What music do you like?
Kind of a mix of stuff, I like genre mixes so it's hard to pin down exactly. I like stuff with added classical instruments or real synthesizer in it.
The most consistent group I've listened to since I was a teenager is world/inferno friendship society which can KINDA be defined as dark cabaret, but it's more of a loosely defined anarchist music collective. (Though they're probably done after Jack Terricloth passed away in 2021)
Otherwise there's some Ska (Aquabats and Reel Big Fish mostly) some Electronic music (fartbarf, look mum no computer) a little bit of rap in there (godforbid) and a lot of stuff that's harder to define (ludo, bear ghost, golgol bordello, Amanda palmer, mad caddies, electric six, Voltaire)
I kinda go for beat and vibes rather than genre. My two main playlists are kind of a train wreck genre-wise.
8 notes
·
View notes
You ever think about how in DC, it wouldn’t make much sense to have super developed CGI for movies and practical effects would be more widely used?
Like, most shots that would need to be done via CGI in our universe could be done practically in the dcu. Especially when we began developing early CGI it would be important because there would not have been as big a push or even as big a need to advance CGI to the point where it is today for us. Especially with the comic book tech that people can make & superpowers.
Not to mention people with specific meta abilities would be highly sought out in the film industry.
For example:
In the beginning of CGI being used for fluid dynamics, large realistic CGI water scenes took an absolute shit ton of mathematics, rendering time, and a ridiculous amount of money. They were complicated to do, took a long time and again, it was expensive. Really, really expensive. So, big shots of digital water were done only for big monumental scenes that the director wanted a big impact in or had a lot of significance. Otherwise, unless there was an absolute need for a large digital water shot and they had a massive budget, scenes like that wouldn’t even come across directors minds as at the time, it simply wasn’t feasible.
So, what would a good solution to doing a massive water scene in, let’s say, the 70s in the DCU? The answer: Do it practically. It’d not only be cheaper but would take far less time and effort. Honestly, the hardest thing would be finding metas with the specific abilities needed.
So, for that water scene hire 50 metas (my headcannon is that most metas don’t have very strong or flashy abilities. so you’d need a Lot of people for something like this.) that together can choreograph & move the water in the way needed for the shot.
But because hiring someone to make a device or via using metas can achieve the effects wanted, the film industry would continue to rely on doing effects that would, in our world, need to be done with CGI but to them can be done with gadgets and superpowers. And while our CGI programs progressed and made breakthroughs, in DC there would be less stress on developing such tech as it wasn’t needed nearly as often. As a result, it would become semi-standard to hire metas for certain types of practical effects. Hell, it would probably become more expensive to hire metas for these effects as time went on as big blockbuster movies would go on to make these insane, before impossible to make scenes using metas’ abilities. The practice would fall in & out of use as metas would fall in and out of public opinion as politics and history continued in the DCU but it would definitely remain a cemented practice in filmmaking.
Anyways, it would mean that metas with specific abilities that favor certain practical effects would be sought after in the film industry.
For example of abilities sought and why:
- minor weather control: for… weather control. Also, who needs to spray a set full of asbestos snow when a guy can come over & make it snow over your set to have it be more natural. Or even better, just have a snow gun in the prop department you can use for winter scenes.
- telekinesis: imagine the camera techniques that would be developed due to being able to hold and move a camera via telekinesis, that’s actually sick
- element control based abilities: so much shit. Especially earth based because they would be able to rearrange a landscape. Water: who needs to cgi blood & gore when you have a meta that’s bursting blood packets with chunks of meat in them?
- guns, gadgets, and gizmos: I like to imagine that there is this almost monopoly over props and tech that have advanced tech for people to rent out for filmmaking. Like, as mentioned before, a snow gun for winter scenes. Or, an intangibility ring so an actor can get “stabbed” but not actually get hurt. Etc.
- pyrotechnics/demolition: it’s Hollywood, they love that shit. people with the ability to explode things without having to pay for explosives plus a meta with telekinesis to direct the blast of the explosion safely would be amazing. People with pyrotechnic or demolition abilities would probably need a license to practice safely.
- shapeshifting: body doubles, great for comedies, stunt acting, injury scenes (need an actor to have their hand blown off? No need for prosthetics when there’s a guy that can suddenly have no hand. They could be an extra in every scene and nobody would notice that they’re the same person.
Also there’d probably eventually be an incident in film where a shapeshifter changed their face to look like a famous actor or a political figure or smth & thought it would be fine but it made a massive uproar and resulted in laws that shapeshifters cannot impersonate real people in media without credit to the person being imitated & their consent with a lot of paperwork necessary.
- acrobatic abilities, fighting, strength, speed: stunt actor.
- control or speak to animals or plants: would help a Lot in skipping some of the effort to train animals for a role.
I just thought it would be cool to consider that due to the metagene and comic book tech existing, certain technology, like CGI & visual effects would develop at a different rate due to most effects being able to be made practically in live-action films.
154 notes
·
View notes
A bunch of Mario Family headcanons:
Because I think a very normal amount about the larger Mario family and very very very much want The Super Mario Brothers Super Show Reboot all about them
G-Poppy and his wife moved to American from Italy in their 20′s, making Mario and Luigi third generation immigrants
G-Poppy’s dream was to own and run an authentic Italian a Restaurant in America, but after the birth of his oldest son, Pio, the need for quick cash to pay rent was more pressing, thus why he got into Boxing
Papa Mario’s full name is Pio Mario Jr, he’s named after G-Poppy
Pio is a good 5-6 years older than his younger brothers, Arthur and Tony, who are only a year apart at most
Sense bills were tight, Pio spent a lot of his childhood being another income to the house hold, working hard labor work like construction to keep the family afloat while his brothers were young
Eventually G-Poppy got too old for wrestling and finally realized his dream of opening a Restaurant; Punch-Out Pizza. This put the family in more financial struggle, forcing Pio to take up more work while Arthur and Tony helped in the Restaurant
Now that G-Poppy is retired Arthur and Tony run the business together. Arthur’s the finance guy, where Tony runs deliveries and hands on manages other employees
It was actually their Grandmother who made Mario and Luigi’s caps for them, she’s also made G-Poppy’s. She passed before Louisiana was born, thus why she couldn’t make her a cap as well
Tony’s a huge horror movie buff, he loves old classics and has a huge VHS collection. Part of the reason Luigi is so scared of the paranormal is from catching glimpses or watching whole movies with Uncle Tony growing up
Another big part of Luigi’s fear though may just come from Uncle Tony loving to scare him. A big pass time for Tony was waiting around corners in Halloween masks to jump scare Luigi, or telling him ghost stories any change he got
Mario also got a bad fear from Uncle Tony’s movies; Pianos. He’d just happened to catch a pretty nasty scene of the lid of a Grand Piano crushing someone when he was younger and it stuck with him pretty hard
Louisiana is about 11-12 years younger than Mario and Luigi, so despite being cousins the three have a hard time relating to one another from the large age gap
Louisiana prefers to go by Louise, though only Mario and Luigi call her that. She was also the first one in the family to use the “Lou” nickname for Luigi, which Mario quickly also picked up
Arthur loves baseball, the Mets especially, but really he’ll watch any team play. He regrets not being on his school’s baseball team when he was younger, due to having to help at the restaurant, thus why he signed his daughter Louisiana up as soon as she was old enough. She’s stuck with it to keep her dad happy
Mia makes 90% of the meals in the Mario household, with the occasional help from Arthur. She learned most her dishes from her own mom, and a good deal more from Pio’s mother after marrying into the family
Marie is absolute rubbish in the kitchen. Mia’s given her multiple lessons and had her help with dinner many times around when she was expecting Louisiana, but she rarely made anything edible. The only one who ate her meals was Arthur, who just wanted to support his wife with all he had, even if it made him ill (which it did. Many times. Tony made fun of him for it)
Tony loves to work on machinery, mostly motorcycles, and has bounced around working part time as a mechanic here and there before his duties at the restaurant drag him back
Pio, Tony, and Mario are the only ones in the Mario family with a drivers license, though Tony was the only one who drove regularly until Mario bought the van
The Mario family owns 4 gaming devices; The Brother’s NES that they bought with their saved up chore money in Middle School, a Wii Marie and Mia do Wii Fit on in the living room, Uncle Tony’s PS2 that’s mostly collecting dust, and the Home Computer that Louise plays Roblox and Minecraft on
The Mario family apartment has 3 bedrooms; Pio and Mia’s, Arthur Marie and Louise’s, and Mario and Luigi’s. G-Poppy sleeps on a chair in the living room, and Tony sleeps on the couch
Louise has already called dibs on Mario and Luigi’s room when they move out, Tony says he prefers the couch anyway so he doesn’t mind
Pio pushes a lot of his own raising onto Mario, as the oldest he thinks Mario should be responsible, a support for the family, not chasing his own crazy dream that could crash down onto them into debt
On the flip side, Arthur puts a lot of what he wanted for himself onto Louisiana, pushing her to do new things and plays sports and do after school activities like he never got to do having to work in the Restaurant growing up
Tony’s the only one he sees this happening, and thus has stayed the fun uncle who’ll get you out of that thing you don’t want to do if asked. He’s listened to a lot of vents from the kids as he drives them from one activity to the next, and tries to remind them their parents are doing their best, and love them a lot. For everyone but Luigi that reminder fell on deaf ears
29 notes
·
View notes
Idea: Dark then starts working on the human-to-stick machine in secret and then Chosen discovers it just as it's being activated. Second happens to secretly be on the PC at the time and sees the effect.
ngl????? i have no idea how the effect would be like bc i barely even know how it works KGLKSDLJGLSD
all i know is like.
virus on computer -> virus uses secret function -> ???????? -> stick!alan
so the reason i can't really say anything on what would happen if someone else sees it is because my logic is 'i don't fucking know but the outcome is fun!'
i do like the idea of chosen finding out what dark is planning just a little too late though,,, that's always fun <3
4 notes
·
View notes