#dango attempting to communicate

[iloveyanderes]

Yandere genshin ideas:

Yandere traveller and abyss twin x fallen god reader, the reader tried to help them escape teyvat and was punished for it, getting striped of their god status and going through an unimaginable amount of pain. Both lumine and aether feel heavily indebted to the reader and strive to protect them. The traveller wanting to stay by their side all the time and the abyss twin wanting to imprison the reader in the abyss.

Yandere fatui harbingers x eternal reincarnating reader, reader was a resident of kheanri'ah and was cursed with eternal reincarnation. Reader has lived enough lives that they have met all of the fatui harbingers and they become obsessed with the reader but the reader kills themselves consistently to escape them.

Yandere Columbina who breaks out of you phone by using your dreams to drive you insane enough to make a ritual to the real world so she could keep you eternally.

Yandere cyno, al haithem, tighnari, collei, dehya, collei, and kaveh, and platonic nahida x reader from mondstadt who came to study and secretly has the power to see the future in their dreams and does everything in their power to prevent bad things from happening. Cyno being the first to find out about readers powers and telling them he'll keep your secret if you tell him where future crimes will take place, reader accidentally confessing it to tighnari and collei when they were very sick, al haithem spying on reader and finding out with kaveh overhearing it. Dehya finding out by default, and nahida half decided that your powers are too valuable and half wanting to keep you in sumeru traps you in the akademia.

Yandere inazuman characters + platonic Ayaka and ayato x ayato cousin reader. Readers father was the younger child of the kamisato clan and did not getting chosen to be the head, when ayato's father died your father tried to take over but was stopped, so he sent you to mess with ayato. But instead of that you saw this as a great situation to gain a powerful ally, so you gave him good advice and taught him how to run the kamisato clan. Later in the future you and ayato do not get along personality wise but he is very platonic yandere for you and stops all you attempts to move out of inazuma and start business in liyue. kazuha becoming yandere when you help him escape inazuma, gorou and kokomi turning when you trick some tenryou soldiers, itto falling when you smack him with a fan for being an idiot, heizou becoming yandere when he sees how smart you are, yae Miko falling when you turn one of her tricks against her and ei turning simply because your good at making Dango.

Yandere yakshas x isekaid bird reader. The reader is from another world where genshin doesn't exist and gets isekaid and wakes up as a bird. The reader trains and eventually gets blessed by morax who gives the reader a human form and invites them to the yaksha. You quickly become close to them and trust them alot, when they fall victim to the gods curses they all fight each other to get you eventually wiping each other out, in the future Xiao is extremely overprotective of you because your the only one he was left.

Yandere venti x childhood friend bird reader(sorry about the double birds I just really like them) when venti was just a wind spirit travelling with the nameless bard they found an injured bird and nursed it back to health, little did the nameless bard know the bird he saved was actually an extinct but very powerful breed of bird, reader and venti both being wind based beings are able to communicate with each other and agreed to become friends. Later when the nameless bard died and venti became on archon he granted reader a human form and you protected mondstadt. When durin came into the picture you got pierced with dragon claws nine times and fell into the ice of dragonspine, spending 500 years under ice until you wake up again. When you wake you notice how much mondstadt has changed, meanwhile venti is getting news about you from the wind and freaking out. Before you know it your trapped in stormterrors lare where venti refuses to let you leave.

This is all I've got for now, I hope you enjoyed these ideas and feel free to add too or use any of these ideas.

[yowyowyaoi]

Deidara’s Daily Texts from the Akatsuki

From Tobi:

How long do you boil water for hard boiled eggs?

How long do you boil eggs for soft boiled eggs?

Is there a thing like medium boiled eggs?

Do we have eggs?

Where are the eggs at?

Have you seen my cloak?

Have you seen my gloves?

Have you seen my sandals?

Have you seen Zetsu today?

You left your piece of pie in the refrigerator for 3 days can I eat it?

Do ladybugs have toes?

((early morning)) Do you ever think about how we’re all just wiggly spirits wearing suits made of skin and bones and teeth and hair?

From Hidan:

Fucking Kakuzu getting on my fucking nerves today!

Wanna go half on a pizza?

Ditch that mission with the puppet, it’s hot let’s go swimming.

My shampoo is half gone let me find out it was you who used it asshole!

Did u see how Uchiha limped outta the shark’s room 😏?

I accidentally took Konan’s bra from the laundry room n now I’m scared to give it back bc she’ll beat my ass like last time 😓.

From Itachi:

Did you take my face cream?

Did you take my lotion?

Did you eat my dango from the fridge?

Do you have the $20 you owe me?

Where did you put my sandals?

Are you the one who left that drawing of me and Kisame on the bathroom door?!

From Obito (using a fake number):

You’re so beautiful.

That puppet doesn’t deserve you.

I would treat you like a king.

I’ve been in love with you since the day I met you.

Every time I see your face my heart sings with joy and pain. Joy from the miracle of your existence, pain from knowing I will never have you.

What? No! Who is this “Tobi” you speak of??

From Konan:

Face masks tonight?

Made brownies you want one?

Can you come help me paint my toenails?

Did you borrow my leave in conditioner?

Quick come to my room I have some hot “tea” from Konoha !!

From Kakuzu:

Rent’s due.

You either kick in for your share of the utilities or I’m cutting your lights off tonight.

You and Hidan get your asses downstairs and clean up all this mud you tracked into the house!

Start picking up your food and drinks or I’m putting you outside. You are attracting ants. We can’t afford the bug guy again.

If I step in one more wad of clay I’m throwing it all in the trash!

Please cease your attempts to set Tobi on fire. We can’t afford hospital bills OR a lawsuit.

Fuck no. I can barely feed you little brats. A dog is out of the question!

I just got this months phone bill. STOP PLAYING ALL THOSE DAMN GAMES BRAT! That phone is for BUSINESS COMMUNICATION only!!

From Nagato: 

Where’s your mission report?

Mission report due IMMEDIATELY.

We need to talk about the grievances Tobi has brought to my attention.

Don’t lie: were you and Hidan the ones who put black hair dye into my shampoo bottle?

Stop giving our address to food delivery drivers. This is a HIDEOUT. We are supposed to be laying low.

From Zetsu:

The next time you decide to set off a bomb in a public place can you be considerate enough to ASK whether I was planning on eating any of the people first?! 

From Kisame:

Come help me scale these fish and you can have some when I cook them.

Like a double date? Sure. But only if you swear to be nice to Itachi.

No. Samehada is not a toy.

I don’t care kid, make Itachi cry again and I’m biting your head off.

Swimming?

It’s not chocolate it’s a protein shake.

From Sasori:

Already said No. Stop begging.

Dinner tonight?

You left your shirt in my room.

Stop asking me to rate your selfies. I’m a busy man. And they all look the exact same.

Only if you agree to wear a hairnet or something. I’m not spending an hour picking blonde hairs out of my sheets like last time.

Oh come on, please? You’d be the centerpiece of my entire collection!

No. Stop being lazy and write your own mission report.

I miss you. 

Did you spill juice on that puppet? It’s all sticky.

Kakuzu said No? What’d you do to piss him off?

Alright. Be safe. Love you ❤️

[seahdalune]

Seana’s 2020 art highlights (a thread)

(Note: this is a reupload of a thread i did on twitter a few years back. so these are really old.)

January: i didn’t draw anything complete that month.... closest thing i could find to finished is this art i made of my OC, Angelord. man. remember when i drew my OCs? [2023 note: it's..... funny you say that. you would try to start up an original comic for the entirety of next year.... not that it ever came to fruition.]

February: i finished Link’s Awakening that month. i drew Marin bc i thought she was cute. i wish i could get motivated to draw fanart of recent video games i finished more... this is probably the last proper traditional art i made this year... after this, it’s mostly digital.

March: look. i’m attempting anatomy... and i failed lol. i remember being like “how do you draw woman” after drawing this... i mean. i still wanna know how to draw woman, so i guess i haven’t changed lol. [2023 note: I STILL DONT KNOW HOW TO DRAW WOMEN]

April: wait NVM here’s another traditional piece i made this year. he was an adoptable i made... but nobody was interested in them so he’s with me for now. i’ll try and redesign them, either to sell them or to keep him. [2023 note: i never sold this guy.... i was lazy and nobody values points these days. probs for the best because scamming children with virtual coins is probably not a good idea lmao. at the same time, i wish there was an easy way to buy and sell designs+commissions without having to get a credit card or paypal or something.]

May: another month where i didn’t draw anything. buuut i did some plush sketches to reference so das dat. [2023 note: you'll probably be able to name most charas here, but who's the guy i drew the most? that's Matteo, he's a little pink vampire and i made him through Gatcha Life.]

June: ah. the month where i started digital art. this was fanart for my friend’s OC. i didn’t know a lot of features of digital art so it looks like shit LOL not the first digital art i made ever, but it might as well be. [2023 note: i actually received my tablet around 2018, but i never had time to draw on it because i had 1 hour of screentime every day. this restriction was finally lifted in 2020 (because online classes) and i finally had time to venture out into the world of digital art...]

July: i made a lot of stuff this month, but to shorten the list... i finished the plush of my OC, Matteo. i wanna make another plushie... maybe with Suitcase.

this was also the month i joined the OSC... oh hell. it’s been 6 months?? [2023 note: 2 YEARS BITCH. ITS GONNA BE YOUR 3RD ANNIVERSARY if i didn't get so tired and started to hate the community so much.]

August: ...ergh. lets get over with this month quickly... Object OCs this. Object OCs that.

occasional Algebians.

i do not like the art here... it really shows that i’ve improved. ok let’s get outta here. [2023 note: i fucking despise the person who asked me why "they were old" to my humanizations of the Dangos. this is why i refuse to join another public server ever again and might have contributed to the delay of my human drawing skills.]

September: lots of Taco II. i seriously liked her a lot. still do, but the love is a bit more spread out between characters.

oh. and i watched ONE that month. cool.

October: i finally found a style that i could weld. hooyah.

don’t ask why i drew my friend as a cat maid... i thought it was funny ok.

September: the month of gift art. nothing else to say, but i like the thin lines. yes, ‘thin’. ...god i need to think of better things to say. [i would then realize i said the wrong month, and unlike tumblr, i cannot edit tweets once published, so my only option was to delete the whole thing and start over. or just say this:] did i just say September... oh for fucks- no i am not fixing this i’m already tired of this just imagine i said November ok

December: best art of this year so far (doh) nothing to say. just... happy that i improved. can’t wait to improve even more.

[hey look! i was in the 2020 JnJ christmas video! thats me! me!!]

aaand, that’s all for this year! man, i thought i was done with improvement. i can’t believe i proved myself wrong. usually other people do that for me lol. lets see if i can disprove myself again in 2021.

[alonelysimp]

dango it hasn’t been 24 hours how do you have two strikes how did you get them-

FUCKINGJING-

[cebwrites]

shopping date w/ their girlfriend (kiku, ikkaku)

for my wlws out there following this page, all three of you *bumps chest*

fem reader, fluff word count: 0.7k

Kiku

Her natural instinct is to spoil you, so the easiest way to convince Kiku to treat herself every once in a while is to make a day out of it 

Say that you’re looking to get something nice for yourself and then sneak in little things for her, too

“But Kiku-chaaan, wouldn’t it be so cute if we got a matching pair?” gets her every time

You’d still be walking away with a fair amount of stuff, though, Kiku-chan has methods of getting her way too (batting her cute little eyelashes and carrying you up to her height so the puppy eyes are SUUUPER effective)

Kiku can be a bit naïve when it comes to shopkeepers spinning wild yarns about how beautiful - ethereal a lady would look in their wares, how a woman simply mustn’t go without [insert whatever cheap product they try to peddle to your poor lovestruck lady]

You can immediately see the stars in her eyes when she looks at you for affirmation, specifically to ask permission to buy it for you, and you have to pull her away before the money you were looking to spend on lunch gets swindled out of her pockets

Kiku only ever means well, but she can get a little tunnel visioned when it comes to matters regarding to you and your happiness...

And really, could you actually be mad at her for caring that much?

Shopping dates - dates with Kiku in general - were ended by sharing dango and wagashi outside of Tsuru’s tea shop, the older lady sneakily listening in on your lovey-dovey conversations every now and again for the tea like the gossipy aunt that she was, but in the end would sigh wistfully and leaving you two lovebirds to your own devices

Kiku would pull you into her lap, arms around your waist for ‘support’, and you’d feed her in return, occasionally wiping sauce from the corner of each other’s mouths, sharing chaste kisses that still sent fire to both of your faces even though you had been an item for quite some time now

It was all incredibly sappy and saccharine couldn’t even begin to cover it, but the two of you were happy with these arrangements, and neither would have it any other way

Ikkaku

She kind of has a bad habit of letting stuff wear through, so shopping trips every few months or so are a must

“If you wanted to go on a date, mi amorcito, you just had to ask~”

Ikkaku would tease you and pull you into her side every time you pouted, pecking kisses all over your face until her captain cleared their throat and sent a very dry look towards the two of you in the middle of the meeting he’d called

Frankly you thought it hypocritical considering how Law acted around one such ‘Denki-ya’, but you weren’t so bold to actually mention it to your captain - that would obviously be your beloved (through gritted teeth) girlfriend

After the two of you were done with a week’s worth of extra cleanup duty for Ikkaku’s little stunt, she’d take you out for a grand night on the town

Smoothies in the late afternoon to start off, you hassling her into at least a handful of dressing rooms in an attempt to get her some new clothes to replace the tatty, worn out ones that always lined the back of her work chair, then Ikkaku staring at you with the biggest hearts in her eyes when you pose and twirl for her with the clothes you pick for yourself

From there a walk downtown before Ikkaku inevitably drags you off into a park or the town square where she embarrassingly dances with you like no one’s watching, shopping bags and all,

And finally, a wonderful dinner after dropping off the day’s “catch” with Shachi so the two of you can spend the rest of your night unbothered

When you get back to the ship, everyone is conveniently out of the way and there are no chores to be done, either - Ikkaku washes your hair with your back against her in the tub of the Tang’s communal bathroom, cooing soft compliments about how cute you are and how lucky she is to have you 

The two of you climb into bed to sleep like snuggly logs, albeit after you find her sneaking a late night snack an hour after going to bed, until sunrise

[crystal-in-nagasaki]

otsukimi: the moon-viewing festival

The weekend before last, I had the opportunity to attend a moon-viewing event with some local community members. They helped my friends and I to dress in yukata (light traditional clothing which looks similar to a kimono) and taught us about the customs of Otsukimi and prepared seasonal foods for us to enjoy. They were very patient with us as we talked with them in Japanese. Together we ate and chatted and enjoyed the stunning view of the full moon. At the end of the night, one of the members brought out a saxaphone and played a mix of modern and traditional Japanese seasonal music. One of the songs was about the ending of summer and gave us all a melancholy feeling as we reflected back on our summer memories. 

As you know, I’m a big fan of Japanese traditional culture and history. Moon-viewing has been a common event since the Heian period among the noble courts, which I have a particular interest in. 

As you can probably guess, Otsukimi, “moon-viewing” is an event in celebration of the moon and its beauty. This event is held on the first full moon of the autumn season on the 15th day of the 8th month of the Japanese calendar, which usually falls around September. 

During moon-viewing, seasonal produce is offered in thanks to the moon for a bountiful harvest. Our friend Teruko said it’s called 収穫祭, shukakusai, or harvest celebration. We ate traditional foods like Tsukimi dango, sweet round white dumplings. Teruko joked that round things are loved for their resemblance to the moon, which is why we eat round dango. We also shared a large round pear. Before Teruko cut it, we all passed it around to admire it and show our thanks for the produce. It was very sweet and juicy. After our meal of miso soup, rice, and fresh vegetables, we were served bitter matcha with traditional sweets. We were instructed to drink in the traditional way, rotating the tea cup so that its principle image faces the host, and drinking it down in three gulps. It was really tasty and felt very elegant and courtly.

Eggs are also associated with moon imagery, with the yolk representing the image of the moon on a white sky. One of my school lunches last week contained an “otsukimi” poached egg and McDonald’s offers a limited time otsukimi burger containing a fried egg:

Traditionally during Otsukimi gatherings in the Heian period, noble people would gather together to admire the beauty of the moon and compose poetry of its beauty. In the 100 poems of the Hyakunin Isshu, 12 of them make mention of the moon, often in the context of heartbreak, separation, or melancholy. Here’s a few I particularly like:

秋風に

たなびく雲の

絶え間もり

もれ出づる月の

影のさやけさ

The fall winds

blow the clouds aside

and from that small space

leaks out

the moon”s brilliant light

有明の

つれなく見えし

別れより

暁ばかり

憂きものはなし

The predawn moon

looks on me coldly

at our parting.

There is now nothing so bitter

as the sight of the breaking dawn

夏の夜は

まだ宵ながら

明けぬるを

雲のいづこに

月宿るらむ

Dawn breaks

though I thought

the night was yet young.

I wondered where

the moon was hidden in the clouds

Lovers in the Heian period often were only able to visit each other at night, so the moon often became a symbol of their time together, and the dawn a symbol of their parting. I especially resonated with the last poem, which invokes a lighthearted feeling of “time flies when you”re having fun.” This is how I felt during the evening I spent eating and chatting with my Japanese friends. 

Being the nerd that I am, I joked about composing poetry at our Otsukimi gathering. The community members were delighted by the idea and we made lighthearted attempts at composing moon-themed haiku, trying to use seasonal words representing late summer and early fall. In the end, I composed this haiku:

輝いた

月は笑顔に

映るかな

the brilliantly shining moon,

could it be reflected

on our smiling faces?

It was really fun to be able to take part in this custom which has lasted through generations. Japanese culture is closely tied to nature, so many holidays show thanks and appreciation of the many beautiful things around us. It was a humbling experience to be able to watch the moon in the night sky and just quietly appreciate its beauty, as well as appreciate the harvest which keeps us fed each day. I hope that I am able to notice and become even more appreciative of the nature around me. Thanks for reading!

[myaekingheart]

naruto oc masterpost

i went on an artbreeder binge tonight and made a shit ton of my ocs so i figured now was as good as ever to make a proper masterpost. so without further ado, buckle the fuck up and here we go.

(stuck this under a read more because it got kind of long whoops)

the hatake family

rei natsuki and kakashi hatake were childhood best friends and neighbors. they drifted over the years after kakashi began losing everything and everyone he cared about. he refused to support rei’s dreams of becoming a ninja because he couldn’t stand to watch her put herself in harm’s way–he couldn’t stand the thought of losing her. they are eventually reunited when rei is appointed to the anbu black ops. they quickly reconcile and start a romantic relationship together. eventually, they marry and have two children: nariko, who was born on a battlefield, and rokurou, who they are blessed with after kakashi takes office as sixth hokage.

two years after rokurou’s birth, rei and kakashi take in an orphaned girl who they name sutego. not long after, rei falls pregnant again with twins katsuro and keiko. a high-risk pregnancy, a long labor puts rei in distress and keiko, small and weak, is delivered after her brother by emergency c-section. it is after this experience that kakashi decides to retire as hokage to devote himself fully to his family. he and rei have one more child, a son, named kazuhiko.

dorimuchimu: the dream team rei’s childhood team. she was trained alongside her best friends naru fuzuki and sekkachi fumeiyo. naru was of a prominent family in konoha heavily involved with local politics and as such was rather well-off, financially. naru ends up following rei into the anbu black ops. sekkachi can only use taijutsu and therefore spent a lot of time with might guy, with whom she spars with every wednesday afternoon to this day. she is chronically ill and therefore has faced many setbacks in her shinobi journey, thus making her rather cynical and harsh. they four of them were led by their sensei, chikara, a former dancer.

tenshi taketori was one of the new recruits trained in the anbu alongside rei. she is cunning, seductive, and determined. mikazuki zazen was also one of the anbu trained alongside rei, known for her rare and powerful dojutsu–the shinkantazagan, which grants users a powerful sense of awareness. sefure kawakubo was a former flame of kakashi’s while he was in the anbu, met with mainly for stress relief purposes. her younger sister, arai kawakubo, is a coarse new anbu recruit assigned to the team that rei captains.

nozomu is a cynical artist who rei meets in an inpatient program in the konoha hospital. she is dark and brooding, placed in treatment after a suicide attempt, but her beautiful art gives others hope. suisen unohana is another patient, seeking treatment for an eating disorder. the inpatient program is led by sosei chouwa who preaches recovery based on holistic treatment methods. she has a twin sister, seiiku chouwa, who is the head of the maternity ward and a licensed midwife.

seiiku’s star pupil is a young immigrant, tanjo, who decided to become a midwife after the unexpected birth of her son, kyugeki, who she was unaware she was pregnant with. tanjo is responsible for delivering rei and kakashi’s second child in a home birth during a blizzard.

sefure and arai’s grandmother, edna kawakubo, owns a local high-end kimono shop that naru frequents. she is a former anbu and the head of the uniform sewing division in the konoha grandmother’s coalition, a group of elderly former shinobi who give back to the community by sewing new ninja uniforms among other things.

komori unohana, suisen’s grandmother, owns a local antiques shop alongside her twin brother, rojin unohana. komori was also a former anbu, childhood comrade of edna, and member of the konoha grandmother’s coalition. she is obsessed with collecting souvenirs and knick-knacks from various villages. rojin has a specialty in old mechanical pieces. he took chikara in when she first emigrated to konoha and she therefore repays his kindness by bringing him appliances of hers to fix.

arai’s daughter, ichika kawakubo, is nariko’s main rival. conceited and self-centered, she often cares more about a broken nail than training to become a strong shinobi. suisen’s daughter, kanami unohana, becomes best friends with rokurou hatake. she is blind, and never knew her father, but when suisen and kiba begin dating, he becomes as close to a father as she gets. he also provides her with her own ninken to act as a guide dog.

the kankitsurui girls rei’s grandmother, teiko natsuki, was originally of the kankitsurui clan—a small clan of citrus farmers on the outskirts of what would become konoha. teiko and her family were recruited to move to the newly established konoha by hashirama senju himself thanks to teiko’s extraordinary chakra tethering ability. as a child, she trained under mito uzumaki alongside edna kawakubo and komori unohana. she was extremely close with her younger sister, fuun kankitsurui, whose exile as a teenager after falling unexpectedly pregnant tore an irreparable rift between teiko and her strict parents. in an act of rebellion, teiko joined the anbu black ops. she went on to marry oku natsuki, the owner of a local bookshop, and have one son. as an elderly woman, she founded the konoha grandmother’s coalition and has an extremely close bond with her granddaughter.

the parents rei’s parents, hana and yuruganai natsuki, run the local bookstore, kaminoki shop. originally a yamanaka, hana turned down the civilian pathway thanks to suffering chronic migraines from using the mind transfer technique. she met her husband during her brief time in the academy. yuruganai was on the same genin team as sakumo and aijo hatake but quickly gave up on becoming a ninja after a serious arm injury during the chunin exams. sakumo and aijo, in contrast, becmae a legendary duo known for their ninja hounds, the companionship of which was rooted in aijo having grown up in the inuzuka clan. the two couples lived next door and raised their children, rei and kakashi, alongside one another until aijo and then sakumo both passed away.

amai is a waitress at the local dango shop who has a passion for sweets. she is often met by sekkachi and hiretsuna akado, the ditsy hospital receptionist who sekkachi treats to taiyaki as thanks for always keeping her company during her many doctor’s appointments. sukui yukio is another new recruit from rei’s anbu team, a charming and princely young man who never lets anyone forget about his resemblance to actor keihaku goman from the “icha icha” film adaptation. another comrade from rei’s anbu team is hitsuji akado, hiretsuna’s twin brother. he is a prodigy in math and science and has social anxiety and a dog allergy. he got the brains whereas his sister got the beauty. their father is an accountant and their mother is a friend of hana’s.

sekkachi’s cousin, tenjikubotan fumeiyo, is as glamorous and charming as sekkachi is blunt and sarcastic. where sekkachi works against her chronic illness–a family curse bestowed upon her grandmother when she fled to konoha for refuge–to achieve her dreams of being an elite ninja, tenjikubotan takes advantage of her sickness to be waited on hand and foot and treated like a princess. she has a tiger summons named byakko who acts as her companion. tenjikubotan’s bright and bubbly younger sister is roru fumeiyo, a chunin of konohagakure with her own tiger companion. she idolizes sekkachi and ends up in a relationship with rock lee. tenjikubotan goes on to marry sukui and together they have a daughter, oniyuri.

brother and sister duo ketsui and hoseki kenshin make the best ninja tools in the entire village. ketsui forges not only kunai and swords but also jewelry. kakashi trusted no one else to create the engagement ring he gave to rei. ketsui’s younger sister hoseki is his apprentice and teammates with suisen unohana and roru fumeiyo. when she is not forging her own weapons and jewlery, she is responsible for sourcing all of their material. one of her favorite things is going down into the mines and finding rare gems. she is especaily fascinated with guren’s crystal release.

ketsui and hoseki’s cousin, kagami kenshin, is another character that rei meets during her time in inpatient. kagami is in treatment to help manage his bipolar disorder. he, rei, suisen, and nozumu end up becoming fairly close with one another after attending group therapy sessions every day.

yuzu is a quirky preteen girl who hana and yuruganai hire to lend a helping hand at kaminoki. she devours books like nobody’s business and has a particular interest in sociopolitical matters.

[yanderecandystore]

Tatsumi 🍡🦊 Sanshoku dango [Yandere!Kitsune - OC Bio]:

(TW: mentions of: anxiety, depression, self-hatred, abusive family, cheating, attempted murder, suicidal thoughts)

He/Him. Cis and pansexual.

A 348 years old male kitsune, a ball of flirtatious fun who hides his true fears under his careful disguise. Tatsumi it's of japanese descent- He doesn't like talking much about where he was born, but he does say he is from somewhere in Honshu. He is afraid that giving too much detail could lead to people finding out that he is not human at all.

Tatsumi is known through other yokais and other supernatural beings as the flirty fox boy who can be found at late night parties trying to convince someone to sleep with him. Although being quite well-known in his own community, not many people can say they truly know him- As he tends to hide most of his upbringing and internal conflicts.

He has been trying to avoid letting people get to know him on a personal level, which has proven to be quite the unhealthiest of tactics. Maybe if he found someone who he could trust, he could open up a little more. He used to have a very close friend that he used to rely on, she was a kitsune too in fact- But they had fallen out after he heard that his friend did something that he didn't find easy to forgive.

His friend had entered a serious relationship with a human, yet ended up cheating on them due to the hunger that his kind is used to feeling. His friend needed to drain someone's energy, yet she ended losing her mind to the lust and started having an affair, which Tatsumi completely disapproved of, yet still tried to help his friend get back on her feet.

They don't talk much anymore, and it shows how much that impacts Tatsumi since he started getting out of his home less and less. It took a long time for him to accept that he just lost a century old friendship- And that's not even to mention how he already feels constantly lonely and in need to talk with someone.

Tatsumi has issues such as these due to the fact he grew up without a family, and started to develop an internal self-hatred towards his kitsune origins. At birth, his mother couldn't find a way to explain why her son had fox ears and nine small tails- And so she tried drowning him in the nearby river when she was able to move again.

However her attempts of getting rid of him all failed due to her inability to hate him, yes she didn't want him to look like this, she didn't want him to be this, but he was still her son and she couldn't simply kill him.

Tatsumi's childhood was a lonely and sad one until he found a way to escape his parents who were actively harming him mentally despite his supernatural condition not being his fault.

He never came back, even after hearing that apparently they did miss him a lot more than he expected, and even after they got to figure out why their son was a lust fox demon, he thought it was too late for them to restart as a family. Years passed by so quickly, taking away their lives and leaving behind only the memories of their past together- It wasn't pleasant memories, but it was something at least.

With his family neglect and constant need to refill his energy, he found himself feeling lost and unable to relate to his peers. They wanted to live forever while he constantly thought about stopping himself from draining someone else's energy, for eternally, basically.

Even with so many issues in his life, Tatsumi manages to bring joy to others, he tries his best to be a good listener and a friend before a lover.

[Bio may get updated]

🍭꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖♡🍰꒰⑅ᵕ༚ᵕ꒱˖♡🍮꒰⑅ᵕ༚ᵕ꒱˖🍭

[fayeimara]

Meant To Be Series || One For Every Billion

5. Thank Some Gods

You end up in Hyogo for a real hot minute over your winter break, thanks to your cousins Akira and Akari who decided to drag you along when they were forced to visit with their mom and older brother. Being a year older then them and already a seasoned solo traveller, the parents all thought you'd be a great chaperone. Woohoo, yay you.

Truth be told, you love spending time with them and you're really happy to be able to see your aunt and other cousin, their brother Kazuya, that you'd missed over the summer, as well. Although you did have to apologize to Tobio and his family because when you'd promised you would stay with them next, you should have specified you meant next time you were in Miyagi. Not Japan in general. You think they were just taking the piss though.

Oh right, your vulgar new phrases are courtesy of Akira, thank her very much. Spend a few minutes in the twins' company and you end up talking like them, or whatever their west coast academy friends are currently teaching them, at least. Akari has a valley girl phase going and you think Akira is gearing up for a Tarantino-inspired life. Can't see how your family is let that going to happen, but it's not your job to tell him that.

"Y/nnn, did you try this dango!" Akira runs right into you, appearing from the crowd of people on the festive street of the shopping district you're in, and locks her free arm around yours while waving a stick with round balls on it in other other hand.

"No, but I waited 10 minutes standing still in the cold and crowd so you can bet that I will. Half of that is already mine."

"Hmph," She scoffs, "No one told you to stand still and wait around, silly."

You give her an exasperated look, "You literally said, 'stay there a minute, I'm grabbing us some sweets!' and bounced off."

"Okay, okay, chill your roll, girl."

"Not sure that's a saying, girl."

"Maybe not at the snooty east side preps."

"Yo." Akira appears on your other side. "Half that's mine."

"A third. Or none at all." Akari sticks her tongue out at her twin.

He looks over at you and you nod, twisting quickly so you can grab and hold her occupied arm still while he plucks the dango from her hand.

"Hey! Looks like it's none at all!"

"No. Looks like it's half mine, half Y/n's." He bites off one of the chewy balls (okay, we all know how that sounds.. slow your roll, girl) before holding the stick in front of your face so you can grab one too. Oh wow. It is good. Why did you wait so long to try it? So many years wasted without enjoying this sweet texture.

You can see your third cousin approaching, holding onto a tray of steaming drinks, as you chew over your thoughts on the delicious dessert (see what you did there?).

"I got your coffee", he holds the tray between us so I can grab one of the cups with my free hand, but like.. Kazuya, which one is it?

"Kazuuu, they're bullying me!" Akari pouts for sympathy only for Akira to fire back almost before she reaches the last word.

"She bullied me first!"

Instead of responding to either, he rolls his eyes at their bickering but they're only having fun. You've never met siblings that have each other's backs more than these two. You think Kazuya misses it too, having decided to study in Japan and live with his mom who consequently chose to work here, while the other two live with their dad - but really at a boarding school - back on the American west coast.

"Whatever, are you grabbing your drinks or what?"

Akari only smiles at her older brother's deadpan expression, "Which one is my hot chocolate, niichan?"

"Please don't call me that."

"Why not?"

But it's Akira who answers with a snicker, "Because you don't even go here, brat. It's cringy coming from you."

"Shut up, ugly clone."

"That's literally impossible unless you're calling yourself ugly too."

Okay, you're just going to go for the cup closest to you on your left. You pick it up and sip slowly... success. The sweet, warm flavour of your white chocolate mocha slides down your throat.

Kazu is giving you an arch look now, he knows how much you live for coffee but he's still going to say something about it, right? "You know it's already dark out, I don't know how you can drink this stuff so late. Don't you want to get some sleep tonight?"

"Bold of you to assume I need sleep." You smirk at him over the rim of your cup while Akari makes an attempt at snatching the remaining dango back from her brother around you. Please don't make me spill.

"Nah, I just assume you're a robot and this is your regular maintenance or something."

You consider his words before shrugging, nothing too mean that you can call him out on, you guess. "Down the hatch then."

"Sure thing, but I'm not staying up late bingeing your crappy shows with you when you're wired."

"But you'll binge a non-crappy show?"

"Maybe."

Another smile for your favourite cousin of the minute. He did get you coffee, you know. Akari's managed to grab the third sweet off the stick with her mouth like some rabid animal, but it makes sense because the hand not still holding onto you is holding back Akari's arm. They're going to smac-

And they hit the tray that Kazu was only just holding. He somehow manages to grab one of the drinks you assume is his out of it's spot while avoiding the wreckage spill of the other two cups. He didn't even try to hold on to it, which is partly why you're laughing as both twins start simultaneously apologizing and complaining about their spilled drinks.

Kazuya's deadpan expression is actually pretty communicative for the the moment, "I'm not going back for another, this is on you guys."

"Kazu, do you like being mean to us?" They actually ask this at the same time but Kazu's not even phased.

"Yes, I want you to suffer." He's dry as ever.

You chuckle but they're so sweet, most of the time, so you'll make it up for them, "I passed a stall selling hot chocolate, since we don't need to replace my specialty coffee, I can go there to get you some."

"Me too?" Akira asks hopefully.

"Yes, you too, puppy."

He rolls his eyes, trying to adjust his expression back into an uncaring one. It's more natural on his brother currently, but you can definitely see him grow into a more serious demeanour someday.

"I'll come with you while these two stay put." Kazu gives his younger siblings a stern look.

"No need," You wave him off, grabbing the stick with the last piece of dango and handing it to him, "Enjoy this as repayment from us all for making you go all the way back into the mall for our drinks. In the meantime, I'll be right back."

"Hold on, you're going to the one next to the onigiri stand, right?"

"Yeah?"

"Okay, straight there and back in fifteen minutes or I'll come find you. And if I have to worry, I won't be happy."

"Okay niisan." You roll your eyes with your sarcastic tone. Older brothers. No wonder he and your brother Raiden get along so well, they're under some misassumption that their younger siblings just can't help getting into trouble, as if you all only live to annoy them. And he was doing so well as your favourite cousin for the time being.

You stroll away from the benches you were waiting at by the end of the street where the outdoor stalls meet the main street shopping mall and melt back into the crowd. This festival really is something, so brightly lit with pretty twinkling lights strung up everywhere and curled around any available post like glowing, warm yellow vines. You absolutely love the vibe but you know you're on a time crunch.

You notice the onigiri stand just ahead of the drink stall and debate for a quick second before stopping in the surprisingly short line up. A piece each of sweet dessert does not a stomach fill. Unfortunately, just as you take a sip of your coffee, someone bumps into you from behind, causing it to spill over your lips and dribble down your chin but you adjust enough in time, holding the cup out and away from you, so that you're not covered in any more than that and the little bit on your hand.

You hate wet clothing with a passion, especially when it's cold outside and it clings to you with that awful chilly, sticky feel. Not so bad when it's on your coat, but on principle, that's just as unpleasant if you run the cuff of your sleeve over it or it get on the collar and then you have the tiniest bit of discomfort right by sensitive skin and that makes it all the more glaring.

You realize the person who bumped into you also reached out to steady you at the same time and is now speaking, "Shit, I'm so sorry."

It's a little quiet but you make out his apology through his thick dialect. Hm, you think that's where the odd changes in Kazu and his mom's speech are coming from, a regional osmosis of accents?

"No worries, it's pretty crowded." You only half turn while you search your pockets for a tissue or napkin, spotting a flash of grey in your peripherals. Then an arm covered in that grey reaches out to hold a napkin in your field of view and you finally look up to see who it belongs too.

And now you're just staring. Hi there, I'd like hear your voice more. Preferably while you stare at his mouth move on his beautiful face. You can't believe he just had his hand on your waist, even if it was just for a split second and over layers of clothes, and you didn't get to appreciate it.

"It's not dirty." He shakes the napkin, you're assuming because he thankfully thought you were thinking that over instead of ogling him.

You chuckle, thinking how you definitely need to send thanks to some divine power on the new year for all the interactions with some serious eye candy these past six months, but out loud you say, "I really need to thank some gods out there, huh?"

What?

He gives you a confused look but you catch yourself and, before he can respond and question your sanity, quickly follow up with, "Or just you. For this. Thank you for the napkin."

"S'alright. Wasn't a big favour, really, just makin' up for my fault bumpin' into ya." You're not sorry he did, though? You can't tell what he's thinking, this guy is a closed book, folks. It's kind of jarring, since you consider yourself exceptional at reading people and acclimating to them.

You finally actually accept the napkin and wipe at your mouth and chin first, then your hand, responding, "At least you didn't make me drop the coffee or we would have had a real problem."

You think he realizes you're teasing because the corner of his mouth actually inches up the tiniest bit. You're not imagining, you swear it on your mocha!

"Coffee this late?"

"It's 11am somewhere."

"Ya wake up at 11am?" What an interesting thought process he has.

"Are you not on winter break? Or do you just assume your typical hours in every conversation no matter what day of the year it is?"

"Huh." You think he sounds thoughtful? Or was it just the word and you're associating it with how you use it..

"That's not an answer, but I'll take that to mean you go the typical route." You smile again because like you said, he's unreadable and you really don't want him to think you're being bitchy. You're really grateful for the napkin. And that face. So... yeah.

You're moving up, thankfully, because you thought you were blessed but this is just turning into what feels like an awkward encounter.

"I like sleepin' in, but sometimes I get too hungry so I'm up when my stomach is."

You look back at him in surprise, obviously because he bothered to continue a seemingly closed conversation, but that quickly turns into amusement and commiseration, "Oh I know! It's mostly coffee for me because not a lot of people bother to make breakfast in my house, but if I smell something delicious cooking, I forget I'm not a morning person."

He does smile fully then and it's beautiful. "Me too, but I'm usually the one doing the cookin'."

"Oh wow, that's dedication. I can respect but never reach that ideal." You hold your hand to your heart in a silly salute but also because he's still smiling and you're trying to tell your unreliable organ to be still. Not too still though, you're enjoying the moment and want to keep living it.

"Eh, I'm used to it."

"Well then, for once, let someone else take care of your food. I'll get your order for you."

"Seriously? It was just a napkin and my fault too.."

"Yeah, no, don't worry about it! Consider it a gift in essence of the festival!"

He doesn't say anything for a moment before, "I was going to try the different flavours. That's a lot."

"No way, that's awesome! I'll do that too, I don't even know what they have available, I just stopped here on a whim on my way there." You indicate the stand next to the one you're almost to the front of with a wave of your hand.

"Ahh.. if ya like, I can suggest some?"

You happily smile at him as you accept, "That would be great, thank you so much."

The two of you step up to the counter together and you listen while he orders. While you both wait for them to place each of your requests, he explains some of the fillings and why they work best depending on personal taste and even situation. You tell him about having just tried dango, sad about having realized you missed out so long, and he actually smiles widely at your exaggerated pained expression but also recommends some other desserts, including which shops to stop at in the city.

It's starting to snow as you two talk, which is not rare but still unusual for this region, but thankfully it's not much longer before you're each handed your containers and move aside. You look over to him and laugh when you realize this guy is already munching on one of the onigiris, your breath puffing out in a small cloud before you. "Which one is it?"

"Fatty tuna." He talks around it with his own little puffy cloud and it's pretty cute actually, instead of the usual cringe when people talk with their mouths full. Oh, the benefits of being good looking. Also, he's tilted his head down ever so slightly so it's almost polite in a perfected way.

"I'm just going to go ahead and assuming you're enjoying it."

He nods while swallowing and then makes some pretty intense eye contact while speaking way too seriously, "Thank you. This is amazing."

You smile, feeling like in the minutes the two of you were conversing, you've gotten a little more comfortable with the minute changes in his expressions. "You're welcome. I'm going to head over to the drink stall now, but it was nice to meet you!"

With a laugh as you walk away, you also add, "And thank you for sharing your knowledge with me, at least I'll know where to feed myself when I'm craving different things this week."

You're turning away as he seems to stand there watching you with some hesitation, but you can't do all the heavy lifting in a conversation when you're on a time limit, so you'll chalk this up to another fun run-in with a cute guy for the books.

You're lucky there's no line up, you're really short on your deadline and your fingers are getting pretty cold along with your coffee, so you pay for the hot chocolate, they pour, and you're back off towards the end of the street where your cousins are waiting.

You can't move too fast given the bag dangling from the wrist of the hand that's also carefully holding the tray of four hot chocolates, but the crowd is also thinning out a little now with the snow. Hopefully, if you're a couple minutes behind the expected time, the diverse and sheer amount of onigiri you have in the bag you're now holding, as well as the new round of warm drinks, will bring you forgiveness.

You finish up the last, cool dregs of your coffee just as you pass by a trash can, making the split decision to quickly reverse so you can toss your cup and free up a hand. As you execute your smooth move and then turn back, you unsurprisingly bump into someone yet again. Not so smooth then, you think, looking up.

It's deja vu and for a split second, you consider that he might actually be a weirdo and followed you, because stopping in your path as an apology drops from your lips is the guy you were only just talking to, same face, same dark hair, even same height... but with a different jacket on.

It takes you all of one more second to notice the small differences like the eye colour, the way the hair naturally parts, and the slightest difference in size, not to mention the more obvious difference in openness and personality literally exuding from this one. He's actually smiling wide right away with no provocation. So not a weirdo who changed his jacket and followed you.

Also, have you ever considered the odds of multiple sets of twins being in pretty much the same place at the same time?

"Oh, there's another one of you, huh?" You're talking again before he even has a chance to respond to your apology, but you guess you feel familiar thanks to your brief encounter with his twin. "That's unfair, don't you think?"

You step around him calling out, "Anyways, sorry about that. Enjoy your night." and walk away, back towards your own set of twins.

Ugh, Kazu's going to kill you. You won't be making it in time, for sure.

Miya Atsumu's POV

Atsumu turns to follow the stunning girl's progress as she moves around him and away, catching her last words but still more interested in her previous statement. 'There's another one of you, huh?'.

People have been confusing him and his twin for as long as they've been alive and only those that know them really well can only sometimes make out the difference.

It's no longer amusing, and actually irritating enough that he and 'Samu have been considering a little aesthetic change some time next year, maybe before their first year of high school.

'Tsumu knows it's his brother without looking when someone walks up to his left side from behind him. What he's surprised by is his first words, "She think you were me? I was talkin' to her a bit at the stall."

When he glances over, he notices 'Samu staring after her as well, with a lot more interest than simple, piqued curiosity. Does he know her?

"No.." He contemplates her words again before sharing with his brother, "She said 'There's another one of you, huh? That's unfair, don't you think?' and then walked away."

He can feel 'Samu looking over at him curiously, "Did ya talk to her?"

Why is he asking? He hasn't even picked up a new onigiri from the open box in his hand. "I just bumped into her. Didn't even say a word. Do ya know her?"

"Like I said, I only just met her." Pausing, 'Samu seems to think it over before adding, "We only talked a few minutes, maybe."

The twins are silent for another couple moments, while the snow continues to drift around them. The girl is long gone, swallowed up by the crowd at this point, but they keep staring at where they last saw her retreating figure, each in their own intrigued thoughts.

Finally, 'Samu's the one who breaks the silence, "Do ya believe in coincidences, 'Tsumu?"

"No, 'Samu, ya know I don't."

Prev | Next

Masterlist

Behind The Scenes!

-Tee was called out in the first thread because he doesn't use emojis often, especially not the half assed ones he used for a scenario like that so... caught slipping lmao (aw he does care about Y/n <3 Maybe more than he should?)

-Y/n was NOT expecting to get called out like that for saying she likes Oikawa when she'd literally just called him her friend... Iwa, you slick wingman ;) <3 He might bully the shit out of Oikawa (to keep him in check though) but he really is his best friend :')

-Ushi says what he means and means what he says lol, yeah, he wasn't really surprised

-Y/n's friends aren't all necessarily happy about this development; they've been aware of her various interactions as they usually are (some more than others) but... they're getting older and, well, all not sharing as much with each other as they once did

-But they're still going to call her out and roast her because they're her best friends lmao who else will? They have to keep her in check too loool

-Oikawa's last reply... <33 Take it how you will :D

-And Shin just dropping in to screenshot his cousin's embarrassing moments, hoping for a dirty delete so he can roast her all over again for the same crime lmao, probably shouldn't have warned her though... whoops

-I HC the Miyas' hair dyeing happening at/around their first year of HS, anyone know any different? It was only Osamu's jacket that was grey in Y/n's peripherals, just a little tease for us all ;)

A/N: Guys, I'm really, really sorry about the Miyas' 'accent'... you might see a couple different attempts in there but I had to edit a lot of what I tried out because it sounded just awful however I was originally trying to write it earlier. If you guys do have any suggestions, I'm very much all hears (and eyes lol - heart eyes specifically because I've seen some write them incredibly well!).

That aside, I hope you all enjoyed this one, I loved writing it so much, it just flowed once I started and I love the Miya twins, each in their own way <33 I've been dying to introduce them and the other 'main' characters but there's definitely going to be a difference in the weight of interactions Y/n has for a while. It's not favoritism, I promise; Y/n's time spent with various characters is just going to be uneven at various points due to the natural progression of her story :') but I plan for it all to even out as we move along the years (:

Taglist: @delusivist, @prettyinblack231, @kac-chowsballs, @sakusasimpbot

[shingekicornwrites]

Agricultural Werewolves, pt 1

Fandom/Tags: Hero Academia, alternate universe/werewolves, mentions of past bullying, Counseling, Bakugou Katsuki Faces Consequences, modern fantasy, unreliable narrator, Katsuki is kind of an asshole please don’t take his commentary as my opinion or truth

Pairings: Bakugou Katsuki/Anger Management Counseling, future Bakugou Katsuki/Kirishima Eijirou, future Midoriya Izuku/Todoroki Shouto

A/N: This is just a fun au full of wholesome farming, but also boys dealing with issues and a whole lot of unhealthy coping mechanisms and attempts to heal. Please enjoy

Not all farmers are werewolves, but many werewolves are farmers. For some reason this fact makes no sense to people who don’t know werewolves. For everyone else it makes perfect sense.

Werewolves have to eat a lot.

As in: the number one drain of money in werewolf houses is filling the cabinets enough to keep all members of the family healthy. Creatures who change shape with regularity, who shift their bodies and have immense strength that burns calories faster than they can blink, have to maintain an intake that allows them to function without their bodies resorting to eating itself. Even werewolves who don’t change all that often, either out of preference or a lack of opportunity, have to eat more than their human peers or suffer symptoms of starvation.  

Hence: werewolves are farmers.

It is infinitely easier to exist outside of poverty when werewolves, congregated into their own communities, make the food themselves instead of buying it all at the nearest grocer. They raise and cut the meats themselves. They grow the appropriate fruits and vegetables that balance their diets. They sell the portions according to their needs as opposed to human needs. It only makes sense that they do things this way.

They control the food market. They have space to run to their hearts content without worrying about bothering human neighbors. They make the rules for their communities with the standards they need, instead of standards written by people who don’t understand how they function. Government approved wolf reserves more often become farmland than anything else.

Werewolves are farmers, and statistically they’re more likely to be happy that way.  

This statistic does not account for Bakugou Katsuki.

At the moment, he is the furthest thing from happy.

“This place smells like shit.”

Normally he’d be cuffed upside the head for that. Instead his mom just looks at him, with that fucking pity in her eyes that hasn’t left in days, and frowns. Katsuki pointedly doesn’t look back and continues staring out the window at the trees and dust being kicked up by the tires.

“That’s the chicken houses. It is pretty rancid,” she says. Acting like she’s not on her way to get rid of her mess and wash her hands of it. “Ah, there’s the gates. Kind of nostalgic.”

The gate marking the Kiyashi Wolf Reserve is flanked by stone wolves howling at the sky in unison. Their car passes them by with no fanfare and Katsuki growls at the town beyond.

It’s as unimpressive as he thought it’d be. A town in the middle of Fuckoff Nowhere, with nothing to its name and a bunch of people who will die there the same nobodies they were born as. All it has to show are a bunch of old ass buildings for tourists and a stupid shrine.  Their car slows down once they pass the gates and Katsuki gets a good, long look at the shitty little storefronts lining the main street. His mom makes some weird noise when she sees them and starts yammering again.

“Oh, I’ve missed this.” She eases up on the gas as the traffic increases, slowing down to turn her head and look at a restaurant that’s filling the car with some kind of greasy meat smell. “That place over there makes the best dango. And there’s this cartilage karaage that’s so delicious—they pile the plate high, too. I forgot how much I missed getting the big portions. City eating just doesn’t give you enough.”

Katsuki huffs, glaring at a group of bumpkin kids who stare at their car as they walk past. “S’at why you left? Got cankles?”

Once again, no cuffing comes. Not even a growl. His mom just frowns with that fucking look again and doesn’t do anything.

“Better business in the bigger towns. Oh my, that store is still there? God, I used to go there every week to blow my paychecks. It looks even nicer than when I left it.”

They pass the shitty little boutique and she smiles at it, taking a left when the main road ends and humming at all the ancient scenery. There’s more old as shit buildings, more little shops and restaurants—more kids staring at their nice car and whispering to each other, which is just fucking great. There’s signs for the local shrine next to fox statues lining the side of the road and Katsuki makes a face at each one as they pass. This whole town looks like it hasn’t had a pulse in decades.

“Do you remember the Midoriyas, hon?” his mom asks as she takes another turn. “They left when you were small, around first grade.”

He thinks back and the memories come to the surface easily. Kindergarten had been spent running around followed by lackeys, catching bugs, making a mess of the local playground, and...huh, right. A face pops back into his mind. Freckles and curls, big green eyes, crying all the goddamn time because he had no spine and didn’t get that he wasn’t wanted around.

“Deku?” the name pops up before he can think too hard about it. Deku. The little snot who yelled too much and probably still wet the bed when he moved away. Useless little Deku.

“That’s not his name,” the hag nags him, jogging him out of the trip through memory lane.

Katsuki scoffs. “It’s what he was.”

“Katsuki,” she starts, finally seeming a little more like herself before she sighs and buries it deep. “Izuku and his mother moved here when they left. Inko’s offered to take you in while you’re here.”

So he’s gonna be under the care of the family with the worlds biggest crybaby? “Great.”

“It is great. You know her, a little. You and Izuku could catch up. Plus, Inko has a little business now. This old ryokan got turned into the local youth hostel, and it’s all under her name now since the old owner retired. It sounds very relaxing. Isn’t that nice?” His mom smiles, like this is actually good news, and it’s disgusting.

“I’m gonna die of boredom,” Katsuki mutters. He looks back out the window and there’s old people with baskets of vegetables just walking next to the road like they want to be hit by a car. Christ this place sucks.

“Don’t say that. This town has a ton of stuff to keep you occupied. You can run around to your hearts content and nothing’ll stop you.”

He lets his head rest against the glass and hopes the vibrations from the shitty road will concuss him. “Wheeee.”

“You’ll like it,” His mom promises. She’d also promised he’d be a winner, and here she is ripping him away from his top school of choice. So he thinks she can take that promise and fucking shove it.

The road gets tinier and the car slows down, with his mom squinting at each building as they pass and muttering under her breath. There are more old people with vegetables and stupid hick kids running around. The car slows to a stop at a break in whatever pathetic excuse for a sidewalk this town has lining its roads, shutting off as the hag smiles at the old ass building next to them.

“There it is,” she breathes.

It looks as shitty as he thought it would. Old, traditional, with weathered wood one good termite away from crumbling and an ancient sign trying to pass for new with a fresh coat of paint slapped on. Small for a ryokan, too, which is probably why it got sold off. There are planters surrounding the front entrance filled with flowers, where a pudgy little figure is hunched over and pulling weeds.

The hag doesn’t hesitate to unbuckle and climb out, shouting over the top of the car. “Inko!”

The pudgy woman turns around and drops the clippers in her hand. Katsuki doesn’t move to get out. He remembers her face. He remembers her taller, presenting snacks and endless bandages for her crybaby son. He remembers seeing her less and less before she was gone altogether. The short, heavy woman he’s looking at how doesn’t resemble her at all. She’s in dirty jeans and flannel, with a handkerchief tied around her head to keep her hair back and rubber boots caked in mud tracking mess all over the walkway.

Damn, Auntie let herself go.

“Mitsuki?” Inko asks, before throwing herself forward to give his mom a running hug. “Oh my—I thought you weren’t due until later!”

“Traffic was a lot lighter than I thought it’d be.” His mom laughs, as if it’s just a stupid social visit and not her dumping her goddamn kid to cover up a mess. “Look at you! You’re radiant! Kiyashi must be treating you well.”

Katsuki resists the urge to double take. His mother is a shit liar.

Inko just smiles. “It’s all the hiking. I had no idea how much fresh air makes you feel better.”

“Oh, I know. I felt like I couldn’t breathe after I left, city air is disgusting.” His mom makes a face. “How are you and the kids doing?”

“Wonderful. Izuku’s out working right now.”

“No foolin? Feels like yesterday he was learning to walk.”

“They grow up so fast.” Inko finally looks over and spots Katsuki slouched in his seat. “Is that Katsuki?”

He growls. She doesn’t even look phased.

“Yep,” his mother nods, then for the first time since this trip started she raises her voice. “Oi! Get out of the car and be sociable!”

He bares his teeth—fuck her, fuck this trip, fuck this stupid hick town—but opens the door. He makes sure to slam it shut. Just because he can. And he wants everyone to know he thinks this whole thing is a pile of shit. Especially the hag, who just glares at him but refuses to yell, even though he knows she wants to.

She always wants to. She always does. This stupid fucking pity game is going to drive him insane, why the hell does she think shutting up is gonna work?

“You’ve gotten so big,” Inko fawns, looking up at him with a big smile. “I bet you barely remember me, huh?”

“He does,” his mother deadpans. There’s a silent threat while Inko isn’t looking to at least greet her, but he responds to that with a sneer that just makes her shake her head. Instead of yelling, once again, she turns her focus to Inko. “Thank you again for this.”

“Oh, it’s no issue at all. The hostel doesn’t just exist for tourism,” Inko deflects. Katsuki looks at the hostel with another critical eye and snorts. Of course it isn’t for tourism. The whole place looks like shit. Tourists who pay for this must be idiots. “Katsuki, dear, I have a room set up for you. It has your name on it so you can go ahead and start loading your things in if you want.”

Finally, an excuse to get out of this. He yanks the car door open and grabs for his first few bags, eager to get away from sight for a few minutes. The women just keep blabbering on about nothing like he’s not even there.

“How’s the boarder?” his mom asks as Katsuki hauls his duffel bag out.

“Oh, he’s doing well. He’s at the shrine now.”

“That’s two working boys, then—“

It’s nothing to load two bags over his shoulders and get away. Leave the biddies to their gossip, he thinks. It’s the only thing they’re good for.

The inside of the hostel is...less shitty. Huh. Maybe that’s how it stayed in business. Katsuki kicks off his shoes and puts on the slippers set out with a scowl, surveying what’s visible past the entryway. The floors are polished wood, the insides done up so that everything looks bright and new. There’s a lounge right next to the entrance that’s been done up to be more teen friendly—a gaming console and a TV, a little fridge with a clear door filled with drinks, and a few bean bag chairs—he bypasses it with a huff and makes his way toward the rooms.

There’s a courtyard. The doors are open, letting him get a good look at the tree and flowers planted to look all pretty. He doesn’t see any people, though.

He passes rooms with no name on them. Empty, empty, empty—how the hell does Auntie keep this place in business? At first it’s nothing. Then it starts getting annoying.

Empty, empty, empty.

Empty.

Empty.

Motherfucker.

He circles the place twice and can’t find anything. No sign. No name. Just empty rooms in a shitty hostel in a shitty hick town and his own shitty breathing because why the hell has he had to carry the bags for this long?

The next time he finds his way back to the lounge he yells in frustration, kicking a chair. He’s about to ditch the bags and run through the place when he turns just a little too quickly and his duffel bag hits someone in the shoulder.

Katsuki bares his teeth before he can think about it. “Oi! Watch it!”

The stranger stumbles back. It’s some hick kid, in a dirty t-shirt and ratty baseball hat. His arms—thicker than expected for someone shorter than Katsuki is, with a fucked up hand that looks like it’s made of scar tissue—are carrying a wooden box filled to the brim with vegetables and paper wrapped packages that smell like blood and raw meat.

“Sorry about that—“ the stranger steadies himself, hefting the box up and stepping back. He’s too busy making sure nothing from the box is falling to even look at the guy he’s apologizing too, the asshole. “Are you lost?”

“No!” Katsuki barks.

“Well, it’s alright if you are, I just—“ the stranger meets Katsuki’s eyes and his own widen. “...wait.”

Katsuki bristles. Then something starts to churn, in his head. The stranger has big green eyes.

Big green eyes, and freckles. Familiar patterns speckled all over his face. Wild curls are attempting to escape out from under the hat, pasted to his forehead from sweat. If the hat wasn’t on it would be the same wild mass of uncontrollable coils that he remembers.

The last time he saw that face was years ago, out the back of a car as it drove away.

“Kacchan?” Deku asks, bigger and thicker and smelling like wolf in a way he definitely didn’t in first grade.

What the fuck?

[lynny246]

Gods, this took 3 years to do. I started this OC when Season 3 of BNHA began in, like, 2018. I ended up constantly tweaking her and forgot to touch her in 2019. Then came 2021, where season 5 is about to go down and wreck me so without further ado, here is Rune Byougen!

(Credit to Sakimii of DeviantArt for the background)

Character Information 

Name: Rune Byougen

Gender: Female

Age: 15 (Episode 4/Chapter 3 & 4)

Birthday: October 30

Sexual Orientation: Pansexual

Occupation: Student

Height: 5’8

Weight: 135 lbs

Ethnicity: Afro-Asian

School: U.A. High School

Year: First year

Hero Name: The Placebo Hero: Bacteriune

Appearance

Hair Color: Dark Blue

Hair Type: Shoulder length hair on the right and short hair on the left. Hair on the left is put in a ponytail

Distinguishing Features: Surgery scar between clavicles

Eye Color: Purple

Skin Color: Bronze

Background 

Born with sickle cell anemia, Rune’s adolescence has been defined by consistent hospital stays and minimal experiences. Despite this, she remained optimistic for her future; this is due in part to the constant support from her parents, Takao (who also has sickle cell anemia) and Camilla (a pro-Hero in America known as Wyvern).

During her pre-teen years, her condition would worsen; prompting a great deal of surgeries. It had become so dour that Rune considered giving up after finding out she would be missing her final year in junior high so she could remain in the hospital. During this depression, her father made it a point to emphasize the strength of perseverance and hope for a better future. Through his corny speeches, Rune found some solace and promised to keep fighting for her family.

The age of 12 would mark an important new chapter for Rune: her condition improved greatly which allowed her live independently with minor treatment, her quirk would finally manifest, she could resume schooling, and she had a clear goal for her life, choosing to find better treatment for those dealing with sickle cell anemia. Unfortunately, the biggest change in her life would be the death of her father at the end of the year. After reaching the average life expectancy, Takao had succumb to the illness after being rushed to the hospital after a stroke.

Unable to process the grief, Rune grew to resent her father; seeing his sudden death as not living by the values he set for her during her tribulations. Optimism gave way to pessimism as Rune became more jaded about her circumstances, her future, and her understanding of the world. For the first time in her life, she saw physical limitations that couldn’t be overcome with willpower, she saw a society that had largely forgotten non-quirk related illness and death.

From that day forward, she choose a new path: Uncover all the mysteries medical science had to offer to overcome her limits. On that day, Rune vowed not to succumb to illness or weakness. To see that vow through, she needed to find a way to overcome the natural weakness she was born with. To do this, she would need authority in different fields and money. She would need to be a hero.

Hero work could finance her research, the potential fame would make it easier to join medical projects and resources for research, and hero work could give her access to underground and taboo information not legally accessible. With her family moving to Japan to live with her paternal grandparents, the option of attending U.A. becomes obvious. She spoke with her mother about her desire to become a hero. Camilla, a well-known hero throughout the United States, used her connections to get her admitted with a recommendation. After training her quirk for a year, Rune is prepared to enter U.A. where her next chapter begins...

Personality

A box of intriguing mysteries or a miserable pile of secrets, whichever you choose, Rune qualifies. At first glance, Rune is a calm and ever-curious mind that operates with cordiality. Once the layers are peeled, that cordial and inviting exterior disappears, leaving a more cunning and antagonistic yet dignified and relax individual. At her best, she can be seen as a calming, loyal yet malignant girl who is hard to understand yet fun to be around. At her worst, Rune is a manipulative and inimical girl hiding behind pleasantries. A girl who seeks to unravel all those around her as a hobby

Likes: Herbology, Grimoires, Tarot Cards, Card Games, Botany, Medieval History, Camping, Anarchy

Dislikes: The cold, Paranormal romance novels, Crystal balls, Cosmetology

Habits: Biting her nails, Staring at people

Fears: Relapsing, Abandonment, Porcelain dolls, Limitations

Quirk and Abilities

Quirk: Pathogen

This quirk allows the user to control and manipulate bacteria and pathogens found throughout different environments and bodies. Using neuro-parasitology, the user’s dead skin cells are consumed by the microorganisms, giving the user full control of all bacteria and pathogens for approximately an hour

Quirk Advantages:

Due to bacteria being on every natural surface imaginable, there is no limit to the range of the user

In addition, when the quirk is active, the amount of bacteria present on the body can form a light layer of protection on the body without the bacteria hardening into a solid structure

In warm conditions or against heat-based quirks, the bacteria can be more effective and multiply quickly

Quirk Drawbacks:

Quirk overuse can result in the user losing control of the bacteria and pathogens. When it under direct control, those organisms can become very ensnared with the user’s skin cells and seek to consume them en masse. If not careful, the bacteria can attempt to consume so much of the cells, that the epidermis can be damaged, leaving wounds equitable to first degree burns

This quirk is at a natural disadvantage in colder environments as common bacteria thrives primarily in warmer environments. Extreme weather (hot or freezing) is disadvantageous as well

Overexertion can result in a minor case of chronic inflammation which includes fever, rashes, infection, abdominal pain, and chest pains

Fighting Style: Wyvern-style Martial Arts Created and used solely by her mother, it is a personalized form of martial arts that emphasizes brute force over speed by transferring all the power and force to a specific limbs. When utilized correctly, a simple kick can break a concrete wall. However, the style sacrifices speed, accuracy, and leaves other limbs defenseless. It also requires very specific stances to work properly. The style originated from Camilla who uses it to dispatch larger villains and wrestle Wai, a family friend that lost her humanity and became a large wyvern due to her quirk

Weapons/Items: Vials of poison and medication Most of the poisons are meant to hinder movement, allowing her to fight with minimal opposition. This is beneficial for using wyvern-style martial arts without issue. The medication is penicillin and various antibiotics Rune has created to combat her drawbacks.

Stats:

(Ultra Archive)

Power: 4/5

Speed: 2/5

Technique: 4/5

Intelligence: 5/5

Cooperativeness: 3/5

(Ultra Analysis)

Power: 5/6

Speed: 3/6

Technique: 6/6

Intelligence: 6/6

Machiavellian: 6/6

Relationships

Family:

Camilla Byougen - Mother Takao Byougen - Father (Deceased) In the past, the relationship between the Byougen family could only be described as loving and tight. Despite her work, Camilla was dedicated and active in the family, enjoying doting on her husband and daughter. Takao was no exception, spending much his days looking after Rune and Camilla as a stay-at-home-dad. Rune admired her parent’s strength of character and they served as emotional crutch to a child that didn’t have much in terms of socialization. Times have changed. Rune has come to loathe the type of person her father was, deeming him a hypocrite. However, her relationship with her mother is stronger than ever. The two look after each other and are quite open with one another. If not for the age disparity, one could mistake the mother-daughter duo as sisters

Wai - Godmother Despite being a late addition to the family, Wai and Rune’s relationship is solid. Wai may have lost much of her mental capacities after fully becoming a wyvern, however, she still remembers the love and loyalty she had for Camilla and that has transferred fully to her daughter. The two are very protective of one another and enjoy training together. Since Camilla is needed to communicate verbally with Wai, the two don’t have many secrets or intense conversations, but that doesn’t stop the two from greatly enjoying    conversation and each other's company

Kirika Byougen - Paternal Grandmother Fuga Byougen - Paternal Grandfather This familial dynamic is a tad bit complicated. Although there is clear love between them, there is also veiled hostility laced in every interaction. While a mystery to Camilla, Rune has concluded that the negative interactions stem from Fuga and Kirika being upset with Takao for abandoning his home and former life to chase after Camilla. While her grandparents are trying to overcome that distaste for Camilla and Rune so they can fully embrace the family Takao made, they are hindered by the grief of his death and past pains of his abandonment. Despite this, interactions between Rune and her grandparents are amicable. That is until Rune begins to read their motives and taunt them.

Friends:

Bakugou Katsuki - Close friend & most proficient teammate Tooru Hagakure - Close friend Kyouka Jiro  Reiko Yanagi  Midoriya Izuku - Test Subject 

Rivals:

Fumikage Tokoyami - Friendly rival Tenya Iida - Antagonistic

Enemies:

Toga Himiko

Trivia

Rune’s faovrite food is mitarashi dango

Rune was born in California

Rune prefers hiding her quirk simply to mess with her opponents, tricking them into believing her quirk is simply super strength

Rune is a Wiccan

[goldenkamuyhunting]

Golden Kamuy Volume 2 Data Hunting

So this is a collection of assorted information about Golden Kamuy Vol 2 inclusive of data, points to ponder, notable quotes and so on.

It was a terribly long work and I don’t expect it to be perfect. If you notice something is wrong (especially in the translation from Japanese) or missing please, feel free to drop me a note.

I will try to do something similar for vol 3 as well but I don’t promise at all I’ll manage it.

Anyway, I’ll hope you’ll enjoy this!

VOLUME 2

Cover: Asirpa & Retar

Chapters: 10

First printed: 19/February/2015

Volume only extras: Sugimoto’s black and white illustration, Retar’s tiny black and white illustration, reprint of Huci’s words to Sugimoto now translated, 2 page extra story about Sugimoto and Asirpa eating river otter, Asirpa wearing a Kaparamip, frontal and back image, the Ainu sentence ‘Kanto orwa yaku sak no arankep shinep ka isam’ (“Nothing comes from heaven without purpose”).

GENERAL INFO

Notable or recurring Characters: Sugimoto Saichi (杉元 佐一), Gotō (後藤), Wilk (ウイルク), Retar (レタㇻ), Toraji (寅次), Umeko (梅子), Toraji and Umeko’s child, Asirpa (アシㇼパ), pimp (妓夫太郎 ‘Gifutarō’), prisoner who was tailing Sugimoto’s group (杉元達を尾行していた囚人 ‘Sugimoto-tachi o Bikō Shite Ita Shūjin’), Hijikata Toshizō (土方 歳三) , Ogata Hyakunosuke (尾形 百之助), Tsurumi Tokushirō (鶴見 篤四郎), Shiraishi Yoshitake (白石 由竹), Noma (野間), Okada (岡田), Huci (フチ), Makanakkuru (マカナックル), Nikaidō Kōhei (二階堂 浩平), Nikaidō Yōhei (二階堂 洋平), Osoma (オソマ), Tamai (玉井), Tanigaki Genjirō (谷垣 源次郎), Tsukishima Hajime (月島 基), Ushiyama Tatsuma (牛山 辰馬), Wada (和田)

Maps of the places mentioned:

Meiji years mentioned: Meiji 9= 1876, Meiji 23= 1890, Meiji 37=1904, Meiji 38= 1905, Meiji 40= 1907, Meiji 41= 1908.

Weapons used:

- Arisaka Type 30 rifle: Sugimoto, Tamai, Noma, Okada, Tanigaki, Tsukishima, Nikaidō Yōhei, Nikaidō Kōhei

- Arisaka Type 30 bayonet: Noma, Sugimoto, Nikaidō Yōhei

- Ainu bow (Karimpaunku) and aconite poisoned arrow (Ay): Asirpa

- Ainu short knife for women (Menomakiri): Asirpa

- Ainu hunting knife (Tasiro): Asirpa

- Koishikawa Arsenal Type 26 revolver: Tamai, Ushiyama

- Murata Sword: Hijikata

- Borchardt C-93: Tsurumi

- Amappo: Makanakkuru

- Sutu: Asirpa

- Dango skewers: Tsurumi

Convict appeared and their tattoo owners (at the end of the volume):

1. Gotō: Sugimoto

2. Prisoner who was tailing Sugimoto’s group: Sugimoto

3. Hijikata Toshizō: Hijikata (original and copy)

4. Shiraishi Yoshitake: Shiraishi, Sugimoto (copy)

5. Tsuyama: Tsurumi

6. Ushiyama: Ushiyama, Hijikata (copy)

——————————————————————————

 08. FLIGHT (逃走 TŌSŌ)

First printed: 09/October/2014 Weekly Young Jump 45

Characters: Asirpa (アシㇼパ), Sugimoto Saichi (杉元 佐一), Wilk (ウイルク), Tanigaki Genjirō (谷垣 源次郎), Tamai (玉井), Noma (野間), Okada (岡田), Ogata Hyakunosuke (尾形 百之助).

Location: Near Otaru.

Other Places mentioned: None.

Time: 1907/1908 (?) Late February.

Historical events mentioned: None

Includes flashbacks or info about the characters past: Yes, about Wilk.

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape: None.

Character deaths: None.

Animal deaths: None.

New Ainu words:

- Isepo: “Small creature that cries ‘iii’”. Hare

- Pukusa: Alpine leeks

- Osoma: Poop

Food and drinks: Hare’s raw eyes. Citatap with hare and ohaw in which it’s cooked. Sugimoto adds to it Miso as well.

Useful info and points to ponder:

- The Ainu legend about why Ezo hare have black spots on their ear tips is a cautionary tale against greed ‘If you don’t let greed get the better of you, you won’t have to spend your life running’ that well end up mimicking what the characters will do, run around for more than a year searching for the gold.

- Asirpa offers Sugimoto’s the hare’s eyes as, by custom, the man who caught the hare, gets to eat the eyes… but actually it was Asirpa who caught the hare 2 chapters ago. Noda said Asirpa wants to genuinely share all the food she finds delicious with Sugimoto so she’s not trying to gross him out… but she’s definitely forceful  with him (with Ushiyama she’ll be much nicer) considering Sugimoto is clearly not willing to eat them.

- Sugimoto eat the eyes, same as in the past chapter he ate squirrel brain and says ‘hinna’ probably out of politeness, which might be why, after Ogata refused to eat animal brain and they reached an Ainu village, he told him to behave politely.

- Sugimoto literally says the warm food makes him alive again, not just that it gave him his strength back. That’s because not much before he risked dying by hypothermia, after falling in the frozen river.

- Asirpa is not against adding something she never heard about to the soup, she’s against adding MISO to it because she thinks it’s poop and, even though she forced Sugimoto to eat Ainu food when he  didn’t want to, she isn’t shy to refuse eating Miso rather vocally, insisting it’s poop and refusing to believe Sugimoto who, for three times, will say her it’s not, her comments ending up on making Sugimoto feel as if she’s implying he’s a freak.

- Sugimoto confirms he’s scared of bears when Asirpa orders him to check a bear den and he asks ‘why him?’ although he obeys. He claims his disliking of bears is due to their last encounter with one.

- Asirpa explains Sugimoto her father was so brave he would crawl into the den clutching a poison arrow and kill the bear himself with it. It’s a system to kill a bear that Sugimoto will deploy when the bear will attack Anehata.

- Asirpa’s father clearly underwent a change in character design as in this chapter he has much has sunken cheeks, the scar of his face is either missing or much shorter as it’s supposed to continue on his cheek and yet it doesn’t and his bear is much longer and the same goes for his moustaches.

- Although despite Asirpa telling him according to Ainu a bear doesn’t kill a human that enters its den Sugimoto is firm in how he won’t get in, saying they already have to handle convicts. He’ll change his mind when it’ll become a matter of survival.

- When refusing, Sugimoto acknowledge they’ve already to face dangerous prisoners (‘Kiken'na shūjin’ 危険な囚人). Sugimoto is aware the prisoners can be dangerous… and he also knows the 7th could be dangerous. In short he was already aware he was exposing Asirpa to risk but hadn’t developed with her a bond strong enough it made him think he should apologize for involving her in this and discouraging her from continuing.

- Tamai’s group manages to find the hut Asirpa and Sugimoto had left short after they did (the fire was put out recently).

- Tamai seems to have a good opinion of Ogata, thinking he wouldn’t let a hunter and a child take him down and that he didn’t push his body to the limit just to brag but to tell them something.

- Noma is more prone to think Ogata just fell on his own and wrote ‘immortal’ to brag about how he didn’t die. While it looks like he’s not having a good opinion of Ogata, there’s also to consider Tsurumi will comment Tamai, Noma and Okada are all experienced mountaineers, something Ogata probably isn’t. So Noma’s negative judgment might also stem from the fact Ogata went to wander on the mountain alone when he didn’t know it well and this might have lead him to make mistakes that experienced mountaineers wouldn’t do (like standing on a snow cornice like Sugimoto and Shiraishi in the past chapter).

- Okada has a very minor role but, interesting enough he asks about Ogata’s conditions.

- We learn in this chapter Ogata’s jaw got broken in the fall so he couldn’t talk, yet he did his best to communicate with the others. Vasily, who also can’t talk, except for his attempt to deliver, through drawings, who he was searching to Sugimoto, hadn’t really made an effort at communicating with others, though, to be honest, the others hadn’t done an effort to talk with him either.

- Ogata only wrote ‘immortal’ because he tried to write ‘Immortal Sugimoto’ (although in English we favour ‘Sugimoto the immortal’ in Japanese is ‘Fujimi no Sugimoto’ with “immortal” ‘fujimi’ written first) but, apparently, fall back to unconsciousness before ending the sentence. We’ve seen Sugimoto is pretty well known for his nick so, writing it down would have given people an immediate grasp of who had attacked him. It’s also worth to mention that the message was possibly aimed not at Tsurumi but at Tamai as we’ll discover Ogata was in a rebellion with Tamai, Noma and Okada.

- Noma’s sentence about Ogata claiming to be unkillable it’s actually “did he want to say ‘I’m immortal’?” which is, ironically, Sugimoto’s catchphrase and probably Noma himself, who had met Sugimoto at Port Arthur, slapped himself later on when he realized what Ogata was actually trying to say. On a sidenote as ‘Fujimi’ is generally translated as “immortal” but technically mean “not-dead/not-dying” maybe Noma meant Ogata only wanted to say something like “I am not ding” but this is a speculation I’ll let to who’s more knowledgeable of me in Japanese.

- Tanigaki do not take part at all in the whole discussion about Ogata. While it’s true it’ll turn out Tanigaki is not a chatter, it’s also worth to mention Tanigaki doesn’t like Ogata so he probably wasn’t interested in his whereabouts, although it’s also true he was busy searching for Sugimoto and Asirpa and he’s the one spotting them.

- When Asirpa sees the flashing light caused by binoculars she can’t realize what are they, although Sugimoto does. I guess this hints Asirpa has little to no experience with binoculars.

- Tamai, Noma, Okada and Tanigaki use “Karafuto-style” or “Russian-style” skis. Noda confirmed that back then ski weren’t in use in Japan yet but that he assumed they could have been introduced in Hokkaido due to the prosperous trade with Russia.

Notable changes from the magazine version: None

Notable quotes:

- Sugimoto: “So the moral of this story is…”If you don't let greed get the better of you, you won't have to spend your life running”…” (‘Tsumari sono ohanashi no kyōkun wa “yoku o dasanakereba nigemawaru hitsuyō mo nakatta”… tte kotoda na’ つまりそのお話の教訓は『欲を出さなければ逃げ回る必要も無かった』…ってことだな)

- Asirpa: “Here, Sugimoto. you can have the eyeball.” (‘Sugimoto, usagi no medama tabete yoi zo’ 杉元、ウサギの目玉食べて良いぞ Lit: “Sugimoto, you can eat the rabbit’s eyeball”)

- Sugimoto: “Ahh… It's warming me up from the inside. I can feel my strength coming back.” (‘Ā…-tai ga nukumaru. Ikikaeruu ~’ ああ…体が温まる。生き返るう～ Lit: “Ah... my body gets warm. I’m coming back to life~.”)

- Sugimoto: “This is already pretty delicious, but I bet If you added miso it would really enhance the flavor. What do you think?” (‘Asirpa-san, ko no mama demo jūbun umai ndaga, miso iretara zettai au n janai no? Kore’ アシㇼパさんこのままでも十分美味いんだが、味噌入れたら絶対合うんじゃな��の？コレ Lit: “Asirpa-san, it is delicious enough as it is, but if you put in it Miso, it'll definitely fit well, right? I think this.”)

- Asirpa: “Are you trying to feed me poop!? I refuse to eat a bite!” (‘Watashi ni unko kuwa seru ki ka! Zettai tabenai zo!’ 私にうんこ食わせる気か！絶対食べないぞ！Lit: ‘Do you want me to eat poop?! I'll never eat it!’)

- Asirpa: “Eww, He's eating poor and smiling while he does it.” (‘Uwaa… unko tabete yorokon deru yo kono otoko’ うわあ…ウンコ食べて喜んでるよこの男 Lit: “Wow... he’s happy to eat poop, this guy.”)

- Sugimoto: “Don't talk about me like I'm some kind of freak.” (‘Hito o hentai mitai ni iu n jaarimasen yo.’ ひとを変態みたいに言うんじゃありませんよ)

- Asirpa: “There's an ainu saying that goes: a brown bear will never kill a human that enter its den.” (‘Ainu no iitsutae ni kō iu no ga aru “higuma wa suana ni haitte kita ningen o kesshite korosanai”’ アイヌの言い伝えにこういうのがある『ヒグマは巣穴に入ってきた人間を決して殺さない』)

- Sugimoto: “Hell no. I’m not going there. We’ve already got our hands full chasing dangerous criminals. It’s not like we starve if we don’t catch a bear right now. Let’s get out of here.” (‘Zettaiyada. Oretachi wa tadade sae kiken'na shūjin o tsukamaenaki ya naran noda. Ima sugu higuma kuwanakya uejini suru tte wake jane~eshi. Ikōze’ 絶対やだ。俺たちはただでさえ危険な囚人を捕まえなきやならんのだ。今すぐヒグマ食わなきゃ飢え死にするってわけじゃねぇし。行こうぜ Lit: “Absolutely not. We just have to catch dangerous prisoners. I wouldn't be starving to death if I didn't eat brown bears right now. Let's go”)

- Tamai: “It’s hard to believe a capable man like superior private Ogata was taken down by a couple of hunters… but maybe they know something.” (‘Ogata jōtōhei hodo no otoko ga ryōshi no oyako ni yara reta to na waru enga... Nani ka shitteru kamo’ 尾形上等兵ほどの男が猟師の親子にやられたとな悪えんが... 何か知ってるかも Lit: “A man like Superior Private Ogata being taken down by a hunter and his child seems (the) wrong (option)… They might know something.”)

- Noma: “It’s possible that he simply slipped and fell on his own.” (‘Tan no hitori de karraku shita dakedato waruimasuga nē’ 単のひとりで滑落しただけだと悪いますがねえ)

- Okada: “How's his condition?” (‘Yōdai wa?’ 容態は？)

- Tamai: “He managed to regain consciousness once. However he wasn't able to say much with a broken jaw. He used what little strength he had to write something with his finger. ‘Immortal’.” (‘Ichidodake ishiki o torimodoshita kirida. Ago ga warete hanasenakattaga. Sono toki-ryoku o furishibotte yubi de moji o kaita. “Fujimi”.’ 一度だけ意識を取り戻したきりだ。アゴが割れて話せなかったが。そのとき力を振り絞って指で文字を書いた。 「ふじみ」。Lit: “He managed to regain consciousness only once. His jaw his broken so he couldn’t talk. At that time, he collected all his strength and wrote some letters with his finger. ‘Fujimi’.”)

- Noma: “Perhaps he was trying to boast about being unkillable? To fall into a frozen river with injuries like that and come out alive is remarkable good fortune on his part.” (‘Ore wa fushida to demo ītakatta nodeshou ka ne?’ 俺は不死身だとでもいいたかったのでしょうかね？Lit: “Did he want to say ‘I’m immortal’?”)

- Tamai: “No, I don't think that's it... he pushed his body to its limits in order to tell us something. He wouldn't use that effort merely to brag or joke.” (‘Iya... Yatto no omoi de wareware ni tsutaeta noda. Karuguchi hazu ga nai’ いや... やっとの想いで我々に伝えたのだ。軽口はずが無い Lit: “No… he hardly managed to tell us. It couldn’t be a frivolous talk.”)

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09. CORNERED RAT (窮鼠 KYŪSO)

First printed: 16/October/2014 Weekly Young Jump 46

Characters: Sugimoto Saichi (杉元 佐一), Asirpa (アシㇼパ), Tamai (玉井), Noma (野間), Okada (岡田), Tanigaki Genjirō (谷垣 源次郎), Gotō (後藤), Shiraishi Yoshitake (白石 由竹), Retar (レタㇻ), Ogata Hyakunosuke (尾形 百之助).

Location: Near Otaru.

Other Places mentioned: 203 hill in Port Arthur (current Lüshunkou) (China)

Time: 1907/1908 (?) Late February

Historical events mentioned: Russo-Japanese war (8 February 1904  – 5 September 1905), Siege of Port Arthur (1 August 1904 – 2 January 1905), Hokkaidō shikaryō kisoku (北海道鹿猟規則 “Hokkaido Deer-Hunting Regulations”) (1876)

Includes flashbacks or info about the characters past: Yes, about Tanigaki, Noma and Sugimoto.

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape: None

Character deaths: None

Animal deaths: None

New Ainu words:

- Kitura sisam ohaw or si omare wa e: The man I was with puts poop in his soup and eats it.

Food and drinks: None

Useful info and points to ponder:

- This is the chapter in which Asirpa teaches to Sugimoto that if he walks on bamboo grass his footprints will become less obvious. Sugimoto forgetting about this will become relevant in chap 228 when he’ll get lost and Asirpa will have troubles finding him.

- When realizing they can’t shake them Sugimoto will decide for him and Asirpa to split up, claiming that the soldiers would chase only the adult’s footsteps, not Asirpa’s. Tamai’s group will actually chase both, specifically sending Tanigaki to track her and Sugimoto was aware this could happen, as he specifically instructed Asirpa on what to do, should they find her.

- Sugimoto also, instead than hiding the skins somewhere, entrust them to Asirpa claiming that if they were to find them on him, they would kill him on the spot but that if they were to find Asirpa, she should hand them to them and pretend she knows nothing because they aren’t the types who would kill a kid. Not only this is purely Sugimoto’s assumption but he knows it’s baseless because later, acknowledging the 7th division is dangerous for Asirpa too, he will try to leave her behind. At the moment though, he entrusts the skins to Asirpa because he hasn’t developed a bond tight enough with her yet and therefore prioritized trying to protect himself and the skins, underestimating the danger he put her in.

- Sugimoto claims all Asirpa cares for is for someone to find the gold (so that Noppera-bō will be executed and her father avenged) therefore whoever were to do it would be fine for her. This remarks that Asirpa has no interest in the gold itself (which would therefore go all to Sugimoto if they were to find it) but also that Sugimoto didn’t realize Asirpa cares for him as well.

- Asirpa’s sad expression at such words and her warning he shouldn’t fight them or they would kill him prove she actually cares for him.

- To Asirpa’s words Sugimoto replies with his catchphrase “I’m Sugimoto the immortal”. It seems a cool scene because he’s the main character (so we know he’s not going to die) and because “Sugimoto the immortal” was introduced as his nick. When Tanigaki, in chap 231, will reply the same to Inkarmat in a scene that parallels this one though, we’ll realize how silly and unbelievable of a reply it is in a real life situation.

- It’s Okada who finds Sugimoto’s and Asirpa trails even if it’s Tanigaki who afterward tell them that Sugimoto and Asirpa split.

- Tamai sends Tanigaki after Asirpa. This is likely not really because Tanigaki is the best tracker and Asirpa is better than Sugimoto at hiding her tracks but likely because Tamai and the others are in a rebel group with Ogata and, if Sugimoto were to turn out involved in his incident, they wanted to question him without risking for Tanigaki to overhear something compromising.

- Tanigaki claims he’s a Matagi of Tohoku who has seen animals double back on their tracks countless times, basically telling us he’s a hunter. In fact he easily finds Asirpa.

- Asirpa tells Tanigaki a random sentence in Ainu to pretend she doesn’t know how to talk Japanese.

- Tanigaki doesn’t talk Ainu, not even a little bit.

- Although nervous, Asirpa decides not to hand the skin to Tanigaki and hides it on the tree she was hiding on. Ironically, one of the squirrels she loves to eat cause the skins to fall down and be seen by Tanigaki.

- Tanigaki asks Asirpa if the man with the army cap is her brother or father because 63 Ainu joined the army and so he’s thinking the man with the army cap is actually an Ainu related to her.

- When Tanigaki discovers the skin Asirpa attempts reaching for her poisoned arrows. Likely she only meant to scare him as she doesn’t want to kill anyone but Tanigaki can’t know this, which is likely why, later on, he’ll use her as a human shield seeing her as dangerous as the others despite her age.

- Although Tanigaki doesn’t point his rifle at Asirpa, he charges it, automatically becoming more threatening.

- Retar is then shown running toward Tanigaki from behind.

- An unclear scene shows Sugimoto running with his rifle on his shoulder but in the next panel he has it in his hands.

- Sugimoto lies and claims he escaped because he believed the soldiers were there to catch poachers and he was hunting deer illegally using an Ainu kid as his guide. He’s pretty smooth in his lie, showing he can be a good liar although his sentence is, in itself, too elaborate if he had really bee a poacher. Not only he confesses his crime too easily and too calmly despite having tried so hard to escape but he also adds unnecessary information as Asirpa being his guide. Tsurumi would have easily spotted his lie, but with Tamai’s group it can work.

- On a sidenote Sugimoto would be hunting illegally for two reasons, because he doesn’t have a hunting licence and because hunting deer was limited to a period that went from November to January.

- It’s worth to mention the deer hunting regulations greatly impacted on Ainu life (Japanese even forbid to everyone to hunt deer from 1890 to 1900), also forbidding to hunt them with poisoned arrows or amappo (they were supposed to use rifles like Kirawus does) and fundamentally making most of them illegal hunters.

- Noma says he saw Sugimoto at the field hospital in Port Arthur. As he knows Sugimoto’s division and also his nickname but Sugimoto doesn’t seem to know/recognize him, evidently he was merely pointed to Noma. There’s to say the two had crossed path in Mukden also, when Noma was among the men transporting Tsurumi and Tsukishima (Tamai was there as well) but, evidently, back then he hadn’t recognized him.

- As soon as Noma points out the one in front of them is Sugimoto the immortal, Okada immediately confirms to know him by reputation and Tamai also, like Noma, connects the dots and realizes Sugimoto is the one who attacked Ogata.

Notable changes from the magazine version: None

Notable quotes:

- Sugimoto: “Asirpa-san. Let's split up. I'm the one they're chasing not you. Here. Take the tattooed skin. I want you to hold on to it. If I'm holding it when they find me, they'll probably just kill me on the spot. If they happen to catch you, don't fight back! give them the skin! act like you don't know what's going on. they're not the type of guys that would kill a child. In the end, all that matters to you is that someone finds the Gold! So does it really matter who finds it!? Just do as I've said, Okay?” (‘Asirpa-san futa te ni wakareyou. Yatsu-ra wa otona no ashiato dake o karera ga anata o ou hazuda. Irezumi hito kawa kore o… Asirpa -san ga motte itte kure. Ore ga motte ireba osoraku sonobade korosa reru. Moshimo Asirpa -san ga tsukamattara issai teikō sezu ni yatsu-ra ni watase! Nani mo shiranai furi o shiro. Kodomo made korosu renchū janai! Asirpa -san ni totte wa kinkai sae mitsukete kurereba sore wa dare datte ī hazuda. Ore ga itta tōri ni suru nda zo ~tsuī na?’ アシㇼパさんふた手に分かれよう。やつらは大人の足跡だけを彼らがあなたを追うはずだ。刺青人皮これを…アシㇼパさんが持っていってくれ。俺が持っていればおそらくその場で殺される。もしもアシㇼパさんが捕まったら一切抵抗せずにやつらに渡せ！何も知らないふりをしろ。子供まで殺す連中じゃない！アシㇼパさんにとっては金塊さえ見つけてくれればそれは誰だっていいはずだ。俺が言ったとおりにするんだぞッいいな？Lit: “Asirpa-san. Let's divide. Those guys should chase only after the footsteps of the adult, not yours. The tattooed human skins, these… Asirpa-san should take them with her. If I had them I would probably be killed on the spot. If Asirpa-san gets caught, give it to them without any resistance! Pretend you don't know anything. Those guys are not those who would kill kids! For Asirpa-san, it’s important the gold is found. Whoever it, is fine. Do it exactly as I said it, okay?”)

- Tanigaki: “Aw, shucks. I have no idea what you're saying. I'm not some monster here to gobble you up. please come down.” (‘Maitta na sappari wakaran. Totte kuttari wa shinaikara orite oide.’ まいったなさっぱりわからん。捕って食ったりはしないから降りておいで Lit: “Annoying, I don't understand her at all. I won't catch and eat you, so come down.”)

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10. GAMBLE (博打 BAKUCHI) 

First printed: 23/October/2014 Weekly Young Jump 47

Characters: Sugimoto Saichi (杉元 佐一), Tamai (玉井), Noma (野間), Okada (岡田), Tanigaki Genjirō (谷垣 源次郎), Noma’s grandfather, Asirpa (アシㇼパ).

Location: Near Otaru.

Other Places mentioned: Noma’s grandfather charcoal-making hut, up in the mountains

Time: 1907/1908 (?) Late February

Historical events mentioned: None

Includes flashbacks or info about the characters past: Yes, about Noma.

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape: None.

Character deaths: Tamai (killed by a bear), Noma (killed by a bear), Okada (killed by Tamai)

Animal deaths: Mother bear (killed by Tamai)

New Ainu words:

- Itatani: Cutting board used for meat

- Rikosinot: “Tossing up”. A bear attack in which the bear bites its target and throw it up in the air over and over.

Food and drinks: Bear citatap.

Useful info and points to ponder:

- During the confrontation between Tamai’s group and Sugimoto, it’s clear the 4 of them are all scared. Sugimoto is without weapons and against three armed men but Tamai’s group, due to Sugimoto’s legend of being immortal and dangerous, is also scared of facing him.

- Tamai is the one who manages to remain the calmest, ordering to shoot Sugimoto in the knees, a sign they didn’t aim to kill him, at least not at first.

- At the prospective of being shoot in the knees, screaming his catchphrase ‘I’m immortal’ Sugimoto decides to overcome is fear of bear and try entering in its den in hope Asirpa was right and the bear won’t attach him.

- Tamai is completely pissed off by what he judges an act of cowardice from someone who’s called ‘immortal’ and who fought like a ‘Kishin’ to the point he decides to shoot into the hole personally, even if this means he could kill Sugimoto and not get any info from him. It’s unknown if the fact that Sugimoto hurt Ogata, one of his underlings, also played a part in Tamai’s anger (Tanigaki had a good opinion of him so Tamai could be a superior officer who cares about whose under him and he also expressed appreciation for Ogata).

- Noma’s question is actually more vague as he says only they won’t be able to ask him what happened, without mentioning Ogata, even if it’s clear he’s referring to what happened with him.

- Despite being mountaineers, none of the three realize the hole is a bear den.

- Despite the shock of seeing the bear running toward him Tamai recharged his rifle but, as Nihei will point out later on, he didn’t manage to shoot the bear. The bear, with one paw, will manage to rip his face and his jaw away, the shock causing him to press the trigger and, inadvertently kill Okada.

- Regardless of the situation Noma remains calm and talks to the bear. He explains his grandfather worked up in the mountains making charcoal (this confirms Noma is a mountaineer and might point out he’s from Hokkaido). His grandfather warned him when meeting a bear running or playing dead won’t work. One has to stay calm and talk to the bear, looking at him in the eyes until it calms down and then shoot him in the head which Noma does, claiming this is revenge because a bear killed his grandfather while he was in his charcoal-making hut.

- Noma’s grandfather’s teaching were wrong. As Nihei will later do, Noma should have shoot the bear when the bear was standing, aiming for his heart and not for his head as a bear skull is really thick while the brain is small, hence it’s pretty difficult to kill the bear this way. As a result the bear gets up and attack Noma, his claws cutting his stomach and causing his intestines to come out, therefore giving him a fatal, although slow killing wound. Noma will still pull out his bayonet and stab the bear multiple times challenging the bear before the bear will toss him in the air over and over, causing him to end up on a tree where he’ll die, still holding his bayonet in his hand, albeit he’ll lose his shoes.

- Noma might have had some contacts with the Ainu as he’s aware they consider bears gods of the mountains.

- Despite the terrible wound he received, Tamai will manage to stand up again and shoot multiple times to the bear’s skull with his gun, until he’ll empty the revolver. Then, after giving a last glance to his fallen men he’ll die as well, probably of blood loss. Overall both Noma and Tamai revealed themselves as tough guys who, despite their terrible wounds, still managed to fight and eventually took down the bear.

- After he shows up, Sugimoto will comments Asirpa was right in saying a bear doesn’t kill who enters in its den and wonders if she threw off her pursuer already (he likely has realized since 3 soldiers came after him the 4th should have gone after her, proving they would chase both of them). He’s however clearly unconcerned and even takes time, before walking to help her against an adult soldier, to talk with the bear cub and hide it in his coat. This clearly implies back then he didn’t care for her as much as he’ll do later.

- Sugimoto, coming out of the bear den, was holding a bear cub in his arms as if he were a child. He claims since the cub’s mother is dead he can’t leave him there but he can’t promise Asirpa won’t turn him into Citatap. It’s not a joke but this will be developed in the next chapter.

Notable changes from the magazine version: None

Notable quotes:

- Noma: “But what if we hit him in the head and he dies? We won’t be able to ask him what happened with Ogata.” (‘Shikashi… Atama ni demo atete sokushi sa setara nani ga atta ka kikidasemasenyo’ しかし。。。頭にでも当てて即死させたら何があったか聞き出せませんよ Lit: “However… If we hit him in the head and kill him immediately he won’t be able to tell us what happened”).

Noma: “What's wrong!? You scared!? The Ainu call you a god of the mountain? Pathetic! I'll show you what it means to take on the 7th division!! Come and get me!!” (‘Dō shita a! Iru nda ka? ! Ainu ni yamanokami to agame rare teru bunzai de yō! Teikoku rikugun dainanashidan aite ni tada de sumu to omou na! Kakatte koi ~tsu!’ どうしたあ！怯んだか？！アイヌに山の神と崇められてる分際でよお！帝国陸軍第七師団相手にただで済むと思うな！かかって来いッ！Lit: “What's wrong! Are you frightened? ! Someone who has the social standing of being worshipped by the Ainu as the mountain god! Don't think you’ll win easily against the 7th division of the Imperial Army! Come on!”)

Sugimoto: “Your mom’s dead and I can't just leave you here. I'll take you with me… but I can't promise Asirpa won't make you into Citatap.” (‘Omae no kāchan shin jimatte hottokene~ekara tsurete kukedo… Asirpa-san omae o chitatapu ni shite kutchimau kamo na’ お前の母ちゃん死んじまってほっとけねぇから連れてくけど…アシㇼパさんお前をチタタプにして食っちまうかもな Lit: “Your mother is dead and I can’t leave you alone so I'll take you... but I'm afraid Asirpa-san might eat you as Citatap.”)

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11. AINU KOTAN (アイヌコタン AINU KOTAN)

First printed: 30/October/2014 Weekly Young Jump 48

Characters: Tanigaki Genjirō (谷垣 源次郎), Retar (レタㇻ), Asirpa (アシㇼパ), Sugimoto Saichi (杉元 佐一), Huci (フチ), Ekasi (エカシ), Hapo (ハポ)*.

Location: Near Otaru, Asirpa’s village near Otaru

Other Places mentioned: None

Time: 1907/1908 (?) Late February

Historical events mentioned: Hokkaido Wolf extinction (1890)

Includes flashbacks or info about the characters past: Yes, about Asirpa, her grandparents and her mother.

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape: None.

Character deaths: Ekasi (illness)

Animal deaths: None.

New Ainu words:

- Horkew Kamuy: “Howling God”. Hokkaido wolf.

- Kotan: Village

- Nusasan: An altar. Objects like the skulls of the bears were enshrined there.

- Cise: House

- Mukkur: An Ainu musical instrument also known as Mukkuri. It’s a sort of mouth harp.

- Pu: A type of building used as a storehouse

- Huci: Grandmother

- Ekasi: Grandfather

- *Hapo: Mother (to be honest this word isn’t used in this chapter but as Asirpa’s mother is still unnamed and Asirpa names her relatives using Ainu words I listed her as such)

Food and drinks: Brain of a bear

Useful info and points to ponder:

- Differently from Sugimoto Tanigaki immediately realizes Retar is an Hokkaido wolf and not a white dog.

- Retar bites Tanigaki’s leg and use it to toss Tanigaki around, breaking his leg and causing him to go unconscious, before attempting to bite his throat and kill him. Differently from Tamai and Noma, Tanigaki won’t attempt to fight at all.

- Asirpa stops Retar from killing Tanigaki, saving his life. Later, fearing Sugimoto would finish him off, Asirpa will tell him he’s dead, potentially saving Tanigaki’s life a second time. Tanigaki will never thanks her for this, although, as he was unconscious, he might not have realized she had made sure he wasn’t killed.

- Between telling Sugimoto Tanigaki is alive and leaving him in Hokkaido’s wilderness Asirpa judges the safest option for Tanigaki is to be left there as she assumes he’s tough enough to survive this. Her assumption is slightly off as Tanigaki could have probably handle it on his own if he had tried going back, as Tanigaki tried to chase them he fainted and needed to be rescued by Nihei.

- Asirpa’s assumption on they being safe because he can’t go after them with his leg snapped like this is not taking into consideration that if Tanigaki had gone back he could have told to the other soldiers exactly where they met and who they are, with the result that many soldiers would came for them, aware they should search for a man and an Ainu child.

- Asirpa’s reasoning to stop Retar is she didn’t want him to become a Wen Kamuy due to her, though she thanks him for saving her.

- This time Retar not only approaches Asirpa and laps her face but let her rub his belly and scratch his favourite spots as he remained there with an expression of enjoyment. However, as soon as Sugimoto comes close, Retar takes a majestic pose and then hurries to leave.

- It’s worth to mention Asirpa too, once she got rid of Tanigaki, didn’t run to try save Sugimoto but remained with Retar, petting him. However for her it was probably the first time she got herself threatened by a soldier and, anyway, according to the plan she was meant to escape. It’s noteworthy though how things will change for Asirpa as well and worrying about Sugimoto trying to run to help him will become often the first thing she will do in the future.

- Probably, seeing Tanigaki on the ground, taken down by the wolf, subtly drove in Sugimoto’s mind  the point Asirpa had been in danger.

- In the past chapter Sugimoto warned the cub he couldn’t promise him Asirpa won’t turn him into Citatap. We see he meant it for real as first, he very clumsily tries to hide the cub in his coat, then, when he’ll get discovered IMMEDIATELY, he tries to childishly deny its presence as he think she’ll want to eat it. As it’ll be clear Asirpa saw the cub, he’ll claim he’ll take care of the cub and will be his mother, to which Asirpa points out he doesn’t know how to do. At this he won’t dare to oppose to her, handing it for her to eat it, although he’ll say he won’t manage to eat his brain. Honestly, if this was how hard he was going to fight for the cub’s survival he could have abandoned him there. Asirpa is right in saying he doesn’t know how to take care of it, but he could have said something along the lines of ‘I’ll learn’, instead he gives up. Also his approach to the whole thing is very childish, though probably this is due to Noda wanting the thing to be ‘funny’.

- Although Asirpa didn’t mean to be creepy looking not to eat the cub, Sugimoto saw her like that and was surprised when she told him Ainu don’t eat cubs but raise them, which is why she’ll bring him to her village.

- Asirpa is welcomed by the children of the village, showing she’s popular among them. Women also, seeing her, recognize her.

- In the anime the man near the Pu is Makanakkuru. In the manga, unless Makanakkuru’s character design underwent a drastic change, he seems to be another man who still get a close up and to give a long stare to Sugimoto and Asirpa.

- Sugimoto is confused because no one seems to be afraid of him. Asirpa explains him Ainu are curious and love new things but Sugimoto’s problem is another. As he thinks it was Asirpa’s village which was gathering money to fight the Japanese, he believes he’s unwelcomed there and therefore sees again the village as threatening looking through his ‘Sugimoto vision’ and therefore  wants to leave the cub there and then go away immediately. It’ll take him a while to realize, as Asirpa said, Ainu are really just curious and don’t aim to harm him.

- Asirpa’s grandmother is her grandmother on her mother’s side. She seems serious and Asirpa explains she can’t talk Japanese but she still wants Sugimoto to spend there the night as he’s the first guest Asirpa brought there. Asirpa also explains that Huci’s husband was the most important man in the village therefore nobody would say anything against her and add as a proof how Huci’s tattoo is very large because the more important the man, the larger is the tattoo the wife gets. From this we can speculate Asirpa’s grandfather was the head of the village. We don’t know though who the current head is.

- Greeting Asirpa’s grandmother is one of the few instances in which Sugimoto removes his hat. Meeting her he calls her ‘Obā-san’ (お婆さん “Grandmother).

- As soon as Tanigaki wakes up, he lights a fire and takes care of his wound. However he decides he won’t search for his companions or go back to report to Tsurumi what had happened but that he’ll hunt Retar and won’t stop until he had killed him, blaming his Matagi (hunter) blood in him. This act actually constitute desertion and more than his Matagi blood what’s to blame is the fact he is hiding in Tsurumi’s troops because he’s ashamed of himself, yet he doesn’t see the army as his place and longs to go back home.

Notable changes from the magazine version: None

Notable quotes:

- Asirpa: “You're the last Horkew Kamuy (wolf god), I couldn't bear it if you became a Wen Kamuy (Evil God) for my sake. Still, thank you for saving me.” (‘Omae wa saigo no horkew kamuy (ōkami no kami-sama) na ndakara, watashi no tame ni Wen Kamuy (warui kami-sama) nanka ni natcha dame. Demo tasuketekurete arigatō’ お前は最後のホロケウカムイ（狼の神様）なんだから、私のためにウェンカムイ （悪い神様）なんかになっちゃだめ。でも助けてくれてありがとう)

- Asirpa: “Here we go～who's a good wolf!? this is your favorite spot, right? I remember～” (‘Yooo~shi, yoshi yoshi yoshi koko ka? Kokoda na? Shitteru zo?’ よおぉーし、よしよしよしここか？ここだな？知ってるぞ？ Lit: “Gooood, good, good, right here? Is it here? I remember it.”)

Asirpa: “… Let’s go. He’s already dead.” (‘…Ikou mō shin deru’ …行こうもう死んでる)

Sugimoto: “I'll take good care of him! I'll be his new mother!” (‘Koitsu wa ore ga mendōmiru ~tsu! Hahaoya kawari ni naru nda a!!’ こいつは俺が面倒見るッ！母親代わりになるんだあ!! Lit: “I’ll takes care of this guy! I'll be his substitute mother!”)

Sugimoto: “Fine, I understand… but you’ll have to eat him alone! I can’t bear the thought of putting salt on his poor brain and eating it!” (‘Wakatta… koitsu wa Asirpa-san dake de kutte kure. Koitsu no nō miso ni shio kakete kuu toka oreniha murida’ わかった…こいつはアシㇼパさんだけで食ってくれ。

こいつの脳ミソに塩かけて食うとか俺には無理だ Lit: “Okay… Only Asirpa-san should eat this guy. It's impossible for me to sprinkle salt on his brain and eat it.”)

Asirpa: “Huh? I'm not going to eat him. when we find a bear cub during a hunt. it's our tradition to raise it in the village.” (‘Hā? Taben zo. Watashi-tachi ha ryō de koguma o tsukamaetara mura de taisetsu ni sodateru fūshū ga aru’ はあ？食べんぞ。私たちは猟で子熊を捕まえたら村で大切に育てる風習がある Lit: “What? I won't eat it. If we catch a cub when we’re hunting, we have a custom of carefully raising it in the village.”)

Asirpa: “We Ainu are more curious than anyone! deep down, we just love new things!” (‘Ainu wa kōkishin ōseida. “Atarashimonozuki”na nda’ アイヌは好奇心旺盛だ。『新し物好き』なんだ Lit: “The Ainu are brimming with curiosity. The ‘We love new things’ type”)

Asirpa: “Look at this tattoo! The more important the man, the larger the tattoo his wife can get.” (‘Miro. Kono irezumi. Erai hito no okusan hodo ōkina irezumi o suru nda’ 見ろ。この入れ墨。偉い人の奥さんほど大きな入れ墨をするんだ)

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12. KAMUY MOSIR (カムイモシリ KAMUI MOSHIRI)

First printed: 06/November/2014 Weekly Young Jump 49

Characters: Sugimoto Saichi (杉元 佐一), Asirpa (アシㇼパ), Huci (フチ), Makanakkuru (マカナックル),  Unarpe (ウナルペ)*, Ekasi (エカシ), Hapo (ハポ), Osoma (オソマ), Wilk (ウイルク), Ushiyama Tatsuma (牛山 辰馬), Hijikata Toshizō (土方 歳三), prostitute.

Location: Asirpa’s village near Otaru, Otaru.

Other Places mentioned: None

Time: 1907/1908 (?) Late February

Historical events mentioned: None

Includes flashbacks or info about the characters past: Yes, about Asirpa, her grandparents and her parents.

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape: None

Character deaths: Ekasi (illness), Hapo (illness)

Animal deaths: Bear cub (killed in a Iomante)

New Ainu words:

- Kamuy mosir: “Land of the gods”

- *Unarpe (ウナルペ): Aunt (to be honest this word isn’t used in this chapter but as Asirpa’s aunt is still unnamed and Asirpa names her relatives using Ainu words I listed her as such)

- Iteseni: Stand for weaving mats.

- Asirpa ekimne patek ki wa menoko monrayke eaykap: Asirpa spends all her time in the mountains, and can't do a woman's work.

- Kemeiki neya itese neya menoko monrayke eaykap menoko anak aynu hoku kor ka eaykap: A woman that cannot sew or knit is unable to get an Ainu husband.

- Tane sinuye kuni paha ne kor ka kopan: She's nearly of age to get tattooed, but she refuses.

- Sugimoto Nispa tan matkaci etun wa encore: Mr. Sugimoto, please take this girl as your wife.

- Tan kumippoho kuepotara wa mosir kuhoppa ka koyaykus: So long as I'm still worried about her future, I can't depart this world in peace.

- Nispa: Mister

- Sinna kisar: “Strange ears”

- Si taktak: “Clump of feces”

- Opkehur: “The farter”

- Huuratekki: “Raised stinky”

- Ekasiotonpuy: “Grandfather’s butthole”

- Kimun Kamuy: Bear

- Heperset: Cage for bear cubs

- Iomante: “To send something/someone off”. Ceremony in which the bear cubs are sent off.

Food and drinks: Mixture of meat broth and rice water

Useful info and points to ponder:

- Asirpa explains only her and her grandmother live in that house as her aunt and uncle live in a different one. Her mother died of illness soon after giving birth to her so that she never really knew her. We know though it wasn’t IMMEDIATELY after giving birth to her because in late chapters it will be shown that she was filmed while holding Asirpa on her back. Asirpa’s grandfather fell sick and died 6 years ago. This is relevant because, as he likely was the head of the village, it’s possible he was the Ainu who knew about the gold hideout. In chap 2 Asirpa said the ‘Noppera-bō incident’ took place 5 years ago, therefore AFTER her grandfather’s death. This might mean her grandfather passed the info to Wilk, his firstborn husband and, after his death, Wilk decided to act. On the other side later Noda said Wilk was in jail by 7 years, therefore BEFORE her grandfather’s death so the old man might have known something about it. It’s also worth to note that, if Asirpa considers Huci’s home her home, it’s possible Wilk never built a home for himself, his wife and daughter. Now… this would happen among Ainu if there was no male heir that could inherit, so the daughter’s husband would move in his wife’s home and become a family member. However we were lead to think Makanakkuru is Huci’s son which would make him the male heir. That is unless he’s actually not Huci’s son but was adopted into the family because he married the second daughter or because he was parentless. We’ll see.

- Huci calls Sugimoto ‘Sugimoto Nispa’ while, from now, on he’ll call her ‘Obā-chan’ (お婆ちゃん “Grandmother”) (in the previous chapter it was ‘Obā-san’ (お婆さん “Grandmother)).

- Huci complains that since Asirpa spends all her time on the mountains and can’t do woman works like sewing or knitting won’t get an Ainu husband. Plus, despite being nearly of the age to get tattooed she refuses doing so. Due to all this Huci asks Sugimoto to marry Asirpa because, as long as she’s worried for her future, she can’t depart this world in peace. Long story short very likely Huci invited Sugimoto to spend the night because she thought he could become Asirpa’s husband and that’s why she brought him home.

- Note that Huci didn’t mean they should marry right then but Ainu had no problems to promise children in marriage by arrangement between his or her parents and the parents of his or her betrothed, although the marriage would happen only when the involved kid/kids would be of a marriageable age, which, for women, was around 15 to 16 years of age (varied from village to village), the age in which they were regarded as adult and in which her tattoo is complete. Marring a Sisam was often encouraged among Ainu because it was believed it would lessen discrimination toward them.

- We’ve heard that the pimp speculated Asirpa is around 12/13, which would yes, make her close to marriageable age.

- Tattoo age varied from village to village, with some starting when the child was 6/7 and other doing it later, when the child was around 11 years old, and other even later, also due to the Japanese ban on tattooing (the ban were done in 1799 and 1871, with the  ban renewed in 1976) that didn’t stop the tattooing practice but required it was done in secrecy. The real important point though is that, according to Ainu women, marring without tattoos was a great sin and, if they did, the legend said, they would die and go to hell where the demons would take large knives and do the tattooing all at once. It’s worth to note the profession of tattooist was exclusive to Ainu females and being tattooed rather painful as they would do it by cutting he skin with a knife and then rubbing soot into the wound.

- After Huci asked Sugimoto to marry Asirpa we can see her face is slightly flushed and her ears are red but she refuses to translate her grandmother’s words and, lowering her gaze, say to Sugimoto instead Huci had said people shouldn’t eat poop.

- Sugimoto doesn’t seem to notice Asirpa’s embarrassment nor how Huci supposedly shouldn’t know he eat Miso/poop and cheerfully replies it’s not poop but Miso, though one of his brows is furrowed. Through the story is hard to say if he’s really completely oblivious to Asirpa’s crush on him or he’s just pretending to be, because not interested.

- Osoma is Asirpa’s cousin. Ainu children were raised almost naked until about the ages of four to five but at 6 they would be given a real name. From this is possible to speculate Osoma is around 4/5 years old as she’s dressed but also still retain her filthy name (when Tanigaki will be back after a year she’s still called Osoma… has Noda forgotten about this, has she kept her filthy name or is she still not 6 yet?).

- Asirpa’s filthy name was Ekasiotonpuy, which means “Grandfather’s butthole”.

- Sugimoto continues viewing bears as “monsters” (怪物 ‘Kaibutsu’), commenting it’s hard the bear cub will become one when he grows up. However he previously called the bears he met ‘bakemono’ (バケモノ “monster”). It seems the difference is that a ‘Kaibutsu’ is something that looks ugly or creepy or unidentifiable and therefore is defined as a “monster” while a ‘bakemono’ got some supernatural power and turn into a “monster”. So it’s possible while Sugimoto saw the other bears as nearly supernatural creatures he was afraid of, in regard to the cub he’s just telling he’ll become something as creepy as them. However there are actually debates over the implications of the two words so take this with a grain of salt.

- Asirpa discourage Sugimoto to keep on petting the bear cub, saying he’ll get attached to it so, when he’ll have to say goodbye to it, it would hurt. She knows that, when the bear will grow up, Ainu ‘will send him to the land of the Gods’. Therefore Asirpa doesn’t pet the cub because, if she keep her distance, she won’t get too attached and it won’t hurt parting from it. She explains when she was a child she doted on a bear cub like she would with a younger brother so, before it got ‘sent away’ she unsuccessfully tried to sneak him out and return him to the mountains. She got discovered and the adults were furious with her but she was so sad that she couldn’t take part to the sending away ceremony. In short, prior to her father’s death Asirpa was already thinking distancing herself from people would spare her from the pain of loss.

- Sugimoto’s idea they’ll return the bear in the wild is naïve. Asirpa has explained not much ago how Ainu use every part of the bear and they’re bear hunters. Of course, if they were to have a bear they wouldn’t release it to the wild to just hunt and kill it later.

- Sugimoto is overall negative about the idea of ‘sending back’ the bear cub. He calls it ‘killing’ and, even after Asirpa explains him their religious beliefs he questions her, saying if she really believed in this, killing the cub (Sugimoto says “killing the bear cub” [子熊を殺すことは ‘koguma o korosu’] not “sending it back”) wouldn’t be a sad thing and that therefore she’s avoiding the cub because she doesn’t believe it. Basically Sugimoto, who doesn’t believe in the Ainu beliefs, is trying to have her saying she doesn’t believe in them as well.

- Asirpa’s reply is very clever. She defends Ainu beliefs saying that within them there’s a lesson that help them to survive. Basically they wrap Ainu’s actions in a narrative that make easier to make things that are beneficial to Ainu like killing the bear cub LATER instead than IMMEDIATELY ensures them more meat and fur. This makes Asirpa thinks that the overall teaching is correct. In fact the bear cub has to be killed once is older as they need its meat and fur. You can strip the whole thing of the story the bear cub is sent back but you can’t say killing the bear cub is wrong, on this Asirpa is firm. On the other side she acknowledges that, even if killing the bear cub is right, this wouldn’t save her form the pain of saying goodbye so she keeps her distance so as not to get hurt.

- In a way the whole thing presents parallels with how Sugimoto will spin a narrative in which it’s okay to kill Russians and convicts because they’re soulless evil people. The problem here is that Asirpa doesn’t tell him killing the cub is right because it’ll go back to the world of gods but because they need meat and will confirm that saying goodbye to it is painful while Sugimoto will tell her she shouldn’t feel pain for bad guys’ death because they’re soulless and don’t feel pain when they died. Asirpa doesn’t hide herself between a nice narrative, she faces the truth and acknowledges it’s painful so she tries to protect herself from it by distancing herself. Sugimoto hides the truth (during the war he needed to kill to survive) behind a narrative that dehumanize his opponent. On the surface it can seem similar but, by being aware of the truth of her actions (she kills the cub because she needs to eat) Asirpa can control them (she doesn’t need to kill the cub if she were to have enough food). Sugimoto instead ends up on blurring the borders because if you embrace the fact that  people who oppose to him are bad and won’t feel pain when killed you can kill them regardless of your survival being involved (which is why he can consider involving himself in murdering the convicts for gold even if the convicts weren’t directly threatening him), won’t just distance from them but dehumanize them and overall have problems copying with his instinctive sense of guilt as he tries to suppress it as unneeded… though of course, Sugimoto’s problems stem from very traumatic experiences so it’s sadly normal he developed maladaptive coping mechanisms.

- On a sidenote Asirpa’s attachment for Sugimoto in a way parallel the attachment she felt for that bear cub as, if everything goes according to Sugimoto’s plan, he’s not going to stay in Hokkaido but go back to his village to marry Umeko. It doesn’t help Sugimoto gets paralleled to a bear.

- Sugimoto comments that Asirpa’s way of thinking is ‘genjitsuteki’ (現実的) which can mean “realistic”, “pragmatic” and “practical”. I’ve heard there’s some debate on which would be the better translation but I’ll let the decision to people more competent than me. What hits me is that Sugimoto then comments Asirpa is different from other Ainu. While I think he means it as a compliment toward Asirpa… well, he’s learning about Ainu and Ainu culture through her so from where his impression on how other Ainu are if not from stereotypes? In a way his statement mirrored the one of Asirpa. She thought him being a good warrior was impressive for a sisam, he thinks her being realistic/pragmatic is uncommon for an Ainu. To Asirpa’s credit though, she had to interact with Sisam more than he had to interact with Ainu (to sell what she hunted and buy things, in fact she had explained how she got used at them insulting her) so, at least, her opinion is based on a partial direct contact.

- Asirpa’s name was given to her by her father. As we had learnt in this chapter children get their real name at around 6, this means Wilk was still around when she was 6. She explains it means “new year” but also “future” declaring this means she’s a new kind of Ainu woman for a new age. It would be interesting to know exactly how she has gotten her name as we know Wilk had ambitions for her but Asirpa explained names are given according to the children’s personalities and what they’ve done in life not what their parents hope for them so I’d like to know what she did/say that made her have such name. Was it just the fact she preferred to hunt versus sewing and knitting? Or there’s a story behind it?

- Hijikata and Ushiyama’s meeting take place in one of the many brothels in Otaru that also doubles as a soba restaurant.

- Hijikata informs us that Ushiyama, whose nick is “Ushiyama, the undefeated” (‘Fuhai no Ushiyama’ 不敗の牛山 ) has a voracious sexual appetite, the consequence of which was the prostitute he was with tattled out his presence to Hijikata.

- Ushiyama’s reaction at having been betrayed is to toss the prostitute at Hijikata. There’s to say Ushiyama tends to toss things. When they’ll go to Shibukawa he tosses one of his men through the roof, when facing the 7th, he tosses Shiraishi at them and when they fight with the fake Ainu he tosses Ekurok at them. So, not only for him it’s normal to toss people, but as she has just betrayed him to a man who Ushiyama assumes is there to kill him, he likely wasn’t going to be considerate with her. On the other side I’ve had the feeling Noda has later shifted Ushiyama’s characterization a bit so it’s possible Ushiyama originally was meant to be a worse person than the one he ended up on being in the end.

- When Hijikata place his sword against Ushiyama’s forehead the sound effect implies a tapping, meaning Hijikata wasn’t trying to cut Ushiyama’s head but is holding his sword there merely to threaten him.

- Ushiyama also got a Type 26 revolver, likely by the soldiers they had killed when they escaped.

- Differently from what Asirpa thought it isn’t necessary to skin the convicts to get their tattoo, Hijikata, who was the leader of the escape plan, knows it’s enough to cover the body in oil paper and trace the tattoo so as to get a precise copy. When he says so he shows Ushiyama a copy of a tattoo. It should be supposedly his own as, at the time, he had no others, but as Ushiyama isn’t yet his ally and the manga pointed out more than once how copies might not be reliable (Ushiyama himself saying so to Shiraishi), I wonder if that copy is a fake.

- Hijikata as with himself a couple of underlings. It’s unknown where he got them but he asks Ushiyama to join as well. Through the story Hijikata will recruit more convicts and voice his concern over the mistreatment of the convicts so, although he’s completely capable to kill men without hesitation, it’s possible he meant to join hands with all the 24 convicts.

- In a way Hijikata is set up as the direct antagonist of Tsurumi as they’re both two bright and manipulative army men who dream to make a separate state out of Hokkaido.

- To Ushiyama who asks him if Hijikata plans to face the army with a sword, which is nothing else but a relic of the past, Hijikata replies age doesn’t matter, boys just love playing with swords… through it’s worth to note we’ll discover Hijikata uses a rifle well enough. So he’s likely aware of the sword being a relic but he still swing it because he evidently favours it.

Notable changes from the magazine version:

- This chapter in the magazine version had a color cover. In the volume version it has been turned into a black and white one. It’s also worth to mention this cover has the same image that will be used for the volume cover.

Notable quotes:

- Asirpa: “My aunt and uncle live in a different Cise (house)” (‘Betsu no Chise (ie) ni oji fūfu ga iru’ 別のチセ（家）におじ夫婦がいる Lit: “In a different cise (house) are my uncle and his wife.”)

- Asirpa: “Once children turn six years old and have formed their own personalities, we give them a real name based on what they've done in life.” (‘6-Sai kurai ni natte seikaku ga dete ki tari Sonoko ga okoshita dekigoto nado ni chinande chanto shita namaewotsukeru’ ６歳くらいになって性格が��てきたりその子が起こした出来事などにちなんでちゃんとした名前を付ける Lit: “When around 6 the child’s personality has appeared and we give him a decent name after the events that happened to him.”)

- Asirpa: ““Kill” isn't exactly the right word. We think of it as "sending him back. All the useful things around us, all the things with power beyond our control, we revere them all as Kamuy (Gods). We've maintained a good relationship with the Kamuy by expressing courtesy and gratitude.” (‘Korosu to iu yori “okurikaesu” to iu kangaekatada. Watashitachiha minomawari no yakudatsu mono-ryoku no oyobanai mo no, subete o Kamuy (kami) to shite atsukai, kansha no girei o tōshite yoi kankei o tamotte kita’ 殺すと言うより『送り返す』という考え方だ。私たちは身の回りの役立つもの力の及ばないもの、すべてをカムイ（神）として扱い、感謝の儀礼を通して良い関係を保ってきた Lit: “Rather than to kill it our thought is ‘to send it back’. We treat everything that is useful and that is beyond our power as Kamui (God), and we have maintained a good relationship through courtesy and gratitude.”)

- Sugimoto: “Do you really believe all that Asirpa? If you believed it, then sending that bear cub off wouldn't have been anything to get sad about, right?” (‘Asirpa-san wa sore shinji teru no? Shinji tetara koguma o korosu koto wa kanashī koto janai ndaro?’ アシㇼパさんはそれ信じてるの？信じてたら子熊を殺すことは悲しい事じゃないんだろ？Lit: “Does Miss Asirpa believe in that? If you believed in it, it wouldn’t be a sad thing to kill the bear cub, right?”)

- Sugimoto: “Could it be that some part of you didn't believe it, so you tried to let the bear escape?” (‘Doko ka de shinji tenaikara koguma o sake teru n janai no kai?’ どこかで信じてないから子熊を避けてるんじゃないのかい？ Lit: “Maybe you're avoiding the bear cub because you don't believe it somewhere?”)

- Asirpa: “Within every belief lies a useful lesson to help us survive. For example, If we raise the bear cub instead of killing it right away, that means we end up with more meat and fur. We've lived our lives following those lessons so I believe that they are correct. But that doesn't mean saying goodbye doesn't hurt. That's why I keep my distance, so I won't get too attached.” (‘Shinkō no nakaniha watashitachi ga ikiru jutsu ga haitteru. Tatoeba tsukamaeta koguma o sodateru no wa ōkiku nareba soredake kegawa ya niku ga torerukarada to watashi wa omou. Sō yatte watashitachi wa ikite kitakara tadashī kotoda to watashi wa shinji teru. Demo wakareru sabishisa wa dō shiyō mo nai. Dakara watashi wa kesshite jō ga utsuranai yō ni kyoriwooku nda’ 信仰の中には私たちが生きる術が入ってる。例えば捕まえた子熊を育てるのは大きくなればそれだけ毛皮や肉がとれるからだと私は思う。そうやって私たちは生きてきたから正しい事だと私は信じてる���でも別れるさびしさはどうしようもない。だから私は決して情が移らないように距離を置くんだ Lit: “Inside our faith there is the means for us to we live. For example, I think that the reason for raising a caught cub is that the larger it gets, the more fur and meat we can take. In this way we have survived so that’s why I believe it’s correct. But the loneliness of breaking up can't be avoided. That ’s why I keep my distance.”)

- Sugimoto: “That's a very pragmatic way of looking at it. You really seem like you're a bit different from the other Ainu.” (‘Kangaekata ga genjitsu-tekida na. Yappari Asirpa-san tte Ainu no naka demo chotto kawatteru n janai no?’ 考え方が現実的だな。やっぱりアシㇼパさんってアイヌの中でもちょっと変わってるんじゃないの？ Lit: “This way of thinking is realistic. After all isn't Asirpa-san a bit different among the Ainu?”)

Asirpa: “My father gave me the name Asirpa. It means "New year" but it can also means "Future." I'm a new kind of Ainu woman, for a new age!” (‘Asirpa to iu na wa chichi ga tsuketa. ‘Atarashī toshi’ to iu imidaga ‘mirai’ tomo kaishaku dekiru. Watashi wa atarashī jidai no Ainu no on'nana nda!’ アシㇼパという名は父がつけた。「新しい年」という意味だが「未来」とも解釈できる。わたしは新しい時代のアイヌの女なんだ！)

Hijikata: “Your voracious sexual appetite has cost you. wouldn't you agree, Ushiyama the undefeated?” (‘Ōseina seiyoku ga ada ni natta na. Fuhai no Ushiyama!’ 旺盛な性欲がアダになったな。不敗の牛山！ Lit: “Your voracious sexual appetite has cost you. Ushiyama the undefeated!”)

Hijikata: “It doesn't matter how old you are. Boys just love to play with swords, right?” (‘Ikutsu ni natte mo danshi wa katana o furimawasu no ga sukidarou?’ いくつになっても男子は刀を振り回すのが好きだろう？Lit: “No matter how old it may be, boys like to swing their swords around, don’t they?”)

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13. GUARDIAN SPIRIT (憑き神 TSUKIGAMI) 

First printed: 13/November/2014 Weekly Young Jump 50

Characters: Sugimoto Saichi (杉元 佐一), Asirpa (アシㇼパ), Makanakkuru (マカナックル), Osoma (オソマ), Wilk (ウイルク), Huci (フチ), Tsurumi Tokushirō (鶴見 篤四郎), Tamai (玉井), Noma (野間), Okada (岡田), Tanigaki Genjirō (谷垣 源次郎), Wada (和田),  Tsukishima Hajime (月島 基).

Location: Near Otaru, Asirpa’s village near Otaru, Mukden (currently Shenyang) (China).

Other Places mentioned: 203 hill in Port Arthur (current Lüshunkou) (China), Mukden (currently Shenyang) (China).

Time: 1907/1908 (?) Late February

Historical events mentioned: Russo-Japanese war (8 February 1904  – 5 September 1905) Siege of Port Arthur (1 August 1904 – 2 January 1905), Battle of Mukden (20 February - 10 March 1905), the Treaty of Portsmouth (September 5, 1905)

Includes flashbacks or info about the characters past: Yes, about Asirpa and Retar and about Tamai, Noma, Okada and Tanigaki and about Tsurumi.

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape:

The people in Asirpa’s village were hoarding gold to battle against the Sisam… which led to the gold being stolen and Asirpa’s father being killed along with all his comrades. Their ancestors gathered all that gold and for decades it lay untouched by anyone then some men decided to use it to buy weapons. Everyone in the village believes they were killed by the wrath of the Wakkaus Kamuy. Ainu do not use rivers to do laundry or wash away excrements but people decided to pan the water for gold, causing the water to grow cloudy and the fishes unable to breathe, risking to cause their disappearance and the disappearance of the animals that feed on them. Soiling the water to gather weapons for war should never have been done therefore the gold was possessed by some sort of evil spirit and cursed. (Source: Makanakkuru)

Character deaths: Makanakkuru’s cousin (got hit by an amappo), 7 Ainu (killed in the Noppera-bō incident), Wada (shoot in the head by Tsukishima as per Tsurumi’s orders)

Animal deaths: Sakhalin sculpins

New Ainu words:

- Heperesinotpe: A special toy for bear cubs

- Raomap: Trap for catching river fishes

- Amappo: Arrow trap used to catch animals

- Wakkaus Kamuy: God of the water

- Turenpe: Guardian spirit that comes in and out through the back of the neck

- Kinaohaw: Soup made with many vegetables.

- Sutu: Punishment road.

Food and drinks: Sakhalin sculpins, Kinaohaw with roasted sculpin, daikon, carrots, potato, spinach and kombu (Sugimoto also adds Miso to it)

Useful info and points to ponder:

- Sugimoto carries around the bear cub holding it in his coat.

- When Makanakkuru stops Sugimoto from turning on the Amappo, Sugimoto’s first though, as he hadn’t realized about the trap, was being ‘unfriendly’ with him. In fact Sugimoto’s reply ‘Nanka-yō ka?’ (なんか用か？“What do you want?”) sounds rude because apparently you use it when you suspect something and the background behind Sugimoto darkens. Sugimoto will later apologize for this, explaining why was his reason for his rudeness.

- Makanakkuru explains how aconite poisoning from the Amappo  would cause one to suffer for a long time instead than dying instantly, killing the person slowly.

- Makanakkuru mentions his cousin got hit by an Amappo but, although he manage d to get out the arrow, as there was still poison inside the wound he was in agony for several days, his body swelled up and he died.

- Asirpa’s arrows also have aconite poison but evidently in a much bigger amount as she states a bear would only manage to make 10 step while a human won’t manage to make one. After hearing all this, it’s impressive Ogata managed to survive being hit by one of Asirpa’s arrows.

- Makanakkuru uses ‘watashi’ (私) to say “I”.

- Makanakkuru, after telling Sugimoto his name, explains him Asirpa is his OLDER sister’s (‘ane’  姉) daughter and Osoma’s father. The fact that Makanakkuru calls Asirpa’s mother his ‘older sister’ doesn’t necessarily mean they’re related by blood as, although there’s a Japanese word for ‘sister-in-law’ you can also call her just ‘sister’. What we can see for now is he doesn’t resemble neither Huci nor Asirpa’s mother (though Huci might have gotten small eyes due to her old age), while Osoma’s mom seems to have Huci’s square face and a nose more similar to hers. However, unless it’ll be specifically said or we’ll get to see Asirpa’s grandfather we won’t be able to tell if Makanakkuru took from him or not.

- We learn from Makanakkuru that since Asirpa lost her father she’s been going into the mountains alone. In the past chapter we discovered she learnt to distance herself from others so as not to suffer when it would be time to say goodbye. As we’ll later learn she had tried forgetting Wilk, her going in the mountains was probably also a way to distance herself from others after undergoing the trauma of losing her father.

- Makanakkuru says he had been worried about her so now he can rest easier since there’s a strong guy like Sugimoto with her and that since Asirpa is smart (‘Asirpa wa atamagaī’ アシリパは頭がいい “Asirpa has a good head”), if she likes Sugimoto this means he’s not a bad guy. My general impression is Makanakkuru too, like Huci, thinks Sugimoto is there to marry Asirpa.

- Sugimoto’s reply can either be ‘it’s him who gets saved by Asirpa’ or ‘it’s him who gets helped by Asirpa’. At this point, Asirpa has only saved him from the bear but all her teaching and hospitality are helping Sugimoto to live in Hokkaido.

- I do wonder if Sugimoto’s apology, which comes kind of late, is because Makanakkuru said since Asirpa like him he’s shouldn’t be a “bad guy” (‘warui yatsu’ 悪い奴) and Sugimoto felt the need to confirm he isn’t by politely apologizing or if it’s an attempt to push Makanakkuru to talk.

- Makanakkuru asks Sugimoto if he heard about the story of the gold from Asirpa. Evidently he wasn’t told that Sugimoto learnt about it from Gotou and he’s assuming Asirpa told him that to explain her father’s death. In short Makanakkuru might not know Sugimoto and Asirpa are searching for the gold.

- In chap 2 I wondered about Asirpa’s words which only implied it was the people of her village which was involved in this. Makanakkuru instead says clearly it was the people from THEIR village which collected the gold dust to fight the Sisam… when we know at least two people weren’t from Asirpa’s village. Retcon or Makanakkuru is misleading Sugimoto? Asirpa was young so she might not have known not everyone was from her village but Makanakkuru should have done it.

- It might mean nothing but normally they were talk of ‘kinkai’ (金塊 “gold nuggets”). Makanakkuru here talks instead of ‘Sakin’ (砂金 “gold dust”). As of now I’ve managed to find the word ‘Sakin’ coming up only when Huci told the tale of the gold and when Hijikata said he knew the right amount of it. It might have been used other times and I might have missed it, of course but still it’s worth pondering.

- In the manga Sugimoto merely asks Makanakkuru “Who do you think was the criminal who stole the gold?” which scanlation preferred to translate it with “Do you have any idea who it was that killed them?” assuming the crime is to murder those Ainu. The anime instead modifies the sentence so it’s not vague anymore and becomes “Who do you think was the criminal who stole the gold?” (金塊を奪った犯人に心当たりは？ ‘Kinkai o ubatta han'nin ni kokoroatari wa?’). As the original sentence didn’t mention which was the crime, we can’t say if this addition was done in cooperation with Noda or it’s just an anime thing which however implies Sugimoto is more worried for the stolen gold than for the killed Ainu.

- Makanakkuru is rather vehement about how the river shouldn’t be polluted explaining how harmful it is gold panning for rivers. Long story short he believes they absolutely shouldn’t have done it, especially to support a war.

- When asked to say who could have killed the men Makanakkuru invoke the supernatural. It’s the wrath of Wakkaus Kamuy, the god of water. The gold dust was possessed by a ‘mamono’ (魔物 “evil spirit”) and cursed. In short he doesn’t pin the blame of those deaths on any human, be them Ainu or Sisam. They deserved it (because they dirtied the river) and the gods or the spirits punished them. Compared to how Asirpa searches always for a realistic explanation this seems pretty abstract… unless we’re meant to interpret it as ‘the men were killed to punish them for their actions’. This can also mean that Makanakkuru views the killer as someone who represents the gods and brought on those men their wrath… but as the Ainu think killing is wrong maybe Makanakkuru thinks who did the deed in order of doing it was possessed by something evil. It’s kind of like saying, they deserved it, but it wasn’t our place to punish them. It’s interesting how the visual at this point shows Wilk. At the time we didn’t know Wilk was innocent so we could think the visual did so to show who was to blame for the crime of murder… but, if anything, Wilk could have blamed for wanting to use the cursed gold to wage war.

- Huci can see the Turenpe (“guardian spirits”) residing on the back of people’s neck and offers food to her own. Much, much later (chap 231) we’ll discover she says her guardian spirit  can tell her the sex of a baby about to be delivered.

- According to Huci Sugimoto has a very powerful Turenpe. Sugimoto wonders if it’s him who makes him immortal and then offers him food, pleasing Huci.

- The scene implies Asirpa will hit Sugimoto with the Sutu. A box explains us a Sutu is normally used for crimes like theft or punishment and therefore is not to be used lightly but to have a girl hit a man is sadly a type of gag that’s considered ‘fun’. So, while Asirpa does it clearly to assert her own authority (Sugimoto doesn’t have to disobey her or there will be punishment) and role as some sort of teacher, ultimately this is taken away by the scene intended to be humorous and clearly done with Sugimoto’s ‘permission’ as we know he could easily rip it from her.

- Overall Huci, who views Sugimoto as Asirpa’s future husband, seems pleased with his behaviour. He offered food to the guardian spirit, embracing Ainu traditions and Asirpa could, at the same time, ‘discipline’ him. It’s also worth to mention how Huci accepted Miso, that all the Ainu exchange for poop, without hesitations, proving either she trusts him or that she wouldn’t refuse an offering from him whatever it is (or that she knows Miso). I guess she thinks Sugimoto brings in the benefits of Asirpa marrying a Sisam (who, she believes, would accept her even if she didn’t know how to sew or knit as well as Sisam’s privileges) while embracing Ainu culture and obeying to her granddaughter. Honestly she feels naïve. She hadn’t realized Sugimoto isn’t interested in Asirpa like that but has another woman in mind and that he acts like that out of politeness not out of belief. This is made even more dangerous by the fact that at the time there were many Wajin who would come in Hokkaido, take an Ainu bride and then dump her when they would return back home.

- As he did for Ogata, Tsurumi is out with his men to search for Tamai and Co. With no luck this time.

- Tsurumi tells us that Tamai, Noma, Okada and Tanigaki are all experienced mountaineers, and Tanigaki is even from a Matagi family so it’s unlikely to believe they would get lost or stranded.

- Wada calls Tsurumi ‘kisama’ (貴様 “you”). As said in chap 5 ‘kisama’ is nowadays an insulting way to say “you”, normally translated as “you bastard” but back then it was the normal way to say “you” in the army. We don’t know though, if Noda is keeping this into consideration. So, while Wada is clearly angry at Tsurumi it’s hard to say if he’s being insulting or not in Noda’s intentions.

- Wada might sound rude to Tsurumi but his complains are all legitimate. Tsurumi shouldn’t have moved his men till Otaru (they were meant to stay in Asahikawa), among the men Tsurumi moved one ended up in critical conditions and four are missing. In addition Tsurumi also took weapons and ammunitions from Asahikawa (in fact we’ll notice later that even first class privates have, occasionally guns they weren’t supposed to have).

- Wada uses ‘watashi’ (私) to say “I”. His ranking is “Captain” (大尉 ‘Taii’) which makes him higher in rank than Tsurumi, who’s a First Lieutenant.

- Wada is drawn there by Tsukishima, who’s the one who’ll shoot him in the head. Very likely it was a trap to get rid of him. As we’ll learn Tsurumi prefers to deal with superior officers by blackmailing them or indebting them to him I guess this means Wada had no dark spots in his past as Tsurumi couldn’t blackmail him into obedience. On the other side, as Tsurumi could manipulate Yodogawa, he could have asked him to just remove Wada from duty or something instead than killing him so I wonder if there’s more than what it looks why on Wada’s death that made important for Tsurumi to kill him. It’s possible Wada too was connected to Ogata and Tamai’s rebellion, hence that’s why he worries about them so, by killing him in secrecy, he wanted the rebels to lose his support and, at the same time, it would work as a warning to them.

- For the first time we see Tsurumi’s brain leaking. Tsurumi explains that during the battle of Mukden a piece of shrapnel from an exploding shell lodged itself into the front of his scull which causes a bit of odd fluid to leak out. I wonder if the mention of that happening is painful for Tsukishima who has to steady himself to be ready to kill a superior officer.

- Tsurumi bites off Wada’s finger. I wonder if Wada pointing his finger awoke unpleasant memories (Tsurumi’s family lost its prestige, due to Tomoharu’s death he wasn’t allowed to advance) or if he did it just because he could. He claims it’s just because his frontal lobe took a bit of damage so he has troubles controlling his temper but that aside he’s the picture of good health and takes pride in his scars who, according to him, make him look dashing. I wonder if it’s more in them he sees Olga’s face disfigured by a bullet.

- Remember when I said Sugimoto almost killing a superior officer was a big deal? Wada wanted to have Tsurumi killed for biting his finger off… and it was completely okay at the time.

- Tsurumi has Wada be stripped off his uniform and buried. In short he plans to keep his death as a secret and have him ‘disappear’.

- Tsurumi paints the whole thing as a battle between lower ranks and higher ranks, claiming the graves their companions got in Manchuria were beneath the cold barren stone, that they hadn’t received reparation from Russia and therefore were left with nothing despite fighting to defend Japan’s borders and therefore their war is not over. Tsurumi conveniently skips on how, between him and Wada, there’s only a rank of difference.

- To clear up a little Tsurumi’s words in an historical contest:

The “graves our comrades in Manchuria got” likely refer to the many graves they left in Port Arthur, where, according to Tanigaki, more than a half of the 7th division died. I guess they can include the ones of the battle of Mukden as well, although they’re probably a reference to the scene of Tsurumi in front of the graves at Port Arthur.

The “reparations they still hadn’t received from Russia” refers to the Treaty of Portsmouth and to how from it Japan didn’t receive any Russian reparation. It’s not so much Japan’s fault on that, as Russia agreed to many things but would have preferred resuming the war than agreeing to give reparations to Japan for a war Japan started and here there’s the problem. Japan, despite doing well during the war, couldn’t sustain the continuation of it. So while Tsurumi’s talk might seem an attack to the state that gave up on fighting without pretending reparation, not considering that war over would have lead to Japan’s defeat. Therefore Japan did as well as it could and Tsurumi is merely feeding up the discontentment.

The soldiers left with nothing refers to something that Tanigaki will explain later, that when Hanazawa ‘committed suicide’ the government blamed the 7th division so they received no metal or monetary reward and were treated as outcasts. To be honest this is not an historical point as this didn’t happen in real life but just in “Golden Kamuy”.

Notable changes from the magazine version: None

Notable quotes:

- Asirpa: “f you don't clean and gut sculpins right away, the flavor suffers! Hurry up and get them, you dolt!” (‘Kajika wa hayaku sabakanaito aji ga ochiru hayaku tori ni ike baka!’ カジカは早く捌かないと味が落ちる早く取りに行けバカ Lit: “Sculpins will lose their taste if they are not handled quickly! Go get it soon! Stupid!”)

- Sugimoto: “She's so cruel!” (‘Hidōī’ ヒドーイ Lit: “Mean!”)

- Sugimoto: “What do you want?” (‘Nanka-yō ka?’ なんか用か？)

- Makanakkuru: “My name is Makanakkuru! Asirpa is my sister’s daughter. And I’m Osoma’s father.” (‘Watashi no na wa makanakkuru. Asirpa wa watashi no ane no musume da. Soshite Osoma-chan no chichioya’ 私の名はマカナックル。アシㇼパは私の姉の娘だ。そしてオソマちゃんの父親)

- Makanakkuru: “Ever since Asirpa lost her father, she's been going into the mountains alone. I've been worried about her. I can rest easier knowing a strong guy like you is with her.” (‘Asirpa wa chichioya o nakushite karamo hitori de yama e itte shimaukara shinpaidatta. Omae mitaina tsuyo-sōna otoko ga isshonara anshinda’ アシㇼパは父親を亡くしてからもひとりで山へ行ってしまうから心配だった。お前みたいな強そうな男が一緒なら安心だ Lit: “Asirpa, after losing her father, had been going on the mountains alone, so I was worried. It’s safer if she’s together with a strong looking man like you.”)

Sugimoto: “No, I 'd say she spends most of the time saving me.” (‘Iyaiya kotchi ga tasuke rare-ppanashi de’ いやいやこっちが助けられっぱなしで Lit: “No, No, I’m the one who’s being helped by her.”)

- Makanakkuru: “Asirpa is a smart girl…If she likes you, it's safe to say that you're not such a bad guy.” (‘Asirpa wa atamagaī. Aitsu ga natsuku ndakara omae wa warui yatsu ja nai nodarou’ アシㇼパは頭がいい。あいつがなつくんだからお前は悪い奴じゃ無いのだろうLit: “Asirpa is smart. As a guy she’s emotionally attached at you are probably not a bad guy.”)

- Makanakkuru: “You heard the story from Asirpa, right? About how the people in our village were hoarding gold to battle against the Sisam… which led to the gold being stolen and Asirpa’s father being killed along with all his comrades.” (‘Asirpa kara kiita nodarou? Watashitachi no mura no ningen ga shisamu to tatakau tame ni sakin o atsumete ita ni to ya. Sore o ubawa rete Asirpa no chichi-tachi ga korosa reta koto’ アシㇼパから聞いたのだろう？私たちの村の人間がシサムと戦うために砂金を集めていたにとや… それを奪われてアシㇼパの父たちが殺されたこと Lit: “Did you hear it from Asia? How the people of our village were collecting gold dust to fight the Sisam… and that Asirpa’s father and the others were killed after being robbed of it”)

- Makanakkuru: “Our ancestors gathered all that Gold. and for decades, it lay untouched by anyone. then some men decided to use it to buy weapons.” (‘Ano sakin wa wareware no senzo ga totta mono de, nanjūnen mo zutto fure rarezu ni ita monodatta. Sore o ichibu no otoko-tachi ga buki o kaou to te o tsuketa’ あの砂金は我々の先祖が取ったもので、何十年もずっと触れられずにいたものだった。それを一部の男たちが武器を買おうと手を付けた)

- Sugimoto: “Do you have an idea who it was who killed them?” (‘Kinkai o ubatta han'nin ni kokoroatari wa?’金塊を奪った犯人に心当たりは？ “Who do you think was the criminal who stole the gold?”)

- Makanakkuru: “Everyone here believes it was the wrath of the Wakkaus Kamuy (God of the water). We Ainu don't do our laundry in the river, nor do we use it to wash away excrement. That’s how much we care about keeping the river clean. But the people decided to pan the waters for gold…” (‘Wakkaus kamui (mizu no kami) no ikarida to min'na itte iru. Ainu wa kawade wa sentaku o sezu haisetsu-mono mo nagasanai. Soko made shite wareware ga yogosanai yō ni ki o tsukete iru kawa de sakin nante torukara…’ ワッカウシカムイ（水の神）の怒りだとみんな言っている。アイヌは川では洗濯をせず排泄物も流さない。そこまでして我々が汚さないように気をつけている川で砂金なんて採るから… Lit: “Everyone says it's the wrath of Wakkaus Kamui (water god). Ainu in the river don't do laundry, nor do we wash away excrements. We go so far to take care of not getting the river dirty so taking gold dust...”)

- Makanakkuru: “Soiling these pristine waters just to gather weapons for war…It should never have been done. That Gold was possessed by some sort of evil spirit. it was cursed.” (‘Ainu ga arasoi no tame ni kawa o yogosu nante zettai ni atte wa naranai. Ano sakin wa mamono ga tsuite iru norowa reta monodatta noda’ アイヌが争いのために川を汚すなんて絶対にあってはならない。あの砂金は魔物が憑いている呪われたものだったのだ Lit: “The Ainu should have never pollute the river for a war. That gold dust was possessed by a demon and cursed.”)

- Wada: “How dare you take my men all the way out here to Otaru without my permission! What the hell do you think you're doing?” (‘Kisama watashi no buka-tachi o katte ni Otaru made hikitsurete. Dōiu tsumorida’ 貴様私の部下たちを勝手に小樽まで引き連れて。どういうつもりだ Lit: “How dare you take my subordinates and drag them to Otaru without permission. What did you mean to do?!”)

Wada: “In the first place, how the hell have you managed to keep the rank of first lieutenant with an injury like that!? I can't cover for you anymore! There's no longer any place for you in the imperial Japanese army!!” (‘Somosomo son'na kega no arisama de kongo mo chūi ga tsutomaru ka! Mō kabai kiren! Tsurumi! Kisama ga rikugun ni modoru basho wa mohaya nai to omoe! !’ そもそもそんな怪我のありさまで今後も中尉が務まるか！もう庇いきれん！鶴見！貴様が陸軍に戻る場所は最早無いと思え！！ Lit: “In the first place, how can you continue working as a lieutenant with such injuries? I'm not covering for you anymore! Tsurumi! There is no longer a place for you to return in the Army! !”)

Wada: “You're a goddamn lunatic. Fire at will.” (‘Shōkide wa nai na… ute’ 正気ではないな…撃て)

Tsurumi: “The only graves our comrades in manchuria got were beneath the cold, barren stones. We still haven't received any reparations from Russia. The soldiers that defended the frontier were left with nothing but barren, worthless land. Our war is not over.” (‘Sen'yū wa ima demo Manshū no areta tsumetai ishi no motoda. Roshia kara baishō-kin mo torezu, moto tondenhei no temoto ni nokotta mono wa yaseta tochi dake. Wareware no sensō wa mada owatte inai’ 戦友は今でも満州の荒れた冷たい石の下だ。ロシアから賠償金も取れず、元屯田兵の手元に残ったものはやせた土地だけ。我々の戦争はまだ終わっていない)

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14. HOWLING (遠吠え TŌBOE)

First printed: 20/November/2014 Weekly Young Jump 51

Characters: Asirpa (アシㇼパ), Sugimoto Saichi (杉元 佐一), Osoma (オソマ), Huci (フチ), Makanakkuru (マカナックル), Retar (レタㇻ), Wilk (ウイルク), Ainu kids.

Location: Asirpa’s village near Otaru, near Otaru.

Other Places mentioned: None

Time: 1907/1908 (?) Late February

Historical events mentioned: None

Includes flashbacks or info about the characters past: Yes, about Asirpa, Wilk and Retar.

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape: None.

Character deaths: None.

Animal deaths: River otter

New Ainu words:

- Esaman: River otter

- Kisarri: “Long-eared monster”. A toy of some sort you wave standing outside a window making terrifying noise to scare the children inside.

- Uko Karip Ciwe: “Ring catch”. An Ainu children’s game in which everyone competes to catch a ring made from vines and tossed into the air.

- Ratcako: A light stand that holds a scallop shell that contains whale or fish oil.

- Aca: “Father”.

- Sugimoto Nispa. Asirpa anakne kueyam pe ne. Neita pakno turano an wa unkoraye yan.: “Mr. Sugimoto. Asirpa means more to me than anything in the world. Please always be there for her.”

Food and drinks: River otter cut into bite sized chunks cooked into a ohaw with pukusa (alpine leeks), windflower, daikon and burdock root. Also boiled river otter head.

Useful info and points to ponder:

- According to Ainu, River Otter/Esaman are incredibly forgetful Kamuy, so eating them or mentioning them would cause people to forget things.

- Sugimoto is a complete fail at making scary sounds. Asirpa instead excels at them.

- Makanakkuru tells Sugimoto that while Asirpa and her father were out hunting one day they saved a tiny wolf cub from a bear. Since it looked like a tiny snowman they named it Retar, “White”. Asirpa and Retar were inseparable but after Asirpa’s father died they went up into the mountains however on a night they heard a howling and despite Asirpa’s pleading Retar to come back and not leave her, retar left, leaving her behind to cry for him and her father.

- Makanakkuru comments that Asirpa may act mature for her age but in the end she’s a lonely, fragile little girl who had smiled rarely since that day but recently seemed much happier because she enjoyed her time in the mountains with Sugimoto.

- Makanakkuru too, like Huci points out, how Asirpa, up till then, after her father’s death had lived for most of the time alone on the mountains, especially after Retar too left her. Likely this wasn’t just because she liked to be there but also because, due to the pain of her father’s loss, she has tried reducing her chances to form attachment to others in fear of losing them as she’s afraid to be abandoned again, something that Inkarmat will remark as well and that’s a fear she carried within herself from when the bear cub she loved like a brother died. Her isolation protected her from pain but, at the same time, bereft her of happiness. Humans are social animals though and, as she got closer to Sugimoto, as Makanakkuru noticed, she became much happier.

- Makanakkuru calls Sugimoto ‘Sugimoto-san’.

- Noda has Huci talk to Sugimoto but as no one translates what she says, he doesn’t know what she’s peaking about yet he still says he understands and that she means that she and everyone in the village love Asirpa very much. This is because Noda is subtly telling us Sugimoto is an “unreliable narrator” of some sort. In fact in many manga the main character’s interpretation of an event is THE RIGHT INTERPRETATION. However we’ve already seen more than once how ‘Sugimoto’s vision’ doesn’t match with the truth. He thinks Gotou is harmless and a guy who tells tall tales… he’s not. He thinks the men of the 7th trying to get the gold are the dregs of the unit… they’re not. He thinks Asirpa doesn’t care about him… she does. He thinks the soldiers won’t follow Asirpa… they do. He thinks the Ainu are unfriendly… they aren’t. He thinks Makkanakkuru has bad intentions… he saves his life. He thinks Huci is telling him she loves Asirpa very much which pushes him to leave her behind… when at the end of the volume in an extra page we see Huci is also telling him not to leave him. And in future chapters he will interpret things in the wrong way again and again. Sugimoto is not stupid, he’s simply not perceptive. He presents things as he sees them through his experiences but his role as main character doesn’t insure his interpretation is right so we can’t take Sugimoto’s opinions/interpretations as the one of a reliable narrator and therefore as facts just because he’s the main character, as he’s often wrong.

- I wonder if, while watching Asirpa playing with the other children, Sugimoto in a way felt cut out. Not that he was jealous of them but he probably realized those children were Asirpa’s words, she was meant to play with them and have fun. On the opposite Sugimoto has no one he was meant to be with, he’s with Asirpa, in her village, but he doesn’t belong to that place. While Asirpa has people who care for her he has no one. Yet he has grown attached to her as well, we see he thinks at her with fondness but then he thinks at her when he escaped from the 7th and frowns, realizing he has put her in danger. So he does to her the same thing he has done to Umeko. He leaves her behind because he doesn’t want to put people HE CARES FOR in danger (he knew when they were escaping she too was in danger but back then he didn’t care about her as much as he cared about her now so he wasn’t overly concerned… now he is). However this time the thing is even worse because not only he doesn’t discuss the thing with her or at least say her goodbye or talks with an adult, let’s say Makanakkuru, but just leaves in the night. It’s clearly painful for him but, despite hearing more than once that Asirpa has issues with abandonment, he’s abandoning her and the people who have welcomed him. Asirpa wants to have faith in him but Shiraishi interpreted his behavior as him double crossing her, stealing the skins and running away. Overall this would deserve a long discussion but that’s not the place for it.

- Before leaving Sugimoto would like to caress the sleeping bear cub yet hesitates. This is not so much for the bear cub but for himself. In this moment he’s leaving he’s keeping it at distance to make the separation less painful… which is partly probably why he doesn’t say goodbye to Asirpa either.

Notable changes from the magazine version: In the magazine the translation of what Huci said was placed in a note in the page in which she’s speaking. In the volume the translation is placed at the end of the volume.

Notable quotes:

- Makanakkuru: “Asirpa may act mature for her age, but in the end she's still a lonely, fragile little girl… Asirpa has rarely smiled since that day, but recently, it seems like she's been much happier. She must be enjoying her time in the mountains with you, Sugimoto.” (‘Otonabite wa iruga Asirpa wa samishigariya no itaikena kodomona noda. Son'na koto ga atte kara Asirpa wa egao o misenaku nattaga, saikin wa zuibun to akaruku natta. Sugimoto-san to yama ni iru no ga tanoshī ndarou’ 大人びてはいるがアシㇼパは寂しがり屋のいたいけな子供なのだ。そんなことがあってからアシㇼパは笑顔を見せなくなったが、最近はずいぶんと明るくなった。杉元さんと山にいるのが楽しいんだろう)

- Sugimoto: “…I understand, Grandma. I know you love Asirpa very much. You and everyone in this village.” (‘… Wakatta yo obāchan. Asirpa-san wa obachan ni aisa re teru nda na. Mura no min'na ni mo’ …わかったよお婆ちゃん。アシㇼパさんはお婆ちゃんに愛されてるんだな。村のみんなにも)

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15. SCENT (におい NIOI)

First printed: 04/December/2014 Weekly Young Jump 1

Characters: Asirpa (アシㇼパ), Sugimoto Saichi (杉元 佐一), Retar (レタㇻ), prostitute, Umeko (梅子), Toraji and Umeko’s child, Umeko’s mother, pimp (妓夫太郎 ‘Gifutarō’), owner of the Soba restaurant, Nikaidō Kōhei (二階堂 浩平), Nikaidō Yōhei (二階堂 洋平),

Location: Near Otaru, Otaru.

Other Places mentioned: Umeko’s house in her village in the Kanto area

Time: 1907/1908 (?) March

Historical events mentioned: Russo-Japanese war (8 February 1904  – 5 September 1905)

Includes flashbacks or info about the characters past: Yes, about Sugimoto, Umeko, Toraji and Toraji and Umeko’s child and about the pimp.

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape: None.

Character deaths: Toraji (killed during the war)

Animal deaths: None.

New Ainu words:

- Ipapkeni: Deer whistle

Food and drinks: Nishin Soba

Useful info and points to ponder:

- The chapter starts with Asirpa immediately pointing out how Sugimoto’s escape in the night wasn’t selfless but “too selfish” (勝手すぎる ‘Katte sugiru’). They were working together for a reason, because it helped both of them. Him leaving only means Asirpa will have to work alone, not that she’ll give up.

- Again, although Noda remarks Sutu aren’t to be used lightly, he presents Asirpa planning to whack Sugimoto with it in punishment, in an humorous light.

- It should have been complicate for Asirpa to explain Huci, who believed Sugimoto to be her future husband, why he was missing.

- Asirpa’s behaviour though, contrast with Umeko’s, at least as far as we know. Even though both were worried for him, Umeko let Sugimoto go, Asirpa chased him.

- Presented with the problem of a missing Sugimoto, Asirpa first checks all the hunting huts then decides that trying to find him in Otaru would be too difficult for her and therefore she needs Retar’s help. In order to get it he tries to lure him using a deer whistle, hoping if he hears the sound of a prey he would run to her. Actually though it seems Retar came because from Asirpa’s scent he could tell she needed help. This gives us an idea of how distressed Asirpa was if Retar thought he needed to go help her.

- Sugimoto, seeing a prostitute, thinks she’s Umeko. Although there’s a vague resemblance this is also likely because he desperately wants to see her.

- Seeing a woman that looks like Umeko triggers in Sugimoto a flashback. Toraji’s child has grown enough he can stand and talk. He brings flowers to his mother and, due to her sight deteriorating, Umeko recognizes them thanks to her sense of smell. In chap 100 we’ll learn it’s springtime. In that moment a soldier (Sugimoto) arrives. He’s dirty and unshaved. He hands to a woman who might be a servant or a relative what he says to be all that’s left of Toraji, his finger. The woman bows, telling him they had given up on recovering his remains and thanking him… before realizing he looks familiar and asking him if he’s Sugimoto Saichi-san. At this Umeko comes closer, her child clinging to her and asks him if he’s really ‘Saichi-chan’. He turns away from her but Umeko seems happy as she admits she can only see a blur and asks him if he has come back home. However she catches a scent that makes her shudder and asks him who he is. Sugimoto sees himself in his army uniform covered I blood, wondering what did he smell like to her and saying the person he was is dead, wondering if, should she regain her sight, would she recognize him.

- It’s worth to point out it’s implied Toraji lost both arms and legs so… where did Sugimoto got that finger? Is it really Toraji or is he bringing her some bones to ease her heart?

- When Sugimoto stops the prostitute and realizes it’s not Umeko he tells himself that of course it’s not her as Umeko wouldn’t be selling her body at some port town in the frozen north but he also tells himself he has to do something and fast. Although Sugimoto says so, it’s likely just to reassure himself. He doesn’t know how Umeko’s situation is. Even though it’s unlikely she would sell her body in Otaru, she might be selling her body at home. Meanwhile, as he tries to find the gold her sight deteriorates… and the irony of him telling himself he has to hurry up when we know that more than a year will be gone with him still not having found the gold is rather cruel but at the same time this is a call back at the story of the hare of chap 8. For the greed of getting all the gold Sugimoto had been running after it through all the story getting also horribly wounded and killing more people when he could have tried to just get a job and remain near Umeko. Maybe he would have never managed to collect enough money to heal her eyes but he could have supported her.

- Sugimoto goes asking for info to the pimp who wanted to sell Asirpa to a brothel. The guy, despite wanting to sell Asirpa, tells Sugimoto that if he finds the guy, with a really strange tattoo, who hurt a prostitute in a friend’s brothel will make it worth his while because he was born and raised in a brothel and won’t forgive assholes who go around hurting prostitutes. Now… while it’s nice he cares and even the past time he worried that Asirpa was there to taunt his girls… well, he wanted to sell Asirpa. Is this guy who claims to care for prostitutes’ well being, unable to understand that forcing someone into the profession is a quite horrible thing to do? Or is it a mere racist matter, because Asirpa was an Ainu he was sure there was nothing wrong in selling her as if she were a thing? Still he doesn’t send Sugimoto there to sell him to the 7th because the pimp will cooperate with Shiraishi too and won’t try to sell Shiraishi to the 7th.

- The guy who hurt the prostitute the pimp was talking about was clearly Ushiyama by the way.

- We’ve another example of Sugimoto’s poor perception sense. The woman at the Soba restaurant that also works as a brothel tells him she’ll bring the girl immediately and, in the meanwhile, he should have a bowl of soba. As Sugimoto eats she goes to call the men of the 7th instead with Sugimoto not suspecting a single thing and not even realizing she’s taking too long.

- Sugimoto says he’s a Kanto guy… which is something we could have guessed as he was in the 1st division that’s the Tokyo division but it’s nice to have confirmation he’s from that area as Aoyama Kenkichi for example, despite not being from the Kanto area, will join the 1st division.

- When the Nikaidō brother comes in the soba shop searching for the guy looking for tattoo, Sugimoto kicks them both, sending them flying. This prompt another soldier to try to attack him. Sugimoto sends him on the ground and steps on his face, likely breaking his nose (well, at least he didn’t step on his throat). However there are three more soldiers who aim at him their weapons. Sugimoto acted out of instinct and fought well however not only his attack made him really suspicious, but the people he attacked are other veterans who were merely doing their job and who, due to the war, possess the same instinct of him to kill who attacks them so it’s no surprise if the Nikaidō brothers will inscribe him in the list of the people they want dead.

- As Yōhei and Kōhei look almost the same, it’s hard to understand who is who. If you want some help recognizing them Yōhei is the one with the puttees, who’ll hit Sugimoto’s legs and then give Sugimoto’s face a real beating with the butt of his rifle. Kōhei is the one who pointed his rifle at him and told him to get down so that when he were to shoot at him the bullet won’t hit anyone and who told Yōhei to stand back because he wanted to kill him right now. After Yōhei’s death Kōhei will start wearing puttees.

- Both brothers are bleeding profusely through their nose and, possibly their mouths, bruises on their faces due to Sugimoto’s kick, but while Yōhei is just being violent, Kōhei would just kill Sugimoto and get done with it. After Yōhei’s death Kōhei had probably blamed himself a lot for not killing Sugimoto that day, when he had the chance.

Notable changes from the magazine version: None

Notable quotes:

- Umeko: “Who… are you?” (‘Anata… donate?’ あなた…どなた?)

- Sugimoto: “Ume... just what did I smell like to you? The Saichi you knew... is probably long gone. Even if your eyes are healed, will you really know that it's me...?” (‘Ume-chan… ore wa don'na nioi ga shita? Ume-chan no shitteru ore wa mō konoyo ni inai nodarou ka. Me ga naotte mo sugu ni oreda to wakatte kureru ka na’ 梅ちゃん… 俺はどんな臭いがした？梅ちゃんの知ってる俺はもうこの世にいないのだろうか。眼が治ってもすぐに俺だと分かってくれるかな Lit: “Ume-chan ... What did I smell like? The me known by Ume-chan probably isn’t in this world anymore. Even if your eyes heal… will you immediately understand that it’s me?”)

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16. SHINIGAMI (死神 SHINIGAMI)

First printed: 11/December/2014 Weekly Young Jump 2

Characters: Tsurumi Tokushirō (鶴見 篤四郎), Sugimoto Saichi (杉元 佐一), Tamai (玉井), Ogata Hyakunosuke (尾形 百之助), Nikaidō Kōhei (二階堂 浩平), Nikaidō Yōhei (二階堂 洋平), Asirpa (アシㇼパ), Retar (レタㇻ)

Location: Otaru, near Otaru.

Other Places mentioned: Hanazono park in Otaru, 203 hill in Port Arthur (current Lüshunkou) (China).

Time: 1907/1908 (?) March

Historical events mentioned: Russo-Japanese war (8 February 1904  – 5 September 1905) Siege of Port Arthur (1 August 1904 – 2 January 1905),

Includes flashbacks or info about the characters past: Yes, about Sugimoto and Tsurumi.

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape: None

Character deaths: Russian soldiers.

Animal deaths: None.

New Ainu words: None.

Food and drinks: Dango skewers.

Useful info and points to ponder:

- It’s Tsurumi who saves Sugimoto’s life from the Nikaidō’s brothers who wanted to kill him, claiming he didn’t want him dead yet. However, as he saw him fighting, it means he also saw the brothers hitting him over and over and didn’t stop them.

- Tsurumi too uses ‘Watashi’ (私). However he doesn’t use ‘kisama’ (貴様 “You”) for Sugimoto but ‘omae’ (お前 “You”). Is he trying to sound more friendly or less?

- Tsurumi introduces himself saying he’s Sugimoto’s ‘Shinigami’ (死神 “God of death”) and that he can blow Sugimoto’s candle anytime. This is a reference to a Japanese myth of human lives being represented by candles and the Shinigami snuffing the out to kill a person.  In early Meiji era there was a famous Rakugo program titled “Shinigami” which referenced this idea.

- Sugimoto, with a good poker face, says he’s working for a guy whose favourite prostitute got hurt by a guy with a tattoo and that wants Sugimoto to beat said guy. Sugimoto says he asked the old lady to bring out the girl but when he saw people with guns he tried to escape. While this time his story is closer to the truth (he was actually sent there by a pimp, not by a customer) this doesn’t change the fact he has overreacted. The ones with the guns were soldiers and if he really meant no harm and is no criminal he shouldn’t have attacked them to try to escape. Tsurumi doesn’t buy it at all and doesn’t even bother to hide it, though, to Sugimoto’s credits, what really damns him is that Tsurumi saw his way of fighting and recognized him.

- There are 3 soldiers in the room in addition to Tsurumi and Sugimoto, though we can only see the Nikaidō brothers. The anime is of no help as, apart from increasing the number to 4, it doesn’t show them.

- Tsurumi’s interrogation method is clever. He figured Sugimoto was a tough nut to crack so he let Sugimoto talk without countering anything, so Sugimoto doesn’t know his cards he only knows Tsurumi isn’t buying it. Then he distracts him with sweets, which, as Sugimoto admits, is something he doesn’t commonly have, causing him to relax and lower his guard, to casually mention the word immortal, saying one of his men, who barely survive, wrote it with his finger. It works to send Sugimoto, who has not even finished his dango, into a hurry to escape, which is nothing else but a confession. As to deliver the final blow comes the accusation, he’s the one who sent Ogata to hospital, complete with Sugimoto’s name and nickname.

- Sugimoto, who knows he’s screwed, find nothing else to do but annoy the Nikaidō brothers, increasing the grudge they feel toward him. It’s not because Sugimoto gets off on this but because this gives him some measure of control and, therefore of confidence. In fact he manages to sit down calmly and insist he’s not Sugimoto.

- Tsurumi tells Sugimoto he has seen him fighting at Port Arthur once, although Sugimoto was a little away he was fighting like a ‘Kishin’ and Tsurumi couldn’t tear his eyes away from him.

- In hindsight the fact Tsurumi couldn’t tear his eyes away from Sugimoto should have told us that a man who’s fascinated by such brutal murdering method is up to no good.

- Tsurumi concludes he recognized Sugimoto by the way Sugimoto fought in the soba shop. Meaning if Sugimoto had let himself be arrested pacifically Tsurumi might not have recognized him.

- Sugimoto keeps calm and denies it. His poker face is back in place but this time he doesn’t have a lie ready.

- When Tsurumi hits right on the spot again, surprising him by realizing Sugimoto has the tattooed skins Sugimoto feels the need to regain confidence again by acting confident and vaguely insulting (he asks if Tsurumi is insane).

- Tsurumi plays along, allowing the tension to drop then… stabs Sugimoto with the skewer and Sugimoto failed to realize if he wanted to insist denying of being Sugimoto he had to react. He just remained there, without even blinking, which proves he’s Sugimoto the immortal.

- Tsurumi subtly hints at how he’s a man who can adapt himself. If the fire of Sugimoto’s candle is an immortal flame he’ll just destroy the candle. We’ll see through the story he’s not one who can’t adapt to the situation but stubbornly insist on the same way.

- Asirpa’s plan is to track Sugimoto by having Retar smell a sock he left behind and search for him by nightfall as Retar stands out too much.

- Tsurumi continues delineating his modus operandi. He tells Sugimoto if he wants to survive he has to join him. This parallels how he’ll tell Ariko that if he wants his family to survive he’ll have to side with him. It also tells us something about Tsurumi. He understood that Sugimoto has a strong wish to live, that he’s alone and that he’s angry and proud of his ability as a fighter, in fact, after the stick, ‘I’ll kill you if you don’t join me’, he presents him with the carrot, the carrot being his great plan to conquer Hokkaido in which Sugimoto can avenge himself from how he didn’t gain anything from the army and hope to have a place, with an extra spoon of sugar when he says that Sugimoto is the courageous soldier he needs. People are always who Tsurumi needs, he says the same to Tanigaki too. It’s also worth to compare this speech with the one Tsurumi had with Asirpa in vol 21. Tsurumi is in control here, after scaring Sugi he explains him something trying to make him feel involved on an emotional level and appreciated. It’s probably a variation of his usual speech for soldiers. With Asirpa he never had such plan to win her over in fact he doesn’t even try to talk with her but just orders to take her away. It’s Asirpa who engages him in a discussion but he hardly attempt to win her over with his speech which was more likely a pretence for his men and Sugimoto than for her.

- Tsurumi claims he has lost many men due to the war claiming he has less than a hundred scattered all over Hokkaido. I do wonder if he says so to get Sugimoto’s sympathy by mentioning the ones who died in the war. Men are, after all, conscripted each year so Tsurumi should have already got a replenishment unless they decided to simply give him less men because there’s not a war at the moment… though of course Tsurumi might wish more he has.

- Sugimoto’s question reveals his feelings on the idea of the men of the 7th wanting the gold. He thinks they only want it in order to get rich. He doesn’t imagine they might want it to do something.

- Tsurumi makes clear the gold isn’t to share among them but to use for military expenditures, informing Sugimoto as well of how they took army from Asahikawa but those aren’t enough and then presenting him with what looks superficially like a grandiose plan but making it really simple and easy. Basically Tsurumi’s plan, even explained in such a simple manner, is extremely disadvantageous for his men who would see no gold and take a huge risk above them becoming rebels. However as he seems so confident and try to play on emotions his plan doesn’t seem so bad.

- When Tsurumi talks of heroes on the battlefield destined to the life of vagrants he’s very likely referring to Sugimoto only, as his men aren’t vagrants but still in service, while Sugimoto seems to be one. In fact Japanese is vague enough we can’t tell if he’s referring to more people or just to Sugimoto.

- Sugimoto refuses, removing the stick that’s through his cheeks. As he’ll state later it’s not like he’s against Tsurumi’s plan, it he has another priority (he needs money fast for Umeko and he thinks he can get it by finding the gold) and he’s afraid of consequences because he hid the skins with the weapons of the other soldiers he killed.

- Since the carrot didn’t work Tsurumi returns to the stick by going back on threatening him in hope to force him to comply. Sugimoto should have remembered this experience in which, even though he had 2 skins, Tsurumi didn’t try to come to compromises with him and tortured him to get what he wanted instead than thinking Asirpa would have some leverage with Tsurumi just because she knew the code.

Notable changes from the magazine version: None

Notable quotes:

- Tsurumi: “I'm your Shinigami. Your life is a candle, and I can blow it out any time I choose.” (‘Watashi wa omae no shinigamida. Omae no jumyō no rōsoku wa watashi ga itsu demo fuki keseru zo.’ 私はお前の死神だ。お前の寿命のロウソクは私がいつでも吹き消せるぞLit: “I'm your death god. I can blow out the candle of your life anytime.”)

- Tsurumi: “We were heroes on the battlefield. but once we got home, all that awaited us was the pathetic life of a vagrant. Did we gain anything for our service? I'd say we lost far more than we gained wouldn't you? A courageous soldier like you is exactly who I want in my army. Let us fight together, Sugimoto!” (‘Senjōde wa eiyūdattanoni furusato e kaereba hōrō seikatsu. Nani ka mukuwa reta ka? Ushinatta mono no kata ga ōku wanai ka? Watashi wa omae no yō ni yūmōna heishi ga hoshī. Wareware to tomoni tatakatte kure’ 戦場では英雄だったのに故郷へ帰れば放浪生活。何か報われたか？失ったものの方が多くはないか？私はお前のように勇猛な兵士が欲しい。我々と共に戦ってくれ Lit: “Although you were a hero on the battlefield, you returned home to a wandering life. Did you gain something? Wasn’t it more what you lost? I want a brave soldier like you. Fight with us.”)

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17. TRACKERS (追跡者 TSUISEKI-SHA)

First printed: 18/December/2014 Weekly Young Jump 3

Characters: Asirpa (アシㇼパ), Retar (レタㇻ), Shiraishi Yoshitake (白石 由竹), Sugimoto Saichi (杉元 佐一), Tsurumi Tokushirō (鶴見 篤四郎), Noma (野間), Okada (岡田), Tamai (玉井), Nikaidō Kōhei (二階堂 浩平), Nikaidō Yōhei (二階堂 洋平)

Location: Otaru.

Other Places mentioned: None

Time: 1907/1908 (?) March

Historical events mentioned: Russo-Japanese war (8 February 1904  – 5 September 1905)

Includes flashbacks or info about the characters past: Yes, about Sugimoto and Nikaidō Yōhei

Info and the characters’ theories about the ‘Noppera-bō incident’, the gold and the escape: None

Character deaths: None

Animal deaths: None

New Ainu words:

- Cinoyetat: rolled birch bark used as a torch

Food and drinks: Dango skewers

Useful info and points to ponder:

- Asirpa can ride Retar.

- Asirpa, believing she has found Sugimoto, does what was implied in chap 15, hits him by surprise on the head with her Sutu without checking it’s him first.

- Asirpa calls Shiraishi ‘Dappun-ō’ (脱糞王 “Defecation king”), instead than ‘Datsugoku-ō’ (脱獄王 “Escape king”). Scanlations go with “Excrement king” because similarly sounding to “Escape King” and close enough to “Defecation king”. It’s worth to note Asirpa likely remembers how he’s called but she hadn’t forgotten he made the Ainu=dog ‘joke’ in chap 6, and will keep on calling Shiraishi the wrong way until he volunteers to bring her in Abashiri chap 49.

- Shiraishi won’t use the Ainu=dog joke again but just call her ‘Ainu no Gaki’ (アイヌのガキ “Ainu brat”). ‘Gaki’ is not very polite but it’s pretty common to use to refer to a kid. Problem is Asirpa doesn’t like to be viewed as a kid.

- This chapter starts the beginning of the recurring gag of animals biting Shiraishi’s head wih Retar doing so trice, each time Shiraishi annoys Asirpa.

- Shiraishi might have noticed Sugimoto took the wrong sock… yet Sugimoto didn’t.

- Shiraishi summarizes Asirpa’s situation as ‘Sugimoto double-crossing her, stealing the skins and running away’ which is likely what Asirpa fears he did but she’s trying to hope that’s not the case.

- The model for Shiraishi Yoshitake ended up in jail for a crime he didn’t commit. There’s to wonder if the Shiraishi too was betrayed as he ended in jail for stealing but we never saw him stealing anything.

- We learn Shiraishi is always up with local info, and therefore knows Sugimoto got involved in a fight and was arrested by the 7th.

- Hearing Sugimoto is in danger Asirpa points one of her poisoned arrows at him, demanding he’ll take her there. It’s unlikely she had the time to remove the poison so if she were to shoot by mistake, as she herself explain, Shiraishi would die quickly. She said she didn’t want to kill anyone so I think she only wants to threaten Shiraishi but if she were to let go of the arrow by mistake she would kill him. This works as a huge hint that Asirpa might end up changing her stance of ‘I won’t kill anyone’ to ‘I’ll kill for Sugimoto’.

- Shiraishi shows again he’s clever. He didn’t fight Asirpa, he takes time and escape. His only problem is he doesn’t how good Retar is as a tracker.

- Asirpa informs Shiraishi no one can escape Retar’s tracking ability, not even if one were to hide in a toilet. Shiraishi will remember this.

- Tsurumi clearly had Sugimoto tortured in attempt to get him to tell him where the skins were. Sugimoto’s face is blending much more than before, and he has two skewers pulled through his cheeks (remember he removed the previous one Tsurumi stuck through him). Sugimoto is a tough guy who wouldn’t have talked easily yet Tsurumi tortured him to get him to talk. What in the world gave Sugimoto the idea Tsurumi wouldn’t have tortured Asirpa to get what he wanted from her without having to give her anything in exchange? Also note that sadly, back then, torturing people to get them to talk, was a pretty common practice so it’s not even surprising or considered particularly evil.

- Sugimoto’s reasoning is flawed. He thinks he couldn’t have pretended to join them because he wouldn’t have fooled Tsurumi as Tsurumi knew he had tattooed skins and would want them in exchange but Sugimoto hit them along with the equipment he looted off the soldiers the bear killed. Basically he’s afraid they would believe he killed those soldiers and kill him in retaliation Honestly I don’t think Tsurumi wouldn’t care but this isn’t the real problem. The real problem is he thinks everything went down the drain because he tried to do it by himself. In truth everything went wrong merely because he did it poorly. If he’d done everything in the same way but Asirpa had been with him when he was arrested, the only result he would have bought home is that Tsurumi would have had the both of them. However it’s clear he feels alone so the idea this is the reason why he’s in trouble probably stems from this.

- What’s also worrisome is… ‘when did he hid the weapons?’ Did he do so after they died, before reaching Asirpa, losing even more time before going to check on her? Or did he do so afterward? But if that’s the case why didn’t he try to retrieve Tanigaki’s weapon also? Because if he had, he would have realized Tanigaki was very much alive and walked away on his own.

- Nikaidō Kōhei calls Sugimoto ‘Kushi dango yarō’ (串団子野郎 “Skewer dumpling bastard”), mocking him because Tsurumi put through him skewers.

- The Nikaidō brothers are clearly people to hold grudges. Being first kicked by Sugimoto and after having him make fun of them set them on their hardest in paying him back and it only will get worse from here. We know nothing about their past so it’s hard to say if the war turned them like that (it sadly happened to way too many soldiers) or something else triggered it or they were like that right from the start. We’ll see if we’ll ever get more backstory.

- As Yōhei and Kōhei look almost the same it’s hard to understand who is who. Kōhei is the one who doesn’t believe the guy they caught is Sugimoto while Yōhei, noticing the swelling on Sugimoto’s face has gone down, thinks he might be Sugimoto and considers cutting out his guts (something that will inspire Sugimoto later on). Kōhei points out they can’t kill him if they want info from him so Yōhei would like to force Sugimoto to talk by cutting off his finger. He makes the mistake of getting to close to Sugimoto who hits his face with his head, causing him to lose a tooth. Yōhei is also the one who manages to partially stab Sugimoto, while Kōhei’s head gets trapped by Sugimoto’s legs.

- I’m starting to think everyone and their mom knew Sugimoto during the war. Even Yōhei says he heard rumors about him regarding how he recovered overnight from wounds the doctors thought were fatal.

- Yōhei remains the more violent prone while Yōhei remains the most rational. Where Yōhei just wants to cut Sugimoto’s guts out K ō ehi reasons they need him alive.

- While Yōhei seems to be there just to kill/hurt Sugimoto, there’s to wonder if the twins were actually there to get him to tell them where the skins were without Tsurumi hearing, as it’ll turn out they actually were in a rebellion with Ogata, Tamai and the others.

- Assorted translations more or less agree that when Sugimoto speaks up the first time, he mumbles something unintelligible. In the anime they actually have him asks Yōhei if he was the one who hit him in the soba shop. In the volume version though Sugimoto didn’t talk enough to voice that whole sentence as he only says ‘bonbon’ (ボンボン). While yes, it’s likely meant to be an unintelligible sound, ironically enough it’s Koito’s nick which  means “pampered rich boy”… but it’s unlikely that’s what Sugimoto is saying as I don’t think Yōhei fits the description.

- Sugimoto shows his best skill is dealing with close contact enemies. He fakes being weak, whispers to get Yōhei close and then takes advantage of it to strike him, manages to break the chair so as to manage to bring in front of himself his tie hand, to stop Yōhei from further stabbing him and to restrain Yōhei. This is impressive (and also a bit unbelievable as it seems adults with normal bodies can’t just manage to bring forwards their hands if they were tied behind themselves.)

- As he’s stabbed Sugimoto yells his catchphrase, “I’m Sugimoto the immortal”.

Notable changes from the magazine version: None

Notable quotes:

- Asirpa: “Huh? You're not Sugimoto.You're  the "Excrement King"…what was your name again?” (‘Are? Sugi moto janai. Omae wa tashika…“dappun-ō” no…’ あれ？杉元じゃない。お前は確か…『脱糞王』の… Lit: “Huh? You’re not Sugimoto. You are...  the “Defecating King” ...”)

- Shiraishi: “That's "Escape King!" and the name's Shiraishi Yoshitake!” (‘“Ore wa “Datsugoku-ō” no Shiraishi Yoshitake da!’ 俺は『脱獄王』の白石由竹だ！ Lit: “I’m the “Escape King” Shiraishi Yoshitake!”)

- Shiraishi: “So, let me guess…Sugimoto double crossed you didn't he? I bet he just stole the skins and ran away! It all makes sense now. that means the rumour I heard really was about Sugimoto.” (‘Nanda omae… sateha sugi moto ni uragira reta na? Irezumi no kawa o mochinige sa reta ndaro. Naruhodo gatten ga itta ze. Yahari ano uwasa wa sugi motodatta ka’ 何だおまえ…さては杉元に裏切られたな？入れ墨の皮を持ち逃げされたんだろ。なるほど合点がいったぜ。やはりあの噂は杉元だったか)

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VOLUME COLOR GALLERY

[recsnrecaps]

Meteor Garden (2001) Recap: Episode 1

Hi folks, it's 2019 and I'm finally fulfilling my childhood resolution to watch this drama. You have no idea - Meteor Garden was such a hit back in the day. However, back then it was only available either at specific time slots on TV or on crappy VCDs that were passed around the community (i.e. schoolgirls and aunties). I never could be bothered to watch it properly.

Imagine my surprise when I chanced across it on Netflix. I am aware that there's a 2018 remake of Meteor Garden, as well as the Japanese Hana Yori Dango and the Korean Boys Over Flowers, but the 2001 Taiwanese version is the original drama that spawned the madness. The buzz around the 2018 version is laughably negligible compared to the craziness in 2001. I'm so ready to experience the magic of 流星花园.

So without further ado, here we go.

Episode 1: Summary

We are introduced to Shan Cai (Barbie Hsu), who rides a crappy scooter to school. Right off the bat we realize that the school caters to the rich and the elite, where students are decked out in designer wear and get NT500000 (~ USD16000) nose jobs during the school holidays.

The fashion rivalry between classmates Bai He (Belinda Cheng) and Qian Hui (Zhang Ruo Zhen) cracks me up. It's petty, exaggerated, and deliciously obnoxious, solidly setting us viewers up with the premise of a school drama about rich kids.

A very normal Li Zhen (An-ting Yeh) appears to be Shan Cai's classmate and friend. She's pretty serious about her homework, having borrowed extra books to read up for the upcoming report assignment. Shan Cai laughs that Li Zhen might be the only student serious about studying in this school, everyone else comes to socialize instead. I’m guessing Li Zhen is on scholarship and needs to maintain her grades.

We cut to a classroom with a boy clearing out his books in order to drop out of the school. A crowd forms around him and the teacher (Bu Xue Liang) approaches to find out why he is leaving and to persuade him not to. However, upon finding out that the boy had offended F4, the teacher doesn't push the matter and instead encourages the boy to leave. Shan Cai watches helplessly from the sidelines and rolls her eyes at the hypocritical teacher.

In class, in a further act of hypocrisy, the teacher gives a lecture on the value of conscience.

Conscience. It's what we call 'moral courage'. It's the most basic quality mankind should have. In Chinese history, Confucius had the strongest conscience. Today, we'll discuss his core thinking. It focuses on benevolence. By benevolence, it means you do unto others what you would want them to do unto to you.

Unable to stomach his empty words, Shan Cai leaves the classroom in a huff. She heads to the roof launching a tirade against the unfairness of the University and coins the term "Pig Head 4". "So what if your family owns the school," she declares. "You better not mess with me. I'll never submit to you."

The 4 in question are just arriving at the University in their comfortable chauffeured rides. We get to watch the boys saunter around and the camera obliges with close ups on each one of them as they stride into campus.

Dao Ming Si (Jerry Yan aka Yan Cheng Xu)

Hua Ze Lei (Vic Zhou aka Zai Zai aka Zhou Yu Min)

Xi Men (Ken Chu aka Zhu Xiao Tian)

Mei Zhuo (Vanness Wu aka Wu Jian Hao)

Shan Cai and friend watch in horror as the teacher accidentally bumps into Dao Ming Si, spilling coke all over him. Apologizing frantically, he kneels over Dao Ming Si, attempting to wipe the soda off his shoes. Dao Ming Si ignores his apologies and we get to hear his trademark catchphrase, "If apologizing is enough, what do we need police for?"

Dao Ming Si waves the teacher off to the side and viciously kicks over the basket of balls while striding off. Shan Cai gapes in amazement at his arrogance. Suddenly, a hand reaches out to righten the fallen basket. It's Hua Ze Lei (known as Lei to his friends), who has a perpetually blank expression on his face and appears to be the only member of the F4 who isn't a douche. While adjusting the basket, he turns and makes brief eye contact with Shan Cai, then hurries off after Dao Ming Si.

At the cafe where Shan Cai works part time, she complains to her co-worker Xiao You (Rainie Yang) about her awful school and the awful boys. It’s exposition time! We learn that F4 Stands for Flower 4, and the boys belong to 4 rich and influential families who own the school. When Xiao You prompts her to confirm that the boys are really all that bad, Shan Cai hesitates and says that maybe one of the 4 is “different”. Methinks she’s starting to have a crush on someone!

As the two continue their conversation, we learn that Shan Cai used to be very outspoken against bullies, in contrast with her current passive nature. Xiao You remarks that she hardly recognizes the Shan Cai now. Inwardly, Shan Cai agrees, hating herself for turning into a coward.

When Shan Cai returns home, she makes an attempt to tell her family she doesn’t want to continue studying at this school. Unfortunately, her mother would hear nothing of it. Turns out her mother had pulled strings to get her daughter into the elite Yingde University. Her mother is fixated on Shan Cai getting a good boyfriend from school and networking well with people from high society so that their family can ascend into a higher social strata. Shan Cai’s poor dad gets berated by his wife for not getting a promotion for the past many years, unlike their neighbors. As the parents bicker, the resentments pile up, making for very awkward dinner conversation. In order to pacify them, Shan Cai promises that she would continue to study at Yingde University.

What a weird couple.

That evening, the F4 hang out at a bar. The boys appear unaccustomed to such a venue, noting with puzzlement that the establishment doesn't serve foie gras or vintage wine. We get to hear them in conversation for the first time ever, teasing Dao Ming Si about his unruly hair and his rigorous hairstyling session to tame it. Lei remains ever silent, using only a thumbs down gesture to communicate his opinion on Dao Ming Si’s new hairstyle. Throughout the night, he keeps staring at his mobile, as if awaiting a call.

It turns out that the boys are only there because Xi Men's latest girl wanted to meet Xi Men at the bar. Which begs the question - why are the other 3 following  Xi Men on his date?! In any case, according to show logic, it’s the right course of action as everyone is present when the loser boyfriend of Xi Men’s girl shows up with a gang of hooligans and causes a scene. The boys slip into action and begin beating up the hooligans. All except Lei, who gets up and slips the owner of the bar NT15000 (~USD500) for the damages before leaving.

The next day at school, Shan Cai stands up for Li Zhen who had accidentally tripped and spilled dirt all over Dao Ming Si. I actually feel sorry for the poor dude who keeps getting things spilled on him. To put a stop to Li Zhen’s apologies, Dao Ming Si does his usual rough shove and pushes Li Zhen into the wall, incurring the wrath of Shan Cai. She shouts at him, calling him a parasite leeching off his parents and declares that the F4 should be called Pig Head 4. Dao Ming Si announces that she has some nerve and stalks away. As the four boys walk past, she thinks to herself that she's going to be dead meat.

At home, she receives zero support from her parents when she mentions once again that she wants to quit school. Instead her manipulative mother fakes a panic attack that miraculously subsides when Shan Cai promises to finish her studies. That night, Shan Cai sleeps restlessly, dreaming of being tormented.

At school, Shan Cai receives the F4 red card and a series of montages show how her life becomes hell. Everyone shuns her, even Li Zhen and Shan Cai is subjected to prank after prank. Finally, a drenched and annoyed Shan Cai escapes to the roof. She leans over the ledge and yells her heart out, cursing the Pig Head 4 with bankruptcy and high cholesterol, for their bodies to be ripped apart by horses and their souls to go to hell. Haha, how inventive. She doesn’t realize that Lei was on the roof too, privy to her outburst. She startles when he asks her if there was anything else. What a delightfully awkward moment. Shan Cai backs away warily as Lei leans forward, but he was only offering her his handkerchief. She accepts it and dabs at her wet hair. Softening up to Lei, she thanks him and begins to apologies for her earlier curses. However Lei cuts her short saying “I’m not interested in other people’s business.” He turns to leave and Shan Cai makes to return him the handkerchief. He ignores the gesture and tells her to throw it away as it is already garbage anyway.

What an awful thing for Shan Cai to hear. He is insinuating that because she used the handkerchief, the handkerchief no longer has any value to him and deserves to be in the trash. Shan Cai thinks back to her earlier assessment of Lei and concludes that he must not be so different from the other 3 after all.

The episode ends with Shan Cai heading home with her scooter. Except this time she has to wheel it along the road because her fellow students had damaged it. A flashy convertible pulls up beside her, and Dao Ming Si leans out to gloat at her. He tells her that he’s impressed with her determination, and will work harder to humiliate her.

Episode 1: Thoughts

Oh where do I begin! This episode does a good job of setting up so many interesting characters, especially the F4. Dao Ming Si appears cocky and rude, but he's the quintessential bad boy. I fully expect a redeeming arc on how he is actually a big softie. In contrast, Lei is mysterious and charming. I wonder what's the story behind his anti social behavior. The other two members kind of fade into the background as we haven't actually seen them do anything except pose and strut around. As for our heroine, Shan Cai, I suppose she's relatable enough as a first lead. We’ve met her family, schoolmates and friends and have a decent insight into her motivations for her actions. I'm so excited for her to show some spunk and challenge the boys to a showdown soon. 

Despite being 18 years old, the show retains its charm. Unfortunately, fashion-wise the show has not aged well at all. What we have here is literally a time capsule of dated 90s trends such as spaghetti strap tops, rebonded hair and frameless spectacles. Plus Dao Ming Si’s ridiculous bandanna is just absurd.

We know in hindsight that this show kickstarted the entertainment careers of these 4 actors of F4. In 2001, after Meteor Garden aired, Sony Music Taiwan signed the 4 boys as an actual boyband bearing the name F4. It’s amazing how these formerly virtually unknown 4 individuals owe their success to this show.

Onward to the next episode!

[alonelysimp]

look whos come to say hello, dango! <3

that coat looks really warm... its like 20° and really sunny rn, please don't get heatstroke??? I'm sorry I think you have the wrong blog though... I don't think we've met :/ please go drink something cold though !!

[umbralsound-xiv]

“I’d gotten a pearl call from Chakori, asking me to meet her at the Little Ladies Display at the bottom of the housing ward i’d chosen for my apartment! The decorum was delightful, and they’d even set dango and other treats out for anyone who wished!

I’d not had dango since i was in the East. It has been... Some time, i suppose.

In any case! Chakori said she had gotten a lead to the woman for whom i searched! She was confident that a thread for finding Yadorigi was within the very ward i dwelled, and thus, we ventured a short way up the hill to find a most... Ornate looking house.

I cannot say i ever remember Yadorigi being the fancier sort. Of course her accent was much different from the others i remember, but any attempt i made at learning more of her often fell short. A pleasant, yet private woman i recall her to be... At the very least, in most cases.

We made way into the house, which aside a small handful of staff that seemed busy with keeping their duties, was... Suspiciously quiet. I was about to inquire with one of them, when a large Sea Wolf fellow named Abaryss entered through a back door, and was quick to greet us.

I’d described Yadorigi to him, and he’d mentioned that no one of that name had lived there... And Chakori chirped in with something... More.

A woman by the name of Mist? I wasn’t quite certain what they meant, but Abaryss offered us to sit and partake in their food if we wished, whilst he made a call over a pearl.

It did not take him long to return with the information i desired! Not only had he known who she was, that she lived in this very house, and would return to speak with me soon!

...Although why she changed her name from Yadorigi to Mist, i will never understand. Suppose it is but another question to ask her!

Abaryss and i were speaking, then. He asked me why i searched for her, which of course i answered - It had been ten cycles or so since i had been in Eorzea, and wished to get back in contact and thank her for all she had done for me.

...Some... Assumptions, were, however, made. Incorrect ones; regardless of how... Interested Yadorigi was in other Auri men, i cannot say that such... Connections, were made with me.

In any case! It would seem that Chakori had met her already, and for that i was delighted!

Oh! It also turns out, that Abaryss is a researcher of Void phenomena! How wonderful it is to meet someone who shares the same field as i! He mentioned he would be publishing a paper, soon, and i simply cannot wait to read it.

Another woman entered, then. She did not seem overkeen to speak, and was introduced as Ronin. Evidently, she cannot read nor write; but is endeavoring to learn to better communicate. She knows an old kind of Kanji, much to my surprise... But then, Miqo’te are not heard of in the East.

...I’d have likely stayed to speak longer, but Chakori seems to... Be coming down, with something. She was quiet, and a little less... Of herself.

We were escorted to a room where she could rest.

I hope only that it is a fever, or some other minor illness that will pass swiftly, but...

...I do not know.”

Abaryss / Ronin / @crimson-sunrise-ffxiv

[samurailovewriter]

5 Love Languages: Saizo

Sorry I’ve been relatively inactive. But I will actually be at anime expo this year, and I have it in my schedule to meet with Voltage people and will be promptly updating this blog about it for those who can’t make it. And there will be an update in the modern world college fanfic after that as well. That being said, here is Saizo’s love languages! Please keep in mind this is COMPLETELY SUBJECTIVE! You are free to disagree! :)The others I have done: Inuchiyo, Masamune, Ieyasu, Kenshin

1. Gifts

I actually had to work backwards on Saizo’s love languages to track down which were his top two. I ultimately decided on gifts because of the small subtleties in his stories on how much gifts influence who he is as a person and the relationships. The first and foremost thing is that MC gifted him dangos. That literally changed his life. It became his favorite food at that very moment, and he has been unable to let it go. Not only that, in his POV epilogues, he feels so much ridiculous affection (much to his own chagrin) when MC provides him with dango or porridge when he’s clearly feeling under the weather. Seeing that he came from Iga, I doubt they were given birthday or Christmas gifts. As a result, these matter the most to him. This extends even to Sasuke and Yukimura: he kept Sasuke’s picture of him despite his words, and Yukimura fixing his blade and returning it to him was also something very touching to him.

On the reverse, in an adorable ES, we saw that he actually provides gifts to his beloved family as well (not blood family, in case anyone does make that assumption). He literally makes little toys for Sasuke. And though it is under the pretense of “training”, there is always a little gift inside as a gift for Sasuke cracking the code – and indirectly for Yukimura as well. He’s also made little figurines out of dango sticks for MC, and overall likely only gives these little trinkets to the three that matter most to him.

2. Acts of Service

It is kind of ironic for a ninja, whose very job is to provide acts of service, to actually have this rated in second place. You’d think this would mean nothing to him when it is what he uses to make money. But I think the critical detail to keep in mind is the actual effort he puts into the services. With the rest of his missions, Saizo’s only care is to complete it as soon as possible and then be done with it. With Yukimura’s missions (or really the Sanada), he goes out of his way to help the family out.

This was particularly noted in Ieyasu’s MS, where without even being asked, kidnapped MC for the Sanada to use as leverage against Ieyasu. In fact, Yukimura didn’t even want him to kidnap a woman, regardless of her status and relationship. But Saizo only matter-of-factly points out that it would be useful for them to keep her, doing things out of his way for the sake of helping his best friend with no extra pay or expecting any (or caring about getting it). On the reverse, something he deeply appreciates is the fact that both Yukimura and MC would go to the ends of the earth for him if it means helping him. Which he communicates as stupidity, but we all know he loves that part of them.

3. Quality Time

Quality Time is smack dab in the middle for two big reasons: he’s not around a lot because he simply can’t be, but he will definitely come back the moment he can. However, MC has pointed out multiple times that they don’t have to be close to each other for her to still feel connected to him. As a result, I think quality time is important but not the most important like 1 and 2 when it comes to him giving his affection.

4. Physical Touch

Ignoring the fact that Saizo is ridiculously good when it comes Physical Touch, I think he’s proved countless times that he’ll use it for the sake of the job just as easily to those he cares about. (Personally, I actually think he’s even slept with men on missions to complete them with the way he talks about sex around others). Physical touch is, unfortunately, another tool to be used on a mission. In his MS before he begins to develop any feelings towards MC, he’s teased her by being seductive without it meaning a single thing (something that she was very unhappy about). I think this is honestly a consequence of his circumstance rather than any inherent preference, and I don’t think in any way it’s a bad thing. Let us be happy that he is not shy in providing physical touch whenever it is within his fancy.

5. Words of Affirmation

First and foremost, Saizo is an effortless liar. Secondly, he’s not one to speak words dripping of honey just for the sake of affection. Thirdly, he’s never really cared too much about anyone’s declaration of love towards him (Yukimura mostly, the poor earnest man). And lastly, Saizo always uses words in an attempt to push people away. Towards everyone who he knows cares about him. From Sasuke to Yukimura and multiple times to MC. Basically everyone around him know not to take any stock towards his words. MC has gotten good enough to even detect when he’s lying (and Yukimura to a certain extent in the more serious matters).

Which is fine. It’s just not the man’s thing. Achingly similar to Ieyasu, they both grew up in lifestyles where words are meant to trick and manipulate and aren’t meant to be taken seriously at all. The only difference is the way they utilize them. Ieyasu’s attempts on Words of Affirmation towards those he cares about often end in failure. Saizo simply doesn’t try unless he is attempting to push them away.