#drag reduction
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fuckyeahfluiddynamics · 4 months ago
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Disappearing Sea Ice Ridges
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As blocks of sea ice shift and float, they can press together, forming ridges spaced every few hundred meters or so. A new study uses aerial observations from recent decades to show that these sea ridges are getting smaller in both size and number, a smoothing of Arctic topography that has many consequences. (Image credit: USGS; research credit: T. Krumpen et al.; via Eos) Read the full article
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slypstream · 3 months ago
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kaladin | multifandom
this blog is for:
writing
analysis
fanart
etc
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tags (to be updated as i get more active):
#original post <- analysis, textpost, ramble, etc.
#my art <- as the name implies, my art
#fic art <- not my art, for my fics
#fic wip <- any in progress fics, will also be tagged by name
#my fic <- completed, published fics (links attached to posts)
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my main is @dinnorthstar, i follow back from there, reblog, & post f1 content + less thought out analysis!! feel free to say hi, i love chatting w people :>
ao3 ♫
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the-organic-dynamic · 7 months ago
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Never a bad time to reiterate that Wikipedia and DuckDuckGo do NOT have AI augmentation, still have reasonably accessible and verifiable results, and actually help you find answers and context for life's questions
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stripedstarsblueflags · 11 months ago
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being a twink is really fun until they hit you with the "ohhh funny! you don't look like someone who would be into racing" and i have to remind myself that reciting the entire biography of bruce mclaren is probably still not enough to prove my point
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never-wake-up · 4 days ago
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Saying Anna Pavlova is a bad ballet dancer is like saying Shakespeare can't write. obviously the technique isn't following the 21st century trends but they're still considered the best in their field for a reason
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jack85200 · 8 months ago
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fuckyeahfluiddynamics · 11 months ago
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Paris 2024: Swimsuit Tech
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The aughts were an exciting time to watch competitive swimming. Records were falling left and right, especially in 2008 and 2009. The first wave of improvements came around 2000, with the introduction of full-body swimwear.  (Image credit: Getty Images; research credit: L. Foster et al.)Today kicks off our fluids-themed Olympics coverage. Stay tuned for more sports this week and next week. If that's not enough sports physics for you, check out what we wrote in previous years. Read the full article
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genderqueerdykes · 1 year ago
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i guess it's scary to me when white leftists say that the punk scene is the scene where you wanna go if you're trans or a person of color or a drug addict or someone else who's been kicked down in life. cuz like, if you've lived in this scene, is it really where you wanna send people?
i got involved in my local punk scene and the problem is that people aren't actually focused on looking out for each other. punk is heavily white. punk is heavily abled. punk is heavily cis. i know everyone says "real" punk is this and that, but the problem is: i live in a punk house venue. i live in a house where punks throw punk rock shows weekly and invite other punks into our home to throw music and art shows. the DIY scene is a mess. it's full of abusers. it's full of enablers. it's full of queerphobes and tranny chasers. it's full of people who collect vulnerable traumatized people. it's full of people who will hand beers to recovering alcoholics and pass lines to recovering addicts.
this scene is full of people who scribble "this machine kills fascists" on every object they own and turn around and cower and say "I'm scared, can you come pick me up, there's some scary guys outside." because some black dudes listening to some rap posted up outside of the punk show. this scene is full of virtue signaling assholes who put antisemitic symbols on their "battle vests". this scene is full of half-assed "communists" who just want to brag about the big scary words they learned like "praxis" and "proletariat" and "bourgeoisie".
this scene is full of fake socialists who won't lift a finger to help each other, but will drag each other into hell instead.
the problem with punk as we know it is that it's whitewashed to hell and back, and the spaces created by these individuals are not centered around safety, but violence. yeah, you kill fascists, but do you provide meals for the hungry, shelter for the homeless, and harm reduction for the addicted? do you pass out extra blankets and clothes? do you help people get to the hospital? do you pat someone on the back when they turn down that beer? do you remember to not offer a baggie to the person who just got out of recovery?
no? then you aren't a safe person to be around, and you ain't punk. you are the reason this scene is unsafe.
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frombookstoretobookstore · 2 months ago
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You Say That Like You Care
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Abbot x Injured!Reader Summary: After reader takes a punch to the face, Abbot's emotions flare as he realizes he might care a little too much.
TW: Blood, injuries, angsty Abbot, Abbot admitting his feelings.
A/N: I don't love this piece but I needed to get an angsty Abbot piece out of my head. This might be purely self indulgent. Masterlist
Y/n groans as she digs the ice pack deeper into her eye socket to ground herself. Her shift was already in tatters, and she didn’t need to look at the clock to know her official shift hadn’t even begun.
She’d been called in early to help in the ER, a resident had gone home sick. She’d swung in early, happy to help where she could. Now she wished Dana had called someone else. She felt guilt rise in her chest, if she hadn’t come in, it could have been one of the med students who’d drawn the short straw.
She’d stepped in to help with a combative patient, nothing unusual. Hell, she worked with women in labor who usually threatened her the pain was so bad, she was used to never taking anything personally. 
The patient had presented with a partially degloved leg but the meth in his system had sent him ballistic. Y/n had caught a punch to the face. She’d been dragged out by McKay as she’d tried to continue helping despite the blood draining down her face.
So, Y/n finds herself sitting behind the nurses’ station, Princess swearing as she presses gauze to her nose while Y/n ices her swollen eye. Still another hour left to wait before her L&D shift is set to begin.
“Christ sweetie, the hell happened?” Dana asks, quickly donning a pair of gloves, removing the icepack from Y/n’s face as Princess continues cursing under her breath.
Y/n groans and bats her friend’s hands away. “Just dealing with it all tonight. Apparently. I’m fine.” She grounds out as Dana pulls her glasses on to study her bloodied face.
“Did you go to CT?” Dana asks, quickly grabbing some tissues to wipe away the blood encrusting Y/n’s face and neck.
“I’m not wasting CT’s time, I’m fine.” Y/n said, tears springing to her eyes as Dana prods her nose.
“Please tell me you fell. Or lost a fight with a newborn.” Robby says, Dana moving so he could assess their friend.
“She took a hit from curtain three.” Princess says, Y/n hissing when Robby started putting pressure on around her eye.
“Princess, call down to CT and get her in line. Let L&D know they’re down a doctor.” Robby starts testing her pupil reactivity.
“No, I’m not going home. I’ll be fine. I came here to collect myself, not to distract the best workers of the ED.” Y/n says, waving Princess off the phone. She rolls her eyes as she lets Y/n usher her back to work. Robby only sighs as he crosses his arms and takes in her appearance.
“You probably have a concussion if not a fracture. Let’s get some morphine so I can pop this nose back into place. Also, I doubt your patient satisfaction scores will go up with the way you look right now kid.” Robby says, chuckling softly as Y/n tries to scoff through the wads of gauze shoved up her nose.
Y/n bats his hands away again. She stands and Robby tries to push her down onto a stool again. The four newest med students’ eyes grow big as they took in the L&D doctors banged up in front of them as they wait to check in with Robby before leaving.
Y/n groans as she notices the newest pairs of eyes on her. “Alright gremlins time for a teaching moment gather around.” Robby only rolls his eyes.
“If you’re going to be stubborn, at least let Dana come back with morphine. For my sake.” Robby says, pinching the bridge of his nose as he already knows what Y/n is going to do.
“Quickly, how do we do a nasal fraction reduction?” Y/n asks doctors King and Javadi’s hands fly up first. Santos huffs with her arms crossed and opens her mouth to speak.
“Santos you’re out of the running. Raise your hand and maybe I’ll call on you next time.” Dr. Santos’s mouth hands open slightly, clearly not used to the sharp attitude of the usually sunshiny L&D doctor they’ve all gotten used to.
“A doctor manually realigns the displaced bone and cartilage; my guess is we’re looking at a type III nasal trauma. Biggest take away is never do a realignment on your…” Abbot’s gruff words and disapproving scowl are cut off as a sharp crack is heard as Y/n manually realigns her own nasal cavity.
The med student’s faces drop and a few pale even as they watch Y/n reset her own nose, the sound sickening. Y/n bends forward, the pain blinding for a few moments. She rights herself and presses gauze to her nose as it starts leaking blood again.
“That was both the grossest and most impressive thing I’ve ever seen.” Dr. Javadi whispers, her mouth still open.
“As I was going to say before Dr. Y/l/n did one of the stupidest things, is never reset your own nose.” Abbot’s tone is gruff and sharp, and judging by the med students’ faces, he’s using that icy stare that makes everyone uncomfortable.
“Check on your patients. Go.” Y/n only catches Robby’s smirk from across the nurse’s station as the med students scatter. Abbot has her by the elbow and is dragging her into a trauma room, snapping the curtain shut.
He’s slamming drawers closed as he starts grabbing materials to pack her nose. The room is icy, and Y/n can hear her heart pummeling in her ears, feels it in her nose.
Usually, she’d steer clear of pissing Abbot off, knowing his temper is short and how cold he can get. But today? She doesn’t care, she’s exhausted and angry.
“Quit hulking out. I’m fine.” She says, hissing as her breath burns her nose.
He doesn’t answer. His shoulders are tight, his jaw set, and his hands are tense as he drops everything onto a small metal table, yanking it closer as he looks at her nose and bruising around her eye. He adjusts a light to get a better look at the bruising.
“What happened?” He growls, tilting her head back as he checks the alignment on her nose.
“Got slugged.” She shrugs.
“Last I checked you worked with babies.”
“Not all of them are happy to leave the womb.”
“Stop I might actually laugh at one of your deflections.” He deadpans as his fingers skim her skin, checking for more fractures.
“Unless you have some superpowered hands there hulk, you aren’t going to be able to feel any fractures.” She speaks.
“I know.” His eyes are still icy, his brow furrowed as he keeps giving her a once over.
“Still injured. That isn’t going to change the more you stare at me.” She huffs out.
He tips an eyebrow up before throwing away the discarded, bloodied gauze, snapping his gloves off and heaving them into the trash. He leans against the counter behind him, his arms crossed against his chest as he stares at her again. He sighs deeply and lets his head drop.
“Jack Rabbit, talk to me.” She says as she shifts on the bed. “Your silent treatment is even creepier through one eye.” He smirks as he glances up at her trying to open her partially swollen eyelid.
“What are we going to do with you tonight? Any being you deliver is crawling right back in as soon as it sees that face.” His smile doesn’t quite reach his eyes. He breathes out and runs a hand through his curls and he lets it rest on the back of the neck. His gaze finally meets hers.
“Stop looking at me like that.”
“Like what?”
“Like I might disappear.” 
He groans as his head falls back. “Every time something like this happens. I worry it’ll be the thing that drives you away from here.” His confession tumbles past his lips.
“You say that like you care.” Her heart swells as he looks at her, his stare full of emotion instead of ice.
“Maybe I do.” He mutters, his arms bracing on either side of him on the counter, his gaze back on his feet.
Y/n swears she can hear the heart monitor from three doors down as Abbot sits with the emotions he just showed her. She’s also sure her mouth is hanging open a bit.
“I.. I’m sorry?” She says, tilting her head towards him as if to hear him better.
“Because maybe I do care. Maybe I care if you get hurt. Maybe I care that I wasn’t called in early. Maybe I care, because I don’t want to see you hurt, ever.” He’s crossed the room in a few strides before she even realizes, close to her again.
“It was just a punch Abbot.” Her brows are furrowing as she grabs his hand as she notes that they’re shaking slightly.
“What if it wasn’t? What if it had been worse and I wasn’t there?” His eyes aren’t on her anymore, their distant.
“Abbot, it was one punch, and I wasn’t alone. Princess nearly bit his arm off, and security was in the room right after.” She laughs slightly, swinging their clasped hands between them.
“You really don’t get it, do you?” Abbot’s voice is low, almost a whisper. “It’s not about the punch or the guy who threw it. It’s about you. I care about you, Y/n. I care more than I should. Seeing you hurt, even a little, makes me feel like I’m failing you.”
Y/n’s expression softens, her grip on his hand tightening. “You’re not failing me, Abbot. You never have. I don’t need you to protect me from the world.”
He looks down at their joined hands, “That’s what I want too. More than anything. But it’s hard to turn off the part of me that wants to shield you from everything.”
She smiles gently, her thumb brushing over his knuckles. “Then don’t turn it off. Just... let me in.”
He nods, letting their clasped hands dangle between them. He steps forward, dropping her hand, before carefully tucking her into his chest. She breathes him in, smelling laundry soap and something that reminds her of leather.
They pull apart and he looks at her with an eyebrow raised. “Seriously though, I wouldn’t trust you to deliver anyone’s child.” She swats at his chest as a laugh rumbles his chest, his eyes clearer.
“Shut up and buy me dinner Army Boy, I’ve got a lot to talk to you about. You aren’t the only one caring more than you should.” His heart flutters in his chest as she stands. Before he can pull the curtain back, she’s pulling him in by his scrub top and pressing a kiss to the corner of his mouth. She pulls back with a smile.
She pulls open the curtain to Dana and Robby swapping cash, their eyes wide as they’re caught by the two.
“If either of you breathes a word of this to anyone.” Y/n hisses with her hand up to stop them from running. “I’ll make sure you leave your shifts with similar bandages.” She points to her own face as she walks off, Abbot only smirking as he watches her go.
-------- This one took me FOREVER to write and I'm not sure how I feel about it. I've been watching Animal Kingdom and I needed to write angsty Abbot after. Hope y'all enjoyed it!
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mariasont · 3 months ago
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schrödinger’s relationship
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spencer never needed to define what this was, until you did. now, the box is open, the outcome inevitable, and he has never been so happy to lose an argument.
pairings: spencer reid x fem!reader warnings: situationship (ish? it gets resolved fast lol), mutual pining, friends to lovers (except they've been kissing for months), mention of heavy makeout, lap sitting, shirt removal, spencer kissing you to shut you the fuck up, cat does not survive the experiment (metaphorically speaking, there is no animal killing in this fic LOL) wc: 1.4k request: here
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Your body is warm in his lap, your weight pressing down just enough to be distracting — no, disorienting — and Spencer is trying very hard not to look at your lips. Not just because they’re parted, slick, and kiss-swollen, but because the soft smudge of your lip gloss is evidence that this has been happening. That he’s been kissing you long enough to leave proof of it.
Mascara has clumped just slightly at the corners of your lashes and there’s a half-moon of pink polish chipped at the very edge of your thumbnail.
He’s obsessing over details. Your pupils are dilated, swallowing every fleck of color. He knows it’s a physiological response. That it’s dopamine, norepinephrine, oxytocin, all working in tandem to make you look like this, flushed and increasingly pretty on his thighs.
It’s easier to focus on biology than it is to focus on the fact that this moment exists in a state of suspended reality.
This was new. Not just in the way that everything between you had been new, in the way that months of small, careful steps had led to this, but in the way that Spencer had never felt like this. Overheated. Overwhelmed. Overrun with sensation. It had started as everything else had, soft and slow, the kind of kissing that didn’t lead anywhere except to more kissing. 
And for months, he convinced himself that he could exist in this purgatory of lips meeting and parting, of hands resting politely at your waist. That he could always pull away before the ground gave away beneath him.
Today the ground was gone.
Spencer had never been particularly drawn to categories, not in the way people seemed to crave them. Labels had always felt limiting, reductive, forcing the complexities of human relationships into neat little boxes that never quite fit. He had been content in ambiguity, had never needed something to be named in order to understand it. 
With you, the lack of label wasn’t liberating, it was frustrating. Because if this wasn’t something that could be named, then what was it?
“I’m just saying, I feel like if Rossi can write a whole book about a case, then I should at least be able to mention it in passing at brunch.” Your fingers skate absentmindedly across the dip of his throat, and Spencer, entranced, forgets to do something as basic as breathe. Oxygen is apparently optional. “But no, apparently that’s an inappropriate topic over eggs benedict. Which, okay, sure, but if I have to sit through another conversation about Carly’s fiance’s fantasy football league, I think I deserve to liven it up a little, you know?”
Your genuine need for an answer is clear, but Spencer can’t even remember what brunch is.
You gesture when you talk, and it’s so innocent, just for emphasis, but right now, it’s destroying him. Your fingers drag absently up his arm, over the soft material of his sweater, mapping the line of his forearm before skimming back up his neck. And then, like you don’t even realize you’re doing it, your palms smooth over his chest, fingertips tapping lightly against his collarbone like you’re idly counting his heartbeats. Spencer is painfully aware of every single one.
This is it, he thinks. This is how he dies. But he can’t decide what would kill him faster — how you touch him, or the moment you stop. 
Spencer manages to clear his throat, barely.
“I think your friends don’t appreciate you enough.” His voice sounds strained, but any attempt at analyzing tone evaporates the second his fingers breach the barrier of your shirt. 
Warm fingertips skim over bare skin, and suddenly, the conversation seems wildly misplaced. Because what was that about appreciation? If he’s trying to prove a point, he’s making it very convincingly.
You hum, shifting against him, not intentionally, probably, but it doesn’t matter, because he feels it all the same.
“Well, I can’t just hang out with you constantly.”
Spencer isn’t sure how to respond, because if he’s honest, that’s exactly what he wants. You, constantly. No breaks, no buffer. Just you.
Instead, he stares at your mouth again, because his brain is broken, and this is the inevitable destination. He never really understood the appeal of making out before you, before that first time, when he was supposed to just kiss you once and somehow ended up losing entire minutes of his life to your lips, to the sheer pleasure of pressing against you, of drinking in your sounds.
His broken brain is built to reinforce pleasure-seeking behaviors. Neurochemical feedback loops, all of it designed to keep him coming back. To keep him wanting. As if he needed the help.
Spencer doesn’t even pretend to think about it before saying, “You say that like it’s a bad thing.” 
Your lips twitch. You’re about to tease him, he can tell.
“It wouldn’t be a bad thing at all,” you say, tilting your head. “But wasn’t it you who went on that tangent about how platonic relationships significantly improve cognitive function?”
Spencer tries to find a loophole in that statement.
“And we,” you say, tracing a path down the trail of hair at his navel, “are not exactly fulfilling the platonic requirement.”
There was a time when he would have insisted — vehemently, even — that their relationship was strictly platonic. Fool’s errand.
“I mean, technically, if we wanted to be platonic, we could just… say we are.” That alone is egregiously incorrect. Spencer prepares to say as much, but then you pause, rolling the thought over like you’re actually considering it, before adding, “Like if we don’t label it, then it doesn’t count, right?”
His first instinct is to argue. His second instinct is to really argue. But neither one survives the sensory overload of you pressed against him.
“It’s like when you don’t open your credit card statements,” you continue, lips pursed. “Sure, the debt exists, but if you don’t acknowledge it, then it doesn’t feel real. So technically, if we just never say what this is, then it’s…”
“Schrödinger’s relationship?”
Spencer doesn’t know why he gives you the words, why he hands you the metaphor like a loaded gun and watches as you take perfect aim.
“Exactly! We exist in a state of undefined possibilities. We’re both platonic and not platonic until we open the box.”
Spencer sighs, rubbing at his temple, because now his entire brain is consumed by the implications of your logic. 
Schrödinger’s cat was never meant to be a real experiment, just a way to illustrate how, in quantum mechanics, particles can exist in multiple states until measured. The cat is placed in a box, along with a vial of poison triggered by a completely random quantum event. Until the box is opened, it’s both alive and dead, trapped in an impossible in-between, a paradox that shouldn’t exist but somehow does. The problem is, that concept doesn’t translate perfectly to relationships. People aren’t quantum particles. Relationships don’t exist in probability states.
Except, apparently, this one does. Because as long as neither of you put a definitive label on what’s happening here, you exist in an undefined state. 
He glances at you, at the expectant look in your eyes, and something about it makes him laugh, not because this is funny, necessarily, but because of course it would take a physics analogy for him to see what’s been obvious all along.
“I’m fairly certain that if we opened the metaphorical box, we would find that the cat — that is, our relationship — was decidedly not platonic.”
He hopes you’ll take the words for what they mean. That, for once, you won’t take the obvious escape route, won’t let yourself tuck this moment nearly into the realm of plausible deniability.
Because what he really said, what he really meant, was that he wants you. Only you. Singular, exclusive, definitively. If you pressed him for stronger language, he’d give it to you.
Your face was quick to light up.
“Are you asking me to go steady? Because Spencer, that’s a serious commitment. That means shared desserts, and, like, the expectation that I text you goodnight. And what’s the policy on PDA? Full access or —”
The rest of your sentence vanishes into fabric as Spencer pulls your shirt over your head, words muffled into cotton. You let out a muffled protest, momentarily caught in the fabric, and Spencer swears he’s never been more tempted to laugh at anything in his life.
By the time he tosses your shirt aside, you’ve recovered, blinking at him like nothing happened, hair adorably mussed.
“ — case-by-case basis?”
Spencer drags his hands down your hair, smoothing out the worst of the damage. He sighs dramatically, but his lips are twitching. “If I had known going steady required this much paperwork, I would’ve reconsidered.”
You grin at him. “Oh, you think this is bad? Just wait until we get into the holiday gift-giving policies and date night scheduling. Speaking of which —”
He doesn’t let you finish. He kisses you mid-sentence, less because he wants to shut you up (though that’s a nice bonus) and more because he can. Because he gets to. Because somehow, without him even realizing it was happening, this wonderful, impossible thing has become real.
This thing between you, this thing that was supposed to be undefined, a quantum maybe, it’s never been uncertain. It’s never been both platonic and not platonic, no matter how long he tried to pretend otherwise.
No, the box is open now. It probably always was. 
And Spencer had never been so happy to kill the cat.
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💌 masterlist taglist has been disbanned! if you want to get updates about my writings follow and turn notifications on for my account strictly for reblogging my works! @mariasreblogs
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renthony · 1 year ago
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I wonder how fast I'd die of alcohol poisoning if I did a shot every time someone in my notes boiled one of my posts down to "but are you pro or anti ship."
How many times, tumblr? How many times must I say that "proship/antiship" is a completely asinine way to frame this discussion, and no matter how much my opinions may align with one side, I'm not using a fucking shipping discourse label to discuss my media studies and censorship research?
"Are you pro or anti ship?" Neither. I am not engaged in shipping discourse. I am much more concerned with the ways that censorship is used to specifically target marginalized people raising awareness and making art about their own experiences and worldviews. You cannot enact any form of censorship without it hitting marginalized people the hardest.
I do not care about your ship wars when I am discussing things such as the Hays Code and 2024 book bans, and I am incredibly exhausted by how often people derail my posts into shipping arguments. It's slightly more tolerable when teenagers do it, because they're still figuring out how shit works and lord knows I fell into my fair share of rancid discourse as a teenager, but I am appalled at how often it's dragged into my notes by grown-ass adults.
"Proship/antiship" is a reductive framework grounded in bad-faith internet discourse drenched in purity culture. It is not a useful framework to use when discussing dark fiction, censorship, free speech, or obscenity laws. "Proship" and "antiship" are loaded buzzwords that make people stop thinking critically and engaging in good faith, and I have no tolerance for it.
I'm not interested in declaring my side in tumblr ship wars when I'm focused on things like, "when is the next local school board meeting regarding book bans, and am I eligible to run for the citizen advisory council that helps decide the fate of specific books?" and, "with the overturn of Roe v. Wade, in what ways do we need to be concerned about, and what ways can we raise awareness about, the enforcement of the Comstock Act?" and, "as a trans person living in Florida, how do I navigate my existence being treated as an inherent pornographic threat to children that should be censored and legislated out of existence?"
I do not care! About! Fucking! SHIPPING!
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newobsessionweekly · 2 months ago
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Aftershock - Office Barbie
Main masterlist | The Rookie masterlist
Part 1 | Part 2 | Part 3
Tim Bradford x younger!reader
Fandom: The Rookie
Summary: Weeks later, fate (and a lost bet) brings Tim to a community conference—where you just so happen to be the key speaker.
Fluff
Warnings: sexual tension? kissing? not proofread
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You didn’t expect to see him again.
Not really. You figured Sergeant Bradford belonged to that weird category of men you clash with once and remember longer than you should. Like a slow burn from a too-hot pan. Irritating, and then it lingers.
Tim wanted to leave the second they walked in.
“You two are evil,” he mutters to Lucy and Angela as they weave through city-funded booths and low-effort posters with cheap pamphlets about green living.
“This is what you get for losing a bet, Bradford,” Lucy chirps.
“I thought the punishment was brunch,” he growls.
Angela grins. “Brunch and an event. That’s how you learn humility.”
Tim’s already working on a plan to fake a phone call when the lights dim and a new voice comes through the speaker system.
Sharp. Confident. Familiar.
He turns his head—and his body goes still.
“Holy shit,” Lucy whispers beside him. “It’s her.”
Angela lifts a brow. “Tell me that’s not your girl from the construction site.”
Tim clenches his jaw. “She’s not my—”
“She called you Grinch,” Lucy interrupts, grinning. “You called her Barbie. And now she’s out here talking about carbon-neutral foundations in heels that could kill a man.”
“I think I love her,” Angela whispers.
“She’s not—” Tim tries again, but his voice dies in his throat as you scroll through your presentation, completely composed. He watches the way you move—elegant, direct, sure of yourself. You don’t look nervous. You look like the stage was built for you. Like the mic came from your purse.
You look… expensive. Like someone who knows how to win a boardroom, a bet, and a man—if you feel like it. Like the version of you he wouldn’t know how to approach, if he hadn’t already seen you in a hard hat and work boots, barking orders at construction workers during an earthquake like it was just another Tuesday.
You don’t dress like this for conferences.
Usually it’s practical shoes, maybe a sleek ponytail, something just polished enough to prove you take yourself seriously, but not too much—so no one calls you “daddy’s little intern” behind your back.
But today?
Today you wear hot pink.
The blazer is tailored, the skirt is short, and the heels are unapologetically sharp. Office Barbie realness. And you own it. You glide across the conference stage with your presentation remote in one hand and a bulletproof smile in place, heart pounding but controlled.
You’ve got this.
You’re talking sustainability in construction—carbon reduction, green infrastructure, water retention—and you know your shit better than half the men in the room who’ve been in the industry twice as long as you’ve been alive.
But then you see him.
Scowling like someone dragged him here against his will, still looking too good in a plain black T-shirt and jeans. And still somehow managing to make his scowl sexy.
You inhale, steady your hands on the remote. You don’t let it show. Not the way your stomach tightens or how your heart does a messy skip at the sight of him. You keep your voice level and your smile unfazed.
Because this isn’t the time. Or the place.
But God, you missed that face.
Tim hears words. He knows you’re talking about sustainability, about long-term environmental impact, about scalable urban design. He even recognizes a few terms. But none of it sticks. All he can focus on is the curve of your mouth when you speak, the fierce spark in your eyes, the way you command the room like you own every inch of it.
He's absolutely screwed.
Lucy elbows him hard. “Close your mouth, Bradford.”
“I’m not—”
“You’re drooling,” Angela stage-whispers.
“I’m going to kill both of you,” he growls.
“You’re welcome,” Lucy sings.
The second you step off stage, the conference organizer pulls you aside. Praise, compliments, the usual. But your eyes keep darting to the back of the room, where the tall, broody one is whispering furiously to his two grinning companions.
“What are you doing?” Tim hisses.
Lucy clasps her hands like a rom-com fairy godmother. “Helping you get laid. Now shut up and be nice.”
Angela tugs her away. “Don’t be a caveman. Go say hi.”
Tim glares after them. But he moves.
God, he looked even better up close. A little scruffier than last time. Brooding. And his eyes—so blue they could knock the wind out of you.
Tim gave you a slow once-over, and that smirk hit.
He stands there, hands in his pockets, the corner of his mouth just barely tipped up. That same annoyingly sexy, broody look on his face. Blue shirt stretched across his shoulders like a sin.
“Office Barbie suits you.”
You roll your eyes—but you’re smiling. “Still calling me that?”
“Still acting like you don’t love it?”
You step closer, arms crossed. “What are you doing here, Grinch?”
“Lost a bet.”
You bite your lip to hold in the laugh. “That explains the permanent scowl.”
Tim glanced at the now-empty stage, then back at you. “You were good.”
“Only ‘good’?” you teased, stepping closer. “I worked on that presentation for weeks.”
He tilted his head, eyes lingering on your mouth. “To be honest, I didn’t hear most of it.”
“Oh?” You raised your brows, pretending offense. “Too many big words for you?”
His mouth twitched like he was trying not to smile. “Too many distractions.”
Your cheeks warmed. But you didn’t flinch. “That sounds like a you problem.”
“Maybe,” he said, eyes dropping briefly—pointedly—to your legs before dragging back up to your eyes. “But the view was decent.”
You let out a soft laugh and cocked a hip. “You flirting with me, Sergeant?”
He stepped closer. “Would it work?”
“Depends.” You toyed with the button of your blazer. “Are you here to arrest me for having too many words in my presentation?”
“Didn't bring cuffs."
You gave him a slow, deliberate once-over.
“That’s too bad. I did prefer the uniform.”
He smiled. Actually smiled. It was a little crooked. A little dangerous.
And it did things to your insides.
Before you could say something even more reckless, a voice called your name. One of your professors—old, sweet, the type who’d ask you for lecture slides in a USB drive.
“I should go."
But when you started to step away, he reaches for your wrist—not grabbing, just touching. His fingers brush against your skin and it jolts through you like a live wire.
“Wait—can I get your number?” he asks.
You pause. Smirk.
“Where’s the fun in that?”
He raises a brow. “You’d rather I stalk you?”
You lean in slightly, lips just shy of his ear.
“You’ll have to catch me first.”
Then you’re gone—heels clicking as you cross the room, leaving him standing there with a frustrated groan and a look that says challenge accepted.
The event wrapped up an hour later, long after the panels ended and the buzz of too many conversations filled the air.
And there he was.
Leaning against his truck like he belonged there. Arms crossed. Jaw tight. Watching you approach like he hadn’t been doing exactly that since the second you walked in.
You slowed, one brow raised. “Stalking me now?”
He shrugged. “Maybe I’m just being polite.”
You glanced at the truck. “Didn’t think Grinches offered rides to strangers.”
He stepped forward, opened the passenger door for you like a damn gentleman. “Get in, Princess Barbie.”
You rolled your eyes, but your smile gave you away.
The inside of Tim’s truck is warm. Smells faintly like pine and leather and whatever cologne clings to him naturally, subtle but unmistakably him and masculine in a way that makes your thighs press together instinctively. You settle into the passenger seat, crossing your legs, careful to tug your skirt down as far as it'll go.
He starts the engine. Glances at you. “Seatbelt, Barbie.”
You smirk. “Worried about my safety, Sargeant?”
His jaw flexes, his eyes on the road now. “Always.”
Silence falls for a beat, thick and brimming with the words neither of you are ready to say. Then he clears his throat.
“So… what are you studying exactly?”
You raise an eyebrow. “Civil engineering. Sustainability focus. You know, boring stuff.”
He scoffs. “Didn’t look boring from where I was sitting.”
You give him a side glance. “You mean from where you were staring?”
His mouth twitches—almost a smile. “You were hard to miss.”
You feign surprise. “Because of the heels or the facts?”
Tim shoots you a look. “Definitely the heels.”
You laugh, and he exhales like he can finally breathe again. The ease between you returns, like it never left—not after the earthquake, not after the adrenaline wore off.
Not even after weeks apart.
The car settles into a smooth cruise, city lights rolling past the windows. Tim rests his right elbow on the center console. His fingers dangle—casual, relaxed. Then they brush against the bare skin of your thighs.
Heat crackles up your spine. You don’t move. Neither does he. His pinky drags the lightest line over your skin—so subtle it could’ve been an accident. But it’s not. You both know it.
You shift, just barely. His finger follows.
Still, neither of you look at each other. You chew your lip.
“You were impressive today,” he says, voice lower now. “Seriously.”
You glance at him.
“Thanks,” you say, softer. “I wasn’t sure anyone actually listened.”
“I did,” he murmurs. “Mostly.”
Your brow lifts. “Mostly?”
“I was distracted.”
You smirk. “By the visuals?”
“By your mouth,” he says simply. “Hard to focus on what you’re saying when you look like that.”
A pulse flutters in your throat. You open your mouth to answer—but then the car slows. A red light.
And suddenly, he turns. His fingers shift, pressing slightly into the inside of your thigh. His other hand leaves the wheel. And then he leans in.
You meet him halfway.
The kiss starts soft—testing, brushing. But your lips part almost immediately, like your body was waiting for this, begging for it. His hand cups your cheek. Yours tangle in the collar of his shirt. His tongue slips past your lips, deep and claiming.
It’s slow for a second. Then it’s not. The kiss turns wild—hungry, open-mouthed, teeth and breath and want. Like all the flirting, the near-misses, the power plays between you were just foreplay for this.
Your back arches into the kiss. His hand slides up your thigh, firm and confident. You gasp softly against his mouth, and he swallows the sound like it feeds him.
Then someone honks, announcing the green light. You both freeze.
Tim pulls back slowly, his forehead resting against yours for a beat before he straightens and puts the truck in gear again, cursing under his breath as he drives. His fingers never leave your thigh.
He pulls up in front of your apartment building, cuts the engine, and hops out to open your door before you can even unbuckle.
Chivalry looks good on him.
You step out, heart pounding, the kiss still tingling on your lips. But the second you’re on the sidewalk, his eyes are on your mouth again.
You smile up at him, voice low and teasing. “You know… I live alone.”
He raises an eyebrow, lips twitching. “As an cop, I suggest you stop saying that to strangers.”
You grin. “Didn’t know you were a stranger back in the car, Sergeant.”
He steps closer and kisses you again. Harder this time. Wilder. His hands find your waist, dragging you against him as your fingers tangle in the front of his shirt. You kiss him like you’ve been waiting—because you have. For weeks. For months. For this exact moment.
You fumble with your keys, still kissing, still gasping between touches.
The door opens. Neither of you stop as you kick the door shut with your heel.
Tim presses you up against it, his mouth hot and hungry on your neck.
You pull his shirt over his head—god, he’s ripped—and he does the same to you, sliding your blazer off your shoulders, fingers grazing your skin, leaving heat in their wake. You gasp when his lips find your collarbone.
“Tell me to stop,” he murmurs.
You look him in the eye. “Don’t you dare.”
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astralleywright · 2 years ago
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real ones have known that orym was going to die trying, either physically (sacrificing himself for the cause) or emotionally (succeeding at avenging the deaths of his family without ever actually processing his grief and living out the rest of his life devoid of purpose) since the beginning!!
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avelera · 6 months ago
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I feel like so much of the silly Mel vs. Viktor discourse when it comes to Jayce would be resolved if people realized that the plot was originally conceived as a basic morality play arc with Mel as the devil on one shoulder and Viktor as the angel on the other for Jayce. You can even see it in some of the early promotion art for the show:
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The bones of Jayce's plot in Season 1 is of a good-guy scientist who is tempted by the allure of politics and fame, with a beautiful femme fatale politician seducing him towards power on the one side and his humble 'brotherly' relationship with his scientific partner representing Jayce's 'true self' that he is drawn away from by her machinations. It's a very, very old school, reductive, male-centric plot that literally boils down to "bros before hos".
It even makes sense for S2, with Jayce overcoming his corruption arc in S1 and returning to his "bro" only for his prior sins to tragically launch Viktor's own corruption arc as the Machine Herald only after Jayce has learned his lesson.
And then the Arcane writers and Fortiche subverted this plot. Here's how:
They made all three characters multi-faceted adults with their own agency and motivations. None of them are puppets for the others or, if they are, the time one character spends controlling the choices of another becomes part of that controlling character's sins that must be atoned for (namely, Jayce resurrecting Viktor against his will, Mel manipulating Jayce against his will, Viktor trying to control everyone against their will).
For example, they made Mel complex and interesting and a good person in her own right. Yes, she still has elements of the beauty, danger, and allure of a femme fatale but by making her her own person with her own plot and motives, none of which are malicious (at most, they are self-serving until she changes her views on Hextech and how best to bring peace to Piltover).
Jayce is still torn between Mel and Viktor but he also fully has his own agency, as many are quick to point out. He is often dragged around by the manipulations of others too (Mel yes, but also Marcus, Vi, and Ambessa influence Jayce into bad decisions). Part of his arc is learning how to be true to himself and his own goals after his time spent in the Anomaly future. But, even there, you can still see the bones of the original morality play arc, where the "Good Ending" for Jayce is to go back to his lab partner "bro" and bring both of them back to being true to themselves.
Viktor isn't just helplessly standing by while Jayce ignores him. In fact, Viktor often deliberately cuts Jayce out of his experiments. He doesn't tell Jayce about the Shimmer, or the self-experimentation, or even about Sky's death until after Jayce resurrects him with the Hexcore. Viktor has agency, he has his own goals, and while he frequently chastises Jayce for abandoning their shared dream in what I believe is another hint of the bones of the original morality play plot, he also has his own flaws and his own journey to go on independent of Jayce.
Much of the silly bickering I see between Mel and Viktor fans comes down to who "deserves" Jayce, who is "erased" by not ending up with Jayce, whether or not Mel is manipulative, or if Viktor thinks about Jayce at all when he's busy pursuing his own goals, and I think all of those are absurd arguments.
Mel is manipulative, it is part of the bones of the morality play plot that has her as the antagonist, but they made her so much more than that, that I think it's an active disservice to the character they made to reduce her story down to whether or not she ends up with Jayce. I get why people get hung up on it, because I do believe it's the core of the first draft of her plot, but the richness of her character comes from moving beyond that. Indeed, in S2, the least important part of her character is her relationship to Jayce. She has her own stuff going on.
Whether or not Jayce is a victim of manipulation or whether or not he pursued power for its own sake is also showing an understanding of the basic, core plot they built the richness on top of. Jayce was seduced by Mel's manipulation and he did grasp after power, but they enriched his character by making his goals more noble and more tragic. He's always trying to fight for Viktor, for Hextech, for their shared dream, and for making Piltover a safer, better place, but how he goes about it often makes matters worse until he learns, grows, gains wisdom, and makes terrible mistakes he arguably can never make up for fully.
Jayce also isn't fully a victim of Mel's manipulation, just as she is not fully a mastermind able to control his every move. He breaks away at a certain point and makes his own (poor) decisions in ways that frighten her and make her regret her actions, until he grows enough to recognize the wisdom in her advice (though he later grows again and recognizes the original manipulation, which leads to him breaking up with her in 2.08 because Mel's sins are still there and they are the reason she and Jayce don't have hope for a future together once he realizes he can't trust her because actions have consequences in Arcane).
As for Viktor, he doesn't like Mel. In that, I think we again see the original morality play roots, with him as the angel on the shoulder disliking the devil who is seducing Jayce. But they enriched his character by having him respect Jayce's choices even as he may have privately disapproved of them, and to have his own arc to worry about with his failing health, and his other flaws like intellectual tunnel vision/naiveté, and his tendency to self-isolate in the face of his terminal illness. He has his own stuff going on.
They also subverted the morality play arc to a certain extent by having Viktor stop being the angel in S2. Indeed, the framework more or less falls away entirely and it become Jayce trying to save Viktor from himself, and from Jayce's own mistakes of not destroying the Hexcore, while Mel is busy with her own story of politics, war, and magic.
Anyway, I hope some of this makes sense. But I think if people just recognized that yes, there are elements of Mel as a bad guy in the fabric of the story, of a story where Jayce is in a balancing act between his demons and his angels, but that good writers came in and layered real people over these simplistic plots, made it so Mel's story isn't just about Jayce, Jayce's story isn't just about getting corrupted by a femme fatale, and Viktor's story isn't just about being abandoned by Jayce, and thus elevated the trope beyond its tired-out, simplistic roots, there'd be a lot less wank.
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fuckyeahfluiddynamics · 11 months ago
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Paris 2024: Coordinating the Front-Crawl
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Of all the swimming strokes humans have invented, none is faster or more efficient than the front-crawl. That's why all competitors use it in freestyle events, and why it's the only stroke that appears in races longer than 200 meters. But elite swimmers don't perform the front-crawl the same way in a sprint as they do in a longer race.  (Image credit: J. Chng; research credit: R. Carmigniani et al.) Find all of our current and past Olympics coverage here. Read the full article
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traegorn · 8 months ago
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Girl you can rant and rave all day but we all know for a fact you can't vote your way out of this mess so your "genuinely, what else can we do?" sounds like pure cucked defeatism. This downward spiral of American fascism has proven stable, so no, voting isn't going to stop it. The democrats will never be pushed left - as proven by blatant history. I know this is your cue to list a bunch of social services or civil rights concessions a la #bidenwins but the drip violence of homophobia and abortion restrictions under republicans does not come close to the bipartisan armed tyranny that murders people in broad daylight.
Voting isn't going to solve any of this, and no voting isn't going to "clear the way" or make it easier to resist. Democrats have proven over and over and over again they will use the full force of violence to stop anything that truly threatens them and the ONLY WAY to stop American fascism is to threaten them, to threaten the very foundations of the system itself.
You exert all this effort, have all this pained frustration, over the weakest political action you can take. You are not challenging fascism or tyranny or helping any of the people harmed under bipartisan violence. You ignore these people and focus on "harm reduction" for the few who do benefit from the pitiful social safety nets democrats eke out only to be undermined in the next four or eight years as republicans INEVITABLY take back power. Such is the case of a two party system, as history proves. You're staving off the inevitable by exerting all this energy into electoralism, and the people you "save" by electing democrats are inevitably hurt anyways when republicans INEVITABLY take back power - because that's what the system guarantees.
You exist in a cycle of abuse with the American government, a punishment-reward system under the 2 parties that keeps you afraid of punishment and too desperate for reward that you ignore how the hand that feeds you is also putting kids in cages and blowing up babies overseas. You, and everyone who thinks like you, will never be the ones to save anybody.
Idk I was pissed and now got all sad again after writing this. Just so you know my being sad at the state of your ideology isn't a representation of my passivity that people like you like to construe - I am painfully politically active. But it's just...sick. You're stuck in an abusive cult and now I just feel bad for you
I'm usually a lot nicer when I reply to folks, but you brought a certain energy that deserves a different response. I want to be clear to any passersby who I'd normally be polite to in this kind of conversation: This energy is reserved only for chucklefucks who bring this kind of shit to me. Please do not take this as a reflection as to how I'd treat people willing to engage honestly and civilly with me. This anon came to me unprovoked, so they're getting a rather unique response.
So here we go.
Oi, shit head. This was the stupidest thing I've read all day.
Democrats 100% have moved left in the last 40 years. Are we still recovering from when they got dragged right by Reagan in the 80s? Yes. But we've made headway getting things back on track. You claim a lot of stuff here, but don't cite a single example. Likely because you just repeat what someone else told you on TikTok that one time. You couldn't find your way through actual theory if it smacked you in the face with its dick. But you don't want me to actually justify it.
Because your own words told me you'd dismiss any evidence I provided:
I know this is your cue to list a bunch of social services or civil rights concessions a la #bidenwins but the drip violence of homophobia and abortion restrictions under republicans does not come close to the bipartisan armed tyranny that murders people in broad daylight.
Bitch, this shit is a sliding scale. Trump authorized more drone strikes than Obama did in eight years. Are they bad? Yes. But if you're telling me you want more murders, Trump's your guy. Guess what, living in America means dealing with the fact that you've been complicit in genocide this whole time. Look at the land you stand on -- it is soaked in blood. Look at the smart phone you're reading this on, it literally came out of a genocide.
You bathe in blood every day, fucking figure it out.
We do our best to minimize harm. And if you'd ACTUALLY read or watched anything I've said, your two half dead braincells would have noticed the part where I constantly say "voting is not the end of your activism." It's the fucking start.
Either Harris or Trump will be the next President. Trump will be worse. If you aren't doing everything you can to stop him, you're not a leftist, you're a grandstanding piece of shit who doesn't care about anything other than the smell of your own farts.
You want to fuck up the two parties? Great. Put in the fucking work -- because the Presidential election ain't it, shithead. Build a real movement from the ground up. Build community, build a party system, run local candidates. When's the last time your ass went to a city council meeting or a school board meeting? Do you even know when they're held where you live?
But let's face it, you couldn't coalition build if you tried because you're so far up your own ass you kiss your small intestine goodnight.
Daddy Revolution ain't coming, shithead. There's work to do, so get your head out of your ass and do it.
You want Trump to win? Netanyahu would kiss you on the lips for it. Fuck off.
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