Did y'all think I was just one and done?? Oh, no no no. I have a SECOND NEW SHIRT!! Everyone's favorite ghosty bois: Gastly, Haunter, and Gengar! 👻👻 With everyone's most hated moves when done by their opponents: hypnosis and confuse ray 😴😵💫
You can find this shirt and others in my shop!!
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Gerard Way at 9/11, the event that started it all
TODAY IS THE DAY MCR WAS CREATED 🥳🥳
HAPPY 23RD ANNIVERSARY (with a 6 year break) TO MY FAVOURITE BAND
(Edit: some people have made me aware that this post can appear insensitive or inappropriate towards 9/11. That isn't my intent, 9/11 was a tragedy, and the aftermath was horrendous. This post is only here to celebrate the start of mcr, absolutely not 9/11.)
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HEY SELFSHIPPERS WHO HAVE AN UNFORTUNATELY POPULAR CANON X CANON SHIP THAT IS A DISCOMFORT!!!!
the next time you get shown the ship or just have it in your head, imagine your f/o looking at the ship from over your shoulder and scrunching up their nose. being grossed out by it. being made uncomfortable by it, grimacing awkwardly at the sight of it. being confused by it!!!
they dislike that ship just as much as you do, believe me! no matter how many times someone draws them looking happy and in love with whoever, that ain't happening.
you two are each other's favorites, so the next time you see that sorta thing, just remember your f/o's silly little scrunched up weirded-out face at the mere sight :]
edit: PROSHIPPERS DNI THIS POST IS NOT FOR YOU.
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One thing about Laura Bailey:
She respects consent. Not just physically. But emotional consent too. She might make the most adorable blurbo every, one specifically aimed at romancing a character, but if the player isn’t into it she gives them plenty of room to back out. (based on C2 and C3, I haven’t seen C1)
Winning isn’t kissing the other player and having them accept it. Winning is having them kiss your character and mean it.
—————
Side note, I gotta acknowledge how cute Laura’s “I know, I’m sorry!” response to Marisha’s “I made a dead lady who was unromanceable!” statement
it means that their session zero involved Laura sitting there as Marisha described their friendship and closeness and was thinking the whole time “I’m gonna make a Sapphic that is going to Pine So Hard”
And honestly I think she, as a player, would have been delighted to play the heartbreak of being rejected. To take that leap and fall flat? BAFTA award winning actress Laura Bailey not making something amazing out of that? No fuckin way.
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marisha and laura as jackie and evelyn redrawn as imogen and laudna. say that 10 times fast.
this took so long but i have to be done with it or ill perish
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I've been reblogging all these Gengars but I haven't posted my own!
I made this!
I did! I made this one. Out of Mardi Gras beads and glue. It took a while but I'm so happy with it. And it looks great in my Pokémon corner.
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Something I've always found fascinating about Raymond Shields is that despite seemingly having altruistic reasons for being a defense attorney, his reasons for trying to convince Miles to be one are anything but.
It seems understandable enough on the surface. After Ray comes around and agrees to work with Miles in The Imprisoned Turnabout, he sees remnants of Gregory shining through him despite von Karma's influence. Whether or not he recognizes that Miles' decision to become a prosecutor wasn't just born from that alone—that it was in tandem with wanting to distance himself from anything that reminded him of his father to alleviate the burden on his heart—is up for debate, but regardless: he acknowledges Miles as Gregory's son through and through and wants to capitalize on his dedication for pursuing justice in a way that he knows would make his father proud. He wants to let Miles in on the life he was robbed of at 9 years old—the life he once dreamed of living, where he follows in the footsteps of his father by giving everything he has to save people, by fighting like hell for the vulnerable and the condemned.
That said, as much as Ray dresses up his proposition by making it out to be as if he's looking out for Miles' best interests (and the best interests of society, even)...his motives for trying to get Miles to switch sides are almost entirely selfish. Ray's efforts (and most of his actions in general, really) are ultimately a product of his desperate attempt to cling on to anything related to Gregory out of an inability to move on from his death. Wearing his hat and coat, leaving the name of his office unchanged...and now, requesting that his son literally change jobs just because he can't bear the weight of his own loneliness anymore. Because he can't bear to think that the damage done by DL-6 is irreversible and Miles has moved on while he has stagnated for the past 17 years. Because he has an idealized vision of what he thinks Gregory would want and fails to realize that his son's occupation wouldn't matter to him as long as it brings him happiness and fulfillment. In his mind, letting Miles go means accepting the circumstances that brought him where he is and allowing both of them to move on. And that terrifies him.
It's even more deceitful when you realize that Ray's pitch comes at a very opportune time for Miles given his circumstances at that point: that is, he's under threat of investigation for prosecutorial misconduct and at risk of being stripped of his badge. Ray might fake incompetence, but he's not stupid—and he takes full advantage of Justine's warnings to try to sway Miles when he's in a more vulnerable position in terms of his job. Which is...pretty fucked up, to put it lightly. Despite having a better idea of where he came from compared to most people, through this Ray shows a lack of understanding of who Miles truly is and a lack of respect for what he's come to value, even if his path toward obtaining those values had some bumps along the road. But he's so blinded by his grief that he doesn't even stop to consider how much he's really asking of him, or what Miles is really searching for.
Ray was moved by Gregory. He values saving people. Defending the weak is an undeniably noble endeavor. But to ask that of someone else without consideration for their best interests is decidedly less so.
For all his occupation requires a certain selflessness, Raymond Shields is far more selfish than he lets on. And I for one find that contradiction fascinating to unpack.
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