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#clasps
upennmanuscripts · 2 years
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Our next #SIMSSeries is Ms. Codex 236, an early 13th century French Vulgate Bible with prologues by Jerome. It's bound in an 18th-century French brown morocco binding with clasps. Especially notable for its blue, green, and red penwork initials.
Online: bit.ly/3cwmDLp
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foxstonejewelry · 7 months
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Clasp details ✨ necklaces available in my shop!
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gogmstuff · 2 years
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Lady in a silver dress by the circle of Sir Peter Lely (Dreweatts - 26May22 auction Lot 29). From invaluable.com-auction-lot-circle-of-sir-peter-lely-british-1618-1680-portra-c-68e4df7b01 2726X3505 @150 1.6Mj. Removed spots with Photoshop.
ca. 1665 Anne, Philadelphia, and Thomas Wharton attributed to Joan Carlile (Dreawatts 26May22 auction Lot 35). Removed navigation marks & spots w P'shop 3876X3434 @150 2.8Mj.
"1690" Called Pauline de Grignan, Marquise de Simiane en Diane chasseresse attributed to Jean Nocret (location ?). From tumblr.com/blog/view/hildegardavon/681437354612948992; enlarged to fit screen 1178X1400 @72 578kj.
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kolibribeads · 5 days
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Save 5% on our stainless steel crimp ends click on the image to see the items.
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kamaltradingusa · 1 month
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Keep your jewelry secure while adding to its appearance - only with Kamal Trading gold filled clasps. Contact us now! For More Info: Visit us: https://kamaltrading.com/shopdisplaycategories.asp?id=1180&cat=Gold+Filled+Clasps Email: [email protected] Call Now: (800) 260-0567
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cemeterything · 3 months
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i have an angel and a devil on my shoulder and also a third other guy who looks just like my dad. i try not to look at him but i know he's there.
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nowoolallowed · 2 months
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Motto Clasp of Sithathoryunet
Inventory Number: 16.1.16 Middle Kingdom, Dynasty 12, ca. 1887–1813 B.C. Location Information: From Egypt, Fayum Entrance Area, Lahun, Tomb of Sithathoryunet (BSA Tomb 8), Chamber E, box 4, BSAE excavations 1914
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sunnetherlands · 4 months
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https://www.sunenterprises.eu/en/blog/post/unlocking-elegance-explore-sun-enterprises-exquisite-jewelry-clasps-collection/
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lordgodjehovahsway · 5 months
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Exodus 36: Moses Allows Bezalel, Oholiab, and Their Skilled Workers to Get Started on God's Sanctuary
1 So Bezalel, Oholiab and every skilled person to whom the Lord has given skill and ability to know how to carry out all the work of constructing the sanctuary are to do the work just as the Lord has commanded.”
2 Then Moses summoned Bezalel and Oholiab and every skilled person to whom the Lord had given ability and who was willing to come and do the work. 
3 They received from Moses all the offerings the Israelites had brought to carry out the work of constructing the sanctuary. And the people continued to bring freewill offerings morning after morning. 
4 So all the skilled workers who were doing all the work on the sanctuary left what they were doing 
5 and said to Moses, “The people are bringing more than enough for doing the work the Lord commanded to be done.”
6 Then Moses gave an order and they sent this word throughout the camp: “No man or woman is to make anything else as an offering for the sanctuary.” And so the people were restrained from bringing more, 
7 because what they already had was more than enough to do all the work.
The Tabernacle
8 All those who were skilled among the workers made the tabernacle with ten curtains of finely twisted linen and blue, purple and scarlet yarn, with cherubim woven into them by expert hands. 
9 All the curtains were the same size—twenty-eight cubits long and four cubits wide. 
10 They joined five of the curtains together and did the same with the other five. 
11 Then they made loops of blue material along the edge of the end curtain in one set, and the same was done with the end curtain in the other set. 
12 They also made fifty loops on one curtain and fifty loops on the end curtain of the other set, with the loops opposite each other. 
13 Then they made fifty gold clasps and used them to fasten the two sets of curtains together so that the tabernacle was a unit.
14 They made curtains of goat hair for the tent over the tabernacle—eleven altogether. 
15 All eleven curtains were the same size—thirty cubits long and four cubits wide. 
16 They joined five of the curtains into one set and the other six into another set. 
17 Then they made fifty loops along the edge of the end curtain in one set and also along the edge of the end curtain in the other set. 
18 They made fifty bronze clasps to fasten the tent together as a unit. 
19 Then they made for the tent a covering of ram skins dyed red, and over that a covering of the other durable leather.
20 They made upright frames of acacia wood for the tabernacle. 
21 Each frame was ten cubits long and a cubit and a half wide, 
22 with two projections set parallel to each other. They made all the frames of the tabernacle in this way. 
23 They made twenty frames for the south side of the tabernacle 
24 and made forty silver bases to go under them—two bases for each frame, one under each projection. 
25 For the other side, the north side of the tabernacle, they made twenty frames 
26 and forty silver bases—two under each frame. 
27 They made six frames for the far end, that is, the west end of the tabernacle, 
28 and two frames were made for the corners of the tabernacle at the far end. 
29 At these two corners the frames were double from the bottom all the way to the top and fitted into a single ring; both were made alike. 
30 So there were eight frames and sixteen silver bases—two under each frame.
31 They also made crossbars of acacia wood: five for the frames on one side of the tabernacle, 
32 five for those on the other side, and five for the frames on the west, at the far end of the tabernacle. 
33 They made the center crossbar so that it extended from end to end at the middle of the frames. 
34 They overlaid the frames with gold and made gold rings to hold the crossbars. They also overlaid the crossbars with gold.
35 They made the curtain of blue, purple and scarlet yarn and finely twisted linen, with cherubim woven into it by a skilled worker. 
36 They made four posts of acacia wood for it and overlaid them with gold. They made gold hooks for them and cast their four silver bases. 
37 For the entrance to the tent they made a curtain of blue, purple and scarlet yarn and finely twisted linen—the work of an embroiderer; 
38 and they made five posts with hooks for them. They overlaid the tops of the posts and their bands with gold and made their five bases of bronze.
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benavijewels · 8 months
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"Clasping Your Style: A Spectrum of Chic Closures. 🔗✨ "
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tanadrin · 6 months
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the fact that the israeli construction industry was dependent on cheap palestinian labor and is currently at a standstill is one of those facts that learning it just makes you want to scream in frustration. there isn't any especially unique historical circumstance at work here. it's all always the same material incentives all the way down, for which the ideological justification (whatever its origin) is now just a fig leaf for a profitable status quo.
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jhoneaaccessories · 11 months
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CREAM PU LEATHER IMITATION HORN TOGGLE COAT CLOSURE
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kabukiaku · 2 months
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and what if i wanted omega to be baptized by terzo huh? what then? I'm so delusional for them.
bonus doodle:
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omega wants in on the fun too! bless him.
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beadbrothers · 1 year
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nowoolallowed · 2 months
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Motto Clasp of Sithathoryunet - Met Museum Collection
Inventory Number: 16.1.17 Middle Kingdom, Dynasty 12, ca. 1887–1813 B.C. Location Information: From Egypt, Fayum Entrance Area, Lahun, Tomb of Sithathoryunet (BSA Tomb 8), Chamber E, box 1, BSAE excavations 1914
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sunnetherlands · 1 year
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