Tell me why I have two active fics that I should be working on, but I decided to spend the past few hours writing the first 5k of an entirely different one...
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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......So originally I wanted to make just a sketch of the hug scene but mhmgkhllgkh here we are haha
Based on Mistakes on mistakes until
+ close ups of their eyes because I sprinkled them with the tiny extra details
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all i have left
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gentle touches
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Oddly enough one of the most meaningful/painful parts of I Saw the TV Glow was when Owen is sitting there, watching the old tapes, someone with a family and an adulthood (or so she tells us), however small and sad that life is, and she tells us how abjectly humiliated she is rewatching them. The cheesiness of the show, its stilted and childish plots, the bad acting and bad visuals and whatever else— Owen is humiliated to have been saved by this bad TV show. And regardless of the fact that I don’t think the Pink Opaque she watches is the actual Pink Opaque that saved her, it tunes into this fascinating and essential part of living dissociated from your actual life and restored/saved/rescued by media, which is the shame of living like this. Yes, this was the thing that helped me survive; it was awful and childish and embarrassing and I can’t believe I survived it, I can’t believe I got through this period with the help of this. It’s so easy, when your life is so small, to be ashamed of your lifelines: it’s so easy to survive and look back and be horrified at how pathetic (however untrue it may be) and pitiable you were, and then, in reaction to that blinding embarrassment, lash out at your former self, try to say how much you’ve moved on (because you’re better now, of course you’re better, you don’t need to be saved by anything, right?). You loved this? The reason you’re alive is because of this? How embarrassing. How sad.
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The "Sansa reminds Sandor of his sister" motive that some people try to hitch to his character really just flies in the face of his actual attachments to her, doesn't it? Sansa reminds Sandor of himself. He sees the little boy who used to love knights in this girl who's been swept up by the same romanticism. He sees his abuser in her abusers, the much larger knight(s) beating on the helpless child. He sees how she is betrayed by every level of authority that should have saved her and remembers his father's neglect and Tywin and Robert's apathy for Gregor's crimes. He's protective of Sansa because he was Sansa.
And GRRM's design, that one of the strongest warriors in the series, a fearsome and cynical 6'8" guy who's "muscled like a bull" and has the face of death itself, sees himself in this soft and effeminate teen girl, and empathizes with her because he was an abuse victim too, is INFINITELY more compelling than "Oh yeah I bet she just reminds him of his sister," who he's never mentioned and who we know literally nothing about. Way to unnecessarily water down a character, you couldn't have ignored the black and white text more efficiently if you tried.
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it frankly pisses me off that what is essentially “rapists and abusers should be depicted as monstrous caricatures because humanizing them is inappropriate” is considered a very moral and enlightened position to have on art by so many people. a rapist can feel pain, have moments of vulnerability, be amiable and charming, express remorse and compassion at times, be a victim themselves, and so on in real life. they are even capable of doing good things. they can have different sides to them and have individuals in their lives that they are kind to or have a decent relationship with. they will be a human being, and that fact encompasses a lot. conflating that with the claim that they are entitled to and deserve forgiveness or absolution is an issue. nurturing a mindset that believes they need to be one note and uncomplicated to be a correct and tasteful depiction of a rapist inadvertently falls in line with the logic of “how could they have possibly raped you? they are so normal and kind to me. they did all these good things here and there.” ok that doesn’t change that they are a rapist.
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my first experience reading orv
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Idea expanded, Rockstar Eddie falling head over heels for Bartender Steve working in a high class club type of joint. He sees him working one night and thinks God damn, he's hot. I'm taking him home tonight.
Except bartender Steve has developed a significant distaste for celebrities and rich people in general because of getting cut off from his homophobic parents for coming out and the general bad way many have treated him at work whilst sloshed. But lucky for Eddie, Steve doesn't recognize him. And even though he started off in a trailer park, the fame has gone to his head a little and he asks Steve out with the full intention of getting into his pants and never seeing him again.
But oh no, would you look at that Steve isn't easy. And what Eddie thought would be a booty call ends up being a ten hour date around the city where he has more fun than he even thought was possible. Just from talking with Steve about anything and everything, flitting to parks and museums. And Eddie doesn't even realize until he's back at his hotel that they didn't even kiss.
And they go out more and more, and Eddie likes him more and more and he finds out where the rich people hate comes from. And it scares him. So he keeps lying. Like an idiot. And he tells Steve a fake last name, he tells him a fake job (which is only half fake because he did used to be a tattoo artist) and he rents an air bnb that he pretends is his own place. And the lies keep getting more elaborate to cover up more lies. And he keeps refusing to meet Steve's friends out of fear that they'll recognize him. And he really just drove himself into a corner here because he is absolutely in love with Steve at this point but how the fuck can you have a normal relationship when you are pretending to be someone else?
Turns out you can't, and Steve finds out the truth despite his efforts. But the twist is, he thinks it's fucking hilarious. After a normal period of What the fuck reaction time he gets over it. But never let's Eddie live it down.
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6/27 Edit: Welp, now there's a fic.
Two fics actually. The other is by KikiZ on ao3 which is great if you're not looking for an explicit fic! Because mine will be. It's also a bit more introspective than what I got going on, and also thus far, hella romantic.
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hey, remember being 18 years old and playing mass effect for the first time and it's got this like intense aura of being very small and very insignificant in a very big, very empty galaxy? remember playing mass effect for the first time and everything all of this is so new and mysterious, and it's 2am and you're sitting in a dark room in the light from your tv and you're playing through feros for the first time and you feel that this is someting very old and very ancient and you are somewhere you shouldn't be and you don't know what's going to happen or where you're going but you keep on. there's a tingling in your stomach and you're playing mass effect for the first time. the thorian is a milennia old sentient plant being. the rachni queen is old and telepathic and a hive mind and in pain. sovereign is an ancient machine that has not been built but is, and has always been, and this is something so alien and so unlike and beyond anything your human mind can comprehend, and this is something unexplainable and huge and as uncaring and indifferent as the empty galaxy around you. you're playing mass effect for the first time and you're walking on the surface of an almost completely empty planet with nothing but your two companions silently walking beside you and everything is so huge and empty and silent and you're so small and insignificant and it's so beautiful and so scary and you feel like you are on a rollercoaster about to drop down. you are playing mass effect for the first time and you're playing the mission on the moon and you stop and just look up at earth visible in the sky. you know this. this is home. you are playing mass effect for the first time, and the galaxy is so big, and you are so tiny, and everything is about to change for you.
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ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:
i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???
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idk how i want to draw him yet and not ready to make a srs attempt but here's a bad kdj phone doodle lol🚶🏻
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yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.
phoenix wright
phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright
phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright
phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright
phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright
phoenix “i sure felt surprised. maybe i had my poker face on” wright
phoenix “looking back on it that was actually a pretty dark period in my life” wright
phoenix “don’t ask me how i got started. i don’t remember” wright
phoenix “only you stood still, your eyes calmly watching” wright
phoenix “sometimes, life just sucks” wright
just
phoenix wright
crunchiest man in the world
and all i wanna do is chew and chew and chew on him
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miscellaneous gideon related doodles ive been doing over the past few days bc my brainrot has set in and its unfortunately terminal. some things:
so ghost-eyes sticks around in gideons life, as do the other prison buddies of his. theyre actually a shockingly good influence. despite being willing to commit crimes whenever, they bring a sort of temperance to gideons more. insane thought processes that stops him from doing anything TOO horrible these days. ghost-eyes especially is his hench-uncle. hes a good egg
also some older gids doodles... he wasnt sure if the pines would ever want to hang out w him after the events of that summer but time smooths over some things. hes capable of being normal around her now but he'd be lying if he said he didnt still have a little flame in his heart when it came to mabel
also do you think he ever just remembers something he did as a kid and is like Hey What The Hell Was That About. because thats the funniest mental image to me. sitting up in bed and going 'ten years ago I made a giant robot'
what a life you live
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There is a platonic explanation for all this. Right?
[First] Prev <–-> Next
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