#come here tdp. Come here. I love you.

[imminent-danger-came]

Youtube "analysis" video misunderstood my favorite show, 12 dead 11 injured

[raayllum]

For Day Three of Snake Boi Callum Week: Magic / Mirrors Summary: Callum and Kpp'Ar have a conversation after he's released from the coin. Word Count: 2k

ORPHEUS: How will you remember? EURYDICE: That I love you? ORPHEUS: Yes. EURYDICE: That’s easy. I can’t help it.

—Eurydice, Sarah Ruhl

The initial confusion—the hazy gold imprisonment and bone-deep ache that had been equally familiar in death as it had been in life, the harrowing first few coughs as his lungs learned to work again, hand grasping for a cane that wasn’t there—had faded overall quickly, mostly because too much of his circumstances didn’t make sense.

The walls around him had been a shimmering white and purple, unlike anything he’d ever read of in the Pentarchy, loud elven voices echoing off of walls that didn’t seem to be able to make an echo arguing over something that didn’t make any sense. 

Only one thing truly stuck, in the aftermath: a young man looking over him with a shadowed face, swoopy hair, trimmings of a High Mage tunic fluttering round his knees, and the burst of emotion brought forth at the reality that Viren was here, that Viren had both trapped and freed him, and that Kpp’Ar still—

Throat hoarse, and lips cracking from disuse, parted to form his name. “Viren?”

But the mage reared back in disgust (still not unlike his protegé), throwing a younger, tanner face into the light, a fresh white lock of hair falling over glinting green—not gray—eyes.

“I am not Viren,” he said tersely, looking vaguely familiar for a different reason, hands shaky as he bent down to help Kpp’Ar up into a sitting position. He handed him a crystalline cup of water and then rose unsteadily to his feet.

[aromanticmara]

hi i’m going to be going on hiatus. i don’t really feel like blogging for the time being so i won’t be on here. you can still message me and send asks tho!! i promise i won’t deactivate and if i decide to leave permanently i’ll message all of my moots first :)

sb for my other moots to see pls!

[coconut530]

ATLA TDP MÅNESKIN NEVERMORE TODAY IS SERVINGGGGGGGG

[theforgottendaydreamer]

I love how inclusivity is handled in The Dragon Prince, here's why.

In most shows, as much as it bothers me to admit so, some people are right, inclusivity does feel forced sometimes. But it's not the characters' fault, it's not because of them being part of the lgbtq+ community, or being disabled, or being POC, or being strong women who do not conform to patriarchal standards.

It's not that.

It's that the show they are part of is a straight, white, abled parade - and notice, most of said shows won't even pass the Bechdel test.

So yes, in a show written by and aimed to straight, white, abled people, even I, a gay, non-binary, chronically ill person feel weird seeing charcters that are there just for the sake of inclusivity, albeit 'inorganic'.

In a show with the premise of "straight, white, abled men are the indiscussed MCs", seeing that one side-character that stands out and is often ridiculed and/or reduced to a single trait of their 'personality', such as 'the gay one', 'the asian one', 'the disabled one' (etc) is upsetting and feels uncomfortable as hell.

But TDP is different.

They immediately introduced powerful women, people of color, characters that are openly part of the lgbtq+ community, disabled characters etc. And not one of them per 'category', no. For the lgbtq+ community we have Amaya, Janai, Runaan, Ethari, Terry, Kazi. For the disabled community, we have Amaya again, Villads, and even a disabled wolf Ava. For the POC community, we have literally half of the cast, starting from King Harrow, then Ezran, every sunfire elf, Terry as well, etc. Same goes for women, who take up on roles that are rarely considered 'for women', like Opeli being the main member of the High Council, Amaya being the General, Rayla being the main Dragon Guard, Claudia being one of the main antagonists, etc.

Both main and side-characters are part of the communities, everything is so much more organic, enjoyable, thrilling.

We do not come in 'minor quantity'.

We are everywhere, among others, living our lives, doing our best, existing, thriving, proud. It's not just one or two of us among thousands. Surprise, 'categories' can mix! Just like I, a real human being, can be gay, enby as well as chronically ill, we can have characters like that as well! Amaya being lesbian and disabled, Terry being black and trans, Janai being black and lesbian, etc. And, another surprise, 'categories' don't define us. We don't 'shove it' in anyone's face like they say we do, we're just being us and cishets are upset because we don't conform to their sick standards.

Inclusivity is organic in TDP because nobody in that universe questions anyone else's color, gender, orientation, etc. And it's organic because we didn't have to wait half a season to see a black character, or a disabled character, or a gay character.

The key to inclusivity is to realise that we aren't just 'bonuses'. Fill shows and comics with lgbtq+, POC, disabled, and female characters. Not just one every 15, 20 characters. Everywhere.

We are everywhere! We are proud! We deserve to be seen! We deserve to be depicted as the normal people we are, without diminishing our traits but without making them our whole personality either. Treat us like human beings, be considerate like you should be with everyone on the planet of course, but treat us like humans.

Antagonising people who are 'different' (in the mind of straight, white, abled people) will not suppress us. We will keep insisting until you hear us. It's literally one of the main messages, one of the main teachings of TDP and it's so damn important.

Every single person on Earth should watch it. Every single kid should be introduced to TDP at an early age. Every old bigot should watch it, as well. Everybody. Even if it's considered a y7 (y10 for s4 and s5 apparently) show, everyone, no matter their age, should give it a try and watch it thoroughly.

Lots of love to the creators and everyone, literelly everyone involved in the production of one the best, most entertaining, most exciting, most formative shows ever. Please, keep it up! And thank you so much!

[cosmicpoutine]

dude I just love your art, especially anything with Bernard in it! You just make him so pretty! And your like my main sorcery of Bernard fanart because no one else is really all that interested in him but like, he's my little guy, that's my baby, he's the character I'm obsessing over- and your here drawing him!. And just, your art is so beautiful and you draw everyone so well!

Oh and your stephcass is mouth watering too btw! Wow you draw them so, just, wow! And I saw the dragon prince stuff you drew, and it's so awesome too! Currently re-watching it atm and it was such a a lovely surprise to scroll through your blog and see Callum and Rayla!

Anyways I love your art, wish I could eat it, like it just looks so good I need to like grr idk it's just amazing! And yeah I want you to know I appreciate your Bernard, I love him, and I love you, and yeah I just want to let you know I think your blog is really neat! I hope you're having a wonderful day/night!

shkfhwoah you're too nice, have a bearnard

the bernard loving community is small and we're all a bit crazy, but its fun here.

also PLEASE we need more people in the tdp fandom, im gonna get annoying about it again when the new season comes out.

[apollosgiftofprophecy]

What made you fall in love with Copollo and how can we angst this with Hypollo?

I had to marinate this in my head for a bit haha

First - What Made Me Love Copollo?

I don't know if I have the words for it, but I shall try! XD

First of all, I do love me some of that simple, satisfying ships that make you smile - ie, Percabeth - but -

But. But.

There's something about those toxic relationships that are so interesting.

And Copollo has an especially interesting dynamic - Commodus is the more toxic one, but Apollo's the one with all the power. Usually it's only one person with both those things but it's split between them (and note: I said Commodus was the more toxic one - Apollo was also toxic. he was enabling Commodus.)

So the dynamic is one reason. But I also just...love their story.

They relate to each other on a level rarely reached. They had a genuine relationship that was more than carnal, or even just affectionate. They loved each other, and I do think Commodus had just as much of an effect on Apollo as Daphne and Hyacinthus did.

I mean come on.

Apollo gets nervous around trees because of Daphne = Apollo doesn't like water because of Commodus.

Apollo describes Hyacinthus as perfect = Apollo has thought of Commodus as perfect.

It's all right there^^^^

And with Apollo, it's like he's caught in this "I can fix him" / "he can make me worse" mindset.

With Commodus, he's been seeking validation his whole life and clings to Apollo's when it's given to him - and his sanity spirals when he looses it.

They're that perfect mix of "match made in heaven" and "match made in hell". They would have worked but they also could not.

It's just. such a tragedy. which FITS because ya know, Greek Tragedy TM ;)

AND OF COURSE THEIR INTERACTIONS ARNUMNUMNUM!!!!!

How they're so very casual with each other in that flashback. Apollo's bouncing grapes off Commodus's nose for crying out loud THEY'RE IN LOVE YOUR HONOR-!

And then. In ToA. urhhhhhh it's so good. Commodus is That Ex with a picture of his ex on a dartboard. SERIOUSLY. and he THROWS KNIVES AT IT.

LIKE COME ON HOW MUCH MORE JILTED EX CAN YOU GET?

"dear heart", anybody? DEAR HEART? REMEMBER THAT?! I DO!!! LIVES RENT-FREE IN MY HEAD!!!!!

also the two innuendos in TDP and TTT are so good like come on Rick you know what you did there

and then. their final scene together. it's just. ARGHURHMMRM

Apollo reminisces on how he used to hold Commodus's hands with love. Commodus is so fucking eager to take a shot at him. Apollo screams him to death like omfg and the last thing - the last thing - Commodus hears is Apollo's pent-up heartbreak.

May I emphasize Apollo's pent-up heartbreak. HIS HEARTBREAK OVER THE LAST FEW MONTHS YES BUT ALSO HIS LIFETIME. WHICH MEANS COMMODUS IS LITERALLY GIVEN A FACE-FULL OF PROOF THAT APOLLO STILL CARED FOR HIM.

Two people in love, and their love going so wrong when one betrays the other - killing them! - and the other is suddenly hellbent on revenge?

It's all about that lovers to enemies, everybody. Enemies to lovers is good and all but what about loves to enemies.

It's so good armnumnum.

GAHHHHHHHHHHHHHHHHHHHHHHH I LOVE THEM OKAY I LOVE THESE BISEXUAL BITCHES MJHYJUFGH

inhale

exhale

i'm good now. ahem inspects ask angst it with Hyapollo now, eh?

Let's see here...

Well for one Commodus is 100% jealous of Hyacinthus. Like sorry I'm not moving from this hill I will die on this hill you will have to climb up this hill and drag me off it kicking and crying and screaming and clawing you. I'm not moving. crosses arms and sits down pouting

Meanwhile, in the Hyacinthus department, I think Hya would just...not really care? Or well, he'd care about how Apollo took the whole arc but he wouldn't be like "oh no he moved on :(" about it (Poly Apollo is canon y'all i don't make the rules!). more like "bitch you think I give a shit about you?" at Commodus. "YOU'RE NOT WORTH MY TIME!"

I also find it funny if it's this:

this hasn't really turned out as angst but the comedic potential is too good lmao XD

[some-pers0n]

I've got a couple messy feelings on Cleril and how the fandom treats it, so here. Take this rant.

TL:DR: Cleril is good you guys. Trust me.

Maybe it's a sign that the brainrot from writing murderers and people who are so far gone from the general norm being able to be soft and sweet is killing the last remaining sense of reason in me, but I don't think Cleril is as bad as people make it out to be.

Yeah, obviously at first glance this should never work. Saying that Peril isn't the most stable character in the series would be a massive understatement. She is constantly characterized as reckless, clingy, emotionally dependent, and always puts herself down as a monstrous dragon only capable of hurting others. Clay has never shown any sort of romantic interest in her, only being passive and sweet with her in a platonic sense. Peril on the other hand loves Clay to the point of obsession. She practically makes him her moral compass. That sort of idealization isn't healthy.

And...you'd be correct. In that state? There isn't too much of a connection there to begin with. If it were to happen right now, I think it would mostly be out of Clay feeling pity towards Peril. He wants her to be happy and is kind of self-sacrificing like that, but, I don't think he could handle being the dragon who she puts all of this pressure on. To be somebody who she centers everything around.

But, Peril isn't really that dragon anymore. It's like people read Escaping Peril, get to the end, and then think: "Oh wow she sure developed. Not enough to be a healthy character!!" as if Escaping Peril didn't end with her burning Darkstalker's scroll and thinking to herself that she didn't mind if Clay wouldn't approve of it. She was acting on her own volition. She knew that burning it was the correct thing to do. She's moved on from treating Clay like this centerpiece in her soul. This dragon who she treats more like an idea of her conscious to keep her on the right track. She's improved. Getting better.

Peril is a character I think is misunderstood by a lot of people, especially ones that aren't really in her position. I don't wanna be an arm-chair psychologist and spout nonsense, but Peril is heavily traumatized and reminds me a lot of people who get out of these horrible situations and are trying to adapt to a new and scary world all on their own.

Peril had an awful childhood. She was raised to be dependent on Scarlet. Scarlet was the only dragon who was keeping her from being thrown off a cliff by an angry mob. She was manipulated and gaslit into believing that what Scarlet did was good. That Scarlet was the only one who cared about her. That these kind of horrible and unhealthy relationships are something she thinks is normal. When Clay comes around, she does the exact same thing. Puts him on a pedestal. The concept of being treated as anything but a monster is completely foreign to her, so she instantly grows attached. She thinks he loves her. Why else would he be so kind? She associates basic compassion with love because that's what she's been raised to believe.

But, she's healing. Throughout Escaping Peril we see her come to terms with her childhood. She understands that she is not a monster, but rather a dragon who was a victim of her circumstances. She is not the same, volatile, unpredictable dragon she was in TDP. People still think of her as that, when she certainly isn't anymore. She's so much better.

Her arc is one about bettering yourself. That, no matter how hurt you were, you deserve to be loved. You deserve to be treated with respect and kindness. You are not a monster. You are capable of love. You are not a heartless being. There are people who care about you. There are people who will stand by your side and help you. There are people who love you.

People never talk about Clay's side of Cleril either. People barely even discuss about Clay for that matter. He's so much of a nothing character in the eyes of the fandom, reduced to little more than Peril's partner who can give big hugs.

But, Clay is like Peril is so many ways. That was one of the many reasons they both got along. Clay and Peril were brought up as unfeeling monsters. Born killers who cannot change their fate. Clay believed in it. That no matter what he tries telling himself, he's a murderer. That at his very core he wants nothing more than to tear out somebody's throat.

But, he learns. He is kind. He is compassionate. He is patient, earnest, sweet, loyal, and above all: loving. He is not a monster. He is more than the labels placed upon him. Only he can define himself through the actions he makes in the present. He is more than the mistakes of his past. He is Clay. He is not Clay the Killer, or Clay the Destroyer, or Clay the Monster. He is Clay.

Him and Peril are alike in so many ways. Clay is the final result of Peril's journey. She's still struggling, but she's making progress. She's developing and changing into somebody better. She's making amends for her mistakes. She's going to be somebody bigger than the labels that were placed on her. She will no longer be Peril, Scarlet's Champion. She will be Peril, known for her fierce loyalty, undying love for her friends, and being the one to burn brightest in the darkest of times.

I believe they can love each other. I believe that Peril can love another dragon and not be extremely clingy or dependent. I believe that Clay and Peril can help each other.

Call be a hopeless romantic or a optimist, but I believe in love. I believe love can help others through their struggles. I believe in people being able to change and grow beyond who they were. Above all, I believe in hope for a brighter future for anybody who has been hurt in the past.

[mandaloriandragontrainer]

Tumblr is definitely super weird about m/f ships. They never want the girl to be the more “traditonally for girl things” like shorter, little spoon or be saved/protected by the boy. I guess they believe it’s empowering but it’s just plain stupid (this is coming from a girl). So glad TDPo doesn’t falls into these and lets Rayla be all of that, she’s enjoying her strong boyfriend as she should.

You’re right and you should say it.

M/F pairings are only valid on here if they’re a “girlboss and her malewife” (as if being a wife is someone inferior?) A female character has to display traits traditionally considered to be masculine (never positively masculine traits of course—just being cold, angry, combative, and physically dominant) or else she’s a “bad character.” I remember seeing posts after s4 complaining that Rayla was now “too girly” and that it was stupid she’d adopt a pet. How is that not misogynistic?

Rayla is a strong character. A genuinely strong character. She’s a force to be reckoned with, especially with her blades, but her fights always feel realistic, if that’s the right word. She’s an elf, so her agility and speed are superhuman, and she relies on that as well as her wits to win a fight. But she’s not invulnerable. Amaya, who’s bigger and stronger and far more experienced, absolutely clobbered her in season one. She held her own against Corvus and Soren, but both times she outsmarted and outmaneuvered rather than physically overpowering them.

Rayla is deeply kind, sweet, nurturing, romantic person. And Callum lets her be her true self. And I say good for her. Good for her for finding a gentleman like him who makes her feel safe enough to be soft and vulnerable. And good for the TDP team for writing a female character who gets to be a warrior while still having a love interest.

But yeah. Rayla is shorter and smaller. She’s girly. She’s the little spoon. She loves cuddling her handsome, strong, dorky boyfriend who sometimes saves her life. So what? She also can and will kill you. #dealwithit

[beautifulterriblequeen]

Viren’s voice

i love Viren’s voice, okay. It’s cool and smooth and generally chill. Very nice to listen to. I especially love that little hitch he does when he’s searching for words. It’s kinda cute.

But it’s also scary, because of the times when his voice doesn’t hitch.

Viren gives off a bit of an absent-minded academic vibe sometimes, as if he has these great ideas but doesn’t know how to express them clearly. When he says lines like “We may be on the brink of... changing times,” and “Right now... I... do not come to you as my king...” it’s pretty obvious that he’s grabbing for language to make his point. 

Cool cool. We all do that.

But what he’s really doing is softening his intent. Viren is trying to make his true feelings and motives more palatable for those around him. For his children, for his king. For those whose opinions he values.

When Harrow rejects him and tells him he’s gotten above his station, Viren drops all pretense. His anger and hurt make his voice come out fast and smooth and strong.

“Oh, are you sure you wouldn’t prefer ‘Your Royal Highness’?”

“’Your Esteemed Inimitable Majesty’, perhaps?”

Viren words here are like molten gold. Smooth, fluid, fast, rich, and deadly to the touch. These are his true feelings, which he so rarely shares. But Harrow is in a far different mindset than usual, and they’re both under a lot of stress, and Viren loses his cool. His words pour out hot and deadly, and he doesn’t care, in that moment, about impressing Harrow anymore.

Viren starts off very cordial and reasonable when he tries to get information about the mirror out of Runaan. “If you don’t eat, you’ll die.” And “You don’t look dead. Though...that hand has seen better days.”

But Runaan is angrily opposed to even being civil with Viren, let alone being helpful, so Viren quickly downshifts, seeking a motivation that will work on the elf.

When he comes back in with the coins--when he dumps them out in front of Runaan--he knows exactly what he’s doing. His voice is smooth and velvety. He’s entirely pleased with how things are going, and he’s getting everything he wants from the situation.

“Oh, this isn’t a bribe. It’s a threat. Go on, take a closer look.” Viren doesn’t have a need to impress Runaan anymore. He tried the soft way and got nowhere. Now he’s just flexing his dark magic muscle. He can do whatever he likes with Runaan, and no one will stop him. And they both know it. 

So when Viren speaks, his voice pours out in an easy, smooth stream of comfortable power. This is Viren at his hottest (gods help me). He knows his place and he isn’t afraid to stand there. 

Look at this look on his face. He’s expected a result, and he’s gotten it. He’s reveling not only in being right, but in shaking Runaan up, hopefully so he’ll spill some intel about the mirror.

[unfinished tdp meta]

[self-spaghettification]

i think i might've gotten my homophobic grandparents to watch the dragon prince today bc it has better themes of breaking cycles, love, redemption etc while they were complaining about the modern era having more violent shows and other shit but anyway lets goo!!!

i saw someone else say this a bit back

and someone else saying this just now

so like??? here's hoping that works, like this is where the healthy (albeit slightly less interesting) relationships in tdp come into clutch and media really does make such a difference in bias/bigotry like studies have literally proven that anyway i hope they end up watching it :3

i mean if nothing else its not really evident in s1 but shows up later as you get roped into it so i just find that funny LMAO i feel a little devious for doing so (my gay tv show trojan horse)....my dad said "i'm sure they'll have their share of things to say about it" ie 'the "gay agenda" making its way into everything' but who knows. love. redemption. healthy relationships. tdp. my beloved

[sarasade]

Claudia, Viren & The Very Real Parent-Child Dynamics of The Dragon Prince

Sometimes I wonder if I come across like I try to defend Claudia too much. That's not my intent at all. I just think she deserves more and better critique.

The Point I guess

Personally, I really connect with Claudia's brand of messy, unflattering and even pathetic rage and grief much more than the dignified and mature ways Callum and Ezran handle things (More on that later). Maybe this sounds unflattering but Claudia being also kind of an asshole really speaks to me. Like that's the kind of teenage girl I'm the most familiar with and we don't have enough media that has nuanced takes on this sort of troubled character. Exploring negative or even anti-social traits and impulses in fiction, especially in women, is kind of undervalued in my opinion. Those are part of humanity and therefore part of us and this impulse to completely reject them doesn't benefit anyone really.

Finally, some wholesome father-daughter relationship rep in media!

My way to view fantasy media is about how it can artistically portray something true to real life. That's why I'm the most invested in this kind of reading of the text. Fantasy media is often dismissed as mere escapism even by the fantasy fans themselves (*side eyes the dude bro Witcher fandom*) which ignores the emotional depths it can reach by approaching difficult subject matter more metaphorically.

Inject Viren & Claudia's Father-Daughter Dynamic Straight into My Veins

There is something viscerally real about Claudia and Viren's relationship. I've seen this kind of father-daughter dynamic play out in real life many times where the child gives and gives and gives yet the parent takes it all for granted until it's too late and the parent-child relationship is just a mangled corpse of its former self, way too damaged to ever be truly repaired.

Like if you've had a difficult relationship with your parents it can feel similar to how s4-5 Claudia struggles to keep Viren alive while Viren hesitates. The child is the one who tries to fix things in the relationship while the parent is in denial or completely oblivious. Viren doesn't really try to connect with Claudia further in s4-5. It almost seems like he's completely emotionally unprepared to have that conversation and oh boy if you know any boomer parents that's pretty damn realistic. He just sort of gives up and acts completely passive because he's so out of touch with his emotions.

There is also this aspect of your parent aging and then one day you realise that you, the child, are the one who has more power in the relationship. It's a universal experience. These are just some of the ways I can see Viren and Claudia's relationship in seasons 4 and 5 metaphorically portray real life parent-child dynamics. There is a lot of emotional truth to how TDP approaches these relationships even when the story itself is an over the top fantasy romp.

How much Viren relies on Claudia is revealed little by little: She got the unicorn horn for the spell that killed Avizandum, she got the dragon horn that helped them cross the lava to Xadia in s3. It's set up really subtly how there is almost this parentification of Claudia like she's the one who took her mother's place as the emotional center and caregiver of the family after Viren and Lissa divorced. It's a lot of pressure to put one a child to say the least. This extends to Soren and how he is treated as the scapegoat of the family when Claudia is the Golden Child. This sort of treatment of Claudia and Soren by Viren is probably the most common analysis of their family dynamic as far as I can tell.

You ever heard of the thing called "eldest daughter syndrome"?

Eventually Claudia's most admirable and positive traits get corrupted (insert here an analysis of the corruptive nature of the dark magic as a plot device). It's like this perversion of feminine nurturing instinct society values and enforces in girls. Claudia's love is not domesticated but something that's so all consuming it destroys everything in its way. In s 4 she insists Viren has to live. She does everything in her power to keep her family together even against the wishes of her loved ones; first it was healing Soren in and then it was bringing Viren back to life in s3. Claudia has fully internalised her role as the caregiver to the point of self-imposed victimhood.

All The Characters Have a Part to Play

Since TDP is meant for an all-age audience (And later for teens and up since they hiked up the age rating) all the younger characters Callum, Ezran, Rayla, Claudia and Soren collectively represent the kind of different and difficult feelings parental abandonment and neglect can cause. A real person most likely feels all of these emotions at some point of their life but in fiction they need to be spread out among different characters or the story wouldn't work as, well, a story.

"she was a mage girl committing warcrimes, he was an elf boy vibing in the woods, can I make it anymore obvious"

I'd gladly read some more critical takes on Claudia's character. There is something very interesting there about Claudia and Terry's relationship for example. Terry is clearly very enamored with Claudia whom he perceives as someone very vulnerable and in need of help. Terry isn't wrong exactly but it does get problematic when he goes to great lengths to protect Claudia to the detriment of his own wellbeing. While TDP itself doesn't draw attention to it there are also the racial and gendered elements, both implicit and explicit, because of Claudia's fantasy racism and because of Terry being a non-white trans boy character as well. Claudia is the most powerful dark mage in Xadia when Terry is just a normal guy. Given the context of the show there is a power imbalance there.

tHÖ END

Why I'm laying this all out is that I think the Internet would be a better place if people didn't try to constantly find an objective "right" way to view a piece of media but instead were somewhat transparent about what they personally got out of it. I think this Viravos meta is the most popular thing I've written so far and I tried to explain my approach in detail because I don't want people to go "look this person says Viravos is canon!". Jokes are fine of course but taking it too objectively ignores the fact that analysing subtext is valuable on its own.

Idk how to end this. Here, have this meme.

[raayllum]

More Than Anyone or Anything

or why I think Callum is Like That: The Meta.

AKA because I realized that while I've talked about Snake Boi Callum and why I view him that way before, it was mostly in regards to explaining his canon traits that aren't usually very disputed. These being:

His sometimes obsessively dangerous qualities, specifically surrounding magic (1x04, 1x05, 2x04, 4x01, 4x02, 4x04)

His ambitious side (man heard from the one magical 'expert' he knows that humans just flat out cannot do primal magic naturally, said fuck that, and got it in a week after one week of practice)

His temper (1x01, 1x06, 1x09, 2x07, 3x08, 4x01-4x04, 5x01, 5x05, 5x08)

His ruthlessness (turning on Viren the second Ezran is in danger despite trusting him for years beforehand; his attitude towards Claudia in 2x07 after she's likewise betrayed him; smiling when killing corrupted soldiers in 3x09 even when Ezran expresses grief and Janai expresses horror when she was facing a similar scenario during the timeskip; arguing to take the violent route in 5x05 whereas Ezran and Rayla pick the more preventative one).

Therefore, for this meta, I will be focusing specifically on why I interpret Callum as Selectively Loyal to the point of being willing to help free Aaravos in order to spare, specifically, Ezran and Rayla's lives (and not necessarily anyone else's, such as Zym and Soren).

Strap in boys — this is going to be a long one.

Disclaimers: As always, this is just my opinion, and an interpretation being popular in fanon does not automatically mean it's better or more valid / rooted in canon than any other kind of (less popular? maybe common) interpretation. I will also be making it clear when I'm drawing on sections/snippets from supplementary material (TDP short stories, novelizations, and Tales of Xadia) but give that it's supplementary material, feel free to take it with the ultimate grain of salt.

Related Metas (that's worth reading if you're interested in other Snake Boi aspects that are not going to be heavily touched on here):

Callum's temper (S1-S3) and how it links to him typically feeling helpless to fix/aid his loved ones, causing him to lash out even sometimes at them

How Callum operates differently from Ezran and Rayla (S1-S4), but very well embodied I believe by the scene in 5x05 where Ez and Rayla side with the "violence as a last resort" option and Callum does not

How Callum views Zym and the egg in Arc 1 differently from Ez and Rayla, or how Callum sees things as tools and why he gets fixated on / what he projects onto objects (much like Viren with the mirror)

Differing Priorities for Callum and Rayla in TTM, in which Rayla only engages in their scheming because she thinks Viren is a threat to the whole world, and Callum comes up with their scheme because he just wants to give her closure

What does the Trio's Tales of Xadia's bios actually mean? (this one will be touched on the most down below, so feel free to skip unless you want a more detailed refresher)

Specifications:

If you're someone who doesn't see Callum this way, but you're genuinely interested in reading a differing perspective, please read on. If you're someone who doesn't necessarily see Callum this way, but you're curious and/or on the fence, please read on. If you'd like to add your own thoughts to this post, feel free to add on if it's in support; if it's differentiation, please make your own post (I'll engage respectfully with if it I want to).

If you're someone who is only going to get upset with my viewpoint, please curate your internet experience and do not read this post. If you're only going to make thinly veiled meta rebuttals of this post in a rude way ("even though some people may think...", linking to this post, general assholery), please do not read this post. You would be far happier if you were less obsessed with an opinion I've held for 5+ years and months & months before you likely joined the fandom. i just want to chill in my corner, please do not chuck pillows at me for doing what I've always had a good time doing that doesn't hurt anyone.

With all of that out of the way, let's get into it

What do I mean when I say selective loyalty?

Loyalty has always been an interesting trait to me, simply because in the bulk of storytelling, it is a necessary character trait for a story to function. One of the biggest things that a character can do to be disliked is be a traitor towards someone that trusted them, and if a character is too disloyal, they can be hard to engage with due to a lack of consistency. Characters who start out loyal to no one/nothing inevitably have arcs, provided they stick around in the story long enough, of garnering loyalty for someone (usually found family loved ones > a cause) in order for them to be able to progress as a character. We want characters to bond, and we want them to be there for each other, and if they're not at all, we want to see what happened or what other bonds they might form with other people. If not loyal, we want to see why they're working with someone at the very least.

Therefore, everyone in real life or in fiction has some elements of 'selective loyalty,' since we all have people (the people we know and love) we are more loyal to, fundamentally, than others (strangers / people don't know at all). It's just a natural normal thing to adhere more to valuing and looking after the people in your immediate circles over people you don't know at all, even if that doesn't mean we're void of caring about strangers, either. Our empathy or compassion, as well as the social structure of our living units and lives, are more cohesion for caring for strangers than it is for competing with strangers or being wholly indifferent.

For a quick overview of the way selective loyalty can work, I'm actually going to talk about Claudia quickly, and her internal hierarchy. While she is loyal to the princes ("Their Dad is dead and you lied about it. Plus they're our friends. It's wrong") to the point of that possibly being an opportunity for severance, initially, with her father ("Careful, if you tell the truth you will lose her"), Claudia's loyalty to her father ultimately trumps her loyalty to the princes, and even to her family with Soren.

For the opposite approach of selective loyalty, I'm going to talk about Rayla, who regularly bails out strangers (the boys in 1x03, Phyrrah in 2x07) and enemies (Bait as a frenemy in 1x05, Nyx in 3x05) as well as the people she grows to love (the boys on regular intervals). She and Runaan, as is Soren, are all willing to put their perceived missions/duties not only above but in direct opposition to their familial loyalty / family ties.

Callum, TO ME, is not, and here's why.

When I say that Callum is selectively loyal, I mean that there is ultimately nothing he will put above Ezran and/or Rayla at any interval with very few exceptions (aka if they're still breathing, he's still going to be fighting for them). This is for a few reasons.

I'm going to talk more about why it's Ez and Rayla specifically later, but for now I want to talk briefly about how they factor into his decision making and what see of them from people who have lost his loyalty.

Despite knowing and having trusted Viren for the bulk of his life ("Claudia! Lord Viren! Anyone!"), as soon as Callum learns that Viren has put Ezran substantially at risk ("Two [targets]? What do you mean?" "I'm here for the king, and I'm also here for his son, Prince Ezran") Viren is fucking Dead To Him.

It's not just that Viren lied, it's that Viren's lies and choices put Ezran in danger, and that's just not acceptable. We see this happen again with Claudia in S2, even after Callum defending her and trying to give her chances. She lied, yes, but she scares Ezran and attacks Rayla again, and that's the breaking point.

When you threaten the people he loves, when you scare them, if he trusted you, he will never look at you the same way again. Any loyalty he felt towards you will snap and snap hard, permanently, like a wishbone.

Callum loves and cares for other people. He loved and cared for Viren and Claudia. But unlike Ezran, who is willing to give Claudia a chance in 3x09 to the point of running after her, helping hand extended, and unlike Rayla, who still adamantly loves Runaan even after their fight and with no hint of change from him, Callum does not take other people hurting his family lightly, at all.

He loves and cares for Amaya, and Soren, and Harrow. But even Harrow, his father, is someone he's willing to put on the backburner — despite having an offered chance from Rayla to save him — in order to do what Harrow asked and what Callum's first instinct is: to look after his brother, because it is fundamentally unsafe for Ezran to stay at the castle for any longer, and he knows it.

Callum knows what the egg might mean, but he does not follow Rayla out the dungeon door blindly. He runs only after Ezran does, and only after Claudia might hit Ezran with lightning. Then he acts. Then he makes a choice. Because his loyalty to his brother outweighs after other substantial relationship in his life, at this point, but it doesn't necessarily stay that way.

Inner circle

In Tales of Xadia, all the characters are given values. While the values have more generic explanations (i.e. Callum's highest one, Liberty, is labelled as, "Have you ever resisted the control of others? This value is about freedom and autonomy. You’re motivated by a world without oppression or suppression") the characters individual bios help offer more clarity on their specifics. Callum's, specifically, states, "I am beholden to my inner circle, not some silly kingdom." Ouch, from Katolis' crown prince and Ezran's heir apparent.

It is, of course, important to not take this trait entirely literally. If Callum truly valued his own personal autonomy over everything else, he would've taken Finnegrin's deal in 5x08 in a second if all he wanted as his own freedom. Instead, Callum's highest value being Liberty is far more about his place with Freedom as a Theme more than something he wholly actively desires; again, we see in 5x08 he's willing to risk more of his freedom by doing dark magic in order to save Rayla.

There are things that Callum values more than his own personal freedom and there are things that he values more than magic (2x04: "Callum, you're being an idiot! Why would you do that? You can't risk your life to learn magic") vs throwing himself off the top of the Storm Spire at the slimmest chance of, once again, saving Rayla.

That said, this value and quote is still very useful, as it does then, beg the question, of who exactly is Callum's inner circle? Well...

Ezran and Rayla are the most important people in the entire world to him. Full stop. There is nothing he will fundamentally put above them. He only stays behind in 1x06, thereby not sacrificing the egg by proxy, because Rayla points out "We'll need to be up here to pull [Ezran] out." Even when he was stressing about whether they'd gotten to the Sea of the Cast Out on time, the second Rayla showed a hint of major discomfort/potential self-deprecation, he was offering to get back into the goddamn boat to comfort her ("I'm getting out—" "No. I can't do it, but you have to"). He's hesitant to go into town to find a vet for the egg because "We will definitely find some elf hating humans," pouting further when Rayla brushes him off, and flings himself off his balcony when he thinks there's even a chance that Ezran isn't okay into what he knows would subsequently be a trap. He's the first to say that they need to leave Rex Igneous' chambers after protecting Ezran from falling rocks with his own body, and the last to actually leave, almost being crushed by rocks himself because he's so committed to standing there and watching Rayla leave.

He equates Rayla's love for him with his love for Ezran on Day Nine (2x03: "I couldn't tell him. And I understand why you couldn't tell me. When you care about someone, it's hard to hurt them. Even when what you're saying is the truth.")

Hell, he even forgets that Sol Regem is there in 3x01 because he tunnel visions on Rayla needing his help so intensely she has to point out the massive ton dragon actively trying to kill them to him.

He's a nurturer, a fixer, a solution seeking. He wants to make you feel better ("See it's working right? Don't you feel a little better?"), he is a kind reassuring word ("Don't be so hard on yourself, Ez") always, he thinks of your problems even when you don't (Rayla's binding in 1x07), he will lay his life down for you without question ("I am Prince Ezran"), he will get mad at you for treating yourself poorly (3x04, like almost all of S4), he dotes, he notices, he will compromise his beliefs for you ("Could he really bring himself to go through with his plan? What if he didn’t succeed? What if he compromised his beliefs and it was all for nothing? [...] But Rayla was in trouble"—S2 novelization).

You mean everything to him: "Rayla's strong, thin arms wrapped around him meant everything" (S2 novelization of the hug scene in 2x04) / "You're my brother, and you mean everything to me" (2x06).

You are his whole world.

If you're part of his inner circle, and not everybody is, so let's talk about it.

[ Callum, excluding Claudia and Soren from their support system, even though the siblings haven't yet betrayed them, while including Rayla, even though he and she haven't made up yet. ]

What about Soren and Zym?

As stated before, Callum's selective loyalty does not mean he doesn't care about other people in his life, such as Claudia (in the past) and people like Amaya, Soren, and Zym in the present. Merely that, slightly like Claudia, Callum does have an internal hierarchy of care — the way you might have friends vs best friends — of who takes priority, and we see S1, S4, and S5 in particular demonstrate this quite well.

As already stated, Callum prioritizes Ezran over the egg in 1x06 and is held back emotionally by Ezran fuelled logic and physically by Rayla. In 1x07, he doesn't want to risk going into town — even to potentially find help for the egg — because of his last disastrous experience with humans and Rayla. In 2x04, Callum is perfectly happy to walk around a sea to let Rayla avoid her fear of water, and approximately 5 minutes later is getting on Ez and Rayla's case for goofing off (with Rayla's thinly veiled and fallible disguise) because "Sometimes getting someplace slightly faster is important, like right now." Wasn't quite the tune he was singing earlier, now was it? For Zym, we see this again in 3x04 — Rayla is having a breakdown, so she has more of an excuse, but Callum should conceivably be much more clear headed, and he still tunnel visions into leaving Zym alone with Nyx leading to the theft. Likewise in 4x07 when the group thinks Zym might be gone, Ezran is the one who states, "I'm not leaving without him," and Ez and Rayla are both pretty broken up about it; Callum is sad, for sure, but he mostly focuses on taking care of Ezran and placing a hand on his shoulder.

Then you have Amaya, who Callum loves dearly, but isn't particularly torn up over not trusting or lying to (1x04, 5x03) in spite of being close to her, and isn't as vexed even when he thinks that maybe something bad has happened.

Even when Callum thinks it was bad, and potentially very bad ("The way Gren was talking, I thought maybe the world was ending or something!") he doesn't get angry and he doesn't get demanding. This is very different from how he responds to Ezran and Rayla being potentially in danger or just in trouble.

Which on that note also highlights another key importance between how Callum treats Rayla, in particular, versus how he treats Soren. Now, you could argue that Callum in 5x01 has emotionally matured/healed further than he has in 4x01 prior to Rayla's return, and that would be perfectly fine to do. However, it doesn't change the fact that just the hint of Soren keeping a secret — even before Callum thinks, at all, that it's about Ezran — makes him wait on the battlements to coldly and sternly interrogate Soren about it. With Soren, he demands,

C: I know this — the ties are true as the ocean is deep [...] It means I trust her. Unconditionally. Let her go. Now. R: About your key and the bow. I can explain. C: No, I meant what I said. You don't have to explain or justify anything to me.

Even when Rayla engages in actually shady behaviour — omitting the truth if not outright lying, stealing his key, and retrieving a painfully poignant weapon — Callum doesn't get mad, at all. Soren just implied he was potentially keeping a secret from Callum at the council meeting and lowkey got his ass handed to him, with Callum literally shoving him out of his way and needing Corvus' help to coral the angry step-mage.

Furthermore, even when Soren goes missing in 4x06, although concerned, Rayla is by far the most broken up about it. Ezran is optimistic because he's, well, Ezran; Rayla is torn because even though she doesn't know Soren that well, she feels like it was 100% her fault he's gone missing and has possibly gotten hurt; and Callum, well... mostly focuses about how she feels about it, and less so about his actual friend (because if Ezran or Rayla are emotionally hurting, they will take priority to him). He's focused on making sure she feels better.

Again: Callum loves Amaya, and Zym, and Soren. He loves them dearly. He wants to and does protect them. He can and will take care of them. But push come to shove, they're not in his inner circle — he doesn't trust them the same way, and he doesn't focus on them the same way, because when it comes to his inner circle, he loves them

More Than Anyone or Anything

So after seeing Callum like this from S1 onwards, you can imagine I was pretty thrilled upon opening up his bio in Tales of Xadia — which seems to be the most 'canon' of the supplementary materials thus far (scenes and ages are changed in the novelizations; timelines get a little wonky in the prequel graphic novels; some designs from "Callum's Spellbook" ended up being different; the art book is full of beautiful concepts, of course, that never understandably got off the ground) except perhaps for Though the Moon — said the quiet part out loud. Not only does TOX have plenty of lore drops and hints at future arcs that are coming to fruition (Aaravos' connections to Elarion, mentioning the Great Bookery of Lux Aurea and Leola, etc) but they did something very interesting when it came to what values which character had. There's some leeway as this is very much an Arc 1 reading (probably most clearly seen in Soren's bio) but there is still plenty of bleed over into Arc 2.

Now, as I said before, we don't want to take the Values too literally. As talked about previously, a lot of the characters highest values seem to be things their arcs are set up to thematically test rather than being a 1:1 what they value the most. But I feel like you can glean a good deal from them, so let's look at the trio:

EZRAN:

Justice — 10: I expect the best of people and try not to become an agent of cruelty.

Devotion — 8: All creatures—regardless of origin—deserve love and appreciation.

Liberty — 8: I value the liberty of everyone, sometimes even more than my own.

RAYLA:

Devotion — 10: Love and devotion compel and define me.

Justice — 8: At great personal cost I will strive for what’s right.

Liberty — 8: My only allegiance is to my heart and those who know it.

CALLUM:

Liberty — 10: I’m beholden to my inner circle, not some silly kingdom.

Devotion — 8: I value those close to me more than anyone or anything.

Mastery — 8: I aspire to know the great wonders of every primal magic.

Out of all the more 'heroic' characters listed in the handbook (Amaya, Janai, Aanya) only Callum and Lujanne do not have Justice, "Have you ever been compelled to fix what’s wrong? This value is about balance, virtue, and reward. You’re motivated by adherence to fairness and what you think is right" among their top 3. Each have it at a 6, instead, which the guide labels as, "This matters, but so do many things" and is the second lowest ranking a value can have. None of the main cast have any value at the highest ranking, 12, either, to help indicate scale perhaps.

Devotion, then, is the one we're currently the most interested in for Callum, since as said before, while the general value descriptions are useful, the specific ones help show more indication. Devotion is referred to in Tales of Xadia as, "Have you ever been obligated to others? This value is about duty, faith, and friendship. You’re motivated by the bonds of loyalty and your love for others."

Although devotion is Rayla's highest value, her devotion value makes no indication of who/what she is Devoted to. Whereas Ezran's reflects his deep love and appreciation towards animals (hence saving the baby glow toads in S5) and Callum's we'll get to in a moment, Rayla's we're not privy to. Instead, we can look at her Liberty value, as it states that her allegiance is to her heart ("My heart for Xadia") and to her loved ones (her friends, her family). Much of her arc is therefore feeling torn between what she thinks/feels her duty is versus what her heart is telling her, indicated by her letting Marcos go in 1x01 and the subsequent fallout.

We can also see her state this more clearly in Through the Moon, in which Callum is the one primarily concerned with her parents ("he’s stuck worrying about her parents. About what happened to Runaan. She can’t move on, not without knowing the truth of what happened [...] I hope you find your parents. And Runaan"), versus Rayla going along with the plan, "Callum, listen. Soren was worried about Viren too. Worried that we never found a body. We need to know what happened to Viren. He’s a threat to the whole world! This might be the only way to be sure he’s actually gone! [Upon entering the Portal...] Okay. Viren. My parents. Runaan" and then 5x01 spells it out even more directly.

R: Callum and Ezran need me. A great evil is trying to return to Xadia and we have to stop it, at any cost. I think this is what you would want me to do. I love you, and I haven't forgotten about you. I never will. [...] It hurts me to know they're trapped like this. It's agonizing. But our mission comes first. The world is in danger, and you can trust me to stay focused.

Now this makes sense, as Rayla having this push and pull has not only been a defining feature of her arc most seasons, but is ultimately what's going to be the most challenged when the Callum possession plotline rears its head. Does she kill/incapacitate the man she loves in order to protect the world, or does she fight to get him back no matter what, even if that may lead to ruin and chaos? (I'm hoping for the second one, but I will eat either up, lemme tell you.) Does she finally refuse to sacrifice, or does she barrel on hoping she'll only have to sacrifice herself?

The reason I bring Rayla up at all is because I think it provides a good contrast to how Callum operates, specifically in 5x04, in which case he reaffirms his devotion ("I would do anything for you") and then risks everyone's lives by staying late at the Great Bookery, even when Rayla says three times that well, this isn't the time: "Not yet, Callum... Believe me, I want to do something, but... Callum, we need to leave!"

Rayla cares about everyone, and is willing to risk her life for enemies and for strangers. She will abandon her mission for the world in favour of looking after individuals because they need help, regardless of what it asks of her: "Live or die, this dragon goes home." (And because she believes Ezran and Callum can accomplish the mission without her, but that's a post for another day.) As Bloodmoon Huntress makes explicit, as Ethari says:

Who I love, where I love, what I love, are all specific. But to Runaan and those like your parents... love is rooted in all families, all creatures. Souls like that feel called to protect everyone as fiercely as those they hold close. Each time Runaan leaves, it is with the weight of knowing that he may not come back. That to fulfil his duty, he may need to sacrifice everything, himself, and all that we have here.

Rayla likewise feels called to protect everyone, and that's precisely why by the end of Bloodmoon Huntress she's chosen to literally and figuratively follow in Runaan's career path, in order to be able to help protect and save people like Suroh (a stranger she immediately becomes entangled with). As Rayla says to the vision of Runaan and her parents in 5x01, "I think this is what you would want me to do," because they are ultimately all more alike (even in the occupations Rayla holds, such as assassin or dragonguard) than they are dissimilar.

The reason I highlight Rayla here is because 1) it is her highest value, being the only character to have it as said highest value (Claudia's, likewise, is only an 8 — but everything she does is indeed for her father, and unknowingly herself) and 2) I think it provides a clear contrast to Callum.

Because Callum's devotion does outline who, or what, he's loyal to. He isn't loyal just to causes and he isn't loyal just to concepts. While he cares about the world, when his back is up against the wall and it's a choice between that kind of security vs the life of a loved on (Ez, Rayla), Callum will always choose the latter. He cares about the world — to a Point.

I've talked about it before, but merely a statement of "I value those close to me more than anything" would accordingly be a lot more vague. There could be discussions and debates on what the 'anything' constitutes (morals, responsibilities, hurt feelings) with a lot more grey room as to whether it would include people (strangers).

“Maybe there is something I can do,” Callum said. “Ezran, you stay here. Protect Bait and Zym. Don’t worry. I’ll be back soon—with Rayla.” [...] Could he really bring himself to go through with his plan? What if he didn’t succeed? What if he compromised his beliefs and it all ended up being for nothing? […] But Rayla’s blade bounced off with a clang, sparks flying. She reeled back and tried again. Nothing happened. She was in trouble. Callum inched toward Claudia’s [book].

—Book 2: Sky novelization

But the inclusion of "more than anyone" changes that. It does include people. There is no wiggle room about that.

Now, I'm not going to base my whole thing on one (1) statement from a supplementary material. As previously stated, I've seen Callum with that exact same sentiment for years now, well before Tales of Xadia (March 2022) was released, and well before S4 or S5 premiered. I've gone over a lot of the reasons I thought Callum had selective loyalty even in S1, but I haven't touched too much on one of the biggest reasons why I think that selective loyalty includes a devotional component that borders on dangerous (at least, in a story). And that's, well...

“Rayla told me you used Dark Magic,” [Ethari] said, more stiff and cold. Callum shrank a bit, but his eyes hardened. “I couldn’t just let her die.” “You’d do it again." The prince scowled. “I’m not like Aaravos. He twisted the primal to be like Dark Magic. I would never do that.” “Unless you felt like you had to,” [Ethari] reiterated. “To save Rayla.” “Wouldn’t you do anything to save the person you love?”

—chapter 13 of a fic I co-wrote called in search of silver linings (we discovered gold) from july 2019, respectively

As soon as Callum opened up the door with dark magic in 2x07, I knew it was something he likely would never be able to entirely close. Not for lack of trying or wanting — but that his willingness to engage in dark magic at all spoke to a few different things. The first was the effectiveness — what spell to use, what would be most useful, and what Rayla's biggest problem would be (her swords unable to cut chains) — but most of all was what pushed him there: his devotion.

While magic has always been the thing presenting Callum with paths (to be a mage or not a mage, to be a primal or a dark mage), his bonds with other people, and his love for them — Rayla in particular — has always been what's actually pushed him down certain paths. His love for his mother, and her love for him, is what helps him unlock the sky arcanum. Callum unlocks his wings out of his love for Rayla; he goes down on the path of mage because "you called me a mage, and that felt right."

Although mastery of magic is one of Callum's highest values (an 8, just like his devotion), it was always clear to me that magic is not something Callum values above the people he loves. He can be obsessive, and his love for magic can sometimes put himself and other people unintentionally at risk, but thus far we've always seen him course correct the minute he realizes what's happening. The second things begin to go south at the Banther Lodge, Callum reflects, "We never should've come here," and completely forgoes the quest for the cube. He tries to risk his life just for magic in 2x04, but as we've gone over, he's unable to go through with it, but he will risk his life for his loved ones.

His rejection of dark magic was, to me, of being a dark mage, of not also pursuing primal magic, of relying on dark magic. Not that he would never, under any circumstance, ever do dark magic again if the show put him in the right circumstances. And then he did, in spite of knowing it would make him more vulnerable to Aaravos, in spite of not having any confirmation it wouldn't bring on a second possession, in spite of the fact he was fine being tortured if that meant not doing it or participating.

Then we have Callum giving up the spell, and the fact that the Ocean arcanum is linked more directly to love within his arc — "To love is to simply know this: the tides are true as the ocean is deep" (5x01, 5x08) — in addition to being aware that there are unknown depths in what he's willing to do for said loved ones/Rayla.

This is not to say that none of the main cast would do dark magic — although I don't think Soren or Ezran ever would, and I think Rayla would but only perhaps using herself as spell parts — but that, as the primary mage character, it's going to and is playing a much bigger part in Callum's arc than the others, who are given other thematic considerations.

He hates dark magic. He doesn't want to let Aaravos control him. He refuses to help Finnegrin. He folds on all of those things motivated by love. It's a weakness and a strength; something that, in my eyes, will likely lead to his fall to Aaravos ("Seems to me love's got a tighter grip on you than those chains around your wrists, so I'll do you a favour [by killing Rayla] and set you free") as well as what might save him. But to focus on the fall, with everything already said behind us:

Why Love Instead of Curiosity?

Now, obviously the theory of "Callum will free Aaravos because of [insert non possession reason here]" could be wrong. There's merits in having arcs about the tragedy inherent in losing your agency, it would still open up an interesting arc after the fact, and all that good stuff.

Callum has also very much always been an Icarus figure. He can be obsessive with magic, he can take it too far, and he does have a deep curiosity and thirst for knowledge that has already gotten him in trouble by not excluding dark magic from the bunch.

And deep curiosity is already hinted to be what partially causes him to fall further into Aaravos' clutches in a few different places. The mirror ("What secrets are you hiding?") and the cube ("Perhaps it will be you, Callum, who discover's the cube's secrets") seem accordingly linked and fittingly so, for the Mystery of Aaravos, as is magic: "it's the secret of the primal".

Zubeia also warns regarding curiosity, citing that, "Aaravos was able to give them something they wanted very badly. Aaravos chose as his instruments people who had strong minds and strong hearts… but who had an insatiable thirst and fascination with magic. Aaravos could offer them access to the great mysteries of the universe. Mages were his prey," which implies that this thirst for magic is what got them (primarily) into trouble. This is reflected (pun intended) in both Aaravos' reading of Viren as "You are too curious, hungry for knowledge and power," and while Callum is hungry for knowledge (and not necessarily power), his short story in which he finds the mirror highlights one of these things as well:

Callum’s eyes prickled with dust and tears. He rushed back to the spiral staircase—but as he reached for the figurine that would activate them, he noticed one last door he hadn’t checked. The small chamber beyond it lay dark and silent. A gleam caught his eye. Callum blinked at his own reflection. Curious, he stepped through the door—and there it was. A mirror.

With all that in mind, and I'm sure there's ones I've missed, too, why on Earth am I arguing that while curiosity may play a factor, I think it's going to be love that ultimately causes his initial downfall / playing into Aaravos' hands?

Well...

For starters, I personally find "doing terrible things for love" to be not only a primary theme of arc 2, but much more fundamentally sympathetic than just getting in over your head because you were a dumbass who couldn't read the signs. I know for myself that if Callum fucks around and accidentally gets himself into a place where (under possession at that point or not) he helps free, or just flat out helps, Aaravos knowing everything that he knows, if he does it for love I will defend his choice every step of the way. If it happens just because he wants more power or magical knowledge (hello Viren 2.0 beat for beat) I'm gonna be a lot more critical of him. After all, Claudia has done a lot of awful things but I still have sympathy for her because they were for her family, in their own fractured way, and operating out of a place of deep emotional pain. If she was doing that just because she wanted to be Powerful and Knowledgable, then no, I'm not going to be that sympathetic.

The other half of it, which you might have already guessed, is that curiosity is not a Motivation. It's a manifestation of a character's pyschological makeup. Even for a character like Viren, who very much chased power, ultimately, for the sake of power, we take time to dive into WHY he wanted those things ("To know that I mean something to you, it means everything to me" / "I dream of a bright future for humanity") and his internal justifications, no matter if some of those turned out to be lies.

Characters who are curious are curious because they want to solve puzzles and have a hard time letting things go; or else they are curious because they want to prove themselves by solving things first; or else they are curious because they deeply love and want to understand and protect the world; or else they are curious because they want to know and have access to tools so that they can fix problems; or else... Well, you get the idea.

Even if it is primarily Callum's curiosity and love/thirst for magic that gets him into trouble (and thus far it largely hasn't been, as we see in S2 with his motivation for doing dark magic — yes, there was a part of him that was undeniably curious about what it would be like, but I don't think he would've pushed himself into doing it without the dire straits of "I had to, to save my friends")... That doesn't answer why he's curious.

Either he will pull a full Greek tragedy and be so scared of freeing Aaravos he accidentally walks into it by trying to prevent it directly (and one of the main reasons he's scared of Aaravos is because he's scared he might hurt people he loves through possession) or he needs another motivation, but it can't just be "Callum really wants this [insert magical knowledge here] and it ends badly," because that offers a plot summary, not an emotional character beat. There's no motivation. They'll have to explain why he wants the magical knowledge, why he's chasing it, why this level of curiosity is something he cannot or will not put down even with all the risk factors at play. It has to be grounded in some kind of sympathetic emotion, and love or fear or a desire to be helpful/useful, or all three makes the most sense to me and with all the prior setup.

Conclusion

As a closing note, as well as thank you for reading this far if you have because this got wildly long and out of hand, I want to reiterate that in many ways, to me, Callum's devotion to his loved ones — that he says "I would do anything for you" and mean it — is indeed his saving grace and biggest difference from Viren, who would rather offer up himself or others or have Harrow die than relinquish the egg, because he would never put a weapon into Xadia's hands. Being devotional — valuing the individual — is not always a good or bad thing, nor is prioritizing the 'greater good' always a good or a bad thing. TDP is deeply interested in exploring all the different circumstances of motivation, sacrifice, and choices.

Nor is selective loyalty a bad thing. I'm not wired that way, but some of my closest loved ones are (and of those in the fandom have, overall, greatly aligned with this perceived aspect of Callum). Merely, this meta is meant to examine the claim in Tales of Xadia that "I value those close to me more than anyone or anything," why I was surprised but delighted to see my view of Callum be so directly spelled out, why I had that view and continue to have it, in addition to aspects/pieces of the text that I think support it.

I believe that Callum is loyal to Ezran and Rayla on a fundamental level he does not really extend to anyone else (including many other people who are also his family) and while this is in many ways something that creates the best sides of him — his nurturing, compassionate, thoughtful and protective traits — it is also something that can be exploitable and dangerous, particularly in a narrative where he is set up to be controlled/coerced by the big bad.

And this meta hopefully explained why.

You can take it or leave it.

—Dragons out

[thrandilf]

do you have a guide as to the extra materials for The Dragon Prince? i keep seeing stuff about comics or books but idk where to start

Not on hand but I can make one here! :D

There are two, soon to be three, canon graphic novels.

Through the Moon takes place between seasons 3 and 4, like a little season 3.5 It isn't Necessary to read it before watching S4 but the story is cool and the extra information is neat. It feels like we might get more info regarding what happened to Rayla while she was gone later in the show

Bloodmoon Huntress takes place when Rayla is a child around when her parents leave. Lots of Runaan and Ethari, also introduces Kim'dael who will be in S5. Again, not Required reading but a fun extra story.

Puzzle House is coming out August 1st and is about Claudia and Soren as children, and we also get a look at younger Viren and other people. Harrow's father, King Atticus is still king in this one so interesting Katolis lore, SUPER hyped for when we get to read all of this one. The Scholastic link has a 15 pages preview if you wanna take a peek.

There are novelizations for Dragon Prince Season 1 and Season 2, they add a bit of introspection and small extra details. Viren in particular gets more of his internal thought processes laid out and for me it just Confirmed a lot of things. Season 3's novelization is coming out April 2nd, 2024. I'm sure all 7 seasons will eventually have novelizations.

Tales of Xadia is the ttrpg book and it's gorgeous and is probably the most lore heavy supplemental material as far as world building goes. The system also looks fun! The website has a character builder too for OC making. As a writer, it's been a great help as far as seeing some aspects of the world laid out. The system looks fun and there are videos of some of the cortex(?) team playing ToX official tales/campaigns but I haven't watched them yet. The campaigns are also available to look at online too.

I think that ToX is getting an expansion at some point since the base game doesn't touch much on Ocean or Star magic, I imagine due to spoilers for the seasons we're coming up on.

There's also a tabletop game called Battlecharged which I haven't personally played and I don't think it Adds lore but I've heard it's fun.

Also, it will likely be a long time before we see it, but there's a video game in the works as well that's in alpha testing right now called Project Arcanum. Wonderstorm is pretty busy!

BUT WAIT THERE'S MORE

The Free Stuff:

Reflections are official short stories hosted on TDP's website and all of them are excellent and provide little extra scenes. Some of them are quite impactful, and the ones in this second batch are promising an absolutely wild S5. The first batch was released pre S4 and the second batch is being released now pre S5 as we count down to the new season. They aren't Required reading since the most key information from them will be in the show (going by the S4 ones) but I highly HIGHLY rec reading them all. Banger after banger. As of posting this there may be one more coming.

There's also little 4 panel comics called Everyday Xadia that have been also released during countdown mode and they're just fun/cute. Volume One and Volume 2 (still coming out). Sometimes when people say comics they might mean these, or the graphic novels lol.

Thank you for the ask, I'm always happy to share the TDP love and I hope this was helpful to you and anyone else who'd like a ref!

[imminent-danger-came]

continue being a little mean to toh fans please it is really irritating how some act like its got the best writing of any modern cartoon

Daawwwww I don't have it in me. TOH fans love it for a reason, and there are legitimately good moments! It's just not the most complex or well-written show out there—which it doesn't need to be—but I also totally get your exhaustion. It gets tiring seeing people praise it so highly over and over again when it's just like...fine. It didn't do nothing but it also didn't do something, you know? It's main couple is cute and queer, but that's pretty much all there is to them. It has a fun cast of characters, but they all tend to fall into archetypes. Luz is a sweet main character, but she doesn't have any real flaws and kinda takes a back seat to Hunter and Eda (the white people lol). Her foil with Philip was interesting...but then they kinda backed off and went the "you and Belos are nothing alike" direction.

((I'm also going to answer this anon with another: ))

And It's not that an unsympathetic villian is bad, or that Belos would even be sympathetic with added backstory, it's just that...there were a lot of interesting things to explore with his character that were left hanging.

Like, while he's definitely not at all a good person, it's intriguing that he would bother to recreate his brother over and over again knowing that each time the grimwalker was going to betray him. It's intriguing that he was even willing to kill his brother to begin with (though Caleb was super underutilized in general). Like, you can give a villain depth without justifying or victimizing them (hi Finnegran from tdp, I'll also add Spider Queen & LBD here). So it just feels like a missed opportunity all across the board. It's still surprising to me that we got a confirmation on the Wittebane backstory through an unrelated background character, rather than Philip himself (who had literally possessed a main character, and mindscapes had already been well-established....the pieces were all there me thinks).

And obviously it's like, people can love something despite it's flaws, and they can cherish it for the good it has, but they still don't need to praise it as an ultimate form of media, you know? We don't need to pretend toh was this dark and complex story—it was just a story a lot of people liked and resonated with. Which I'm glad it's there for those people, and I'm glad there are options when it comes to queer pieces of media!

That said the show with the best writing of any modern cartoon is The Dragon Prince (streaming on Netflix).

[herwrittenuniverse]

The Dragon Prince's "Mercy" Motif

TDP Fam, this is so fascinating.

I made this post about the connection between two characters' names. Nothing is coincidental in this show. The creators have things mapped out for future seasons.

🚨Spoilers below! 🚨

We know this arc is called The Mystery of Aaravos, and so far - in the show, anyway - he does appear more malevolent than benevolent, using characters as pawns (Viren, Callum, Claudia) to achieve his means (freedom). He was one of the Great Ones, but he lost privilege and title, becoming known as The Fallen Star. It was revealed that he's been behind wars, manipulating leaders for centuries, and so he was locked away because he was too dangerous. (If you're reading this, you've seen the show and know all of this.)

Now...E1S6 (which was previewed at NYCC) opens with a conversation between him and another Startouch Elf. He's distraught - it's the first time we've ever seen Aaravos showing such incredibly desperate emotions. (As I've mentioned, he's being painted as a sympathetic character.)

First, you wanna make a bet these statues depict the very scene featured in S1E6?

It's too perfect.

Now, this elf is called The Merciful One. As I pointed out in my other post, there is another character that is associated with mercy. You guessed it:

Her story is literally called The Queen's Mercy and one of the many titles bestowed upon her (if you read the story) is Queen Aditi, the Merciful. (I've already done the math in this post here.)

Now, why is this so fascinating?

Mercy, by definition, is compassion or forgiveness shown toward someone whom it is within one's power to punish or harm. (Thanks dictionary.com.) But as we know from reading The Queen's Mercy, Aditi isn't merciful at all. She's cunning. Kim'dael goes to Aditi seeking sanctuary. What does she get in return? A Mercy Debt.

Could this be considered merciful? I mean...she did not banish or harm Kim'dael. But she's trapped eternally, and literally owes her life. Kim'dael is a villainous character, no doubt - but that is not compassion or forgiveness. (Whether or not she deserves it is a different conversation.)

Now let's go back to Aaravos and the Merciful One, shall we?

If you look the images, Aaravos is clearly distraught, and yet the Merciful One appears calm, cool, collected. We can assume he's...well, granting mercy.

By what? Imprisoning Aaravos? This could very well be the moment he is imprisoned.

But is it true compassion? Is it true forgiveness? Or is it, "I'm granting you something in my power because - even though it seems wrong to you - it's for the greater good." I could see Startouch Elf philosophy being cold and factual, distant and matter-of-fact - leaving no room for matters of the heart or emotions. (Doesn't this elf reference that Aaravos is in this position because of love [and I suspect has something to do with Leola]? If someone can get me their exact quote, that would be fantastic.)

This opens up a really interesting conversation regarding the term 'mercy' - because what I think is happening here is that there are two characters in power (The Merciful One and Queen Aditi) who are technically granting 'mercy' (although I am only hypothesizing based on the new Startouch Elf's name), and yet it is not at all merciful to the character. It's almost as if they're both saying, "Yeah, this sucks for you right now, but it's going to be better off for everyone else in the end." Kim'dael is 'imprisoned' by the Mercy Debt. Aaravos is literally imprisoned.

I mean, Kim'dael is in the same position as Aaravos' statue in the Sea of the Castout.

I don't think this is a coincidence. I think both of these things will come back to bite our beloved Dragang. They are the ones who have to deal with the consequences, after all.

Did they deserve this treatment? For Kim'dael - I'm leaning towards yes, she is clearly a villain and has done horrific things.

And...we know that Aaravos has something to do with Aditi's disappearance.

But did Aaravos deserve this - imprisonment?

Now that is yet to be seen. And I have a feeling S6 will leave us all questions more than answers.