#but the agonies etc

[celestiachan]

style savvy romhack where all the aesthetics are edgy in some way or another and there are only like. 3 non-alt styles

[reverieprince]

but as it is (and it is)

[exercise-of-trust]

not pictured: the six brothers who showed up to portrait day covered in ink, mud, soot, or all three at once

[yunogf]

[bottomschlatt]

the most crucial aspect of charactizing docm77 is that every day he suffers so much for girlish whimsy

[sergle]

genuinely @ that ask you answered: as a trans woman some of the most genuine kinship i have found has been with fat queer cis women. especially if they have PCOS or something similar because like. their story mirrors mine so intensely (and their perscriptions, lol) and it's so natural to relate on literally everything about conventional attraction and clothing not fitting quite right and the way society views you

it's refreshing and delightful to find yourself in people who are different from you 💜

I REALLY think there are so many shared experiences there!! yeah! and god, with PCOS, that has even more similarities in the shared experience venn diagram. I don't talk from that perspective but just being a fat woman, in both cases, womanhood/girlhood isn't inherent and it isn't given freely, it's conditional, it's worked for. the specific types of clothing to look feminine, the clothing not fitting, the makeup, the hair, the nails, the body shaping, the put-togetherness, all in the pursuit to be read as "girl" first, instantly, before anything else. something that another woman might have already, in her default state, regardless of the clothes she leaves the house wearing, or if she can do makeup well. She can dress up and wear makeup and enhance her femininity too, but she doesn't Have to do it, not in the same way. I have actually literally already been thinking about this, bc it's a funny thing!! in some ways, I never got to Be a girl, I was fat first and girl second. nobody looked at me and just saw a girl. I've talked to some other fat women about this, and apparently it's a pervasive feeling, that "fat" is, in itself, treated almost like some other third gender. so there's a lot to relate to lmao, in friendships and relationships w trans women, going "ah, those things you feel obligated to do in order to meet the standards of womanhood, I recognize those, I do them too"

[chronicowboy]

tomorrow will always and forever now be today (tomorrow is our always and forever) | 43k

"Think I can get a hug from my best man on my wedding day?" he asks, quietly hopeful in a way that makes Eddie want to tear off his skin.

"Sure," Chris replies with a shrug, turning to throw Eddie a cheeky grin. "Dad, Buck needs a hug."

Two things happen at once then: Eddie has to plaster on a smile authentic enough to convince the one person on this planet that knows him inside out—except he doesn't really have to fake his smile, not at first, because of number two—he sees groom-Buck for the first time. And groom-Buck is every bit as beautiful as Eddie might have imagined him over the years. Happy eyes bright and blue, pink lips stretched wide in a beaming smile, cheeks flushed pink with joy, hair carefully styled and stunningly golden in the morning sunlight. He's half-dressed too, tux jacket still on the hanger on the back of the chair, so Eddie gets an unbarred view of Buck's white shirt stretched taut over his biceps, shoulders, abs.

For a moment, Eddie falls into the greatest betrayal his brain has ever laid out for him, imagining that he might have got to see Buck like this for the first time from the other end of the aisle if he'd just been brave enough to—

"I think he meant you, kid," Eddie teases as he drops their suits to the couch. He widens his stance, so Jee can run through his legs and evade another of Chimney's grab attempts, then he ruffles Christopher's curls as a steadying act before he's suddenly in front of Buck. And he tries not to think about the pathway cleared through the living room by Jee's chase, or the fact that they're under the archway between the kitchen and the dining table, or the knowledge that Bobby is an ordained officiant where he stands behind them. "Hey, Buck," he says softly, smiling genuinely now because this is Buck.

"Hey, Eds," Buck murmurs back, and it's the first time since they'd promised to have each other's backs that Eddie can't quite decipher the emotions making Buck's voice thick.

Eddie wraps him in a hug then, careful and detached as he can manage, but it's Buck in his arms, warm and alive and his for just a few more hours. He doesn't let himself hold Buck's hips like he used to before—before he'd realised why he'd wanted to hold Buck's hips so tightly—just splays his fingers over Buck's back and tries to focus on the soft cotton under his palms rather than the way Buck's temple rests so perfectly against his. Eddie stays there, for too long probably, fingers digging in too tight possibly, and squeezes his eyes shut when they start to water. He's clinging, and he tries not to think about how it feels a little like Buck is clinging to him too.

"Ah," Eddie huffs as he pulls away, taking two steps back just to be safe. He catches Maddie's eyes on him then, sadder than they should be for the happy tears she'd been crying just before he'd got here, and Eddie wonders if her big sister omniscience is working on him too. "Come on, Buckley. Got to make an honest man out of you sooner rather than later."

"Whilst we're on the topic," Chim intervenes, a wriggly Jee on his hips with two shoes on—finally. "Are we sure he should be wearing white?"

(OR: eddie gets trapped in a time loop on the day buck marries natalia)

@butchdiaz @danielsousa @shitouttabuck @alyxmastershipper @diazass @911-on-abc @folk-fae @stagefoureddiediaz @jeeyuns @piningeddiediaz @robsumagpie @athenagranted @prince-buck-diaz @eddiediaztho @carryingbears @ladydorian05 @made-ofmemories @sherlockcrossing @violet-rot @binickmiller @rainbow-nerdss @thatnamewill-probably-change @ducksbellorum @organizedstardust @mangacat201 @faggotjoness @sibylsleaves @kaseysgirl86-blog @daughter-of-winterfell @thisyearsloveisnow @goodiecornbread @wordsofdiana @thehumongouskargomice @xandromedan @acebuddie @girlnamedjesse @pirrusstuff @angstydiaz @haradrimculture @pinky-promisesss @starlingbite @dontneedmyheart @spaceprincessem @shortsighted-owl @buck2eddie @diazly

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[ghostsghoulsandhatboxes]

guys. im. theres more concept art from that old canceled HM cartoon (found by @poketheplatypus ty man)

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"...before we were informed that theme park rides were too valuable an IP to be wasted on animation."

raiding disney hq right now WHAT DO U MEAN WASTED ON ANIMATION THIS WOULDVE BEEN THE COOLEST THING EVER i am going to SCREAM

[skrunksthatwunk]

kuwabara suffering during ep 89 for 10 minutes gay thumbnail + alt that was too complicated for the youtube

[foibles-fables]

actual photo of me writing right now

[merrysithmas]

just putting it out there that im mad at these beatles movies for being revisionist and not gay enough 3 years in advance btw, calling dibs

[cannibalmetaphor]

well i have finished the terror

[nostalgia-tblr]

i have acted upon the aforementioned terrible idea

[incorrect-fnaf-quotes]

S!Glitchtrap used to be William in the Swap AU—and prior to the present, he was still Spring/Scraptrap, so he’d still gotten springlocked.

How it happened was simple—and was never caused by anyone. He was simply testing out the suit, when, uh-oh, he failed to realize something, and the springlocks went off.

It was worse than the first accidental one—but he still assumed that it’d be alright. S!Henry was around, and he figured his friend would help him out, like last time.

But he didn’t—and S!William was simply brought into one of the other rooms by S!Henry, and was then trapped in there.

The springlocking for him happens way earlier here—he loses Evan in October of 1983, Elizabeth in November of 1983—pretty close together, and then while other things are still occurring...

The last Springlock failure happens in January of 1984.

[no-i-will-not-post]

hi i'm not great at analysis or writing so this might be nonsense. and also i don't have any way to review the movie/certain scenes again so forgive i've misremembered something (and point it out please). but i've been possessed by this thought since i got back from the theater and i need to get it out of me or i'm gonna explode.

also spoilers for transformers one.

i cannot stop thinking about d-16's sticker.

like there were theories about why he already had the decepticon insignia/logo/whatever. i remember there was one where the theory was that the decepticons were straight up a separate race or maybe the decepticons already existed and d-16 would take them over or its a tattoo for some reason and so on and so forth. theorizing and such and whatever. and then it's just a sticker.

like. it's a sticker. it's a sticker of megatronus's head because megatronus is d-16's favorite. and he only has it because orion got it for him because orion knew megatronus is d-16's favorite and d-16 is orion's best friend. and it's a gift that makes d-16 happy and meant nothing more.

(in the world of transfomers one, i mean. we all know it means. but in the world of the movie it's just a sticker. it's literally merch.) and if i remember right orion literally physically puts it on d-16's shoulder for him. it means nothing!! d-16 wears it though the whole movie and it's! just a sticker! it's a decal!! of someone he looked up to! he could take it off anytime he wanted to !!!

and it means nothing until the end, when it abruptly becomes the symbol of the decepticons and of megatron and everything the autobots and optimus are/will stand against. it's just a sticker until sentinel literally carves it into his chest and it can't be taken off anymore! he can't take it off! it's literally a part of him!! it goes from just being a sticker and a gift (and maybe you could call it a symbol of friendship, too?) to being a literal scar. it cannot be undone. and he only has it because his best friend gave it to him. i need to lie down