#did not correct anything

[northseas]

we’re possibly in a new era of Frøy: glasses Frøy

[egophiliac]

finally got some time to finish these guys up! which is sort of ironic considering I started these because I wanted to draw Malleus with a Dragapult, and then I just didn't for a million years!

Malleus has the aforementioned Dragapult, except it's a super special non-canon color Dragapult (like an anime-only form that you could get in-game exclusively through some limited-time event where you have to show up in-person at a specific location in Japan) (it has some wacky overpowered exclusive move/form and the OT is listed as Malleus) (so like that kind of ridiculous specialness) (Leona is extremely salty about this). also hoards and hoards of Dreepy. Dreepy LOVE Malleus. they take naps on his horns inbetween begging him to throw them across the island at mach speeds.

Lilia has a Drampa and a bunch of Woobat that he hasn't actually caught, they just follow him around in swarms because they sense a kinship with him. (also breaking my own rule again to say that he had a Mawile in the past, because...I just really wanted to give him a Mawile...)

Sebek has Sandile for obvious reasons, and also a Pikachu that bullies him relentlessly. :(

Silver has a shiny Corvisquire; I really went back-and-forth on also giving him an Aegislash, but...hm. those pokedex entries though. he can stick with just one for now.

(I hadn't planned on the shiny for him, but after I'd decided on the Corvisquire line and was looking it up for reference, I realized that shiny Rookidee is gold and then turns silver when it evolves and I lost my entire goddamn mind)

[anastacialy]

tracked down this clip just because of this post! have jokes from skizz and scar

[maranescence]

Finally gathered the courage to draw some fan art for @lumineary-arts ‘s Murder Drones Swap AU, specifically the goofy little “we just hang out” message from episode 7! I honestly had trouble coming up with a fitting message that SD-Z (aka Swap!Uzi) would write and this is basically the best I could come up with 🤷🏻‍♀️ Please correct me if I made any mistakes somehow! (I followed the reference sheets and the headcanons as accurately as possible)

I might draw more of these if this happens to blow up lol 😅

[dekariosclan]

Intern: Sir, I’m sorry that this has taken so long, but I finally have all the research you wanted in regards to the traits the fans find sexy about their romance interests in Baldur’s Gate 3…

Gaming magazine executive: Oh, excellent! Not to worry, I assume it will all line up as expected. The Karlach fans love her bursting friendliness and positivity, her strength, her passion for life and her gorgeous smile, yes?

Intern: That’s correct, sir.

Gaming magazine executive: The Halsin fans love that he’s a gentle giant who cares greatly about children, that he likes to whittle adorable ducks as a hobby, and that he’s a consent king who will be a passionate lover for his partner, right?

Intern: All spot-on sir.

Gaming magazine executive: *smirking* This is too easy. Ok, on to Gale! The Gale fans love that he’s got a smoking hot six pack, that he offers wild illusions of astral sex, AND, at the end of the game, that he’s able to redeem himself and become Mystra’s chosen again, OR, become a god and ascend his partner to godhood with him, correct?

Intern: No.

Gaming magazine executive: Now, as for—what?

Intern: That’s not what the Gale fans find sexy, sir.

Gaming magazine executive: …oh. Okay. What do they like, then?

Intern: They, ah…they like that he…info dumps. They like when he starts talking passionately and goes off on a tangent with his finger in the air.

Gaming magazine executive: …no, they don’t. That’s—that’s not sexy.

Intern: They really think it is, sir. Please don’t make me tell you how I know that.

Gaming magazine executive: O-kay…but they like that he has a redemption arc and redeems himself in Mystra’s eyes, right?

Intern: Sir, if I were to repeat the things they want to do to Mystra I would be thrown in jail.

Gaming magazine executive: I—do they even know that he says pish-posh in the game? Twice?

Intern: They love that, sir. They wish he said it more.

Gaming magazine executive: You’re lying.

Intern: I’m really not, sir.

Gaming magazine executive: Alright, fine, but…do they know about his bad knees? They must hate how he complains about his bad knees? NOBODY would find that sexy.

Intern: *a pained expression on his face, rubbing at the bridge of his nose, closing his eyes* Sir, you’re not going to believe this—

———

[svsss-fanon-exposed]

Exposing SVSSS Fanon: 25/∞

VIOLENCE AS COURTSHIP IS A PART OF DEMON CULTURE

Rating: CANON

A nearly universal trope, especially in Moshang fics, is the fact that courtship is performed through violence in demon culture, and that the misunderstandings between the pair are because of cultural differences. The fact that demons mistreat the targets of their affection is canon, however, it is important for fans to note that this sort of characterization and worldbuilding is rooted in racial and ethnic stereotypes.

This is one of the most-requested topics I've ever written on this blog, and I took a long time to think about how best to approach the subject in a way that both keeps to the intention of this blog (referencing canon & providing quotes) as well as raising awareness to the very real problematic aspects of what is a well-loved and often-used trope in fanon that I don't think most western fans are aware of.

First, the canon analysis:

“If you hold unique feelings for a certain person, how can you make them understand your intentions?” Luo Binghe asked. Obviously, no one dared to tear down Luo Binghe’s facade and expose him directly, but this question was really very…unsuited to the demonic approach. After a long moment, not a single person had answered. In fact, the answer was so simple that any normal human could have given it to you. If you liked someone, you should just tell them. Unfortunately, there was not a single “normal” person on the scene—and aside from Shang Qinghua, there also were no “humans” either. Mobei-Jun thought about it. With the paths his mind was given to take, there was no telling how he had interpreted “unique” feelings. “Beat them up three times a day?” (7 Seas, Ch. 26)

Most of the fandom remembers this passage, and some may think that this is where the interpretation of violence as courtship comes from-- however, that is not the case. This passage might actually not refer to courtship at all-- while that is one possible interpretation, Mobei-jun could also be interpreting "unique feelings" to mean something different than "romantic feelings," since Luo Binghe didn't specify romance directly.

The "violent demonic courtship" idea actually originates much earlier in the novel, just after the invasion of Qiong Ding Peak:

In truth, Shen Qingqiu didn’t intend to tease; he thought himself very straightforward. The one who’d tampered with Luo Binghe’s dream realm was Sha Hualing. Though she did have some harmful intentions, her underlying motive was obvious. Naturally, she was driven by a young girl’s secret yearning for love. Otherwise, she would have directed her aggressions toward others, not specifically Luo Binghe. Demons were compelled to viciously bully the person they liked. Only if the object of their affections failed to die would the demon accept them. If their target died, that meant they were useless and not worth nursing any lingering affections for. (7 Seas, Ch. 3)

This, in fact, has somewhat more serious connotations than the way I have often seen it interpreted in fanworks-- it is not merely beating up a potential partner, but pushing them to their limits, nearly driving them to death, and it is certainly implied that it is not uncommon for the object of a demon's affections to actually die.

Now that the canonical basis of the idea has been established, let us move on to the second, and arguably more important part of this post: the racism.

I would like to add a disclaimer here-- I am going to discuss this in hopes of raising more awareness in the fandom, but I am not North/West/Central Asian myself, so I will only mention things in brief and somewhat generally-- if anyone who belongs to the affected cultures would like to make corrections, or more detailed explanations, or any other additions to this post on this topic, I greatly welcome that, as I feel it is an important issue that should be addressed.

In Chinese fiction, particularly fantasy genres like xianxia/xuanhuan/xiuzhen, but also in historical and wuxia fiction, there is a pervasive, prevalent tendency for authors to use racial and ethnic stereotypes against Central, Northern, and Western Asian cultures such as Mongolian & Arab cultures in their worldbuilding regarding the North, while stereotypes against Southeast Asian cultures are used in worldbuilding regarding the South. These stereotypes are most typically applied to villains and villainous groups, and are so widespread as to be ubiquitous within the genre. MXTX has used these tropes before-- notably with the Banyue people in TGCF, with adaptations of both TGCF and MDZS including design stereotypes, such as CQL's portrayal of the Qinghe Nie (combining their tendency toward violence and 'unnatural' cultivation method, with design traits typically associated with Northern/Central Asian cultures).

It is worth noting, though, that most authors do not intentionally use these traits as racist stereotypes in their worldbuilding, especially when regarding a non-human species-- in the same way that western fantasy authors use goblin and orc characters and tropes without realizing or acknowledging their racist origins and connotiations, these stereotypes have simply become genre tropes without that direct connection to their origins. Nonetheless, it is still worth noting-- and worth trying not to fall into the trap of leaning into stereotypical traits in fanworks' character portrayals.

Stereotypes include but are not limited to barbaric and brutish cultural traits, association with animals/having animal features, dark or corrupt magical/spiritual practices, certain types of braided hairstyles & other fashion choices, and originating from the far north or south.

Some of the prejudice and stereotyping of Northern Asian cultures likely originates from the fact that in the past, China was invaded and subjugated by peoples from the north (under Mongolian rule during the Yuan dynasty, and under Manchurian rule during the Qing dynasty) as well as having many conflicts with these peoples throughout history. In fact, the Qing dynasty only ended in the early 1900s, so some of this oppression is still in recent memory-- nonetheless, people belonging to ethnic minorities in China are still affected by this negative stereotyping today, so regardless of the origin, racism is still racism and should be addressed, and China today is a majority Han Chinese nation-- even if Han Chinese are considered a minority and affected by systemic racism in other places in the world.

Additionally, many tropes specifically applied to the southern demons, but also used for demon culture as a whole, are tied to stereotypical portrayals of Southeast Asian culture, which is rooted in a long history of Imperial China's invasion and oppression.

All of those stereotypes listed above apply to SVSSS' demon culture. Even in Mobei-jun's name-- 漠北 meaning "northern desert," which is the real-world name for a region in the north of the Gobi desert in Mongolia.

Therefore, it is important to remember that though violence-as-courtship in demon culture is canonical within SVSSS' setting, it nonetheless originates from harmful racial and ethnic stereotypes. It would be a good idea for fans to keep this in mind when creating their fanworks, and to treat the topic with sensitivity-- but I will leave any direct suggestions on how to handle this to those who are actually part of the affected groups.

--

(thanks to @flidgetjerome for additional notes regarding SEAsian stereotyping and author intent!)

Also, to be absolutely clear: I am not saying that svsss’ demons are specifically coded as any real ethnic group— it’s only that in many ways the portrayal is similar to the common portrayal of various ethnic groups in cmedia. I don’t believe they are specifically meant to parallel a real life group, unlike for example TGCF’s Banyue— but it’s worth questioning why these traits, why these characters.

[theriverbeyond]

how do we know in the books that john is indigenous? can you say more about how his indigeneity is important to his story?

hello! so there is a word of god post on race (doesn't mention John but mentions that Gideon is "mixed Maori"), BUT I frankly don't think word of god statements are worth any weight without actual in-text support (see: the "dumbledore is gay" situation). SO!

Specific evidence that John Gaius is Maori, as revealed in Nona the Ninth:

When he is listing his education, John mentions having gone to Dilworth School (John 20:8). Dilworth is an all boys boarding school in Auckland and accepts students based on financial need instead of academic or sporting achievements. Demographics appear to be about 70% low income Maori boys, indicating that it is highly likely that John is Maori

John reports that P- said he looked like a "Maori-TV pink panther" (John 15:23) when his eyes turned gold. Maori TV is a TV station that is focused primarily on Maori culture & language revitalization, with presumably all or mostly Maori hosts, and tbh I don't see why P- would say this unless John was himself Maori

John uses a te reo Māori phrase ("kia kaha, kia māia") (John 5:20) when he is saying goodbye to the corpses in the cryo lab before the power is shut off. Though it is possible he said this as a non-Maori kiwi, but in combination with the previous two points of evidence I think this all very strongly points to him being Maori

He also renames his daughter Kiriona Gaia, "Kiriona" being just literally the name "Gideon" in te reo Māori

TLT is not a series that hands you anything on a silver platter but to ME this is all pretty solid proof

Why is this relevant to The Locked Tomb?

In Nona the Ninth, we learn that before he completed apotheosis and ate the solar system, John was basically trying to save the earth from capitalism-caused climate change. Climate justice and the rights of indigenous people over their own land are deeply tied together, in the same way that climate catastrophe and capitalism/ imperialism/ colonialism are linked. disclaimer that this is NOT my area of study and others have definitely said it better; this is just the basic gist as I understand it, but on quick search I found some sources here and here if you want to do some reading.

TLT is not a series that hands you anything on a silver platter, but i don't think it is a stretch to see John as an indigenous man trying to save the earth and getting ignored and shut down at every turn by primarily western colonial powers (PanEuro, the USA) who declare him a terrorist and then as a reader thematically connecting that to the experience of indigenous climate activists IRL

there are absolutely TLT meta posts that have discussed this before me; tumblr search is nonfunctional and I have been looking for an hour and a half and cannot find anything specific even though i KNOW i reblogged multiple posts about this in the first few weeks following NTN's release. sad & I am sorry

I think that by the time the books take place, John is 10k years removed from the cultural context he grew up in, with the Nine Houses having become a genocidal colonial power in their own right (with more parallels to be made between John's forever war for the resources of literal life energy and like, oil wars), but I also think that John Gaius is a fictional character who can represent and symbolize multiple different things in service of telling a story. (not to mention the potential thematic parallels being made to how oppressed people sometimes are pressed into replicating the power dynamics of their oppressors and continuing the cycle--now that is a tumblr post i KNOW i read last year and definitely cannot find right now, once again sad & I am sorry)

How Radical Was John Gaius, Really is a forum thread that was locked by the moderators after 234534645674564 pages of heated debate

[bamsara]

Hey Bam, if you need help with editorial/grammar checks, how do you feel about getting a beta-reader? (Can I volunteer??)

the spelling and grammar errors are not important to me right now, im more interested in just enjoying writing and having fun with the story, thank you for the offer though thats very sweet

[galedekarios]

"Gale is scheduled to finally join Idle Champions on the 3rd of April and his canon age will be revealed along w him :-)"

[source]

[iwritenarrativesandstuff]

Ok but while I’m cracking up at Dazai’s “maybe I’ll reach him through the power of friendship”, which is such a cheesy thing to say smh… however -

It doesn’t escape my notice that he really did try to speak to Chuuya in that scene; really was shocked that Chuuya would actually shoot him like that. While I still think it’s a cover for some plan Dazai is attempting to communicate to Chuuya… it does make me wonder if the sentiment behind it isn’t actually honest - and if that’s the case, then is this not the first indirect admission that Dazai really does see Chuuya as not just a partner, not just trustworthy, not just reliable… but also his friend?

[lorephobic]

have i talked before about how crazy it drives me that in old bdubs videos he would super abashedly talk about his love for making things pretty? because. it drives me crazy.

at the beginning of mc4 when everyone was clearing out spawn so it was a lifeless flat plot of land to build on and bdubs took it personally and added grass and foliage once everything was built to make the whole landscape more lively and cohesive. and how hed get made fun of for thinking about little shit like that.

also when he got asked what hed be doing if he wasnt doing mc and he mentioned music (i think) and basically was super embarrassed to be like “i know its not very manly, but im super into artsy fartsy stuff”. as if that is a bad thing.

anyway im getting so emo thinking about how in hermitcraft, everyone knows and admires bdubs skill as a builder and its not ever something thats made fun of anymore. thinking about how bdubs never talks down about his own abilities anymore and instead of feeling weird about being a dude whose into artsy fartsy stuff, hes really embraced his career as a creator of beautiful things.

[stop-breaking-my-heart-dragonage]

So I went searching for special dialogue for a romanced Alistair, who stayed with the wardens, about a HoF who made the ultimate sacrifice. Specifically for what he says in DAI. For reasons.

I know what he says about her when she's alive in DAI, so I was curious if he'd saying anything about her if she's dead, like Leliana and Morrigan do. After reading through all sorts of forms and reddit posts where most of the answers were "huh I dunno what he says in DAI, I've never done that route," I eventually found out what he says.

Nothing.

Romanced Alistair says nothing about a dead HoF in DAI. At first I thought this was odd? Surely there's something referencing the fact that he and the warden were in love? even if just for fanservice like in DA2? Some of the comments on these posts blame it on Bioware doing bad writing again but it's hard to tell if they actually mean that, or if they're conflating "I don't like this" with bad writing because honestly? I disagree.

Intentionally or not, Alistair not saying anything about his dead lover is completely in character for him. He doesn't know the Inquisitor. Why should he tell them anything about the love of his life that he lost ten years ago? He's not as open about that stuff like Leliana or Morrigan.

You know what's actually out of character? Alistair giving a random stranger he met for two seconds an item that belonged to his dead lover because "she doesn't need it anymore."

Wasn't it enough to ruin his face, DA2? Did you really need to throw in some botched fanservice as well?

Wait a minute, Varric's telling this story...

Alright, new headcanon: Varric is, as per usual, full of shit. Alistair did give Hawke an item because he felt bad that he couldn't help them with the qunari except it wasn't anything special. But that's not interesting enough, so Varric lied and said Alistair gave Hawke an item that belongs to THE Hero of Fereldan for the sake of showing how super special Hawke is.

[dangans-ur-ronpas]

genderfluid byakuya and tonaegiri au where every morning byakuya makes makoto and kyoko guess what pronouns to use and kyoko launches into a full analytical spiel based on today's clothing choices and yesterday's dinner and current weather trends etc. meanwhile makoto guesses blindly and somehow gets it right every single timem

[dittydipity]

what is kagepro? - a quick guide

you may be seeing the word "kagepro" around a whole bunch, especially during august, but what the hell is it?

you may have heard or seen something from kagepro without realizing it! you know that vocaloid song, kagerou daze, about the kids who get hit by a truck and are stuck in a timeloop of saving each other? that's actually one of the songs from kagepro.

kagepro, short for the kagerou project, is a series created by vocaloid composer jin (also known as shizen no teki-p). it's a mixed media series that has music, manga, an anime, movie, a radio talk show, books, etc but i’ll try to keep it simple!

basic premise: people who die on 8/15 are taken to another world called the kagerou daze and if they return to the real world, they will have gained a “snake ability” that will turn their eyes red when used. a group of teens that have these abilities form a little gang but are thrown into an endless timeloop.

THE MEDIA

if you want to get into it, there’s a bunch of different ways you can do it, but do keep in mind: each form of media is NOT just a different adaptation of the story.

kagepro is a timeloop story, and each form of media is actually a different timeline (or “route”). the music videos, the anime, the manga, the books - each one is only a piece of the whole story. that’s why many people may have seen the anime, mekakucity actors, and gotten super confused because the anime is actually one of the last routes haha.

but the order of media that has been generally agreed upon to be the most coherent is music videos -> manga -> light novels -> anime

a lot of kagepro media, esp the light novels and manga, are hard to find since they’re almost entirely out of print, but there’s translations or e-book versions of them available, or if you skip them there’s summaries that people have made. you can also ask me if you want :]

music videos

i’ve actually made a couple playlists for the songs! one is in release order and the other is in story chronological order (mostly).

release order: - i tried to get all the original ia/miku versions of the songs with the original pv if there was one - a couple might be a little out of order since some songs came out together in the same album

this is the order that fans got the music, so if you want to try to figure things out and put things together the way we did you can go with this order!

chronological order: - tried to grab some english covers where i could, but if you don’t like eng covers there are plenty of noneng covers or you can use the videos from the other playlist. there's plenty of really great covers out there! - exceptions to the “chronological”: children record acts as the cover/opening song for the series and summertime record is the ending song for the series - some songs aren’t in here bc they’re not part of the music route (they’re mostly from the newer albums and are kinda like ‘epilogue’ songs after the ending of the anime/good ending or are songs made for the anime)

THE STORY

if you don't want to go through all the media yourself, here’s a video explaining the whole story by breadbox/david toth! he also has other really great kagepro videos

[a bit of an extra] a very common misconception about the story/mechanics: people do not have to die in pairs or with somebody else on 8/15 to enter the daze. i didn’t realize this myself until super recently

all in all, the kagerou project is a story about finding strength and support from the people around you, moving on to look towards the future, and overcoming trauma.

there’s definitely other people who have also made guides or summaries or videos that are much better and cover much more than i did, but i hope this was a decent introduction!

feel free to reach out and/or ask me anything! i'm sure there are also plenty of people who would be willing to help newcomers understand kagepro as well :]

happy kagerou day!

[autisticredhood]

important personal jason characterization 2 me is that part of “coming back wrong” is that he cannot feel his past self. he remembers his past but hes completely severed from himself pre-death, that version of him is distinctly gone. being a living person is like a russian doll with your younger selves layered inside of you & rattling around but resurrected jason is just the outer shell russian doll constantly aware of how unnaturally hollow his inside is

[whitmore]

listen this may be a hot take that’s okay i’m fine with that i just feel that the @everyone main tag fandom vagueposts about sending admins hate and/or targeting ccs is . abyssal nonsense to post to tumblr. like you’re not wrong im not disagreeing with any of you— it just feels fruitless to post that on a website where none of us have direct contact with any admins or creators. if you see it in the main or side tags feel free to call it out, i think we should be doing that, but like the aimless vagueposting is not only reductive but directly adding to the negativity you’re trying to combat