#cantor set

[4denthusiast]

"Average person discovers infinitely many infinities per year" factoid is actually just a statistical error. The average person discovers 0 infinities per year. Cantor Georg, who introduced the diagonal argument and discovered infinitely many infinities in 1891 alone, is an outlier and cannot be counted.

[the-sacred-beast]

It’s not a want. It’s a NEED

Please go support it man it’s so cool !!! And supporting it’s free !!!

❤️💙💛💚🩶

[number1tallyhallvanfan]

justin cornwall!!! with the band AND the van !!! :O

[m---a---x]

Welcome to the premier of One-Picture-Proof!

This is either going to be the first installment of a long running series or something I will never do again. (We'll see, don't know yet.)

Like the name suggests each iteration will showcase a theorem with its proof, all in one picture. I will provide preliminaries and definitions, as well as some execises so you can test your understanding. (Answers will be provided below the break.)

The goal is to ease people with some basic knowledge in mathematics into set theory, and its categorical approach specifically. While many of the theorems in this series will apply to topos theory in general, our main interest will be the topos Set. I will assume you are aware of the notations of commutative diagrams and some terminology. You will find each post to be very information dense, don't feel discouraged if you need some time on each diagram. When you have internalized everything mentioned in this post you have completed weeks worth of study from a variety of undergrad and grad courses. Try to work through the proof arrow by arrow, try out specific examples and it will become clear in retrospect.

Please feel free to submit your solutions and ask questions, I will try to clear up missunderstandings and it will help me designing further illustrations. (Of course you can just cheat, but where's the fun in that. Noone's here to judge you!)

Preliminaries and Definitions:

B^A is the exponential object, which contains all morphisms A→B. I comes equipped with the morphism eval. : A×(B^A)→B which can be thought of as evaluating an input-morphism pair (a,f)↦f(a).

The natural isomorphism curry sends a morphism X×A→B to the morphism X→B^A that partially evaluates it. (1×A≃A)

φ is just some morphism A→B^A.

Δ is the diagonal, which maps a↦(a,a).

1 is the terminal object, you can think of it as a single-point set.

We will start out with some introductory theorem, which many of you may already be familiar with. Here it is again, so you don't have to scroll all the way up:

Exercises:

What is the statement of the theorem?

Work through the proof, follow the arrows in the diagram, understand how it is composed.

What is the more popular name for this technique?

What are some applications of it? Work through those corollaries in the diagram.

Can the theorem be modified for epimorphisms? Why or why not?

For the advanced: What is the precise requirement on the category, such that we can perform this proof?

For the advanced: Can you alter the proof to lessen this requirement?

Bonus question: Can you see the Sicko face? Can you unsee it now?

Expand to see the solutions:

Solutions:

This is Lawvere's Fixed-Point Theorem. It states that, if there is a point-surjective morphism φ:A→B^A, then every endomorphism on B has a fixed point.

Good job! Nothing else to say here.

This is most commonly known as diagonalization, though many corollaries carry their own name. Usually it is stated in its contraposition: Given a fixed-point-less endomorphism on B there is no surjective morphism A→B^A.

Most famous is certainly Cantor's Diagonalization, which introduced the technique and founded the field of set theory. For this we work in the category of sets where morphisms are functions. Let A=ℕ and B=2={0,1}. Now the function 2→2, 0↦1, 1↦0 witnesses that there can not be a surjection ℕ→2^ℕ, and thus there is more than one infinite cardinal. Similarly it is also the prototypiacal proof of incompletness arguments, such as Gödels Incompleteness Theorem when applied to a Gödel-numbering, the Halting Problem when we enumerate all programs (more generally Rice's Theorem), Russells Paradox, the Liar Paradox and Tarski's Non-Defineability of Truth when we enumerate definable formulas or Curry's Paradox which shows lambda calculus is incompatible with the implication symbol (minimal logic) as well as many many more. As in the proof for Curry's Paradox it can be used to construct a fixed-point combinator. It also is the basis for forcing but this will be discussed in detail at a later date.

If we were to replace point-surjective with epimorphism the theorem would no longer hold for general categories. (Of course in Set the epimorphisms are exactly the surjective functions.) The standard counterexample is somewhat technical and uses an epimorphism ℕ→S^ℕ in the category of compactly generated Hausdorff spaces. This either made it very obvious to you or not at all. Either way, don't linger on this for too long. (Maybe in future installments we will talk about Polish spaces, then you may want to look at this again.) If you really want to you can read more in the nLab page mentioned below.

This proof requires our category to be cartesian closed. This means that it has all finite products and gives us some "meta knowledge", called closed monoidal structure, to work with exponentials.

Yanofsky's theorem is a slight generalization. It combines our proof steps where we use the closed monoidal structure such that we only use finite products by pre-evaluating everything. But this in turn requires us to introduce a corresponding technicallity to the statement of the theorem which makes working with it much more cumbersome. So it is worth keeping in the back of your mind that it exists, but usually you want to be working with Lawvere's version.

Yes you can. No, you will never be able to look at this diagram the same way again.

We see that Lawvere's Theorem forms the foundation of foundational mathematics and logic, appears everywhere and is (imo) its most important theorem. Hence why I thought it a good pick to kick of this series.

If you want to read more, the nLab page expands on some of the only tangentially mentioned topics, but in my opinion this suprisingly beginner friendly paper by Yanofsky is the best way to read about the topic.

[jazpers-vampyr-kronikkerz]

✰JOE HAWLEY✰

‘ ℝ𝕖𝕕, 𝕥𝕙𝕖 𝕡𝕣𝕠𝕦𝕕 𝕝𝕠𝕦𝕕 𝕘𝕦𝕪 𝕨𝕖 𝕒𝕕𝕠𝕣𝕖 ‘

••••••••••••••••••••••••••

• RED TIE !

• RHYTHM GUITARIST !

• VOCALIST !

✰ROB CANTOR✰

‘ ʏᴇʟʟᴏᴡ ᴛɪᴇ, ᴛʜɪꜱ ꜱᴜᴀᴠᴇ ꜰᴇʟʟᴏᴡ ᴡʀɪᴛᴇꜱ ʜᴇᴛᴇʀᴏᴘʜᴏɴɪᴄ ᴛᴜɴᴇꜱ ᴏꜰ ʜᴏᴡ ʟᴏᴠᴇ ʙɪᴛᴇꜱ ‘

••••••••••••••••••••••••••

• YELLOW TIE !

• GUITARIST !

• VOCALIST !

• CO-WRITER !

✰ANDREW HOROWITZ✰

‘ 𝗦𝗲𝗻𝗱 𝗵𝗼𝗺𝗲 𝘁𝗵𝗲 𝗹𝗼𝗰𝗸𝘀𝗺𝗶𝘁𝗵, 𝗚𝗿𝗲𝗲𝗻'𝘀 𝗴𝗼𝘁 𝗸𝗲𝘆𝘀 𝘁𝗼 𝘂𝗻𝗹𝗼𝗰𝗸 𝘁𝗵𝗲 𝗿𝗼𝗰𝗸 𝗶𝗻 𝘁𝗵𝗲 𝗮𝗰𝘁 𝗶𝗳 𝘆𝗼𝘂 𝗽𝗹𝗲𝗮𝘀𝗲 ‘

••••••••••••••••••••••••••

• GREEN TIE !

• KEYBOARDIST !

• SONGWRITER !

✰ZUBIN SEDGHI✰

‘ 𝒩𝑜𝓌 𝑜𝓅𝑒𝓃 𝓉𝒽𝑒 𝒸𝒶𝓈𝑒, 𝑔𝒾𝓋𝑒 𝐵𝓁𝓊𝑒 𝓉𝒽𝑒 𝒷𝒶𝓈𝓈 ‘

••••••••••••••••••••••••••

• BLUE TIE !

• BASSIST !

• VOCALIST !

✰ROSS FEDERMAN✰

‘ 𝚂𝚘 𝙶𝚛𝚎𝚢 𝚒𝚗 𝚝𝚑𝚎 𝚋𝚊𝚌𝚔, 𝚜𝚒𝚙𝚙𝚒𝚗' '𝚐𝚗𝚊𝚌 𝚌𝚊𝚗 𝚑𝚎𝚊𝚛 ‘

••••••••••••••••••••••••••

• GREY TIE !

• DRUMMER !

[thats-cantorintuitive]

yep, very me :)

[fuck-you-upmusicbracket]

Shia Labeof (Rob Cantor)

You’re walking in the woods/There’s no one around and your phone is dead/Out of the corner of your eye you spot him/Shia LaBeouf!

"Like actually. I can’t really explain it but from the first time I heard it I’ve genuinely adored it. Most of that is because how absolutely bizarre the lyrics are, but never discount the drama of watching the production level in the video keep going up. Like that whisper kid, and the dancers. And then Shia actually there? Only one in the audience? The person who came up with this is mind boggling. And to get Shia onboard? This would not happen with probably any one else."

Poll Runner: First heard this onw when I was a kid and had no idea who Shia was... I still don't but it's still such a fun weird song.

Freak Show (Set It Off)

I am circus freak/Cut out my heart, cut out my heart/Loveless and watch me bleed/Tear me apart, tear me apart/I've lost myself in make believe/I dont want to go, I dont want to go, make me/Over and over I've deceived/You want reform? I can conform/Cuz I cant take any more of your tainted bliss

"Its just really personal and I can connect to the lyrics on that first bit I typed since om aromantic. It also jus t has a really noce sound to it"

Poll Runner: It's a song about feeling left out, an outcast, but its so wonderfully angry and resentful and powerful rather than sad. One of my favourite Set it Off songs - it fucks HARD.

[omegaphilosophia]

The Philosophy of Set Theory

The philosophy of set theory explores the foundational aspects of set theory, a branch of mathematical logic that deals with the concept of a "set," which is essentially a collection of distinct objects, considered as an object in its own right. Set theory forms the basis for much of modern mathematics and has significant implications for logic, philosophy, and the foundations of mathematics.

Key Concepts in the Philosophy of Set Theory:

Definition of Set Theory:

Basic Concepts: Set theory studies sets, which are collections of objects, called elements or members. These objects can be anything—numbers, symbols, other sets, etc. A set is usually denoted by curly brackets, such as {a, b, c}, where "a," "b," and "c" are elements of the set.

Types of Sets: Sets can be finite, with a limited number of elements, or infinite. They can also be empty (the empty set, denoted by ∅), or they can contain other sets as elements (e.g., {{a}, {b, c}}).

Philosophical Foundations:

Naive vs. Axiomatic Set Theory:

Naive Set Theory: In its original form, set theory was developed naively, where sets were treated intuitively without strict formalization. However, this led to paradoxes, such as Russell's paradox, where the set of all sets that do not contain themselves both must and must not contain itself.

Axiomatic Set Theory: In response to these paradoxes, mathematicians developed axiomatic set theory, notably the Zermelo-Fraenkel set theory (ZF) and Zermelo-Fraenkel set theory with the Axiom of Choice (ZFC). These formal systems use a set of axioms to avoid paradoxes and provide a rigorous foundation for set theory.

Set Theory and the Foundations of Mathematics:

Role in Mathematics: Set theory serves as the foundational framework for nearly all of modern mathematics. Concepts like numbers, functions, and spaces are all defined in terms of sets, making set theory the language in which most of mathematics is expressed.

Mathematical Platonism: The philosophy of set theory often intersects with debates in mathematical Platonism, which posits that mathematical objects, including sets, exist independently of human thought. Set theory, from this perspective, uncovers truths about a realm of abstract entities.

Philosophical Issues and Paradoxes:

Russell's Paradox: This paradox highlights the problems of naive set theory by considering the set of all sets that do not contain themselves. If such a set exists, it both must and must not contain itself, leading to a contradiction. This paradox motivated the development of axiomatic systems.

Continuum Hypothesis: One of the most famous problems in set theory is the Continuum Hypothesis, which concerns the possible sizes of infinite sets, particularly whether there is a set size between that of the integers and the real numbers. The hypothesis is independent of the ZFC axioms, meaning it can neither be proven nor disproven within this system.

Axioms of Set Theory:

Zermelo-Fraenkel Axioms (ZF): These axioms form the basis of modern set theory, providing a formal foundation that avoids the paradoxes of naive set theory. The axioms include principles like the Axiom of Extensionality (two sets are equal if they have the same elements) and the Axiom of Regularity (no set is a member of itself).

Axiom of Choice (AC): This controversial axiom asserts that for any set of non-empty sets, there exists a function (a choice function) that selects exactly one element from each set. While widely accepted, it has led to some counterintuitive results, like the Banach-Tarski Paradox, which shows that a sphere can be divided and reassembled into two identical spheres.

Infinity in Set Theory:

Finite vs. Infinite Sets: Set theory formally distinguishes between finite and infinite sets. The concept of infinity in set theory is rich and multifaceted, involving various sizes or "cardinalities" of infinite sets.

Cantor’s Theorem: Georg Cantor, the founder of set theory, demonstrated that not all infinities are equal. For example, the set of real numbers (the continuum) has a greater cardinality than the set of natural numbers, even though both are infinite.

Philosophical Debates:

Set-Theoretic Pluralism: Some philosophers advocate for pluralism in set theory, where multiple, possibly conflicting, set theories are considered valid. This contrasts with the traditional view that there is a single, correct set theory.

Constructivism vs. Platonism: In the philosophy of mathematics, constructivists argue that mathematical objects, including sets, only exist insofar as they can be explicitly constructed, while Platonists hold that sets exist independently of our knowledge or constructions.

Applications Beyond Mathematics:

Set Theory in Logic: Set theory is foundational not only to mathematics but also to formal logic, where it provides a framework for understanding and manipulating logical structures.

Philosophy of Language: In philosophy of language, set theory underlies the formal semantics of natural languages, helping to model meaning and reference in precise terms.

The philosophy of set theory is a rich field that explores the foundational principles underlying modern mathematics and logic. It engages with deep philosophical questions about the nature of mathematical objects, the concept of infinity, and the limits of formal systems. Through its rigorous structure, set theory not only provides the bedrock for much of mathematics but also offers insights into the nature of abstraction, existence, and truth in the mathematical realm.

[furresquid]

SO THE TALLY HALL PLUSHIES ARE REAL?!?!?!

SEPTEMBER 8TH

[highlyentropicmind]

Friend: Most sets have more than infinity elements! Me: Actually, most sets have less than infinity elements, it's just that Sets Georg made a few sets with more than infinity elements, and it skews the average

[redsediment]

Did you know that when Cantor discovered that some infinities are bigger than other infinities, he wondered what it would mean for God to count? Did you know he was hated not only by logicians and philosophers, but even by theologians, claiming that his ideas of infinity were blasphemous?

did you know they say calculus is the language of God. did you know they tried to hold math up to infinity like a candle to the void. did you know statisticians plunged into the vastness of random chance and picked out patterns and equations and eight hundred ways to tell you how big your inevitable errors are and how far off those guesses at errors might be. math haters I can't sit with you anymore. human innovation is cradled in these ancient, methodical, desperate attempts at understanding what we are not designed to understand

[0-0-0-0-0-0-0-0-0-0-0-00000]

[cleverusername01]

making an aaracokra mathematician for my new dnd campaign his name is aarith metic and he was integral in proving the condor metic birdstein theorem

[thats-cantorintuitive]

cantor's set is honestly one of the best things in this universe, I love it so much

[cameronsbabydoll]

how rich RICH are Jewish!rafe and Jewish!reader??

what do they do.... NEED THAT

oh babe. they are so rich it’s actually disrespectful.

we’re talking old money meets new money — trust funds on both sides, family homes in the hamptons and palm beach, and enough assets in diamonds and art alone to fund a small country club’s renovation.

here’s the breakdown:

jewish!rafe:

finance king. obviously. his family has money, but he made even more on his own.

hedge fund, private equity, generational wealth kind of vibe. owns part of the firm now. smirks when he reads the forbes 30 under 30 list like it’s amateur hour.

still drives the g-wagon like it’s a civic.

casually wears patek philippe and tom ford suits like they're nothing. his socks cost more than your rent.

has a guy for everything. valet, dry cleaning, vintage watches, impossible-to-reserve dinner spots. you don’t even lift a finger—he’s already handled it.

jewish!reader:

the whole jewish american princess. born and raised in the bubble.

dad’s in real estate or law. mom hosts charity luncheons. went to a private jewish day school that cost as much as college.

got a degree in something like art history or fashion merchandising but didn’t really need to work. rafe would rather die than let you stress.

full-time mom / full-time socialite. shabbat dinner always catered. skincare always medical-grade. if you didn’t spend 3k at bergdorf’s this week, are you even okay?

she doesn’t have a job, but she has obligations. hair appointments. charity brunches. soulcycle with the girls. booking the hamptons chef. calling rafe crying because a teenager scratched her car at erewhon.

their lifestyle:

primary residence: a penthouse on the upper east side. floor-to-ceiling windows. a terrace with a sukkah in the fall. private elevator. doorman knows everything.

summer: hamptons house with a pool, live-in housekeeper, and a weekly challah delivery.

winter break: palm beach. oceanfront. tennis, spa, matching linen sets.

they host a fundraiser every year with a famous cantor singing and real celebs in attendance. rafe hates it but looks hot in a tux, so whatever.

they are, simply put: disgustingly rich, very jewish, very hot, and madly obsessed with each other.

[confessioncassette]

𝐒𝐩𝐞𝐜𝐭𝐚𝐜𝐥𝐞 - 𝐀𝐥𝐚𝐬𝐭𝐨𝐫 𝐱 𝐑𝐞𝐚𝐝𝐞𝐫 𝐃𝐫𝐚𝐛𝐛𝐥𝐞

minors do not interact. 18+

II - “I want everyone to see you.” 

IX - “Look at you, squirming around like that. Pathetic.” 

(regarding this post)

summary : you play a joke on Alastor and it backfires

tw : nsfw, DUBCON (consent is not voiced, Alastor owns readers soul already), public (shaming? humiliation), degradation, fingering, yandere themes - PLEASE HEED THE WARNINGS.

“Don’t act all shy now, my dear. Remember who started all this?”

You could try and act that this wasn’t your fault, having your body pressed against the cold glass forced to overlook the city of Pride below you, but you’d be lying. Alastor’s temper has put you in a rather sour mood lately, so why not have a little fun to ease the tension? Owning your soul was one thing, but the demon always took it to another level. Maybe it was pride. Maybe it was because he has an aggressive case of power control. Who the fuck knows, but, like when all things come to a head, it was time for you to mess around in your own way.

You’ve filed through every harmless prank you could think of this week. It was time for the arrogant bastard to choke, just like the sickly cherry flavored syrup on silver spoon he’d been forcing down your throat since you’ve become a pet on his chain. It was supposed to be all in good fun, obviously for your own gain, to do the one thing you knew was off limits.

Now, you know the demon has a particular short temper, but you never thought that it would lead you to this.

“Out of all the things your little mind could come up with,” Alastor’s voice drawls close by your ear, “you decide to interrupt my show.”

You knew that poking the bear was a dangerous act, but what’s the fun in that? Alastor always wedged his way into your life, finding the most ridiculous tasks to give you at any time of the day. Day after day, he silently weasels his way into your life, appearing out of thin air like a fox sneaking into the henhouse- which is ironic considering his looks. He always makes himself visible, appearing around every corner, every meeting, every dinner- smiling like he’s got the upper hand, just to spite you. Your cup was surely overflowing, it was only a matter of time for that last straw to set you over the edge.

“Did you forget who owns you?”

The jaunty song playing over the radio fades out, clearing the air within the studio. Condensation from your breath fans over the window as you remain still, awaiting his next move. Maybe he’ll continue his show as normal and save your punishment for later in the sake of his beloved hobby… you could only hope.

The air is thick and the hairs of your neck prick your skin. Vermillion eyes intensely gaze at the back of your head, swimming with so much disgust and scrutiny that it almost feels physically invasive.

Subtle static of a record fills the broadcasts’ dead air.

After what feels like an eternity, Alastor finally moves to reach for the microphone, all while keeping a firm grip on the nape of your neck to keep you pinned. Your cheeks burn numb from the cold, and you swallow, quickly coming to the realization that this little joke you’ve played was a huge mistake.

Alastor wasn’t in the mood for silly games, nor was he ever, but with the way his eye twitched and lips curled into a sinister smile when you hid under his desk to unplug his microphone mid-show… you guess you didn’t really think it through.

“Welcome back, dear listeners! I apologize for being cut short earlier, I had a little mouse in my studio. Though I hope you enjoyed Eddie Cantor in his infamous song ‘Makin’ Whoopie’ as you waited!” Alastor laughs lightheartedly before setting the microphone up on a small stand. In the next millisecond, both of Alastor’s hands were below your waist to roughly rip your panties down over your thighs and flip your skirt over your ass in one swift motion.

Alastor’s reflection in the window showed his eerily calm composure, his gaze downcast, focusing on himself as he slides off his gloves, tossing them carelessly to the floor before loosening his bow tie.

“We’ve had a change of plans. You see, I’ve caught this little mouse and I haven’t a clue what to do with the poor thing.”

Polished red tipped shoes kick your feet further apart, as one clawed hand curls around your waist while the other that held your neck travels downward; a single finger trailing slowly over your spine. The scratch sends a chill down your back and flares your instinctive fight or flight response. It’s funny, the cool glass shivered you to the bone, but that clawed finger branded your skin.

“Your heartbeat,” Alastor growls, “I can feel the vibrations. Is this poor little mouse scared?”

Indeed you are. Your blood rattles under your skin and your breath shakes unsteadily within your ears. With his prey caught in a trap, paralyzed in fear and eyes blown wide, he savors the moment.

So pretty - to have you still for once.

“If you think moving right now will get you out of this situation, you’re in for it. Stay put,” he warns in a lowly, pessimistic tone.

In a split second, like you’re not even there, Alastor continues to talk to his listeners.

“Now! Let’s give a little lesson, shall we? When a little joke goes too far, what should you do?” He pauses for a beat like he’s waiting for his audience to answer through the speakers, “that’s right, punishment. And what is the best way to punish someone?”

A hand spreads your ass apart, and roughly at that, sharp fingernails threaten to break the soft flesh. You whimper, but not too loud. Avoiding your gaze to the city below you, you opt to close your eyes. Alastor’s floor to ceiling windows give the illusion of standing on the edge of a cliff. You pray to whatever god would hear you in the depths of Hell that it doesn’t crack under the pressure, and your stomach blanches at the feeling.

“Humiliation.”

Two long, thick fingers force their way into your hole and you arch slightly at the intrusion.

“Humiliation is the best way to teach someone that their acts have consequences. If one is humbled enough, they’ll never do it again.” The end of that sentence was filled with static, his voice a demonic growl. Lights flicker all around you in the studio, the knobs of his ancient electronic equipment going haywire.

“Alastor, please I’m sorry!” You whimper the best you could, lips squished against the window and all.

The demon tuts, then lowers his voice to speak directly to you. “You got yourself in this mess, little girl. It’s only right that I correct your insane behavior.”

“Shut up if you know what’s good for you.” Alastor adds.

The long fingers that fill your hole now begin to move at a medium pace. Your own slick coats him in one, two, three steady pumps. The sound of your wetness begins to fill the air along with the radio static as he grinds the palm of his hand into your clit, forcing the sounds from your hole to amplify.

You roll your head backwards, lolling your mouth open in a silent scream. Your eyebrows furrow with his ministrations, and fuck, does it feel good. You would have never thought that the prude demon would have this in him, to pleasure so well…

“Look at you, squirming around like that. Pathetic.”

Sharp teeth scrape the tenderness of your neck before gently biting down, forcing a half shocked scream of pleasure. But you don’t dare say anything, not when it feels this good, not when you’re confused from it all.

Where did this come from? Surely this wasn’t just from the prank you pulled. No, this passion is deeper. This comes from…

Alastor’s smile creeps wide, eyes glimmering with delight as he reads every expression of your face, your body, you scent, your heart beating like a little rabbit. It’s only fair he’d let you know now that this was the final push before all hell broke loose. He just needed a reason to bend you over the table to properly exercise the pent up emotions. A good reason other than he owned you, because for him, that’s not entertainment.

“Ah,” Alastor sighs, “seems like this little mouse is enjoying her punishment. Come on, dear, let everyone hear your little moans of pleasure.”

You let a groan slip past your lips, sultry and smooth as Alastor curls his fingers deep into your cunt, dragging the pad of fingertips along your sweet spot. Breathless and dazed, your moans sing a sweet melody to his ears.

“Do you like this? Do you like being my little pet?” The hand over your hip guides you to hump back into him, meeting his knuckles deep inside you. Squelching fills your ears, and this earns a groan from the demon behind you, his voice vibrating your backside.

Alastor contemplates conjuring his chains around your neck, but what’s the fun in that? He already has you trapped, compliant.

“So helpless, don’t worry,” He tuts, ears pinning back as he enjoys the way your walls squeeze tightly around him.

In the heart of the Pride ring, where most channels are broadcasted, all TVs are switched off in an instant. Sounds of your pleasure ring through every street and alleyway, catching the attention of all who dwell here.

“So pathetic, fucking yourself on my hand. I can feel you leaking all over me, squeezing me… Do you want more?” Alastor’s tone is degrading. You’ve never heard him like this before. He was the master at come backs and shit talking without aggressiveness, so this comes as a shock. Maybe this was who he was behind it all. Maybe his own feverish emotions override it all. The power trip you have known to know was way worse when it meant you’re completely at his mercy.

“That pretty little face, you don’t even care that you’re exposed for all of Pride to see, do you? You want people to see that you’re mine? You like being controlled?”

This time, that hand that rests on your hip, travels forward and down to your little bud.

You fuck back into him fully now, a burning fire grows deep in your belly. With every thrust, you’re either met with his fingers knuckle deep, curling at your gummy walls, or forward into the pad of his fingers swirling wet circles at your clit. You can’t control the feeling, your body acts as if you’re a rabid animal, desperate for release. Your walls tighten around him, and your body grows hot, your mind drifting away… away… away for that string to snap.

Alastor pauses.

You let out a breath you didn’t think you were holding, tears swell hot in your eyes. You blink, wetness catching your lashes, but again, you don’t dare make a sound. You don’t dare tell him your disappointment.

He might not even let you finish if you did.

So you remain good, in hopes that he’ll continue.

“This doesn’t seem like a punishment, does it?” He chimes before amplifying his voice to the microphone.

“Beloved listeners, you all know that I reside here at the Hazbin Hotel.”

Your eyes shoot open and you blanch at the thought. You know where this is going.

“No,” you whisper, meeting crimson eyes in the reflection of the window.

“Hmm?” Alastor taunts, his head tilting to the side, ears twitching as he does.

In one breath, the demon ignores your pleading eyes.

“This pest has had me at my wits end lately. I’ve been dying to properly dispose of it. I encourage whoever is listening, if you have free time, to stop by the hotel and see a show.”

Your knees buckle and once Alastor was done, he began pumping his slender fingers deep inside you once again.

“You’re going to be a spectacle.” His voice low and right outside your ear.

“I want everyone to see you. I want everyone to see you unravel in my hands. Only then will you know who you belong to. -

Only then, everyone will know who you belong to.”