A little too late for the Bad Batch finale and May the 4th, but I had to get this out of my system. Both unaltered clones of Jango growing up at a regular rate compared to their Trooper brothers, and discovering they have one more sibling.
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i’ve seen a lot of posts talking about nimona’s queer messages which is great! but ive not seen as many posts talking analyzing how both ballister and ambrosius were changed to be asian, which is a shame because i genuinely think its one of the most important parts of the film! a huge part of it is a deconstruction of the model minority myth and respectability politics, both of which are big issues in the asian american community. both of them represent each side of the spectrum, with ambrosius expected to be superhuman with very little support and ballister being seen as less than human, no matter how hard he tries- a monster.
ambrosius (who is now east asian, like his voice actor eugene lee yang, who is korean with chinese and japanese ancestry), despite being in a seemingly powerful position as head of the knights and a descendant of gloreth, he isn’t really given the kind of support that this position needs- he’s constantly undermined and belittled by todd, the face of the other knights, and when asked about his emotional state by the director, represses his emotions rather than talk to her about his true feelings. this is very similar to how asian american students in schools aren’t given the support they need academically by teachers and administration, as the model minority myth leads to them being perceived as more intelligent and competent than their fellow students and therefore not needing support. he’s also held to a higher standard than any of the other knights, being immediately placed into a position of power despite just being knighted, again a reflection of the model minority myth, since asian americans are held to higher standards unfairly. despite being technically better off than ballister, he has no support, no friends, no way to seek help for his problems, and, just like ballister, is immediately thrown away the moment the director thinks he’s served his use.
ballister is now pakistani, like his voice actor riz ahmed (no, not like pedro pascal. where did this come from lol), and i’d go as far as to say that he is also, if not explicitly muslim, heavily muslim coded as well. he’s framed as a terrorist by the white, christian institution, and from then on, it doesn’t matter how good he tries to be- everyone else sees him as a monster. he’s also from a lower socioeconomic class than ambrosius and the rest of the knights- while this is initially used to frame him as a success story, after he’s framed, it’s used to cast suspicion on him. almost immediately he’s othered, with posters casting him as a foreign invader sent to destabilize the city, much in the same way that muslim immigrants are seen in real life. even when he tries to be peaceful and good, it’s always twisted so that he’s the monster of the story. while ambrosius is held to too high of a standard, ballister will never be enough for the institution to accept.
which is why both of their arcs culminate in them breaking out of the system, learning to accept what they’d been taught was monstrous, and leaving behind respectability. it’s a genuinely great commentary, and i can definitely see why riz ahmed and eugene lee yang were chosen for this, as they’ve both done activist work for their communities.
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I know I've ranted about it a million times, but every time someone brings up Roman, Byzantine, and Egyptian inspirations/influences on Gondor in more mainstream Tolkien fandom spaces (not me, because I don't even talk about it off Tumblr/DW), it seems like there's always someone who gets super weird and defensive about it. I've seen so many "well actually there's no need to consider any influences outside of England, mythology for England blah blah" responses.
And it's like! Oh, you want to play the decontextualized Tolkien quotes game? How about this one:
“But this [the setting of LOTR] is not a purely 'Nordic' area in any sense. If Hobbiton and Rivendell are taken (as intended) to be at about the latitude of Oxford, then Minas Tirith, 600 miles south, is at about the latitude of Florence [in Italy]. The Mouths of Anduin and the ancient [Gondorian] city of Pelargir are at about the latitude of ancient Troy [in Turkey].
Auden has asserted that for me 'the North is a sacred direction.' That is not true. The North-west part of Europe, where I (and most of my ancestors) have lived, has my affection, as a man’s home should. I love its atmosphere, and know more of its histories and languages than I do of other parts; but it is not ‘sacred’, nor does it exhaust my affections. I have, for instance, a particular love for the Latin language, and among its descendants for Spanish ... The progress of the tale ends in what is far more like the re-establishment of an effective Holy Roman Empire with its seat in Rome than anything that would be devised by a 'Nordic.'”
Or this one:
we come [in ROTK] to the half-ruinous Byzantine City of Minas Tirith
Or:
In the south Gondor rises to a peak of power, almost reflecting Númenor, and then fades slowly to decayed Middle Age, a kind of proud, venerable, but increasingly impotent Byzantium.
Or:
The Númenóreans of Gondor were proud, peculiar, and archaic, and I think are best pictured in (say) Egyptian terms. In many ways they resembled ‘Egyptians’ - the love of, and power to construct, the gigantic and massive. And in their great interest in ancestry and in tombs.
[…] I think the crown of Gondor (the S. Kingdom) was very tall, like that of Egypt, but with wings attached, not set straight back but at an angle. The N. Kingdom had only a diadem (III 323). Cf. the difference between the N. and S. kingdoms of Egypt.
Or:
Thank you very much for your letter. … It came while I was away, in Gondor (sc. Venice), as a change from the North Kingdom
Middle-earth is not equivalent to England, or northern Europe in general, and Gondor especially is not northern at all!
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i want to fail at being a boy retroactively. i want to do all the things i never actually got to do as a boy but since i'm doing them now as a feminised faggot it's inherently fucked up and wrong. i want to defile the concept of boyhood
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