Back in Equestria proper, the Mane six plus Spike are sitting around waiting for the plot to affect them. They kindly provide some exposition and once again setup the fact that only Twilight can go through the portal, because the others can’t interact with themselves. So we think. I will be bringing this up when we get to The Friendship Games.

Back through the portal, Twilight gets looped into the fact that Sunset has changed her ways. It’s fair to be a little apprehensive to trust someone who, the last time you saw them, was an actual literal demon. (Don’t worry though, Twi, you’ve still got two more unicorns to reform. It’s kind of your thing.)

Don’t reject her love Twilight, it’s all I have to live for

And now it’s time to discuss the small blue elephant in the room. I feel like I really need to explain why I dislike the addition of Flash to any of the plots. He’s kind of a waste of a potential. You want to add a male character: fine. But make them an actual real fleshed-out character. The show has proven that they can do it and do it well. Sunburst and Thorax are great characters who feel like a good addition to the story. And we got a real sense of who they were in one or two twenty minute episodes. I have no clue what this guy’s purpose is except to be a love interest, and this is not the show to do that with. With very few exceptions, the main characters of MLP have not sought out romantic partners, Twilight included. Why would she choose to do so now? I mean, I get why he’s into Twilight: she’s taken the form of a cute teenage girl. But he’s a species that doesn’t even exist in Equestria. She just fell through a portal and instantly got the hots for some weird otherworldly creature…

Wait a minute. Wait just a minute. Perhaps this isn’t compulsory heterosexuality. Perhaps Twilight Sparkle is just a Monster Lover™. I can respect that.

Moving on.

It was so very smart of the writers to have the Dazzlings brainwash the principals in order to get away with this scheme. That makes so much more sense and covers any plot holes that could arise (such as, someone claiming to be a new student despite having no transcript, no grades, and no knowledge of how to hold a pen).

Does time work differently between these two universes? Has it been months in Equestria but only a week in this world? (It really threw me off that the first four season of MLP took place over one year, and these movies don’t help that). And the sad thing is, this could be easily hand-waved away by a single throw away line, but it isn’t.

The Dazzlings are already better villains than Sunset, even from a character standpoint. We know their powers, we know their motivation, and we know they are capable of bringing about an actually believable rift between friends.

Then the best song, best montage, and possibly best scene in any of these films happen: the Dazzling come into the lunchroom and hypnotize everyone. This song is beautiful and eerie and exactly what you would expect a magic spell to sound like. I also enjoy the visual representation of the bands competing (and not just because I didn’t want to hear any of them perform) that we’ll see later. To give credit where credit is due, this movies has some great visual sequences.

Give ‘em the o’l razzle dazzle

At first I thought it was unrealistic that this many kids had bands, but I realized it was probably an effect of the spell. But I might not be the best judge: I think I know maybe three people, plus myself, who don’t play an instrument. I’ll just assume that the Disney channel exists in this universe, and all these children just really want to be famous.

It’s worth sitting through this movie just to see everyone’s pajamas. That’s not weird, right? No really, the scene of them all having a big slumber party is everything I ever wanted from this series. They managed to capture everyone’s personality from an article of clothing. Now THAT’s good character design.

I get the distinct impression that the writers of this don’t like Rainbow Dash.

Oh good, references to technology that couldn’t possibly date this movie in the slightest. Wait… this is Pinkie’s house. Aren’t the Pies supposed to be like Amish or resembling Amish-type folk? What is the human equivalent of rock farmers? Not actual farmers because those exist in the pony-verse. This really confuses me, but Maude’s cameo is fantastic.

The scene with Twilight and Sunset is one of those really well-done moments that reminds me why I love the show so much. It feels really genuine, and supports my argument that it was worth having Sunset as a crappy villain just to reform her.

Ah yes, the sweet, lingering glances that totally platonic female friends share with each other late at night. I know them well.

Our girl Twily seems to be having trouble writing a spell that can double as a catchy pop song (She’s no Lana Del Rey), so they go with an old set list. How long has this band been operational? Weren’t they in a huge feud for several years?

Mac is a close second for best cameo

So we get to watch the band audition, and it goes about as well an actual high school talent show. The CMC are in the outfits from Showstoppers (which is hilarious) and Snips and Snails rap (which is disturbing). In order to keep my goblin brain from exploding while trying to figure out the ages of everyone, I’m just going to assume that this is a combination Middle School and High School. So, if Sunset won fall dance princess four years in a row, she would be in the tenth grade now, so they would be about 15-16. The Equestria Girls Holiday Comic shows Rarity driving a car, so that could be a possibility.

A. Daft. Punk. Reference. Wow. Just wow. (Note: this was more shocking before season five, when there was a character that was basically Lady Gaga. And by basically, I mean very obviously Lady Gaga. Remember when the pop culture references in this show were subtle?)

Dash’s song is quite possibly the most cringeworthy thing I have ever heard. The only defense is it does sound like something a high schooler would write.

On that note, why is Rainbow Dash the lead singer of the group? I mean, I know why, but WHY? (and yes, I am aware that her voice actress is a singer. But Ashleigh Ball uses her normal voice when she performs. Think back to all the songs RD has sung in the previous four seasons before this aired. There are not a lot of solos or high notes. When she sings as Applejack, it is beautiful, but Dash’s voice is grating sometimes)

Really? A battle of the bands is the greatest thing you’ve done at the school? That whole “stopping an actual demon with magic” was just a regular Friday for you? I’ll chalk that up to the brainwashing, otherwise I might go full on rage and throw my laptop out a window.

I guess our merry band of protagonists weren’t paying attention to big cafeteria scene, because they just now figured something suspicious is going on.

Still haven’t fixed the lights in that dim corner of lockers. Fortunately, there are many dramatic confrontations to be had.

I think we’re supposed to see Rarity’s obsession with the outfits as a ridiculous thing, but I think it’s important to distinguish this universe from the one with the professional seamstress who has unicorn magic at her disposal. This is a teenager who has school, extracurriculars, and parents to contend with. If I went through the trouble to hand-make seven costumes for my friends, then found out no one would wear them, I’d be pretty ticked off as well.

Now this is how you montage. We get to play a fun game of “guess which characters are in which band,” and seeing their “humanized” designs. Lotta bootcut pants in this show.

I’m just going to leave this here...

This is some actually effective villainy. The whole school has turned against each other. Maybe they need to learn about the magic of friendship. Unfortunately, the gang is too busy squabbling over band stuff, and Twilight is too distracted to give an overly emotional speech.

No one in the rule book does it say magically turning into a pony is grounds for disqualification...I would assume.

If we’re being honest here, the Dazzlings are better performers than the Rainbooms.

And we’ve come to the crux of things. The scene where they’re locked under the stage is the perfect example of my biggest issue with this movie. I do not like to see Mane 6 fight. I don’t like Trade Ya, I don’t like Putting Your Hoof Down, and I despise Look Before You Sleep. Seeing this otherwise close group of friends constantly have petty arguments, even if it’s for completely valid plot reasons, make me want to turn the movie off. This isn’t a criticism of the screenwriting, it is just a reason why I personally dislike Rainbow Rocks more than the other films.

Of course, they make up because this is about the magic of friendship and what not, but notice how no one actually apologizes for their behavior. No, “I’m sorry that I minimized your contribution to the group or made fun of something you were passionate about.” I realize they were under the influence of magic, but they also knew that! They knew the Dazzlings had the power to turn people against each other! An apology is just a preamble to fundamental behavior change, and if they don’t realize why they were being bad friends, how can they learn from anything?

And the real kicker is, they knew what the Dazzlings were capable of. Twilight read a book about them immediately before going through the portal. It’s not they they just learned that they spread chaos. Why are we fighting? Gee, I don’t know.

DJ-ex-machina. I’m ok with this.

To the movie’s credit, the finale really has one of the best song of the movie. And by that, I of course mean Trixie’s song. Trixie is the most fun addition to the cast. She makes for a fun antagonist, on her own and as a Pawn to the Dazzlings.

Fight scene! Fight scene! We’re gonna have a fight scene!

Now that they’ve put their petty squabbles behind them, it’s time for a big music battle. The Dazzlings pony up harness the energy of the audience to project their Equestrian selves to...I don’t know. Take over the world or something.

This isn’t even their final form

Oh. This design looked better in book form

Sunset is Magic. That’s the show.

So the stones auto-tuned them, and that made everyone mindlessly antagonistic. I’m sure there’s some clever commentary there.

T’was the magic of friendship that killed the beast.

No, you don’t get to just rejoin the plot

Thank you, Trixie.

The real story here is how Principal Celestia will pay off the press.

Thus Twilight goes back to the land of horses, Starlight has been truly forgiven, and my Netflix suggestions will never been the same again.

I want to give a big shout out to the person who put all the captions on the image gallery for this movie’s wikia page. They are funnier than I could ever hope to be.

Some general thoughts:

The scene of Twilight awkwardly yelling “Friendship is magic!” to a room of confused teenagers is the cringiest thing I’ve ever seen, but it got a good laugh out of me. Look at the Dazzlings faces in this scene. “Ok, we legitimately didn’t see that coming.”

One of the reasons that I am so drawn to the show is that they are able to create conflict and drama without being mean-spirited. I have to deal with that kind of nonsense so much in my daily life, I just don’t want to subject myself to eighty minutes of it. But i get it: from a narrative standpoint, this is the most cohesive. There’s some good set up and pay off, and an actually intimidating villain who is actually present in the plot.

I love Trixie so much, I should be dead. She really is the star of the show. I forgot how little we saw of her before season six.

The stinger, oh the stinger. Forget what I said about the pajama party; it was worth sitting through this for the promise of an interesting sequel.

We’ll get to you soon, you marvelous lesbian disaster.

Starlight’s redemption is the best part of this franchise, and it’s worth all the nonsense to hear Rebecca Shoichet’s angelic voice.

From a purely film standpoint, this is probably the best one of the bunch. It has a clear structure, everyone’s motivations check out, there’s an actual climax that feels earned. I just don’t enjoy it. There are worse ways to spend eighty minutes 3.7/5

The worst thing to come from this, however, is the terrifying merchandise:

What Fresh Hell is This?

#MLP:FiM #MLP Equestria Girls #equestrian girls review #equestria girls #rainbow rocks #more of my opinions

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recentanimenews · 5 years

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All You Need is a White Piece of Paper and Pen: A Conversation with Monster and 20th Century Boys Creator Naoki Urasawa

Editor's Note: This is a republication of a feature by Cayla Coats that originally appeared on Crunchyroll News on 2/6/19.

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This article is brought to you by JAPAN HOUSE. JAPAN HOUSE is a cultural project that aims to nurture a deeper understanding and appreciation of Japan in the international community. Through outreach projects centered in its three locations in Los Angeles, São Paolo, and London, JAPAN HOUSE aims to drive further intellectual exchange between Japan and the world.

***

Naoki Urasawa is one of the modern masters of manga. The artist behind series such as Monster, 20th Century Boys, Master Keaton, and Pluto, his work has earned countless accolades from critics, including the prestigious Eisner Award (think the Oscars of the American comics industry). Urasawa-sensei’s work is currently on display in an exhibit titled This is MANGA - the Art of NAOKI URASAWAat JAPAN HOUSE Los Angeles. This is marks the first solo exhibition of his work in North America, and is truly a landmark achievement for mainstream acceptance of manga as an artform.

I had the huge privilege of being invited by JAPAN HOUSE to attend the exhibition and interview Urasawa-sensei. The exhibit was, without exaggeration, quite breathtaking. As a lifelong fan of anime and manga, seeing Urasawa-sensei’s impeccable art framed and displayed with the same care one could find at an art museum was truly wonderful. Images from my visit will follow below, but if you have the chance to see the exhibit in person before its closing on March 28th, please do so. Urasawa-sensei has to be one of the most thoughtful creators I have had the pleasure of interviewing–every answer he gave seemed like a selection from a well-researched written essay! I’m extremely grateful to Japan House for giving me this opportunity to speak with one of manga’s living legends.

Our first question is about how you began as a manga artist. You graduated with a degree in Economics from Meisei University. Did you originally plan to work in the financial industry? What led you to becoming a manga creator?

I think very early on the idea of becoming a manga artist wasn’t on my mind. I started writing manga when I was about four or five years old and when I was eight I drew my first full story to completion. It’s interesting, because at that age I sort of understood the depth of what it meant to create manga, so I could really feel the deep gulf between what I was doing and what a real manga artist was doing. I didn’t want to publish manga for the sole purpose of just making money–I could see that there was a lot of manga that had been commercialized and you could smell the money in it. That really wasn’t what I was interested in.

It’s funny, when I was really young, when I would visit my uncle he would tell me, “oh wow, Naoki, your drawings are so amazing! You could become a manga artist!” That’s when I thought, “oh man, this guy doesn’t know anything about what real manga is.” That’s why I never really thought of pursuing the path of a professional manga artist. I studied economics and thought I would work at some company somewhere.

Colored panel from Monster above a display case with drafts of spreads

We’re going to move into some questions about your specific works. Your manga Monster is set in Cold War-era Germany. What made you decide to tell the story there instead of Japan?

A little while back, I wrote something called Pineapple Army, and it was originally set in New York. But my editor at the time felt that the reader demographic for this particular magazine was males aged 40 and over, and they’re probably more likely to be engaged by stories set in Europe. That’s why, after a turning point in the story, the setting moves to England, the same setting of another series I worked on called Master Keaton.

I think in Japan, our medical industry was influenced by a lot of German technology at the time, so when we think of medicine in Japan, a natural association is Germany. So when I began to write Monster, the protagonist is a doctor and setting the story in Germany seemed natural. As I developed the story, it made sense to place it specifically in post-war Germany so the story could incorporate the neo-nazi movement into the story.

That’s so fascinating. I think a lot of American readers probably missed the connection between the Japanese medical industry and German influence. I think they’ll be very interested to hear that.

When you have your medical records in Japan, often doctors will write them in German as well so that the patients can’t see what the doctor is writing down. That’s just another small way Germany shows up in the way we practice medicine.

The ‘manga tent’ was one of the coolest aspects of the exhibit. You could walk through it!

Moving on to your series Pluto, what led you to pursue a retelling of Astro Boy?

Within the story of Astro Boy, Osamu Tezuka wrote that the character of Astro Boy was built in 2003. So in 2003, to celebrate the birth year of Astro Boy, the rights holders opened up the property and many different manga artists reimagined the story of Astro Boy in their own style. Lots of artists were doing tributes and illustrations or short one-off manga to celebrate his birth year.

“The Greatest Robot in the World” is a very popular arc in Astro Boy, so I asked, “isn’t anyone going to remake this? It’s a great story that needs to be developed more!” Of course, no one had the courage to take on such a big task. My editor asked, “hey, why don’t you do it?” and I said, “oh no, I couldn’t possibly do that, that’s crazy!” Of course, here we are now.

Was the goal with Pluto always to tell a darker story that referenced contemporary events, or did these themes arise organically through the course of writing the story?

I think that the idea of Tezuka’s work being lighthearted is a common misconception–his stories are actually very, very dark. I think when it’s been animated and adapted into many different formats, the general consensus about Tezuka’s work is that it is “pure” and “family friendly.” Astro Boy even aired on primetime TV in Japan. In this way, his work has sort of been reimagined as very wholesome and safe content, but if you really look at Tezuka’s work on a deeper level, it’s very dark. If you aim to properly adapt or remake any of Tezuka’s work, you will naturally end up with a very dark story.

Costume for the character ‘Friend’ from a live action adaptation of 20th Century Boys

Are there any other stories from other artists that you would like to retell in the same fashion as Pluto?

(Solemnly) Never again.

(Everyone laughs)

I’m a very big fan of Tezuka’s work, so I think that sheer amount of respect really affected me as I was working on Pluto. That enormous amount of pressure that I felt both from outside and within myself began to affect my health, and that’s a big reason I don’t want to do that again.

Many of your works could be considered part of the mystery genre. What about the way mystery stories are structured appeals to you?

I think a lot of that comes down to what we perceive as being fun or intriguing. You could take a lot of popular TV shows–I’m sure you all have been in the situation of saying “oh, I have to find out what happens next!” and you binge through Episode 1, 2, 3, 4. Every story that is able to do that to its audience has an element of mystery. You can even take a love story–if you’re binging it and you’re curious about what happens next, then I think there’s a strong element of mystery there. That’s the core of what makes a narrative so intriguing.

Colored panel from Pluto

Unfortunately we only have time for one more question, so I would like to ask a pretty broad, open ended one. What can manga do as a medium that no other art form can?

Let’s take another format–the movie, for example. You have a massive budget and so many different people involved. It takes years to gather all the sponsors, get the casting just right, there are so many players involved to create just one product.

With manga, all you really need is a white piece of paper and pen. No other medium lets you translate your imagination into visuals as fast as manga. Manga can take you to the other side of the universe in an instant. Manga can take you to the distant future with spectacular technology or to the far past when there were dinosaurs. I truly believe that no other medium allows creators to express their ideas as efficiently as manga.

That’s a beautiful place to end, thank you so much Mr. Urasawa.

“20th Century Boys” was originally published by SHOGAKUKAN

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

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