#does this make sense? what i'm saying here?

[lee-laurent]

T'es ben chix - Luke Hughes

Summary: Amélie decides Luke Hughes is the cutest boy she's ever seen, but she doesn't know how to tell him.

wc: 7k

content: fluff, a little bit of angst, kissing, panic attacks, anxiety, quick make out session, a couple dirty jokes, long distance relationship (let me know if missed anything!)

notes: don't let the title fool you, this fic is still in english!! i realized the other day while doing schoolwork that i don't have a fic that discusses being french-canadian. so... here we are! this fic was super fun for me to write and i incorporated experiences and challenges i have faced over the last few years. a lot of the mistakes that amélie makes are mistakes that i have made or that other french speakers make when speaking english bc sometimes we try to directly translate things and it just does not work lol i reallly hope you guys enjoy!!! and to any other francophones out there: let's be friends!!

just finished writing and it's about 5k words more than i was planning

Amélie honestly wasn't the biggest fan of going out back home, so going out in a place where she could barely speak the language was even worse. But a few of the girls she'd befriended had convinced her it was a good way to get to know more people and to let loose. She sat with the three other girls at a small table, her fingers drumming against the glass of her cocktail.

"Yeah, what did you think of that guy that presented today, Am?"

"Hm? He did... good."

"No, silly. Did you think he was cute?"

"Oh, um, he's... how do you say... not my type?"

"Not your type? Then what is your type, Am?"

"Probably that guy she's been making googly eyes at all night," one of the others teased.

"Who? The tall, curly haired guy in the corner?"

Amélie blushed, sipping at the alcohol for courage.

"Ooo, she's totally into him!"

"You should go talk to him, Am!"

"No... I tell you... no American boys," she waved them off.

"Well, that's too bad. Cause it looks like he's comin' over here. We'll be at the bar if you need us."

"Guys..."

But it was too late, the other girls were already up and headed towards the bar.

"Calisse," she mumbled, trying to ignore the tall figure approaching her table.

"Mind if I sit?" he asked. She looked up at him, her lips pursed. He had the same curly hair and boyish smile that her friends had been teasing her about. She really hadn't planned on talking to anyone tonight, let alone any boys. The girls knew her rule: no falling for any boys while she was in America.

"Uh... sure," she replied, gesturing to the empty chairs across from her.

He smiled, sitting down casually, rubbing his palms on his pants. "I'm Luke. I, uh, I thought I'd come introduce myslef since we, uh, made eye contact so many times."

Amélie bit her lip, nodding as he spoke. She barely knew enough English to follow what her friends were saying, and now she had to talk to some random guy at this bar she didn't even want to be at. "I, uh, I am Amélie."

"Amélie? That's a really pretty name. Did I, uh, did I say it right? Amélie?"

Her cheeks flushed, her eyes flickering down to her drink. "Yeah... that is right. Thank you." Her fingers tightened around the glass, trying to think of something to say next, but everything just came in French.

Luke could sense her hesitation, suddenly becoming way more nervous about coming over. Maybe it had been stupid. Maybe he was making her feel uncomfortable. "I just thought... I don't know. You seemed nice. Do you, uh, want to talk, or...?"

She met his gaze, taking a deep breath. He was trying and he seemed nice, like he really wanted to talk to her. "I... my English, it is not very good," her accent thickening as she spoke. "It is... hard for me."

Luke nodded, leaning forward slightly. He had teammates that didn't speak English as their first language, so he kind of knew what to expect. "That's fine. I'm sure it's better than my French. That is your first language, right? French? Sorry, I just assumed cause your name-"

"Yes, French," she cut him off, giggling at his rambling.

"I can barely say anything in French, so you've already got me beat."

His attempt to make her feel better worked... a little. "It is easier... to write. But speaking... more pressure, I forget the words lots."

"I get that. But we can just... talk slowly."

She sipped at her drink, waiting for him to continue.

"So, what brings you to Jersey? Not a lot of French people here."

"Exchange... at Rutgers. I am from Québec. Saguenay. But I come here... and I work on my English."

"That's super cool. It's awesome that you're pushing yourself to get better. I, uh, I went to Umich for a bit, but-"

"Umich?"

"Oh, right. University of Michigan. I lived in Michigan before I lived here."

"You move here because..."

"For hockey. I play hockey."

"Oh... that's cool. I like Les Canadiens. You play in the LNH?"

"The NHL? Yeah, I do. You like hockey?"

"Everyone in Québec likes hockey. Very popular."

"But you didn't know who I was," Luke teased.

"Only like Les Canadiens, sorry," she shrugged.

"Well, that's fair, I guess. The Habs are pretty big in Québec, huh?"

"Yes! My family... all big fan." She felt comfortable talking about her family, talking about home, the things she liked. Her dad watched every Habs game on TV and sometimes he'd even drive down to Montréal for a weekend to see them play.

"My family loves hockey too. Everyone plays. My mom, my dad, me, and both my brothers. It's like in our blood... or something."

"They play for... the same team?"

"One of them does. Jack, he plays with me. My other brother, Quinn, he plays in Vancouver," Luke tried to keep it casual, not wanting it to seem like he was bragging.

"Ah! The Canucks!"

"See, you know a bit about other teams," he teased.

"Shhh," she giggled. "Your family... they seem very... what's the word... talented."

"Guess you could say that."

She took another sip of her drink, her mind buzzing with questions to ask, but none of them coming to her in English. She wanted to ask more about his brothers, about how he started playing hockey, but her mouth just couldn't keep up with her brain. She also didn't want to come off as rude or obsessed with him because of his title, so she just nodded.

"You don't have to worry, you know. I'm not judging you," Luke comforted. "So, what do you do when you're learning English or watching the Habs? You got any other hobbies?"

"I like to... read. And bake... when I have time."

"Reading and baking," Luke mused. "What do you bake?"

"Everything," she giggled. "Tarte au sucre is my preferred. My mom... she always bakes with me."

"Tarte au sucre? What's that? Sugar pie?" Luke's eyes lit up. "You'll have to make me that one day. I've never had it."

"Maybe. You will have to see."

"Challenge accepted."

Amélie went to respond, but her phone buzzing stopped her. It was her friends calling, probably ready to head on to another bar. She didn't want her conversation with Luke to end, but she knew she couldn't stay there all night.

"I have to go. My friends... waiting," she sighed.

Luke's face fell a little but he nodded. "Yeah, I get it. But I, uh, this was fun."

"Me too."

There was silence for a little, neither of them wanting to be the first to say goodbye. "You should give me... your phone number. So you can try my tarte au sucre."

"Sounds like a plan," Luke said, handing his phone over for her. She typed in her name and phone number, adding a '<3' next to Amélie.

"Text me," she giggled, waving goodbye as she joined the other girls at the bar. Luke watched as the four of them started talking amongst themselves quickly, giggling as Amélie told them about her conversation with the hockey player.

He finally stood up, making his way back over to the table where his teammates were sat. Curtis raised an eyebrow at him, a smirk plastered on his face.

"Well, how'd it go, Romeo?" He leaned forward, failing to conceal his grin.

Luke rolled his eyes, "Good, actually. Really good."

Nico raised his pint, "Told you. You just had to go for it."

"So... what's next?" Curtis nudged him. "You ask for her number?"

Luke nodded, trying to play it cool. "Yeah, we'll probably meet up again."

"Probably?"

"Okay, fine. Yeah, we'll see each other again. I'm going to try her sugar pie she was talking about."

"Sugar pie? Is that what we're calling it nowadays?" Nico teased, causing the whole table to erupt in laughter.

Luke shook his head, letting the teasing slide. His mind was too focused on the girl with a French accent and promises of baking him pie. He had to see her again.

~~

Luke found texting Amélie way easier than he'd imagined. She wasn't lying when she said her writing was better than her speaking. Her texts barely ever had mistakes, in fact sometimes they were worded better than his.

They texted back and forth constantly, which earned Luke some teasing from his colleagues. In writing, Amélie was much more confident, returning his flirting with practiced ease. Her personality really shone through in a way it hadn't at the bar. She'd occasionally crack jokes, usually about how he didn't know any French and that she'd have to teach him. Their conversations flowed, talking about their days, sharing stories, discussing the schoolwork that Amélie had, and sometimes sharing pictures of their meals. Although Jack did most of Luke's cooking, he'd never admit that to the girl.

You have to come and try my tarte au sucre soon! Only if you're brave enough though ;)

Luke grinned at his phone, his fingers furiously typing back a reply.

Oh, I'm brave enough. Just let me know when, and I'll be there.

I will. Maybe next week? I need to make sure it's perfect first.

Deal.

~~

Amélie paced her apartment, making sure that everything was in order before Luke came over. She was even more nervous than she had been in the bar. She really wanted things to go well. They had decided to label the event as their first date, and although a bit informal, she was still shitting herself.

The pie was sitting on her kitchen island, untouched. She didn't want to eat any of it until Luke was there to eat it with her. She was worried he'd get in trouble because it wasn't part of his meal plan for work, but he had reassured it multiple times that it wasn't a big deal if he had a little pie.

Just as she was about to rearrange her throw pillows for the third time, there was a knock at her door. She froze mid-step, wiping her hands on her jeans as she made her way to the door.

It was just a pie. And it was just Luke. Nothing to be too worried about.

She hesitated for a moment before she pulled the door open, tilting her head back to look up at Luke. He was standing there in a Devils hoodie and some track pants, a baseball cap covering his curls. He looked relaxed, his hands tucked in the pocket of his hoodie. Amélie hated how nonchalant he looked in comparison to her.

"Hey," he greeted. "I brough my appetite, as promised."

"Good. I hope you are ready," she joked, stepping out of the way to let him in. He pulled off his shoes, taking in her cozy apartment. He laughed when his eyes landed on the big Québec flag hung behind her couch.

"I'm sure it'll be amazing. I'm looking forward to it, don't worry."

She nodded, though her nerves didn't disappear. She led him into the kitchen where the pie sat waiting. The smell of it filled the small space, warm and sweet.

"Wow, looks good, Am. Guess you weren't kidding about being a good baker."

"It's like you with hockey. My talent," she giggled, blushing as their eyes met.

"I don't know. Your baking skills may be miles ahead of my hockey skills."

"Don't lie. Let's see if it tastes as good as the smell," she grabbed a knife, finally cutting the pie into pieces. She placed a generous slice in front of Luke, taking in how comfortable he looked in the situation. She really admired how easygoing he was compared to her. It was their first date, but his demeanor made it seem like they'd been seeing each other for months. Meanwhile, her heart hadn't stopped racing since she opened the door minutes before.

Luke picked up his fork, flashing her a grin before taking his first bite. His eyes widened and he let out a pleased hum, "Holy shit, this is so good."

"You like it?"

"Are you kidding? This is like the best dessert I've ever had... don't tell my mom I said that. But really, Amélie, you've ruined all other pies for me. Can I take some home to show Jack?"

"Of course! I'm glad you like it. Is my mom's recipe."

"You should probably teach me how to make this, so I don't have to beg you every time I want some."

"I wouldn't mind," she giggled, taking a bite of her own slice. The taste reminded her of home and she suddenly felt a lot less nervous about messing up her English in front of Luke. They continued to eat their pie as they talked, shifting the conversation to more personal topics, wanting to know everything about each other.

Luke told stories about growing up with his brothers, sharing embarrassing moments from their childhoods and the occasional hockey-related mishap. Amélie found herself laughing more than she had since she'd arrived in America, her body filling with warmth.

"And that's how Jack ended up chipping his tooth. Our mom was furious, but Quinn and I thought it was hilarious," Luke explained, shaking his head at the memory.

She laughed, her shoulders shaking. "You and your brother... troublemakers," she teased, resting her chin on her hand as she listened to him talk. God, she could listen to Luke talk for hours. His accent was the cutest thing she'd ever heard and his smile curved up more on one side than the other, almost like a smirk. He was so perfect.

"Yeah, we were. Still are, I guess. But what about you? You got any fun stories about your family?"

"One time my dad, he take us to Montréal for a Habs game. And my older brother he had... he liked one girl he saw. But she was anglophone, no French. He goes up to her and he tries to talk English. But it was soooo bad. Even worse than me. He only knew maybe like three word. I think he said like 'Hey, you pretty, drink?' and she looked at him like he was... insane! He... he panicked and ran away. We bullied him for years after. Our dad, he will still talk about it at dinner sometime."

"That's brutal," Luke laughed. "Glad our first conversation didn't go like that."

"I am just better than him."

Luke shook his head, flashing his lopsided smile that made Amélie swoon. "Clearly. You've got the charm, no doubt about it."

"Maybe a little. But still I get nervous. When you arrive, I think maybe that I would die."

"You hid it well. I didn't even notice. I was the nervous one."

"You? Nervous?" she raised an eyebrow, placing her fork between her lips .

"Yeah, you were... well you are, like the prettiest girl I've ever met," he rubbed the back of his neck. "Didn't want to mess it up."

"Is that a joke? You did not... mess up. I like talking with you."

"I like talking with you too, Amélie"

~~

It was their fourth date and they were back at Amélie's apartment. Luke was sprawled out on the couch, his feet propped up on the coffee table as he playfully scrolled through one of Amélie's French-to-English learning apps.

"Come on, give me a word," Luke teased, turning to look at the girl sitting beside him with her legs tucked under her.

"Alright. Alright. Um... try... 'papillon.'"

Luke squinted, trying his hardest to translate it. "Papillon," he reapted slowly. "Uh... sounds like pasta, maybe? Wait, no, wait... um, balloon?"

She let a burst of laughter, learning back against the arm of the couch. "Non! It's butterfly!"

He groaned dramatically, throwing his head back in mock anguish. "Butterfly?! That doesn't even sound like butterfly! What?!"

"You are needing more practice," she giggled, comfortly placing a hand on his thigh.

Luke's eyes widened at her touch, but he couldn't help but smile. "Yeah, clearly I need a lot more practice. You might have to become my full-time tutor."

Amélie smiled, her fingers lingering on his thigh, sending a warmth through both of them. They'd been spending more and more time together, and things were less awkward, but still full of nervousness. The banter between them was easy, but there was an ever-growing tension gnawing at them both.

Luke reached for a throw pillow next to him, lightly tossing it at her. "Give me another one. I swear I'll get it this time."

She swatted the pillow away, but her focus had moved on from French. The space between them had slowly been shrinking and she had just noticed how close they were. She tilted her head, her eyes flickering up to meet Luke's. "I think... maybe you are better at other things than French."

Luke's grin faltered, his breath catching in his throat at her new tone. He glanced down at her hand still resting on his thigh, then back at her face, then back to her hand again. "Oh yeah? Like what?"

"Like... this."

Before he could question what she meant, she leaned in, her lips brushing his, testing the waters. The kiss was soft, hesitant, but the second their lips connected, everything they'd been holding back snapped into place.

Luke's hands moved to her waist, pulling her closer. The kiss deepened quickly, no longer hesitant, but instead filled with the feelings they'd been dancing around for weeks. Amélie sighed against his mouth, her hands sliding up to his chest, gripping his shirt in his fists. Luke groaned softly, the sound muffled by her lips.

Their kisses turned hungrier, more urgent, as the tension in the room built. Luke shifted, gently pushing Amélie back against the couch as he leaned over her, his body pressing against hers as their kisses grew sloppier. Her hands tangled in his hair, pulling him closer, and Luke's hands slid up to cradle her face, his thumb brushing her cheek as the kiss deepened.

Neither of them wanted to pull away, not wanting to be the first to end the kiss. Luke realized he couldn't hold his breath any longer. He gasped for air before kissing her again, harder this time, his lips moving with more urgency than before. Amélie let out a soft, breathless moan in reponse.

They pulled away again, their foreheads resting against each other as they tried to catch their breath. Luke brushed a strand of her hair, that had gotten stuck between them, out of her face. His eyes were still half-closed as he whispered, "I've wanted to kiss you for so long."

Amélie smiled, her chest rising and falling rapidly as she tried to fill her lungs with air. She looked up at him, her lips still tingling. "Me too. I... I did not expect it to feel... like that."

"Good or bad?"

"Good," she whispered, her fingers tracing the back of his neck before pulling him in again, her lips finding his once more. There was no hesitation this time, just unfiltered desire as they gave in to the kiss.

~~

"Where you goin'?" Jack asked, pausing his video game as he heard Luke head for the door. He turned around, noticing his brother wearing his Michigan backpack. "And why do you have a backpack?"

"Amélie's place. I'm spending the night."

"Damn, Lukey boy's finally getting laid."

"Shut up, Jack... there's no confirmation that that's what happening. She just asked if I wanted to sleep over."

Jack smirked, leaning back on the couch with a knowing look. "Uh-huh, sure. You don't pack a bag just to sleep over, bro."

Luke rolled his eyes, adjusting the straps of his bag. "It's not like that. We're just hanging out, maybe watching a movie or something."

Jack snorted. "Yeah, okay. Whatever you say, lover boy. But just in case, be safe."

"It's not like that," Luke groaned, grabbing his keys off the counter, trying to escape Jack's teasing.

"I'm just saying! Good luck, bud!"

Luke mumbled to himself as he stepped into the hallway, heading for the elevator to the parking garage. His heart was racing more than usual, not just because of Jack's teasing but because tonight did feel different. Spending a night together was a big step in their relationship, especially since they weren't officially official yet.

They hadn't even discussed labels yet, and although they were very close, there was an unspoken worry of figuring out where things were heading. Luke really, really liked her, but he didn't want to rush anything. If Amélie wanted to take things slow, then he would take things slow.

He sat in his car, getting ready to leave when his phone buzzed.

Just picked out a movie. Hope you like rom-coms ;)

Only if we watch it in French so I can practice

Deal.

When he pulled up to her building, he practically leaped out of the car, taking his backpack with him. He knocked on her door, his heart in his throat.

Just go with the flow. No pressure

Amélie giggled when she opened the front door, dressed in one of Luke's Devils hoodies and a pair of shorts he couldn't see from under the large sweatshirt.

"Hey. You look cute," he leaned down to kiss her.

"Hey! Missed you."

"It's only been three days," he laughed, allowing her to wrap her arms around his waist, propping her chin on his chest. "You ready for my horrible French?"

"Ready for anything," she giggled as he ran a hand through her hair.

They stood in the doorway for a few moments more, before she grasped his hand and pulled him into the living room. They settled on the couch, a blanket thrown over their entwined legs.

"Am, I've been thinking..." his thumb brushing lightly against her thigh. "I don't want to overthink it anymore than I already have, but... we've been spending lots of time together. And I really like you."

"I like you too, Luke. A lot."

"Good. Because... I want this to be official. I mean, us. I want us to be official. I don't wanna be just 'hanging out' or 'seeing where things go' anymore. I want you to be my girlfriend." His voice softened at the end, his heart out on a silver platter just for her.

"You really want that?" she gushed.

Luke nodded, "Yeah. I want you. I want... us."

"I want that too," she smiled, shuffling impossibly closer to him, pecking his lips.

Luke pulled her back in for a deeper kiss, relief flooding his body. When they pulled apart, Amélie rested her forehead against his, her fingers gripping the front of his hoodie.

"So, it is official?" she whispered.

"Officially official. You're my girlfriend now."

She kissed him again, laughing into his mouth. "Well... now that we have... figured that out. You have French to practice... boyfriend."

"Let's get started then, girlfriend."

~~

"So... when do I get to meet her?" Jack grinned, knocking Luke's shoulder.

"Oh, um, I can ask her."

Jack raised an eyebrow. "You can ask her?" he teased. "What, you haven't mentioned me?"

Luke sighed, rubbing the back of his neck. "I have, Jack. I just... didn't think you'd be so excited."

"Dude, of course I'm excited! My little brother has a girlfriend now! And you know I've gotta approve, see if she's good for you. Duh."

"She's not a test subject, Jack. I'm not bringing her so you can interrogate her."

Jack snickered, loving how flustered his brother was getting. "Relax, I'll be nice. In fact, bring her out with us and the guys this weekend. Some of the other girlfriends will be there."

"I can ask her. Just... don't be weird about it. She get's nervous."

"Me? Weird about it? Never. I'm charming."

"That's what I'm worried about."

"Come on, it'll be fun. She'll get to meet everyone, and you know the guys will love her. Plus, if she can survive a night out with us, she's a keeper."

"Look, I'll ask. But I know she's been busy with schoolwork. I'll ask her tonight. But seriously, Jack, don't freak her out. Please."

"Scout's honour, man. I'll be on my best behaviour."

"You're not a-- never mind. I'll let you know what she says."

~~

Luke laid next to Amélie in her bed, his arm draped over her waist. She was scrolling through TikTok, laughing at French words he didn't know yet. He pressed a kiss to her bare shoulder, peeking at the screen where some girl was speaking rapid French while doing her make up.

"Hey, Am."

"Hmm?"

"So... Jack and some of the guys are going out this weekend, and a few of the girlfriends will be there too," he paused, thinking over his next words. "Jack was, uh, wondering when he could meet you. He kind of suggested you come along."

She blinked, "Meet... all of your friends? This weekend?"

"No pressure! If you're too busy with school, I totally get it. I just thought it might be fun. Only if you want to, of course," Luke quickly added.

She bit her lip, thinking it over, and Luke could tell she was weighing her options. "I'm nervous. I would... like to meet Jack. To be... part of your world."

He pulled her body closer to his, pressing more kisses to her shoulder. "You're already part of my world, Am. And trust me, Jack's been bugging me about meeting you since our first date. He's... well, he's Jack. But he means well."

"Okay. I will come. But if Jack, he makes me feel awkward, you owe me a very good dinner."

Luke laughed, "Deal. And don't worry, I'll be there the whole time. Plus, survivng Jack means you can survive anything."

~~

"C'est très cute, non?" Amélie asked, showing her outfit off to Luke.

"You look like a millon bucks, baby," he replied, leaning down to kiss her.

"What?"

"It's... it's a saying."

She tilted her head slightly, repeating the words back to herself. "A million... bucks."

Luke thought her accent made it all the more adorable. "It means you look beautiful. Like super, super beautiful."

"English says, they are so strange. First you tell me it rains cats and dogs... now I look like I am money. You explain me all of these sometimes, yes?"

"Of course, baby. But I mean it, you looks amazing."

"Thanks, Lu. We should go?"

"If we have to," Luke pouted, leaning down to give her another kiss.

~~

Amélie gripped the straps of her purse so tightly that her knuckles were white. She had never felt so nervous in her life, not even on their first date. She had so many people to impress tonight and probably less than half the words they had in their vocabularies.

Luke was quick to notice her anxiety. She usually walked with so much confidence, but her posture was slumped and her lip was held between her teeth. "Hey, you okay?"

She nodded, but her choked voice betrayed her. "I... I don't know if I can do this."

"You'll be fine, Am," he whispered, brushing his thumb over her cheek. "Jack's going to love you, I can promise you that. And it's just a few of the guys--nothing big. And hey, some of them aren't even native English speakers themselves."

Her eyes were still full of uncertainty, her fingers busying themselves by picking at the skin around her nails. "But maybe I will say something wrong. Or they ask me things, and I do not understand them? Or they will all laugh at me."

"You've been doing so well with your English, love. And if you're ever feeling stuck, just squeeze my hand and I'll come to your rescue."

The bar was pretty empty for the most part, just a few tables of friends talking and sharing drinks. In the back corner, Jack was sitting with a few of the other guys and their better halves.

"There they are!" Jack cheered as soon as he saw them approaching, standing up to greet his brother as if he hadn't seen him in weeks. His tone was loud and confident, and Amélie could feel every set of eyes at the table move towards her and Luke.

Luke gave his brother a quick bro-hug before turning to his girlfriend. "Jack, this is Amélie. Am, this is my brother, Jack."

Amélie felt like all the moisture in her mouth had disappeared, her hand gripping Luke's with a vice-like strength. She opened her mouth to speak, but all her words got stuck. "I, uh, I... hi."

"Nice to meet you, Amélie," Jack said. "Luke's told me loads about you."

She gave him a tight lipped smile, her mind scrambling to find a response, but nothing came. She felt like the weight of everyone's expectations were holding her down. She wanted to wow everyone with perfect English, but all she could do was stand there, frozen.

"She, uh, she's a little nervous," Luke interjected. "Amélie's from Québec, she's here in Jersey to learn English. But her French is like the most impressive shit ever."

"No worries. We're just happy you're here," Nico spoke up.

Amélie forced a smile, but it didn't reach her eyes. She sat down beside Luke, her hand still gripping his with immense force. The conversation around the table picked back up, but she remained quiet.

The guys were easygoing, laughing and joking with each other, and the other girlfriends seemed just as relaxed. The more they spoke though, the harder it became for her to follow. She could pick up on bits and pieces of what was going on, but she couldn't seem to form a complete sentence in her head.

"So, how do you like Jersey so far?" one of the other girlfriends, Lexi, asked with a warm smile.

"It... it's very different. But I... I like it," she replied, her eyes not leaving Luke's hand in her lap.

"She thinks back home is wayyyy prettier. Right, babe?" Luke helped to direct her.

"Yes. Québec is very beautiful."

"So what brought you here?" Jack asked, desperately wanting to know more about the girl that had stolen his brother's heart. "School?"

She bit her lip, trying her best to think of how to reply in English. "Yes... I.... study at Rutgers. Exchange."

"That's awesome. What're you studying?"

Her mind went completely blank. She'd even rehearsed answering that exact question, but now, with everyone looking at her, the words were gone. Her hand tightened around Luke's again, taking a sip of water to clear her throat.

"She's studying communications and media. But the point of her exchange is to work on her English skills."

"That's sick," Jack nodded along.

The conversation around her continued, a few questions being tossed her way but her responses were usually just a few words, the gaps being filled in by Luke. The group eventually moved on to a story that Nico was telling, and Amélie used the shift of attention to shrink into herself further. She let Luke rest his hand on her bouncing knee in an attempt to calm her nerves, but his touch felt foreign in the situation.

After what felt like hours, but had most likely only been half an hour, she leaned close to Luke, whispering in his ear. "Je vais aux toilettes." She stood up before he could respond, scurrying off to the bathroom.

Jack shot Luke a curious glance, but he just shrugged, trying to mask his own worry.

Amélie slipped into the bathroom, pressing her hands against the sink as she stared at her reflection in the mirror. She felt like she was suffocating, her eyes burning with unshed tears. She hated feeling like an outsider, not being able to connect with Luke's world outside of her.

She wiped under her eyes, praying that her mascara didn't run. She didn't want anyone to know she'd been crying in the bathroom. She just wanted to be like the other girls at the table--relaxed and confident, going with the flow of the conversation.

With one last deep breath, she made her way back to the table. Luke looked up at her as she approached. He could tell something was off.

"Everything okay?"

She just nodded, falling back into her silence at the table. She laughed when everyone else laughed, smiling politely when someone made a remark towards her. Luke had never seen her so quiet in his life, not even on the first day that they met. By the time everyone had left the bar, her anxiety was so bad she thought she might puke.

Luke opened the car door for her, and she slid in, staring blankly out the window. The silence between them was heavy. Luke could feel it too, his fingers tapping nervously on the steering wheel.

"Am, what's wrong? You've been quiet all night. You barely said a thing."

The tears that she had been fighting so hard to keep at bay finally spilled out. "I... I feel so stupid. I-I couldn't even talk to them. I couldn't even... act normal."

He reached out, placing a hand on her thigh. His heart clenched at her words. "You're not stupid, Am. You're doing amazing. You're learning a whole new language, that's huge."

"But I had to have you help on everything. I could... not even answer Jack's questions. They normally think... I'm dumb. Not good for you." She wiped at her eyes, frustrated with herself for crying.

"Amélie, baby. No one thinks you're dumb. And you are more than good enough for me--don't you ever doubt that. Jack loved meeting you. Everyone did. I could tell. They don't care if you need some help speaking English. Hell, some of those guys could use the help speaking English."

"I wanted... to be better. To show I can do this. But I feel...lost."

"You don't have to show anyone that you can do anything. Not to me, not to Jack, not to anyone. I love you for--"

"You love me?"

"Of course I do, Am. I... I didn't want to admit it like this. But... I am so in love with you, Amélie."

"I love you too, Luke. Sorry if I... embarrass you tonight."

"You could never embarrass me, Am. Never ever."

"I-"

"Nope, that's enough out of you. Let's go back to yours and watch that stupid cop show you like."

"Mensonges?"

"If that's what it's called, then yes."

"I love you, Lu."

"I love you too, Am."

~~

"I don't know, Jack. She was so nervous last time..."

"But last time there were other people there too. Just tell her you've got the place to yourself for the night and then I'll walk in a couple hours later and be like 'Oh! Sorry, my plans got cancelled.' And then we can all hangout," Jack suggested.

"I'm not going to lie to her. I'll just ask if she wants to spend the night."

"Come on, Rusty! You know I'm just trying to help her relax around me. You're making it sound like a big deal. It's not! She's your girlfriend, and I want to get to know her. Plus, I'll make it fun! I'm good with people."

"I appreciate the thought, Jack. But I want her to feel comfortable, not tricked. So I'll just ask her if she wants to come over and spend the night. No tricks."

"Fine, fine. Let me know what she says."

"I will. Just... don't be an idiot."

~~

Amélie followed Luke into his apartment, her backpack thrown over his shoulder. She looked around, noticing how painfully obvious it was that two men lived there.

"I'm just gonna put your bag in my room. You wanna go make yourself comfortable on the couch?"

"Sure."

She sat down, curling her legs under herself, glancing around the living room. She picked up the remote off the coffee table, fiddling with while she waited for Luke.

"You good?"

"Yeah. Just... taking in. It is very... you."

"What, you mean messy?"

She giggled, then tension in her shoulders disappearing. "Maybe... un peu."

"Hey, it's organized chaos, baby. I know where everything is. Well... most of the time."

"I like it. Feels... comfortable. Like you."

"That's all I want, babe. For you to be comfortable."

"Where's Jack?"

"Probably in his room. Why? Wanna talk with him?"

Amélie quickly shook her head, her eyes widening. "No, no... just wonder. I don't want to... bother him."

"You're not bothering him. He's probably playing video games or doing some stupid shit. He'll come out here eventually."

The last time she'd been around Jack, she hadn't been able to shake her nerves. Tonight, she was determined to make a better impression, even if she still felt like puking.

Luke gently nudged her with his elbow. "Hey, you're good, Am. Jack's chill. You don't have to be nervous."

"I know... just... want him to like me."

"He already likes you," Luke reassured, brushing a strand of hair from her face. "He wouldn't shut up about how cool you were after the last time."

"Really?"

"Yes, really. I wouldn't lie to you, silly."

"Love you, Lu."

"Love you too," he leaned in to kiss her when footsteps pulled them apart.

"Aww, did I interrupt a moment?" Jack's teasing voice came from the doorway.

"Relax, Jack. We were just talking... about you."

"Oh yeah?" Jack pushed himself off the wall, making his way to the couch. "All good things, I hope."

"Duh," Luke squeezed Amélie's hand, allowing her to rest her head on his shoulder. "Amélie was just asking what you were up to."

"Probably nothing interesting compared to you lovebirds. Was talking to Trevor--can't let Luke get ahead of me in the whole having a life department."

She tried to think of a quick response to his joke, but came up with nothing she deemed funny enough.

"Luke tells me you like studying here cause it's different. How so?"

"Um, everything... is feeling bigger here. The city, the campus. And obviously... English. There is like... zero English in my town. We use some words... but not lots."

"Well, seems like you're doing great. Don't stress it. Plus you've got this guy," he gestured to Luke, "to help you out, right?"

She blushed, "Yes, Lu is... super."

Luke grinned, leaning in and whispering, "Told you he likes you."

~~

"I don't know how I'm gonna survive without you, Am," Luke admitted, wiping the tears from his face. His usually calm, relaxed demeanor was gone, replaced with a raw vulnerability.

Amélie had told herself she wasn't going to cry, but seeing Luke cry made that impossible. Her tears had started as soon as his had. "You will, Lu. You are so strong. And... I will not be gone forever."

He shook his head, intertwining their fingers. "I know, but... shit's gonna feel so different without you here. I'm used to having you here all the time. And now I won't see you until summer. I don't know how to do that."

"You'll have Jack, the guys, your family. I'm just... a plane away. We will FaceTime, and before you know... I am back. And I will meet Quinn... and your parents."

Luke rested his head in her lap, letting her run her fingers through his hair. She could feel his tears soaking the fabric of her jeans. "I'm gonna miss you so fucking much, Am."

"I'll miss you too, Lu. So, so much."

They stayed like that for a long time, just wrapped in each other's embraces. Neither of them wanted to let go. Neither of them wanted to admit how hard the next few months would be. They just wanted to stay together... forever.

~~

Amélie was sitting at her desk, her phone propped up against her water bottle as Luke's face filled the screen. His hair was a mess and his eyes drooping. She could tell he had just gotten home from practice.

"Hey, beautiful," he greeted.

"Hey, you," she replied, resting her chin on her hand. "How was practice?"

"Exhausting," he groaned. "But seeing your face makes it better."

Amélie blushed, biting her lip as she smiled. Before she could respond, she heard her brothers' voices coming from down the hall.

"Ah, c'est qui, Amélie?" (who is it, Amélie?)

"Son chum?" the other laughed. (her boyfriend?)

"Ahhh, mais Luke, t'es ben chix." (Ahhh, but Luke, you're so hot.)

"Ferme ta gueule!" Amélie shouted. (Shut your mouth!)

Luke burst out laughing at the look on his girlfriend's face. "What're they saying?"

She huffed, rolling her eyes. "They're being idiots. Teasing me about you."

"Teasing, huh?" He raised an eyebrow, clearly amused. "What did they say? Come on, tell me."

She sighed, getting closer to the camera with a small smirk. "They said you're... how would that translate.... that you're 'hot.'"

"Oh, did they know? You must have good pictures of me hanging up then, huh?"

"They're just being annoying. They think it's funny to tease me because I love an American."

"Well, tell them I appreciate the compliment. And tell them I say 'hi'," he teased.

Amélie shook her head but shouted, "Luke dit bonjour!"

From the hallway, her brothers responded with exaggerated greetings in their broken English, making the couple laugh.

"They're something else, huh? I can't wait to meet them one day."

"They'll probably want you to ask Cole for free Habs tickets. But... in a few weeks, I'll be back and I'll get to meet all of your family."

Luke's eye lit up at the thought. "I know! I've been counting down the days, baby. I can't wait for you to be here again!"

"Me neither. Excited to meet Quinn and your parents."

"Yeah, my mom's super excited to meet you!"

"I'm a little nervous though."

"Don't be! They are gonna love you so much, Am!"

"I love you, Lu."

"I love you more, Amélie. Only a few more weeks, then we'll be together again. I can't wait."

"You promise?"

"I promise. And I'm gonna spoil you so much. Just you, me, and the lake."

"Can't wait."

[aurumalatus]

𝐭𝐮𝐫𝐧𝐟𝐢𝐫𝐞 [𝐩𝐫𝐨𝐥𝐨𝐠𝐮𝐞]

pairing. kinich x fem!reader

word count. 700

genre/warnings. childhood friends to lovers, slow burn, fluff and angst, drabble collection

summary.

in which kinich learns the value of all things: lives, friendship, and, of course, you. or, in which kinich realizes that you are the only priceless thing in this world.

author's note. this is just a short prologue to show how things end (yay happy endings!), but the two have a lot of trauma to go through before they reach endgame. i love kinich's character and design so i'm excited for this! interaction is highly appreciated :)

𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 | 𝐧𝐞𝐱𝐭 ↣

Kinich thinks he’s loved you since forever.

He has no way of proving that, of course; those years are long gone, and even if he had the opportunity to ask, he’s not sure his younger self would have a comprehensible answer. He can only see now that he’s come so far, when the memories are too murky to make sense of but the warmth remains—when he thinks of your smile and feels something akin to the weightlessness of grappling and flying through the trees.

He says “forever” because he really has no idea when it started—the realization came far after the feeling. He’d been before school age when he met you for the first time, and it’s been over a decade since then.

“Kinich!”

Your call interrupts his thoughts, and his gaze is drawn skyward—you’re standing somewhere far above him, on one of the walkways lining the cliffs of the Scions of the Canopy. You’re waving so wildly and ridiculously that it almost makes him smile.

“Are you coming down?” he calls through cupped hands, well-acquainted with this kind of long-distance communication. Sound tends to echo well between the cliffs here, and he’s sure you heard him when you offer an enthusiastic thumbs-up in return. 

“Yup! I bought a few things, so I was hoping you could help me carry them home!”

Kinich rolls his eyes teasingly. “Somehow I doubt that you have enough Mora left to afford my services.”

You pout in reply. Ajaw decides to appear then, a malicious puff of smoke over Kinich’s shoulder. “Of course not! You better not be making fun of me, letting some mortal treat you like a servant! The Almighty Dragonlord, K’uhul Ajaw, won’t take this kind of disrespect—”

Ignoring his wordy introduction, you call down to Kinich again. “I’m coming down! Think fast!”

“—Don’t make me lau—wait, what?!”

Even Ajaw yelps in surprise as you take a running leap off the walkway, freefalling fast down the plane of the cliff. If he were any younger, Kinich might’ve had a heart attack. But you’ve been pushing your luck with him for years, and it comes as instinct when Kinich grapples up, deftly catching you in his arms with a light ‘oof’.

You’re holding a few boxes in your arms, he notices, and you smile. 

“I bought some Puff Pops for us to share later. I was thinking we can do some climbing, or there’s this cave I’ve been meaning to explore.”

His heart does a sort of flip that cannot be attributed to the way you fly through the sky. It’s all so much: the sensation of your warmth pressed against him, the scent of the wind rushing past, and the laughter of his tribe members below. Their eyes shine as they watch the two of you pass above them, chuckling at the familiar sight. 

And really, he can’t remember ever being this happy. When he thinks of how much it took to reach this point, the heartbreak and trauma aren’t the first things to come to mind. Instead, it’s you. The way you held him, the way you cried for him, the way you chased him. Always laughing, always in love.

Too lost in his thoughts, he doesn’t notice your curious stare for a moment. You poke at his cheek, and he startles, nearly dropping you both.

“Is something wrong?” you ask shyly, suddenly self-conscious of the box in your hands. “We don’t have to do any of that. Really, if you have a high-value job or something, I understand.”

Ajaw decides to butt-in again, reddened with rage. “Yes, all of that sucks! I mean, seriously, don’t you have anything better to do—”

“No, it’s great,” Kinich murmurs in reply, flicking Ajaw away with a strong hand—the Saurian’s roar dissipates with the wind. He holds you tighter against his chest. There’s nothing worth more to him than you. “That all sounds really, really amazing.”

As the two of you burst through the trees, laughing the whole way, he thinks that it doesn’t really matter when he started to love you. All that matters is that he doesn’t stop.

Kinich thinks he’ll love you forever.

[rosyandraw]

idk if this is redundant on your end but thoughts on Damen needing to talk during sex? in the books it isn’t even dirty talk it’s just endless want for Laurent and how long he’s been waiting for him and how different Laurent feels. Also in canon & in ur own writing

Definitely not redundant! You have just knocked on the Damen Character Study door in my head lmao but it's late and idk how much sense this will make so i'm sorry in advance.

Mini meta on Why Damen Likes to Talk During Sex in Canon

First and foremost words are hugely important to Damen, not just during sex but in general. It is part of the reason that Vere trips him up so badly, why he just doesn’t get it. Because Vere is a veil of word play and innuendo, it’s double speak and flowery bullshit and lies.

That’s not Damen. His word is his bond, it’s tied to his honour and they mean a great deal to him. He never says anything he doesn’t mean. Ever. If it’s coming out of his mouth he is saying that shit with his whole damn chest and doesn't give a fuck.

The few times he is forced to lie or to say something he doesn’t mean he says it as a strategy play but it barely makes it out of his mouth and he hates it.

For a long time by the time they get to Ravenel Damen has been playing a part. Living a half truth and not saying everything he means. Or wants to say.

Likewise, in Akielos, Damen keeps himself held back. We know this because in 3 books, despite being the darling crown prince and heroic military leader, he mentions 1 person by name that he is actually and genuinely close to. One. He’s never been in love with anyone before Laurent, he doesn’t get close, he doesn’t get particularly attached. If he did Jokaste would have been a Princess and not just his mistress.

It speaks of a whole heap of childhood trauma and issues, thanks in large part to his father and Kastor and this picture that is painted of strength in Akielos being The Most Important Thing. (And i have too many thoughts on said implied trauma to write it all out properly here because it's an essay unto itself.)

We also know that Damen does the talking thing with Jokaste too. So we know it's an indicator of intimacy in bed for him. He's certainly not doing it in Vask, for example. Because Damen values words so highly he does wear his heart on his sleeve, but he guards that heart close. Sharing his feelings becomes something then tied to both the value Damen places on words and the lack of emotional intimacy in his life. To Damen, opening up like that especially during sex, is an act of giving unto its self.

Damen is strong, yes. Crazy strong and the perfect warrior. But he also likes the wordy sad poems and has craved approval (and affection) from his father and Kastor seemingly most of his life. For example, Kastor stabbed him and made Damen believe with words that it was a good thing because it meant Kastor respected him enough to fight him like a man.

It’s the perfect anecdote to draw all of those ideas together. Damen being happy about being stabbed at 13 by his brother because Kastor said it was a good thing to be strong enough to fight properly and bear the consequences.

Words matter to Damen, he assumes they do to other people too. It's what nearly gets him killed.

It’s funny really, because Damen values words but he himself is a man of action and Laurent values action but is a man of words.

When it comes to sex we see them swap places from their usual dynamic and therein lies the intimacy.

Laurent acts and Damen talks. It’s a complete role reversal and it was always meant to be. Pacat has said, several times, that Laurent tops Damen with words all the time and it was a purposeful choice to have Laurent bottom because of this. So to follow that through to it's logical conclusion for the sex scenes to really hit we needed to see them swap places completely and Damen needed to talk.

Laurent is a mouthy little shit but when it comes to his important scenes (the building of their intimacy and their sex scenes) it's never his words that he's speaking loudest with. Like when he just hugged Damen after the meeting with Jokaste in KR or when he went to get ice for him in PG, it's an offering in place of words and Laurent does it frequently: letting his actions speak louder than any of his words because to Laurent words don't really matter, lies are too easy. He's been taken in by words before.

Damen gets to Laurent through his actions and it's Laurent's moments of honesty, of saying something unexpected, that make Damen really pay attention. This isn't to say that Laurent's actions don't get to him, they do of course, but only really when Damen comes to realise that's how Laurent is being honest. Likewise in reverse for Laurent.

It's the language the other understands that allows the distance to bridge, but the intimacy comes in the opposite every time.

So when they fall into bed Laurent instigates with action, all three times they are together. And Damen talks. Because it’s the thing that is important to them that they are willingly giving and sharing and that is what makes it intimate.  

Quite simply, Damen holds himself back emotionally so talking during sex like that is a way for Damen to let go and to let his partner know that's it not just sex. Laurent, in reverse, shows his want through the instigation and by the time it happens they both know what it means: Laurent never does that and Damen knows it. Laurent knows Damen says what he fucking means.

It's such an intimate sex scene because of that awareness.

In my writing I kind of try to take that and run with it. Damen says what he means and what he wants Laurent to hear, because words of affirmation are important to him personally so he makes sure to share that.

Plus, it’s just sexy, you know? Got to love a man who talks in bed, that sex rough voice when he’s so far gone you know what his saying is just the shit flying through his head?

Hot.

Loved this ask so much. I could literally write a thesis on Damen lmao

[tragedy-of-commons]

"are you crying?" + blade + platonic/familial (found family father figure blade with teen!reader) please :3

"Are you crying?"

Oh no.

Blade's question - if you can even call it that, considering he says everything in that deadpan tone of his - hangs in the air for a stagnant minute and then some.

Maybe if you don't make a peep, don't move a muscle, he'll give up and go back to minding his own business. It's not too far-fetched! Despite how savage and brutal he is in combat, he's surprisingly calm (and daresay gentle at times). Maybe he'll read the room, absorbing your aura wordlessly like Kafka can.

He grunts your name, an edge present that wasn't there before.

...or maybe not.

You break your silence, whirling around to face him, plastering the hugest, most saccharine smile on your face. It doesn't matter if there are tears rolling down your cheeks and a bit of snot sticking to your upper lip (ew). You have to try to get him off your back before something worse happens.

"Crying? I'm not doing that, no, never. You see, Firefly was in here chopping onions earlier," you chirp, rattling off lies like it's your second nature. Well, it is, that's why you got roped into joining this questionable team in the first place - but that's neither here nor there!

Blade looks at you.

You look at Blade.

Deflating and dropping the act, you swallow, trying to retain some of your cheery tone while you sniffle. "Okay, you win. I just... it's been a rough day, I'm sure you know how it is."

If there's one thing you know about your ancient colleague, it's that he can't make small talk for the life of him. You don't think it's his fault, really. Silver Wolf let it slip that he's lost pieces of himself to mara over the years - some days he can't hold functionality beyond a weapon without Kafka's pacifying mind tricks.

So, trying to keep up casual conversation with Blade is akin to yapping at a brick wall. You've gotten used to it, sure, but the way he's looking at you right now - with a pinched brow and somewhat of a snarl - is starting to unnerve you.

Does crying piss him off? You understand it's not a pleasant thing to deal with (not that you expect him to). But seeing him this angry outside of battle makes you want to run and drop off the grid for the rest of your life, abandoning your very important Stellaron Hunter duties and Blade in the process.

You swallow, wiping your face with your sleeve. You can't seem to stop miffing him, because he stalks over to you completely in two strides while you freeze up in muted terror.

Is he going to execute you?! Has he decided to circumvent Elio's rules just to shut you up? Is your pathetic sniveling really going to be your undoing? Will the others have to scrape your remains off the walls and floor, your life forever immortalized as a reminder to keep the waterworks under contro--

He all but shoves something into your limp hand, closing your fingers around it a little too tenderly before sidestepping you like he's been scalded by boiling hot water.

It's soft, and you eventually realize it's a handkerchief. It's the darkest navy can pass without actually being black, embroidered with neat red stitching and obviously made with love. You don't know why he even has something like this - it's not like he ever cries - but you let the train of thought go in favor of soothing your frayed nerves.

You don't think twice before bringing the cloth to your face and wiping the remnants of your sadness away, trying to find your words in the process. Your coworker is now standing shoulder-to-shoulder with you, all traces of perceived anger gone. The foot or so between you and Blade isn't a wide berth, but it's still too far.

"Oh," you manage dumbly, now sporting a considerably drier nose.

Unimpressed, he replies. "I know."

"What?"

Okay, you sense his frustration this time. Blade sighs and wrenches his head in your direction for just a moment, exasperated and tense. "I know... how it is. Like you said."

You tighten your grip on the handkerchief wadded up in your hand. It's strange to hear him converse with you willingly, let alone try to comfort you (at least, you think that's what he's doing). Even so, his admission strikes a certain chord in your heart that's dusty from neglect. You sneak a glance at his figure, and when you meet eyes of burning coal, he returns to glowering at the wall.

Everyone on this ship has been through so much, especially him. You're certain that Blade does know what it's like to have some shitty days; he's probably had thousands of them.

You shrug. "Yeah... um, I figured. Nothing much I can do about it though. Bad stuff happens to everybody."

A lengthy pause stretches on until Blade takes up the mantle.

"You can't do anything about it," he repeats, statement curtailing into a dangerous drawl, "...but what about someone like me?"

Someone like him. Dread and something like fondness washes over you at the implication. The type of person he is - an eponymous sword and scabbard that slaughters on command - cannot fix the type of anguish you're dealing with. He's offering to help in the best way he knows how, you realize slowly.

The fact that he's even offering to shed blood in your name is a bit scary - not just because murder is wrong or whatever, but because he's actively trying to care about you.

No one's ever done that before.

"Alright, who are you and what have you done with Blade?" you joke, grinning genuinely this time, even if lingering moisture clings to your lashes. "Kidding. As nice as the offer is, I don't think your, um, solution... will help either."

You don't think it matters anymore - you're already starting to forget what got you so down in the first place. Perhaps you haven't given him enough credit, because by the way Blade's posture relaxes, he also notices this. No murder necessary tonight.

"Stand tall," he commands, pointedly not meeting your eyes as he pats your head. Before you have any time to process that, he disappears quickly down the adjoining hallway, likely slinking off to shred some training dummies.

You fly into a double-take, jaw practically on the floor.

Seems like you'll have to interrogate the old man whenever you get a chance to wash and return his handkerchief.

As you open up your messages app to text Silver Wolf all the details (with a concerning amount of stickers), your day doesn't seem so rough anymore.

"Thanks, Bladie," you whisper secretly to no one but yourself.

🏷️: @akutasoda, @aviiarie, @lowkeyren, @https-sourlimes

a/n: i finally got it done! so psyched to work on another platonic/familial prompt and it's BLADE i'm so sick. thank you for this request! :D

event post here

[demonsslayersstuff]

The Five Times You Sleep Together (Gojo x Reader)

A/N: Reposting

A/N: This is a Gojo x Reader drabble about the five times you sleep together. Not posted in chronological order. Mentions of sex and kissing but nothing too detailed. It is mostly about just sleeping lol. Enjoy!

Fourth Time:

Grief is what caused the two of you to sleep together, you both needed the comfort of the other, the feel of someone laying next to you, the knowledge that you weren't alone.

Gojo finds you standing in the courtyard, the rubble of destroyed buildings strewn about. You had gone there because you wanted to see the last thing your former friend saw before they had died. In away it was almost closure for yourself, seeing the damage and knowing he didn't survive. While you felt deep sadness, there was also a sense of relief with his passing.

Neither of you speak as the white-haired man comes to stand beside you, the two of you had been friends, truthfully a bit more for over a decade, so words did not need to be spoken. You look at him, noting the fatigue and hollowness in his eyes. While Geto had been your friend, he wasn’t as close to you as he had been to Gojo. He was Gojo’s best friend. You grab his hand and begin to walk away from the chaos of the day. The two of you walking the familiar path to the dormitories of the school.

Soon you enter your room, shoes toed off, heading for the bed. You reach for his jacket, unbuttoning it and slipping it off his shoulders without protest. He does the same for you, jacket removed and tossed into some random corner of the room. You shimmy out of your pants, him doing the same before the two you crawl into bed. You lay your head onto Gojo's chest as an arm wraps around your waist, his other hand threading through your hair.

"Sleep, I'll be here when you wake up, I promise", he whispers. You feel his lips brush against your forehead, your eyes dropping with the steady brush of his fingers in your hair. "Satoru...", you mumble. "I'm sorry, I'll always be here for you", you continue before drifting off to sleep. Gojo holds you a bit tighter that night.

First Time:

Nightmares is what sends you to your friends room at two in the morning. After you'd failed to save someone during you previous mission your nights were plagued with their screams replaying in your mind, you hadn't slept well in over two weeks.

The door opens, Gojo looking down at you with a surprised face after you'd knocked. "Can't sleep", you say walking into his room. Unsurprisingly you find candy wrappers, clothes, and books strewn all over the place. "You want to talk about it?", Gojo asks, motioning you to sit on on his bed. "I can't get her screams out of my head", you tell him after a moment of silence.

He hums for a few seconds before, “Here”, Gojo says moving the blankets to the side, indicating that he wanted you to lay down. “No, no, I can’t sleep here”, you tell him, cheeks flushing. “Why not? This not what you had in mind for our first time together?”, he quips with a cheeky grin that you would have smacked off his face if not for his infinity. “Ok, ok. I promise I’ll be a gentleman. I just think you might be able to sleep better with me here”, Gojo says. You ponder his words for a moment, “No funny business?”, you ask him pointedly. “I promise sweets”, he replies.

You sigh before slipping in the blankets, scooting towards the wall as Satoru follows careful to keep a bit of distance between the two of you. It’s not long before you feel the warmth emitting from his body, making you sleepy, eyes closing. But before you can, the scene that had been haunting you replays in your mind, your breathing quickens. Suddenly you feel Gojo’s body close to yours, his hand on your waist, lips near your ear. “It’s ok, I’m here”, he whispers. “Listen to my breathing, breathe with me”, he tells you. You follow his instructions silently and after a few minutes you find yourself drifting to sleep, breathing relaxed.

Hours later when the sun light peaks through the window, you awaken wrapped protectively in his arms and for the first time in weeks you felt safe and rested.

The Third Time:

You find him sitting in the dark classroom, glasses off, staring out the window. It had been mere hours since his best friend had defected and you were worried.

You approach him delicately, Gojo was not one to talk about his feelings, preferring to suffer alone in silence. “Sato”, you say quietly, entering the room. He doesn’t respond, continuing to look out the window. You slowly move to stand next him, glancing to get a good look at him. His usually sparkling blue eyes were now dull and devoid of his usual happiness. You could see the pain on his face, the fatigue in the way his shoulders slumped in an almost defeated way.

You reach out and grasp his hand in yours, surprised his infinity was off. “Come with me”, you tell him. “I don’t…”, he finally answers, though his words die as his voice cracks. “Don’t argue with me Satoru, I’m not leaving you alone tonight”, you say in the most authoritative voice you have. Gojo’s eyes go wide, but surprisingly he doesn’t argue, instead follows behind you, your hand still gripping his.

A few moments later your pushing him through your door and onto your bed. You watch as he curls up into a ball, dejectedly staring at your wall. You sigh before you crawl into bed. Though you are significantly smaller than him you wrap your body around his, your right arm crossing his chest, leg overlapping his.

You stay like that for a long time, in absolute silence. Your presence was enough to soothe him, to make it known he wasn’t alone in this. Eventually Gojo turns to face you. He just stares into your eyes and you swear you’ve never seen him so broken. You move your hand to softly cup his cheek, your thumb softly brushing it. “I’m sorry, I know you don’t want to talk about it, but I am sorry”, you tell him quietly. You see a few tears slip from his eyes, which you quickly brush away. “I’m here when you’re ready to talk, I don’t plan on going anywhere anytime soon, ok”, you continue.

Gojo continues to stare at you for a moment before he suddenly closes the distance between your faces, kissing you. Though you are surprised, you don’t shy away. This probably isn’t the healthiest way to handle this situation, but you let yourself be devoured in the kiss, let his hands grip your waist as you as he moves to hover on top of you, your arms wrapping around his neck, your silent permission to him that this was ok.

One day you’ll find the time to have a real conversation to sort out these feelings, but for now you let him remove your clothes, let him touch you in places you’ve only dreamed about. You let Satoru Gojo make your body his own and he lets you do the same. Hours later when the two you are nestled in each other’s arms, sleep ready to take over, do you hear, “Thank you”, whispered and you know that things will get better.

The Second Time:

“Well this is just peachy”, you say finally breaking the silence between the three of you. You, Gojo, and Nanami had been tasked on an overnight mission in Osaka. Though you’d been promised a triple room the three of you continue to stare at the one single bed and one queen sized bed in uncomfortable silence.

“I guess you and I are bunk mates”, Gojo says looking over at Nanami. You also look over at Nanami, though more so because of concern. While the two boys would work together without complaint during a mission, sleeping together was one thing you knew Nanami was not happy about.

You hear your junior curse under his breath, saw the unpleasant look on his face. You sigh, hoping you would not regret the words you were about to say. “Nanami you take the twin bed”, you say. Both boys whip around in surprise. “Senpai, no”, Nanami begins, but you wave him off. “Don’t worry it about, I’m trying to save your sanity from this psycho”, you tell him, thumbing point to Gojo.

“Hey!”, he responds with feigned hurt. “Still, it’s not fair for you to sleep with him-” Nanami argues, but you interject. “It’s ok, besides this wouldn’t be the first time”, you tell him. Your eyes go wide when you finish speaking, realizing the mistake you had just made. Gojo laughs as Nanami’s face turns the darkest shade of red you’d ever seen.

“I see so it’s like that. Very well. I’m gonna, uhh, I’ll just meet you by the 7/11 in five minutes”, Nanami tumbles over his words before darting out of the room. “No Nanami it’s not like that”, you shout after him, but the blond haired sorcerer is gone. “Nice going sweets”, Gojo says finally says after letting the scene play out. You give him a heated look before heading out to explain what you meant to Nanami.

Hours later, when your mission is completed you come to not regret your words. Not when Gojo is quick to cuddle with you, you’re too tired to complain, though secretly you relish in his touch. Sleep finds you quickly that night wrapped in the arms of the strongest sorcerer.

The Fifth Time:

It’s not long after Geto’s death that Satoru seeks the warmth of your bed again, just as he’d done the first night of his friend’s death. He doesn’t knock, he doesn’t need to, not anymore anyway.

The two of you had been playing a quiet little game of expressing your emotions physically, though neither of you made an effort to speak of them. For the past ten years it had been stolen touches and glances. The occasional “slip up” of kisses and heated moments being shared every now and then.

You didn’t bother trying to be with anyone else. You knew from the age of eighteen, when the two of you had shared that intimate night together, that Satoru Gojo was your soulmate. You were his, he made zero effort to push you away, to find anyone else. There was no point in his mind, you were his, had been for ten years. Though again neither of you had ever spoken about this.

That night you hear your door creak open and close, you feel the familiar weight on the mattress as it dips down. Strong arms wrap your waist, pulling you flush again him. “You awake sweets?”, Gojo asks. You hum in a sleepy response, which quietly changes to a squeal as he flips you over to face him. “Sato-”, you begin but the words die in your throat when you look up into his face. He was looking at you like you were the most beautiful creature on the entire planet.

It’s not long before the two of you find yourself in the familiar frenziness of clothes being ripped off, hands exploring each other’s bodies, lips locking together. The difference is that as the two of you reach your highs an “I love you”, spills from his lips, rocking your heart to its core. “Be mine”, Gojo says later after removing his face from your neck, the weight of what he’d previously said still hanging in the air. You cup his face with your hands. “I was already yours Satoru”, you tell him softly. Your admission brings your favorite crooked smile to his face.

Later after the two of you clean up and sink back into the comfort of each other’s arms you say, “Move the rest of your stuff here”, quietly, testing new waters. “Tomorrow morning”, he replies, sleep heavy in his voice. You nestle deeply into his chest whispering, “I love you too”, before sleep finally overtakes you. After that night, the two of you rarely slept apart, finally embracing your true feelings that started ten years ago.

[raven-at-the-writing-desk]

People asking which one we get between Jack Skellington and Oogie Boogie, while I'm sitting here in a Comm class thinking "Why not both? Lmao". We all recognize them easily, so having it a twist(heh) of both, with Jack's being a hero character and Oogie being the main bad, could work out with how they actually are.

How Yana could go about it, idk, we'll have to wait and see. But honestly, am so fucking hyped for it. But what exactly do you think could be a possible plot idea or what do you think could happen in the event?

You can answer at your own leisure.

[Referencing this post!]

I don’t think it’s strange at all that people are speculating which character will be the one twisted. Yes, Fellow and Gidel were introduced as a pair, meaning that there is no limit or precedent set for there only be one new character revealed. However, it’s very clear that Fellow was the star of the show, as he has the stronger presence (and ended up getting the SSR as well). Ultimately, it does mean they end up being treated like a single character rather than individuals anyway. So really, I think most fans are still running on the logic that only “one” can be twisted.

The problem with Jack and Oogie is that they are both strong presences, neither dominating the other when it comes to being attention grabbing. Fellow and Gidel go together, but Jack and Oogie are opposing forces, not teammates, in their own story. This makes it hard to predict which of them will be twisted and makes it less likely they’d be crammed into the same card.

(ncbsbsvwjwheisn NOT GONNA LIE, I’m really hyped for a twisted!Jack Skellington… but a part of me is also really attached to my OC that’s twisted from Jack 🤡 That’s not to say that I don’t want a canonized one; I think I’d actually ASCEND if we got a twisted!Jack Skellington for real!!! It’s just that I wouldn’t know what to do with my OC after the fact 🤷‍♂️ Something similar happened with my Snow White OC when Neige was introduced in book 5 www)

A popular idea I’ve seen in circulation is another isekai plot where either the students go to Halloween Town or the Nightmare Before Christmas characters come to Twisted Wonderland from Halloween Town. I’d wager that’s a pretty safe guess! Like… they’re doing their Halloween parade prep and there’s a new character disrupting things. Maybe they’ll have to pull off a heist or kidnapping of some kind?? 🤔 It would be funny if the NRC boys had to help play matchmaker for a Sally and Jack/j Personally (and this is a stretch), I really would like to see some kind of casino or gambling element because I love those design details for Oogie’s lair. Not sure if it would make sense being a large part of the event story, but it would be cool to consider.

[miwiheroes]

Mike and El's conflict is not just about him not being able to say 'I love you.'

It's about the fact they just don't understand each other anymore. Even if he was truthful about loving her in the end, it doesn't matter. Their relationship's building blocks are still broken. Here's why:

"I guess I just don't really understand."

"I mean, you've seen it, I've been bullied my entire life."

"I know what it's like."

"I understand"

"Just please don't tell the others okay? They won't understand."

"Eleven would. She always did."

"No. You don't."

"What don't I understand?"

"I am different." "You think I'm a monster too."

I really don't think anyone truly realises what the Mike and El fight in season 4 does to their relationship. Yes, it is basically all about how El tells Mike that he isn't loving her in the way that she needs, and that Mike just thinks of her as his superhero rather than a human being. However, this is a total break down in their relationship as a whole.

Their whole relationship was built in season 1 and 2 on a certain type of shared trauma, attachment to the person who gave you care, fascination and most of all, understanding. Mike was attached to her in season 2 and season 1 and had the first inkling that he might have liked her because he thought, 'finally someone who understands me'.

That understanding is gone. I repeat, it is gone. In this scene, with the broken diorama, it is established that the fundamental building blocks of their relationship too, are broken.

Many people think that by the end of season 4, Milkvan is completely fixed. Because Mike said 'I love you' and y'know what, let's say he meant everything he said! What if he did mean that he loved her? (even though that's not the case but walk with me here).

That still doesn't resolve everything.

Wait. But that was their only problem, right? That was all their argument was about, right?

Wrong. Their argument was also about El not understanding Mike, Mike not understanding El. And this part isn't fixed. Mike still calls her a superhero in his speech even if he is truthful, he still makes her feel like she's not a human being.

But:

"You make [me] feel like [I'm] not a mistake at all. Like [I'm] better for being different. And that gives [me] the courage to fight on."

Mike likes the words that Will says, and if he believes the lies that he's telling him, then that means he also likes having that sense of understanding between him and El. But in reality, it's not there. He feels warmth for feeling like he's being understood/ he understands someone else, but it's not El. It's Will.

"I am different. I do not belong." vs. "You make [me] feel like [I'm] better for being different."

When Mike finds out that it's not El that he makes feel like she's not a mistake, and that it's actually Will, he's gonna have a lot of questioning to do. Because, as Finn said:

"There's probably a mutual understanding and acceptance there, I think." (in relation to someone asking about mike's feelings here)

Mike will find that understanding he craves so much in a relationship. Will already believes that Mike understands him and makes him feel like he's not a mistake. Mike will find that understanding with Will, because it's mutual.

Uh so yeah, this is truly why I think for Mike's arc and El's arc, it makes no sense for them to be endgame, because they simply don't understand each other. But it's not anyone's fault.

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[mostmagical]

I really love the detail of garrus always being that one step behind shepard... and not in the literal "got your back" sense (though of course I love that too), but in the figurative "just short of crossing the finish line" sense. like ME1: when you meet garrus, he's already been on this saren case, he's just been unable to get anyone to take it seriously. in walks shepard, and shepard is able to do all these things garrus couldn't quite do: becomes spectre, is taken (somewhat) seriously, goes on galaxy-wide chase to take down saren. wins. garrus has always been trying to do "right" in a way that makes sense, and here's this human that just already knows how and DOES IT.

then ME2, garrus is still on this quest to do right. he manages to put together a team, but ultimately, this enterprise is a failure too. he just can't quite make it. but that's when shepard arrives, picks garrus up, and in one day defeats the gang leaders that garrus has been after for MONTHS. also important to note without getting into the whole religious symbolism of it: his team is 11 people, with garrus himself being the 12th. by the end of ME2, shepard successfully accomplishes their goal with a team of 12 total. 12 followers. 12 disciples. I'm not getting into it. but. just look at those numbers. you know what I'm trying to say.

by ME3, garrus DOES make it over this finish line. he DOES get his promotion and people respecting him. but it sucks. after years of striving to get to the finish line, to cross that mountain, he gets there and it's so much pressure. but the wonderful thing is, now instead of being a step behind, he's shoulder-to-shoulder with shepard, which allows for the open communication and support that the two of them get to have because he GETS IT. he was watching the whole time from behind. he's seen all the highs, and the lows, and now in the low low, he knows what it's LIKE. it's like this wonderful full circle moment where he's able to support the person he's looked up to for so long.

[thecoolerliauditore]

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

[purpurussy]

I feel like the "dan is bi" anon is trolling but just in case they're genuinely confused: yes dan said in BIG that he loved and felt attracted to his high school gf (although he also made it pretty clear that they did not have sex so idk where anon is getting the idea that he has slept with "multiple women" 💀), and he alluded to his attraction not being confined to a specific gender in the part where he talked about labels, but you're completely taking all of that wildly out of context and missing the point of the whole video by calling him bi. I feel like this is probably the part that's frying their brain:

(shoutout to the legend @goldenpinof for this transcript!)

But firstly, imo it was very clear from BIG, as well as other stuff he's said over the years, that he just doesn't like labels. Which I find very valid, it took me a long time to figure out how to label myself. I still don't know what my gender is lmao but I started saying "bi" for my sexuality because it's a widely-used term that gets the point across. And I think that's the thing here: he came to the conclusion that the labels "gay" and "queer" are the best descriptors of his identity, which do the most accurate job of approximating something extremely psychologically complex and multilayered and nuanced in a simple everyday term that gets the point across to other people.

Obviously words mean things and it doesn't make sense to just pick a label at random (like for example it wouldn't make sense for me to identify as a lesbian, since I definitely feel attraction to men as well as women and everything outside the binary, and am interested in acting on that attraction at times, so I wouldn't be conveying accurate information to other people if I used the label lesbian for myself) but a label is just supposed to serve the task of conveying relevant information to other people (if a lesbian feels some kind of abstract attraction to dan and phil, that doesn't mean that the alphabet council needs to immediately revoke their lesbian card!! Since the word "lesbian" still does a perfectly good job of conveying relevant information to other people. Likewise if a straight dude has a fun little gay dalliance with his college roommate, but has absolutely 0 interest in men beyond that incident, it wouldn't be remotely necessary for him to start calling himself bi if he didn't want to, because what would be the point in that if he's only interested in women? Like if he told a gay dude who found him attractive that he's bi, only to backtrack... Do you see what I'm saying here?). It's perfectly valid for Dan to use "gay" and "queer" as umbrella terms that in his opinion do the best job of describing him, out of the language that's available. If he's like essentially a kinsey >5 and decided to just round it off to a 6 at this point, who are you to tell him he can't lmao

(shoutout to the legend @goldenpinof for this transcript!

Human sexuality is often way too complicated to boil it down to a single label in a way that doesn't erase any of its nuance, and I feel like this is something he's struggled with in the past, especially with him being a public figure. He's mentioned multiple times that feeling like he had to choose a label was a factor that prolonged his decision to come out.

And this is not even getting into the impact that his trauma from his childhood and also from spending a chunk of his formative years in the public eye probably had on the way he identifies or the way he chooses to label himself. It clearly took so much courage and strength for him to finally be able to call himself gay/queer please have some respect for our brave troops

Ultimately the point is that he uses the labels "gay" and "queer", not "bi", and it really shouldn't be difficult to respect that. It's also not biphobic for him to choose not use the label "bi" (again speaking as someone who uses that label). It's just that he feels "gay"/"queer" are better descriptors for him and nobody gets to determine that except him!! :) He wants people to know he's gay so he calls himself gay and that's that on that.

There are definitely people on here who are way smarter and more well-educated than me who would've done a much better job eloquently discussing this topic without rambling all over the place but that's my take (if anyone would like to add to this please do so, I'm always open to learn more about topics like this. And I'm also not saying that the way I see it is the only objectively correct opinion, but anon is definitely wrong so 💀). Thank you for coming to my ted talk

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[hollowed-theory-hall]

ok so what are some of the changes you would want in the upcoming harry potter hbo series. and since your blog is Harry centric so I'll ask how do you want him to be portrayed in the series ? what traits of him do you think the series makers should shine more light on ?

Okay, I have, like, a list of things I didn't like in the movies and could be improved upon by the show. The list I have here isn't just about things the show could improve, but also things I want to see in the show in general. I think most of my opinions are pretty common, though.

(Also I'm not sure how good the show will be, like, I'm somewhat hopeful, but also very cautious with my expectations. We should start getting casting announcements around in a few months, which could help indicate where this show is going)

Regardless, here's my list of top concerns for the upcoming show:

Harry's character

This is the one you questioned specifically and one that could make or break the show for me. I want Harry's sass and anger, I don't want him to be a self-insert for the audience the way he was in the movies. I want his actual character. The sass, anger, and tenacity that is Harry Potter combined with his kindness, compassion, and sometimes clueless awkwardness. Let him be smart, clever, and talented.

Harry in the books is so much more than "just Expeliarmos" and the fact people could think that about Harry is a legitimate crime against his character the movies committed. Truly character assassination that Harry isn't an exceptional wizard with the world's lowest self-esteem and cheeky attitude.

(Also, for the love of god, give him green eyes, please. Contacts exist for a reason and it'll be a good way to differentiate the new actor from Radcliffe)

2. Ron & Hermione's characters

I could probably just put a "make all characters like in the books" category since this is true for a lot of them.

Specifically for the other two members of the Golden Trio, I want Hermione to have her flaws, and Ron to be smart. He is talented and smart and just as skilled as Harry and Hermione. He isn't the dumb comic relief and I'm so mad the movies made him such. And Hermione isn't a perfect Mary Sue who can do no wrong. Let her put Rita in a jar. Let her show how much she actually appreciates Ron and Harry and their approach to problems, different as it is to hers.

3. Voldemort's everything

I didn't like Voldemort's design, I didn't like his characterization, I didn't like how he spoke, how he walked — none of it felt like Voldemort to me.

I want Voldemort to be scary, not some odd caricature of himself. Give me a Voldemort design that looks scary. Give him the red eyes, and make him look actually skeletal. And let him move elegantly, talk softly. He isn't shouting and throwing tantrums, usually, he is very deliberate in what he says and does.

Also, give him his weird sense of humor. In the books, he makes bad puns ("Wormtail is here to lend a hand"), I like my villains a little campy with bad puns but also terrifying.

4. Dumbledore's everything

Well, honestly, I have no complaints about Dumbledore in the first movie, my problems started after he was recast.

I want Dumbledore to speak softly. I need an actor who could say "Nitwit! Blubber! Oddment! Tweak!" and make it work. I want an actor who'd smile like he knows things you don't as his eyes fucking twinkle, but could still look intense and even intimidating for the later seasons. I also want him to look whimsical and dress in the most absurd eye-catching robes you've ever seen.

5. On the matter of robes — wizard fashion

I want wizarding fashion. I want long robes, silly hats, colors, and patterns. I want the costume designers on the show to have fun with it. I want them to go wild.

The wizarding world should look whimsical and campy — that's part of the magic. I want it to look like a foreign world. Even the most purebloods of purebloods (like the Blacks) are more like the Addams Family than any serious drama. They have a sense of campiness and whimsy. Let wizards be weird as shit and show it in their dress and interior design (I mean, the Blacks hang house elf heads and have a troll leg umbrella stand, the Ministry of Magic has paper airplanes flying all around, they're weird).

6. About the more filler-y sections of the books

I want all the silly little plots that were removed from the movies. I think some of the more filer-y things add a lot to the books and to the whimsy of being a student at Hogwarts. I want the trio to sneak out Norbert, I want to see Peeves, the deathday party, all of these things that make Hogwarts truly feel like a magic school.

7. Hogwarts Castle

I love the castle of the movies and that of Hogwarts Legacy. Honestly, I think Hogwarts Legacy did a good job of capturing the feeling of the movies castle while making it its own new unique thing. I think the TV show should do something similar and kinda create a Hogwarts castle amalgamation of all previous iterations that would feel familiar and allow them to still use some of the same merchandise but also be new and unique at the same time.

8. Time period

I think this is a pretty common opinion, but I want the muggle clothes and sets to clearly be set in the 1990s. I want the show to be a period piece. I don't want to see smartphones, or modern fashion, or modern cars — none of that.

9. Age-appropriate casting

I'm not the only one who says this, but as great as Allen Rickman was, he was too old for the role. Part of the tragedy of Snape and the Marauders is how young they actually are. I think it'll just be much more heartbreaking if the actors looked as young as they're supposed to be.

(Including James and Lily in the flashbacks!)

10. Worldbuilding & extra scenes

Since it's a TV show and not a book, which opens up more perspective options, I would like to get, maybe, some extended Pottermore facts into the show. Like, to flash out the world in a way the movies didn't.

Additionally, I wouldn't mind if some extra scenes were added to build up characters we don't get as much of in the books and it could serve the plot. Like, as long as the scenes are added in a way which is like 'they might've happened in the books, we just didn't see them cause Harry wasn't there', that sort of thing without subtracting from anything else and without retconning or contradicting anything. Like, with good writers, this could be really well done, I'm just worried about them adding anything because I don't know how much faith I have in the whole project. But it could be cool if done well.

[jeonscatalyst]

Hi there. Thank you for your wonderful posts. I enjoy reading them.

I don't care if their relationship is platonic or not as long as Jungkook and Jimin are happy, but there's one thing that makes me think they might be more than just friends. It’s that they “don’t” talk about why they chose to enlist together. When it was announced that the two of them would be enlisting together, I had no doubts that there was some explanation for why they chose that. But, as you know, they never talked about why they chose to enlist together, at least directly. Of course, I don't think they have an obligation to explain to us the reasons for all their actions, and if they don't want to talk, that's fine too. I want them to do what they want to. But I think it’s natural that many people wonder why only two out of the seven chose to enlist together and they should’ve known we were wondering but they chose not to explain the reason to us. To me, NOT explaining seems like the answer in itself. Does what I'm saying make sense? If not, Sorry English is not my first language.

If they were just very close friends, I think they would have easily explained the reason. Like, it's reassuring to have friends nearby, or that being around each other helps calm anxiety, etc.

But they didn’t. The fact that they didn't give a reason leads me to believe that they simply didn't want to be apart from each other.

As I said at the beginning, I don't care whether they're more than friends or not, but if they want to be together, I hope that happens. Thank you for listening to my strange rumbling.

Hey anon,

I don’t think Jimin and Jungkook need to explain why they choose to enlist together regardless of whether they are a couple or not. Let’s normalize not getting explainations for everything the members decide to do and us not getting an explaination from them doesn’t necessarily mean that they are together. We might still get an explaination sometime but even if we don’t then that’s fine. I don’t care why they decided to enlist together, all that matters to me is that they are together and they are happy being together. We can speculate here and there about why they chose to do it but it doesn’t really matter and even if they did decide to one day tell us why they did it, do you think they would ever tell us they did it because they couldn’t bear to be apart from each other for 18 months? Absolutely not lol.

“If they were just very close friends, I think they would have easily explained the reason. Like, it's reassuring to have friends nearby, or that being around each other helps calm anxiety, etc.”

I think this is most likely the explaination we are going to get if we ever get one lol.

I get what you mean anon but I don’t necessarily think that the fact that they haven’t spoken about it means they are together. Maybe they don’t see the need to and tbf, I think Jimin might have mentioned something about it when he spoke of how relieved he is having Jungkook by his side to rely on. Maybe to them, that is explaination enough.

Just like you, i’m not crazy about if they are lovers or not, I believe they are but at the end of the day what I enjoy most about them is their beautiful bond and friendship and them possibly being lovers is just a added bonus.

Thanks anon💜

[jiao-ming]

Aventurine

From: Honkai Star Rail

Theme: Fluff?

(Photo from Pinterest)

——— ☆ • ♧ • ♤ • ♧ • ☆ ———

You never really saw a reason to live, all life was is a circle of meaningless. The things you knew about life was that it was better to be feared than be loved.

Ever since you could remember, your life was filled with misfortune. Each time you meet someone, they'll either kill you on site or kill you later on. If you think it'll be different, it wasn't...I wouldn't...

You had a wonderful gift of power, if it was even called a gift. It gives you more of a curse then blessings, everytime someone founds out about them you'll be in danger. So you eliminate the danger as soon as possible, even if you thought they'll be different...

But something stranged happened one day...

You were just chilling on a rooftop of a building in the middle of the night. Then you heard the rooftop door open, you were ready to kill the person but they spoke up to you.

"The rumors say that you'd be in the tallest darkest building in the city..."

You turn your head and face the masculine voice, you saw it was a man who wore expensive clothing. The clothes he wore had designs like of different gambling games, it caught your attention by his bold style.

"What do you want from me."

You said coldy to the male, you didn't want to be here any longer. If he tries to stop you, you'll kill him.

"It's not want, more like a need."

The male says smirking at you as his eyes shine with excitement. This made you confused by his choice of words. Your guard was up, what is he up to.

"Who are you...?"

You said confused with wariness, you already had your gun ready if he tried something.

"I'm Aventurine, part of the IPC—"

You immediately cut him off by shooting him by the side of his head. His eyes widen by the sudden violence.

"IPC huh...I don't associate with any of you people..."

Your eyes glare at him as you spoke harshly towards him, you never liked the IPC. The organization is just pure evil with no good side to you, maybe the way you think about them was because of all your encounters with them. They all acted hostile and violent to you, with the fact of them having a terrible image in the galaxy.

"Come on now, I heard some of my associates were troubled some to you. But I assure you I'm not like them, I communicate other than fighting."

Even after Aventurine said that you still had your guard up, you held your gun up to him if he tries anything. Even the slightest movement will cause Aventurine his life with you, but all he did was smile to this.

"Doesn't matter, you all are the same. If you want something you'll take it by force."

After you said does words Aventurine laughs at it, this made you confused. Why was he so careless of showing his reactions, what was his plan.

"What if I tell you I'll help you find a reason to live."

This caught your attention, why does he know this! How does he know this! Your eyes glare at him harshly, you didn't like what this situation was turning to.

"What do you want in return..."

You said knowing this wouldn't come for free, everything has to come in a price. No matter how big or small it is, you learn it the hard way...

"What I need in return is for you to be part of the IPC,—"

That didn't surprise you, it would make sense on why he would want you to work for the IPC. With your power it would be handy to have someone like you. But the next part of his sentence caught you off guard and left you speechless.

"—and also be my bodyguard."

You look at him like he was a mad man, it wasn't like he was the first person to ask the question of you working for them. But for him to ask you to be his bodyguard!? Now that was new...

"Pardon—What?"

"You heard me! Be my bodyguard and I'll help you find a reason to live."

Was he stupid of something...No he couldn't be! Why would he ask you! Knowing how you're a so called wicked beast who is filled with sin! A known demon among citizens! He could just have hired you to do the dirty work! But he asked you to be his bodyguard! So why!?

"Why, have you heard of me?"

"Of course I did, why wouldn't I ask you to be my bodyguard if I didn't heard the rumors."

So he does know...Then why did he want you still!? Did he have a death wish or something!? Is he a mad man!? Was he manic!? Questions keep flooding your head, but you soon snap out of it when Aventurine spoke out.

"So? What do you say?"

He says with a smirk as he held his hand out for you to shake to agree to the proposal. You stare down at his short height and then to his hand, will it be worth it? Almost everytime someone ask you to work for them you decline them, and if they threaten you, you'd kill them. But now...

"Fine, I accept..."

You said as you walk towards him and shook his hand, this was something that might go terribly wrong. But then again maybe terribly right...Aventurine smirks at your decision, he then pulls out a pin. It's design was similar to his ascetic and a piece of paper, he then hands it to you.

"You'll be under me now, hope you can start work tomorrow."

He says walking away from you while waving, you look at your hand and stare at the paper. It had an address and a number, must be his address and number. You let out a sigh, you wonder if this was a good idea. But what can you do now? What is done is done, now you just have to wait for the out come...

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Sorry if I got some spelling wrong...

English isn'y first language ╥﹏╥

If you want part 2 ask me!

I'll be happy to write it :3

[rizzkiii]

~~~Dream Came True🌙

⚠️warning: 18+ content included- read at your own will

Bestfriend !Jake! Trope<3

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Synopsis: Jake and you have been bestfriends for over 3 years now. Both of you are quite comfortable with each other to the point of hugging and even cuddling at times.

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Jake was supposed to be at the dorm alone today, everyone else was at the company for some leftover work. You knew that and wanted to surprise your bestfriend by meeting after a long time.

You ring the bell to the dorm and Jake, who was preciously lounging on his bed got to open the door in confusion because he didn't expect anyone. But here you were, standing with a bright smile and yelling a little "SURPRISEEE!!" as soon as he opens the door.

"Y/N??" Jake seemed so confuse but in a happy way "y/n-ie i missed you!!" He admits softly and witht hat, you melted, stepping inside and giving him the biggest hug and saying back "I missed you too Jakey"

You bith soent some time talking, eating ramen and gossiping after which both of you head to his room and you immediately plop down on his bed and groan in satisfaction "ughh, wowww, i think i missed this mattress more" to which Jake just laughs and then climb on the bed and lays next to you, both of you lazy after eating and just scrolling on your phones.

After a while, Jake felt you roll over to his side and notices that you had fallen asleep, he smiles as he seems you making faces while sleeping. In your sleep, you unintentionally scoot near him and cuddle him and he happily cradles you and closes his own eyes to rest a bit. Unexpectedly enough, he hears a little sound so he opens his eyes but then tried to dismiss it...that's when he heard it again "mmmnng jakeyy" his eyes widen a little when he heard you moan his name in your sleep, he gulps and lays still, as if in daze, waiting to see if it happens again. And behold, it does happen again, louder and clearer, even gripping his arm this time "haaahhhh jakeeyyy". He tried to make sense of what was happening and also tried to stop his brain from going in the gutters. Just as he was about to nudge you to wake you, something even more Unexpected happens; you grip his tighter, panting a little and rub your leg against his as you whine in your sleep again "fuck yes jakey oh fuckkk"

He went still, face flushed from the thoughts that were devouring his minds. And then all of a sudden you jolted awake, he immediately acted as if he woke up by your jolt and acted confused. "You okay y/n?"

You seemed clearly flushed and confused and even a little sweaty as you reply in a shaky and uncertain voice "uhh...y-yeah...I'm fine..i just" he cut you off eagerly "you just? Did you have a dream?"

You got flustered and tried to laugh it off "huh?? Oh hahah, yeah...a little weird dream... nothing much"

He smiled cockily a little and says "nothing much? Are you sure?" And you nod but before you can say anything he says "your little moans and whine while you were sleeping said otherwise though" your eyes immediately widen and you sit up immediately "WHAT?" To which he just shrugged and said nonchalantly "what was i even doing in your dream to have that reaction?"

You were a blushing mess due to embarrassment and cursed yourself to talk in your sleep but after a lot of back and forth he was very adament to have you tell what you saw so you just blurt out "you were eating me out! Goddammit just shut up noww"

He raised his eyebrow "eating you out? I guess I'm a good eater" he slowly held your hand as you looked at him in confusion of his reactions and stupidly nodded and agreed "yeah...i-i mean no-i don't know...it was just a dream!"

Jake pulled you in towards himself and whispered in your ear "do you want me to make your dream come true?" Sending chills down your spine as you just gulped and looked at him "Jake...y-" he cut you off again "shhh, just tell me what all happened in your dream, alright?"

You were in such a daze and needs took over you as you complied with him and in a very breathy voice started telling him everything as he lays you down on the bed, kissing your neck and slowly moving down to your chest, swiftly removing your t-shirt amd bra and his own tshirt, revealing mouth watering abs of his. He leaned in and kissed your boobs and his mouth fixation took over as he sucked and nibbed on your nipples, leaving you panting and moaning already as you played with his hair.

He teasingly moved down and tugged on your pants, by this time you were out of your mind and lost too deep in your needs "Jakey, please...i need you" that was all he needed to hear before throwing away your remaining clothes and putting your legs on his shoulders as he absolutely started devouring your pussy like a hungry madman. Making slurping and wet noises on purpose to make you even more wet, enjoying your whimpers, pleads and moans.

His mouth fixation definitely was getting served as he sucked on your clit, and licked your wet folds, kitty licking your clit in between, even foegettibg to breath because of the addictive taste and atmosphere of what was happening. He pulled back to see your messy face, sweaty panting dazed eyes as you pleaded again "Jakeyy...y-your...fingerss?" He smirked at your request "oh princess aren't you greedy? Alright tell me, 1..2...or 3?" He was so so confident and cocky at the moment after seeing you in a mess. He didn't even wait for your response before rubbing your pussy and putting in his middle finger as youa rched your back and moaned his name "fuckkk jakeyyy" he smiled proudly as he added his ring finger and watched you shudder and arch as he did so but it wasn't enough, he used his thumb to rub your clit and pumped his fingers in you at an insanely fast speed.

You felt like you were absolutely losing your mind, so many sensations and feelings at once, it felt like you were going to break. You were breathless as you knew you were close and needed more friction so begged out "fasterr jakeyy" Jake complied and went faster and deeper, adding in his tongue to suck your clit and then he absolutely lost his control as he heard you moan "oh fuckkk Jaeyunn!!" His mind snapped when he heard you call his legal name like that, he added another finger, going so fast that all his veins were popped up as you finally lost it and came on his fingers, shuddering and shaking from the aftereffects.

"Ohh...my fucking god Sim Jaeyun....we are NEVER EVER going back to being just friends" you say breathlessly making him chuckle and kiss you.

He pulls back from the kiss slightly "absolutely not, not after i know how fucking addictive your pussy is..i can eat you all day long" you chuckle shyly "this isn't finished yet jakey" you say hinting at his very visible bulge.