#dissertation chapter editing

[tutorsindia152]

Masters Part Dissertation Writing Services | MBA Part Thesis Writing Help UK

Masters Part Dissertation Writing Services | MBA Part Thesis Writing Help UK

Description - Masters Dissertation Part or chapter-wise writing help. Looking to avail only to write part dissertation such as introduction literature review methodology etc.

Writing a dissertation is a daunting task as student need to produce an original piece of research work on a topic of special interest.

Contact us! 

India +91 8754446690 

[motions1ckn3ss]

officially written 60% of my dissertation! 6000 words down 4000 to go

[lovesodeepandwideandwell]

Two hundred thirty-two

[dirty-bosmer]

third week in a row no writing wip 🙃

[readingloveswounds]

okay rlly gotta get my shit together here because it's literally just under a month before i go to france and i want to send three sections to my advisor before that PLUS submit my article to a journal

understand that while i think im behind, i'm technically at 2x the pages i wanted to have by this date. still. crisis time.

by sunday:

finish nimes draft

by august 31

submit article

send at least one of: sens or cahors (cahors is probably best bc shorter)

by september 17

MEET WITH ADVISOR THIS IS NONNEGOTIABLE

have sent advisor sens, cahors, and nimes

have at least started chapter conclusion

have at least started rewriting chapter intro

start frankensteining chapter sections into something coherent or at least have a reasonable idea of what a full document might look like

have a better site list put together and possibly have contact w the SHPF, BNF, and/or Louvre

by september 19

email J

give contact info for fellowship 1 (incl address)

give group pertaining to fellowship 2 my address + phone

things it would be cool to do but not strictly necessary:

go back through P's revisions on vassy

have a better idea of own style guide re names etc

read Foa

get further in LT reread

read more Martyrs - also talk to P about what the actual fuck im doing with martyrs bc im becoming less and less convinced i know how to handle the text wrt my dissertation topic/argument

figure out which chapter im writing next bc doing martyrs sounds scary but idk if im ready to do LT, and im waiting on a massive name in the field to publish his edited version of sancerre lol

[zhengzi]

my brain wants me to write a scene from kim's pov tending to harry's wounds post-tribunal in a homoerotically charged way ala their autopsy date

[kristakittyfish]

one thing you've gotta know about me is that I love a semicolon

[island-in-ignorance]

Guys I'm crashing out I can't stop thinking about and obsessing over Deep End. I want to flash a hundred years into the future and dive into ao3 fanfics about Scarlett. I want to write a dissertation on the Aliverse. I want a movie of the book so I can watch edits on tiktok. I want to take Ali to dinner and beg her for a POV from Lukas (seriously I'll beg for just a CHAPTER. I want to see how disgustingly down bad he is from inside his brain.) I want to reread the book again and then reread all of her books just for fun.

I fear I'll never find this high again. Send help (and book recs)

[crescencestudio]

๋࣭⭑ Devlog #47 | 4.26.25 ๋࣭⭑

no bc we r actually so back brothers ive got FOOD TODAY

We are ALIVEEEEE AND BACK AND BETTER THAN EVER ((FR THIS TIME!!!).

Before we get into actual updates, I wanted to give context on where my life's been at basically the past year. As many of you know, I got my PhD last December (YEAAAA) which meant for the second half of 2024, I was literally in a cave crunching my dissertation. Now, many people (including me) thought after I finished my dissertation, I'd be a lot freer for Alaris stuff. But since this year started, I've been completely preoccupied with some personal matters which kept me from working on Alaris as much as I wanted to.

While the personal matters aren't anything anyone has to be worried about, they did take up A Lot of my time, and I'm really happy to say that I am officially free from those obligations too!!! Meaning for the first time in literally a year, I am NOT drowning. And that time has already been used Very Fruitfully heh....heh....heh.....

WANNA SEE???

Writing has been on a bit of a stall, and the main reason why is something I'll talk about in the Miscellaneous section! But it's nothing to worry about since it's because I want to focus on other parts of the game right now. With almost all of the routes finished, I've noticed that the writing pace I've maintained has resulted in the art and programming aspects to fall a bit behind where I want those parts of game dev to be.

So recently, I've focused more attention on the art and programming components rather than writing. That being said, writing still makes slow but steady progress! Kuna'a's development edits continue to progress, and Etza's route is about to be sent to line editing, which is the last stage of editing for my writing process. This means once Etza's line edits are finished, the four Central routes will be COMPLETELY FINISHED!! Exciting right!!!!

For art, I can't actually show very many sneak peeks since it's mostly been CGs and character design commissions heh. But I am willing to give a slight sneak peeks of these character designs in these two beta screenshots

Sickest character designs by @saffein-e

While these sneak peeks don't represent the final character sprites, they are the OG designs created by bestie Saf. And even from the designs alone, the characters are stunning additions to the cast! I can't wait to draw them in my own style and hopefully do Saf's amazing work justice 💖💖💖 In these screenshots too, you can see some of the newer BGs and hints of overlays that we've added to the game to heighten the visual effects hehe.

I've also been working on CGs for Etza's route and am happy to say our CG count is currently at 26 completed CGs (5 sketched ones) out of 54! Now that I'm making an active effort to Lock in on the art assets, I'm hoping CG and sprite development picks up a bit in the coming months ^^

And finally... for the most exciting news!!!!!

ETZA'S BETA WILL BE OUT MONDAY!!!!

We have finally moved forward on the beta build front, and beta testers will finally get to play Etza's beta! Since I haven't shown much in-game screenshots from the betas in past devlogs, and you all patiently still read them, I thought this month would be a nice time to update you all on how things are looking in Alaris beta land.

In this beta, you obviously get to woo our neighborhood angel

Since it's been a while, this is a reminder of what the game looks like (LMFLSOA). I know for me it's been a while and honestly I forgot how proud I am of the art assets :') I love how everything has come together and how it looks in the game <3

Of course, Important Choices and fun cast dynamics are a few of our Favorite Things

Between the messaging interface, the chapter card, the phone call overlays, and many more little effects and stuff, I forgot how many assets are in this thing. Being able to code Etza's beta has been an amazing reminder of how much work I've put into Alaris over the years ^^

Which brings me to exciting news!!!! I will make the official announcement separately at a later time, but as a reward for people who actually read these things, you're the first to know. With Etza's beta coming out soon, that means the four Central routes will have finished beta testing. And with where things are at, I've made the official decision that...

Alaris will enter Early Access for the First Four Routes!!!

I don't have an exact date for when this will release since it largely depends on how quickly I can art. But I'd like to aim for a tentative Q3 release for the Early Access Build! More details will come when I make the official announcement, but it is extremely exciting to have reached a point where I can even put this out there to people!!!

I hope you all are excited, and I want to thank everyone who has been on this journey with me whether it's as a recent or long time fan!!

Finally, I haven't really had time for market research since I've been in the "Returning the Game Dev" trenches. But I do have other exciting news that I'll make yet another official announcement on later.

Aside from the new Alaris beta, I've also had another small side project I've been working on with some friends (very chill-like) over the past couple of months. It'll be the first Crescence Dark Fantasy entry in my collection of games, and it's definitely a different vibe from what I've put out so far.

Where They Wait will be a new game submitted to Ossan Jam with elements of horror, fantasy, and dark romance :3c I'm so grateful to the team I've worked with and all the work they've put into our little shared baby, and I can't wait for you all to play it! This will also be coming out WELL, Monday too LMAFLIDJLIFJ.

As you can see, we've been hard at work behind the curtain. Since I last talked to you all, we've made a lot of nice headway on the different projects I've had on my plate, and I'm excited to feel like we're hitting our stride on so many things!!!!

Until next time we talk, which will be Very Soon with all our exciting announcements coming up. Thank you as always for being patient with me and supporting me!

[pumpkinpaix]

You have questions! We might have answers.

What is this collection?

As Maria puts it: this collection is a critical look at some of the things that we, the editors, think have made CQL such a hit around the world. Of course, part of that success comes from the webnovel MDZS and the show CQL themselves—we love the characters, the mystery, and the drama, who doesn’t?! However, the authors in our book also look at topics like translating danmei (both officially and unofficially), adapting danmei for new audiences, and interacting with fandoms and fanworks. The larger argument of the book is that all of these things played a huge role in CQL’s visibility and success, and we wanted to start making those moving pieces visible, especially for audiences who mainly watched CQL in translation.

You keep using the word “academic”—what does that mean, exactly? 

Maria: Ok, not to get pedantic here, but this actually touches on some things that I’m really excited about for the book. Traditionally, academic work is written by people who have a deep expertise in the subject (signified by having a PhD and doing specific kinds of research), and then the work itself is peer-reviewed (i.e., sent to other experts in the field for them to evaluate whether it’s sound, original, and interesting enough to publish, without knowing who wrote it). And both of these things are true about our book—our authors have deep knowledge and the book was peer reviewed—but also. We specifically asked for chapters from younger scholars and from fans who also have deep knowledge about topics that academia doesn’t always know or value enough, and we include an interview from the fan-translator K. who did the Exiled Rebels translation. So the hope is that: this book is academic, and also—more!

Who are you? 

Yue studies adaptation, fantasy, and popular culture texts using a feminist lens. She wrote an early, influential article about danmei adaptations and also has a book about feminist adaptations of Chinese fantasy.

Maria studies fanworks, contemporary fantasy, and genre literature. She’s scrambling to finish her dissertation right now.

How were the chapter spotlights chosen?

Voluntarily! The concept of a small social media promo was kicked around by some of the contributors and those interested in the idea filled out a short interview with what they wanted to share. We'll be posting about 2 introductions and 2 spotlights a day for the next week or so!

Who's running this social media campaign anyway?

Not the publishers! A few enthusiastic collection contributors got together and, with the assistance of the editors, have put this promotion together. We do not in any way represent Peter Lang in an official capacity! We just worked hard and wanted to share. :)

Are you making any money off of royalties from this book? 

LOL not even remotely

What about this promotion?

also no. alas

Where can I find this book? 

You can find our listing on Peter Lang’s website here. As for other retailers, a quick search should turn us up!  

How can I access this book if I cannot buy it from Peter Lang / [book retailer of choice]?

As collection editors and contributors who signed a legal agreement with Peter Lang, we have granted Peter Lang exclusive right and license to edit, adapt, publish, reproduce, distribute, display, and store our contributions, and we must cooperate fully with the Publisher if the Publisher believes a third party is infringing or is likely to infringe copyright in the contribution. 

That being said, these are academic papers, which means that contributors may make copies of the contribution for classroom teaching use! (These copies may not be included in course pack material for onward sale by libraries and institutions). Of course, any linking, collection or aggregation of chapters from the same volume is strictly prohibited.

(FAQ may be updated periodically!) (all posts on Catching Chen Qing Ling)

[chthonion]

Hey Chthonion you're very quiet how's it going (also a Harrowing snippet for funsies)

I have been very remiss about answering your approximately three hundred fabulous and uplifting comments on recent chapters of the Harrowing so I want you to know that I have reread all of them like twenty times. My brain is mush right now from getting my dissertation ready for defense. This makes me crave the validation of comments with a powerful hunger while simultaneously having no energy whatsoever left over to articulate anything. If I could call all of you out in my dissertation acknowledgements for the incredible boost you have given me during this time, I totally would.

I have no idea when Chapter 50 will be ready. It's been 95% ready for like two weeks and the last 5% is going very slowly because academia has eaten all my editing energy. But god I can't WAIT to hear what you have to say about that one because it is genuinely one of my favorites in the entire fic.

Anyway, here's a sneak peek to thank you all for being awesome. It is angsty. You have been warned.

“Do you have any idea how infuriating you are?” Maedhros’s voice is slow, dreamy; it doesn’t match the force of the words at all. When he turns to look at Annatar, even his expression is empty. “You've never argued that it would be unjustified, no. Instead you just---sit around in my family’s house drinking tea and making friends with Frodo and Finrod, like you aren’t the worst thing that ever happened to them. Holding hands with Celebrimbor, after you tortured him to death. Three Ages of atrocities behind you, and you've just walked back into life to try again.” The calm in his voice ices over, cruelty seeping in at last. “The blood on my hands is a trickle to the ocean of blood you have spilled, and yet you are doing this, and I’m—just—the same.”

[fatehbaz]

hi i love your blog and the stuff you've shared has been really invaluable for me writing my dissertation right now! i was wondering if you've ever read anything interesting about police horses, or perhaps horses working for the state more generally? apologies if you've already made a post about this and i've missed it.

Nice. Don't know if your dissertation is specifically about horse histories; if so, then I'd imagine you already know much more than I do. So I don't know how much help I can be.

I've posted about the history of police horses in Australia before, which is just excerpts from Stephen Gapps and Mina Murray, in their "From colonial cavalry to mounted police: a short history of the Australian police horse" (The Conversation, 28 July 2021; "Horse Patrol" aka "Mounted Police" formally established 1825 after Wiradjuri war, used to round-up escaped laborers and attack Aboriginal communities as crucial force in colonial admin in 1830s culminating in Waterloo Creek Massacre.)

I've made some references to US participation in British campaigns of Boer War. (Apparently there was a micro-industry of the New Orleans port shipping 110,000 horses and 81,000 mules on 166 voyages via 65 British steamships for a cost of like hundreds of thousands USD per month for three years to help Britain.)

Similarly, Steve Hewitt and others write about Canadian mounted police and their role in national power in the Great Plains; twentieth-century counter-subversion; monitoring labor strikes and Indigenous/student dissent, etc.

"The Masculine Mountie: The Royal Canadian Mounted Police as a Male Institution, 1914-1939" (Hewitt, Journal of the Canadian Historical Association, 1996)

Riding to the Rescue: The Transformation of the RCMP in Alberta and Saskatchewan, 1914-1939 (Hewitt, 2006)

"Fashioning farmers: ideology, agricultural knowledge and the Manitoba farm movement, 1890-1925" (Hewitt, Journal of Canadian Studies, 1997)

"Canadianizing the West: The North-West Mounted Police as Agents of the National Policy, 1873-1905" (Mcleod, The Prairie West: Historical Readings, edited by Francis and Palmer, 1992)

---

Guessing you've already considered this, but a relevant thing I've read might be Breeds of Empire: The 'Invention' of the Horse in Southeast Asia and Southern Africa 1500-1950 (Greg Bankoff and Sandra Swart, 2007), about "the 'invention' of specific breeds of horse in the context of imperial design and colonial trade routes" and "the historiographical and methodological problems with writing a more species or horse-centric history." There was an earlier influential paper about imperial use of horses by Swart, ""The World the Horses Made": A South African Case Study of Writing Animals into Social History" (International Review of Social History 55:2, 2010).

Last year I read Bellweather Histories: Animals, Humans, and US Environments in Crisis (edited by Susan Nance and Jennifer Marks, 2023), and there was an interesting chapter on horses by Marks: "Chicago's 1872 Equine Influenza Epizootic and the Evolution of Urban Transit Technology."

---

Have you seen Jagjeet Lally's "Empires and Equines: The Horse in Art and Exchange in South Asia, ca. 1600-1850" (Comparative Studies of South Asia, Africa and the Middle East, 35:1, 2015)? It covers Mughal state power and aristocratic prestige as tied to horses, but also refers to the later utility of horseback mobility in East India Company and British power consolidation.

I used to be in a Central Asia-specific program-type thing and there was a long list of academic writing, most if it not in English, about horses as essential for statecraft in Mongol, Persian, Mughal, Chinese, and Ottoman contexts. So I know that there's a huge amount of writing on the subject, but I did not retain much of it. Jagjeet Lally's bibliography here is helpful. This also brings to mind Alan Mikhail's work The Animal in Ottoman Egypt (2013) and Under Osman's Tree: The Ottoman Empire, Egypt, and Environmental History (2017). Though horses aren't the main focus, they're essentially about "animal labor/capital."

---

I think I've seen that you've interacted with my old posts about Sujit Sivasundaram, Rohan Deb Roy, and Jonathan Saha on "interspecies empire"? Saha's most recent stuff includes writing in:

Biocultural Empire: New Histories of Imperial Lifeworlds (2024); Colonial Dimensions of the Global Wildlife Trade (2024); "A Historiography of Great Animal Massacres" (2024); "whiteness, masculinity, and ambivalent British Justice"; imperial use of elephants and "animal agency, undead capital, and imperial science" (2017); Subverting Empire: Deviance and Disorder in the British Colonial World (2015); imperial use of cattle and other livestock in "animals and the politics of colonial sensitibilites" (2015). Sivasundaram covers a lot of that (animality, criminality, imperial imaginaries) but also oceanic thinking.

---

Also thinking of:

The Horse in the City: Living Machines in the Nineteenth Century (Clay McShane and Joel A. Tarr, 2011)

And The Herds Shot Round the World: Native Breeds and the British Empire, 1800-1900 (Rebecca JH Woods, 2017). Though its not really about horses (mostly about sheep and cattle for dairy/meat).

---

But I know there are little niches:

(1) British frontier policing in Australia ("mounted patrols" in campaigns against Aboriginal peoples and keeping them on rangeland labor sites). (2) British metropolitan and urban settings (police horses in industrializing London, patrolling rural periphery during enclosure law era). (3) The settlement of the Great Plains of the US (especially origins of Rangers, the Fence Wars, and policing West Texas). (4) The Spanish colonization of Mexico and especially the Rio Grande Valley (horses in maintaining state power on the northern/desert frontiers; Spanish/Mexican states and Comanche/Apache mobility in southern Great Plains). (5) Argentina's state-building in the Chaco. (6) And then all of that material about Mughal, Mongol, Ottoman horses.

(Also, most recently, I did that annoying silly satirical retelling of horse-drawn sleighs as progenitor of vehicle and pedestrian laws in industrializing Amsterdam, and it alludes to how horse-drawn carriages were important affordances to wealthy aristocrats which shaped industrial urban space in Europe; I don't know much about it, but I know there's a fair amount of lit about both horses-as-vehicles and mounted police in early nineteenth-century Europe.)

Though I'm not really familiar with most of that. In trying to formulate thoughts about "carceral archipelagoes" and "frontiers," I've previously seen titles about the utility of telegraphs, railyards, and police for US power consolidation. But when horses/cattle get involved, I've been scared/disturbed by just how much of that literature seems to be directly produced by "police department museums," "police science" journals, or former police-superintendents-turned-pseudo-historians in their retirement years who study their own noble profession as a novel curiosity.

But I imagine you know better than me if this is true. So please put me back in my place if I've got the wrong impression!

It's my impression that, more recently, the advent of critical animal studies, multispecies ethnography, and critical geography has meant there's a lot of new stuff to check out.

[maniculum]

Google Docs vs. Thomas Malory

I'm working on the Malory chapter of my dissertation, and at one point Google Docs' spellcheck red-underlined a word but failed to provide a suggestion.

I thought it was odd that Google Docs was unable to spot the fact that I'd dropped an R, and then I recalled hearing recently that Google had started using a machine-learning-powered spellcheck that was, frankly, terrible.

Incidentally, clicking "Why am I not seeing a suggestion?" takes you to a section of their Support page that reads as follows:

Words where spelling is not recognized are underlined in red to warn you of a possible misspelling. When you click on the word, you'll see a "Spelling" label. If there is no spelling suggestion available, you can choose to edit the word, add the word to your personal dictionary, or ignore the suggestion.

Note that this does not answer the question, which to me implies that the real answer is "because it's crap". (Quick aside: I'm not one who is generally inclined to trust spellcheck anyway, as I am in my 30s and remember when "blindly taking spellcheck's suggestions" was something one would get mocked for, but I am annoyed that it's actively getting worse.)

So I decided to play with Google Docs a bit and see what it had to say about all the words it was underlining in the Malory quotations. (This may be a bit unfair, since "modernize 15th-century spelling" is not a function spellcheck is meant to have, but I also think that ruining a perfectly adequate spellcheck system with machine learning isn't fair to its users, so they started it.

Some of my favorite results below the cut.

Okay, that's also not a Modern English word. It's still Middle English, just a different variant spelling. Google Docs, you are out of your lane here.

This is not in the OED, and Googling it reveals that it's a surname. Weird guess here, Google Docs. At least capitalize it if you want me to lump Mx. DeVellis in with the fiends.

Buddy (derogatory), I don't think that one's correct either.

I thought this was just nonsense guessing, but apparently there's a company called "Bonwyke" that sells window films. You know, I'm somehow not surprised that the machine knows the names of corporations.

Google Docs failed to even come up with a suggestion for about half the words it underlined, which is fair, but the ones that stumped it include the following off-by-one-letter spellings:

calle ("call")

mayden ("maiden")

nyght ("night")

It's also continuing with this malarkey:

Google Docs, worstie -- you have got to learn what an abbreviation is. This isn't even an uncommon one. Why do they confuse you every time? If you're really using machine learning, surely you should eventually figure out that periods are used for purposes other than ending a sentence.

Anyway, I'm only three pages into writing this chapter, so I may well come back with more of these, but in the meantime allow me to leave you with a spelling suggestion that I just think is funny.

The Strongest Wayne. And Percival did what to him?

[readingloveswounds]

yeehaw

[milaswriting]

Update. — 27th June 2023.

Happy Pride Month 🌈 to those who have been celebrating. Much love to you all.

It's been a while since a progress update which isn't great from me, but now I'm posting one with a much neater and more professional look. My thoughts are that I'll post these at least once a month so readers are always kept in the loop as I feel like I've kept you all in the dark recently about what’s been going on. Anywhoo…

Firstly, I finished my undergraduate degree! My results that came out confirmed that I'll be graduating. I’m graduating with a 1st which is the highest degree classification that can be awarded in the UK — so, this writer is kinda smart and will be throwing a grad cap in the air — so that's kind of a huge personal accomplishment!

But more importantly, in interactive fiction terms anyway, I finished chapter 10! It's done. She's a chunky chapter that's full of loads of... stuff and drama! There's so much going on in the chapter: angst, comfort, a new character, found family — so you're in for a ride, to say the least.

I made a few changes too. The reader can choose/input their own pronouns, your mc can choose whether or not they wear glasses, there are new graphics for those that play with a black background (shown below!), alongside some editorial stuff — new choices etc. It's now with the beta readers.

On top of chapter 10, there's also Tumblr stuff that will be made available. I've had a cool, chapter 10 sneak peek edit in my drafts that I'll be posting tomorrow. I hit a follower milestone, so when the public update is out I'll be doing a follower giveaway.

Soo, as an overview: in eight months I wrote a 10k word dissertation, bagged a degree, got accepted to do a master's degree, and finished writing a 73k word chapter. So, whilst I hate that this update has been a long time coming, a lot of academic stuff happened in my life which made a lot of things hectic.

I really appreciate you being patient with me. I know it's not easy or fun waiting for wip updates, but there is a Golden one on the horizon and I hope it will be worth the wait.

[tlatollotl]

Thanks for sharing your presentation, it was fascinating! Could you elaborate a little on the ash/tephra findings? Do they imply that the slip and the whitewash used specifically tephra instead of general ash, and specifically from the same source, or is there something more that I'm missing?

Also, my thoughts on burning the guachimontón as someone who had worked with fire of various sizes - rather than burn it all at once with a big carpet of fire, I would think they would have a line of fire that moves progressively across the structure. Burning it all at once would make a massive fire that would be hard to manage, if they could get close to it at all due to the heat. A thinner line would let them monitor specific areas much more closely and nudge the fire around as needed. Perhaps this wouldn't work as well for the perishable structures though. I wonder how long it would take to thoroughly fire the daub? Is it evenly fired all the way through, or just near the exposed surface?

Also I love the point about the leftover ash being used for nixtamalization. (Could tephra be used for that? I wouldn't think so, it's different chemically, right? Also would be pretty gritty I guess)

Sorry for all the questions, but you successfully got me excited about this stuff. Thanks again!

According to what Angelica observed with a microscope, it seemed like the whitewash and ceramic slip were similar in composition with the tephra used to create the white color. But the slip was better applied to the vessel than the whitewash to the bajareque. To me, it kind of makes sense that the Teuchitlanos used what they knew of ceramics to create and decorate the guachimontones.

Having a moving line of firing was not something I had considered, but now that you mention it would fit more nicely in the cooperative+competitive collective governance model. It is poetic that the groups would have to work together to pass the fire around the guachimonton to ensure the whole thing is eventually a single cohesive building. I'm going to have to list you in my dissertation acknowledgements if you want to send me your details privately.

One of the things I was not able to discuss in the conference paper was the variability in thicknesses of the pieces I examined. There are really thin pieces, that Weigand calls aplanado, that are like 1 mm thick. These might be some of the replastering flaking off or just a very thinly fired layer of bajareque. In either case, it might be indicative of a respective group's skill set and ability to muster labor. But that will require a more intense review of excavation reports, field notes, and bag tags and will probably be in a dissertation chapter rather than the edited volume chapter (or not, I don't know yet haha). There are other pieces that are quite thick, too, and sometimes nondescript in their surface treatment. Or it could be the result of coals settling into books and crannies and firing clay to a deeper thickness than intended.

I don't think tephra could be used for nixtlamization, but I need to look into the specific chemical composition of the material. Now, what is interesting is that calcium carbonate naturally forms from evaporated water in what was once Laguna Magdalena to the west of Los Guachimontones. There are remnants of what appears to be chinampas along the old lakeshore of Magdalena and to the south of Los Guachimontones in what became Presa de la Vega after a dam was built in the 1950s. A guy named Stuart did his dissertation in the late 00s on these, but didn't find conclusive proof that these things were, in fact, chinampas. I've been toying with the idea that might be evaporation beds to collect calcium carbonate for nixtlamization ever since I learned there wasn't limestone in the area. Perhaps wood ash was used until it became too difficult to transport trees from longer distances. Then the Teuchitlanos turned to calcium carbonate. And with a drought in the mid 6th century, Magdalena shrank in size and a lot of springs near sites could have dried up which would have caused famine. But that's another topic for another time or researcher haha.

Thanks for all the questions! I really do appreciate it!