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helenanell · 5 months

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Contempt of Court || Challengers

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Art Donaldson X Fem!Reader

CW: 18+ MDNI. Alcoholism / substance abuse. Suicidal ideation. Mentions of car crash/ injury, infidelity (technically - Art is still married to Tashi, but they’re separated) Angst. Smut. A little toxic.

Wordcount: 10.8K

Notes: No use of y/n. Set after the events of the film. Reader is a Tashi stan (There’s too much Tashi Duncan erasure happening and I won’t stand for it.)

Summary: Still recovering from an injury that put your tennis career on pause, your publicist has landed you a deal to be an ambassador for Nike. What she doesn’t tell you, is that so is Art Donaldson: the player who bad-mouthed you in a live, post match interview two years ago. You only find out once it’s too late.

(This story was inspired by the dynamic between Billy and Daisy in Daisy Jones and The Six. But…make it tennis.)

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For eight agonising weeks, your wrist has been encased in a cast, but now that it’s finally off, you feel far from relieved.

As the doctor had sawn into the plaster, producing a cloud of white dust like he was breaking into a bone instead of revealing a healed one, you had actually felt panicked.

After the car crash, you had spiralled into a pit dug with your own self-pity and pain. And once you’d reached the bottom, you’d staved off the encroaching darkness with alcohol and too many painkillers.

You’d taken drugs before at parties and drunk until you wiped your own memory, the consequence being waking up with your skull practically splitting open from pain. But there was something profoundly different about becoming intoxicated in the hopes of rendering yourself numb:

You hated yourself whilst you were doing it, and once the harmful buzz wore off, you hated yourself a little bit more.

You had become fast friends with shame in the past few months.

You have been desperate to play again, screaming, crying and practically tearing off your own skin with the need to get back to work- to not let yourself fall behind or your ranking suffer.

But, amongst the amalgamation of negatives there had been a sort of relief, too. Relief, because the choice had been taken away from you.

The accident hadn't been your fault and nor could you force your bone to heal faster, so for a brief period of time, you had convinced yourself nothing was your fault. For once, you couldn’t be blamed for your own fall from grace.

But now your bone had healed and if you didn’t give recovery your all, it would be your fault. If there was no triumphant comeback, it would be on you.

Another thing to fail at.

Another thing to lose.

All of which only added to your bafflement over your publicist’s insistence on coming over this morning, in order to discuss ‘a major opportunity’ that wasn’t related to a competition.

You had originally tried to worm out of it, but your coach had found out and given you the third degree.

You’re already tired at the thought of it and you don’t even know what it is yet. You don’t want to think about anything but tennis. You don’t have the energy for it.

In all honesty…you’re hanging on by a thread.

‘Drinking too much’ is a far too casual phrase for how you’ve been living: it has connotations of casualness- a glaring lack of stakes. For you, the stakes are unbelievably high.

You know you can’t afford to become alcohol dependent because even being a functioning alcoholic isn’t an option for you. The only way to function as an athlete—to maintain your career trajectory and the attain the US Open title—is to be at one hundred percent.

Mixing your painkillers with straight vodka isn’t one hundred percent: it’s a cry for fucking help. Except you can’t let anyone hear the cry, you need to stifle it.

It’s bad enough that pictures of you being rolled away from your totalled car in a gurney had been plastered over the internet for weeks after the accident. The alcoholic, pill popping tennis pro was a story that would never go away.

It would morph into an ugly sort of infamy: you’d been in the exclusive club of American sweethearts and heartthrobs who had been hounded so much by the ‘devoted’, that it had driven them to substance abuse to drown out the noise and fortify against the flashing lights.

So, no one could know. No one.

Which is why, as your publicist pulls into your driveway, you’re rushing to hide a half full bottle of vodka inside a hideously expensive—and also just hideous—vase that had been given to you as an engagement gift.

Two years ago, when your fiancé–and fellow tennis player–had been caught in 4k, kissing a barely legal actress from a HBO teen drama, you’d almost smashed the vase. But, something about destroying a gift from Serena Williams felt like spitting out the ambrosia a god had fed you from their very own hand.

So, while your ring had been thrown into a ravine (best not to dwell on that.) the vase had remained.

The doorbell rings much sooner than you’re prepared for. Who knew a five-foot-two woman in heels could move so quickly?

You run over to the door, chewing down on two pieces of gum you’d hastily shoved into your mouth to cover up the scent of alcohol. When you pull it open, you’re met with the stern face of your Publicist, Rebecca. She’s tiny but terrifying, her sharp features framed by a pitch black bob.

Sometimes, it does feel a bit like you’re talking to Edna Mode, but you’d never dare say that.

“Rebecca, hi!” You’re aware the greeting is too happy, and try not to grimace.

When you step back to allow her to enter, Rebecca frowns at you as she passes.

“Why are you fake smiling?” she questions. “Your cast is off, you should be actually happy.”

You drop the toothy grin, wincing with embarrassment as you follow her into the kitchen.

“I am happy about that, obviously.” You clear your throat, overly aware of how disingenuous you still seem. “What I’m not exactly overjoyed about, is whatever this ‘opportunity’ is.”

You watch as Rebecca grabs bottle of water from the fridge and then pulls out a stool to sit at the kitchen island. You follow suit, dropping down beside her.

“Well, you should be. I practically had to sell my soul to get them to pick you.”

You level her with an unimpressed look. “Wow, Rebecca, way to raise me up from rock bottom.”

She waves you away. “Oh, please! You hate when I coddle you.”

You huff, dropping your chin into hand and propping your elbow on the counter. “Okay, out with it then. What is it?”

Rebecca’s cheeks split with a blinding grin. “Nike.” She declares gleefully.

“Nike.”

Her smile dampens, disappointed you haven’t burst into happy tears. “Yes, Nike. You know…Just Do It.”

“Yes, I do. I’d just prefer not, you know…do it.”

Your publicist looks just about ready to slap you. “You’re kidding. It’s Nike.”

“Oh, is it? You haven’t mentioned that.”

Rebecca’s frown becomes a scowl and you think about ducking when she angrily snatches up her water bottle. But she doesn’t throw it, just waves it around as she begins to rant at you:

“Do you know how hard it was to get this?! They wanted Naomi Osaka but I convinced them to go for you instead. And christ knows they were hesitant after the US Open meltdown-”

“We agreed not to refer to it as a meltdown.” You cut in. “My therapist says it has negative connotations that, ‘make me feel a harmful degree of shame.’”

Rebecca scoffs. “You went to one session with that therapist and then fired her because you didn’t like that she drew you a diagram.”

“It was condescending: I’m not five, I don’t need visual aids.”

“Okay, just shut up!” Rebecca barks, smoothing down her still immaculate hair and taking a deep breath. “This isn’t actually up for discussion. You’re doing it.”

“I’m not doing it.”

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( Two Weeks Later… )

‘Just Do It.’

It’s the first thing you see when you walk into the Nike office for the photoshoot.

The poster from a past campaign with Andy Murray has been blown up to ridiculous proportions and framed, hanging in on the first wall that greets anyone who enters.

“If they make mine that big I won’t be able to look at it. I’ll actually vomit. ”

When Rebecca–who is the epitome of a chatterbox–remains silent, you turn you head to look down at her. She’s already peering up at you, worrying her bottom lip between her teeth.

Your eyes narrow with suspicion. “What have you done?”

Rebecca lets out a laugh laced with unadulterated fear. “Okay…so, any minute now you’re going to be super fucking pissed at me and you have every right to be, but remember that as you’ve already signed the contract, you don’t have a right to walk out of here.”

You stare her down, knowing it doesn’t take much intimidation for her to crack.

You don’t end up needing her to blabber, however, because not even five seconds later, the door you’d just come through swings open and a lone figure enters.

As you turn, you feel your publicist actually take a step away from you.

“Rebecca, I’m going to kill you.”

You’re not looking at her as you spit out the threat, your eyes are already boring into the man who’s noted your presence and is lingering just beyond the doorway.

Your history with Art Donaldson is far from extensive. In fact, while the trajectory of your careers have practically run parallel, the two of you have spoken maybe twice.

But then, almost two years ago, the U.S Open had happened.

Still dealing with the fall out of your fiance’s cheating scandal, you’d been in potentially the worst mental space of your life. And yet, you had still made it to the final.

But, during the match…well you’d sort of lost your shit. And then you’d just lost. It had been dramatic and mortifying.

Then, with the dust not even close to settling, things had gotten even worse.

Having just clinched the men’s singles trophy for himself, Art Donaldson had sat down for his live post-match interview and one of the first questions he’d been asked, was about your ‘comportment’ during the final.

You would never forget his answer:

'Well, obviously it’s a massive disappointment. In so many ways the match between those two women today was legendary. But it always stings when you see someone get in their own way. Anger like that doesn’t belong on the court: it’s infantile and disrespectful to staff and to the fans. It threatens to overshadow what was otherwise a phenomenal game of tennis for both of them.'

When he had then been pressed for his thoughts on what should be done in regards to sanctions, Art had simply said: ‘I think whatever she’s feeling that made her act that way, is probably punishment enough.’

In a few minutes, Art had made you a subject of scorn as well as unwanted sympathy. He’d made you sound simultaneously contemptible and pitiable.

He was right, but he hadn’t needed to sound so sanctimonious when he’d said it. And telling the world your own mental anguish was probably torment enough, was just salt in the wound.

In your own defence, you had gone into the final right off the back of the announcement that your ex-fiancé’s new girlfriend was pregnant. And the dates had made it blindingly clear, that conception had happened whilst you were still with him.

You’d never felt so worthless or dehumanised. And then, after you’d practically killed yourself playing the match of your life, only to lose, Art fucking Donaldson had felt the need to call out your behaviour.

‘Anger like that doesn’t belong on the court.’

Anger ‘like that’ wasn’t something you’d brought to the competition in your overhead luggage, it was a parasite that had been poisoning your blood.

You’d thought that sort of self-cannibalising rage was in your past, bust as Art starts walking over to you, it rears its ugly head once more.

And he has the gall to smile at you. It’s an amicable, almost anticipatory smile.

You barely even register when Rebecca ducks away, muttering something about finding the photographer.

Art calls out your name as he stops before you, the corners of his eyes creasing as his smile intensifies. “It’s good to see you.”

“The feeling is not mutual.” You intone harshly.

Art’s smile doesn’t drop, it just becomes tighter, his eyes sparkling with mirth. “Ah- so you are still upset about what I said at the Open.”

You glare at him, forcing yourself to stop gritting your teeth lest they shatter. “What could possibly make you think that I wouldn't be?”

Art laughs softly, running a hand through his short blonde hair. “Well, because your coach and your publicist both assured me that you weren’t.”

Those fucking traitors.

It looks like you’ll be going into tomorrow with only your nutritionist and your physio left on your team.

“They lied.” You reply sharply.

Art tilts his head, his gaze becoming brazen in the way it assesses your face. “Clearly.”

“Well, obviously this isn’t happening.” You gesture between the two of you. “I’m not doing a photoshoot, let alone an entire campaign, with you.”

“I don’t see why it can’t go ahead.” Art declares casually, his lips tugging upward as he observes your indignation.

You take a step back, not trusting yourself not to lunge for him.

“Well, it’s a good thing I have little regard for your opinion then, isn’t it?”

Art's brows draw together, some irritation beginning to pollute his easy going demeanour. “You do care.”

“Excuse me?”

“You do care about my opinion, because f you didn’t, you wouldn’t still be this pissed over something I said years ago.

“Pissed?” You almost choke on the word. “You made me sound pathetic. Weak. You insulted my entire career!”

“I seem to recall saying that your match was ‘legendary.’ Phenomenal, is another word I used.”

If there wasn’t so much anger writhing in your gut, you might have rubbed it in his face that for something he’s outwardly dismissing, he seems to remember what he said about you very well.

You step up to him, closing the distance in two strides.

“‘Whatever she’s feeling that made her act that way, is probably punishment enough.’ You said that about me in front of peers and fans in a live interview that was watched by thousands!”

“You’re telling me you don’t think you were out of line?” Art challenges, crossing his arms over his chest and leaning in.

You know he’s not wrong: it hadn’t been your finest hour. In fact, the morning after, with your behaviour laid bare in the cold light and already being picked over by commentators and tabloids, you had been able to acknowledge it may very well have been one of the worst hours you would ever have.

But you’d rather die than acknowledge that to Art.

“Oh, that’s fucking rich coming from you!” You hit back disparagingly.

Art’s fingers dig into his arms. “What does that mean?”

“It means you’re a hypocrite, Art. I watched your match against Patrick Zweig at the…what was it- Phil’s Tire Town Challenger? Someone recorded it from the stands. Tell me, what emotion were you bringing to the court when you yelled ‘fuck you’ at him across the net?”

“You have no idea what you’re talking about.”

“I’m not proposing a thesis, Art. This isn’t up for debate. I’m just telling you what I saw. And it seems to me, that you have some fucking anger issues of your own, so quit chewing me out over mine.”

“Chewing you out–” He splutters, his cheeks flushing with outrage. “Wow, you really do have a victim complex, huh?”

“Fuck you!” You seethe.

Your exclamation doesn’t dissuade Art, instead he gathers momentum:

“You’re acting like I should fall to my knees and beg for forgiveness over an entirely reasonable answer I gave to a question about your piss-poor behaviour. But I didn’t make you launch your racket across the court or cuss out the line judge. You’re not a tragic woman, or some wronged heroine, you’re a grown woman throwing a tantrum because I wasn’t very nice about her in an interview, two goddamn years ago!”

“Well, I’m a bitch and you’re a hypocrite, looks like neither of us should be tennis’ poster child.” You snap, pushing past him and heading for the door.

There was absolutely no chance you were doing this photoshoot. Nike could give Naomi Osaka another call.

Just as you’ve got past him, Art is following you, snagging your wrist with his hand. “Hey! I didn’t call you a bitch.”

“Don’t worry, I’m not going to tell anyone. Badmouthing people in public forums is your move.”

You yank yourself out of his hold and with his eyes burning into the back of your head, you leave Art Donaldson alone in the lobby.

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( Three Weeks Later… )

In the intervening weeks since your confrontation with Art, you have discovered just how airtight employment contracts can be.

Nike should really give their lawyers a raise, because you have been assured that there is more chance of you sprouting wings, than being able to get out of the ad campaign.

You’d been forced back to the studio a week later with your tail between your legs, but while you’d felt genuinely apologetic over the inconvenience caused to Nike’s team, your fury at Art had only compounded.

Thankfully, the feeling had been mutual and the two of you had passed the entire shoot in utter silence. Neither of you had offered up so much as a hello or goodbye to the other, and while it had clearly been painfully awkward for everyone around you, it had worked out quite well.

Unfortunately, you and Art had been called back for a day of what they were calling ‘action shots.’

Which is why you’re currently at a country club, dressed in all of Nike’s new gear, being forced to actually play tennis against Art.

If it was anyone else, you would already have drawn attention to the fact that your wrist is in excruciating pain, but you refuse to falter in front of him.

Besides, as much as you’re loathe to admit it, playing against Art is exhilarating.

The team have just called for a break and somehow, despite the innumerable people that have been buzzing around you for the entire day, you and Art suddenly find yourselves alone at the side of the court.

You’ve done well at remaining civil with each other, but that’s only because you only said ‘hello’ and ‘ready’ before you’d started playing.

Unfortunately for you, Art seems to be in the mood to antagonise.

“I don’t get why this is making you so miserable.” Art says, dropping down onto the bench beside you with a shit-eating grin on his face.

You hold up the can in your hand, fingers biting into the condensation slick metal.

“I specifically asked for Tangerine La Croix and they’ve given me Pure.” You mock. You couldn't care less about what you’re drinking.

“Funny.” Art deadpans.

“And here was me thinking you’d jump at the chance to call me a diva.” You answer, donning a smirk of your own.

“You’re being ridiculous.”

Some genuine anger colours Art’s tone and it only feeds the fires of your own.

“What?”

Art grabs the can from your hand and maintains eye contact as he steals as a sip.

“You refuse to let go of a few critical, but very valid sentences I said about you in that interview and you’ve used them to construct a narrative about my dislike for you. I don’t dislike you.”

“Oh, you don’t? That’s good, because this amicable exchange is really making me feel all warm and fuzzy inside.”

Art groans, slumping back on the bench. He manspreads so wide that his knee knocks into yours.

“Can you not just enjoy yourself? It’s a beautiful day and we’re being paid to do what we’re great at.”

You wrinkle your nose and try to snatch back the can, but Art tightens his grip and the metal crumples as you both tighten your hold.

“Yeah, well, not everyone gets off on having their face on a billboard.” You sneer, almost falling back when Art suddenly lets go of the can.

It’s practically empty and completely deformed, so you slam it down onto the empty space beside you.

“How do you know that I do?”

“What?”

“How do you know that I get off on it?” He repeats glibly.

“Because, you’ve clearly wanted to retire for years and now that you have, you can monopolise on the popularity that your wife built up for you and live off clothing lines and ads for the rest of your life.”

“Being great at tennis built up my popularity.”

“Oh, don’t tell me you actually believe that, Art? So many phenomenal players go widely unknown for their entire careers. You are only The Art Donaldson instead of just plain old Art, because Tashi Duncan made you a brand. She’s responsible for your legacy.”

“She didn’t make me.”

“Maybe not, but she did mould you into what you are. You would have been just another generic Stanford whiteboy if she hadn’t decided to give you fucking form.”

“You talk about her like she’s God.”

“Are you telling me that’s not what it feels like when her attention is solely on you?” You challenge, but you don’t wait for an answer. “You know, I actually played her quite a lot when we were teenagers– we always ended up being us against each other in finals– and even then…it was like trying to play against an elemental force. Every time, without fail, there was a tiny part of me that just wanted to fall to my fucking knees in front of her. But I never did, instead it made my game better. She made my game better. Tashi put all she had into you after her injury, the least you could do is acknowledge what she’s done for you.

“You don’t have to tell me what I owe my wife.”

You scoff, rising to your feet. “I’m telling you what you owe your coach.”

You don’t actually know where you’re going as you walk away, only that you need it to be far from him.

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( Two Months Later… )

At the launch event for Nike’s new line, you’re standing in front of the massive poster that’s at the forefront of the campaign and swallowing down bile.

It’s a great picture, you’ll give them that: Your feet are practically lifting off the ground as you throw up the ball for a serve, your expression is contorted with a ruinous passion that portends some sort of violence. And across the net, there’s Art: he’s dropped into a crouch, ready to pounce once you send the ball his way. In the face of your fury, his anticipation comes fitted out with his signature smirk.

It’s not just a great photo, it’s phenomenal.

You want to tear it off the wall.

You’re on the verge of asking anyone if they have a pen so you can scribble over Art’s face, when the man himself appears beside you. In your peripheral vision you catch a glimpse of his sleek, all black suit, but you don’t turn to look at him.

“I’m not sure you’d get away with defacing it in front of so many people.”

Trying to suppress your eye roll would be a fruitless endeavour, so you turn to face Art, forcing him to bear witness to your indignation.

“You should know by now that I have little regard for decorum. You certainly like commenting on my lack of it.”

“I thought you’d still be hung up on that.”

“Yeah, well, some of us have follow through.” You give him a venomous smile. “How is retirement treating you?”

“Ah, I should have known.”

“Known what?”

“You see retirement is quitting. So, you’ll force yourself to continue well past the point you should, your game will get shittier and shittier, so by the time you’re forced to quit, people will be pitying you instead of remembering how phenomenal you were.”

There’s a compliment in there, but you’re not feeling generous of spirit enough to pluck it out of the insult.

“I know when to stop, Art. It’s just not now.” You answer coldly.

“Okay, when? Like- give me your timeline. You must have thought about it.”

“Not yet.”

This answer seems to really frustrate him and he just stares at you, a muscle in his jaw feathering as he grips his champagne flute.

“Do you think I didn’t notice how much your wrist was killing you when we played each other? Are you really going to wreck your body out of stubbornness?”

“You know, Art, what you did wasn’t bowing out at the perfect time, it was cowardice. You skipped right to the curtain call when you still had a last act left to perform. You never got that US Open trophy, did you?”

Art sighs, his gaze moving back to the photo of the two of you. "Yeah well, something tells me you won't either. Have a good night."

Then he's backing away, his stare lingering on you even as he lets the crowd reabsorb him.

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( One Month Later… )

Had Tashi Duncan not been one of the people in your life that you most respected and admired, you wouldn’t even have considered attending the fundraising gala for her and Art’s foundation.

But you were, quite frankly, obsessed with her, so of course you had come.

Sitting in an uncomfortably tight dress at a table of people you don’t know and with a fair amount of alcohol circulating through your system, is quite possibly the most painstaking thing you’ve ever gone through.

Apart from the car crash. That had been pretty bad.

But you’re adamant you won’t think about the car crash tonight, or the fact that, somehow, your wrist seems to be getting worse; devolving to a state more dire than when the cast had first come off.

The meal—which you hadn’t been able to stomach—had come and gone and now the auction is beginning. Tashi is up on the stage, dazzling in the way that only she can and Art is standing at the bottom of the set of stairs that lead up to the platform.

Unfortunately, your table is very close to the front and you’re positioned right in his eyeline.

Art keeps stealing glances at you with an emotion you can’t place. You had tried to switch seats with the man across from you, but the asshole turned out to be a real stickler for assigned seating.

If only to distract yourself, you whip out your phone, resting it in your lap beneath the table.

The moment you open up Instagram, your heart drops into your stomach.

You thought you had expunged any remnants of your ex from your life, but it seems you’ve missed a mutual friend on Instagram, one who has just reposted his engagement announcement with his girlfriend and mother of his now one year old daughter.

That bastard has broken your heart and wrecked your head, but while your life just keeps getting worse, the universe has seen fit to bless him with everything he’s ever wanted.

The auction is already in full swing when you rise clumsily from your seat and weave through the tables, heading for the closest exit.

It’s only as you push open the door and begin to sway, that you realise you’re actually quite tipsy. You might have drunk a little too much before you’d left the house.

It’s freezing outside, but you can’t face going back for your coat, so, unsteady on your feet, you flee into the extensive gardens that surround the estate that’s acting as the gala’s venue.

You walk well past the point where the lawn lighting disappears and clamber over a fence that has ‘restricted area’ prominently posted in front of it.

You don’t know where you’re going, but as you stagger down the hill, your sadness is alleviated very slightly by the sight of a massive pond that you’re sure is beckoning to you.

You kick off your heels and drop down onto the bank, quick to put your feet into the water. Once you’re settled, you retrieve your hip flask from your clutch and begin to guzzle vodka in earnest.

“What the hell are you doing?!”

You turn and you find an incensed Art striding towards you. You’re more than a little delighted by the sight of mud splattered over the polished surface of his shoes.

“I was having some time to myself.”

“You needed to walk all the way down here to get it?”

You laugh caustically, gesturing at him. “Well…no. Obviously I should have walked even further away.”

Art huffs, entirely unimpressed. He takes a few steps further down the bank and holds out a hand beckoning you over.

“Come on, you need to come back inside.”

“Why is that?”

“Because, you offered tennis lessons with yourself as an auction item and you’re up soon. You need to be on stage.”

Ah. You’d forgotten about that.

“Why do I need to be seen? It’s not like they’re buying me.”

“You still can’t stay in there. Get out.”

“I’m not in it, Art. I’m just dangling my feet in the water.”

“Well, you can’t ‘dangle’ your feet in there, it’s a pond not a swimming pool.”

“I can’t?” You feign a bafflement as you look at your feet, submerged in the murky water. “I sort of already am?”

Art moves even closer but falters, his bright eyes becoming an invading force: his gaze takes hold of your edges and peels them back.

He can see inside.

“What’s wrong?” He probes, the harsher edges of his previous words now nowhere to be found.

“At the moment, it’s you.”

“You’re drunk.”

“I’m not actually, but I’m getting there.”

Art’s eyes flick to the metal object glinting in your hand. “Is that a hip flask?”

“What a keen eye you have.” You mutter sardonically.

“Okay, I'm serious now, get out.”

“Oh, he’s being serious!” You mock, rising to your feet.

But you don’t move away from the pond. Instead, you turn and start walking backwards into the water you wobble when your bare feet sink into the mud, icy liquid seeping into the thin fabric of your silk dress.

Art lunges forward, closing the distance until he’s standing at the edge of the water. His hand darts out and he grabs your forearm.

“You’re too close to drunk to be near a body of water, let alone in one. You’ll drown yourself.”

Art plucks the hip flask from your fingers with his free hand and tosses it into the grass behind him, all without taking his eyes off you.

Then he seems to actually register where his hand is. He’s still gazing into your eyes as his thumb brushes over the scar above your wrist.

“Compound fracture.” You say on a bitter breath. “The bone went right through. Fucking drunk driver. Funny that, isn’t it? He crashed into me, fucked my career probably permanently and then I became a drunk to cope.”

Some of the hardness in Art’s expression melts away, but it pools into the bags beneath his eyes and the shadows beneath his cheekbones, making him look almost distraught. Once you realise it’s sadness--no, pity--for you, you wrench your wrist out of his grasp and wade further back into the pond.

You gasp, shocked as the frigid water wraps around your legs in an eager embrace. It’s like it’s clinging on, wanting to keep you forever.

You find the thought of it quite peaceful.

You think on Art’s words from months ago: he’s right, about you being too stubborn to know when to stop. You won’t retire until you’re physically falling apart.

But what if you just sink down into the water right now? You’d disappear and the memories would be of a great player gone too soon.

God, you didn’t realise you had such a large ego that you’d consider letting yourself drown just to save face.

Art is beyond unimpressed now. He’s furious.

“Get out.” You just smile at him, stepping further back. The water reaches your navel and you let your fingertips skim over the water. “I’m not kidding, get the fuck out. Now.”

“Will you just back off!” You erupt. “We’ve done the campaign, we’re not friends, there’s no reason for us to be involved.”

“None of that gives me a reason to leave you alone out here.”

“Why not?!” You protest desperately. “It’s not the ocean, I can’t be swept out to sea!”

“Get out of the water.”

“No.”

“Get out.”

“Get fucked.” You hit back, letting yourself sink back into the water.

As you move to float on your back, another frantic laugh bubbles up as you're enveloped by its icy grip. Your dress becomes heavier, a five thousand dollar weight around your body, urging you to sink lower.

You turn your head to the side so that you can see the surface of the water:

This far out of the city, the stars are no longer choked by smog and so are able to tear through the darkness. The water perfectly mirrors the sky, so much so that it’s like you’re swimming in the cosmos. If you open your mouth, you could take some of it into yourself.

You had struggled to get out of bed this morning, but now, in the quiet night, you have the chance to swallow a thousand stars–

Impudent splashing disrupts your peace.

Your head shoots up, water running in eager rivulets off your hair as you watch wide eyed, as Art drops into the water. His jacket and shoes have been discarded on the edge of the bank.

“What are you doing?”

Art doesn’t answer, instead he drives through the water towards you, his strides producing ripples that disturb the reflected constellations. Shooting stars.

You’re not very far out, so just as Art closes in on you, you plant your feet on the muddy bottom of the pond and stand up.

The fabric of your dress is dark and slick against your body like an oil spill. The breeze blows a tentative breath against you, causing your skin to pebble and your nipples to harden.

Art reaches for you but your hand flies out and you swat him away.

You push yourself further out, giggling at his expression as the water comes up to your chin.

Then Art’s diving after you, the white material of his shirt submerged in the water.

“Art, this is a pond, not a swimming pool.” You tease, amusement blooming.

In fact, you’re relishing the sight of his arms pushing through the water so much, that you forget to make another escape attempt.

Before you know it, Art is right up in front of you, his breath coasting over your face as he wraps an arm around your middle beneath the water.

You drive your feet into the mud, your smile growing as he looks exasperatedly up at sky. His fingers press into your side.

“This is so beyond funny.” He grouses, trying and failing to tug you closer.

Seeing as you’re not actually drunk, you’re not sure what comes over you, but you’re seized by a giddy, childlike urge.

You decide to give into it.

Art’s eyes widen slightly as you rush forward, pressing your chest right up against his. Then, you place one hand on each of his shoulders and push.

There’s a brief moment, where your face rises above Art and he gazes up at you, droplets of water rolling off your face and onto him. He’s looking at you in the same way you had been gazing up at the stars. Perhaps you’ve become one of them. Wouldn’t that be something?

Art realises too late what you’re going to do.

“Don’t you dare–”

You push all of your weight onto his shoulders and dunk him into the pond. His head goes under, short blonde locks floating up in the water.

You immediately let him go and when he comes up, spluttering for air, the hand not on your waist winds around the back of your neck, threading into the hair at the nape of your neck. He pulls you flush against him again.

When he speaks, it is a whisper you feel against your cheek. “You’re such an asshole.”

Your hands fall onto his waist beneath the water. “I know.”

You shriek as Art tips you back, his hand still cradling the back of your neck as he dunks your head into the water in retaliation. It feels like a baptism.

When you come back up, he's chuckling as you gasp for air.

“I had to do that.” Art defends.

He notices you scrambling to push soaked strands of hair out of your eyes and proceeds to help you, his hand brushing over your cheeks and forehead before returning your sight to you.

“I feel like you didn’t have to.” You splutter, fighting back a laugh of your own.

You’re suddenly glad for his grip on you- you’re far too flustered to stand firmly on your own two feet.

Art’s cheek’s dimple as he smiles, shaking his head at you. Your breath hitches.

When he’s unencumbered by negative emotion…Art shines.

He leans in again, his lips grazing the shell of your ear:

“Don’t start something you’re not prepared to finish, sweetheart.” Your breathing becomes even more laboured as he draws away, his nose briefly dragging against your cheek. “Now…get out of the goddamn pond.”

And then he’s pulling away, leaving you gaping after him as he moves back towards the bank.

His touch is an absence you really wish didn’t feel so profound

“Spoilsport.” You grumble. But you’re already moving after him.

The alcohol you did have in you has disappeared; shocked out of your system by the frigid water and the feel of Art’s hands.

You wade back towards the bank, your hip flask is nestled in the grass and glinting seductively in the moonlight.

With Art’s back to you, you let yourself stare as he drags himself out of the water. His shirt is stuck to his body and entirely see through, settling into the ridges of his muscled chest. The moon’s light shines through the fabric hanging from his sleeves, making it look like the membrane of wings.

As Art kneels on the grass, you blink rapidly as if he’s a vision you can dispel from your sight.

You can acknowledge he’s attractive- you’re not blind– but you can’t abide the yearning arising within you. You don’t have room for that in your life, for anyone, but especially not for him.

You finally reach the edge of the bank and then Art is kneeling at the edge, holding a hand out for you to take.

You consider him for a moment and process the newfound ease on his face. He seems almost serene.

You fight off a shiver that you blame on the cold and ignore his outstretched hand, pulling yourself out of the water unaided.

“Really?” Art bites out irritatedly, watching as you wander over to your hip flask and sit down right beside it. You take it into your hand and unscrew the cap.

When you bring it to your lips you look right into his eyes. “Really.”

You throw your head back, the path the vodka burns down your throat is a welcome discomfort. You had felt far too peace just now, floating in a sea of stars with Art.

But those weren’t stars, just a reflection of them. It was a trick. Nothing that could ever be real.

When you drop the now empty flask into your lap, there are tears in your eyes.

When was the last time you’d felt even close to the happiness you’d found in that water?

It wasn’t real.

A traitorous tear is already rolling down your cheek as you drop your eyes to your hands.

“Hey.” Art says softly. He kneels down beside you, one hand on your soaked back as the other plucks the flask out your lap. “What’s wrong?”

You make a noise that’s half sob, half laugh. “I already answered that question.”

“Yeah, except I know you’re full of shit.” When you look up at him, Art’s frown becomes something gentler. “I know I’m not your problem.”

You scoff, shoving his chest. He sways backwards, but drops down onto his knees, planting himself on the ground beside you. His hand is still on your back.

“Yes, you are actually.” You answer nastily. “You really are.”

“Just tell me.” Art whispers, ducking his head into your field of vision so you’re forced to look at him. His free hand settles on your cheek. “Tell me what’s wrong because this…is sort of scary.”

You lift your hands and clasp his cheeks, digging your fingers in. You’re overcome by a violent impulse to tear into his skin.

It would be far easier to draw blood than confront how you’re beginning to feel about him.

“Aww.” You croon. “Did I scare the poor little baby?”

“Stop it.” He scolds. His hands move to grasp your wrists but he doesn't pull you away, not even as you press your nails further in.

But you won’t stop- can’t stop. Your feelings have become spiteful and unruly, running away from you at a pace which you can’t hope to match.

You can’t take the strain. And because Art is the contributor to that is closest to you, it’s him you’re going to lash out at.

“No, really, I didn’t think you’d be such a pussy.” You forge on, spewing venom. “I scared you by getting in a pond? Grow the fuck up, Art.”

But Art doesn’t rise to it. His jaw doesn’t clench and his grip on you doesn’t tighten.

“This isn’t okay.” He says, tentative but assured. “You’re not okay.”

“No, I'm not!” You snap wrenching your wrists free. “But it’s got absolutely nothing to do with you.”

You try to rise to your feet, but Art doesn’t let you. He moves so he’s kneeling either side of you, his legs pressing into your thighs as his hands fall onto your shoulders. You can feel in the way his fingers press into you that he’s fighting the urge to shake sense into you.

You look up at him, slightly startled by his forcefulness. His back is facing the moon now and his drenched body is limned in silver.

Before you can berate yourself for even thinking about it, you’re winding your hand around his tie and dragging him down, smashing your lips against his.

You shouldn't be doing this, a large part of you doesn’t want to, but it feels like the only way to purge yourself of him. And what kills a bacteria faster than blazing heat?

Art lets out a warning groan, but your teeth nipping his bottom lip is all it takes to have him leaning in. Even your kiss feels like a fight, battling each other for control, pressing with bruising force.

Art crowds over you, guiding your back against the grass.

You let yourself fall.

As your back presses into the earth, one of his hands settles on the side of your neck as he drags the other up your leg. When he peels up the sodden material of your dress, his hand exploring your thigh, the cold air bites tauntingly against your rapidly heating skin.

Your hard nipples brush against his soaked t-shirt and the feeling is so tantalising, that you find your back arching, pressing yourself into him and chasing the sensation.

When you let out a moan into his mouth, Art draws back as if some unseen hand has pulled on him.

He’s still agonisingly close, his lips a hair's breadth away as he gazes down at you through heavy eyelids, water droplets running down his face from his hair. His breathing is ragged.

Art’s eyes close and with his sight lost to him, his lips drift closer to you again and his teeth nip at your chin. After placing a ghost of kiss over where he’s bitten, he takes a deep breath.

Then his eyes open, and his expression is blank. It makes you feel sick.

You’re burning up with want, but you can already see the realisation of your transgression settling into the very bones of Art. He’s about to spurn you, disdain no doubt working its way to the surface. So you have to get there first.

“Poor, sensitive Art, scared by a kiss.” You goad. The words are forced out and they feel malformed on your tongue. “Don’t worry your little head over it, it doesn’t mean anything.”

Art drops his eyes from you, shaking his hand as he pushes himself off up.

“Nice try, but I know what you’re doing.”

He mumbles it and doesn't give you a chance to acknowledge it befores he’s on his feet and walking away.

Tears prick insistently at the back of your eyes but you force them back, pressing the heels of your thumbs into them until it hurts.

You sit up, feeling leaves and blades of grass sticking to your exposed skin.

You feel the air shift behind you, and are startled when you peer over your shoulder and find Art standing at your back. He has his shoes back on and is gripping his dry jacket far too tightly.

You find your voice, but it’s weak: “What am I doing Art?”

He doesn’t meet your eye, instead he opens up the jacket in his hands and settles it over your shoulders. You sit there, stunned as he tugs it around your body. Then he leans down and over your shoulders, his breath on the side of your face as he deftly buttons the jacket up.

Art encloses you in the dry garment that carries the scent of him.

“You’re doing the same thing as me.” He says quietly. It sounds almost painful for him to talk. “Running away. I guess we’re both cowards.”

And then he’s gone, marching back up the bank without another word.

You’re left sitting there, wrapped in his jacket and staring out at the pond.

Not the night sky.

Just a pond.

━━━━∙⋆⋅⋆∙━━━━

( Three Months Later… )

After your cast had first come off, Wimbledon had felt like an intimidating but still far off thing; a dark shape on the horizon, but one you had to squint to see. But then it moved closer, barreling towards you like a bat out of hell.

You’ve made great progress in your recovery, you really have…but all your extensive physiotherapy hasn’t been able to heal the nerve-damage you’d turned out to have- at least not in a timespan that’s workable for a professional athlete.

You’re done. Tennis career over.

And your worst fear has come true: it hadn’t been your choice. Injury has forced you out and the public discourse is rife with commiseration and useless, positive platitudes.

Art has been proved right. Everything would be so much better had you known when to quit. You had preferred ridicule to this.

But until you’d come to Wimbledon, it hadn’t really sunk in yet: you hadn’t had the moment of finality.

What closure has ended up feeling like, is the final nail in your coffin.

As you had watched the first matches of Wimbledon from the stands, Rebecca glancing at you constantly–presumably to check you weren’t about to burst into tears–you had felt as though you were being buried: each serve and volley another hand tossing dirt on top of the coffin, sealing you beneath the ground for good.

At least one part of your day has been successful. You have completed the challenge you’d set for yourself that morning, which was to not drink any alcohol until the evening.

It has been excruciating.

Evidence of your victory lays in your trembling hands as you fit your keycard into the door of your hotel room. You’re desperate for what you know sits waiting for you on the other side.

But then, just as the lock mechanism chirps to let you know you’ve been granted entry, someone calls your name.

Your keycard is left in the door as your fingers fall away from the handle and you turn to face Art. He’s stopped himself a safe distance from you and is gazing at you with what looks like…relief?

Of course you knew he was at Wimbledon–you’d narrowly avoided crossing paths with him a number of times already today–but to hear his voice and having his probing stare directed solely on you, is as debilitating as you remember.

You haven’t seen each other, or even spoken, since the night by–or rather in–the pond.

The only place the two of you are still together in any capacity, is on the Nike billboards that are still occupying space throughout the world.

And as if Art’s thoughts align with your own, he says:

“You pull an impressive disappearing act.” He steps closer.

“That suggests you went looking for me.” You counter, pleased with how detached you sound. “We both know you didn’t.”

“No. I didn’t.” Art replies frankly.

“So I didn’t disappear, did I? You just couldn’t see me.”

Art moves towards you some more, stopping an arms length away.

“It felt the same.” He utters lowly. “You were gone.”

You shrug halfheartedly. “So were you.”

Then you press your back into the door, fingers seeking out the handle, shaking now for a reason other than alcohol withdrawal.

You really don’t know if you’re running away or urging him on, but when you push open the door and duck inside, you do know that you’re not angry when he follows.

You put your back to the hallway door, expecting Art to move past you and head into the suite, but he doesn’t. At least not right away. Instead, he stops right in front of you, looking down at you as the door swings shut.

You would barely have to lift your hand and you’d be touching him.

You hate that he looks so good. He’s in simple navy dress pants, a white shirt sitting snugly on his chest, the top few buttons undone.

The two of you stand like that for a minute or so, and just as you realise that your breaths have practically synchronised, Art is moving away from you and wandering inside.

It’s only then, as he ventures deeper, that you remember what you’ve been so eager to get back into the room for. You curse yourself, letting your head fall back against the wall behind you.

Even if he hadn’t already seen them, it would be too late for you to hide the line of alcohol minis that you’d gathered from the bar cart.

You’d set them out earlier, the process almost meditative. It had been a promise to yourself: get through the day without drinking and you can have all of these once you’re alone.

But now they’re standing out in the open, displayed on the nearby desk like pieces knocked off a board in a game that you’ve been playing against yourself.

You watch helplessly as Art walks right over to them, his hands in his pockets. Your face flushes with shame.

Art cranes his neck back to look at you. You’re still pressed against the wall, afraid that if you take one step closer, you won’t be able to stop yourself from taking ten more. And you don’t want to be close to him when his face shifts into pity or revilement.

“You planning on drinking all of these?” Art asks, turning back to the bottles as if he knows his gaze is steadily undoing you and wants to grant a reprieve.

Eased slightly by the remarkable placidity of his tone, you’re able to answer calmly. But you still don’t move.

“That was the plan.”

Art lets out a non-committal hum. “Why?”

You laugh awkwardly, wringing your hands together. “I don’t know, why does anyone drink?”

“I don’t care about anyone, I'm asking about you.” His voice is firm, but the foundation of it is something less solid. His words shake on the way out.

You’re overcome with the urge to be honest. It’s actually a lot easier when he’s not looking at you.

“I drink because at some point in my life, every tiny thing became really difficult- like, embarrassingly difficult, to the point where I feel like a child again. And it turns out that ineptitude is easier to bear when you feel like you’ve imposed it on yourself. I drink because it makes me feel helpless…but, helpless by choice.”

The confession hangs suspended in the air, a horrifying, complicated marvel- like a beautiful butterfly now dead and pinned by its wings to a board.

Art speaks into the silence, his back still turned to you. “Do you want to forget? Is that part of it?”

“Forget what?” You’re struggling for breath now, his presence drawing all of the oxygen from the room.

He half-turns his head, blue eyes settling over you once more. “All of it.”

“There’s not enough alcohol in the world for that.” You say morosely.

You have learnt that getting drunk doesn’t rid you of all the thoughts that torment you in sobriety, it just pushes them further to the back. Even if you drink so much you can barely walk, the thoughts remain, banging on the barrier and demanding to be let back in.

Art doesn’t respond to that. He turns back to the little bottles and you watch as he reaches out a hand and knocks over the one closest to him. He pushes it forward, sending them all toppling one after the other like dominos. His eyes are set on them as they roll around on the table, a couple falling onto the plush carpet. And your eyes are set on him.

Then, he finally turns to properly face you, knocking the fallen bottles with his feet as he leans back against the table and crosses his arms against his chest.

He’s waiting, you realise. Waiting for you to speak. Waiting for you to make the first move. Wanting you to come to him.

You push off the wall and start walking towards him. “Why did you follow me in here, Art?”

He sighs, the corner of his lip pulling up with a melancholy smile. “Because you make me feel helpless.”

That almost stops you in your tracks, but you recover quickly, barely a footstep faltering as you advance on him. Your heartbeat is a warning drum in your ears.

Once you reach him, Art widens his legs, allowing you to step between them.

As you settle your hands on his thighs, his duck beneath your dress and come to rest on the bare flesh of the back of your legs. He draws you closer, making you fingers dig into his trousers to steady yourself.

You sigh, your eyes fluttering shut as he leans forward, brushing his lips against your exposed sternum.

You’re still flushed and sweating from the uncharacteristically blazing English sun and you shudder as Art’s tongue darts out lapping at the moisture there.

You rock forward, placing your chin on the top of his head, inadvertently pressing his mouth further into your skin. His lapping tongue turns into kisses, kisses that travel down onto the swell of your breasts and into the valley between them.

Even when he reaches the fabric of your dress, he doesnt let it stop him: Art’s lips close around your clothed nipple, wetting the thin fabric with his saliva. You let out a breathy moan into his hair as he moves onto the next one.

As Art works his mouth against you, you push your hands higher, letting your fingers brush the bulge in his pants before they’re settling on his belt buckle.

He says your name, each movement of his lips searing into your flesh.

“Do I make you feel helpless?” He asks, his hands moving up to curl in the sides of your underwear.

“No, Art. You don’t.”

As you undo his fly, he begins to pull your underwear down.

“Why?” He closes his mouth around your breast and bites down just enough to make your breath catch in your throat.

You remove one of your hands from his crotch and use it to grab the back of his neck, you pull him away from your chest, forcing him to look up at you as your other hand disappears into his trousers, palming his hardness.

Even as you step out of your underwear and kick it away, you’re starting to stroke him. His mouth falls open, sucking in a breath as gazes up at you as if you hung the moon.

“How could I feel helpless?” You goad, leaning in and resting your mouth beside his ear to whisper. “When I have so much power over you?”

Art’s initial answer is to buck up into your hand, chasing the friction you’re moving too slowly to give him, but when you laugh at his desperation, he’s surging up, wrapping his arms around your waist and spinning you.

In a flash, you’ve taken up his position: ass resting on the edge of the desk.

Before you can catch your breath, Art has his hands on your knees and is spreading your legs, exposing your bareness to him.

But apparently he still hasn’t got you where he wants, because his fingers then wrap around the back of your legs and he lifts you, placing you further back onto the wooden surface. More bottles roll off the edge and drop into the carpet.

Then, finally, Art’s eyes meet yours. His smirk makes a return.

“So…” He begins, his hands gathering up your dress and leaving it to bunch up at your waist. “I have absolutely no effect on you? None at all?”

“No-” You can’t even finish your thought let alone the word before his fingers are running through the wetness between your legs. Your instinct is to shut them, but his hips are in the way, so you only succeed in holding him firmly in place.

You are left to stare as he lifts his hand up, evidence of your arousal glistening on his fingers. Then, slowly enough that he can watch the realisation of what he’s doing dawn on your face, Art takes his fingers into his own mouth.

His eyes meet yours and do not shift away for even a second as he licks your wetness from his skin.

The tightness in your belly becomes almost too extreme to bear, and a throbbing begins between your legs.

“I want you to ask.” Art says, his fingers–now wet with his own saliva–drawing circles on your inner thigh. “I want you to ask me to fuck you.”

“I thought you were here because I make you feel helpless?” You try to sound taunting, but your voice is ragged with want. “Now you want to be in control?”

Art leans down and you expect an abrupt, bruising joining of your lips, but instead he kisses you slowly, tenderness in every gentle movement. His mouth is is still aligned with yours as he answers:

“It’s not about control, sweetheart. I just want to hear that you want me as much as I want you.”

You begin to kiss along his jaw, your sentence formed with words cushioned between the press of your lips:

“I want you to fuck me, Art.”

Art's fingers curl around your jaw, bringing your lips back to his as he frees himself from his pants with his other hand. Your kiss is languid but rapidly growing with force, passion driving pleasure ever closer to point of pain.

“Condom?” Art questions into your open mouth.

With his fingers digging into your chin, you can't shake your head so you’re forced to gather enough of your wits to speak again:

“Birth control.”

“Okay.” Art pecks your lips before lifting a hand and spitting onto it. Then he’s fisting himself in his hand and pressing inside of you.

Your legs immediately wrap around his waist, hooking together to pull him in even further.

Art lets out a shuddered breath, his head dropping to your shoulder as he settles himself inside of you.

He kisses and licks across your collarbone, only stopping when he comes across the thin strap of your dress. With a little growl, he takes it between his teeth, tugging it back and then letting it ping back into your skin.

You laugh, still adjusting to the feel of him inside of you as you move to pull down the top of your dress. But Art has other ideas. He stops you with a slow thrust, rolling his hips just enough to have your hands wrapping around his neck instead.

“Let me do it.” He’s giving a command and yet it sounds like a grovel.

Then, in unison, his fingers find the straps of your dress and he’s pulling them away, tugging the bodice down and exposing your breasts to him completely. His hands fall onto them immediately, palming the supple flesh and lifting them up higher so that he can kiss them even as he begins to rock into you.

Just as your heartbeat begins to find some sort of rhythm again, Art pulls out of you almost completely before driving back in. Your breath is knocked out of you and as he begins to thrust with controlled rapidity.

Your hands fall to his still covered ass and dissatisfied with the lack of contact, you push your fingers past the waistband and dig your nails into his naked flesh.

Art moans into your neck, clamping down with his teeth as he picks up his pace yet again.

“Art-” You call out, lost in the press of him inside you.

The table begins to shake so much that it’s slamming against the wall, the noise perfectly aligning with the sound of your hips slapping together.

“Tell me this doesn’t make you feel out of control.” Art pleads, his movements growing frenzied.

By this point you can hardly think straight, so you give in, his statement going unanswered as your head is thrown back in pleasure. Art chuckles, licking up the column of your neck.

“I think I got my answer.”

“Shut up.”

When Art laughs at you again, you remove your hands from his ass and grip his face instead, drawing his lips back up to yours. He opens wide, panting into your mouth before your tongues start to move together.

You stay like that, mouths joined and breaths shared as his thrusts become messier, his hands on your back beginning to tremble.

But you’re not close yet and he knows it. He reaches between you and presses his thumb into your sensitive bud, applying enough pressure that, combined with him driving into you, has you quickly coming undone.

You break the kiss, crying out as your body is wracked with convulsions.

Art smiles, his eyes drooping closed as he chases his own release. And it doesn’t take long. You’re still coming back to yourself when his hips stutter and his fingers dig into you. He lets go, spilling inside you.

You both go still. You press your face into his chest–his shirt now dappled with spots of sweat–as he places a kiss on the top of your head.

You’re both breathing heavily, reeling in the wake of your joining when your phone–tucked into your purse that you had dropped by the door–begins to ring

Still inside you, Art shifts, pressing closer as his lips begin to kiss a path down your cheek. “Don’t answer it.”

You lean back just enough to meet his eye and smile. “I’m not going to answer it.”

Art matches your grin as he leans down and gives your lips a peck. “Good. Because I’m nowhere near done with you.”

#art donaldson x reader #art donaldson #challengers movie #art donaldson smut #mike faist #tashi duncan

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valtsv · 4 months

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cw for discussions of suicide and suicidal ideation but i'm thinking about tsv saints again and wondering if they're even capable of self-destruction (self-iconoclasm?). like, every saint we've seen so far, no matter how much suffering they're being forced to endure and how much of their self-awareness they've retained, has only been able to die if they're dispatched by another character - with the exception of the woundtree saints, which are generated by suicide as an act of protest, but they're an intentional outlier. this isn't a "should saints be euthanised if their quality of life is determined to be below a level that is considered acceptable" debate because that's a whole different ethical can of worms. i just wonder because there's an argument to be made that in taking away their ability to intentionally end their own lives, the hallowing procedure attacks another facet of personal bodily autonomy by denying the right to harm or terminate that body. compounding the horror of it all further.

#🐉#i just cant help but think about it #can a saint self harm? if yes is there a limit to how much damage they can do to themselves?#i know that if i was hallowed i wouldnt cope well with it. but would i have any choice in the matter?#would i be able to close my jaw around my own wrist if i felt the urge?#the silt verses #suicide mention #self harm mention

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sparklingcid3r · 5 days

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CW: discussions of suicide/suicidal ideation

Scorching hot take about to come in, but I think that Darry’s line about Dally killing himself because he “gave up” actually does fit the character that the musical made Darry into. I’m not saying it’s a good way to view the situation or even a message that should be imparted at the end of the show, but I think that specific perspective of what suicide is aligns with the Darry we got to know.

You don’t have to agree, but let me explain🙏

There are a few ways that a viewer can interpret Darry’s character. In my opinion, suicidal is one of them. Darry equates suicide with giving up because it’s what he would do if he ever gave up, if he ever lost Pony and Soda the way Dally lost Johnny.

But I also want to say that just because he equates the two in his head doesn’t mean they actually are synonymous. I mean, Darry’s not exactly someone whose word you take at face-value for a lot of the show when he’s talking about his feelings, save for a few vulnerable moments.

When he is being vulnerable and you know that these are his core feelings, undisguised by the need to be strong, it’s during “Runs in the Family” (very sparsely, but there are small clues), and “Throwing in the Towel.” Especially in TITT, he expresses what can be perceived as suicidal ideation, which we’ll get to very quickly.

Because it’s one line in RITF, I can’t really harp on it as much as I’d like to, but Darry says “I don’t know what them boys would ever do without me, and what would I do on my own?” Obviously we never find out what Darry thinks he’d be doing on his own, so you can really only make loose, debatable inferences. Because of that, you can take the fact that Darry is a very goal-oriented person, then take the fact that he knows he would not have anything to work for if his brothers were gone, and combine them to say that Darry might very well just give up.

Darry’s suicidal ideation comes out the most in TITT. He literally says “Maybe you’d be best without me.” He never specifies what “without him” looks like, he leaves that up for Soda (and the audience) to interpret, but three ideas stick out to me:

1. Him giving Soda and Pony up to a boys home

2. Him having never been born at all

3. Him removing himself from their lives permanently (suicide)

Whether he feels one, two, or all three, two out of the three express either ideation or blatant suicidal thoughts.

It also explains why Darry is so insistent on Pony just snapping out of his depression following Dally and Johnny’s deaths. He’s seeing his brother go through the same tired, despondent motions that he did in the beginning of TITT, on the road to giving up.

What Darry doesn’t understand is that Pony truly giving up looks different than Darry truly giving up (I have a feeling that Pony would turn towards drugs and addiction if he hit rock bottom, but that’s another convo for another time), and because Darry is projecting his own version of giving up onto Pony, he’s terrified of his youngest brother doing something so drastic and permanent. Even if that’s not the reality of the situation, it’s what he believes, so it’s what he talks about.

#did i cook #darry stop being the most tragic character to analyze challenge failed #the outsiders #the outsiders headcanons #the outsiders analysis #the outsiders thoughts #outsiders thoughts #the outsiders darry #darry curtis #the outsiders musical

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devilfic · 4 months

Text

❝right place, right time❞

VIII. whatever keeps you around.

parts: previously / next plot: bruce has a proposal for you. pairing: battinson!bruce wayne x gn!reader. cw: surgeon!reader, secret identities, slow burn, brief discussion of slight suicidal ideation/martyrdom, drug (and the injection of drugs) mentions, you will not guess what trope I managed to include in here. words: 6.9k. a/n: plotting this series makes me feel like charlie day pointing at a wall of red string

“…You won’t like it.”

It's clear what you have to do. You'd realized it when Gordon came to you, so of course Bruce did too. If you were going to make this right, you would have to face this head on. "I know what I have to do," you start, "I need to lure him out."

Bruce's expression shifts. Whatever you've said seems to be the wrong answer, "That... won't be necessary."

"What? What else can I do?"

"What did Gordon tell you about Dimitri?"

Your head throbs as you recall the memory, "Uh... he said he believes I'm next on Dimitri's hit list. He also said Dimitri hadn't anticipated me being at the house."

"Right, because Russo didn't want anyone knowing where he was." Bruce turns to his computer and brings up Russo's file, "After his divorce and the death of his son, he holed up and started erasing himself from the internet. As far as his neighbors know, he was constantly alone. You already know how hard it was to find him on your own, and unless Dimitri knew someone keeping tabs, it doesn't stand to reason that he found him any easier. But you, on the other hand," Bruce opens a search engine and types in your name. You're unsettled when the screen fills with results, most of them news articles from the night you'd been held hostage, "your name and face was everywhere after the gang war."

When the reporters had shoved cameras in your face and begged for you to tell them about Batman's heroic rescue, you hadn't thought twice about it, still fresh from the throes of gore and violence in the ER. Friends, family, coworkers: almost everyone you knew had seen it.

It clicks for you then, "If Dimitri planned on killing us both and I was easiest to find, why didn't he come for me first? I mean... it was me and Alex who ruined his life. If he wanted anyone dead more, wouldn't it be me?"

"I wondered the same thing. With the know-how and the right connections, anyone could find where you live just by name alone. Russo, on the other hand, is almost anonymous. It doesn't make sense why Dimitri would target Russo first."

"Do you think maybe it was a warning? Maybe he wanted to scare me."

"If he wanted to warn you, he wouldn't kill the guy in his house where no one checks up on him. Days would've passed before anyone noticed the flies in the windows."

"I don't get it."

"Do you remember how long it's been since you were taken hostage?"

Your mind lands on a weak estimate, "I don't know, a week and a half?"

"It's been over two weeks. According to the wardens, Dimitri stopped being a problem for them after the first few years. Friends with a rough crowd but he rarely got caught up in anything. Didn't have the heart to. So why, after 17 years, does he break out?"

Your stomach drops, "He saw me."

"And realized that while he was rotting away with nothing to live for, you were a hero," the word sickens you to hear, "on the front lines, saving lives, being saved. Your life went back to normal."

You grip the side of Bruce's desk with the sudden urge to vomit up everything you'd eaten today, which, frankly, wouldn't add up to much more than water and crackers.

You'd said it yourself: you'd gotten to live a life that Natalie, Dimitri, and Alex never would. Of course he wanted you dead. "So then I have to lure him out."

"And put yourself in danger? No."

"I’m already in danger, Bruce. What if he goes after the others? My parents? My coworkers? The other cops at the shootout? We have to end it now."

"This isn't the only way."

"It's the best way."

"Last time he had a knife, you could defend yourself. Barely. What if next time, he has a gun?"

"So what, you just want to do nothing?"

Bruce turns away from you. He gnaws on his lower lip, "No, I want to bide our time. Look into him more. I need to know if he's working with the Vipers again."

You watch him as he begins typing away at his computer, but you can't process what he's looking for through the haze of anger that washes over you. You lean on the desk, craning your neck up at his face to make him look at you, to understand how ridiculous he sounds, "We don't have time for that. His grudge is with me. I should meet him now and end this... either he gets what he wants or- or..."

Or what? Your stubbornness peters out. You don't know what. You see yourself standing face-to-face with Dimitri, his knife raised, ready to bury itself into the cushion of your chest. And nothing.

The you in this vision has no weapon.

"You don't think you're going to survive this." Coming out of your mind, Bruce is now looking at you, brows furrowed. He looks... mortified.

You scramble to cover your tracks, "That's not true. I'd have you there."

"But you don't want me there. You want to go alone. You think you deserve it."

"God, what are you? My therapist?" Your words flit out of your mouth in a rush, tongue nearly slipping up to defend yourself. You push away from the desk when you start feeling overexposed.

Bruce follows you, "You're not 16 anymore, this isn't some gang fight where you throw all your chips in because you can't see a year ahead of you. You've made a life. You've got people to lose, you said so yourself. I know what it's like... the survivor's guilt. You relive that day over and over-"

His words are making you feel sick to your stomach again and you lurch forward, finger in his face, "Don't you fucking preach to me-"

Almost as immediately as you'd raised your finger, Bruce snatches your wrist in his hand, yanking you close enough to be imposing, staring down at you with the same power that the Batman had used. It was so sudden that you quickly fall slack, wrist going limp in his grip.

It had completely sobered you of your tantrum, and for better or for worse, you were forced to listen to him, "Stop feeling sorry for yourself and think. You see this ending with you dead because you want to make up for the shit you did. You think that's what Alex wants? For you to bleed out in an alley like she did?" And just like that, the fire roars in you once more, but your other hand can't slap him across the face before he's caught that one too, "No future? What about all the people you've saved? Could still save? Face it now because you may not get another chance: you're alive. Do you want to be or not?"

You want to hurt him, turn his skin red and give it a place among the other bruises that glitter and glare down his torso, and as your hand shakes in his hold, you are forced to understand that you are angry because he is right.

You'd felt this same anger before. When your parents told you Alex was a bad influence on you. When Russo looked you in the eye and told you that you didn't have it in you to pull the trigger. It was maddening. He had clocked your suicide mission before even you had, had seen you in his mind's eye the way you saw yourself: disarmed, a lamb to the slaughter, a sacrifice for the greater good, a speedbump.

You could see Batman tackling him to the ground over your dying body. You couldn't see yourself getting up the next day.

After the frustration leaves Bruce's eyes, he's looking at you with something softer. You feel known, uncomfortably so, as he waits for you to meet him there.

And when you do, you hate how you collapse into him. Even more, you hate that he takes you up into his arms, holding you steadfast, as understanding as you needed him to be with all your fear of admitting it. The solidness of his body reminds you of the night he'd first held you, and that just makes you cry harder.

It feels different from last time. Where there was armor is now warm skin, the likes of which you hadn't felt in a while. If you had told your past self you'd one day be standing in Batman's cave, hugging Bruce Wayne and crying over the permanence of your mistakes, you might have diagnosed yourself with head trauma.

You screw your eyes shut in a vain attempt to put the tears to rest, your freed hands practically clawing at Bruce's warm back for some purchase, some stability. He doesn't seem to mind. He just holds you closer.

After a few minutes, you force yourself to speak, sniffling away the last remaining tears you'd allow yourself to shed, "You said I wouldn't like it. Your plan. What is it?"

"To disappear."

You wrench yourself back. Bruce is dead serious. "What?"

"I've considered it from all angles-"

"What do you mean, 'disappear'?"

"All but one of the prisoners Dimitri broke out with are still missing. How do we know they're not all working together? How do we know that you luring him out won't draw them out too? You were the easiest target before, not anymore."

"Say what you mean, Bruce. What do you want me to do?"

"I want to hide you here," he winces as he says this, as if aware of his words only now that they're out in the open, "with me."

"You're shitting me."

After a while, Bruce's face hardens, "I told you you wouldn't like it."

Liking it or not liking it was nothing. You'd advanced past "like". You were firmly out of your depth here.

You slip out of Bruce's hold and he lets you, standing rather awkwardly as you rub a hand across your mouth. Despite earlier, it now feels uncomfortably dry. You glance at Bruce and then at his screen, the tab with your name and face plastered all over it hovering in the background. "You want me to disappear off the face of the earth while you track him down. Leave my home, leave the people I care about, abandon my job. You want me to hide."

"I don't know how else to protect you. Not until we figure out what we're up against." Bruce watches you spin away, scoffing into the air, "You noticed it when you fought him off, didn't you? Something was really wrong with him."

You see flashes of Dimitri's feral stare, the way he staggered and swung. He was like a rabid animal in a cage. "Of course there was, he was trying to kill me."

"Beyond that," Bruce insists, "he wasn't right. I've seen it before. He was on something."

"Most people are these days. I wouldn't be surprised if he'd... I don't know, gotten his hands on drops or something-"

"It wasn't drops. Gordon told me."

"The detective?"

"He said they found a syringe with traces of venom in it. Dimitri's shooting up. That's why he was so strong."

Your mouth drops open in disbelief, "Venom? Great. Somehow worse than Drops."

"If he's on that drug, he's definitely addicted. It also means you won't stand a chance against him. This is why I'm telling you to stay here," Bruce steps forward, eyes imploring yours. You're dumbstruck by the heavy earnestness there, "stay in the tower. Hide here for a few days. Let me handle this."

"If he's on venom, it means he doesn't think he can handle you on his own," you wring your hands, flitting through images of the Dimitri you remember, "he was always really small. Even at fourteen, he hadn't really sprung up. He was scrawny and small and couldn't defend himself. Suddenly Gordon's saying he's almost twice the size of what I remember. Have you ever fought someone on venom?"

"Once or twice, somewhere between fixes. Why?"

"General has this kind of... sedative that we use when we get patients dealing with the effects. It's not perfect, but it does help calm them down enough to help them. Maybe we can use it to help him."

"The strain is constantly changing," Bruce watches you deflate and clears his throat, "but if I can get that sedative, I can use it as a base to make a new one."

"You need clearance to get your hands on that stuff. I'm going with you."

"What part of disappear do you not understand?"

"One, I never agreed to do that, and two, if Batman gets caught stealing from a hospital, that'll make you public enemy number one. You need my help, so let me help you."

Bruce is looking away, rolling his bottom lip between his teeth even as you zero in on him. You're getting flashbacks of that same Bruce from when you'd first met him here in this tower. All tender-eyed, even as he tries to put on a face for you, "And I need a drink," you rub your temple next, catching a glimpse of Bruce watching you from his peripheral, "You've got those, don't you?"

It turns out Bruce has plenty. There's a whole cellar full of them, the kinds you see in MTV Cribs with the low recessed lighting and mahogany shelves gleaming with polish. It makes sense for him to have it, but less so when he tells you he doesn't actually drink any of it.

"You weren't drinking at the party, either. Even though everyone else thought you were." You brush your hand along the shelves, careful not to knock any bottles loose. "Is that a trick to keep people spilling secrets? Or to keep from spilling your own?"

Bruce hovers near the entrance with his arms folded and back pressed to the wall, carefully watching you peruse his selection, "Maybe I don't like the taste."

"That's good. Men in Gotham die from alcoholism at a higher rate than any other city in the state."

"Really?"

"Really. You don't smoke either." Bruce blinks at you, "Just get shot at. And stabbed."

He says nothing.

Your hand lands on a red aged older than your mother and you stand to the side, looking expectantly at him. You're afraid that if you try to pick it up, you might knock down the whole row.

Slowly, Bruce pushes himself off the wall and glides over to you, grabbing the neck of the bottle in one hand and looking to you for approval. You try not to shrink yourself when you nod.

You follow him out of the cellar, flinching when the lights dim behind you and the door rolls shut all on its own. He guides you to the kitchen where night still hangs over Gotham outside the window, but the time on the stove clock warns of early morning soon.

Bruce pulls out two glasses and fills yours with wine and his with cranberry juice from the fridge. You could almost laugh at the pairing.

Once he slides your glass to you, you take a seat at the island and take a sip, "I need to ask you something. I get now why you refused me at the station, but then you came back. Why did you change your mind? I mean, neither of us knew Russo would be dead when we got there. Were you just going to let me hate you?"

"Yes." His simple response draws a quick, stifled laugh out of you.

"Are you always this... chaotic?"

Bruce leans his elbows on the countertop, hunching in on himself, "I always meant to tell you who I was. I just didn't know when. And I didn't mind if you hated Bruce Wayne, but... you trusted Batman. I didn't want to break that trust. Even if it meant telling you earlier than I planned, I wanted to give you some closure."

You think about the fear that had paralyzed you back then, thinking that Bruce Wayne was some big, bad criminal hiding behind polite society. Then you think about the real man, hiding behind a mask. You fidget uncomfortably, struggling with feeling somewhere between grateful and nauseous. Your eyes catch the stitches on his shoulder and you itch to wipe away the dried blood that had dribbled from the cut, "You said you were looking for Dimitri when you got that. Did you..."

Bruce catches your eye when you fail to finish your question. "No," he answers solemnly, "which is only part of our problem." He stands to his full height, flexing bruised knuckles against the counter, "I ran into one of the guys that broke out with Dimitri tonight. That's who gave me this. Dimitri isn't working alone."

You frown, "Is he trying to shake you? Why leave clues at all?"

"Because these people want me dead. The guy from tonight? I booked him a year ago for trafficking women. Earlier led me to a fringe group of Falcone's."

"You've been looking for Dimitri all day?"

"I haven't stopped since we found Russo. I couldn't."

You rub your arms, feeling the room grow chiller by the second, "So... so he's leaving clues to people who hate you. To keep you occupied." Bruce nods. "So he can get to me?"

"After last night, he knows the Batman is on your side."

"Dimitri wasn't out when you got on the scene. Do you think maybe he's taking venom because these guys warned him about you?"

Bruce smirks, rolling his eyes as he takes a sip from his glass, "As a precaution, sure. And now he has reason to believe I know you. If he's going to go after you, he's going to shoot up each time."

"That stuff is nasty. You're big and scary when you're on it but as soon as the effects wear off-"

"You deflate like a balloon. It's also stupid expensive, so he's either got real generous prison pals or he's being used. It's why I need to know if he's working with the Vipers. They might be supplying him."

How you'd gone from an ordinary surgeon to a detective in the span of mere weeks was beyond you. You're beyond just treading water. You're diving into the abyss.

Your brain struggles to make real what is before you. Bruce, still shirtless, drinking delicately from a glass as he watches the night sky shimmer from the kitchen window. And you, sitting across from him, cracking open one of his family's expensive bottles that, frankly, puts your pantry vinos to shame. Playing vigilantes like schoolchildren. Except the blood on you both is very real.

Your arm throbs at being remembered for once tonight. Bruce notices you touch it, "You need to get some rest."

You know he's right, and you're not arguing for the sake of arguing when you say, "I can't sleep yet." But he can tell there's more on your mind as he waits silently, almost egging you on to lay yourself bare. You swear you're not arguing just for the sake of arguing, "And I don't want to disappear. I want to be alive."

Bruce says nothing. The silence isn't humiliating like you'd think it be, even if the first few seconds leave you feeling just as laid bare as you thought you would. No. It feels acknowledging. Understanding, even.

For the first time, you look at Bruce and feel like you understand him. If he was really Batman, then he would know better than anyone why you would want to put yourself in danger. But beneath that, with the meager knowledge of who Bruce Wayne is, you also think you understand him too.

He'd mentioned the survivor's guilt. While he'd played a much more innocent role in the whole ordeal, you couldn't imagine the weight on one's chest knowing that two people you love didn't get to go on but you did. It's a lot to ask of a child barely coming to understand the mortality of one's own keepers.

The choice to be alive for someone like that is a deliberate choice. Constantly made every morning.

"There is another way," Bruce muses, "but you'll like it even less."

"Don't leave me hanging."

"We could go public."

"What?"

"You said disappearing would mean abandoning your life. And it would. No one could know where you went, who you were with, but there's always the chance someone might slip up. It's the safest option but it's not what you want. So don't hide." Bruce's eye contact is deep and unwavering. Compared to earlier, he seems to trust you're willing to listen this time, "Be mine."

For the nth time tonight, you are rendered nearly speechless. Nearly. "Are you fucking with me?"

Bruce's eyes narrow, "No."

"Did you just... proposition me?"

"I made a proposal."

"You're asking me to date you."

"Publicly. Batman has more enemies than allies, but Bruce Wayne has the people. If you and I are publicly linked, it tells everyone looking for you that the world is watching. It makes you more visible, as well as anyone who comes after you."

"You haven't slept," you reason, "clearly. And you're delirious."

"I haven't slept, no." But he looks fairly sober for someone who hasn't slept in a day. He is a different breed, this Bruce Wayne.

You peer out the kitchen window and see the black sky dipping into a blue horizon, "Then sleep on it and come up with something better."

Bruce rounds the island until he's standing beside you, looking down at your barely touched wine, "There's some spare rooms upstairs. You can take your pick." It dawns on you that you may not be going back home any time soon. "You know your way around."

You suppose you deserve that dig.

Then he's leaving you, glasses abandoned, home for you to explore. You don't realize how thick the air had gotten with him right next to you until he's gone.

You half-expect Alfred to pop up somewhere nearby, but there's nothing. This far up, there is no city to listen for, no neighbors slamming doors. You are in a cold house all alone. You suddenly wish he'd stayed to keep you company, even if the weight of it was beginning to take its toll on you. Left alone, you only had the sunrise.

You watch until the sky has all but chased the night away, and then you head upstairs.

You didn't think you'd get much sleep in a stranger's bed, but you're being roused by a sharp, successive rapping at your door several hours later. It jolts you awake, kick-starting your heart, and you clumsily tumble out of the million thread count sheets to open the door.

Alfred stands there fully dressed for the day, one hand tucked in his pocket and the other still raised to knock. Upon seeing you, he lowers his fist, "Morning," he starts, looking away as soon as he meets your eyes, "breakfast is ready. Come get it before it's cold."

He does not give you a choice in the matter. He's already limping toward the staircase without another word.

After you get your heart to settle down, you follow after him, preening yourself as you pass hallway mirrors and portraits of the Wayne family through the generations. You hadn't come down this hallway when you'd found the terminus elevator, so you stumble to a stop in front of a portrait of a young Bruce grinning ear to ear.

It startles you. His eyes are soft, a gentle humming blue untouched by wrinkle or darkness. He must've been especially young here. Glancing at a nearby portrait of his parents, you find him the spitting image of his father. You look around and realize there are no portraits of Bruce at this age.

Bruce. He might be at breakfast, and the mere thought of having to discuss what occurred last night almost turns you right back around to the guest room, but your stomach rumbling begs you not to. You still walk quietly, peering around corners in case your stomach changed its mind.

You find you're cautious for naught when the only person standing in the kitchen is Alfred, chopping up fresh fruit.

"I hope you don't mind that I moved your things," he gestures with his paring knife to your surgical tools neatly congregated on the counter, "I cleaned them too."

"Oh. You didn't need to do that."

"There was blood, so I'm afraid I did." Alfred places a bit of pressure on "blood", and you quickly take note of his short tone.

Still, all the same, he then gestures to the island and implores you take a seat in front of an empty plate. Without asking, he begins pushing steaming hot food onto your plate, "Tea or coffee?" He asks, barely looking up at you.

"Uh, coffee is fine. Thanks." You watch Alfred pour you a mug and wonder if the awkwardness with him is any more preferable to the awkwardness with Bruce. Alfred is passive-aggressive, Bruce is... aggressive. You remember how the latter had left off your night together and find yourself feeling warmer toward Alfred. "How long have you been up?"

"Since 6, although I woke a few times through the night."

You wince, "Sorry."

"No need to apologize. I did think Bruce had invited you over under different circumstances, so... not as alarming, all things considered." Your grip on your fork slips and it clatters to the marble. Alfred barely reacts.

"He needed stitches." Is all you can get out.

"Yes, I'm well aware."

You glance up at him, "You saw?"

"When he first arrived home, yes. I was the one who helped stop the bleeding."

You stare at the coffee sweating in your cup, recalling something Bruce had mentioned last night, "Bruce said you were the one who used to stitch him up."

"Yes."

"If you were there, why-"

"It's what he pays you for, isn't it?" Alfred almost snaps back at you, slicing a strawberry into quarters with more edge than needed.

You recall something else next. The softness in Alfred's face the day you first came here, arguing with Bruce in the very room next door. You'd wondered what it had all been about.

"I've done alright, haven't I?"

"He said something else too," you start, careful as you choose your next words, "about how much you worry about him." You fiddle with your mug, pretending not to feel the heat of Alfred's eyes on you, "I think the reason he hired me is because he was worried about you."

You just catch the tail-end of Alfred's frown, "Worried about me? Why?"

You probably aren't close enough to either of these two to laugh about this, but you do anyway, "Isn't it kind of obvious?"

"Nonsense. We always discussed... if it would come to it, that if he were to pursue this life further, that he would recruit professionals who might aid him in his work. It was the natural thing to do."

"Maybe, yeah. But would he have really needed me if you weren't already doing everything else for him? You've taken good care of him this long. I mean, the aftercare you gave his bullet wound was exceptional. I accused him of talking to other doctors."

Alfred busies himself with scraping his strawberry halves into a bowl, "It's basic knowledge. You learn that kind of thing in the service."

"Or when you invited me to watch you two spar. You know his body probably better than he does. You're fantastic, Alfred." You couldn't say you weren't also trying to butter him up to better his feelings toward you, but you were speaking truth all the same.

In a very British way, he rebuts your compliments and spoons some fruit into a glass, beginning to layer some yogurt over top them, "Regardless of reason, you are here now, and I'll have you know that every part of your contract covers this. Wayne Enterprises will exhaust every possible legal tool at our leisure if you speak of any—any—of this to anyone. Master Bruce's identity is safely guarded, and regardless of his trust in you, I will not hesitate-"

"Whoa, whoa, hey. I would never tell anyone. Not after all Batman has done for me." You press a hand over your heart for emphasis, "He is just as much my patient as Bruce Wayne is, and he didn't have to pay me to take care of him."

Alfred still stares you down like a guard dog, paring knife still clutched in his fingers. After a moment, he looks away from you and points at your plate, "Eat. It's getting cold."

So you do. It's good so you say as much, counting any point toward his affection as a good thing. If you could get Alfred to trust you, you'd call that a win.

The tension in the air dissipates over time, and after you've licked your plate clean, you and Alfred are sharing coffee together. "Bruce isn't joining us?"

"I've stopped expecting him to be awake this early." You glance at the clock that reads 10:12. "He has adopted a near-fully nocturnal lifestyle."

"The night that he crawled through my window, he was there at the hospital the next morning like nothing happened. He doesn't do that often?"

"Before last year, it was a rare occurrence. While he's dedicated himself to his role more recently, if he can avoid it, he will."

You think back to what knowledge you do have on Bruce's charity work and his friendship with the Mayor. You'd worked shifts just as long, but you couldn't imagine showing up to work mere hours after getting shot in the stomach and having to put on a brave face about it. You almost feel bad for calling him out on it in front of everyone.

But then again, if you hadn't, would you even be sitting here?

You swirl the last vestiges of coffee in your cup, trying to picture a world in which you'd gone and found that empty office to nap in instead of toddling behind Rudy and Em and Alfred and Batman. The Batman.

The novelty of it brings a fresh wave of dizziness over you. You had been exposed to so much information over the course of the last 12 hours that it hadn't fully settled in on you what Bruce was. You didn't think that your brain would process it even if he was standing in cowl and cape right in front of you.

"I suppose you'll be staying with us for the near future, if Bruce has anything to say about it," Alfred stands from his chair beside you and puts your dishes in the sink, "shall I inform your security detail or would you like to?"

You don't know what to say to that. "I'm... I think I should talk this over with Bruce first. It may not need to come to that."

The butler shrugs. "I'll be attending to some house duties for the rest of the morning. Should you stay for lunch, let Dory know, hm?" You give him a weak nod and watch as he makes his way from the sink and heads down another hallway out of sight.

Not too long after Alfred leaves you, you hear the doorbell ring. Bruce hadn't mentioned to you that any guests would be here today, but then again, the two of you had had more important things to discuss last night. You check your reflection in the glass of the kitchen window, wondering if there were any hidden doors in the bookcases that could hide you from whatever Wayne Enterprises exec that was coming to talk business, but you wouldn't trust yourself not to break something in the process.

You hear two pairs of footsteps approaching from the elevator and turn to see who it might be. You first recognize Dory, fluttering between frantic small talk and making sure not to trip in her kitten heels as she guides her guest into the living room. You stiffen as soon as you see him.

Detective Gordon catches your eyes instantly, his own widening. Dory says something about going to fetch Bruce before she quickly ascends the stairs, leaving you and James staring at each other across the distance. In one hand is a notepad and pencil, and the other fixes his tie, almost as if at a loss for words. He greets you, hesitantly leaving where Dory had left him to approach you, "I saw the boys out front but... I didn't expect to see you here."

"Me neither." You reply. "Is everything okay?"

James glances up at the stairs as he passes underneath, "That depends. I followed up on your request."

Shit. Of course a cop would do their job when you least expect it. You slip out of your chair and rush to meet him halfway into the kitchen, "Did... did you find something?"

"I can't say much right now. I'd like to talk to Mr. Wayne, but-" The sound of Dory's heels clacking against the wooden stairs makes James lower his voice, "-you being here complicates things."

Bruce is wearing a shirt this time, thankfully, though you're not expecting him to look as put together this early after what Alfred had said. He towers behind Dory's much smaller frame in a pair of loose black pants and a matching turtleneck, looking in a fashionable state of undress as he pads barefoot into the room. With hair slicked back and stubble freshly shaved, he doesn't look like someone caught unaware. He's fixing the sleeve of his sweater when he extends a hand to Detective Gordon, bright smile and all, "Detective James Gordon, to what do I owe the pleasure?"

"Mr. Wayne, I'm sorry for dropping in unannounced. If this is a bad time, I can come back." James gestures to you.

Bruce's look at you is empty, devoid of any detectable emotion or thought. It strikes you as unsettling, the same way a cashier at the end of their shift isn't really looking at you, "Oh, no. I was just on my way to work when I felt unwell. I called my doctor over but it was nothing to worry about. A little stomach bug, is all."

You do look like you'd just come over in a rush. You're still in your lounge clothes from the night before, and your medical supplies are still in the kitchen where Alfred had left them. James seems to notice, but he doesn't look any more relaxed. "That's good to hear. I don't want to keep you too long, but truth is, I have some questions I'd like to ask you if you have the time."

"Is something wrong?" James glances between you and Bruce, something the latter doesn't miss, "is it sensitive?"

"It's about the party you threw here the other night, Mr. Wayne. For Mayor Reál. I hear you invited quite a few Gotham politicians to celebrate the passing of the mayor's new bill, correct?"

"That's correct."

"And I understand you're quite invested in Gotham politics in general, much like your father."

"I am. My mother and father were very interested in the city, and Mayor Reál breathed new life into that for me after the election. I do what I can to support the cause."

"And that cause is...?"

Bruce takes the skeptical tone on the chin, smiling wider, "A safer, fairer Gotham. For everyone."

This Bruce was nothing like the Bruce you had all to yourself. He taps into that persona from the party with ease. Watching him is like watching a performance. "That's good, good. I notice you try to make an effort with charities in the city, donations and the like. You recently donated a new wing to Gotham General."

"I did. Increasing access to medical care for the citizens is important to me. My doctor, a talented surgeon at General, knows this well." You flash a timid smile when both Bruce and James look to you.

"And you also financially support politicians in Gotham."

"Occasionally. Anyone I feel has Gotham's best interests in mind."

"And have you found members of Gotham's political parties to be unusually forward in requesting your support, Mr. Wayne? Perhaps a little too pushy, maybe."

Bruce wears confusion well, "Not necessarily. I'm not easily pressured into doing things I have no interest in."

"Of course. How about any attempts to win over your support? Publicly or otherwise."

"I'm not sure what you're asking, detective. I'd love to help, but I don't think I have the information you're looking for."

James nods, holding his chin high, "My apologies. I should've been clear from the beginning. My question is: have any politicians or members of law enforcement offered you anything in exchange for your financial or public support? I have reason to believe there may be someone with high clearance exchanging confidential information with civilians. Especially ones who can pay. I'm just looking for a lead."

James frames his question well, even though any fat cat familiar with the cops could see the hidden question. Bruce frowns, tilts his head, shaking it slowly, "That's awful. I don't currently know of anyone doing such a thing, to me or anyone else. But I can keep an eye out. I can only imagine how dangerous that might be."

"Exactly. We'd like to nip it in the bud as soon as possible."

"Of course. Do you have a card? Perhaps I can contact you if I hear anything."

James fishes out his card and hands it over, "I don't want to put you in a bad position, only pass along what you know if you feel safe enough to do so."

You notice Bruce is flicking the business card between his fingers as a fidget, though he keeps his attention respectfully on the detective. "Absolutely. Thank you, detective. Dory can show you to the door."

The detective nods and follows Dory out of the room. As soon as the two are out of earshot, Bruce's expression softens as he presses his back into the counter. You wish you could sink into the floor. "To be fair," you begin, "I didn't think he'd find anything."

Bruce side-eyes you, "That was you?"

"I thought my criminal boss was going to blackmail me to keep his secrets."

"Criminal boss." You think he's trying to mock you, but his eyes are surprisingly guilty when he looks at you, "Alfred wasn't kidding. I really didn't handle this well."

"No, not really." You don't mean to kick him while he's down, but you can't lie either. Even now, you were still making meaning out of this whole thing.

By all means, you've gone from knowing nothing about him, to understanding even less, to fearing him, to this. With Batman on the other hand, you'd felt nothing but loyalty and trust in him up until the very last second. Now they were both the same person, and the meager hours of sleep you'd gotten hadn't cleared all that up just yet.

You wonder who you're supposed to see now. Batman or Bruce Wayne? Why was the line separating them blurring the more you thought of them?

"So, did you ever come up with a better idea?"

Bruce does not offer one. You'd dreaded that.

"You already know what I think. No matter how we go about this, there's going to be something. So what do you want to do?" Bruce's eyes follow your ever minute expression, laser-focused on you. "Whatever you choose, I will keep you safe. I promise you."

He feels so staunchly Batman in this moment, even with the soft voice of Bruce, watching over you. Through all your uncertainty, this you believe him on.

And you're exhausted, you find. Your arm is beginning to throb again. You crave the reprieve of a bed but not your own, to your surprise.

"I'm going to trust you, Bruce," your voice wobbles as you say it out loud, "I'm going to trust you like I trust Batman."

Bruce holds eye contact with you for a few moments, "Okay."

"Can I ask... why are you dressed so nice?"

"We're going to get the sedative."

"You're going as Bruce?"

"It's the middle of the day. Yes, I'm going as Bruce. I'm not letting you out of my sight."

You fluster, suddenly reconsidering this entire plan. You'd pictured Batman skulking on the rooftop while you Mission Impossible'd your way into the medicine cabinets for what you needed. Walking in with him—the real him—would draw attention you didn't need, "You're only going to make me look suspicious."

"I'm your patient, and more importantly, I'm a donor."

"You will stick out like a sore thumb."

"That means when people are looking at me, they're not looking at you." You open your mouth to argue but he's already cutting you off, "Do you want me to drop you off at your place or do you want me to send someone to get your things?"

You're aware of what he's really asking.

You heave a sigh, "Drop me off. I can't promise Judith won't hurt someone if she finds a stranger in my house."

a/n: mj stop having the reader move in with bruce when their life is put in imminent danger challenge impossible

#bruce wayne x reader #bruce wayne scenarios #bruce wayne fic #bruce wayne #batman x reader #batman scenarios #batman fic #batman angst #batman fluff #the batman #battinson x reader #battinson #dc #mjwrites #bw; rprt

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samwhump · 6 months

Text

a (very inexhaustive, wincest-heavy) sam whump reclist

@transfemmesam asked me for Sam whump recs a few days ago, and I've had other requests in the same vein before (I can't imagine why.../s) so I thought I would throw this together, since these authors deserve all of the love and support for their contributions to our li'l fandom corner.

like I mentioned in the title, this is not at all a comprehensive list; I have at least ~200 more fics in my to-read queue that could thematically fit here, but alas, I have stupid shit like a job and a body and a dog to take care of, so. I'm always happy to get recs along these lines, so if you notice anything important missing, hit me UP. (and don't take any omissions as any specific commentary by me -- it's likely I just haven't had the chance to read it yet, haha.)

disclaimers:

some (most, honestly) of these contain potentially triggering and dark content, including but not limited to rape/noncon, torture, and suicidal attempts & ideation. I have tried to note content warnings where applicable, and most of the works are hosted on ao3, so the tags should have most of the information you need to make an informed decision. that being said, tread with caution. all of the summaries provided are from the original author, with warnings added after by me.

the list is in alphabetical order and separated into wincest and gen categories. a lot of the gen is also focused on the sam & dean relationship, because...I am what I am. and what I am a sucker for these two dipshits. there is also a brief section at the end with a few fics that don't fit into either category.

gen

All That Goes Unspoken by amnesiawife:

A case forces Sam to confront something long kept buried. (Set nebulously in season 12.)

CW: discussions of past rape/noncon, victim blaming

Beneath the Trees 'verse by Lise (5 works total, starting with Beneath the Trees, Where Nobody Sees):

Sam doesn't go to Stanford. Everything goes downhill from there.

CW: suicidal ideation

a boy is a cage by ad_castra:

After expelling Gadreel from Sam's body, Dean thinks they're in the clear. If only they were that lucky. // S9 fic wherein Gadreel's grace causes some adverse side-effects in Sam's mind.

CW: past referenced rape/noncon, body horror

body of proof by Askance (doomcountry):

There are things Sam hasn't told his brother. They're all in the envelope laid on Dean's pillow.

CW: heavy discussion of past rape/noncon

break these bones 'til they're better by redskyatmorning:

After Sam’s torture at the hands of the British Men of Letters, the latest in a long string of violations, he is rescued by Dean and Mary – and forced to ponder his broken relationship with his own body. Months later, when Sam is resurrected and tormented by Lucifer yet again, Dean confronts Mary and Sam gets his revenge against the devil.

catching my death (staring out an open window) by ad_castra:

Sam gazes at the window, catches the faint pink hue tinting the sky. It’s so realistic - he could breathe in the fresh air if he were really here. ----- They got Sam out. Sometimes, just knowing that isn't enough.

CW: implied past rape/noncon

Death of Convenience by WilsonTheMoose:

It should have been easy. Wendigos are no joke but daylight slows them. The weather's been unpredictable though and perfect, idyllic hunts don't exactly stay that way where they're concerned. Or Sam has one card to play and never stops to think that Dean would care if he killed himself.

CW: suicidal ideation, references to suicide

Echoes of Hell by The_Nightbreaker:

It wasn't real. He wasn't in Hell anymore. That's what he tried to tell himself over and over. But two centuries of torture don't disappear in a day. Sam struggles with visions of Hell, fighting to maintain his grip on reality. Dean hates that he can't protect his brother from what isn't real—but curse him if he doesn't try. When the boys stumble on a case with ties to the Devil himself, will they be able to pull themselves together in time to stop the sacrifices? Or will the echoes of Hell finally overtake them? Aka, season 7, but the plot is Hell trauma, not leviathans.

CW: suicidal ideation

Evening Shadows by withthekeyisking:

Sam is hallucinating the monster who tortured him for nearly two centuries, Dean feels like he's failing his brother, and a diner waitress bears witness.

CW: past rape/noncon

Everything Dies Given Time by Lise:

AU from 5.03. Sam discovers something wrong with himself, and learns to live with it. Only a lot less functional.

CW: suicide/temporary character death

The Freedom to Be Loud by jribbing:

It hadn’t occurred to Dean that maybe Sam remembered so much about that little nowhere town because something memorable had happened there.

CW: referenced past rape/noncon

golgotha by redskyatmorning:

There’s a vacancy on the throne of hell, and Sam is desperate enough to save Dean from Michael’s possession to give into the abyssal depths of his own darkness.

Head Space by ameliacareful:

A witch curses Sam leaving him blind, deaf, and bedridden. Left with only the inside of his own head and the occasional touch, Sam begins to unravel.

CW: suicidal ideation

Hiraeth by inkandpaperqwerty:

(n.) a homesickness for a home to which you cannot return, a home which maybe never was; the nostalgia, the yearning, the grief for the lost places of your past "Dean... I made a really big mistake." For a second, Dean actually thought things were going okay. He was out of Hell, Sam agreed to stop drinking demon blood, they had just wrapped up a successful hunt... for once, everything was okay. And then it wasn't. "I overdosed." Not at all.

CW: suicide attempts, suicidal ideation

if i could leave (i would've already left) by serendipity0930:

“I have a mission from God for you,” the Angel whispers to the man. “It is time for you to do what you were born to.” The man’s face twists into a smile, delighted over being chosen by Him, a purpose from God digging into his heart, carving out a place to fester. “Hunt.” ... 05x03 AU where Zachariah is even more determined to keep the brothers apart and hunters are all too willing to take Lucifer's True Vessel off the board for good

CW: referenced suicide

It's A River (But Not In Egypt) by Lise:

He's still a liar. Maybe always has been.

CW: toxic Sam/Lucifer dynamics

Kindred Instruments by PinBitch:

They’re in a tug of war and Sam is the rope. He doesn’t need to be alive for that. OR Sam dies in detox, being flung against the walls of a metal box will do that to you. Dean and Ruby pick up the pieces.

CW: temporary main character death, permanent supporting character death

lazarus trick by katsidhe:

Sam's alive, so everything is gonna be okay. 13.22 coda.

Let All Mortal Flesh Keep Silence by Lise:

Sam's back. He's in one piece. That's the problem.

CW: self-harm

love is like ghosts by redskyatmorning:

I’m poison, Dean had said instead of I’m sorry. Well, Sam wants to say, what does that make me? What the hell does that make me? (A look into Sam's mind in the aftermath of the Gadreel possession.)

The Other Brother by RadioFriday:

Sam and Adam are pulled from the cage at the same time. Sam is not right, and Adam, stuck as his caretaker, is not pleased.

Oxygen by inkandpaperqwerty:

“Cas! Cas, please! Please, answer me! Cas!” Castiel ignores Dean for several minutes, but then Dean gives him an opening that might help him complete his mission. So, he goes to investigate, and what he finds is a very bloody, nearly dead Sam. Dean tells him where the injuries came from, and Castiel quickly becomes confused. It doesn't make sense, but Dean tries to explain it to him, and slowly... Castiel begins to understand.

CW: suicide attempt

Post Hoc, Ergo Propter Hoc by AmberSock:

Sam waits, kneeling, for his execution. What if Dean hadn't missed?

CW: temporary character death

Safety In Distance by GalaxyThreads and SpiritClusters:

The Mark of Cain is a brand of violence. Sam was an idiot to think that he'd be exempt from it, just because he and Dean are siblings.

sometimes a kind of singing by adi_rotynd:

Sam gets cursed. They're dealing with it. Jack can see souls. That one they're not dealing with quite as well.

CW: past referenced rape/noncon

Soul Windows by GalaxyThreads and Spirit Clusters:

A few months after his birth, Jack learns how to see souls. Then he comes to a realization about the Winchester brothers, Sam in particular, and it's not a pleasant one. (gen)

Starry Night by keepcalmsmile:

Sam attempts suicide-by-monster. Dean tries to help. It sort of works...until it doesn't.

CW: suicide attempts, suicidal ideation

such fragile, broken things by The_Bookkeeper:

Sam wishes that Dean would just get it over with already.

The Tale of Sir Galahad by keepcalmsmile:

Sam once said he could never be clean like Sir Galahad. Dean assumed he was just talking about the demon blood. Turns out, Sam was talking about something else too. WARNING: Extended discussions of the aftermath of rape and childhood sexual abuse (but NO description of the actual events). Happy(ish) ending, but potentially very triggering.

CW: past rape/noncon, mentioned CSA

They Hammered in His Teeth by jribbing:

Sam has a secret.

CW: suicidal ideation

today's troubles (are history tomorrow) by a_good_soldier:

"It's not really something I know how to share," Sam had said. In which Dean figures he ought to help Sam out a bit.

Touch and Go by themegalosaurus:

Tag to 9.19 (Alex Annie Alexis Ann) in which Dean realises why, exactly, Sam is so angry about what happened with Gadreel.

trust fall by ad_castra:

“I’m nothing like you,” Sam hisses. Nevermind relating to the anguish of going it alone. Nevermind that he knows what it is to be strapped down and forcibly cleansed against his will. Sam wonders if these trials are purifying Crowley as well.

Words Like Glass by broken_cinders:

Dean never figured the cage wouldn't leave a mark. He was prepared for memories, flashbacks, and nightmares. He wasn't expecting the words Sam brought back with him or the way they made him seem just a breath beyond Dean's reach.

Wound and Unwound by fascra:

Sam stops eating spring of his freshman year.

CW: eating disorder

wincest (dean/sam)

Brittle by thecapn:

Sam Winchester has an eating disorder.

CW: eating disorder

Don't You Cry No More by sixtysevenlmpala (schittyfic):

The first time Sam gets badly hurt on a hunt, he doesn’t cry. Dean does.

Fall On Your Knees by dollylux:

Sam doesn't quite make it home on the last day of school before winter break.

The Fall Will Probably Kill You by killabeez:

Set between 7.04 and the aftermath of 7.07. Dean is not as okay as he'd like you to think. Neither is Sam.

CW: self-harm

Feels so good to feel again by Trojie:

The pain keeps Lucifer at bay, at least to start with.

Follow In Your Form by withthekeyisking:

Sam is hallucinating Lucifer in the wake of Cas bringing his Hell Wall crashing down. To make matters worse, it seems like this has his dormant powers flaring back to life.

Last Temptation by merle_p:

Sam is running a fever again, the kind of fever no Ibuprofen or cold compress will bring down, the kind of fever that is eating him up alive, eviscerating him from the inside. He is too hot and too cold and too pale, delirious and shaking, resonating with whatever divine energy the trials are subjecting him to, and Dean is not sure how much longer he can stand to see him be in this state. Because Sam is quite possibly dying, and there is nothing Dean can do to stop it. Because Sam is dying, and he just. Won’t. Shut. Up.

CW: mentioned past rape/noncon

leeches by Anonymous:

Sam discovers a spell to make everybody forget him. He’s convinced it’s for the best. Pre-Stanford.

CW: attempted kidnapping/torture

Make Thick My Blood by themegalosaurus:

“You’re going to kill me, Dean,” Sam says, eventually. And all Dean can say is, “I think I am.” A season 10 AU, set after 10x14 ('The Executioner's Song'). Cas finds a solution that might cure the Mark of Cain; but if they're going to go through with it, Sam has a terrible price to pay.

CW: mentioned past rape/noncon

Prophecy of an Abomination by ashitanoyuki:

Sam is kidnapped by fanatically religious hunters and crucified. Coming back from this won't be easy. Canon-divergent from midway through season 2.

Recall by De_Nugis:

Sam's having a hard time telling what's real and what isn't, especially when it comes to some voicemails from Dean.

The Room Upstairs by brokenlittleboy:

Sam comes back from hell, but he’s inside-out and all wrong, and Dean can’t fix him.

CW: mentioned past rape/noncon

Ruin You (and its companion fic Worth) by Mumble_Bee:

Cole fucks Sam with Demon!Dean watching from a devil's trap, snarling that anyone would dare touch what was his. “I told you I don’t care what you do to his face or his blood or his fucking nose,” Dean growled, “but you put your dick anywhere near him and I will end you.” “Better hurry up then, Dean, because I don’t think I can wait much longer.”

CW: explicit rape/noncon

Snowed In by HelloStarlingFics:

When working a case, Sam and Dean get stuck out in a shack in the woods when the snow comes in hard and fast. Trouble is, Sam’s hated the cold ever since the Cage. Time for Dean to step up and look after him.

Wake by minchout:

Gadreel has had Sam for four years, and Dean, lost in guilt and obsessed with finding a way to get his brother back, has isolated himself in a cabin in the Missouri Ozarks with nothing but the woods, a stray dog, some chickens, and all the books the Men of Letters had to offer to keep him company. Then Sam shows up one day without his passenger, and Dean learns quickly that it doesn't matter that Sam is with him again - there is still a lot of work to be done before they can find their way back to each other.

Wanting to Forget by morganaDW (morgana07):

1-shot. S1 fic. After getting Sam freed from the Benders Dean thinks all he has to cope with is some bruises and cuts. He learns quickly just how wrong he is when Sam wakes up with a nightmare, reliving his brief but bad captivity in every detail. Sam just wants to forget & Dean has to try to get him to let him help. Will one night of cruelty and pain ruin what’s been formed between them?

CW: referenced past rape/noncon

when I wake up I'm afraid, somebody else might take my place by quake_quiver:

Sam doesn’t remember the last time he cried for Dean like he did that night. And now it’s been…two weeks. Maybe more. Sam is tired, and in pain, and starting to doubt that Dean’s going to show up. He’s weak and shaking from a combination of constant pain and hunger. Sam longs for Dean. Dean would make it better. Dean would fix it.

CW: rape/noncon, body horror

Wire Inside Me by merle_p:

There are a lot of things Sam hates about his current condition, to the point where he sometimes feels for the gun under his pillow at night, blindly toys with the safety, imagines pressing the muzzle into the underside of his chin and pulling the trigger just to make it stop. But there’s nothing he hates as much as the shadows he sees in Dean’s eyes whenever his brother is looking at him these days. It’s not an expression he remembers ever seeing before, but Sam thinks it’s probably something like revulsion. Horror. Disgust. What else could it be.

CW: referenced past rape/noncon, body horror, forced pregnancy

Worth (and its companion fic Ruin You) by Mumble_Bee:

Episode 10x01 "Black" where Dean is a human, and very, very, pissed off to hear someone has hands on his brother. “It’s nothing personal,” Cole whispered into Sam's ear, too quietly for Dean to hear, “but I need to kill your brother, and I need him off his game when he gets here. I don’t wanna hurt you, kid, but I’m going to, anyway. I’m going to hurt you a lot."

CW: explicit rape/noncon

you'll never see us again by according2thelore:

Then finally, his eyes trail over to Dean. His pupils are pin-point thin, and his hair is straggling in his face so Dean can’t see most of what expression lies there. Sam usually wakes up from nightmares in one of three attitudes: confusion, fear, or calm. A scary, sense-prickling calm that Dean hates more than anything else. Resignation, almost. Or: Sam suffers from nightmares and touch starvation post-Cage. They do their best to deal.

other Sam/Lucifer noncon

Cage Fight (No Way To Do This Right) by Dyed_Red:

Sam’s visit to the cage is already going awry, but Dean’s one-man rescue ends up skidding it sideways into territory neither him or Sam are ready for. (Gratuitous episode scene re-write. If Cas hadn’t come till after, if he hadn’t been there yet when Dean ran down to the 'parole' cage after hearing Sam scream - how bad could it have got for the brothers before he made it?)

CW: graphic rape/noncon

Into Being by withthekeyisking:

When Sam wakes up in the cave on Apocalypse World after having been killed by vamps, it's not just to find Lucifer there with him. It's to find him in him.

CW: graphic rape/noncon, necrophilia, forced pregnancy

Reggie/Tim/Sam noncon

a pointless resistance for you by withthekeyisking:

Sam doesn't know how long he's been with Tim and Reggie by the time Dean shows up and tries to take him out of there. Long enough that's he's already lost one baby and is pregnant with the next. Long enough that this life is starting to feel like all he knows.

CW: graphic rape/noncon, forced pregnancy & miscarriage, victim blaming

screaming birds sound an awful lot like singing by withthekeyisking:

Sam has done his best to move past what Tim and Reggie did to him, pretending it never happened at all. But running into them again makes that very difficult—especially when Dean gets involved.

CW: referenced past rape/noncon

Waste 'Em All by withthekeyisking:

When Tim and Reggie try to force the demon blood down Sam's throat, he spits it back out. He has no interest in being turned into their own personal attack dog. They don't...take it well.

CW: explicit rape/noncon

#sam winchester #sam whump #supernatural #supernatural fic rec #wincest

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