#do i like these other characters more than i realize?!?

[pomefioredove]

having a crush on you

summary: how they would act having a crush on you type of post: headcanons characters: pomefiore (vil, rook, epel) additional info: reader is yuu, reader is gender neutral, rook is rook, not proofread, hi I'm insane and I love pining, I NEED to write another fic but with rook. might write this same prompt with other dorms

𝐕𝐢𝐥 𝐒𝐜𝐡𝐨𝐞𝐧𝐡𝐞𝐢𝐭

don't take his calm and collected facade as apathy

he's slowly losing his mind about this

"pacing back and forth, mumbling to himself, falling asleep thinking about you" kind of losing his mind

it's my personal belief that Vil hasn't been in love before this

hasn't even really thought about it

so when you enter the picture it kinda throws him off balance

and with the exception of Rook, no one can even tell

he is an actor, after all, he can play the part of "totally platonic friends with room for Jesus"

(maybe a little too well)

but Vil isn't entirely emotionally repressed

he keeps things to himself, yes, but he's quite conscious of his own wants and needs

so when he realizes he's been craving your presence more than usual he does acknowledge it

in his head

and then does nothing about it for months

...what? he's busy

things like this can wait for him, and he doesn't want to put a rift between you two in case it might be a passing feeling

well... it doesn't pass

he becomes keenly aware of how much he wants you around him, how much he thinks about you, how much your very presence is enough to make him happier than he's ever... really felt

and you know what?

he is totally cool about it.

just kidding. he drives himself insane trying to think of the perfect way to confess, something that will impress you and meet his standards

he's dropping hints left and right and you don't seem to be picking any of them up

which again, just makes him crazy

(some days he really wants to ask you how oblivious one person can be, but he restrains himself)

I mean, how many times can he send you red tulips before you finally get the hint? he's practically spelling it out for you!

there is... a tiny, little part of him that worries you don't reciprocate

is he not your type? are you interested in someone else? perhaps he'd been too harsh on you, after all...

the fact that one little potato can make him so worried absolutely drives him mad

he is the vision of poise and grace and you are ruining him

and this sort of mood comes and goes in waves

just when he thinks he's pulled himself back together, you'll smile at him or say something cute and suddenly he's back to square one

(you're so adorable it's annoying -_-)

while he's sorting out a good way to express his feelings properly, he'll be spending all his free time with you

you need some new things? he'll be glad to take you shopping

you came over to see Epel? oh, well, he's not here, but you should stay for some tea, anyway!

your afternoon is free? he has some new lip gloss he's been dying to test out...

𝐑𝐨𝐨𝐤 𝐇𝐮𝐧𝐭

contrary to popular belief, I don't think Rook would be so open about it

he still compliments you, of course, and sings praises of your beauty and elegance, and has little regard for personal space, as always

but he's like that with a lot of people, so it's hard to really tell when he likes someone

the truth of the matter is that Rook Hunt can be just as reserved with his feelings as anyone else

when he really, really likes someone, he keeps it to himself

why?

he's hunting you he's learning more about you before making his true feelings known

he feels it's necessary to have an adequate amount of information on his target before making a move, after all

for reference: you catch his eye at orientation, and do not have a single conversation with him until after winter break

(of course, after that, you start mysteriously running into him everywhere)

is he kinda weird about it? uh. yeah.

this is Rook we're talking about

on the other hand, he's completely lovesick about you and it's almost cute

he's definitely the type to write your initials in a journal with a glitter pen while kicking his feet back and forth and giggling

seeing if you would sound better with his last name or he with yours...

definitely has a very weird photo collection of you somewhere in his room

along with stacks of poems, pressed flowers, and little gifts he intends to give you once he's won you over

(when, not if. Rook is nothing if not patient)

you may find a rose left outside Ramshackle every so often

or a few cans of tuna for Grim

all while acting like the same old eccentric Rook, no discernable difference

except when you can feel his eyes on you at random places in the middle of the day

Ace and Deuce call you paranoid but you can't shake the feeling

though, every once in a while he'll get a little grumpy

Rook is easily jealous, and while that sort of possessiveness never extended to untouchable idols like Vil and Neige, he's already decided that you're his prey

and he'd kindly ask everyone else to find their own, thank you

he hasn't exactly planned the confession yet, but just know it's probably going to be the sweetest and craziest you've ever heard

𝐄𝐩𝐞𝐥 𝐅𝐞𝐥𝐦𝐢𝐞𝐫

first of all he's going to fight you for making him like you so much

second of all he's going to beg for a chance

maybe not in that exact order

Epel is constantly at war with his own emotions and having romance thrown in the mix is. uh. not optimal

not only does it ruin the stoic, strong male persona he's been trying to build, but it's also making him feel all soft and gushy

suddenly he cares about looking nice

(much to Vil's approval)

and now he wants to do nice things for you?

he's gonna bite you

how dare you make him think about kissing and holding hands!

don't you know he's supposed to be above all this romantic stuff? what is he, Rook?!

then, after his initial temper tantrum, he starts coping. hard.

he might be able to stomach the idea of being an item if he gets to wear the pants in the relationship

...yeah, right? right.

if you let him be the man, if you let him protect you...

he might be okay with it!

obviously he starts trying to show off his manly strength (seriously) every time he sees you

starts making comments about how tough practice was on him

will literally never let anyone else carry anything for you ever again

he even provides for you (in payments of apple juice)

obviously this backfires 'cause the second you do something that gives him butterflies he's back to giggling

(you'll have to ease him into the idea of being soft and romantic together, but he'll get there)

but, to his credit, he'd be the first out of all the above to confess

super suddenly and out of nowhere (and he ends up shouting it cause he didn't want to sound chicken) but it's sweet in its own way

[laikascomet]

also some clarity for the askbox

1) questions that will be answered by the comic but have yet to be will be deleted. this is the rule im calling 'let me cook' because all will be revealed if you wait patiently for your delicious meal

2) questions that dont serve any interest to other readers will (typically) be answered privately. i do really appreciate all the kind words - i try my best to answer these kinds of asks when they come in, but if i dont get to them right away i promise i still appreciate them!

3) questions are meant to be directed to the characters to answer! while idm answering some questions about my process or art, the ask box is meant to go to the laikas characters so i can draw responses. its actually been so long since ive gotten one like that i dont know if people realize that. (which is okay! thats why im clarifying)

4) though it has been very sparse, any asks that are innapropriate will result in being blocked from the comic's blog and my main and art account as well. innapropriate truly just means any violent or explicitly sexual content (saying 'i think laika is cute/pretty/hot/etc!' or 'i want yues hand in marriage' [all things i have recieved already] are A Okay 🫡)

all i ask is that people keep in mind, while laikas does deal with more serious subject matter this is still an all ages comic. additionally, im just one person writing this comic myself. some of the things people send me can be rather distressing sometimes... all im asking is people please remember i am a person too, and i want to keep writing my comic for you all! i cannot offer much more than that.

[glorious-spoon]

your way or nothing at all [9-1-1 | Eddie Diaz | 1/1]

1500 words character study | mild angst | weddings | background buck/tommy, eddie/marisol | pre-relationship buddie | not quite a feelings realization for eddie but he's getting there

-

In the quieting dark, Eddie lingers by the tables, the empty chairs pushed together in a cluster for a conversation long since abandoned. It's late enough that people are starting to filter out into the night, and pretty much everybody left is crowded at the open bar or swaying on the dance floor. At the high table, Maddie has Buck's suit jacket draped over her shoulders and her cheek tipped against Chim's shoulder, and he's looking down at her with a dopily besotted expression that Eddie can clock even from here.

It makes him feel like—something, some kind of nostalgia for the wedding he never got to have with Shannon. That whole day felt like being hustled through a play that he never learned his lines to. Shannon was three months pregnant and deep in the throes of vicious morning sickness that was not improved by the catering or the stress of the day, so he spent their wedding night holding back her hair in the honeymoon suite his parents paid for and trying desperately to feel like he had a single fucking clue what he was doing. Trying to feel like a man and a husband and a father-to-be and mostly feeling like a complete fraud.

They deserved better. Both of them. Now, in this moment, after this day, it soothes more than it stings to watch Maddie and Chim hold onto each other so easily.

The song changes, and he watches a swirl of motion on the bar side of the dance floor, the particular energy that's easily identifiable as Buck even before he emerges from the crowd. Normally, maybe Eddie would gravitate in, but Buck's got a hand linked together with Tommy's, and they're laughing, and so he stays where he is. Just watches.

It's sweet, a little fumbling as Buck very obviously tries to figure out the logistics of slow-dancing with another guy. Tommy says something in a low voice and settles a palm on his hip, and Buck ducks his head, laughing, and leans into him.

It's sweet. It is. Eddie's throat fucking aches.

He doesn't know why, not really. Maybe it's the smile on Buck's face, wide and giddy and almost embarrassingly bright. He never smiled at Natalia like that, or Taylor. Maybe Ali, but the truth is that back then Eddie wasn't looking for it. Back then, he was so caught up in everything with Shannon, and he and Buck were barely more than friendly coworkers, as strange as that idea seems now.

He probably smiled at Abby like that. Eddie wasn't around for that relationship, only the aftermath, but he can imagine it. You don't hurt that badly when someone leaves you unless you really fucking loved them.

"You would not believe the line for the bathroom," Marisol says from behind him, and Eddie jolts like he just grabbed a high-voltage wire. He tries to spin it into something graceful as he turns to face her, but he's pretty sure it doesn't work, and also pretty sure that he shouldn't be feeling quite so jumpscared at the sight of his girlfriend. His heart is pounding. He rubs his knuckles against his sternum, and Marisol asks, "You okay?"

"Yeah," he says. "Sorry. You startled me."

"No, it's fine." She smiles at him, and it's pretty. She looks pretty, in a blue dress that looks black in this light, little metallic threads picked through and glittering. It hugs the curves of her body in a way that Eddie feels obligated to notice, and so he does, and when he looks her in the eye again she's smiling wider, and that's pretty too and Eddie—

Eddie still feels like a fucking fraud.

"I got you a beer," Marisol says. She's got a glass of wine in her other hand. White wine, lipstick marks on the rim.

Eddie smiles back and takes the bottle she hands him. "Thanks."

"I wasn't sure what you'd want." She grins at him, flirty. "You'll have to tell me if I made a bad guess."

He sips the beer. It's a lager, hoppy and astringent in a way that leaves a bitter aftertaste on his tongue. He takes another drink and smiles around the grimace his mouth wants to make. "It's perfect. Thank you."

The pleased relief in her smile doesn't make the lie feel any better. He takes another sip and sets the bottle down, and Marisol settles her hip against his chair, close enough that he can feel the warmth of her body. Close enough that he could wrap an arm around her thighs and pull her into his lap, if he wanted to do that. He shifts forward instead, leaning his elbows against the table, and she lets out a quiet sound and sets her glass down to sit in the chair next to him. The music switches over from Christina Perri to what Eddie is pretty sure is Savage Garden, and on the dance floor Tommy says something that makes Buck laugh and pull him closer.

"They're cute together," Marisol observes. "Buck and, um… Tommy?"

Eddie's fingers twitch on his beer bottle. "Yeah."

"I didn't know that he was, you know…" she trails off. Eddie looks over at her, and she adds, "Not that there's anything wrong with it! I just, I thought he had a girlfriend."

"They broke up. He dates guys too," Eddie says, more emphatically than is really necessary. Like this is a truth that he's always known instead of something Buck told him two weeks ago in the loft, quiet and careful like he was afraid of how Eddie would react. Like he was afraid of Eddie.

It was a date, we were on a date.

So it's new for Buck, too. Not just him. But still.

It feels like something he should have known.

"Okay," Marisol says. The corners of her mouth tighten, and she takes a pointed sip of her wine. "I didn't know that, is all."

I didn't know either, Eddie imagines saying, but the words strangle themselves in his throat just the same as, Actually, I don't like lagers, and, I don't really want company tonight, did. He wonders how the hell Buck does it—just opens his mouth and lets the truth spill out. Eddie can only manage that when it's for other people. Never for himself.

"Sorry," he says out loud. "It's been… a day."

Marisol's face softens a little, and he feels like shit about that, too. It has been a day, is the thing. He woke up in a bathtub, more hungover than he's been in at least a decade, and after that was a wild goose-chase through the desert to retrieve Chim in time for the wedding, and all that is plenty of reason for him to be off his game now. It's just that somehow it also feels like a fucking lie.

On the dance floor, Buck has his cheek pressed to Tommy's. He says something, and Tommy's shoulders shake with laughter, and then they both turn, moving easily together into a kiss. It's quick and tender, and Eddie abruptly feels like the worst kind of voyeur for watching it happen. He turns his head away and finds Marisol looking at him.

The music changes again. TLC, he's pretty sure, because Chim is deep down a very basic Gen X music kind of guy. Or maybe it was Maddie's pick, who knows. Anyway. It's a little more upbeat, but still slow enough to dance to.

"You, uh." He clears his throat, and finds a smile that feels almost right. "Come on, you wanna dance before they close it all down? They're playing our song."

"This is our song?" Marisol asks, but she's laughing. "I don't even think I was born yet when it came out."

Eddie shrugs and holds out a hand. "It could be our song. Maybe for tonight it's just a good song to dance to."

That must have been the right thing to say. She smiles, sets her wine down, and slips her hand into his, letting him tug her to her feet. They wind their way through the chairs to the dance floor, and under the string lights she settles easily into his arms. 

I know you're gonna have it your way or nothing at all, rasps the singer in a sweetly smoky voice, as Eddie closes his eyes, and sways, and breathes, but I think you're moving too fast.

I think you're moving too fast.

He breathes in, and out, and opens his eyes. Marisol smiles up at him, and he smiles back, then cuts his eyes away. There are still a handful of people left on the dance floor with them: Athena and Bobby, swaying together like they're in their own little world, a couple of Buckley cousins with their dates. Buck and Tommy are gone, though, and Eddie almost cranes his head through the crowd to see where they got to before he catches himself.

"To tell you the truth," Marisol says. "I really don't think this is our song."

"Alright, well, we can find another one," Eddie says, and she laughs and sways into him, and he holds onto her, and when he closes his eyes, it's fine; it all feels fine.

[dancingtotuyo]

11. up from the dust, inconceivable love

Woman | Joel Miller X Female Reader

Rating: Mature/Explicit

Chapter Summary: Ellie learns the truth. Your family gains a member.

Tags: Joel Miller X Female Reader. Age Gap (13/14 years). HBO Characters. Mostly cannon compliant for show & game. Timeline is changed.

Chapter Warnings: pregnancy related things, angst, hurt & comfort and no comfort?, self worth issues, canon violence, anger, child birth, spoilers for TLOU 2 (we’re entering the timeline that starts to burrow things for part 2 of the game)

Notes: huge thank you to my constants, my rocks @ramblers-lets-get-ramblinand @janaispunk for beta reading and letting me yell and scream and break their hearts.

If you have checked out Before, I would encourage you to do so for more backstory on our dear reader! The final part is out now!

Words: 5352

Series Masterlist | Author Masterlist | Playlist

“What do you think of Peace?” You ask, propped up in bed, hand over your swollen stomach. You’ve gained more weight this time, probably because you’re not in the throes of grief. 

“I mean, I’m a fan. I hope everyone is.” Joel says, trimming his facial hair with the bathroom door wide open. 

You bite your lip, admiring the expanse of his bare back. If getting out of bed wasn’t an event, you would be behind him right now, kissing his shoulders. 

“No, as a name for a girl,” you say. Joel turns around looking at you like he’s contemplating checking you into a psychiatric ward if those still existed. “A middle name, not a first name.” 

Joel sets his trimmers down, leaning in the doorway shirtless. “And what would her first name be?” 

“Willow.”

Joel furrows his brow stepping into your bedroom, your shared bedroom. “Darlin, I know we live in a commune, but we’re not hippies.”

“You bring me wildflowers and we walk barefoot through the fields. I wouldn’t be so sure.” You can’t help but laugh. Joel cracks a smile. “Do you have suggestions then?”

“Thought about naming Sarah- Katherine.”

You make a face. You know one too many Kates and Katies even in Jackson.

“It’s not a bad name,” Joel chuckles. 

“Neither is Willow.”

“Is this your way of telling me you’re a hippie?”

“Would you leave if I said yes?”

Joel shrugs “I don’t know, but I knocked you up so I guess I have to stay.” He crawls into the bed. His head is level with your stomach as he watches for movement. 

You roll your eyes. “How romantic.”

He grins up at you and then his eyes are back on your belly. He rests a hand at the top, staring, waiting in wonderment. Neither of you can believe this is all real. Your baby moves around all the time, kicking your bladder and lungs, signifying life. A life you did not think would make it. 

You thread your fingers through Joel’s soft brown hair. The outline of a foot appears and then disappears. Joel’s eyes sparkle and he kisses the same spot. He’s soft and gentle. In these moments, all your anxieties are carried away like leaves on an autumn breeze. This is your peace. 

“What other names did you have picked out for Carter?”

You bite your lip. “We didn’t have any other boys' names.”

“And if he’d been a girl?” He’s still enthralled with your stomach as if there’s been an enchantment cast over it. 

“Sarah.”

His head snaps up. 

“Tommy and I talked about her a lot when I was pregnant. She was on my mind… being a part of Sarah’s life made me realize I wanted a family… even in this world where I had no right to do so.”

You keep playing with his hair. His eyes go glassy making you wonder what memory is playing behind his eyes. You stay like that until Joel is ready to talk. Eventually, he sits up, clearing his throat. His lips touch yours. 

“What about Willa?”

You tilt your head to the side. You don’t really see how it’s any different than Willow, but you’re not going to bring that up. “I like it.” 

“And Miles for a boy.” His smile returns. He doesn’t tell you that he’s positive you’re having a girl.

“Miles is an old man's name!”

“Good, then he’ll grow to be an old man.”

You take in a sharp breath. It’s just an offhand comment, but it carries so much weight. It’s a stark reminder of the heaviness of the world, and the twinge of guilt you feel bringing another child into it. 

Joel takes your hand, kissing your palm. You see it in his eyes too. “I’m sorry. I shouldn’tve-”

“It’s okay.” Your fingers comb through his hair. He leans into your touch. His grays are more noticeable than they were a year ago, but the brown still outnumbers them. 

“Do you think it’s a boy or a girl?” he asks.

“I don’t know… I- I haven’t really let myself think about it until today.” It's true. The fact of the matter is you’re within a month of your due date. You and Joel are so close to welcoming this baby into the world and are wildly unprepared. 

“We’re getting close… We need a crib.” 

“The one I used for Carter is in the attic.”

“I can bring it down in the morning.”

“I need to get some baby clothes. I traded all of Carter’s.” 

“Looks like we have a bunch of work to do, Mama,” Joel smiles, kissing your forehead. He still hasn't told you about the swaddles and onesies tucked in the back of his drawer, but it seems you’re finally ready for them.

You cock your head to the side, contemplating the nickname. There’s a mix of emotions with it. You’re already a mother. Joel is a father, but this is a life you’re bringing in together. It’s uncharted territory for both of you. Sarah’s mom was out the door before she was six months old. Neither of you have done this part with a partner before. 

A sharp knock on the front door pulls your mind from its wandering. Joel’s brow furrows, rolling out of the bed. People don’t knock on your door often. They usually barrel right in, unless it’s bad. Your stomach drops. 

Joel is out of the bedroom, shrugging on a shirt. Dina’s voice calls through your home. “Hello?” She sounds worried, desperate. 

You swing your legs over the side of the bed. It takes more time to stand these days. If you try too quickly, your head rushes making you feel dizzy. 

“Dina? What’s wrong?” Joel’s at the bottom of the stairs now, but his voice carries. You have to stop at the top of the stairs to catch your breath. 

“Ellie is gone.”

You freeze, grabbing the railing for stability. “What?”

Joel turns around, worry etched in his face. “Where did she go?”

“I don’t know. She mentioned something about the Fireflies and a hospital, but she wouldn’t talk to me.” You make out the flicker of hurt in Dina’s face. Those two tell each other everything, or most things. You’re not sure Ellie has told her about her immunity. You all keep that one pretty close to your chests. 

“Shit,” Joel mumbles. He glances between you at his back and the front door in front of him. You see the push and pull. He needs to go after her. He needs to be here for you. 

His eyes settle on you. Your hand settles on top of your swollen belly. He’s looking for permission. You want to give it, but what if he’s needed here before he gets back. 

“She’s been off lately. I don’t know why. She won’t talk to me.” Dina seems to sense the silent conversation going on. “I can go after her, but-“

“No, I need to go.” Joel swings back toward the teenager, both hands placed on his hips. You try to bite back the panic rising inside you. He’ll be fine. They’ll both be fine. “Do you know when she left?”

“Probably sometime before the sun came up. Shimmer isn’t in the stable.” 

Joel lets out a ragged sigh, hands running over his face. You try to keep the tears away, your hormones making it difficult. 

“Will you let Maria know I’m going after her? I need to pack.” 

Dina nods, her eyes flickering up to you before she’s gone in a flash of dark curls. Joel turns around, hand resting on the banister at the bottom of the stairs. You swallow and walk back into the bedroom. 

It’s silent at first, nothing but the sounds of draws opening and closing and the soft slaps of his leather saddle bags. You sit in silence at the edge of your bed, chewing on your lip as you watch him. Ellie needs him. It echoes on repeat in your brain. 

“I can probably catch her. We’ll be back in two weeks if I don’t.”

You stare down at your ever growing belly. You could easily be pregnant when he returns, but what if you’re not? You’re fairly certain you’ll have this baby sooner rather than later, but Ellie needs him too.

“Why does she want to go back to Salt Lake?”

Joel freezes for a second, like he’s contemplating his answer. It sets an uneasy feeling in your bones. “I don’t know. Maybe she thinks some of the Fireflies are still there? That this whole cure business is still an option?”

You nod, thoughts drifting to her face when you looked at her blood a couple months ago. She looked desperate. You hadn’t seen her like that before. It was almost unnerving, like the need to be needed by humanity had returned tenfold. It made you wonder if you’d been there for her enough these past few months.

“I have to go after her.”

There’s a desperation you don’t quite recognize in Joel’s eyes, sending a thread of dread through your body. Is he leaving something out? Not telling you something? You nod, biting your lip. “I know.”

He lays his hand on your bump, fingers stretching out over it. “We’ve got time.”

You nod. “Hurry back, and be safe, okay?”

Joel kisses your forehead. “Always.”

He rides out thirty minutes later. 

You try to stay busy while they’re gone, cleaning the clinic and the house thrice over as the nesting and anxiety sets in. You ask Tommy to get the crib out of the attic as you prep the corner of your bedroom for the baby, wiping it free from the dust and cobwebs. 

Maria hosts a small get together for you pulling together some semblance of a baby shower, something you hadn’t had with Carter. It's nice, but you feel like they skirt around the questions nagging in their brains. Where did Ellie and Joel go? Will they be back in time? You don’t have answers. You have the same fucking question. Will they be back? 

The braxton hicks kick up, so much so you think you’re in labor ten days after Joel rides out. The fear that courses through your body is so paralyzing that you just lay in bed. Your body tenses with the memory’s of Carter’s labor. It’s not the physical pain of it, but the emotional rollercoaster you went through, alone. You’re not supposed to do this alone this time.  

Then, the contractions stop with no explanation and you fall into a restless sleep. You miss Joel, his warmth and comfort. His unspoken love that fills the room. You’re becoming more comfortable with the idea of it. 

You miss Ellie too, worried about what she’s going through. Providing it’s still vacant, Salt Lake won’t hold any answer for her. What lengths will she go to? How many miles will she travel in search of answers you believe don’t exist? How will she handle reality? 

You see the differences in Carter too. In his mind, Ellie and Joel have always been here. Two weeks without them feels like a lifetime to him, and to you. 

On day twelve, your front door flies open as you come down the stairs. Ellie bursts through looking frantic and frazzled. Her short cropped hair sticks up in certain places. Dirt smudges her forehead. You’re too relieved to see her to worry about her appearance. If anything, it’s expected after two weeks of travel, but your relief is short lived. 

“Did you know?” She yells. The door stays wide open behind her, rage flaming in her eyes. 

“What?” 

“Did you know?”

“Know what?” You step toward her, reaching out, but she backs away like a wild animal.

“He killed them! All of them!” 

“Killed who? Ellie, take a deep breath.”

“Joel! He killed the fireflies! They had a cure!”

Your breath catches. It’s not that Joel has killed people. You know about the years he spent as a raider. You know the cost of surviving in this world, but this isn’t the story you have been told about Salt Lake. When you asked him why she would go back, he lied. He knew. Knew the story hadn’t lined up in Ellie’s mind. 

“So he lied to you too!”

“Ellie!” Joel is stern as his frame fills your doorway. 

She spins around, the week of silence she spent next to him on the road back, wrath bubbling over and focused on him. “Tell her! Tell her, Joel!” She steps toward him. “Tell her what you did!” She shoves against his shoulders. 

“Ellie…” He repeats her name, softer this time. 

“Don’t do that!” She turns back to you, tears streaming down her cheeks. “They were going to make a cure from me, and you stopped them! You slaughtered them!”

“They were going to kill you!”

Your eyes widen, and it makes sense. Why Joel hasn’t talked about it. Why he needed to go after her. Why Ellie feels so useless. She’d been promised the cure. He’d taken that from her with a facade of an excuse.

“You should have let them!” Ellie screams until she pushes past him, rushing out of your house. 

Joel lets out a sigh, defeat evident across his features. You can’t even enjoy their homecoming, their safety, your head spinning too much. 

Joel shuts the door behind him, stepping closer like he’s expecting an embrace, but you step back, a mother’s anger building in your bones. He looks surprised. “Sweetheart…”

“You lied to her.”

“I protected her.” Joel’s eyes narrow. He’s tired and irritable. Neither of you expected a fight to ensue the moment he got home. “And I wouldn’t change a thing.”

“You’ve watched her struggle with this for years!” 

“They were going to kill her!”

“Have you listened to anything she’s said?” 

You almost don’t recognize the Joel in front of you. He looks like a shell of the assured, warm man you know. You wonder if this is the version of Joel Tommy used to speak of. The one Joel has told you about during those late night chats when you spilled the depths of yourselves to each other, or you thought you had. The one who floated through his days, barely living. 

“I couldn’t lose her!” 

“Except you did!”

Joel straightens, shoulders setting in denial. “She’s alive! That’s what matters.”

“You’re missing the point!”

“You’re saying I should have let them go ahead with it! Let them cut open her head for a cure you don’t believe is possible!” 

Fire blazes in Joel's eyes. You see it. There’s no rationalizing with him about this. In his eyes, there were no choices to be made. He did the only thing. It doesn’t matter what else he has to sacrifice, she’s alive and that’s all that matters. “That’s not-”

He scoffs, cutting you off. You see the pain and hurt ripple through his body, causing him to step back from you. “Sure sounds like it.”

“Joel!”

“Don’t.” He yanks the front door open. “I can’t be here right now.” 

He disappears across the threshold in the blink of an eye leaving you with a mountain to process and a growing tension across your stomach.

Joel knows he’s in the wrong. He knows he shouldn’t have lied to Ellie, held the truth from you. He’s a grown man, of course he knows what’s right and wrong, but that admittance doesn’t do anything to calm him. He needs to get out. Out of the house. Out of the walls into the open. It doesn’t matter that he just came from two weeks out there. 

He sneaks over the wall with more ease than he should be able. Instantly, he feels the tightening in his chest begin to ease. He paces the outside of the wall like a caged animal, the series of events reeling through his mind. He doesn’t realize how much he’s been pushing it back since they left Salt Lake. Her words, her pleas, over and over. She’d given him every opportunity to tell her the truth and he kept the lie going. 

There was no cure. The words he’d utter to her after they found that couple, one dead the other infected while out on patrol. 

He’d almost told her, but he couldn’t. He couldn’t lose her. Couldn’t risk it.  

His pacing becomes more frantic as he remembers the fear he felt at the thought of losing Ellie, the fear that pushed him into wiping away every firefly that crossed his path. The same fear that put lies in his mouth before he had time to think, that kept him from telling her the truth. He knew this would happen one day, but hadn’t been enough. He’d kept it from everyone, including you. 

Tell me, she had pleaded with him, begged him and he still felt the pull to replace his lie with another. 

She’d had to poke and prod to get the words from his mouth. Had to threaten to leave before she got the truth. That hurt almost as much as the fallout. Everyone thought he was a better man than he actually was. Ellie, you, himself, but when it came down to it. He failed that test. Good men don’t make someone threaten to leave to get the truth. 

I’ll go back, but we’re done.

Joel wears a path in the fresh grass beneath his feet, letting the spring chill take over when the sun sets, leaving him in darkness. Ellie had kept her word. He’d never heard her stay quiet for so long. The loss had begun to settle in with her riding next to him. 

Joel’s muscles ache from two weeks out on the road. He misses you and Carter. He hasn’t even touched you yet. Will you let him? 

Getting over the wall from the outside proves more difficult than it had the first time. Which is a good thing, but had Joel feeling every one of his 59 years. Embarrassment creeps over his cheeks with each step toward your home. The one he shares with you, but he feels like a guest as he climbs the steps. He doesn’t catch a glimpse of you or Carter or anyone else through the windows. 

The house is silent when he enters, no signs of life except for the faint buzzing of light bulbs. His brow furrows. You wouldn’t have left the lights on if you weren’t home. Then a faint sound comes from upstairs, movement at the very least. He follows it, placing his hand on the closed bedroom door before cracking it open. 

Soft groans come from behind the cracked bathroom door followed by a whispered curse. Maria's voice follows. Joel’s throat drops into his stomach. His boots echo off the wood floor as he crosses the room. “Sweetheart?” he calls, staying on his side of the door. “Is everything alright?”

“Joel? Get in here,” you groan out. 

It sends some reassurance through him to hear you so clearly before he swings the door open. His eyes go wide at the sight of you in the tub, sweat staining your skin as Maria kneels next to you. “Shit, are you?”

“Make yourself useful and hold my hand.” 

He nods, kneeling beside you. Maria stands, grabbing a few instruments from the bathroom sink, she gives Joel a look that lets him know you’re near the end of labor. Your baby will be here in minutes. It sends a rush through him. “I’m sorry, Darlin.”

You grab onto his hand tightly. It’s wet from the bathwater sloshing around you as you fight to get comfortable. It’s a useless pursuit, but it doesn’t keep you from trying. “Can we do the apologizing later? I’m kinda busy at the moment.” 

“Yes,” Joel takes a deep breath, his heart pounding in his ears. He squares his shoulders next to you, giving an air of assurance you know he doesn’t have. “I’m here for whatever you need.”

“I think you missed most of it.”

“Not that you’ve had much to miss,” Maria says, stern. She pissed at him, which is more than fair given everything. You’d had some time to explain what happened. “We tried to find you. Her labor progressed pretty quick.”

“Speaking of which-” You let out a gasp, face twisting in pain. “I think the baby is crowning.”

“She must be in a hurry,” Joel says. 

“She?” 

“Just a hunch.” Joel smiles, kissing your head.

For the next few minutes, the rest of the world doesn’t exist. Your fight never happened because there’s only one thing on your minds, bringing your baby into the world. The world goes silent again, but not in a bad way. A way that makes you feel at peace, Joel’s warm hand in yours. It doesn’t take long until she announces her arrival with a fiery scream once Maria pulls her out of the water. 

You hold her close, tears of relief gathering in your eyes. Joel leans in, his forehead pressed to your temple, arms wrapping around you and your daughter as she pulls air into her lungs. 

“You did great, Sweetheart.” He whispers into your hair as he kisses your cheek, cupping your daughter’s head. “She’s beautiful.”

Your eyes flicker between him and your newborn. It’s the moment you’ve been envisioning for months, the one you thought you’d get with Gabe when Carter was born. A little piece of you mends. Your child soothes against your skin. 

After you’re both cleaned up, Joel helps you into bed, then settles beside you. She sleeps in your arms, tiny fist clenched around one of Joel’s fingers still curled up in your softest bath towel. You brush her cheek softly. 

“I believe we decided on Willa Peace?”

“Did we?” You tilt your head to the side, a grin verging on your lips. “I thought we weren’t hippies.”

Joel shrugs, tracing your shoulders. “I had a lot of time to think about it the past couple of weeks.”

“Joel…”

Dirt still traces over his face. He hasn’t had time to clean off since he got back. You catch the faint smell of sweat on his clothes and skin. “I know.”

“I would have done the same thing to save her. You know what I think about cures.” You keep your gaze on your child. It only reminds you what you brought her into. “You lied to her over and over when she needed the truth.”

“I was trying to protect her.”

“I wish you would’ve told me.”

“I know.”

“This only works if we’re open with each other.”

“I’m sorry.”

“I know you are.” You bite your lip. “I’m going to need some time with this one.”

Joel nods, arm wrapping around you. “I know.”

You lean into him, enjoying the quietness that surrounds the three of you.

“Willa Peace Miller,” You smile. “Has a nice ring to it.”

“Yeah.” Joel hums beside you. “Can’t believe she’s actually here.” 

“And we’re both okay.”

He nods, and neither of you can tear your eyes away from the precious little being in your arms. You hang on every rise and fall of her chest, everything micro movements, the soft flutter of her eyes that never quite open. It all feels so fragile, so sacred. 

You remember similar moments with Carter. When the grief and the world got too loud, you would lay on the floor or bed with him on your chest asleep. The weight of his small body was a tether that kept you from flying away. 

Even in this moment, as your heart inexplicitly expands, you feel that thread of fear winding itself through your body. Another person to love and protect. Another person to keep from the jaws of the world. Another person you can’t bear to lose. 

“You know,” you say, pulling Joel’s attention. “If you were ever gonna pull those baby clothes and blankets out of your drawer, now would be the time.”

His brow furrows and then eases with realization. “How long have you known they were there?”

You let out a soft chuckle. “I washed them the next time you went out on patrol. I wasn’t going to leave those filthy things in your drawer.”

“You were going through my things, I see.”

“Next time don’t try to hide something in your drawer from the person who washes your clothes.” 

Joel laughs, easing out of the bed to fetch the items from the drawer. “Got it, I’ll be sneakier next time.”

“Can you get the onesie with the yellow flowers?” You bite back a smile. He doesn’t know how you often pulled the drawer open and just gazed upon the items. It helped you visualize it all even when the fear threatened to take over. Another child, and here she was. You’d been most drawn to the little yellow flowers. 

Joel laughs, grabbing the onsie and the swaddle with little yellow flowers to match. You’re gentle with her as you work the small article of clothing over her tiny body. It’s a bit baggy, but you can’t complain. It just means she can wear it for longer. She sleeps through all the jostling as if she’s fully absorbed her middle name. 

She’s settled back into your arms when a soft tap echoes on your door. “Mommy?” Carter’s voice comes through muffled. 

“You can come in.”

The door flies open as your son bursts through the door, grin spread wide on his face. Ellie stands behind him, looking like the space might envelope her.

 “Aunt Maria said I have a baby sister.” 

“You want to meet her?” you ask. 

Carter nods eagerly, dashing toward your bed. Joel catches him before he can jump onto the bed beside you and potentially on you. 

“Daddy!” Carter’s eyes go wide. He hasn’t seen Joel in almost two weeks. 

Joel laughs, arms tightening around the boy. “Hey, bud.”

Your eyes meet Ellie’s. Her eyes are red, bags deep underneath. You motion her next to you. She hesitates before sliding onto the bed beside you. She’s timid, keeping to the edge, eyes flicking over you and Willa. 

“You can get closer.” 

“I don’t want to hurt you.”

“I never got to hug you earlier.” 

She looks down, eyes scanning over your comforter like she’s reliving her homecoming. Once she’s close enough, your arm slips around her shoulders, tugging her close. She nuzzles into your side like a child seeking comfort. “You’re alright?” she asks.

“Yeah… we both are.” You say, kissing the top of her head. “I’m sorry.”

“You didn’t do anything.”

“But I’m still sorry you’re going through this.”

Ellie seems to sink into your further, eyes pinned to Willa. She doesn’t answer you. She doesn’t look at Joel as he sinks next to you with Carter, but you feel her tense when he does. 

“What’s her name?” Ellie asks. 

“Willa,” you reply. 

“Baby Willa.” Carter grins proudly. 

And the five of you sit there together in silence. You try to push it out of your head that it’s the last time you all might be together for a while. Even now, you feel the underlying anger rolling through Ellie’s body. This is a wound that’s been festering. It’s going to take time to heal. 

Eventually, Ellie slips from your side without a word to leave. She’s barely out the door when Joel goes after her. 

“Ellie,” Joel says, catching her on the front porch.

Her head whips around, expression set in stone. “I’m here for them, not you.” She keeps her voice low to not be overheard by nosy neighbors. “They’re my family. Do you understand?” 

Joel’s apology catches in his throat. He’s been apologizing the whole way back from Salt Lake. He knows there’s nothing he can say to rush this process. He made a decision, and these are his consequences. “Yeah… I got it.”

“Good.” 

She doesn’t give him a chance to say anything else.  

The bed is empty next to you, the sheets cool to the touch. Your eyes blink open. Cool moonlight shines through the window. You glance at the bathroom door. No light shines through the crease. Joel’s name is on your lips, interrupted by his voice. 

“Do you like the butterflies?” 

You turn to your side. Joel sits next to the crib, talking to Willa. She’s awake, moonlight reflecting off her big eyes. She’s content and still. 

“Your big sister liked butterflies. When they come out in the summertime, I feel her around me.”

She stares at Joel, mesmerized by his voice. Your eyes float upward to the mobile Joel made. He hadn’t explained it to you, but you already knew. Sarah had pinned them all throughout their Austin home. You keep one stuck to the window above the kitchen sink. There’s one tucked in his nightstand drawer. 

“I think she sent you to me.” He lets it sit there, contemplating the weight and depth of what he said. “I think she sent you to me, your momma, Ellie, I suppose she’s your big sister too, Carter. All of you.

“Her name was Sarah. She would have loved you.” He chuckles. “She used to ask me for a baby brother or sister. I didn’t know your momma yet… Well, I guess I did, but that’s a whole ‘nother story.”

You stifle a laugh unsuccessfully. Joel’s eyes lock on yours. He smiles, shooting you a wink. He looks younger under the moonlight, more at ease. The creases in his skin are less apparent. 

“Your momma, she’s quite a bit younger than me.” The smile stays pinned to his face. “It’s not so creepy now- least that’s what she tells me- but it would’ve been then, and I was a decent fella back before the world went to shit. Besides, between you and me.” He leans closer to Willa’s ear, but his eyes are still on you. “Your momma had a pretty big crush on me back then.”

You groan, heat flushing your cheeks. It shouldn’t be embarrassing, but it is. You chuck his pillow at him. Joel catches it, laughing. It’s the kind that sits deep in one’s chest and bubbles up with the purest kind of joy. You can’t help but smile. 

He slowly stands, grunting as he does. You hear the familiar pop of his joints. He leans into the crib. You notice Willa’s eyes have fallen shut. “I love you, my little wildflower.” He kisses her cheek before falling back into bed next to you. 

His arm wraps around your waist. Pulling you close, he steals a kiss on your forehead. “I’m getting too old to sit on the floor like that.”

“You’re getting too old to have a newborn, yet here we are.” Your fingers run through his hair. 

“Still can’t believe she’s here… you’re both healthy.”

“Neither can I.” You glance back at the crib. She’s just a few days old and already, you can’t imagine life without her. 

Tears well at the corner of your eyes. Your heart has grown so much. You thought you couldn’t open it to more people, yet here you are. The you of 4 years ago would be too terrified of losing this life to give it a chance, the price of pain too high. Yet here you are, embracing it, taking that risk, because this is living, and the love and belonging far outweigh the potential for pain even as it grows with every passing day. You fell into the trap,and it’s a crowded one, but it’s a happy one. 

Joel kisses your cheek. “You should get some sleep before she wakes up hungry.” 

“Mmm,” you hum as his hands move soothingly over your back. “Someone not named Willa woke me up.”

Joel chuckles. “I’m sorry, Sweetheart.”

But even now you feel your eyelids getting heavier. 

“Did you mean what you said?”

“About?”

You let your eyes fall shut as Joel massages out a knot in your back. You lean into it. “About Sarah sending us to you.”

“I did.” He kisses your forehead. 

Taglist: @pedrotonin @amyispxnk @joeldjarin @ilovepedro @justagalwhowrites

@missladym1981 @jessthebaker @annieispunk @ashleyfilm @moel-jiller

@eloquentdreamer @lizzie-cakes @hiroikegawa

[tyttamarzh]

Tallulah is Phil and Missa's daughter.

This will probably be very long, so if you want to read it, go grab some popcorn and get comfortable.

I have to talk about this because it's eating me up inside. I think I shouldn't give so much importance to comments coming from sewers like Twitter and much less Tiktok, but it makes me so sick (and I'm such a masochist that I even spend time looking for the shit they say to make me angrier and debate them xD).

I am very happy that it was finally made official, with papers certified by the federation, that Tallulah is the daughter of Philza and Missa, I think that was not entirely necessary for them, because they had assumed it for a long time (let's assume that Tallulah needed the pappers to end her W arc), although I suppose that more than anything it was done for those people who still cannot accept it or who deny the paternity of Phil and Missa (With Missa, although it bothers me, I can even understand it, he He hasn't been as present and many people don't know him, but god, it would be a crime to deny Tallulah's paternity to Phil, the man who has kept her alive and given everything for her throughout her life).

I'm glad that, although I have seen negative comments, the majority have been positive (even if it hurts them, it doesn't matter, it's official, screw them). Mainly, the negative comments have been from defenders of W and their arguments are so poor and weak that they are easily refuted. It is obvious that these people do not know Tallulah and have never met her, many do not even know how things turned out and say nonsense like that the current Llulah is an imposter, that it is not fair that they "rewrote" history and erased W (which It is false, Llulah's words make it clear that history was never changed, she simply moved on and that person remained in the past).

I refuted all those arguments on Twitter but screw Twitter, I hate the fucking character limit. So I'm going to expand (I have a lot of poison to get out of my skin). I have some points:

1- "That's not Tallulah" Of course it is her, those who witnessed her life and her growth during the year that passed, can realize that this was her natural evolution. She is the same girl who grew up overcoming her limitations, who suffered, who felt alone, who had abandonment problems, who everyone saw as a poor abandoned girl and who found comfort next to someone who has always loved her like a father and a brother who gave everything for her.

2- "They erased all her lore" No. Tallulah's lore is the one she built with Philza and Chayanne over the course of the year they lived together. Her relationship with W and her longing for him was only part of her story (although people made a lot of emphasis on that), but it was not the only thing that defined her, it never was and only people who never got to met her think that. They see her like an extension of that other person, as the only thing that kept him on the server, but did not see her as an individual character and definitely did not watch Phil's Vods and they never really knew her lore.

3-"How do they explain this in the lore?" Simple, there was someone in her life, someone who was her first father, but who spent very little time with her, who left a long time ago and who is currently no longer part of her life. She learned to let go of the past and focused in the family she has in the present, the family that loves her, that watched her grow up, that makes her happy and gives her security to believe in herself and that is the Death Family, Chayanne, Philza and Missa. Time passes, not all people stay, treasure those who are by your side and let go of what never brought you anything but pain.

4- "They should have created another egg and replaced her" Why replaceher? It has no sense or reason. She is a character who built her own story with her family, a story that never really involved that other person other than with one or another sporadic mention, why eliminate a character that evolved by itself? Little by little she separated herself from what she was at the beginning and that bond that she had with that first father was practically non-existent. What would be the point of eliminating it or replace her with another new character?

5- "No matter what other parents and appearance give her, she will always belong to W because she still carries the name he gave her" No. She never belonged to him. She lived with that man for 2 days and apart from leaving him the promise of a reunion, she did not contribute anything else to her life. She formed her own path, her passion for music was not because of him, it was something she already had before, her love for nature, for animals, everything was built in the days she lived with Philza (even with uncle Bad). She suffered for her first father but she moved on, she matured, she discovered her link with death and her powers as a medium, she acquired her own personality and little by little she built the Tallulah she is now.

She never belonged to anyone but herself and she always fought to prove that, but people insisted on dumping trauma on her and reminding her that she was an abandoned child waiting for someone who at a certain point was nothing more than an idealized dream, because There was never a real relationship between them, they never lived together long enough. She little by little made her decisions and chose the people she wanted to be her parents (and it's not that she had few options, Quackity, Bad and even F wanted to adopt her at the time and asked them to, but she was not a girl who was looking for parents). She could choose and she chose Philza, the person who had always been there for her and later she chose Missa, someone who despite not knowing her very well gave her his love unconditionally and gave her security when she needed it. Then she was able to feel the warmth of being part of a complete family.

6- "They should change her name because W gave her that name! That impostor is not Tallulah!" Why? Her name is not anyone's intellectual property, at the time it was given to her, it belonged to her for better or worse and yes, in some way it will always be a tie to her past, but a past she has already left behind and managed to overcome by creating new memories and dreams.

To a certain extent I understand those who became attached to her because she reminded them of that other person, but if they couldn't see her as her own character, it means that they never cared enough to make the effort to get to know her.

It would shock us all if a character we liked suddenly changed drastically and left behind what like us in the first place. But if they had really watched her, they would have realized that the change was not sudden, it was gradual.

She found in Phil a protective and understanding father who always put her and her brother before anything else, who suffered with her her pain and outbursts of frustration due to the depression caused by the absence of her first father. She found in Missa a cute and loving father who always showers her with love and helps her to have confidence in herself. She doesn't lack anything with them. She has closed a cycle of pain in her life and now she can heal.

She chose the look that makes her feel finally free to be herself, whatever the external reasons that led to that, she finally has a future ahead of her unbound by the past and prefers to be more like the people she considers her family now. If you can't see what all of this really meant to Tallulah and her evolution, it's because you never cared to see even 20% of her story. Well, since the middle of last year she began her journey to break away from a name and be herself, fighting to be seen for who she was.

If those people decide to continue supporting someone despite his shit, that is their right, but the server and the admin were also within their right to decide to kick him out and want to distance themselves from a person they consider unpleasant.

7-There were comments of another type, mainly from people who are really very lost with the lore, people who consider her the daughter of Quackity, even confusing her with Tilín (saying that Q didn't know if she was the daughter of W or Luzu and that she should get a DNA test), when we all know that from the beginning she was W's daughter as a single father and that the only reason Quackity could have become Tallulah's father was if to marry W, but that never happened, W didn't come back and Quackity was never able to develop that relationship with Llulah, she considered him a possible father because she knew W loved him, but Q always being kidnapped or something, they never really related much. There are people who, even with a certificate, continue to insist that Tallulah should have been given to Quackity to raise with Luzu (she had a tender interaction with Luzu and people were already asking him to adopt her, saying that she was alone and had no parents, I seriously hate them!) I shouldn't take seriously people who obviously haven't seen Philza even once and I know that many of those people are hispanic and are limited by the language barrier but if they don't have the slightest idea They shouldn't give their opinion… Tallulah is not an object to be passed from hand to hand, she chose and in order to do so she had to go through a very long and painful arc.

8- I firmly believe that it is a great win to now have a certificate that endorses who the people she considers her parents are, but I insist, it was not necessary, because that has been known for a long time and I am sure that if it was created it was to close the mouth mouth to all those people who are not capable of accepting that.

Tallulah is the daughter of Philza and Missa (and no one else), she is part of the Death Family, that is her story, it is not a whim, a whim is continuing to link her to something she is no longer a part of or wanting to make her a part of a lore that never happened or wanting to give her other parents different from the ones she grew up with (Quackity already had Tilín, Richas and now Pepito, I don't think she needs more children and Tallulah doesn't need any more shitty drama in her life).

Tallulah is a beautiful being, both with her old look and with the new and as Missa says "She deserves only the beautiful things in the world"

Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! And I can shout it a thousand times because it's true and she always was, but now it's certified by the government and no amount of complaining or tantrums can change that fact.

Sorry for my bad english. See you!! jajaja ando re agresiva, pero es que nadie se mete con mi familia xD

[niqhtlord01]

Humans are weird: Family Drama

( Please come see me on my new patreon and support me for early access to stories and personal story requests :D https://www.patreon.com/NiqhtLord Every bit helps)

To Abarxsis one’s family was something sacred and meant to be treasured. It contained those who were with you from the first moments of your age and would join you along your journey through time longer than any friend or colleague could. It was a feeling he held onto greatly and shaped the foundation of who he was. It was a trait he was glad to see shared amongst many humans as they too sought out family to such an extreme that they would pack bond with anyone or anything to obtain that sense of unity. Yet it was with some great surprise that when he inquired about his human lovers’ family they would refuse to even mention them.

 Whenever the topic of family was brought up their mood would shift like a switch had been flipped and all the joy and expression of them would bleed away and be replaced with a cold chill. Abarxsis learned that it was unwise to bring up the topic, but he still could not let it go until he knew why they were so against their own kin.

One night, Abarxsis was watching human entertainment while his lover slept and saw a strange situation unfold. The protagonist, like his lover, also was estranged from their family and refused to meet them. So the other characters surprised them by inviting their family over without telling them so the two parties could reunite and make peace once more.

This notion of restoring unity gave Abarxsis the idea that he could do the same for his lover and so he set out to track them down himself. It took several months of messages and follow ups until finally he had tracked down their family. When he mentioned that he wished for them to reunite they were thrilled at the prospect and agreed to meet them for dinner.

The day finally came and Abarxsis had taken his lover out under the pretext of a romantic dinner. When the pair arrived the rest of the family was already waiting at the table. They stood and smiled as the pair approached and extended hands of friendship, but Abarxsis noticed his lover had remained frozen at the doorway.

A myriad of emotions went across their face as their eyes focused on the family. Their hands tightened into fists as they looked slowly from the table to Abarxsis, who was still smiling, and glared at him.

“You did this?” she asked through clenched teeth.

The smile quickly fell away from Abarxsis’s face as he realized something was very much wrong.

“Abarxsis did.” He confirmed. “Abarxsis saw how talking of family upset Kelly, so Abarxsis-“

Kelly turned and left the room without hearing out the rest of his reasoning. He turned back and saw Kelly’s family looking confused and went after his lover. She stood out in front of the restaurant pulling out her communicator to summon a hover cab.

“What is wrong?” Abarxsis asked as he came up behind her. Kelly’s head turned to him to see it now awash with rage and anger….and betrayal, much to Abarxsis’s surprise.

“I told you I didn’t want to talk about my family.” Kelly began, her fists still clenched tight. “I had made it perfectly clear that I had no desire to speak with them, or speak of them, or even be near them from the moment we met.”

“Abarxsis know’s this-“  Abarxsis began but Kelly held up a hand to forestall him.

“You don’t speak,” she remarked harshly, “just stand there and listen because I am about to be as fucking direct as I can possibly be.”

Kelly only swore to Abarxsis when she was truly angry so Abarxsis remained silent as she continued.

“My family……”,she stopped and collected her thoughts for a moment as if a torrent of words wished to flow all at the same time from her mouth, “are nothing but parasites; and I have not wanted them near them since the day I left their hellhole of a home.”

“They have leached off me financially, mentally, and emotionally all my life. I was the only one to hold a stable job and they expected me to pay for them while they sat around and did nothing. I was the one they came to when they were dumped by their lovers after they found out they were cheating on them. And when I told them I wanted no more part in their problems they berated me by telling me without them I would not even be here so “it was the least you can do to be grateful”.”

Abarxsis had seen his lover angry before but this was something else. This was not just simple disdain or annoyance; this was a deep rooted hatred that ran through the core of Kelly’s being.

“I left,” she continued, “because it was the only way I could be free from their toxicity and now, despite me telling you otherwise, you have brought that toxicity back to me.”

“But..” Abarxsis spoke unsurely, “they are still Kelly’s family.”

“You were my new family.” Kelly laughed without joy and fixed him with a cold stare. “They stopped being my family the day I left them.”

A hover car slowly pulled up and the door popped open for Kelly. She started to enter when the rest of the family came out and started calling out to her.  Abarxsis watched Kelly look back at him and see her expression now one of disappointment and sorrow, before she entered the hover car and closed the door behind her.

The hover car pulled away as the family came up and began calling out Kelly’s name while shouting recent needs for money or how disappointed they were that she hadn’t spoken to them in so long. Once the hover car was out of sight the family then turned on Abarxsis making the same demands. Abarxsis looked at them with confusion as this was not what a family should be. The love and support he had felt from his was nowhere within the eyes of Kelly’s former family.

Abarxsis came to understand why Kelly did what she did and realized that despite their constant need to pack bonding and need for family, the human concept of family was something not as simple to define.  

[krowlovesinazuma]

Alright I ask for headcanons yet again Except this time for once I'm not insane How would Chiori react to the reader preferring their own clothes over Teyvat's? (Judging from the overall complexity of Genshin Impact's outfits, I can deduce that our modern-day clothing probably feels a lot more comfy)

Read this prologue for context!

Scenario: Reaction to Reader's casual dress style

Characters: Chiori

For starters, Chiori is an incredibly forward person on purpose, no matter who she's dealing with, no matter how powerful or all mighty they might be, and even though you may be special in a different way, it's no difference to her.

When she sees your clothes for the first time, her mind takes a moment to properly process it. She hadn't actually imagined what you looked like before, but an otherworldly fashion style wasn't in her mind! She'll definitely rope you into checking out your outfit sooner than later.

With this check though, she's quick to realize that your outfit, made of a simple t-shirt and jacket, is made with comfortability and casual vibes in mind. Just to make sure, she'll ask plenty of questions! Mostly out of curiosity.

As soon as she confirms this theory, she'll get started on measuring you up, and making a new outfit of her own! She understands now that you prefer comfortability over style, but that doesn't mean she'll let you walk away without something of hers on.

She'll probably make a few prototype sets to understand what you find comfortable in clothes, as she was very much specialized in fancier, high status clothing making! It's a challenge she very much welcomes, no matter how much you may protest her attempts.

In the end though, she is primarily doing this for you, to help you feel more at home in this weird place. She knows the effects that clothing can have not only in onlookers, but one's sense of self, and she's here to help out with that.

Once you sound satisfied, and select which of her prototypes you liked best, she'll make a set only for you, making sure to stop progress on her other orders until this one is finished. It'll be a secret endeavor, as she knows the value in keeping your name hidden.

That'll be far from it, however. Don't be surprised if you get gifts from her every now and then with more sets of comfortable, yet fashionable clothing! Making sure to put in an Inazuman flare for you to fit in best, every piece was original and unique.

Whenever you feel the urge to thank her, she simply cuts it short and continues on. In fact, since this is her way of thanking you, she can't help but take it as something endearing, how you failed to see how much you've already done for her.

She hasn't forgotten the kindness and happiness that you showed her when you still controlled the game world from outside, and this is just her returning a due favor. You definitely notice the difference when interacting with the others, as they feel more at ease with your more familiar clothes. Perhaps she was right about your previous clothes being a problem...

"How would you say that set is compared to the last? Yes, these are important questions. This has been quite the enjoyable riddle, but I can only improve with feedback, and you're my only target audience. Don't worry about rushing it, just think deeply and answer me in detail, for the sake of a better set next time."

[acourtofthought]

I don't know if I'm being petty, but I like to think that some of Elain's actions toward Azriel are just foreshadowing for Elucien's dynamic. For example, Lucien is very thoughtful about his choices for Elain's gifts, and Elain is invested in the presents she gives to others, including Azriel, even if it's in the form of a prank. This makes me think that receiving gifts will be one of their main love languages.

The scene where Elain called Azriel's scars beautiful could mean that if Lucien still holds any insecurities regarding his scars, it'd be no problem at all for his mate to help him realize how gorgeous he is, inside and out.

And, most of all, the theme of choice would fit so much better in an Elucien romance. I mean, Azriel isn't the one banned from two courts, prohibited to see his mother, exiled in a strange land, the one who has only two humans (who will die in a few decades compared to a fae immortal life) as his only friends, and he's definitely not the one being ignored by his mate and fearful of her rejection. If there's a character who deserves (plot-wise) to be chosen, it's definitely Lucien.

Besides, it would make so much sense with Elain's and Lucien's characters and with the development of their relationship. The fact that Lucien respects her time and space (or his passivity, as some like to call it) allows Elain to make the choice of pursuing the bond when she feels comfortable and secure enough. She'd also have more agency than her sisters in the beginning of their relationships.

But these are just thoughts.

Thank you for your blog and your theories and thoughts. You make me feel hopeful not only for an Elucien's endgame, but also that they really have the chance to get the next book. You have been a light in the end of this three-years-length tunnel.

P.S. I also have a guess that the announcement will be on May 1st. Hope we are right!

Also, the scene where Elain called Az's scars pretty could actually have been Elain calling his siphons pretty because Feyre wasn't sure what she was looking at.

However, I do agree that Elain is going to find Lucien's face devastatingly handsome and the reason for that kind of ties into her mother. Which sounds weird but I'll try to explain.

Her mother made assumptions about her, that she did not dream beyond her pretty dresses and gardens and that she would marry for love and "beauty". So of course, Elain tried to follow those expectations, getting engaged to exactly who her mother would have imagined for her.

I know Elain loved Graysen and probably found him handsome but he seems cookie cutter. Even Feyre said, he was sort of the human ideal of a lord come to sweep a maiden off her feet.

Lucien's face isn't perfect. He's handsome no doubt but he has long hair (no proper mother would approve of that), a scar running down his face and his eye. He is not the image of a baby faced Lord set to inherit his fathers estate someday. He's cruelly beautiful and looks dangerous and, we're all human here, that's going to thrill the "good girls" which everyone assumes Elain to be. Graysen is the kind of guy you have missionary sex with while the lights are out. Lucien is the kind of guy you are willing to do anything, anywhere with and that's probably a bit overwhelming for Elain given her upbringing. Right now, she's still stuck in the past, how she was raised, the kind of guy her mother proclaimed she would marry rather than embracing what lights her up like a pinball machine but I have no doubt once she does break free she's going to make sure he knows exactly how appealing she finds him because of the scars, the hair, the eye. Because of how it all comes together.

And I agree regarding the gifts! I think we see bits of Elain's personality around members of the IC but she never fully blooms, it's like a quick flash then it's gone. I could see Elain and Lucien teasing one another on regular days, silly gifts, sweet little gifts, but the important days I think will be when they reserve the really thoughtful, heartfelt gifts for.

With choice, I wonder if it's so much about that as fight.

(that sounds weird too but I wasn't sure how to word it).

What I mean by that is Lucien was chosen by Jesminda. He was chosen by Tamlin. He was chosen by many friends of which we're told he has many. He was chosen by the LoA as her favorite son. The problem is nobody fought to keep him.

The same with Elain. She was chosen by Graysen, she was "chosen" by Azriel, she was chosen by the chef and servants who wanted to do nice things for her, she was chosen by her many friends. But, none of them fought for her either. When things got hard they walked away.

Lucien and Elain are parallel in that they're just accepting life as it happens to them, trying to accept that when one door closes (to their dismay) and another opens, they roll with it even if they're not happy. They haven't learned to fight for themselves, possibly because they are used to not being fought for and as a result they try not to ask for much because they realize how expendable they are to others.

But in their book, I think they'll push past that to fight for what they do want and they will fight for one another. Lucien has been doing that so far when it comes to Elain. He is the one person who despite the odds did not walk away from her. Graysen gave up after Elain was turned. Az gave up easily, moved right onto feeling calm because of another female, admiring another female, thinking of another females eyes light up, even though Elain was probably upset after his rejection for the simple fact that any rejection hurts. But Lucien though he hasn't pushed her, has quietly fought for her for two years, by showing that he is still loyal to her and only her. And I imagine we'll also see Elain begin to fight for Lucien. Fighting against those who have wronged him, fighting for him to understand that he's not guilty for Jesminda's death or what happened to Feyre, etc.

Your last paragraph before the P.S. (May 1, May 1!!!) was so incredibly sweet and I wish I had better words to thank you for it.

I hope you have a fantastic day and I appreciate your message!

[fairytale-poll]

FINALS!!!!!!!!!!!!!

Propaganda Under the Cut:

Ponyo:

determined 5yo girls are more powerful than god

PONYO!!!!

As a child i did not even realize this was a little merm adaptation, but it really reads. She is sooo strange and other worldly and the movie absolutely captures that dreamlike fairy tale vibe

Ponyo a roughly five-year-old magical goldfish who can transform into a frog-type thing and a human girl. She's the eldest daughter of the literal goddess of the sea and a former human sailor given immortality. She falls in love with the five-year-old boy who cares for her and is thrilled to explore his ordinary yet magical world. She's bouncy, exuberant, and joyful. She loves ham. She doesn't have to give up her voice.

ponyo ponyo ponyo little fishie in the sea!

Little fishy

THEY LOVE HAM

Bug:

Their a bug that falls in love with a human they rescue and becomes human, but even when they don't get to keep their human body, they still get to be with their love. It's a sci-fi fairytale musical.

Little Mermaid meets Starship Troopers musical starring awesome puppets and the most trans coded main character ever. Please. Please vote Bug Starship I love him. Go watch Kick it Up a Notch from Starship. Go watch Status Quo from Starship. You will understand.

He's a bug and he lives in space on a bug planet but he really wants to be a starship ranger which you can only be if you are a human and then one day a spaceship lands on his planet and so he goes to an evil bug called Pincer who then helps him become a human. And Bug falls in love with a human on the spaceship and it's very sweet. The musical and storyline are based on the little mermaid story, the creators themselves called it "the little mermaid but in space". Bug wanting to be a human/a starship ranger and achieving that and falling in love with a human is very much like the little mermaid

Starship is a musical that can only be described as The Little Mermaid meets Starship Troopers. It follows Bug, an alien bug who dreams of being a Starship Ranger, a galactic explorer/soldier, but the rigid confines of bug society keeps him trapped in a job he hates. He reaches a Starship Ranger named February from the hive and immediately falls in love with her. In order to be with her and pursue his dream, he makes a deal with a giant scorpion named Pincer who through sci-fi bs gives him a human body. Near the end of the second act he sacrifices his human body and returns to his bug body, and saves the day and wins February's heart. It's truly the ultimate Little Mermaid. He has multiple songs, and his bug body is portrayed by a puppet!! Vote for Bug!!

“It's a big, big, universe So many dimensions And unanswered questions Not to mention Life What an invention Life There's no choice involved in what you are given One mind, one voice, one body to live in It's a short, small thing we lead With so much potential Pointless or essential Which one can I be? Where do I fit? Where do I stand? Who are they to say what I am? And how can I stay inside this awful world I know? I need a way out I need an escape I'd rather be dead than to live in this place I wish that something or someone could just take it all away Someone take me away” dear god….. can anybody hear me…. (song from starship)

They are the purest little mermaid adaptation done in the most unuque way. An alien insect gets turned into a human, a race he has always loved and admired, to be with the woman he fell in love with. Also just a great musical.

Bug's whole arc is so so in tune with that of the little mermaid. He is an alien who has fallen in love with humanity through a crashed spaceship and trades his place in the hive for a chance to be with both with the human he's falling for and to be a Starship Ranger. He body swaps with human in a cryogenic pod! It's literally sci-fi Little Mermaid!

Don't stick to the status quo and pick the fairy tale!! it's what HE would want!!!

[illubean]

can i request headcanons of any hxh characters your choice (preferably including illumi, chrollo, and/or feitan) with a crush on/unestablished relationship with a gender neutral reader who refuses to fully align themselves with anyone but has an incredibly OP ability that requires their blood or body (can shoot blood in like spikes, detach their limbs to chase down and drag back runners, use their blood and/or tears to heal wounds, can just regrow lost limbs including their head, ect.) that would make being on their bad side more trouble then it's worth

so every fight they kind of /have/ to get injured to use it. Plus their ability weirdly doesn't seem to use nen (chrollo can't copy it and gyo doesn't show anything, ect.)

and when they're finally asked about it they're casually like "oh yeah, I'm not human. I was actually created to be an unstoppable force that infects and destroys humanity, but that's honestly too much work. Plus you give me snacks so I'd rather just hit whoever you tell me to." and their reactions to the fact this insanely overpowered goober they've fallen for is a stray shapeshifting little abomination who could have murdered the entire human race and that they're lowkey lucky reader likes getting bribed them so much

(Sorry if that's too long btw, I thought you'd like the idea but I couldn't think of a better way to condense it 😅)

HXH With an Unaligned!OP!Reader

Characters: Illumi Zoldyck, Chrollo Lucilfer, Feitan Portor Type: Headcanons, Gn!reader

i do not like how this came out but posting anyways lol...

Warnings: mentions of blood, experimentation and violence, reader isn't human if that counts as a warning

Illumi Zoldyck

the way you met Illumi was... not ideal to say the least

he was on a job to kill some scientist guy but little did he know scientist guy had quite literally created a monster

the day he was going to do his mission happened to be the day your power was finally realized

annnndddd Illumi walked in on you killing scientist guy and literally everyone else who worked for him

you had managed to pop your arms off and launch them like missiles, turn your blood into weapons and spikes around the room and also not die????? and grow your limbs back???????????

the weird part was Illumi couldn't sense any of your aura at all

he just assumed you were a super advanced nen user and were able to still keep up hatsu really well while fighting

which led him to the conclusion that he should either A. run away or B. try and get you on his side

when you noticed him just standing there you turned to stare at him like come at me bitch

"So? Are you here to poke me with more needles like the others? It won't end very well." "Actually I was here for the guy in the lab coat, but it seems like you did the job for me."

realizing he wasn't a threat (or trying to be because you know...you cant die) you let down your guard down

you ended up just following him around after that, not really having anywhere else to go so Illumi decided on plan B

turns out it took a lot less manipulating than he thought

he brought you to the estate and you agreed to help him with whatever for a popeyes chicken sandwich

watching how you wandered around the estate aimlessly and lounged about Illumi quickly realized you only use your abilities when threatened or bribed

so you become his personal little treat fueled killing machine

he takes you on missions with him because he doesn't trust you alone at the estate...

eventually he asks you about how your hatsu is so good and you're like wtf is that

and he's like What.

you tell him you we're pretty much created in that lab and they did all these tests and stuff and you didn't even really know how or why you had the power you did but you found out you did the day you met

and you were all like "they were so annoying and they told me to do stuff for free, I'd never kill you though you feed me :3"

he is so glad you are clueless and he got to you before anyone else because you could take over the entire world if you really wanted to

he is going to marry you ASAP

but again, you being clueless did not understand what marriage entails

and you agreed for the same reasons you agreed to literally anything else this man has asked of you

you are Illumi's most prized possession and no matter how freaky you are, he really does cherish you as normal people would their spouse

Chrollo Lucilfer

running into you on a heist was definitely unexpected

especially since you looked like you just got out of captivity

mistaking him for an enemy you shot your fist off at him and barely missed

and he was like woah im not an opp dw

then your hand grows back and hes like !?

he asked why you were there you explain that you were some sort of war weapon yada yada yada the guys got annoying you killed them and yeah

and Chrollo offers you to come back w him and the troupe and you're like sure if you feed me

so after the heist is over Chrollo takes you back to Phantom Troupe hq and then talks with the gang blah blah blah dismisses everyone and then takes you to wherever the hell and buys you whatever you want to eat

and while you're stuffing your face bro is like

"Your powers are pretty impressive. Mind telling me how they work?"

and not caring you tell him, mainly focused on your meal

and he's like huh what a useful ability time to steal it

one thing leads to another and he somehow gets you to touch his weird book and when he flips to where your nen should be the page is blank and he is insanely confused

and hes like "Why didn't my nen ability work on you?"

and you're like wtf is nen

and hes like oh my god I don't think this thing is human

so he asks

and you're like "I literally told you I'm a war weapon. A weapon created for war, but that's too much work."

now he is confused but also intrigued

he offers for you to join the troupe and you're like

"But being in a gang is so much wooorrrkkkkkuuuuhhhh"

you can literally destroy man kind but you don't because you're LAZY!?

you're not officially part of the troupe but you're practically an honorary member because you follow Chrollo around after your first encounter

and he decides it 's better than nothing

Feitan Portor

I can't think of a clever way for you guys to meet LMAO

umm uhhh idk maybe you were created to take out the chimera ants and happened to get deployed in meteor city the same time the troupe was hunting down the 'queen'

so when the troupe got there you were already fighting some ants

you look human enough but your abilities make Feitan think you might not be

soooo he tries attacking you before he ended up getting to the lizzard ant crocodile lady thing i don't remember what she was

and he couldn't beat you and you're like wtf do you want from me I'm trying to do my job

and hes like ??? you're not an ant?

and youre like no

and hes like oh and leaves you alone

then he throws the entire sun at the ant lady and leaves the building

he kinda forgot about you until he felts something lift the back of his cloak

and he's like !!?!?!??!

and he looks behind him to see you crawled under his coat and took the snacks he hides under there for himself

and he's like what the fuck

how did you even know he had those???? (you could smell it because you have super enhanced everything)

ok i just remembered his cloak got destroyed in this scene but pretend it didn't

anyways he snatches the bottom of it away from you and tries taking the snacks back out of your hands but you are quick to dodge

he's irritated but he just lets you have them he's too tired to deal with this

you end up following him after this like a lost puppy and the rest of the troupe is like ??????

but they can't get rid of you

and on the way out of meteor city you were like yap yap yap weapon yap yap created in a lab yap yap yap immortal

feitan could not care less about what you had to say but he was like ??? to the immortal thing

maybe you weren't a bad thing to keep around

[tirralirralirra]

something I love about having read/watched frieren and dungeon meshi concurrently is getting to see that, despite their similar broad genres (fantasy, DND-esque settings, failure op elf girls /lh), they are two very distinct stories that ultimately achieve the same* thematic goal through different narrative means.

like you have frieren's contemplative, almost slice-of-life style storytelling that focuses on how the connections between people make an impact, and how it's beautiful to cherish the memories of those we love, even the small ones (especially the small ones), and that being alive is so, so beautiful because of those things. Then juxtaposing this with the overall narrative of a literal journey to a land beyond in order to meet with the dead, while not losing focus on those that are alive. Frieren as a story takes time to explore the small things that make life beautiful (fields of flowers, the beauty and not the power of magic, stargazing and sunsets with your friends).

and then you have dunmeshi's tight narrative arcs that are built around urgency (saving falin, first from digestion, then from...chimera-ization), but also continually return to the same concept as a core tenet to both the literal narrative structure around meals and the overall story: to eat is a privilege of the living. That there is joy to be found in eating because it means you are alive, that you survived. That taking time to take care of yourself is honoring your life. That death is a part of life through the acts of killing monsters to eat, and that the dungeon's condition where a soul remains tethered to the body is unnatural.

For that last bit, I love how we're just introduced to the concept in the beginning as a bit of world building, something you might just take at face value of, "oh, I guess this is how this works in this story", and over the course of the story the characters start to interrogate that reality, culminating in Marcille's realization at the end that they took death for granted because of the dungeon's condition:

[ID: Manga panel of Marcille looking down in thought and saying "Look, this might sound a little weird, but...I think the entire point of this journey we went on....was learning how to accept death.]

(Panel is from the ehscans version, will update with official eng when the final volume releases)

I also love that the story takes the time to say, look, you can be in a hurry, but you still need to take care of yourself. Eat well, sleep well, What will you achieve in the service of yourself or others if you don't take care of the most basic qualities to survive first? The most recent episode is a good example of that with the focus on shuro vs. laios, and then there's this reinforcement of the idea by the end:

[ID: Dungeon meshi manga page showing Laios, Chilchuck, and Senshi shouting "A balanced diet!!" "R-regulating our daily rhythms!!" "And moderate exercise!!" respectively, followed by the three in various poses in front of the word "VICTORY" and Laios saying "If we watch these three points...we'll naturally work our way to strong bodies!!"]

Anyways this is all very disorganized and I have other things I need to do and I could write a more cohesive, actually organized thought piece on all of this with like, coherent points, but I don't really like to delve into literary analysis on my fandom account. it just lives in my head, rent free. thank you for coming to my ted talk tumblr. don't expect to see more of this, lol.

*I say same goal, which is not to say the only goal. stories can have more than one theme, it's ok if you disagree with me on this, but please bear in mind that I'm speaking very, very broadly.

[freelancearsonist]

this is what it looks like, right before you fall

➔ Dieter Bravo x nonbinary!reader-insert!oc - series masterlist

➔ 5.3k words

➔ CHAPTER ONE // You meet the cast and vow yourself to professionalism as filming starts, but one particular costar tests your willpower.

➔ Chapter rated PG-13 for age gap (reader is 21, dieter is 45), kind of pervy!dieter but not in a malicious way/reader reciprocates, some impure thoughts on reader’s part, written with basically no knowledge of how the film industry actually works. [please let me know if i missed any warnings that should be included :)]

➔ this reader insert character is: unnamed, afab and nonbinary (has female anatomy and uses they/them pronouns), neurodivergent, latinx, 21 years old, an actor playing a female character. I’m trying to keep them a physically blank slate but it is mentioned that they have longer hair (past shoulder-length) for the role and they wear a bikini for the role at one point as well. They are mentioned to be shorter than Dieter.

Everyone in this room is a seasoned professional. They move with poise and calculation, like chess pieces assessing their next best move. It’s reminiscent of a muster of peacocks—plumage spread as they strut around and size each other up, each wondering who will win the desperate yet subtle battle for dominance. They mingle amongst themselves and make small talk; all of it is utterly meaningless.

This is your first professional cocktail party, and if this is how they’re all going to be you definitely won’t be attending any more.

But then again, maybe it isn’t always like this. Maybe this is just the mania of the world being deemed “post-pandemic” despite the very real crisis still lurking in the shadows. You can’t blame people for how they cope with isolation and despair, even if it seems a little over-dramatic to you personally.

There’s maybe one other person in this room who seems to realize how ridiculous this whole game is, but you’re too nervous to go over and talk to him.

He looks comfortable amongst the chaos. He doesn’t strut around seeking conversation like the others—he lets them come to him. And they do; despite how formidable he appears to you, they’re all drawn to him like magnets. His presence has its own center of gravity, and everyone around is merely a lost orbiter. He reels them in one by one, chats with them—maybe even insults them a little–and then spits them back out into the stratosphere of the room. And they keep coming back for more, because he’s intoxicating.

Dieter Bravo is fucking terrifying for a man who’s shirt buttons aren’t aligned to the proper holes. 

“Hi.”

You hadn’t even noticed him approaching, as focused as you were on looking anywhere except him. His raspy voice makes you jump–makes your stomach lurch like a phantom step on the stairs. His dark eyes are penetrating in the way they stare at you over the rim of his sepia-tinted sunglasses. He’s looking through you, not at you. There’s something so thoroughly appraising about his gaze, as if he’s sizing you up.

“Hi,” you whisper back. You wonder if he’s like a bear, if you need to make yourself look bigger and scarier in order to appease him. But instead, you shrink–he makes you feel so small. Like you’re nothing but a speck of dust on the underside of one of his well-worn crocs; and maybe you are. Maybe you’re in way over your head here.

“I dunno if this is gonna work,” he hums, eyes lecherous and languid in the way they drag over your body. “You’re too hot to be my daughter.”

You choke on your drink, legitimately splutter and cough; of all the millions of things you imagined him saying in your mind, that wasn’t even in the realm of possibility. But he seems completely unfazed by your outburst, waiting patiently for you to regain the ability to breathe like a normal human being.

What can you even say to that? The hottest man in the room–albeit a man who’s more than twice your age–is passively hitting on you. And if he were anyone else, you would be outraged by how casually he does it. But he’s Dieter fucking Bravo, and you think you’d let him get away with just about anything; which says way more about you than it does about him.

Thankfully, he saves you from your swirling mind–redirects as if it was the most casual of passing comments. “Is this your first meet and greet?”

“No, I’ve left my house a couple times before.” It’s an unintentionally snarky comment, the kind that would normally get you in trouble. But Dieter actually laughs–well, it’s more of a snort than a laugh, but its purpose is clear–and you wonder if maybe this whole situation isn’t as bad as it seemed a few short minutes ago.

“First time in front of a camera?” He asks, absentmindedly swirling the neon green liquid–absynthe? antifreeze?–that resides in the crystal glass his right hand cradles. “I tried to find you on IMDb but nothing came up.”

“I’ve done some commercial work,” you admit, feeling a little sheepish; and a little caught off guard, flattered even, that he’s been researching you. “Nothing like this, though.”

“How’d you get the role?” The question sounds deeper than it really is–distrustful, in a way.

You simply shrug. “I guess my audition was good.”

“I guess it was.” You don’t know exactly what he’s insinuating, but you feel like you should be offended. There’s no malice or aggression left in his dark eyes, though–whatever you’ve shown him, he’s liked it. “We’re going to have fun.”

“We are?”

“Mhm.” He takes a sip of his drink, and you can tell he’s trying not to make a face as the radioactive-looking liquid meets his tongue. “We should rehearse lines. In your room. Build our chemistry.”

There isn’t a singular cell in your brain that believes there’s no underlying motive to the invitation. And even yet, you accept. You kind of get the sense that he wouldn’t accept no as an answer, anyway.

He nods his acknowledgement, and then just as quickly as he had appeared, he’s melting seamlessly back into the buzz of your fellow costars.

You don’t realize how hard your heart is beating until he’s not standing over you anymore. With a sip of your drink, you do everything you can to will your breathing back to normal. There’s no reason a simple man should have such an effect on you.

But there’s really nothing simple about Dieter Bravo. He’s imposing. He’s been in this industry for as long as you’ve been alive and it shows in the way he carries himself. There’s confidence in his strut, an undeniable carefreeness to his appearance. He’s a professional; he’s everything you hope to someday be.

You promised yourself that you wouldn’t act up over the star-strewn cast, and you’ve held true to that promise as of yet. But Dieter Bravo poses a challenge. Especially with the shameless flirting and the way his eyes linger on your body, you feel yourself becoming more and more starstruck with each passing moment you’re in his presence.

You’re suddenly desperate for this thing to be over with so you can go back to your room and unwind. Your nerves are taught like an over-tuned guitar and liable to snap at any moment.

Dinner goes as smoothly as it can, albeit slowly. You’re stuck at the end of the table, sandwiched between two other actors who are around your age and clearly know each other from the way they keep talking to each other through you; and Dieter is at the opposite end, which is both a blessing and a curse. At least you’re not close enough to smell the warm, woodsy spice of his cologne—it lingered in your nostrils for a solid five minutes even after he walked away from you earlier—but you’re far enough away that he has a good angle to stare at you.

And stare he does. You can feel his eyes tracking every move you make. He doesn’t even look away when your eyes catch him; the cocky bastard smirks. He looks you right in the eyes over the rims of his sunglasses while the corner of his mouth tilts up and he has to know that it goes straight to your core.

The minutes pass like molasses with his attention on you, and it feels like a weight’s been lifted off your shoulders when it’s finally time to turn in for the night.

You didn’t get a chance to introduce yourself to half of the cast because you were so busy being an unimposing wallflower, but you’ll worry about that tomorrow. For now, you’re walking to your room as fast as your legs can possibly carry you.

Shooting starts in the morning, and you really need a good night’s rest. You want to start strong and prove yourself. But you stay up into the wee hours of the morning anyway, laying in your oversized hotel bed and staring at the ceiling, wondering if Dieter’s going to come knock on your door to “rehearse lines” like he suggested.

He doesn’t, and you don’t know why you feel so disappointed about it.

You wake up from your four hours of sleep with a little bit clearer of a mind, surprisingly. Dieter’s hot and he’d be a once-in-a-lifetime lay, but you’re playing his daughter in this show. How seriously do you want to be taken in this industry? Because banging the actor who plays your father in your first serious project is decidedly not the route to being taken seriously as a movie star; in fact, it’s the kind of scandal that could end your career before it even starts.

You shower, do your basic morning skincare routine, get dressed, and head to set. All the while, you chant your new mantra: Dieter Bravo is off limits no matter how badly you want to play right into his hands. His big hands. His big meaty hands that you want all over your–

“Well hello!”

The woman who greets you as you walk into the hair and makeup tent is way too chipper for 7AM.

“Hi,” you say, a little shyer than you mean to sound; at least you can blame it on the early hour and the fact you haven’t had any coffee yet.

“I’m Cynthia, I use she/her pronouns. It’s nice to meet you.” Cynthia is blonde and tall, almost imposingly so. She’s sturdily built and graceful–there’s an almost feline quality to her movements. She’s gorgeous, and not just because of her perfectly styled hair and makeup.

You take a deep breath before giving her your introduction. This is something you’ve contemplated a lot prior to arriving, and even more so in the long, isolated hours of quarantine in your room. She/her doesn’t do the job, and you’ve known it for a while; but you let people use them anyway, because it’s easier to appease them than to constantly be correcting everyone. After intensive consideration, though, you want to go into this new chapter of your life as your true self.

You take another deep breath and then you give her your name, followed by “they/them.”

She smiles so warmly, but she doesn’t comment on it. No, “oh!” or “that’s so brave!” or any of the other thousand responses you’ve gotten to providing the pronouns you’re most comfortable with.

She guides you to her chair and she starts chatting away about anything and everything but your gender identity; that simple, wordless acceptance is such a refreshing change of pace from what you’re used to that you choke up a little bit.

You manage to swallow it down without her noticing, thankfully. You’re going to be dealing with Cynthia every day for the foreseeable future and you really don’t want her thinking you’re a loser.

You look like a completely different person when she’s done with you. Your entire face is coated with a thin layer of makeup that evens your skin tone and shrinks your pores. There’s thin, symmetrical wings of eyeliner on your eyelids, and your hair is curled in perfect blow-out waves. The outfit pulls the whole thing together: a Guns & Roses t-shirt underneath an unbuttoned long-sleeved flannel and jean shorts that hug your waist tightly but taper off around your thighs.

Cynthia’s a miracle worker, truly. You look exactly like the freshly-graduated, soul-searching, 1970’s time capsule misfit teen you’re supposed to be playing for eight episodes worth of HBO drama. It’s like meeting Charlotte “Charlie” Herrera for the first time, except you are her.

It’s a lot easier to get into character when you look the part; although becoming someone else has never been something you’ve necessarily struggled with. You take a deep, steadying breath; and then suddenly, you’re a different person. It’s that simple.

You’ve had some minor success with acting prior to landing this role. You always landed leads in school plays, and you shone in the silly little YouTube videos your high school friends liked to make. Acting comes naturally to you, and when people ask how you do it, what’s your method, you don’t really know how to answer. You just do it.

You’re not humble enough to try to deny the fact that you’re talented. The executive producer called you within half an hour of you submitting your audition tape for this role, and he didn’t stop complimenting you for another half an hour. There’s just some kind of special compartmentalization your brain accomplishes when you have a character to play; you flick off your “you” switch, and flick on your “character” switch.

You’re sure your therapist would say that it’s easy for you because of your natural proclivity for escapism. Your parents would probably just say you’re a psychopath. Whatever it is, you have a knack for acting, and it shows. It’s as easy and natural as breathing.

There’s a flurry of activity around you as you settle on your mark: an unevenly-stuffed floral print couch in the living room of your character’s shoebox home. It’s small, but it feels lived in. There’s photos in mismatched frames of you and Dieter on the walls and it puts a weird sensation in the pit of your stomach; it takes you aback how realistic and natural the photoshop is for set pieces that probably won’t even be in most frames of the show. There’s eclectic trinkets and pieces of period-accurate paraphernalia on shelves and side tables. You could almost believe you’ve been transported back in time if you ignore the huge cameras and empty windows.

Your costar walks in and suddenly the nerves hit you in full force.

This is it; this is your big moment. This needs to be flawless because first impressions stick. Especially to someone like Dalton Amari, who’s been acting since he was in diapers. Even though he’s barely a year older than you, he’s a bonafide star. He’s got an IMDb filmography that’s a mile long and he’s won countless awards. You need to be on your game because you’ll be damned if you’re going to disappoint someone like him.

He’s handsome and imposingly tall as he towers over you, dark-haired and dark-eyed with blindingly white teeth that contrast the light brown tone of his skin. You have friends who swoon every time he posts on Instagram; it’s surreal, being in the same room as him like this, with him smiling at you like you’re important.

“Hi again,” he greets as he sits next to you, body moving closer to you at the instruction of the director.

You feel a little more at ease like this, despite how formidable a scene partner he is career-wise; he’s the kindest of all the costars you met last night. He was one of the few people who actually made an effort to approach you, after all–introduced himself with that charming smile and everything.

“Hi.”

“You look great,” he says with a noticeable scan of your figure. “Just like my grandma used to.”

It’s the exact kind of icebreaker you need to completely melt the tension; you laugh, and he laughs with you.

The director–a man named Jeff with a graying beard thick enough to clothe a family of four–walks over with a smile on his face. “This is the exact kind of chemistry I want onscreen, okay? Nice and light, make it look effortless.”

“Sure thing, boss man.” Dalton’s long, blown-out hair flops into his face when he nods, and you can tell it irritates him. “God, how do people put up with this shit? Remind me to never grow my hair out again.”

“You’re telling me,” you respond with a laugh–your hair is even longer than his.

This first scene is surprisingly easy. He’s so talented that it rubs off on you and builds up your confidence until you’re commanding the scene effortlessly. You lounge on the couch with him and lament over approaching adulthood, recounting the glory days of your characters’ shared high school experiences now that they’re over for good. You feel like you’re really there, in that time capsule moment of late May 1976, shooting the shit with your high school sweetheart boyfriend. It’s easy to forget that you know what happens between Charlie and Trevor, Dalton’s character; that the story has already been told all the way through. Right now, in this moment with his arm around your shoulders and your hand on his thigh, it’s just beginning. You’re three years younger than you really are, and you’re in love with this boy who’s looking at you like you hung the very stars from the sky.

“Cut!” Jeff calls, and you pull away from Dalton’s loose grip. “That was perfect you two, keep it up!”

Just like that you’re you again–not Charlie, not Trevor’s girlfriend, not anyone else. The transition is that simple and seamless.

You catch a glimpse of your smiling face next to Dieter’s in a brass-framed photo, and you feel that weird, twisting sense of complication again. For a blissful moment in time, as Charlie, life was without uncertainty. When you’re her, there’s a script and a set destiny that you know will play out exactly how it’s supposed to. When you’re you, you don’t know what’s going to come next. Maybe that’s why acting has always been easy or you. You crave the predictability and certainty that comes with a scripted ending. You know how the final page plays out, and you know exactly what happens along the way.

Life, unfortunately, isn’t that simple.

“Hey,” Dalton says, voice a little softer than the voice he uses when he’s Trevor. “You did great. Don’t be nervous.”

You don’t know how he knows you’re so lost in thought–probably the incessant bouncing of your left knee.

“Thanks,” you murmur in return, but you can’t meet his eyes. You’ve never been particularly good at taking compliments, even if they’re deserved.

“Alright, it’s class time!” Jeff interrupts with a clap of his hands. He’s notorious for his strict scheduling. “Wardrobe!”

You have two more scenes today and they somehow, miraculously, go just as well as the first. There’s no sign of Dieter, but you knew before you even got out of bed that he wasn’t on the call sheet for today. Tomorrow, however, is a different story. There are four scenes on the schedule, and the last one of the day is just you and him.

You’re glad you have some time to prepare for it, because you know that no matter how hard you try, you’re going to be self-conscious around him. He’s not just attractive or charismatic or any of the other things you’ve come to view him as; he’s something of a role model. You want to impress him, but you also want to learn from him; and you really, really don’t want to make a fool of yourself anywhere in his general vicinity. It might be easier said than done with those big brown chocolate-chunk eyes of his following your every move.

You adjourn to your hotel room and order room service, “untitled episode one” script in your lap. You’ve read it through about a million times, but tonight you pay special attention to your first scene with Dieter. You need it to be as flawless as today’s scenes went. You need him to be as impressed as Dalton was, because his opinion means more to you than anyone’s.

You also pay special attention to that particular scene because it’s going to be a real test of your abilities; looking up into that handsome face and remembering your lines the way you’re supposed to is going to be your crucible.

You check the time around midnight and decide it’s late enough; pushing yourself any further could just serve to undo the effort you’ve put in. A certain Instagram notification on the screen catches your eye: “@bravo69 started following you”. It’s Dieter’s verified Instagram account, and the notification is from two minutes ago.

You stay up for longer than you care to admit ruminating on the fact that Dieter Bravo is scrolling through your Instagram at midnight. Maybe, just maybe, you’ve gotten under his skin the way he’s gotten under yours.

You’re trying so desperately not to get your hopes up, but it’s hard not to.

Cynthia in hair and makeup can tell you’re not sleeping well, even without the way you keep drifting off and jolting awake in her chair. She slathers caffeine under your eyes and does her best to reverse the zombie state you’re starting to transform into.

She gives you a look a lot like a reproachful mother might. “Are you really losing sleep over this? You were fantastic yesterday!”

There’s just something about her that makes you so comfortable–like she’s been a friend you’ve known for years rather than a coworker you only just met yesterday.

“Yeah, but what if it was a fluke and I do horrible today?”

She actually scoffs, like it’s the most impossible thing she’s ever heard, and her smile is so wonderfully disarming. “If you always think like that, you’re never gonna get a damned wink in your life.”

“I’ve never been very good at sleeping anyway,” you admit with a scornful little huff.

“Well, you’d better try your best. There’s only so much I can do for you.” She gives you a cartoon-worthy wink as she looks at you in the mirror, and it makes you loosen up considerably.

She’s right. You’re here, and confidence is key at this stage. If you act like the crew is taking some big chance on you because you’re a new talent, they’re going to see it that way too. If you act like you belong here, it’ll make the whole thing that much easier.

Fake it ‘til you make it, they say. You suppose whoever “they” are, they’re actually right in this situation.

Today’s scenes are a little more important to the plot of the show. Yesterday you worked on character establishment and setting the environment; today is all about the inciting incident. It all starts with pool party part two.

Wardrobe stuffs you in a period-typical orange patterned bikini, carefully selected to not be too revealing while still giving the audience something to appreciate; it’s eye roll worthy, but underneath the corniness of it there’s something kind of exciting about potentially being a sex symbol.

It’s the beginning of summer in the Midwest–at least on screen. In reality it’s late July, and it’s sweltering outside at the little time capsule brick house production rented for this scene. There are teen-aged extras all over the place pretending to be celebrating the end of another school year, all perfectly styled to 1976 as they splash about in the pool or grab vintage-looking Coke bottles from a cooler next to the property’s backyard shed.

Dalton is here, bare-chested and abs gleaming, draped over a poolside lounger. You’re directed into his arms, and the press of his skin is a little uncomfortable. You’ve never particularly liked being this close to strangers, especially when wearing so little, but there’s no backing out now. Every scantily-clad inch of your skin is pressed against his, his arm wrapped around your waist to keep you close. 

Charlie’s best friend, Amara–played by none other than Kelsie Burton, an actress who’s been in just about every coming-of-age flick in the past five years–sits on the lounger next to yours. She’s drop dead gorgeous, with freckled pale skin and long, shiny black hair. She’s the archetype, and you feel like a complete foil in every way. You have to take a deep breath and remember that it’s not a competition–and even if it was, you’re technically winning.

The dialogue is a little awkward in this scene, but it’s on purpose. The three characters have been close friends since middle school, but things have shifted ever since Charlie and Trevor started dating. Amara feels like a third wheel, and it’s not exactly unreasonable.

This is the beginning, the first push of the boulder down the steep hill of plot. The three of you sit together pondering what life will be like now that high school is over and discussing ways to make the summer the most memorable it can be. A challenge is made, an oath taken. This summer is going to be the most unforgettable one of all.

You shoot a few takes of the inciting conversation, and then it’s on to the fun part–shooting some filler scenes of pool party revelry.

It’s easy to forget you’re not a fresh-faced teenager anymore like this. The three of you splash around in the water with your “classmates” and laugh and play games and have fun. It doesn’t feel like there’s cameras or crewmembers or anyone else around but you and your friends. And that’s really what they feel like–friends. Maybe they’re both just good actors, but a hopeful little part of you wonders if you might actually be able to build meaningful relationships with them.

The fun can’t last forever though, and the scene wrap comes before you’re ready for it–partially because you’re enjoying yourself and don’t want it to end, but partially because you know what comes next. Dieter.

You’re shuttled back to set wrapped in a towel, still soaking wet but smiling despite the nerves twisting in your gut. Even if this last scene for the day goes to shit, at least you had an incredible morning.

You’re turning a corner on your way to wardrobe when you run smack into someone tall and sturdy. There’s a force to the sudden collision that makes you grunt and lose your balance (and towel), but big, strong hands quickly come to steady you.

You look up, ready to fumble out an apology, when  you find a set of deep brown eyes and a handsome, smirking face.

Whatever you were going to say dies at the base of your throat when you notice the way Dieter’s eyes drag over your soaking wet, bikini-clad form. You can’t help but let yourself do the same; this is the first time you’ve seen him in character, after all.

He seems even broader and bigger than the first time you met him, decked out in this khaki-colored sheriff’s uniform. It hugs his soft yet sturdy frame perfectly, only complemented by the heavy duty belt and the star-shaped badge pinned to his chest. His shaggy hair has been trimmed down to a respectable length, and his signature patchy-stubbly beard has been reduced to a simple, handsome mustache. He’s a time capsule of a man, and he looks so fucking good.

“Is that what they’ve got you wearing for our scene?” He asks, interrupting your moment of observation. His hands are still firmly on your waist despite the fact that your balance has long since been regained.

“N-no,” you stumble over your own tongue. “I’m on my way to change right now.”

“Damn,” he mumbles–he actually sounds disappointed.

It’s been long enough, and his hands are still on your waist. They’re so warm, so big. You hate having your bare skin touched like this, but…  it’s nice. His hands are firm and strong and capable and you’re not thinking of him in a very fatherly capacity at all right now. He’s so close you can feel the heat radiating off of him, so close that you could just–

You don’t even realize you’ve stopped breathing until he finally takes his hands off you and you have to practically gasp for breath. Even as he backs out of your personal space, he knows the effect he’s had on you–if the smirk that takes over his face is any indication, at least.

“Orange is a good color on you,” he murmurs as his dark eyes give you one last once-over.

“R-really?” It’s never been a color you’ve particularly favored, but flattery goes far with you.

He hums in response, tongue darting out to wet his lips. Have you really made this much of an impression on him, or is he just really desperate? Surely he can’t be that deprived–he could have anyone he wanted at the blink of an eye.

“I’ll see you on set,” he vows. And then, just as quickly as he appeared, he’s gone.

It’s so fucking difficult to get a read on him that you feel like you’re in a tailspin. Nevertheless, you try not to let it bother you too much as you get to wardrobe and finally change into some real clothes. Dieter Bravo is off limits, you remind yourself; but it doesn’t sound nearly as convincing this time.

“Where have you been all night?” His voice is stern, commanding despite the softness to his tone. He sounds almost dangerous–exactly like a cop and a protective father should.

“At that end of the year pool party over at the Clevelands’, the one I told you about,” you answer easily, gently. You’re on thin ice, and you’re stepping lightly. “With Amara.”

“And Trevor.” There’s accusation in his voice–Charlie hasn’t told him about her relationship, but fathers always know. 

“He was there, yeah.”

“How many times have I told you I don’t want you around him?” Dieter looks up at you from where he’s spread lazily in his cozy living room armchair, eyes even darker than usual in the low night-coded lighting of the living room set. His suspicion of Trevor isn’t unwarranted–you’ve read the script in its entirety, you know every little facet of every single character. But Charlie doesn’t know what you know, so you have to take Dieter’s caution as nothing more than the helicopter parenting typical of a teenage girl’s single father.

“I’m an adult, dad,” you remind him. “I can make my own decisions, choose my own friends.”

“You’re still a little girl,” he murmurs. The fight’s gone from him–he looks now as if a long day of law enforcement has caught up to him all at once. “You always will be.”

It sparks the exact kind of anger within you that the script calls for, and most of it isn’t even fabricated. You don’t want him–Dieter, not Sheriff Herrera–to see you like that. What if that’s all this is now? What if he can’t see you as anything else but a child to him? Not that it matters. He’s off limits, you’ve reminded yourself of that a million times. What he thinks of you shouldn’t matter.

“You have to let me grow up eventually,” you growl before storming down the hall to your final mark.

Jeff calls the scene, and you reemerge a little flushed and feeling silly for how real your emotions were in that moment.

“That was perfect!” He tells you with a beaming smile on his face. “Keep that up and we’re gonna get ahead of schedule. Dieter, you were great too.”

“Not as great as them,” the older actor says with a nod of his head in your direction. “You’re a generous scene partner.”

“How so?” You’re still a little flushed, but you’re praying he can’t tell.

“You give off a lot of emotion,” he explains. “Gives me a lot to work with.”

“Oh.” You’ve really got to get better at taking compliments. Was that even a compliment?

You’re so far in your head that you don’t notice the awkward pause until he takes it upon himself to start leaving the soundstage. Desperate for any way to salvage the moment, you address his broad, retreating back and say, “thanks, Dieter.”

He turns his head, looks at you over his shoulder, and fucking winks. “Anytime, honey.”

And then he leaves, like he didn’t just put a fucking puddle in your underwear.

Dieter Bravo is off limits. Dieter Bravo is off limits. Dieter Bravo is off limits. You chant it to yourself the entire way back to your hotel room, but it gets less and less convincing with each repetition.

Would it really be so bad if he wasn’t off limits?

➔ beta: @futuraa-free, @ozarkthedog, @beskarandblasters, and @fhatbhabie (thank u so much my loves <3)

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[yoursweetwife]

hii haha i dont see a lot of topaz x reader so im gona req one hehe so you know the trope where like (character) introduces their pet to their s/o and the pet likes the s/o more than (character)? i wanna see how topaz would react if numby would rather chill with reader more than topaz, if u dont wanna write this then its okay have a nice rest of your day! :D

warnings: female reader (but no pronouns are used), reader hips, jealous Topaz, Topaz needs a hug

p.s sorry if this is not what you wanted, but as soon as I saw your request, I immediately thought of jealous Topaz

Right now, Topaz was dismayed by the sight in front of her.

She witnessed how Numby lay on your thighs and rubbed against them as if it was the best pillow of his life (in fact, it was true).

Your fingers ran over the piggy's smooth skin, stroking him in every accessible place and cooing sweetly at his every joyful squeal. But once upon a time it was Topaz herself.

She's actually very happy that you two have become friends. Even at the first meeting, Numby began to feel a strange attachment to you. He tried to climb into your arms when they met him, squeaked happily and jumped, which was quite surprising, because it took him time even to let himself be petted. And you never missed a chance to play with Numby.

Despite your work, you remained a good person, and that's what attracted Topaz to you.

And she is glad to have such a wonderful lover, but now she constantly has the feeling that she no longer lives in this house.

But Topaz is partly to blame for not intervening. And she can’t even figure out who she envies more.

"Who's the good piggy here? It's Numby!"

You laughed quietly at the excited sounds Numby was making. It was very difficult to resist his charms.

"Agree Topaz. Topaz?"

She continued to look at you through her eyelashes, resting his cheek with one hand and frowning slightly. You looked at woman worriedly and called her name again.

Your voice seemed to bring her out of some kind of trance.

Topaz shook her head and gasped at the realization that you were calling her.

“Haha, sorry, I was lost in thought. Did you want something?”

She rubbed the back of her head and focused all her attention on you. You couldn’t help but notice the slight sadness in her voice, and even Numby stopped playing and began to pay attention to the conversation.

"Are you sure you're okay?"

"Yes, eh...I"

Topaz couldn't find the words? If anyone had told her that, you and she would have laughed about it. You noticed how her gaze ran over Nambi lying on your lap, and without thinking twice you put two and two together. Oh, who would have thought...

"Topaz, are you...jealous?"

After your words, an expression of shock appeared on the girl’s face. white-haired woman began to actively shake her head, fervently denying your words.

"No no! Well maybe a little... But I like watching you and Nambi have fun, I really do."

You immediately realized that Topaz had received almost no affection lately. A guilty expression appeared on your face.

Numby looked at you and seemed to understand what you were thinking.

You and Nambi “looked at each other” and a smile immediately appeared on your face, while the piglet stomped around impatiently. Topaz did not have time to react when at the one moment two bodies knocked her down, pinning her to the sofa.

She felt your warm breath on her neck, tickling her skin, one of her hands held your waist while the other stroked Numby, who settled comfortably on her stomach.

A heartfelt, loud laugh burst from her chest, making you laugh along with her.

"What is this for?"

Topaz asked, stopping laughing. You moved closer to her face and quickly kissed her lips, a light blush appearing on her pale cheeks.

"doesn't matter."

[animentality]

I sometimes get the sense that Larian dislikes Durgetash and Gortash in general, and it was bothering me the other day until I realized.

Of course they do.

They fucking shafted any kind of character complexity for Gortash and just made him a side quest.

They're also allergic to giving the Dark Urge any form of depth, because they treat the Dark Urge like a fucking joke, to the point where they think making them a rapist/rape victim is hysterical.

So I'm not letting it bother me.

Because I already knew this.

god for fucking bid their edgy murder hobo be anything more than that.

[kitsunefyuu]

Did you notice how some AFO fans who used to like DFO Theory started to hate it and suddenly attack the same fans? Maybe this is due to generalizing DFO as OOC? I once saw someone saying that "to respect someone else's opinion, just remember that you have also changed your opinion several times" but these people only seem to attack what they once liked for no apparent reason, other than "nooooo my beautiful AFO is not like this 😭😭"

Yes, it is a trend that I did notice when I first came into the fandom that a lot of people would say they are former DFO. Then say how they realize how 'stupid' the theory was and unrealistic. As if suddenly now they are the pinnacle of rational and totally know everything about a fictional character.

I never claim my interpretation is the canon, because I know I could end up wrong. That just how it is and I'm always willing to adjust my headcanons with the source material. But honestly I think the AFO fans that liked DFO and now hate it only changed because other people started being hostile to the theory.

Like popular writers, artist, and all kinds of people begun to sneer at that interpretation beside those in the little community. Seeing it as just trying to 'soften' AFO or as something gross to do to the MC. Or worse some people like DFO but hate AFO so when the former DFO see that they change their mind to double down on disliking DFO as they LIKE AFO. As they see it as like you said 'softening' him to make him palatable. The theory itself, however, is only parentage.

Like it still be valid to assume AFO had Izuku with Inko from a One Night stand, and Hisashi Midoriya is just the guy that stepped up for single mom Inko. We have evidence of there possibly being more aware but if don't like it then that an option too.

DFO theory is simply the theory that Izuku Midoriya is RELATED to All for One. That is the bare bones minimum, I don't care if you are OH HE LOVES HIM or HE AN EXPERIMENT or whatever you want to believe. None of that really registers much to me nor should matter, like DFO can be used in many manner of ways.

The ones that seem to hate is most... Well they tend to either want Virgin All for One (for sexual reasons) or want him to be purely asshole(for sexual or just because love assholes that can go either way) or maybe fear of being the outsider. There also many who claim that every time he does a more evil act that it PROOF he never father a child.

Like tell me you never had a mentally unstable parent that does outrageous things. Anyone can have a kid, it sure doesn't take much for a guy to one and done for various reasons. We also literally been confirmed now he can change his face, DNA, and has actually done so. Also we've seen how he is with Yoichi, literal proof of his ability to love it just dark and twisted.

It why DFO is so interesting since if is the child of AFO it an avenue to explore his character. How WOULD AFO raise a child now that we knows what happened with Yoichi? Is he aware of Izuku? Does he care? We've seen him vault family and say how precious family is.

But then, none of that matters to the former DFO fans who now are DFO hates. They just don't want to be the weirdo outsiders believing in something that isn't even 'canon' and as I've said many times. I'm not exactly going to stop writing or enjoying it even if it NOT canon.

No one can dictate what I like and enjoy. And those people projecting hatred once they loved it?

I hope they know it ok to just like different things and change your mind. They should be happy with what they like instead of just wanting to be 'right'.

[pain-in-the-butler]

Could you give us some good dadbastian fanfic? Oneshots, incomplete, completed anything really, i am starved and need some more food other than coattails(which i love very much!)

Hey there, thanks so much for being a Coattails reader! As an aside, I'm not sure if you're totally caught up or not, but sorry I don't yet have an idea of when the next part will be ready. I only have 4k words written so far and chapter 33 is looking to be another doozy... I'll be sure to keep everyone informed of when we're close 🫡

Anyway, I have no idea if you're like me when it comes to Dadbastian, but I'm pretty particular about what I enjoy. Angst has to play a factor in some form, for instance. I also don't like it when Ciel and Seb are too sappy with each other without it being earned. There's a reason Coattails had like 250k words of build-up before Sebastian actually accepted his Dadbastian fate.

With that in mind, here are my suggestions!

bottom of the deep blue sea by sunflowergiorno Easily one of my favorite Dadbastian fics, hands down. I remember going positively bananas waiting for the second part to come out. It's so gentle and tender and honest. It perfectly showcases the thoughts and feelings I'd hoped for Sebastian and Ciel to have to approach after their experience on the Campania. Words, Strings, and Butterfly Wings by Kimberly_T I love this story so dearly, and it's tragic that it's unfinished. This fic is a retelling of the Circus Arc, in which Ciel and Sebastian must actually pretend to be father and son, sometimes with hilarious results, other times endearing. A major inspiration behind Coattails for sure. I would die for Falco, an original character who to me is more endearing than any of the canon Noah's Ark cast members.

Dadbastian Week Drabbles by HeartLeftovers Nobody does angst like HeartLeftovers, and you'll drink up her poetic language like nectar. My personal favorite is Midnight, but read Magnifying Glass and Domesticated Wolf first for the full impact of the final stanza.

Sensorium by OtherCat Short but sweet. A story about how Sebastian helps Ciel at the beginning of the contract to stop thinking like a boy trapped in a cage. I love that it shows that Sebastian couldn't possibly have frightened Ciel into becoming an earl: he had to actually coax Ciel towards it.

Singing in the Silence by Kimberly_T Another one from Kimberly_T. Not strictly Dadbastian, but a story about the servants learning how to help Ciel with his PTSD in their very own inventive and roundabout way. Heart-meltingly adorable. It's canon to me, dammit.

Front Page News by TheArchaeologist Also not strictly Dadbastian (in fact, Ciel is incapacitated the whole time), but I only need the slightest reason to suggest this Phantomfam-centric fic. Mey-Rin's voice is especially realized. Even though you already know Sebastian, Snake, and Ciel will make it back from the Campania in one piece, you feel the Pham's worry palpably.

Through the Years by Kimberly_T Can you tell yet that I love Kimberly_T? Admittedly, this one I haven't read with perfect thoroughness, but I can tell you that the Dadbastian moments are peak. Ciel hires a new maid, a woman who nearly killed him when he invaded a brothel on a mission for the Queen. Please mind that this involves some discussions of SA. Also mind that the story largely centers around an original character, but no one does OCs like Kimberly.

ad perpetuam memoriam by redrobin1989 Only Dadbastian if you squint, but my god if you haven't read it yet go do it now.

I also have my Dadbastian week drabbles, Cutting Teeth, if you haven't read those! I hope that's given you some food for the time being. Eat up and enjoy!