#didn't turn out bad

[secondbeatsongs]

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

[inkskinned]

you worry the cardboard sleeve around the coffee and think about landfills and the future without straws. you are worried about prion disease and deer. you are worried about the rising temperature of mushrooms. you are worried about teflon and microplastics and carcinogens and whatever else you're being quietly lied to about.

your mother used to jokingly say you are "a worrier," which always kind of oddly hurt your feelings. you feel like a person. and besides, you've been told one-million-times that this is normal. examples get trotted out in a pony show each time: everyone gets nervous sometimes. they talk about public speaking and picturing people naked and how when they get nervous they just-get-over-it.

you run your hands down the grater of your life and feel the sharpness. you started holding your breath in tunnels as a kid, worried that if you relax, the ceiling would cave in. like years of architects and engineers weren't responsible - you, and your faith, you were responsible for the success of infrastructure. if you slipped for a moment, your whole family would be swept away under the ocean. and the problem is that it worked - no tunnel collapsed.

you once broke a coffee carafe and even though you didn't drink from it after, you worried that there had been some previous invisible micro-break that had made you drink glass particles. you stayed awake for 24 hours, constantly dreading each swallow, waiting to taste blood.

you hate being late, you worry about it. you go to grab literally just lunch with a friend - no pressure, no emergency - and you still park the car an hour early and just sit there scrolling on your phone aimlessly. maybe you just don't like surprises or change. you triple-check you locked the doors, and then go to bed, and then get up out of bed to check twice again.

a worrier. like a strange and dreadful bingo card, you collect weekly experiences. someone tells you that you're overthinking, that's 2 points. you have to physically turn around and go back in your house to check you unplugged everything, that's 1 point. spiraling about climate change or politics or the state of the world is a free space, that's basically every evening.

you worry you're being selfish and not a good person because how come you're worried about your dog's health and the itch in your eye when you know people who are really very ill or who have it worse or who are genuinely struggling. then you worry that you're being annoying by infantilizing them. then you worry that your priorities are wrong, that you should be infinitely more worried about the state of a dying planet.

you wanted to be a person, is all. you wanted to go through life in a softness, to hold the world gently and have it whisper past you. and instead you are a worrier. everything that touches you is hard and raw and sharp like diamonds.

[blorbologist]

Y'know, I think I figured out why the Hells still feel like a new low-level party to me, even though they're level 13 and almost 100 episodes in.

I don't quite think it's the lack of conversations, or the fact half the party's plot hooks are big ties to past campaigns - though that definitely plays a part.

... Bell's Hells still primarily rely on quest givers.

Most of their goals are given to them and do not feel organic to the party, and constantly remind us that the Hells are pretty much never the most powerful people in the room. Which is usually something you see with a low-level party.

NPCs offering jobs is not a bad thing; it's a very common plot hook. Matt has been extremely skilled with using NPC quest givers in those two campaigns. Not only do they provide an obvious plot thread, but they can put the party in the path of others (say, the Nein running into the Iron Shepherds while doing a job for the Gentleman and everything that came of that). And the Hells had a solid start with it too - Eshteross was an excellent quest giver!

The problem is that Bell's Hells have never really not had a quest giver.

Maybe it's a byproduct of the more plot-heavy structure of this campaign? But while prior parties have felt like they decided on their course of action and what they prioritized, Bell's Hells feels less like level 13 (13! Level 13!) experienced adventurers and more like an MMO group clicking on the exclamation point over an NPC's head. Where does the plot demand we go next? Who do we report back to?

They're level 13.

At level 13, Vox Machina had just defeated a necromantic city-state to clear their name and Percy's conscience. And, you know, the Conclave just destroyed Emon. No one was explicitly telling the group to gather Vestiges and save the world (though Matt guided them there), and they were usually among the most powerful people in the room. They chose which Vestiges to prioritize, which dragons to tackle when, even if the over-all plot was pretty clear.

At level 13, the Mighty Nein were celebrating Traveler Con (another PC goal, I'll note) after brokering peace between two nations, accidentally becoming pirates and heroes of the Dynasty. The Nein regularly chose what to do based on personal goals, not grand ones. Though definitely smaller fish than Vox Machina at this level, they were very independent and gaining solid political clout.

While we're at it: level 13 is one level lower than the Ring of Brass, who had a huge amount of sway over Avalir. They ended the world, and also saved it, while in the grand scheme of things being only a smidge more powerful than Bell's Hells are now.

Can you really see the Hells wielding that amount of influence, when they're constantly being told what to do next?

The god-eater might be unleashed, so Bell's Hells have no time to do anything but what is asked of them. No time for therapy unless stolen from Feywild time, no travel on foot and late-night watches. They haven't even had time to grieve FCG. Percy was grieved in the middle of the Conclave arc. Molly was grieved when half the party was still in irons.

Matt is in the very unfortunate spot of not being able to give the Hells the same agency as the other two parties. Not only because of the world-ending plot introduced so early on; they are surrounded by characters they know (and the cast knows) are stronger and wiser than them - the familiarity of the past PCs and NPCs is to their disadvantage.

Why would the party reasonably ignore Keyleth's task that will help save the world and go off on a romp? Why would the cast when they know well Keyleth has to be sensible and with the best intentions in mind? The stakes are just too high.

It means that the Hells still feel like they're running errands instead of pursuing their own destiny. Their accomplishments are diminished as just being parts of a to-do list, and any stakes feel padded by several level 20 PCs/NPCs standing 5 steps away ready to catch them.

This isn't Bell's Hell's fault, nor is it Matt's. It could be amended, I think, if the Hells are really left to their own devices for a long period of time without support and shortcuts (like during the party split)... which would be really tricky to pull off at this point in the campaign.

They're level 13. They're big fish, but they're stuck in a pond full of friendly sharks, so they don't feel big at all.

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[bellamyblake]

Bellarke AU according to the original Day Trip script

[mikodrawnnarratives]

It was at that moment, she knew, she fucked up.

Youtube link!

Anyway, my interpretation of Lorelai is that she doesn't understand the FULL extent of what she's putting Molly through. Even at the end of the book she doesn't seem to fully grasp the weight of the situation yet. I don't get the vibe from her that, if she fully realized the neglect Molly is facing, that she'd act the way she does.

So, post Molly's kidnapping, Lorelai realizes how much she fucked up and for xyz reason Molly is there for the realization cuz Blue Diamond SU audio do be fitting

[yangjeongin]

6 YEARS WITH STRAY KIDS — #Youtiful6YearsOfSKZ

[seventeendeer]

this isn't at all meant to be condescending or finger-waggy because 100% we all have blind spots like this, but I'm really, really hoping that the people who never found Gaiman's approach to his own fandom concerning in any way will take this all as a learning moment.

he was an older, hyper-famous author engaging directly and frequently with an online audience of largely vulnerable young marginalized people. he presented himself as cultured and worldly, and made himself approachable as someone to go to for advice, encouragement and "wisdom." his manner of speech was extremely pathos-heavy and clearly intended to be comforting and encouraging in exactly the way his target demographic needed it to be to swallow every word. the way he spoke about stories and creativity was designed to make young creative hopefuls feel special and important, while sweeping real analytical techniques under the rug - in hindsight, likely so no one would think too critically about the disturbing amount of patriarchal abuse played for cheap shock value and voyerism in his own body of works.

Gaiman saw a target demographic that was desperate for an older creative role model to tell them they were worth something, and he exploited that pain to twist a narrative around himself where he was king and any critique leveled at him or his works were the enemy.

to be clear, he could have been innocent. he could totally have been just an out-of-touch old man saying nice things to people because he wanted to be kind and he thought he was a lot smarter than he really was. red flags are warning signs, not a surefire way to tell if someone is actually "secretly shitty."

but if you used to look up to him, PLEASE take this moment to revisit the ideas you absorbed from him. did you take his words to heart because they seemed to have objective merit? or did you take them to heart because it felt good to believe what he said? do you still hold these values? does knowing he was intentionally manipulating his online audience make you less certain? do you need more information from a different source before deciding one way or another?

again, I'm just really, really hoping people on here will take a moment to reevaluate the ideas and opinions he's injected into tumblr fandom culture, because his reach is immense and he has absolutely been manipulating popular perception of relevant topics to gain further influence and control the narrative around both his own and Pratchett's legacy. please, please take this moment to notice what he's been doing - and next time someone tries to pull the same shit, hopefully we'll be able to apply what we've learned from experience.

[firebolt-bedtime]

To unhappy, cynical, pessimistic littles, regressors, and other kids:

You do not have to be cheery or happy if you don't want to be. You are allowed to be angry, grumpy, sad, depressed, scared, or any other feeling. It doesn't make you bad at all. You are worthy even if you're not happy. Even if you are never happy.

If you are not naturally bubbly, energetic, and outgoing, you do not need to change or pretend just to be "more like a kid" or to be "more fun". You do not need to be fixed.

[rawliverandgoronspice]

I *knew* there was something fishy with no writers/quest designers being credited. Also: outsourcing is not an excuse not to credit the gamedevs doing hard and deserving work.

[its-elioo]

Fun fact!: this is my very first time drawing with a finger during a family trip, ha

Reference:

[yridenergyridenergy]

Vicious August 1998

[taiyami]

"What's wrong, Pharaoh? You look like you've seen a ghost."

₊˚🕯️♱‧₊˚ 🎃 Happy Halloween !! 🎃 ₊˚🕯️♱‧₊˚.

[keymintt]

blood & honey

[eightspringdays]

People who infantilize autistic coded characters are the weakest link in society's chain.

How are you gonna look at this mf

And then tell me he's too uwu to do anything. Open your eyes, expand your brain; he thinks of the MCnasty too. Let him say fuck !!!!

[luonscribbles]

Wolfsnake fam but they're older 🥺