Best Picture
“All Quiet on the Western Front”
“Avatar: The Way of Water”
“The Banshees of Inisherin”
“Elvis”
“Everything Everywhere All at Once”
“The Fabelmans”
“TÁR”
“Top Gun: Maverick”
“Triangle of Sadness”
“Women Talking”
Best Director
Martin McDonagh (“The Banshees of Inisherin”)
Dan Kwan and Daniel Scheinert (“Everything Everywhere All at Once”)
Steven Spielberg (“The Fabelmans”)
Todd Field (“TÁR”)
Ruben Östlund (“Triangle of Sadness”)
Best Actress
Cate Blanchett (“TÁR”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”)
Best Actor
Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”)
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)
Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Stephanie Hsu (“Everything Everywhere All at Once”)
Jamie Lee Curtis (“Everything Everywhere All at Once”)
Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”)
Best International Feature Film
“All Quiet on the Western Front” (Edward Berger, Germany)
“Argentina, 1985” (Santiago Mitre, Argentina)
“Close” (Lukas Dhont, Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)
Best Adapted Screenplay
Edward Berger, Ian Stokell, and Lesley Paterson (“All Quiet on the Western Front”)
Rian Johnson (“Glass Onion: A Knives Out Mystery”)
Kazuo Ishiguro (“Living”)
Ehren Kruger, Christopher McQuarrie, and Eric Warren Singer (“Top Gun: Maverick”)
Sarah Polley (“Women Talking”)
Best Original Screenplay
Daniel Kwan and Daniel Scheinert (“Everything Everywhere All at Once”)
Todd Field (“TÁR”)
Tony Kushner and Steven Spielberg (“The Fabelmans”)
Martin McDonagh (“The Banshees of Inisherin”)
Ruben Östlund (“Triangle of Sadness”)
Best Animated Feature
“Guillermo del Toro’s Pinocchio” (ShadowMachine/Netflix)
“Marcel the Shell with Shoes On” (A24)
“Turning Red” (Pixar/Disney)
“Puss in Boots: The Last Wish” (DreamWorks/Universal)
“The Sea Beast” (Netflix)
Best Cinematography
James Friend (“All Quiet on the Western Front”)
Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”)
Mandy Walker (“Elvis”)
Roger Deakins (“Empire of Light”)
Florian Hoffmeister (“Tár”)
Best Visual Effects
“Avatar: The Way of Water” (20th Century/Disney)
“All Quiet on the Western Front” (Netflix)
“The Batman” (Warner Bros.)
“Black Panther: Wakanda Forever” (Disney/Marvel)
“Top Gun: Maverick” (Paramount)
Best Editing
“Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24)
“Top Gun: Maverick” (Paramount)
“TÁR” (Focus Features)
“The Banshees of Inisherin” (Searchlight Pictures)
Best Production Design
“Avatar: The Way of Water” (20th Century Studios/Disney)
“All Quiet on the Western Front” (Netflix)
“Babylon” (Paramount)
“Elvis” (Warner Bros.)
“The Fabelmans” (Universal)
Best Makeup and Hairstyling
“Elvis” (Warner Bros.)
“The Batman” (Warner Bros.)
“Black Panther: Wakanda Forever” (Marvel/Disney)
“All Quiet on the Western Front” (Netflix)
“The Whale” (A24)
Best Costume Design
“Elvis” (Warner Bros.)
“Black Panther: Wakanda Forever” (Marvel/Disney)
“Everything Everywhere All at Once” (A24)
“Babylon” (Paramount)
“Mrs. Harris Goes to Paris” (Focus Features)
Best Sound
“Top Gun: Maverick” (Paramount)
“Elvis” (Warner Bros.)
“Avatar: The Way of Water” (20th Century/Disney)
“All Quiet on the Western Front” (Netflix)
“The Batman” (Warner Bros.)
Best Original Song
“Hold My Hand” — Lady Gaga (“Top Gun: Maverick”)
“Lift Me Up”— Rihanna (“Black Panther: Wakanda Forever”)
“Naatu Naatu”— Kaala Bhairava, M.M. Keeravani, and Rahul Sipligunj (“RRR”)
“Applause”— Diane Warren (“Tell It Like a Woman”)
“This Is a Life”— David Byrne, Ryan Lott, and Mitski (“Everything Everywhere All at Once”)
Best Original Score
Justin Hurwitz (“Babylon”)
John Williams (“The Fabelmans”)
Volker Bertelmann (“All Quiet on the Western Front”)
Carter Burwell (“The Banshees of Inisherin”)
Son Lux (“Everything Everywhere All at Once”)
Best Documentary Feature
“All That Breathes”
“All the Beauty and the Bloodshed”
“Fire of Love”
“A House Made of Splinters”
“Navalny”
Best Documentary Short Subject
“The Elephant Whisperers”
“Haulout”
“How Do You Measure a Year?”
“The Martha Mitchell Effect”
“Stranger at the Gate”
Best Live Action Short
“An Irish Goodbye”
“Ivalu”
“Le Pupille”
“Night Ride”
“The Red Suitcase”
Best Animated Short
“The Flying Sailor”
“The Boy, the Mole, the Fox and the Horse”
“Ice Merchants”
“My Year of Dicks”
“An Ostrich Told Me the World Is Fake and I Think I Believe It”
just thinking about how the musical numbers in wonka are so much more fun when you think of them all as diegetic
(i’m gonna put a read more for courtesy but. please click it i put so much thought into this)
some of them are explicitly so-scrub scrub is stated to be the group’s work song, lofty says his own song and dance can’t be stopped once it starts, abacus cues the wash crew on beat as they work behind the scenes of the shop’s opening, etc. this doesn’t happen super often in musical movies nowadays, which adds to the whimsy of this one
in the original catcf book, the demise of each “bad kid” (and the ethics of that is a WHOLE different-and lengthy-post) gets a song from the oompa loompas, and all adaptations include those; the 2005 film is the only one to have no non-diegetic songs, while the 1971 film and west end/bway stage adaptation have loads. this prequel, however, seems to lean hard into the idea of wonka as a showman-but an earnest one-who brings not only a new taste but also a new sound to the Unnamed European City™️ that he turns upside down.
colin’s newfound confidence wins the day when barbara sees him singing and dancing on a table, which is apparently just the kind of adventure she was looking for. willy shows his plan to the wash crew by presenting it in a reprise of their song, like he’s speaking their language. it’s the sound of the newcomer’s siren song, not just the crowd, that draws the scheming cartel to their windows. there are so many interesting things revealed about the characters if you look at it that way
for a moment starts rather quietly, and noodle’s singing to herself; she doesn’t sing aloud to start, but then willy does, and he’s in perfect counterpoint to her melody that he’s barely even heard yet. then, by the end, she’s *really* singing, because she’s finally found someone who’ll listen. they literally invented siblingism i’m gonna cry
and don’t even get me started on sweet tooth. mat and paterson said in an interview that the cartel sort of stops being villainous the second the music starts, that their number is a seduction at its core, which is so damn true. the fact that it’s acknowledged as diegetic-the chief’s “why am i singing”, slugworth’s “let’s give him the big sell”, etc-means that this is something planned and practiced. there is so much comedy in that-scary powerful capitalists working on their fan choreography is a great image-but it also shows just how sinister they are. “conceal” rhymes with “deal”. they knew he’d say yes in the end. it was predetermined all along.
and a world of your own!! (this might not be a whole analysis paragraph i just wanted to say the way the pulse of the orchestration slowly builds starting at “chocolate bushes, chocolate trees” is so thrilling omg i felt like a kid again)
all this to say that i got sucked into this story for good upon hearing pure imagination for the first time in fourth grade and never looked back so it’s so neat that the prequel involves music in such a thoughtful way OKAY BYEEEEEEEE *mic drop*
Bill Paterson as old Edward (Ned) Gowan. Ned was a lawyer from Edinburgh who knew the law, inside and out and acted as a legal advisor to Clan MacKenzie.
Conor MacNeill is an Irish actor from County Antrim, Northern Ireland, who has experience on both the big and small screen, as well as the stage. He is an actor, producer, and writer, and is known for his roles in An Crisís (2010) Whole Lotta Sole (2012) a Comedy/Crime with Brendan Fraser and Privates (2013) and in the BBC and HBO drama, Industry, as Kenny Kilblane.
He made his London stage debut starring alongside Harry Potter actor Daniel Radcliffe in The Cripple of Inishmaan. He was nominated for a BAFTA award in 2017 for Best Short Film.
He played the Garda, and Detective Ruairi Slater in The Tourist season 2 alongside Jamie Dornan (2024) Conor MacNeill wrote a script with Jamie Dornan it's set in NI'.
The Tourist is the four-time MacNeill and Dornan have worked together – they were both in The Fall, Belfast and Siege of Jadotville together, and became good friends outside of work, even writing a script together during lockdown (more of which later)
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Belfast. The film is set in the 1960s. Belfast captures the spirit and atmosphere of the city during a period of significant social and political change.
Conor MacNeill (McLaury) fictional character and Colin Morgan in Kenneth Branagh's “Belfast” film (2021) 🎬
Industry (2020)‧ Drama Young finance graduates venture out into the cut-throat competitive world to get a job during the recession times that followed as a result of the 2008 financial crisis.
Conor MacNeill - Industry’s Kenny belongs in the pantheon of bad fictional bosses.
The Siege of Jadotville (2016) It is a true story. Irish soldiers on a UN peacekeeping mission in Africa, are besieged by overwhelming enemy forces, as UN peacekeepers defend their outpost.
The Siege of Jadotville depicts the incredible true story of the siege of 150 UN Irish troops led by Commandant Pat Quinlan (Jamie Dornan) in the Congo in 1961. Quinlan and his men held out against a force of 3,000 local troops led by French and Belgian mercenaries working for mining companies.
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In honour of their courageous actions in Congo at the Siege of Jadotville a specially commissioned medal “An Bonn Jadotville” was awarded to all men of “A” Company, 35th Infantry Battalion and the families of deceased members, to give them full and due recognition. If you haven't seen this film yet, I recommend watching it.
The Fall (TV Series 2013–2016) - Conor MacNeill as Mark Bailey - MacNeill joined the cast of The Fall in 2016 for its third season, in which he featured in the final few episodes.
The Fall is a crime drama television series filmed and set in Northern Ireland. The series, starring Gillian Anderson as Detective Superintendent Stella Gibson, is created and written by Allan Cubitt and features Jamie Dornan as serial killer Paul Spector. 
Big Finish launches Doctor Who audio drama podcast
17 February 2024
Classic Doctor Who audio dramas will be brought to a new audience with Into the TARDIS, a new podcast due to be released weekly from March 2024.
Since 1999, Big Finish Productions has been producing full-cast audio adventures set in the world of Doctor Who. Featuring specially composed music and cinematic sound effects, these stories are officially licensed by the BBC and star original cast members of the TV series.
To mark 25 years of this output, Big Finish Productions, in association with BBC Studios, Zebralution Podcast, Apple and Acast, are excited to announce Into the TARDIS, which will showcase fan-favourite stories from Big Finish’s back catalogue.
The stories will be presented in episodic instalments released weekly on Saturdays – like the original serialised broadcast of classic Doctor Who stories on the BBC. Each episode will feature a brand-new introduction read by Colin Baker (who played the Sixth Doctor on TV and continues to do so for Big Finish), as well as behind-the-scenes interviews.
Into the TARDIS will begin in March 2024, with the first two episodes serialising Death and the Queen. Originally released by Big Finish in 2016, this full-cast audio drama stars David Tennant and Catherine Tate, with a script by James Goss.
Big Finish chairman Jason Haigh-Ellery said: “As part of the celebration marking 25 years of Big Finish Doctor Who audio drama productions, I am delighted to announce that Big Finish are partnering with BBC Studios, Zebralution, Apple and Acast to launch Into the TARDIS – the first officially licensed Doctor Who audio drama podcast. This is an initiative that we have been working on for some time and I am particularly excited about, as it will bring Big Finish’s work to a far wider audience.”
Jan Paterson, director of audiobooks at BBC Studios, added: “For many years now, Big Finish has provided Doctor Who fans with thrilling audio dramas and we’re excited to see them extend their offering with a podcast. Into the TARDIS will allow the fanbase to extend their enjoyment of the show as well as open the Doctor Who audio drama world up to a whole new audience.”
Luisa Abraham, managing director at Zebralution Podcast, said: “We’re thrilled to have contributed our expertise to Big Finish for the launch of their new podcast, Into the TARDIS. Our collaboration marks the beginning of an exciting journey, and we eagerly anticipate sharing numerous captivating stories with the global Doctor Who community and welcoming countless new fans into the fold.”
Into the TARDIS will be available via all podcast platforms, and all listeners will be able to stream it for free with ads. Users of Apple Podcasts will have the additional option of subscribing for £2.99 a month, which will give early access to episodes and ad-free listening. A 3-day free trial of this subscription will also be available.
'What happened to the days of asking movie stars about... oh we don’t know... the movie they actually starred in on the red carpet? Hollywood may be glamorous and more than a little sexy, but it’s also a workplace. No one should have to answer a question about their colleague’s naked body in their place of employment unless they’re a dermatologist scanning another dermatologist for moles or something. Which would still be kind of weird.
The latest offender to participate in this incredibly frustrating trend is the BBC, who subjected All Of Us Strangers star Andrew Scott to an icky and repeated line of questioning about Barry Keoghan’s penis while covering the BAFTA awards earlier this week. In a video that has since gone viral, BBC correspondent Colin Paterson asked Scott, who is gay, how well he knew fellow Irish actor Barry Keoghan before pressing him to comment on the latter’s naked dance scene at the end of Saltburn, a movie Scott had nothing to do with. Scott, visibly uncomfortable, eventually walks away from the interviewer while he continues to pepper him with questions. Warning: it’s a pretty rough watch.
After widespread backlash on Twitter/X in which fans accused Paterson’s questions of being homophobic, “cringe-worthy,” and generally creepy, BBC issued a statement this morning apologizing for the whole incident. Well, sort of. “Saltburn is a film which has had cultural impact, with Barry Keoghan’s scene at the end gaining a lot of attention in particular—something the actor has addressed himself,” they wrote. “Our question to Andrew Scott was meant to be a light-hearted reflection of the discussion around the scene and was not intended to cause offence.” The statement also acknowledges that Saltburn director, Emerald Fennell, and Sophie Ellis-Bextor, whose song “Murder On The Dance Floor” is used in the scene, were questioned about it as well. While this may also have been uncomfortable, at least the two women were actually involved in the film. Scott, again, just happens to be an actor with a movie out around the same time who shares a homeland with Keoghan.
The statement concludes: “We do, however, accept that the specific question asked to Andrew Scott was misjudged. After speaking with Andrew on the carpet, our reporter acknowledged on air that his questioning may have gone too far and that he was sorry if this was the case.”
Unfortunately, Scott isn’t the only actor who’s been subjected to this sort of overtly sexual and extremely uncomfortable line of questioning in recent months. In January, Ayo Edebiri was asked to comment on her The Bear co-star Jeremy Allen White’s sexy Calvin Klein ad by two separate interviewers on the Golden Globes red carpet—a subject she clearly had no interest in engaging with. Just this week, TikTok influencer Harry Daniels also received a lot of negative attention for videos from the People’s Choice Awards in which he asked stars like Billie Eilish and America Ferrera if they’d rather have a “gay son or thot daughter,” to their visible discomfort.
Not only is this trend gross and invasive, but it’s also just plain boring. Actors put an unbelievable amount of work into making the movies that get nominated for these awards, and that’s what they should get to talk about during the celebration of that effort. It’s not even hard to get them to talk about movies they weren’t involved in (at least in Edebiri’s case) as long as the conversation hinges on the actual movie itself. Everything else should stay off the carpet.'
a stroke of the pen: the lost stories (pilgarlic towers) - narrated by mathew baynton
-> original audiobook release: 10/10/2023 | image credit: audible
"Twenty early short stories by one of the world's best loved authors, narrated by David Tennant, Claire Foy, Steffan Rhodri, Jon Culshaw, Derek Jacobi, David Jason, Katherine Parkinson, Paterson Joseph, Hattie Morahan, Indira Varma, Tony Robinson, Nigel Planer, Maggie Service, Stephen Briggs, Rhianna Pratchett, Jason Watkins, Richard Coyle, Mathew Baynton and Rob Wilkins. With a foreword by Neil Gaiman, and an introduction by Colin Smythe.
These are rediscovered tales that Pratchett wrote under a pseudonym for newspapers during the 1970s and 1980s. Whilst none are set in the Discworld, they hint towards the world he would go on to create, containing all of his trademark wit, satirical wisdom and fantastic imagination.
Meet Og the inventor, the first caveman to cultivate fire, as he discovers the highs and lows of progress; haunt the Ministry of Nuisances with the defiant evicted ghosts of Pilgarlic Towers; visit Blackbury, a small market town with weird weather and an otherworldly visitor; and go on a dangerous quest through time and space with hero Kron, which begins in the ancient city of Morpork..."
if you have any queries regarding the google drive, reply below or send an ask!
Some Oscar predictions for fun: in bold is what I think the Academy will pick. In italics is what I'd pick. If I leave italics off, I have no opinion or I don't think any of the nominees were that great. If I cross them out, I'm wondering why they were mentioned in the first place (Top Gun? Avatar? Really?).
Best Picture (way too many nominees)
All Quiet on the Western Front — Malte Grunert, Producer
Avatar: The Way of Water — James Cameron and Jon Landau, Producers
The Banshees of Inisherin — Graham Broadbent, Pete Czernin and Martin McDonagh, Producers
Elvis — Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers
Everything Everywhere All at Once — Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers - WINNER
The Fabelmans — Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers
Tár — Todd Field, Alexandra Milchan and Scott Lambert, Producers
Top Gun: Maverick — Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers
Triangle of Sadness — Erik Hemmendorff and Philippe Bober, Producers
Women Talking — Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers
Best Directing
The Banshees of Inisherin — Martin McDonagh
Everything Everywhere All at Once — Daniel Kwan and Daniel Scheinert - WINNER
The Fabelmans — Steven Spielberg
Tár — Todd Field
Triangle of Sadness — Ruben Östlund
Best Actor in a Leading Role
Austin Butler in Elvis
Colin Farrell in The Banshees of Inisherin
Brendan Fraser in The Whale - WINNER
Paul Mescal in Aftersun
Bill Nighy in Living
Best Actress in a Leading Role
Cate Blanchett in Tár
Ana de Armas in Blonde
Andrea Riseborough in To Leslie (if she wins it will be entirely bc of white Hollywood women campaigning for her)
Michelle Williams in The Fabelmans
Michelle Yeoh in Everything Everywhere All at Once - WINNER
Best Actor in a Supporting Role
Brendan Gleeson in The Banshees of Inisherin
Brian Tyree Henry in Causeway
Judd Hirsch in The Fabelmans
Barry Keoghan in The Banshees of Inisherin
Ke Huy Quan in Everything Everywhere All at Once - WINNER
Best Actress in a Supporting Role
Angela Bassett in Black Panther: Wakanda Forever
Hong Chau in The Whale
Kerry Condon in The Banshees of Inisherin
Jamie Lee Curtis in Everything Everywhere All at Once - WINNER
Stephanie Hsu in Everything Everywhere All at Once
Best Adapted Screenplay
All Quiet on the Western Front — Screenplay by Edward Berger, Lesley Paterson & Ian Stokell
Glass Onion: A Knives Out Mystery — Written by Rian Johnson
Living — Written by Kazuo Ishiguro
Top Gun: Maverick — Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks
Women Talking — Screenplay by Sarah Polley - WINNER
Best Original Screenplay
The Banshees of Inisherin — Written by Martin McDonagh
Everything Everywhere All at Once — Written by Daniel Kwan & Daniel Scheinert - WINNER
The Fabelmans — Written by Steven Spielberg & Tony Kushner
Tár — Written by Todd Field
Triangle of Sadness — Written by Ruben Östlund
Best Animated Film
Guillermo del Toro’s Pinocchio — Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley - WINNER
Marcel the Shell With Shoes On — Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey
Puss in Boots: The Last Wish — Joel Crawford and Mark Swift
The Sea Beast — Chris Williams and Jed Schlanger
Turning Red — Domee Shi and Lindsey Collins
Best Original Song
“Applause” from Tell It Like a Woman; Music and Lyric by Diane Warren
“Hold My Hand” from Top Gun: Maverick; Music and Lyric by Lady Gaga and BloodPop
“Lift Me Up” from Black Panther: Wakanda Forever; Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler
“Naatu Naatu” from RRR; Music by M.M. Keeravaani; Lyric by Chandrabose - WINNER
“This Is a Life” from Everything Everywhere All at Once; Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne
Best International Feature Film
All Quiet on the Western Front — Germany - WINNER
Argentina, 1985 — Argentina
Close — Belgium
EO — Poland
The Quiet Girl — Ireland
Best Film Editing
The Banshees of Inisherin — Mikkel E.G. Nielsen
Elvis — Matt Villa and Jonathan Redmond
Everything Everywhere All at Once — Paul Rogers - WINNER
Tár — Monika Willi
Top Gun: Maverick — Eddie Hamilton
Reblogged with the actual winners.
The only big surprise was Jamie Lee Curtis, but I guess they just had to give it to a white chick instead of Angela Bassett who has been shut out of a win for like, 30 years.
And Jimmy Kimmel can keep his day job. The Will Smith jokes were tasteless and too much tonight underlined all the racist/anti-Black sentiment out there (wasn't helped by that Entertainment Weekly set of anonymous interviews this past week).
Best Picture
“All Quiet on the Western Front”
“Avatar: The Way of Water”
“The Banshees of Inisherin”
“Elvis”
“Everything Everywhere All at Once” — WINNER
“The Fabelmans”
“TÁR”
“Top Gun: Maverick”
“Triangle of Sadness”
“Women Talking”
Best Director
Martin McDonagh (“The Banshees of Inisherin”)
Dan Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) — WINNER
Steven Spielberg (“The Fabelmans”)
Todd Field (“TÁR”)
Ruben Östlund (“Triangle of Sadness”)
Best Actress
Cate Blanchett (“TÁR”)
Ana de Armas (“Blonde”)
Andrea Riseborough (“To Leslie”)
Michelle Williams (“The Fabelmans”)
Michelle Yeoh (“Everything Everywhere All at Once”) — WINNER
Best Actor
Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”)
Brendan Fraser (“The Whale”) — WINNER
Paul Mescal (“Aftersun”)
Bill Nighy (“Living”)
Best Supporting Actress
Angela Bassett (“Black Panther: Wakanda Forever”)
Hong Chau (“The Whale”)
Kerry Condon (“The Banshees of Inisherin”)
Stephanie Hsu (“Everything Everywhere All at Once”)
Jamie Lee Curtis (“Everything Everywhere All at Once”) — WINNER
Best Supporting Actor
Brendan Gleeson (“The Banshees of Inisherin”)
Brian Tyree Henry (“Causeway”)
Judd Hirsch (“The Fabelmans”)
Barry Keoghan (“The Banshees of Inisherin”)
Ke Huy Quan (“Everything Everywhere All at Once”) — WINNER
Best International Feature Film
“All Quiet on the Western Front” (Edward Berger, Germany) — WINNER
“Argentina, 1985” (Santiago Mitre, Argentina)
“Close” (Lukas Dhont, Belgium)
“EO” (Poland)
“The Quiet Girl” (Ireland)
Best Adapted Screenplay
Edward Berger, Ian Stokell, and Lesley Paterson (“All Quiet on the Western Front”)
Rian Johnson (“Glass Onion: A Knives Out Mystery”)
Kazuo Ishiguro (“Living”)
Ehren Kruger, Christopher McQuarrie, and Eric Warren Singer (“Top Gun: Maverick”)
Sarah Polley (“Women Talking”) — WINNER
Best Original Screenplay
Daniel Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) — WINNER
Todd Field (“TÁR”)
Tony Kushner and Steven Spielberg (“The Fabelmans”)
Martin McDonagh (“The Banshees of Inisherin”)
Ruben Östlund (“Triangle of Sadness”)
Best Animated Feature
“Guillermo del Toro’s Pinocchio” — WINNER
“Marcel the Shell with Shoes On”
“Turning Red”
“Puss in Boots: The Last Wish”
“The Sea Beast”
Best Cinematography
James Friend (“All Quiet on the Western Front”) — WINNER
Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”)
Mandy Walker (“Elvis”)
Roger Deakins (“Empire of Light”)
Florian Hoffmeister (“Tár”)
Best Visual Effects
“Avatar: The Way of Water” — WINNER
“All Quiet on the Western Front”
“The Batman”
“Black Panther: Wakanda Forever”
“Top Gun: Maverick”
Best Editing
“Elvis”
“Everything Everywhere All at Once”— WINNER
“Top Gun: Maverick”
“TÁR”
“The Banshees of Inisherin”
Best Production Design
“Avatar: The Way of Water”
“All Quiet on the Western Front” — WINNER
“Babylon”
“Elvis”
“The Fabelmans”
Best Makeup and Hairstyling
“Elvis”
“The Batman”
“Black Panther: Wakanda Forever”
“All Quiet on the Western Front”
“The Whale” — WINNER
Best Costume Design
“Elvis”
“Black Panther: Wakanda Forever” (Ruth E. Carter) — WINNER
“Everything Everywhere All at Once”
“Babylon”
“Mrs. Harris Goes to Paris”
Best Sound
“Top Gun: Maverick” — WINNER
“Elvis”
“Avatar: The Way of Water”
“All Quiet on the Western Front”
“The Batman”
Best Original Song
“Hold My Hand” — Lady Gaga (“Top Gun: Maverick”)
“Lift Me Up”— Rihanna (“Black Panther: Wakanda Forever”)
“Naatu Naatu”— Kaala Bhairava, M.M. Keeravani, and Rahul Sipligunj (“RRR”) — WINNER
“Applause”— Diane Warren (“Tell It Like a Woman”)
“This Is a Life”— David Byrne, Ryan Lott, and Mitski (“Everything Everywhere All at Once”)
Best Original Score
Justin Hurwitz (“Babylon”)
John Williams (“The Fabelmans”)
Volker Bertelmann (“All Quiet on the Western Front”) — WINNER
Carter Burwell (“The Banshees of Inisherin”)
Son Lux (“Everything Everywhere All at Once”)
Best Documentary Feature
“All That Breathes”
“All the Beauty and the Bloodshed”
“Fire of Love”
“A House Made of Splinters”
“Navalny” — WINNER
Best Documentary Short Subject
“The Elephant Whisperers” — WINNER
“Haulout”
“How Do You Measure a Year?”
“The Martha Mitchell Effect”
“Stranger at the Gate”
Best Live Action Short
“An Irish Goodbye” — WINNER
“Ivalu”
“Le Pupille”
“Night Ride”
“The Red Suitcase”
Best Animated Short
“The Flying Sailor”
“The Boy, the Mole, the Fox and the Horse” — WINNER
“Ice Merchants”
“My Year of Dicks”
“An Ostrich Told Me the World Is Fake and I Think I Believe It”
“Avatar: The Way of Water” “The Banshees of Inisherin” “Elvis” “Everything Everywhere All at Once” “The Fabelmans” “TÁR” “Top Gun: Maverick” “Triangle of Sadness” “Women Talking”
Best Director Martin McDonagh (“The Banshees of Inisherin”) since Edward Berger wasn't nominated???
Dan Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) Steven Spielberg (“The Fabelmans”) Todd Field (“TÁR”) Ruben Östlund (“Triangle of Sadness”)
Best Actress Michelle Yeoh (“Everything Everywhere All at Once”)
Cate Blanchett (“TÁR”) Ana de Armas (“Blonde”) Andrea Riseborough (“To Leslie”) Michelle Williams (“The Fabelmans”)
Best Actor Austin Butler (“Elvis”)
Colin Farrell (“The Banshees of Inisherin”) Brendan Fraser (“The Whale”) Paul Mescal (“Aftersun”) Bill Nighy (“Living”)
Best Supporting Actress Kerry Condon (“The Banshees of Inisherin”)
Angela Bassett (“Black Panther: Wakanda Forever”) Hong Chau (“The Whale”) Stephanie Hsu (“Everything Everywhere All at Once”) Jamie Lee Curtis (“Everything Everywhere All at Once”)
Best Supporting Actor Barry Keoghan (“The Banshees of Inisherin”)
Brendan Gleeson (“The Banshees of Inisherin”) Brian Tyree Henry (“Causeway”) Judd Hirsch (“The Fabelmans”) Ke Huy Quan (“Everything Everywhere All at Once”)
Best International Feature Film “All Quiet on the Western Front” (Edward Berger, Germany)
Best Adapted Screenplay Edward Berger, Ian Stokell, and Lesley Paterson (“All Quiet on the Western Front”)
Rian Johnson (“Glass Onion: A Knives Out Mystery”) Kazuo Ishiguro (“Living”) Ehren Kruger, Christopher McQuarrie, and Eric Warren Singer (“Top Gun: Maverick”) Sarah Polley (“Women Talking”)
Best Original Screenplay Martin McDonagh (“The Banshees of Inisherin”)
Daniel Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) Todd Field (“TÁR”) Tony Kushner and Steven Spielberg (“The Fabelmans”) Ruben Östlund (“Triangle of Sadness”)
Best Animated Feature “Guillermo del Toro’s Pinocchio”
(ShadowMachine/Netflix) “Marcel the Shell with Shoes On” (A24) “Turning Red” (Pixar/Disney) “Puss in Boots: The Last Wish” (DreamWorks/Universal) “The Sea Beast” (Netflix)
Best Cinematography James Friend (“All Quiet on the Western Front”)
Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”) Mandy Walker (“Elvis”) Roger Deakins (“Empire of Light”) Florian Hoffmeister (“Tár”)
Best Visual Effects “Avatar: The Way of Water” (20th Century/Disney)
“All Quiet on the Western Front” (Netflix) “The Batman” (Warner Bros.) “Black Panther: Wakanda Forever” (Disney/Marvel) “Top Gun: Maverick” (Paramount)
Best Editing “Elvis” (Warner Bros.)
“Everything Everywhere All at Once” (A24) “Top Gun: Maverick” (Paramount) “TÁR” (Focus Features) “The Banshees of Inisherin” (Searchlight Pictures)
Best Production Design “Elvis” (Warner Bros.)
“Avatar: The Way of Water” (20th Century Studios/Disney) “All Quiet on the Western Front” (Netflix) “Babylon” (Paramount) “The Fabelmans” (Universal)
Best Makeup and Hairstyling “Elvis” (Warner Bros.)
“The Batman” (Warner Bros.) “Black Panther: Wakanda Forever” (Marvel/Disney) “All Quiet on the Western Front” (Netflix) “The Whale” (A24)
Best Costume Design “Elvis” (Warner Bros.)
“Black Panther: Wakanda Forever” (Marvel/Disney) “Everything Everywhere All at Once” (A24) “Babylon” (Paramount) “Mrs. Harris Goes to Paris” (Focus Features)
Best Sound “Top Gun: Maverick” (Paramount)
“Elvis” (Warner Bros.) “Avatar: The Way of Water” (20th Century/Disney) “All Quiet on the Western Front” (Netflix) “The Batman” (Warner Bros.)
Best Original Song “Hold My Hand” — Lady Gaga (“Top Gun: Maverick”)
“Lift Me Up”— Rihanna (“Black Panther: Wakanda Forever”) “Naatu Naatu”— Kaala Bhairava, M.M. Keeravani, and Rahul Sipligunj (“RRR”) “Applause”— Diane Warren (“Tell It Like a Woman”) “This Is a Life”— David Byrne, Ryan Lott, and Mitski (“Everything Everywhere All at Once”)
Best Original Score Carter Burwell (“The Banshees of Inisherin”)
Justin Hurwitz (“Babylon”) John Williams (“The Fabelmans”) Volker Bertelmann (“All Quiet on the Western Front”) Son Lux (“Everything Everywhere All at Once”)
Best Documentary Feature “Navalny”
“All That Breathes” “All the Beauty and the Bloodshed” “Fire of Love” “A House Made of Splinters”
Best Documentary Short Subject “The Elephant Whisperers”
“Haulout” “How Do You Measure a Year?” “The Martha Mitchell Effect” “Stranger at the Gate”
Best Live Action Short “An Irish Goodbye”
“Ivalu” “Le Pupille” “Night Ride” “The Red Suitcase”
Best Animated Short “The Boy, the Mole, the Fox and the Horse”
“The Flying Sailor” “Ice Merchants” “My Year of Dicks” “An Ostrich Told Me the World Is Fake and I Think I Believe It”
B-3 : Oscars 2023 Predictions - A Film fan's perspective (Part - 1)
The 95th Academy Awards, a.k.a. The Oscars®, will take place on March 13 at 5:30 AM IST. The celebrations of the Oscar season are at their peak. Amid the fun and excitement, here's a look at the movies categories and our predictions of the winners:-
Best Picture
Nominations:
All Quiet on the Western Front
Avatar: The Way of Water
The Banshees of Inisherin
Elvis
Everything Everywhere All at Once
The Fabelmans
TAR
Top Gun: Maverick
Triangle of Sadness
Women Talking
Prediction: The Fabelmans
The Academy might favor a movie that exhibits the love for cinema through the eyes of one of Hollywood's most-respected directors - Steven Spielberg. Either originally-written movies like Everything Everywhere All at Once and The Banshees of Inisherin can give tough competition.
Best Director
Nominees:
Martin McDonagh, The Banshees of Inisherin
Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once
Steven Spielberg, The Fabelmans
Todd Field, TÁR
Ruben Östlund, Triangle of Sadness
Prediction: Steven Spielberg
Spielberg would be the rightful winner for it. If it happens, he would be the third person to win three directing Oscars - after Frank Capra and William Wyler.
Best Original Screenplay
Nominees:
The Banshees of Inisherin – Martin McDonagh
Everything Everywhere All at Once – Daniel Kwan and Daniel Scheinert
The Fabelmans – Steven Spielberg and Tony Kushner
Tár – Todd Field
Triangle of Sadness – Ruben Östlund
Prediction: The Banshees of Inisherin/Everything Everywhere All At Once
Unlike the first two categories, the Daniels and Martin McDonagh would be fighting for this award. It's the fight between the battle of multiverses & the conflict between two friends.
Best Adapted Screenplay
Nominees:
All Quiet on the Western Front – Edward Berger, Lesley Paterson, and Ian Stokell (based on the novel by Erich Maria Remarque)
Glass Onion: A Knives Out Mystery – Rian Johnson; based on characters created by Johnson and the film Knives Out
Living – Kazuo Ishiguro (based on the original motion picture screenplay Ikiru by Akira Kurosawa, Shinobu Hashimoto, and Hideo Oguni)
Top Gun: Maverick – Screenplay by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie; Story by Peter Craig and Justin Marks; based on the film Top Gun written by Jim Cash and Jack Epps Jr.
Women Talking – Sarah Polley (based on the novel by Miriam Toews)
Prediction: Women Talking
Women Talking would be the ideal winner for the film adaptation of the atrocities by men against women (inspired by the Manitoba Colony, a remote and isolated Mennonite community in Bolivia).
Best Actor
Nominees:
Austin Butler – Elvis as Elvis Presley
Colin Farrell – The Banshees of Inisherin as Pádraic Súilleabháin
Fraser's portrayal of an obese, depressed man can bring the Academy in his favor. He would compete with Austin Butler's portrayal of the King of Rock n' Roll & Farrell's character of an Irishman betrayed by his best friend (both actors won this year's Golden Globes).
Best Actress
Nominees:
Cate Blanchett – Tár as Lydia Tár
Ana de Armas – Blonde as Norma Jeane Mortensen / Marilyn Monroe
Andrea Riseborough – To Leslie as Leslie Rowlands
Michelle Williams – The Fabelmans as Mitzi Schildkraut-Fabelman
Michelle Yeoh – Everything Everywhere All at Once as Evelyn Quan Wang
Prediction: Cate Blanchett/Michelle Yeoh
It'll be the fight between Blanchett's complex character of an orchestra conductor & Yeoh's role of a superwoman protecting the multiverse from her daughter.
Best Supporting Actor
Nominees:
Brendan Gleeson – The Banshees of Inisherin as Colm Doherty
Brian Tyree Henry – Causeway as James Aucoin
Judd Hirsch – The Fabelmans as Boris Schildkraut
Barry Keoghan – The Banshees of Inisherin as Dominic Kearney
Ke Huy Quan – Everything Everywhere All at Once as Waymond Wang
Prediction: Ke Huy Quan
This one's gonna go to Indiana Jones' sidekick - Short Round, i.e., Quan - for playing a kind and friendly person to his wife in different universes.
Best Supporting Actress
Nominees:
Angela Bassett – Black Panther: Wakanda Forever as Queen Ramonda
Hong Chau – The Whale as Liz
Kerry Condon – The Banshees of Inisherin as Siobhán Súilleabháin
Jamie Lee Curtis – Everything Everywhere All at Once as Deirdre Beaubeirdre
Stephanie Hsu – Everything Everywhere All at Once as Joy Wang / Jobu Tupaki
Prediction: Angela Bassett
All hail the Queen Mother!!! Bassett's likely to take the trophy home for portraying the grieving mother of the late Chadwick Boseman's T'Challa.