Tumgik
#do i tag asks. what
zytes · 10 months
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this manatee looks like it’s in a skyrim loading screen
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daisywords · 11 months
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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samgiddings · 10 months
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@staff @support @engineering @music @books
Have you ever considered this is a really stupid layout to have when there’s no way to easily get your account back if you accidentally hit the wrong button???
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faelapis · 2 months
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gang whats the most thorough list of vetted fundraisers for gaza?
also, if someone is NOT already vetted, whats a good way to submit names/users for vetting?
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thepersonperson · 5 days
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Why the hell is JJK 270 called Dream's End?
JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.
There's two lines of thought I have:
1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.
2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.
I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.
(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)
[Small Update: Follow-up Discussion on why everyone feels OOC.]
Preface
"Without love it cannot be seen."
This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'
JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.
And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.
What's wrong with JJK 268–270?
There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.
Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.
What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.
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The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?
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It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.
Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.
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This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.
I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?
But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)
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That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.
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Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.
And that got me thinking... Why is Yuji still missing his fingers?
It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.
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4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.
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The same mistake is made within the same set of panels and very big page. That's weird.
ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)
What does this mean?
I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.
Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?
Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?
Dreams and Delusions in JJK
We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:
"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."
In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.
There's also this other bit I'll quote directly.
"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:
“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"
That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.
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It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.
Unreality Runs in the Family
When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:
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What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.
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As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.
Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.
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What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)
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(It's also very hard to tell if they are dead or still in the process of dying during this.)
This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.
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And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.
My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)
What does this mean for JJK 268–270?
The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.
A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.
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It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)
There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).
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When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.
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When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.
What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.
Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)
I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.
And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.
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Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.
Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.
But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.
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The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.
And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.
Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.
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And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.
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"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)
This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.
And so I compared the raws.
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It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.
What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.
Reexamining JJK 269
CW: Brief discussion of suicide.
Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.
Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.
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He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.
The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.
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And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)
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Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?
If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.
In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.
It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.
This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.
It's a perfect ending for Megumi that's too good to be true.
It must be a dream...
There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.
In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.
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Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.
I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.
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"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"
Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)
"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."
In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.
What about Sukuna?
When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.
I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.
In Conclusion...
I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.
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"...it all comes down to a sorcerer's lies."
Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?
"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."
If the last 3 chapters are delusions...Megumi will be playing the part of a clown.
Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.
Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).
Gege also said this about the final chapter:
"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"
I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.
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caruliaa · 2 years
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staff still hasn't given me polls, what should i do?
🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%
🟪🟪🟪🟪🟪🟪🟪 their dads 31%
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grace image os i get to look at her
#edit: edited the og post to what i want but to set the record straight i edited to the post to be mathematically correct right after the#first person pointed it out which was like ten mins after i posted the og post. now fuck offf !!!!! the rest of the tags r from the og post#for some reason i feel very immature making your mom jokes about tumblr staff. which i shldnt !!#bc they suck nd they still havent given me polls. but i ig i feel imature bc it a your mom joke 😭 but still i tihnk its kinda funny#EDIT: edited the post to what i want bc yall were getting annoying . but to set the record straight i edited to post to be mathematically#also its *mum* not mom okay i am NOT !! an american . but if i say mum everyone will j be like 'omg british' like i dont know i am#anyway. i want polls please. give me the rigght to force my mutuals chose between the most inane things#also i tihnk it wld b cool for the cs weekly blog. like w each episode#i cld do a poll of like. out of five stars what do u think of this ep#and it wld b a cool thing of which eps r ppls faves#also i cld have like. whose ur fave in team red whos ur fave in acme etc#id prob just have to go with vile faculty bc theres more than 10 ppl in vile. and ppl wld kill me if i didnt include nel the ell or whoever#it wld b fun !!!#oh btw csweekly thats i thing i want to start. prob on uhhh the 11th of feb ill post abt it more but its basically#a tag/blog for watching cs one ep a time watching one ep every saturday#ya !! :3#flappy rambles#inaccessible#ask to tag#(<- idk. just in case)
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lucabyte · 2 months
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On autonomy, and what it means to be Obliged to Help.
Bonus:
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#a homestuck walks into an antechamber and asks#hey is anybody going to make this dynamic wholly deterministic and thus dubiously consensual by its very nature#ANYWAY bigger ramble below. scroll down like usual#isat spoilers#isat#isat fanart#isat siffrin#isat loop#sifloop#THATS RIGHT WE'RE STILL SHIP TAGGING IT BABYYYY#in stars and time#in stars and time fanart#lucabyteart#RAMBLE START: anyway i think loop is wrong here. they have it backwards. as-- in my opinion--#the main reason they could be called back into existence postcanon is because *their* wish for help is still not complete#they still need help. siffrin still needs help. neither of them will ever stop needing help.#they will thus uphold the wish until the end of siffrin's natural lifespan.#that said. what does it mean that loop can be so wholly forced to abide by siffrin's wants?#(assuming the dagger cutscene posession is them being forced to uphold the 'help siffrin' wish via harsh universe logic)#[as opposed to something capricious and cruel the change god did. which feels out of character for the change god to me?]#much like how the island wish and duplicate objects are neutered by simply sliding off people's brains...#is loop subtly ushered toward their wish? obviously it's not a full override (see: the bossfight). but is there any interference?#and if so. so what? does it matter? if they don't notice? is it even real if they don't notice?#and even if they do notice. the universe leads we follow. how much do either of them value their free will in a belief system like that?#the whole game is dedicated to siffrin habitually NOT excersizing his free will. doing things the same Every Time.#Loop ESPECIALLY does this. predetermined predetermined predetermined even in the FACE OF CHANGE. REFUSING. ANY CHOICE.#Maybe they'd even be comforted by having a universe-ordained purpose even if it is subservient. even if its to Him.#(though. i can't see siffrin enjoying the idea that someone is subservient TO them... then all their suffering is his fault...)#loop got into this mess via WANTING too much. no more free will. can't be trusted with it. take it away from them.#but yeah. gets my greasy detective pony hands all over this. and everyone please do remember i like to make characters Outright Wrong A Lot
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kkoct-ik · 1 month
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hermit+ pairing request doodle dump of varying quality
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from top to bottom: grumbo, treebark, pearl/cleo, scardubs x3, mumbo/cub, (treebark)
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dailyhatsune · 8 days
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im going around tumblr saying what I think people's artstyle tastes like
yours tastes like when you eat a bag of Skittles all at once i love it
-👾
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in all seriousness, though, i’m positively fascinated by that description, thank you very much
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humbuns · 3 months
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pieced together till they're no longer broken apart
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COME REST YOUR BONES NEXT TO ME ; SATORU GOJO, SUGURU GETO
synopsis; satoru shares the first snowfall of the year with the two people he loves most. 
word count; 4.6k
contents; satoru gojo/reader/suguru geto (poly relationship!!), gn!reader, you're all whipped, reader referred to as spouse, fluff fluff fluff!!, sickeningly domestic, just comfy vibes all around, mostly from satoru’s pov, suguru has a favorite (its you) (but also not really he just likes bullying toru <3), satoru gojo may or may not have unresolved mommy issues
a/n; happy satosugu holidays to those who celebrate <33 geto died today isnt that crazy. dont u think its fucked up how love figuratively and literally killed him. anyway! help urself to two very whipped husbands <33
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”holy shit!”
the raspy tilt of satoru’s voice echoes throughout the bedroom, stirring you from your comfortable slumber. a soft groan spills from suguru’s lips, deep and husky, as he pulls you closer into his embrace — smoothing a warm palm down the back of your head. trying to soothe you back to sleep, muttering under his breath.
”satoru, it’s too early for this...”
”it’s snowing!” said man continues, unperturbed. unmistakably giddy. he’s standing by the window, hands pressed flush against the cold glass; entirely entranced by the sight in front of his cerulean eyes. 
your eyelids begin to flutter. a tiny tug of your subconscious, a pang of something excited flowing through your veins, an alert to your sleepy brain.
(snowing.)
with groggy movements, you wriggle out of suguru’s grasp — a displeased grumble leaves his throat, almost a whine — allowing you to scramble out of bed. ”really?” you chirp, rubbing the sleep from beneath your eyes. a raspy, meek little voice spilling into the air.
satoru grins, watching you move closer, watching as a tiny gasp pushes past your lips. watching as your droopy eyes widen — brightening, glittering, starlight and snowflakes painted on the interior of your iris. a breathtaking sight, he thinks. 
maybe even more breathtaking than the winter wonderland reflected in it; beyond the pure opaque frosting of the window’s glass, out into your backyard, buried beneath a thick layer of snow. soft and fluffy, covering the city, suguru’s long-frozen tulip garden, the bare branches of your apricot tree. every roof in sight. all of it dyed a pure white, glittering in the light of a morning sun yet to fully rise, tiny snowflakes descending down to earth. 
it’s beautiful. 
satoru loves winter. he always has, he thinks. it comes to him as a memory — blurred at the edges, gleaming even still, the first time he saw those snowflakes up close. someone held him in their arms, he recalls. a warmth long faded. 
all he can properly remember is that sight. one that knocked the breath from out his tiny lungs, all glitter and something almost other-worldly, something frightening in its majesty. like it broke through a rift in the stratosphere. 
the first snow of the year.
and he’s loved it ever since; the soft crunch of snow beneath his feet, an air heavy with the scent of cinnamon and candied apples, bouts of laughter to be heard from faraway apartments. red and green glimmers of artificial light, sweet frosting on the christmas cake he would always gobble up alone in his room. the cold wind, nipping at his bare fingers — a reminder of his capacity for ache.
there are lots of things to love. lots of memories to cherish. and every single year, he gets the chance to make more.
like this; the light in your eyes, the smile on your face, the excitement in how hurriedly you turn to meet his giddy gaze. a nostalgic kind of joy simmering in the space between you.
and before either of you know it, satoru’s pulling you towards the hallway, intent on dragging you outside to see it all up close. almost tripping over his agumon plush, lying unassumingly on the floor, kicked off the bed once again. 
(probably by satoru himself, though he’ll always insist it was suguru’s doing. overcome by his jealousy, surely, unable to stand the sight of his cute husband cuddling up to a plushie instead of him. satoru understands, he does — he feels the same when he sees you hug that 3’0 cat plushie of yours.
and, sure, maybe once or twice he’s been lucid enough to register the subconscious kick of his leg and agumon’s subsequent fall to the floor — but he’ll still blame suguru in the morning. if only to see the way said man rolls his eyes, clicks his tongue, maybe flicks his forehead if he’s really lucky.)
high on the spirit of christmas, spurred on by childlike elation and sleep-deprivation, you stumble towards the door. satoru pulls one of his jackets over your shoulders, delighting in the way your hands don’t fully reach through the sleeves. wrapping you up in a cozy scarf when suguru shouts at you both to dress warmly, barely awake and already tired of your antics.
and the moment you step through the door, satoru is engulfed by it. that mystical, mystical feeling. 
a little lonely, a little too satisfying to pass up. a cold breeze that nips at his fingertips, snowflakes that brush against his cheeks and stick to his white lashes. a warm hand in his, as you cling to his side, shuddering — but smiling, as you look up at the sky, putting a hand out just to feel the snowflakes melt against the skin of your palm.
he feels you let go of him, but doesn’t mention it. a little too mesmerized to tug you back. dipping his toes into the bittersweet nostalgia of it all, staring at the flurry of white all around you, the skeletal branches of your apricot tree. suguru’s poor tulips. humming a jolly tune, subconsciously. a little delighted.
— until something cold and wet hits the exposed skin of his neck.
satoru twitches, a chilling shudder trickling down his spine. the snowball just thrown at him begins to melt, droplets sticking to his nape, and he turns to you with a raise of his brow. a devilish grin on his lips, when he hears your muffled laughter, sees the crinkle of your eyes.
(you’re cute, he thinks. but you need to be humbled.)
”oh, so that’s how you wanna play?” he drawls, eyes gleaming with amusement. taking a step forward, reaching down to gather some snow in his palm. a wide grin on his glossy lips. ”fine by me.” 
he's fast, but you act quickly, running towards the apricot tree with laughter in your throat. feeling the pitter patter of your heartbeat resound in your ears, as the snowball misses its mark by just a hair — and you waste no time in making your own.
it’s a hard-fought duel. snowfall blocking your vision, nerves beginning to numb, red cheeks and runny noses as you chase each other with giddy breaths. unfortunately for you, satoru’s arms are unfairly long, fingers unfairly nimble, and his stamina never even seems to falter.
so before long, your energy begins to dwindle. chest heaving, hands too cold to form a proper snowball, while your husband seems like he hasn’t even broken a sweat. they just keep on coming, snowball after snowball colliding with the fabric of your jacket, and when one of them hits your collarbone you squeal — falling backwards, right into a fresh pile of snow.
satoru moves forward, a triumphant smirk on his handsome face. you’re out of breath, and your hands are red, and he’s fairly certain you’re gonna catch a cold. suguru’s going to scold him, but right now all he can think of is you. the frown you’re wearing, the little huff that slips from your lips.
”ready to admit defeat, sweetheart?” he practically purrs, standing above you with his hands on his hips. smug. and you grin right back.
”never.”
a hum. something glimmers in his eyes, a devious little glint, and you come to regret your decision when satoru gathers a heap of snow with his overgrown arms; only to drop it all on top of you. too tired to fight back, all you can do is shield your face, silently accepting your fate.
a shiver wracks through your body, and satoru almost feels bad. just a tiny bit. but then you finally relent, murmuring bitterly under your breath. ”fine, fine…” a soft pout forms on your lips. ”you win.”
and satoru smiles. crouching down to meet you at eye level, on his knees in front of you. there’s a teasing mirth in his eyes, when he reaches out to cup the fat of your cheek. ”that’s all i wanted to hear, sweet pea,” he drawls, trying not to giggle when you exaggeratedly roll your eyes.
his voice curls down an octave when he continues, leaning forward to brush his nose against yours. hot breath against your chilled skin. ”now, for my prize…”
his lips meet yours, sweet and chaste — a little cheeky. you scoff into the kiss, but satoru’s smile only grows. honeyed, a little bit adoring. his tongue flits out to lick at your cold bottom lip.
he lingers, for a bit. like he’s trying to savour the way you taste, faded strawberry chapstick sticking to his lips, smudged against your own. and you sigh, softly, melting a little, comforted by the fleeting warmth that blossoms on your face. 
when he's finally satisfied, having dragged his prize out to its completion, satoru helps you up. brushing snowflakes off your jacket, cradling your ice-cold hands in his. they’re not faring much better, but a worried tug of his heartstrings compels him to warm you up. bringing them to his lips, hot breath fanning over your skin, tender little kisses against the knots of your knuckles.
you can’t help but blush, and a raspy chuckle flows from out his lips. 
hazy morning sunshine licks at the branches of the apricot tree behind you, illuminating the contours of your face, the shine of his eyes. a blue smudge on a canvas painted white and gray. the air smells of pine cones and something smokey, crisp. it courses through his burning lungs when he inhales, exhales, a breath of vapour that scatters up into the sky.
satoru loves winter. always has. but now, he’s certain he loves it even more.
because now, he has two people to share it with. two people to drag out into the snow, two people whose hands he can tenderly warm up, two people who’ll laugh and sigh at his antics and still indulge him. two people to pelt with snowballs. 
what more could a man want?
”hey, idiots!” 
the voice that echoes throughout the air is exasperated, a little teasing. yet fond. suguru’s got his hair tied into a messy half done bun, black turtleneck sweater enunciating his broad chest and the curve of his waist. there’s a fatigue in his eyes, the creases of his face, but a lazy smile is playing at his lips.
”i’m making breakfast,” he shouts, voice deep and smokey and soft even still. ”come in and warm up before you catch a cold.”
”is that any way to speak to your husband and spouse?” satoru chimes back, a melodic lilt to his sugarsweet voice. something satisfied. pleased.
suguru shoots him an unimpressed look, but his eyes soften. melting a little, at the words that spill from satoru’s lips, as if they were always meant to be there. 
(husband. spouse. suguru wills himself not to smile.)
with matching grins on your faces, the two of you stumble back towards the door. snow crunching beneath your feet, a happy noise pushing past your lips when you collide with the warmth of your husband’s chest.
”look, suguru. isn’t it pretty?” you chirp, smiling brightly. an expression he mirrors — brushing some snow from the top of your head, warm palms caressing your cold skin, setting a mental reminder to scold satoru later. sparing a brief glance at the snowy veil over reality.
then he exhales. a fond hum. ”it is.”
satoru joins you both by the door, stretching out his lanky limbs. tousled hair, wet strands sticking to his skin, reddened cheeks and a signature pout. ”suguru, my hands are cold,” he whines. ”warm ’em up for me?”
a click of his tongue. ”should’ve put some gloves on, satoru.”
a hum buzzes in your throat, and you put your hands out. itchy, a little dry. a sad frown tugs at your lips when you speak. ”my hands are also cold.”
and, like clockwork, suguru’s eyes soften. a coo tiptoeing on his tongue, engulfing your hands in his larger ones. ”aw, c’mere, my love…” his breath fans over your frozen fingertips. ”let’s get you warmed up, hm?”
satoru gasps, a hand on his chest, and you stifle a giggle. he’s acting, you both know, being a little drama queen. he knows you’re just exaggerating suguru’s double standard as a bit, that your husband would probably set himself on fire to warm either of you up.
despite that, his voice comes out thoroughly offended. ”oh, i see how it is,” he huffs, walking past the both of you. pouting deeply. ”you hate me. you hate me, and you want me to die. i understand.”
”satoru,” you coo. he hmphs, but stills, waiting for you to wrap your arms around him. and you do — a little too eager to appease your giant baby of a husband.
”we’re just joking around,” you assure him, holding back a humorous chuckle. squeezing his waist with palpable fondness. ”love you sooo much. you know that.”
satoru stays silent. but he cranes his neck, to meet suguru’s gaze, standing just behind him. narrowing his cobalt eyes — a meaningful look.
suguru sighs.
”yes, yes. we love you oh so much.” he takes a step forward, ruffling the white head of hair by the door. a lazy smile on his lips. ”now behave and go change out of your pyjamas. they’re soaked.”
his voice is teasing. exasperated, more than a little condescending. but it’s suguru, so satoru accepts it — following you both into the warmth of your home. the scent of cinnamon and vanilla hangs heavy in the air, a hint of espresso and firewood, lulling him into a sweet state of tranquility. rich with comfort, safety.
he changes out of his wet clothes, pulling a black hoodie over his head before waltzing into the kitchen. and you do the same, emerging from your bedroom in one of suguru’s cozy sweaters, knitted and smelling of bergamot. 
when suguru notices, his gaze shifts into something fond. palpable. a look satoru always finds in the scope of those warm eyes, amber and cedar bleeding into something sweet, only ever directed at the two of you. a look said man assumes goes unnoticed. he’s not as slick as he thinks.
the kitchen simmers with hazy sunlight and gentle movements, something sleepy and kind. satoru is a little bit enamored with it; from bowls of cat food by the corner, to camellias by the windowsill, cookie jars and dried lemon slices, the fading scent of baked goods and wishlists stuck to the fridge.
(yours and satoru’s are filled with scribbles, new ideas popping up daily, while suguru’s is almost entirely blank; mostly necessities, one or two things he’d like for himself.
and then, of course, the same thing he writes at the top of his wishlist every year; some peace and quiet.)
suguru shuffles around the kitchen, long strands of black hair cascading down his back, swaying with his movements. he sends you both an affectionate glance when you step in, already in the process of making satoru his cup of hot chocolate — topped with marshmallows and whipped cream, colorful sprinkles in the shape of tiny stars, a touch of cinnamon. satoru licks his lips.
when it's finished, the cup is promptly handed to him, paired with a tender kiss to his forehead. and suguru starts the meticulous brewing of your coffee, steady hands, finely chosen coffee beans, the low purring of the espresso machine. soothing.
that’s when you attach yourself to his back. wrapping your arms around his waist, a sleepy yawn muffled into the fabric of his turtleneck. he places a big palm on your hand, thumb smoothing over your knuckle, and you nuzzle into him silently. suguru smiles.
”still sleepy, baby?” he questions, a coo on the tip of his tongue. his voice is soft, palpably so, buzzing with warmth and safety and something that makes you want to stay cuddled up to him forever.
satoru senses an opportunity to insert himself into the conversation, and forces out a yawn of his own. stretching his limbs like a big cat, blinking drowsily, eyelashes fluttering. hoping it’ll come off as endearing. ”mhm.” 
but suguru shoots him an unimpressed look. ”not you,” he tuts, patting your arm, ”this baby. i wasn’t asking you.”
a pout. ”why are you so mean to me?” he whines, shooting you a doe-eyed look. bottom lip jutting out slightly, a feigned glassiness to his eyes. ”sweetie, tell your husband to stop being so mean to me.”
you smile. indulgent, as always. ”don't be so mean to him, suguru. you know he’s sensitive.”
a sigh. deep, tinged with exhaustion. satoru shares an amused look with you — stifling a shared chuckle at suguru’s exasperation.
and suddenly, he feels something warm flutter in his ribcage. a sunkissed butterfly, wings brushing against his ribs, coaxing his lips into curling up. unmistakable fondness, almost too much to bear. the need to reach out and touch you creeps up on him, a hunger he can’t deny, but he holds back; you look comfy like that, curled up against suguru’s spine. so he only inches closer, without a word. 
his husband casts him a glance, but satoru stays silent. lips pursed, waiting for something. patient.
and suguru relents. he reaches a hand out, to tuck a stray strand of white hair behind his ear — an excuse to touch him. a silent apology. 
(i'm sorry, you big baby.)
satoru grins.
you shift from foot to foot, leaning over to see what suguru is doing, pressing buttons and taking two ceramic cups out from a wall cabinet. your eyes zero in on a particular shelf, narrowing in suspicion, before flitting over to meet your husband’s gaze.
”satoru, did you use up all my peppermint sweeteners again?”
he stiffens. just a tad, before swallowing a gulp — followed by a silly chuckle, sheepish and performative, eager to wiggle his way out of your cold gaze. ”… which sweeteners do you mean, honey?”
”don’t pull the ’honey’ card.”
”and don’t play dumb, either.”
a pout crosses his lips. betrayed. ”suguru, who’s side are you even on?”
said man gives him a look. that one look, characteristically suguru, the same one he always sends satoru’s way. one so thoroughly unimpressed it makes him feel like the world’s biggest clown. 
and satoru plays along. your dutiful, beloved clown, his posture wilting like a sad flower. suguru exhales through his nose.
”don’t steal their sweeteners.” he smooths a thumb over your knuckle, absentminded, meeting the cold metal of the ring on your finger. smiling a little at the sensation. ”buy your own.”
satoru huffs, drawn out and childish. crossing his arms, leaning against the kitchen counter. ”ah, i see how it is. leaving your sweet husband to buy his own sweeteners?” he clicks his tongue. ”chivalry is dead.”
you bite back a little chuckle — satoru recognizes the cute noise you make when you do — and suguru rolls his eyes. fondly, always. ”remind me next time i go to the store and i’ll consider it.”
”hmph.”
suguru is smiling. it’s small, but genuine, worth a thousand words. and you are, too, the vague crinkle of your eyes giving you away. even as you bury your face in the curve of suguru’s back.
and ah, satoru thinks. there it is again. 
that sickeningly sweet sense of deja vu; the sensation of a certain something flourishing deep inside his chest. warming him up, trickling through his frost-bitten veins. that one little itch he never manages to satisfy, that never goes away, something that took root inside his heart years ago — watered by the sweet looks on your faces.
this everyday slice of heaven, right in front of him, that he’s been greedily partaking in ever since he moved in with you. since he married you.
(married.)
sometimes he still can’t believe it. 
”it’ll be done in a minute,” suguru hums, and satoru blinks. broken out of his syrupy stupor. ”you two go wait by the kotatsu, okay? must be cold, poor babies.” 
and, as always, his voice is a little teasing. a tiny bit condescending, if you really strain your ears, in typical suguru fashion. but it’s laced with a touch of sweetness; one that would be too much for either of you to stomach, if it were to drip out of his lips with nothing to water it down. so satoru accepts it. welcomes it, even.
and you follow his suggestion. making your way towards the living room, satoru trailing behind you, continuously enamored by every little thing he sees. every little piece of the home you’ve built for yourselves.
your living room is cozy. several potted plants seated here and there, a thick quilt to cover the kotatsu, a bowl of satsumas on top of it. a sleepy cat on your couch, golden sunshine ruffling her fur. a santa hat lies beside her, and satoru snags it without much thought. pulling it over his head.
his gaze shifts to the christmas tree over in the corner, eyes filling with a childlike kind of wonder. it’s decorated to completion, weighed down by colourful ornaments and lights, a star at the very top. suguru cut it himself, bringing the biggest and prettiest one he could find back home.
(satoru had gone with him. partially to help carry it back, mostly to get a glimpse of suguru's biceps flexing with the swing of the axe. he’s a simple man.)
and beneath it, presents are already beginning to pile up. carefully wrapped, in bows and silken paper, growing more each day. shattering suguru’s hopes of maybe having a more lowkey christmas this year — but satoru couldn’t be more relieved. this is the only time of year you let him get away with pampering you both to his heart’s content.
a smile blooms on his lips. he plops down on the floor, crossing his legs, right as suguru walks in with a coffee pot in hand. their gazes overlapping.
and something mischievous begins to brew within the blue of his eyes, something that makes suguru narrow his own. satoru pats his thigh, twice, a coo on the tip of his tongue. santa hat sitting pointedly on top of his head, fluffing up his hair.
”c’mere, suguru! sit on santa’s lap.”
”— you’re disgusting.”
the words are playful, but a pout still slips into the curve of satoru’s lips, and he huffs out a displeased little breath. his husband pretends not to hear it, so satoru turns to you — sitting so prettily to his right, already anticipating his next move. puppy dog eyes on full display, he gives you a soft tilt of his head, snowy tufts of hair falling over his eyes.
and you sigh, in what he knows is resignation. his faux pout turning into a satisfied grin.
you curl up in satoru’s lap without much of a fuss, letting him circle his arms around you. an indulgent smile rests on your lips, but he knows you love this; his broad chest against your back, the heat of the kotatsu warming your feet. breathing in the fading scent of your shampoo, he leaves a peck on the sensitive spot right behind your ear, and you try not to shudder.
then satoru smiles. squeezing you, lightly, sweetly, eyes rich with honeyed affection. voice dripping with playful endearment. ”there we go,” he coos. ”what does my angel want for christmas, hm?” 
”i want you to stop stealing my peppermint sweeteners,” comes your answer. instantaneous.
silence fills the room. a moment passes. outside your frosted windows, a bird takes flight from the branches of your apricot tree. and satoru clicks his tongue.
”… santa can only do so much, baby.”
two deep scoffs fill the air, heavy and bemused. one from you, one from suguru. satoru only giggles.
”just kidding!” he chirps, planting a kiss on the top of your head. ”don’t you worry. santa’ll give you all the peppermint sweeteners you could ever want.” 
you raise a brow, exhaling amusedly. craning your head to meet his gaze. ”and he won’t end up using them all himself?”
”of course not! blasphemy.” 
a moment passes.
”… maybe one or two. as a treat.”
a string of protests slips from your lips, and satoru tries not to burst into a fit of giggles. suguru just watches, silently, smiling lightly as he pours hot coffee into two ceramic cups. steam wafting up to the ceiling, a cat jumping down from the couch to curl up in his lap. he places one in front of you, not taking a single sip of his own until he hears you hum blissfully at the taste — pink lips against white ceramic. a bitter taste on his tongue, sweetened by your approval.
then he starts peeling three satsumas, absentmindedly, and satoru swallows down the love-ridden honey choking up the back of his throat. pretending the domesticity of such a simple action doesn’t melt his heart down to the marrow. 
he turns his attention towards the window. frost sticking to the glass like spider-woven webs, soon to be melted by the glow of the mellow winter sunrays. flitting in through the curtains, cascading over the room, splattering across the floorboards. framing the hue of your hair, the smile on suguru’s lips.
and a memory comes to him. sudden, hazy, faded at the edges. ghosting his subconscious.
he remembers the frost, the biting wind, the frightening majesty of the snow that fell that day. breaking into his world through a rift in the stratosphere. he remembers the contrasting warmth of the person who held him, who cradled him close; the soft lull of a woman’s voice. 
for a moment, satoru thinks he can almost, almost see it before him. hear those gentle words, see her tired smile. why was she always so tired?
(look, satoru. isn’t it pretty?)
— he can’t recall how it sounded. if it was melodic and soft, or raspy and broken, happy or sad. but he does recall that it made him feel safe. safe enough to find comfort in a sight so other-worldly, so very foreign.
it should’ve been frightening, but it wasn’t. the first snowfall satoru ever saw knocked the breath from out his lungs, stole his heart with cold hands, left him with a suffocating nostalgia. but the memory is precious.
and now, he feels that sense of other-worldliness in this; a kotatsu for three, a warm house, peeled satsumas and promises of a christmas cake soon to be baked. one lovely spouse in his lap, the other gazing at him with that fond look he always assumes goes unnoticed. a cocoon of safety — a ghost he doesn’t need to chase anymore.
warmth. enough warmth to make up for the snow and frost outside your home, all the experiences he missed out on as a child. warmth, warmth, warmth. funny, how that happens to be satoru’s favorite thing about winter. 
he looks at the two of you, hoping you won’t pay any mind to his silence. for once, he hopes you’ll stay wrapped up in your awful, awful coffee, so bitter that just looking at it makes his throat feel dry. just so he can get away with admiring you for a little longer. from the contours of suguru’s face, to the skin of your collarbone, to the rings on your fingers. ones he put there himself. 
and ah, satoru thinks, there it is again. again and again, as always, forever. that warm, warm feeling flourishing in the depths of his chest. 
he hopes it never goes away.
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slavhew · 3 months
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look at this idiot not aware that his body is warm and his touch comforting everyone point and laugh
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Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.
Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU
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basslinegrave · 2 months
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pin-up
b&w originals
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kyannnite · 5 months
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murderous tendencies be damned my boy can work a violin
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saragrosie · 2 months
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As promised, incredibly stupid s4-5 drawings
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