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invisibleicewands · 25 days

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‘I wanted to be seen as the greatest actor of all time. Then I realised that was nonsense’: Michael Sheen on pride, parenting and paying it forward

He’s the feted star who cracked Hollywood, but it was only when he swapped LA for his home town in Wales that he was able to do his most meaningful work yet

By Simon Hattenstone

Michael Sheen has been fabulous in so many TV dramas and movies, it’s hard to know where to start. But perhaps his most memorable appearance came earlier this year in a TV show that didn’t require him to do any acting at all. The Assembly was a Q&A session in which he took questions from a group of young neurodiverse people. Sheen didn’t have a clue what would be asked, and no subject was off limits. It made for life-affirming telly. The 55-year-old Welsh actor was so natural, warm and encouraging as he answered a series of nosy, surprising and inspired questions. I watched it thinking what a brilliant community worker Sheen would be. And, in a way, that’s what he has become in recent years.

“The Assembly’s had more response than anything else I’ve ever done,” Sheen tells me. “Almost every day someone will come up to me and mention it, particularly people who have children with autism. They say it was just so lovely to see something where the interviewers were empowered. I had a fantastic time.” He replays some of his favourite moments: the young man Leo who took an age to start talking, and then delivered the most beautifully phrased question about the influence of Dylan Thomas on Sheen’s life; the woman who asked what it was like to be married to a woman only five years older than his daughter; and the question that came at the end: “What’s your name, again?” He smiles: “And Harry with the trilby on. Just the nicest man ever.” You came across as an incredibly nice man, too, I say. “Aw well, it’s hard not to be when you’re among all those amazing people, innit.”

Today we meet in London, ostensibly to talk about A Very Royal Scandal, a gripping mini-series about Prince Andrew’s infamous Newsnight interview with Emily Maitlis – the disastrous attempt to defend his honour that sealed his fall from grace. But we don’t get to the show till it’s almost going home time. Sheen’s too busy discussing all the other stuff that matters to him, away from business.

Six years ago, he swapped life in Los Angeles for Port Talbot, the steel town where he grew up. These days he calls himself a not-for-profit actor – a term he happily admits he’s invented. “It means that I try to use as much of the money I earn as I can to go towards developing projects and supporting various things. Having had some experiences of not-for-profit organisations and social enterprises, I realised that’s what I want to do with my business. And my business is me.” He grins. There was a suggestion that he might stop acting in order to do good works, but he says that never made sense; only by getting decent gigs can he earn money to put back into the community.

It has to be said he’s got the air of a not-for-profit actor today – scruffy black top, sloppy black pants, black trainers. With a bird’s-nest beard and a thicket of greying curls, he looks nicely crumpled. But give him a shave and a trim, allow him a flash of that electric smile, and he could still pass as a thirtysomething superstar.

Sheen is best known for transforming into household names – Brian Clough in The Damned United; Chris Tarrant in Quiz; David Frost in Frost/Nixon; a trio of films as Tony Blair (The Deal, The Queen, and The Special Relationship); Kenneth Williams in Fantabulosa. His Prince Andrew is compelling; by turns petulant, pathetic, monstrous and poignant. He has a gift for inhabiting famous people – voice, body, soul, the works. He’s equally adept as a regular character actor – the dapper angel Aziraphale in Good Omens, pale and pinched as spurned suitor William Boldwood in the 2015 film of Far From the Madding Crowd, the tortured father of a daughter with muscular dystrophy in last year’s BBC drama Best Interests. He even plays a winning version of himself alongside David Tennant (and their respective partners Anna Lundberg and Georgia Tennant) in the lockdown hit TV series Staged.

But the work that changed his life was his 2011 epic three-day reimagining of The Passion on the streets of Port Talbot, involving more than 1,000 people from the local community. It was years in the making, and during that time he decided he would leave Los Angeles to come home. Initially, home just meant Britain, probably London. But the longer he spent with his people, the more it became apparent to him that home could only mean one thing – returning to Port Talbot, and helping the disadvantaged town in whatever way he could.

He admits that for many years he didn’t have a clue about the reality of life in Port Talbot. He had always lived in one bubble or another. His parents were hardly flush, but they had decent jobs – his mother was a secretary, his father a personnel manager at British Steel, and both were active in amateur dramatics. Sheen was academically gifted (he considered studying English at Oxford University before winning a place at Rada), a talented footballer (he had trials with Cardiff and Swansea) and an exceptional young actor. Then came the bubble of Rada and London, followed by the bubble of LA.

It was only when he started to work on The Passion that he began to understand his home town. One day he was rehearsing with a group in a community hall when he was approached by a woman. “She told me she was the mother of this boy who’d been in my class at school called Nigel. When I was 11, he fell off a cliff in an accident and died. It was the first time I’d known someone to die. She said, ‘I’ve started up a grief counselling group here. I have a little bit of money from the council because there is no grief counselling in this area.’” She’d had no counselling when Nigel died, nor in the 31 years since. “And all these years later, she’d set up a little grief counselling thing with a bit of money, so that was extraordinary to hear.” Next time he returned he discovered that the group no longer existed because of council cuts.

Every time he went back he discovered something new. He met a group that supported young carers. Sheen doesn’t try to disguise how ignorant he was. “I said, ‘All right, what are young carers?’ And they said, ‘They’re children who are supporting a family member.’ And I’m like, ‘OK, this is a profession, they get paid, right?’ And I was told, ‘No, they don’t get paid and our little organisation gives them a bit of respite – once a week we take them bowling or to the cinema.’ I went bowling with them one night and there were eight-year-old kids looking after their mother and bringing up the younger kids. This one organisation was trying to take these kids bowling one night a week, and then that went. No funding for that, either. That kind of stuff was shocking.”

As a child, SHEEN says he was oblivious to struggle because he was so driven by his own dreams. First, it was football. By his mid-teens it was acting. West Glamorgan Youth Theatre, which he calls “one of the best youth theatres in the world”, was on his doorstep. “The miners’ strike was on when I was 15 in Port Talbot and I wasn’t really aware of it at the time. That’s how blinkered I was, because I was so obsessed by acting at that point.” Acting wasn’t regarded as a lofty fantasy in Port Talbot as it may have been in many working-class communities. After all, the town had produced Richard Burton and Anthony Hopkins.

In his late teens, heading off for Rada, Sheen feared he would be surrounded by giant talents who would dwarf his. When he discovered that wasn’t the case, he suffered delusions of grandeur. “I wanted to be recognised as the greatest actor in the world,” he says bluntly. In the second year, the students did their first public production: Oedipus Rex. “I thought, well obviously I’ll be cast as Oedipus, then we’ll perform Oedipus to the public and when the world sees me for the first time I’ll be carried shoulder-high through the streets of London and hailed as the greatest actor of all time.” I look for an ironic wink or nod, but none is forthcoming.

Sure enough, he was cast in the lead role. “We did our first public production and I thought I was brilliant.” But nothing changed. It didn’t bring him instant acclaim. By the third night, he could barely get through the performance.

Were you a bit of a cock back then, I ask. He shakes his head. “No, I was having a breakdown. I was crying most of the time. I just fell apart. I spoke to the principal of Rada and I said, ‘I can’t continue at drama school, I have to leave.’ And he said just take some time off, which I did, and two or three weeks later I slowly came back and then completely changed the way I acted.”

Until then he believed acting was just about what he did. “I thought you just worked out how to say the lines as cleverly as you could; it had nothing to do with responding to other people or being in the moment. It was showing off, essentially. And there’s a ceiling to where you can get with that. That breakdown I had was because I’d reached the ceiling and didn’t know how to go any further. That’s why I fell apart.”

He gradually put himself and his technique back together. Was he left with the same ambition? “No. The idea of being considered the best actor of all time becomes nonsense.” In 1991, Sheen left Rada early, because he’d been offered a job he couldn’t turn down. He made his professional debut opposite Vanessa Redgrave in a West End production of Martin Sherman’s When She Danced. Theatre was Sheen’s first love, and his rise was meteoric. From the off, he was cast as the lead in the classics (Romeo and Juliet, Peer Gynt, Henry V, The Seagull) and the 20th-century masterpieces (Norman in The Dresser, Salieri and Mozart in Amadeus, Jimmy Porter in Look Back In Anger).

Sheen was doing exceptionally well when he and his then partner Kate Beckinsale moved to LA for her work in the early 2000s. She was four years younger than him, and already a movie star. Their daughter Lily, now an actor, was a toddler. He assumed that his transition to stardom in LA would be as seamless as it had been in Britain. But it wasn’t. His theatrical acclaim counted for nothing. In 2003, he and Beckinsale split up, but he stayed in LA to be close to Lily.

The first few years, he says, were so lonely and dispiriting. “I found myself living in Los Angeles, there to be with my daughter but just seeing her once a week. I had no career there – it was essentially like starting again. I had no friends and spent a lot of time on my own. It was tough. Slowly I realised how it was affecting me.” In what way? “I remember coming out of an audition for Alien vs Predator, to play a tech geek computer guy with five lines and really caring about it, and then thinking: ‘I can be playing fucking Hamlet at home, what am I doing, what’s this all about?’” He says he’d been so lucky – always working, never having to audition, getting the prize jobs. And suddenly in LA he was an outsider; a nobody.

He and Beckinsale are often cited as role models for joint parenting by ex-couples. In 2016, Beckinsale, Lily and Sheen staged a hilarious photo for James Corden’s The Late, Late Show, recreating the moment of giving birth 17 years earlier. Beckinsale reclines on a kitchen table with Lily sitting between her legs, as an alarmed-looking Sheen stands to the side. Have they always got on well since splitting up? “We’ve had our ups and downs, but we’re very important in each other’s lives. It would be really sad if we weren’t – like cutting off a whole part of your life. I’m not saying it doesn’t have its challenges, and I’m sure it’s been harder for her than for me.” Why? “Because … ” He pauses and smiles. “Because I’m more of a twat!” In what way? Another smile. “I’m not going to tell you that, am I?”

Sheen’s break in America came when he was spotted by a casting director who told him he would be perfect for a new project. Ironically, it was to play former British prime minister Tony Blair in a British TV drama called The Deal, directed by British film-maker Stephen Frears and shot in Britain. The Deal led to Frears’s The Queen, about Elizabeth II’s frigid response to the death of Diana, Princess of Wales leading to a crisis for the monarchy. Again he played Blair, this time riding to the rescue of the royals. The movie was nominated for six Oscars (Helen Mirren won best actress) and he never struggled in America again.

The longer he lived in LA, however, the more rooted he felt to Port Talbot. And the further he travelled, around the world or just in Britain, the better he understood how disadvantaged it was. “If you’re in Port Talbot one day and then the next you’re in a little town in Oxfordshire where David Cameron is the MP, it’s fairly obvious there are very different setups there. And that was connected to a political awakening.” He started to read up on Welsh history. In 2017, he returned his OBE because he thought it would be hypocritical to hold on to an honour celebrating empire when he was giving a Raymond Williams lecture on the “tortured history” of the relationship between Wales and the British state.

He began to reassess his past. “I became more aware of the opportunity I’d had in an area where there wasn’t much opportunity. At a certain point you go, Oh, people are having to volunteer to make that youth theatre happen that I’m a product of.” You’d taken it for granted? “Completely. I was happy to think everything I was doing was because of my own talent and I was making my own opportunities, and as I got older I thought maybe that’s not the whole story.”

In 2016, the long-running American TV series Masters of Sex, in which Sheen starred as the pioneering sex researcher William Masters, came to an end. Lily was now 17 and preparing for college. “I suddenly thought, Oh, I can go home now.” And six years ago he finally did – to Baglan, a village adjoining Port Talbot. Since then he has been involved in loads of community projects.

He mentions a few in passing, but he doesn’t tell me he sold his two homes (one in America, the other in Wales) to ensure the 2019 Homeless World Cup went ahead as planned in Cardiff. Nor does he mention that a couple of years ago he started Mab Gwalia (translating to “Son of Wales”), which proudly labels itself a “resistance movement”. On its website, it states: “Mab Gwalia believes that opportunity should not only be available to those who can afford it. The ambition is to build a movement that makes change.” Its projects have supported homeless people, veterans, preschool children on the autism spectrum, kids in care, victims of high-cost credit, and local journalism, which is a particular passion. “In the early 1970s in Port Talbot, there was something like 12 different newspapers. There are none now. None. Communities don’t feel represented, don’t feel their voice is heard and don’t know if the information they’re getting about what’s going on in the community is correct or not. Those are terrifying things, and without local journalism that’s what happens.”

Perhaps surprisingly, he’s even found time for the day job. Earlier this year, he played Nye Bevan in Tim Pryce’s new play about the founding father of the NHS. He also made his directing debut with The Way, a dystopian, and prophetic, three-part TV drama about the closure of the Port Talbot steelworks that results in local riots spreading across the country. How does he feel about the rioting that has scarred the country in recent weeks? “I feel the same way I think most people do. It was awful and terrifying. I worry about how much a hard-right agenda that has been growing for a long time has moved further and further into the mainstream and has clearly got more connected. It’s frightening.” Does he think the new Labour government can deliver the positive change it promises? “Pppfft.”He exhales heavily. “More optimistic than the Conservatives being in power.” Who did he vote for? “That’s my God-given right to remain a secret, isn’t it? It wasn’t the Tories!”

I ask if he’s in favour of Welsh independence. “I don’t know how I feel about it one way or the other, but I would like there to be an open discussion about everything that entails. The problem is when it gets shut down and you don’t get to talk about it.”

Would he ever go into politics? He looks appalled at the idea. “Oh God, no. No! I’d beawful.”Why?“Because I don’t want to say what other people are telling me to say if I don’t agree with it. Look at all those people who voted against the two-child benefit cap and had the whip taken away from them. That’s bollocks. People say I should go into politics because I’m passionate about things and I speak my mind. But then you get into politics and you’re not allowed to do that any more. I’ve got far more of a platform as myself. I can say what I want to say.”

Fair enough. I’ve got another idea. A couple of years ago he gave an inspired motivational speech for the Wales football team before the 2022 men’s World Cup, on the TV show A League of Their Own. Would he take the job as Wales manager if offered it? He looks just as horrified as the idea of a life in politics. “No!” Why not? “Because it’s a completely different profession. You need to know about football. I played football when I was younger, but I wouldn’t have a clue. Wouldn’t. Have. A. Clue. Just because you can make a speech doesn’t mean you’d be any good at that sort of stuff.” He says he was embarrassed about the speech initially, but now feels proud of it. “Schools get in touch and say, ‘We’ve been studying it with the class.’ I put hidden things in. There are rabbit holes you can go down.” He quotes the line, “You sons of Speed” and tells me that’s a reference to the idolised former manager and player Gary Speed who took his life in 2011. You can hear the emotion in his voice.

I’ve been waiting for Sheen to mention the new TV drama about Prince Andrew. Most actors direct you to the project they’re promoting as soon as you sit down with them. Let’s talk about the new show, I eventually say.

This is already the second drama about the Andrew interview. Did he know that Scoop, which came out earlier this year, was already in the works? “Yes, I knew before I agreed to do this.” Was it a race to see which would get out first? “There was no race, no. We always knew ours would come out after.” What would he say to people who think it’s pointless watching another film on the same subject? “Ours is a three-part story, so it’s able to breathe a lot more. There’s a lot more to it. In our story, Andrew and Emily are the main characters whereas they were very much the supporting ones in the other one.”

Did it change his opinion of Andrew? “No. It showed the dangers of being in a bubble, having talked about being in a bubble myself! The dangers of privilege.” He talks with sensitivity about Andrew’s downfall. “The thing that really struck me was when Andrew came back from the Falklands there was no one more revered, in a way. I didn’t realise his job was to fly helicopters to draw enemy fire away from the ships. I couldn’t believe they would put a royal in that position, so he was genuinely courageous. He was good-looking, a prince, and had everything going for him. Since then everything has just gone down and down and down.” He’s had so little control over his life, Sheen says. Take his relationships. “He was told he couldn’t be with [American actor] Koo Stark any more because of the controversy. He was essentially told he had to divorce Sarah Ferguson because the royal family, particularly Philip allegedly, was concerned that she would bring the family into disrepute.”

Did he end up feeling more empathetic towards him? “No!” he says sharply. Then he softens slightly. “Well, empathy? I felt I understood a bit more – because that’s my job – about what was going on. But he’s incredibly privileged and has exploited that. It seems like he has a lot taken away from him but probably rightfully so.”

A Very Royal Scandal is like The Crown in that it’s great drama but you’re never sure what’s real. Are Andrew’s lines simply made up? “It’s a combination of research and stories out there, and little snippets and invention.” While Emily Maitlis is an executive producer, Andrew most certainly is not. “Well, that’s the real difficulty for our story,” Sheen says. “On the one hand, you’ve got Emily as an exec, so you know everything to do with her is coming from the horse’s mouth. But everything to do with Andrew, not only is it really difficult to get the actual stuff, also we don’t know what he did.” He pauses. “Or didn’t do.” He’s talking about Virginia Giuffre’s allegation that Andrew raped her, which he denied. In the end, Giuffre’s civil case was dropped after an out-of-court settlement was reached on no admission of liability by Prince Andrew, with Giuffre reportedly paid around £12m.

I had assumed Sheen would be a staunch republican, but he doesn’t feel strongly either way. “There are lots of positives about royals, and lots of negatives.” His bugbear is that the heir to the throne gets to be Prince of Wales. “Personally, I would want the title of Prince of Wales to be given back to Wales to decide what to do with it, and I definitely think there’s a lot of wealth that could be used better.”

The biggest change for Sheen since returning to Wales is his family life. In 2019, he revealed that he had a new partner, the Swedish actor Anna Lundberg, that she was 25 years younger than him, and that she was pregnant. They now have two daughters – Lyra who is coming up to five, and two-year-old Mabli. As well as Staged, the couple have also appeared together on Gogglebox. They look so happy, nestling into each other, laughing at the same funnies, tearing up over the same heartbreakers. She also seems naturally funny. Given that two of his former partners (Sarah Silverman and Aisling Bea) are comedians, have all his exes had a good sense of humour? He thinks about it. “Yes. Yeah, you’ve got to have a laugh, haven’t you?” And he’s always got on well with them after splitting up? “Yeah, pretty much.”

When asked about the age difference between Lundberg and him on The Assembly, he acknowledged that they were surprised when they got together. “We were both aware it would be difficult and challenging. Ultimately, we felt it was worth it because of how we felt about each other, and now we have two beautiful children together.” He also said that being an older father worried him at times. “It makes me sad, thinking about the time I won’t have with them.”

Does being a dad of such tiny kids make him feel young or old? “Both,” he says. “My body feels very old. But everything else feels much younger. I’m 55 and it’s knackering running around after little kids. Just physically, it’s very demanding. And I’m at a point in my life where I’m aware of my physical limitations now. But in other ways it’s completely liberating, and I’m able to appreciate it more now.”

Has he learned about fatherhood from the first time round? “Yeah, I think so. I’m around more now. That’s a big part of it. When Lily was young, I was in my early 30s and doing films for the first time, so Kate would stay in Los Angeles with Lily and I would go off and do whatever.” Did Beckinsale resent that? “I don’t know that she resented it. Kate was doing better than me in terms of profile at the time, so it was different. Given that we then split up and I saw Lily even less, I very much regretted being away as much. So this time I wanted to make sure that wasn’t the case. That’s partly why I’ve set up a Welsh production company. I don’t want to work away from them as much.”

Talking of which, he says, what’s the time? “I’ve got to get back to my kids.”

On his way out, I ask what advice he would give his younger self. He says he was asked that recently and gave a glib answer. “I said buy stock in Apple.” What should he have said? He thinks about it, and finally says he’d have no advice for his younger self. He’d rather reverse the question, and think what his younger self would say to him if he tried to advise him.

“I saw an amazing clip of Stephen Colbert saying your life is an accumulation of every bad choice you’ve made and every good choice you’ve made, and the great challenge of life is to say yes to it. To say, ‘I love living, I embrace living.’ And in order to do that you have to embrace all the pain, all the grief, all the sadness, all the fucking mistakes because without that you don’t have all the other stuff.” He’s on a roll now, louder and more passionate by the word. “And I’d hate it if someone came and went, ‘Don’t do this, no do that.’ Then you just sail through your life. It would be death, wouldn’t it? So I’d tell my older self to go fuck himself.”

#Michael Sheen #The Guardian #Interview #Kate Beckinsale #regrets

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soracities · 2 years

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what are your suggestions for starter poetry for people who dont have strong reading/analysis backgrounds

I've answered this a few times so I'm going to compile and expand them all into one post here.

I think if you haven't read much poetry before or aren't sure of your own tastes yet, then poetry anthologies are a great place to start: many of them will have a unifying theme so you can hone in based on a subject that interests you, or pick your way through something more general. I haven't read all of the ones below, but I have read most of them; the rest I came across in my own readings and added to my list either because I like the concept or am familiar with the editor(s) / their work:

Staying Alive: Real Poems for Unreal Times (ed. Nick Astley) & Being Alive: The Sequel to Staying Alive (there's two more books in this series, but I'm recommending these two just because it's where I started)

The Rattlebag (ed. Seamus Heaney and Ted Hughes)

The Ecco Anthology of International Poetry (ed. Ilya Kaminsky & Susan Harris)

The Essential Haiku, Versions of Basho, Buson and Issa (ed. Robert Hass)

A Book of Luminous Things (ed. Czesław Miłosz )

Now and Then: The Poet's Choice Columns by Robert Hass (this may be a good place to start if you're also looking for commentary on the poems themselves)

Poetry Unbound: 50 Poems to Open Your World(ed. Pádraig Ó'Tuama)

African American Poetry: 250 Years of Struggle and Song (ed. Kevin Young)

The Art of Losing: Poems of Grief and Healing (ed. Kevin Young)

Lifelines: Letters from Famous People about their Favourite Poems

The following lists are authors I love in one regard or another and is a small mix of different styles / time periods which I think are still fairly accessible regardless of what your reading background is! It's be no means exhaustice but hopefully it gives you even just a small glimpse of the range that's available so you can branch off and explore for yourself if any particular work speaks to you.

But in any case, for individual collections, I would try:

anything by Sara Teasdale

Devotions / Wild Geese / Felicity by Mary Oliver

Selected Poems and Prose by Christina Rossetti

Collected Poems by Langston Hughes

Where the Sidewalk Endsby Shel Silverstein

Morning Haiku by Sonia Sanchez

Revolutionary Letters, Diane di Prima

Concerning the Book That Is the Body of the Beloved by Gregory Orr

Rose: Poems by Li-Young Lee

A Red Cherry on a White-Tiled Floor / Barefoot Souls by Maram al-Masri

Deaf Republic by Ilya Kaminsky

Tell Me: Poems / What is This Thing Called Love? by Kim Addonizio

The Trouble with Poetry by Billy Collins (Billy Collins is THE go-to for accessible / beginner poetry in my view so I think any of his collections would probably do)

Crush by Richard Siken

Rapture / The World's Wife by Carol Ann Duffy

The War Works Hard by Dunya Mikhail

Selected Poems by Walt Whitman

View with a Grain of Sand by Wislawa Szymborska

Collected Poems by Vasko Popa

Under Milkwood by Dylan Thomas (this is a play, but Thomas is a poet and the language & structure is definitely poetic to me)

Bright Dead Things: Poems by Ada Limón

Teaching My Mother How to Give Birth by Warsan Shire,

Nostalgia, My Enemy: Selected Poems by Saadi Youssef

As for individual poems:

“Wild Geese” by Mary Oliver

[Dear The Vatican] erasure poem by Pádraig Ó'Tuama // "The Pedagogy of Conflict"

"Good Bones" by Maggie Smith

"The Author Writes the First Draft of His Weddings Vows (An erasure of Virginia Woolf's suicide letter to her husband, Leonard)" by Hanif Abdurraqib

"I Can Tell You a Story" by Chuck Carlise

"The Sciences Sing a Lullabye" by Albert Goldbarth

"One Last Poem for Richard" by Sandra Cisneros

"We Lived Happily During the War" by Ilya Kaminsky

“I’m Explaining a Few Things”by Pablo Neruda

"Stopping By Woods on a Snowy Evening" //"Nothing Gold Can Stay"//"Out, Out--" by Robert Frost

"Tablets: I // II // III"by Dunya Mikhail

"What Were They Like?" by Denise Levertov

"Those Winter Sundays" by Robert Hayden,

"The Patience of Ordinary Things" by Pat Schneider

“I, too” // "The Negro Speaks of Rivers” // "Harlem” // “Theme for English B” by Langston Hughes

“The Mower” // "The Trees" // "High Windows" by Philip Larkin

“The Leash” // “Love Poem with Apologies for My Appearance” // "Downhearted" by Ada Limón

“The Flea” by John Donne

"The Last Rose of Summer" by Thomas Moore

"Beauty" // "Please don't" // "How it Adds Up" by Tony Hoagland

“My Friend Yeshi” by Alice Walker

"De Humanis Corporis Fabrica"byJohn Burnside

“What Do Women Want?” // “For Desire” // "Stolen Moments" // "The Numbers" by Kim Addonizio

“Hummingbird” // "For Tess" by Raymond Carver

"The Two-Headed Calf" by Laura Gilpin

“Bleecker Street, Summer” by Derek Walcott

“Dirge Without Music” // "What Lips My Lips Have Kissed" by Edna St. Vincent Millay

“Digging” // “Mid-Term Break” // “The Rain Stick” // "Blackberry Picking" // "Twice Shy" by Seamus Heaney

“Dulce Et Decorum Est”by Wilfred Owen

“Notes from a Nonexistent Himalayan Expedition”by Wislawa Szymborska

"Hour" //"Medusa" byCarol Ann Duffy

“The More Loving One” // “Musée des Beaux Arts” by W.H. Auden

“Small Kindnesses” // "Feeding the Worms" by Danusha Laméris

"Down by the Salley Gardens” // “The Stolen Child” by W.B. Yeats

"The Thing Is" by Ellen Bass

"The Last Love Letter from an Entymologist" by Jared Singer

"[i like my body when it is with your]" by e.e. cummings

"Try to Praise the Mutilated World" by Adam Zagajewski

"The Cinnamon Peeler" by Michael Ondaatje

"Last Night I Dreamed I Made Myself" by Paige Lewis

"A Dream Within a Dream" // "The Raven" by Edgar Allan Poe (highly recommend reading the last one out loud or listening to it recited)

"Ars Poetica?" // "Encounter" // "A Song on the End of the World"by Czeslaw Milosz

"Wandering Around an Albequerque Airport Terminal” // "Two Countries” // "Kindness” by Naoimi Shihab Nye

"Slow Dance” by Matthew Dickman

"The Archipelago of Kisses" // "The Quiet World" by Jeffrey McDaniel

"Mimesis" by Fady Joudah

"The Great Fires" // "The Forgotten Dialect of the Heart" // "Failing and Flying" by Jack Gilbert

"The Mermaid" // "Virtuosi" by Lisel Mueller

"Macrophobia (Fear of Waiting)" by Jamaal May

"Someday I'll Love Ocean Vuong" by Ocean Vuong

"Still I Rise" by Maya Angelou

I would also recommend spending some times with essays, interviews, or other non-fiction, creative or otherwise (especially by other poets) if you want to broaden and improve how you read poetry; they can help give you a wider idea of the landscape behind and beyond the actual poems themselves, or even just let you acquaint yourself with how particular writers see and describe things in the world around them. The following are some of my favourites:

Upstream: Essays by Mary Oliver

"Theory and Play of the Duende" by Federico García Lorca

"The White Bird" and "Some Notes on Song" by John Berger

In That Great River: A Notebook by Anna Kamienska

A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib

The Book of Delights by Ross Gay

"Of Strangeness That Wakes Us" and "Still Dancing: An Interview with Ilya Kaminsky" by Ilya Kaminsky

"The Sentence is a Lonely Place" by Garielle Lutz

Still Life with Oysters and Lemon by Mark Doty

Paris, When It's Naked by Etel Adnan

#ask #anonymous #beginner guides

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khaylin27 · 4 months

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The Tortured Poets Department

pairing: george russell x wolff! reader

series: the tortured poets department

synopsis: y/n wolff falls in love with george russell, her father's other mercedes driver.

warnings: none

author's note: sorry for not posting for a week 😭 school has been stressing me out and my family. im glad im back to put my creative mind to use.

You left your typewriter at my apartment Straight from the tortured poets department I think some things I never say Like, "Who uses typewriters anyway?"

You were cleaning your Monaco apartment one day when you notice the typewriter that George owned. He left his typewriter at your apartment.

Every time George would come to your apartment to spend time with her in secret, he would always bring his typewriter. George would always joke about him looking like a poet coming from the tortured department from Mercedes.

Since Lewis was leaving Mercedes at the end of the season, your father has been pressuring George to perform better than Lewis. You knew how much stress George was going through so to relive the stress he would hang out with you and use his typewriter.

You stop cleaning to take a photo of the typewriter to send to George.

y/n wolff you left your typewriter you tortured poet

george I left it so I have an excuse to see you again 😉

You blush at George's response. There's things that you think of that you would never say to George. Like, "who uses typewriters anyway?" But you knew it was an escape for him.

But you're in self-sabotage mode Throwing spikes down on the road But I've seen this episode and still loved the show Who else decodes you?

It was the Australian Grand Prix, George was in self-sabotage mode because he got into a crash before the race ended. "Georgie, you're okay that's all that matters." You say to George before he starts throwing more spikes down the road.

"It's not okay Y/N. Your dad is probably so pissed that Lewis and I both didn't finish the race." George says as he walks back in forth in the room.

You stop him mid way and give him a hug. "We'll worry about that later." Your hand gently goes up and down his spine. You've seen the way he always stresses out about your dad. So you always relax him by moving your hands up and down his spine. Who else decodes him like you do?

And who's gonna hold you like me? And who's gonna know you, if not me?

"I love the way you hold me like this." George says as he calms down from his anxiety attack. "You know me so well."

"Who's gonna hold you like me? My little brother?" You both laugh about the comment about your brother. "And who's going know you, if not me?" You smile at him before he leaves to finish his race interviews.

I laughed in your face and said "You're not Dylan Thomas, I'm not Patti Smith This ain't the Chelsea Hotel, we're modern idiots" And who's gonna hold you like me? Nobody

f1news THE NEW TOTO AND SUSIE WOLFF: Y/N Wolff was seen with her father's Mercedes driver, George Russell, out at the Monte-Carlo Masters this weekend. Are they the new Toto and Susie Wolff of Gen Z?

user1 THEY DEFINITELY GIVE OLD MONEY

user2 mama y papa 😍 mom and dad

user3 they are toto and susie (gen z version)

****

"George," You look around your apartment to see where George was. You find him in your office writing on his typewriter.

"What is it Darling?" George asks as he takes off his old man glasses.

"Look at what the media is calling us." You pass him your phone and show him the post f1news posted about you two on instagram. You laugh once George finishes reading the caption. "The caption is too funny! They're comparing us to my parents."

"I'm not Toto though," George says. "And you're not Susie either."

You give him a kiss on the cheek, "This isn't Mercedes, we're just modern idiots." George smiles back at you while you hold him.

"Who's going to hold me like you do?" he asks.

"Nobody."

You smoked, then ate seven bars of chocolate We declared Charlie Puth should be a bigger artist I scratch your head, you fall asleep Like a tattooed golden retriever

George lights up a candle and grabs chocolate from the fridge after you two clean the apartment. Charlie Puth was playing in the background while you two were cuddling on the couch eating seven bars of chocolate.

"Charlie Puth should be a bigger artist." George says after eating his chocolate bar.

"I agree. He has so many hits yet he's not even big!" You say putting the leftover chocolate back in the fridge. After you wash the chocolate off your hands, you cuddle with George again.

Charlie Puth was still playing while you scratched George's head. A couple minutes later, George was asleep like a tattooed golden retriever.

But you awaken with dread Pounding nails in your head But I've read this one where you come undone I chose this cyclone with you

A couple hours after you both fall asleep on the couch, George wakes up from a nightmare. You wake up from the movement that George made, you realized he had a nightmare. "George, you're okay." You rub his back to try and calm him down.

After a while, George is ready to open up about his nightmare. “I spend so much of my life being scared, wanting to please everyone around me. I had a nightmare about everything I've built go away in an instance.” George never really got this deep into his feelings, but that night he became undone.

"I understand what you're saying. I've always felt that way too with spending so much time in the media. I'm scared that whatever I say to them will make a bad impression on my parents. I've always people pleased everyone." You place your hands gently around his neck and say, "I chose this cyclone with you. We'll get through this together."

Sometimes, I wonder if you're gonna screw this up with me But you told Lucy you'd kill yourself if I ever leave And I had said that to Jack about you, so I felt seen

The Mercedes team had some press to do in New York before the Miami Grand Prix. Lewis, George, and your dad were unveiling the new Mercedes car emoji on WhatsApp on the Empire State Building and you decided to tag along.

After the emoji was unveiled, George and your dad were talking to investors while you were talking with Lewis. "How are you and George?" Lewis asked you as you were taking a sip of your drink.

"We're doing okay. We have problems like every couple days. Sometimes, I wonder if he's gonna screw this up with me. He's been through a lot of stress this season." You tell Lewis. "Maybe I'm self sabotaging but I told this to my mom, so I felt seen."

"George talked to me earlier about what he's been going through this season." You both look at George as he's having fun dancing with some investors. "He's glad to have you by his side. he told me he'd kill himself if you ever left."

You were shocked by Lewis' words. Sure George was you boyfriend but you never thought his feelings for you were this strong.

Everyone we know understands why it's meant to be 'Cause we're crazy So tell me, who else is gonna know me?

"You and George are meant to be." Lewis says smiling. "You guys both drive me crazy." Lewis says sarcastically while you laugh. George leaves the dance floor and heads to you.

"You're ready for our date?" George asks while wrapping his arms around your waist. You nod yes and he takes your hand. You both say your goodbyes to everyone and head to the Empire State Building lobby.

"You ready for our pizza date?" George asks.

"You know me so well." You smile before George asks.

"So tell me, who else is gonna know you like me?"

"Nobody." You both smile before he drives to your favorite pizza place.

At dinner, you take my ring off my middle finger And put it on the one people put wedding rings on And that's the closest I've come to my heart exploding

George had emptied your favorite pizza spot in New York (with the help of your dad of course). Your favorite slices of pizza were ready to eat as soon as you arrived at the location. As you guys eat your slices of pizza, George cleans his face before starting to talk .

"Y/N, Darling. You're the love of my life. I love everything about you and that you're always by my side through thick and thin. You helped me overcome certain obstacles in my life. I wouldn't be who I am today without you." George kneels down and takes the ring out to propose to you. "Y/N will you marry me?"

"It feels like my heart is exploding!" Y/N says before cleaning herself up. "Yes! I'll marry you!" George smiles before kissing you. He then puts the engagement ring on your finger.

yourusername and you're not toto wolff, i'm not susie wolff this ain't the mercedes, we're two idiots and who's gonna hold you like me? 💍🍕

tagged georgerussell63

georgerussell63 nobody darling ✨

lewishamilton you guys drive me crazy but congrats 🥂

yourusername we have to keep your last season in mercedes wild before you leave 🤪

mercedesamgf1 is this f-ing play about us?

user1 MERC ADMIN WHAT ARE YOU SAYING? yourusername i bet my dad was the one who told admin to write this. susie_wolff yes, he did mercedesamgf1 YOU'RE NOT SUPPOSED TO TELL HER user1 i love the merc-wolff family 🖤

user2 dang their cars aren't the only thing fast in their life. first oscar getting married now george!!

taylorswift you guys are too cute! congrats!! 🩶

yourusername thank you tay 🥹✨ user3 mother just loves the f1 wags!!

tagged: @omgsuperstarg @splaterparty0-0 @2pagenumb @c-losur3

#f1 #taylor swift #the tortured poets department #lewis hamilton x reader #mercedes #mercedes amg petronas #george russell x reader #george russell #lewis hamilton #toto wolff x reader #toto wolff #susie wolff #f1 x reader #f1 imagine #f1 fanfic

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sageo7 · 4 months

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okay i wanted to just put out that i take requests for more than just stiles!! i am working through my drafts rn 😔 but id also love some requests for other dylan characters teehee, so this is my list of who i write for ☺️ so if y'all want anything from these characters.. lmk ;)

stiles stilinski (any season)

void stiles

stuart twombly

mitch rapp

joel dawson

thomas mzr

dave hodgman

colin (not okay)

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bingwriterxo · 1 year

Text

the shakespeare exhibit - part 8

pairing: tara carpenter x reader

summary: in which you and tara both have things to talk about

warnings: mentions of stabbing, talks of substance abuse and verbal abuse

word count: 2700+

previous part | next part

Finals season was in full swing at Blackmore University, sending its students into poor sleep schedules and even worse diets as they attempted to cram a semester’s worth of information into their brains.

You and Tara, unfortunately, were no exception. For the past week, the two of you had holed yourselves up in either the library or one of your apartments, your noses stuck in your books and your hands fumbling around for an energy drink whenever you needed a pick-me-up.

The only time you had taken a break was to celebrate Tara’s 20th birthday, but even then it was hardly a celebration. You had gathered all of her friends at her apartment, had a small party consisting of drinks and movies, and then went right back to studying, Tara in tow.

Safe to say, the stress levels were at an all-time-high, especially for Tara, who was experiencing her first round of finals in university. You had offered her a few studying tips, since you had already gone through the struggles of freshman-year exams the year prior, before immersing yourself in your own revision.

You were in the midst of reviewing for your Romantic Literature course--the last final that you had for the semester--when your mother called you, leading you to slip out of Tara’s bedroom and into the hallway to speak to her.

Tara sat at her desk, grumbling as she tried to study for her Introduction to Literature course. This is just as stupid as it was when I was studying for the midterm, she thought, eyes scanning her notes about Emily Dickinson. Maybe it’s even more stupid now.

Your voice broke her concentration as you walked back into her room, and she twisted her chair around to face you. “Yeah, that sounds good. I’ll ask her, alright?” You rolled your eyes and pointed at your phone, mouthing, she talks so much. Tara giggled softly, extending her arms for you to stand between, and you sighed as you slid into place, her fingers rubbing over your hips. “Okay. Yup. Yeah, okay. Yeah. Right. Okay, bye, mom.”

“What was that all about?” Tara asked when you hung up, throwing your phone onto her desk. “Did Eddie pull another prank on the Dylan Thomas statue again?”

You chuckled, thinking about the photo that your brother had sent you the week before—he had put a wig, makeup, and a shaving-cream beard on the statue of your grandfather’s late friend. “No, no. The statue garden has gone untouched this week.”

She shook her head, a grin on her face. “I still can’t believe you guys have a statue garden,” she said. But of course her family does. Because why wouldn’t they?

“Well, my dad’s always been big into statues. Like, when he was younger, he--” You cut yourself off. “That’s not important. Anyway, my mom invited us to spend Christmas at the house.” Tara’s eyes lit up, a type of joy that she didn’t know existed rushing through her. Us? she thought. I’ve been invited to family Christmas? “Do you want to go--”

“Yes!” she exclaimed immediately, nodding her head fervently. “Please, yes.” Shit, I’ll need to buy presents. What the hell do you get for kids who could buy anything they’ve ever wanted?

You giggled at her enthusiasm and tilted your head. “Are you sure you and Sam aren’t going back to California for the holidays?” you asked.

Back to California? Back to…Woodsboro? She furrowed her eyebrows, biting her bottom lip. “Why would we go to Cali?”

You squirmed a little where you stood. What’s she so nervous about? she wondered. “I just thought you might want to see your mom?” Your voice pitched on the last word, and Tara tensed, her arms falling to her sides. You frowned and reached out, but she pulled back, swallowing.

“No, there’s--we’re not--no,” she stammered out, her voice short. She shook her head. “I’ll be here.”

You nodded. “Okay.”

Tara wanted the conversation to be over, but your lips were pursed like you still had something you wanted to say. “What?” she asked.

You shook your head. “Nothing!”

She clenched her jaw and narrowed her eyes at you. “No, you look like you have something to say. What?”

“I just…you’ve never spoken about her. Maybe we could--”

That’s because there’s nothing to say.” She’s good for nothing, she thought. “I don’t like to talk about her.” I’d rather read Shakespeare, which is really saying something.

“But--”

“No.” Her voice was stern, clear-cut, and she watched as you deflated a little, your eyes flitting around the room. She sighed, running a hand down her face. “I’m not doing this right now, okay? I’m not talking about her.”

“Tar…” The nickname came out as a coo, soft and careful and meant to be comforting, but it ignited a strange irritation beneath Tara’s skin, and something in her snapped.

“Listen, we can’t all have a perfect-fucking-family, okay?” she shouted, and you flinched, taking a step back, your eyes widening at her sudden outburst. “Just because you have parents who are there and who care doesn’t mean everyone does! I mean, Jesus, my mom didn’t even come to see me last year after--” After Amber stabbed me half-to-death, she finished in her head.

The air was tense, quiet. You stood in front of her, worrying your bottom lip between your teeth, and Tara cursed herself when she noticed that your hands were trembling slightly.

“Baby…” She reached out for you, but her fingers met open air as you shook your head and crossed the room to grab your things from her bed.

“It’s fine. I--I shouldn’t have pushed,” you rushed out, your voice shaking. You threw your notebook and laptop into your backpack hastily before hurrying to the door. Tara stood, desperate to do something to stop you from leaving, but she didn’t get the chance as you said, “I’m sorry.” Of course she’d apologize when I snapped at her. “I’ll see you later, yeah?”

The door shutting behind you pulled all the air from Tara’s lungs, and she fell back into her chair, holding her face in her hands.

“God fucking damnit,” she groaned. “Stupid, stupid, stupid.”

* * *

Hours later--during which Tara had sat in her bed and moped--there was a knock on her bedroom door. For a brief second, she thought it was you. But there would be no reason for her to come back after I got mad at her, she reminded herself, and any hope she had disappeared when Sam walked into the room, a frown on her face.

“I thought Y/N was staying for dinner so you two could study through it,” Sam said, bringing Tara’s attention right back to the fact that you had left. She stepped into the room, her arms crossed over her chest, and asked, “What happened? You’re all”--she gestured at Tara--“sad.”

Tara huffed, glaring at her sister. “Nothing,” she grumbled.

Sam scoffed. “Oh, please. You and Y/N have been attached at the hip since the start of finals.” She shook her head. “Scratch that--since you two began dating. So, what happened, Tara?”

Stupid Sam, being a good older sister. Tara sighed and relented. “She asked about mom.”

“Oh.” Sam frowned. “And what did you say?”

“I--” Was a bad girlfriend and got mad at her for no reason, Tara thought, shame seeping into her veins. “I snapped at her. I didn’t mean to. It’s just…mom’s a tough topic, and it’s even harder because Y/N’s family-life is so perfect.” She clenched her jaw and glanced away, ignoring the spark of jealous lighting in her chest. “She’s got two parents who are there, and they have money, and she’s just…” Perfect.

Sam tilted her head, walking over and sitting beside Tara. “You know, it wasn’t easy for me to tell Danny about mom, either. He’s in the same boat as Y/N--well, not the super rich family part, but his parents are together and there.” She shrugged. “It’s hard not to envy that, but she’s your girlfriend, so you’ll need to talk to her about mom at some point. She deserves to know.”

Tara nodded, hanging her head. “I know. I feel horrible for getting upset with her.” She gestured lamely at her phone. “I tried texting and calling her, but…” She pointed across the room, where your phone still sat on her desk. “Obviously that didn’t work.”

Sam hummed. “I’m sure it’ll be fine, Tara. Maybe she just needed a minute.” She rested her hand on Tara’s shoulder. “Plus, she’ll need her phone.”

“What if she comes back and breaks up with me?” Tara asked, looking up at Sam with wide eyes. What if she never speaks to me again? she thought. What if this is it? What if--

“Every couple has arguments, Tara.” Sam smiled softly at her. “She’s not going to break up with you over this. That girl’s head over heels for you, even more than you are for her. It’s gonna be okay, okay?”

Tara bit the inside of her cheek. “Yeah, okay,” she said, not missing the sorrow in her own voice. “Thanks.”

“Of course.” Sam stood, her hands on her hips and her head tilted. “Now, should we get Chinese food or pizza?”

* * *

Sam was right: you did just need a minute.

It was as Tara was getting ready for bed that she heard a knock on the front door. Sam’ll deal with it, she decided as she climbed beneath her sheets, ready to lay in the darkness and wallow for a while. Just as she was reaching over to turn off her bedside lamp, a certain name caught her attention.

“Oh, hi, Y/N!” Sam said loudly from the living room, and Tara knew she had raised her voice so that she would know who was at the door. She sat up immediately. Y/N is here? What? There was some mumbling before Sam’s voice came again. “Yeah, she’s in her room. Go ahead.”

Moments later, there were soft knocks against her bedroom door, and Tara scrambled out of her bed, rushing across the room to open the door for you. There you stood, your lips pulled in a downturned smile and your eyes wide with worry.

“Hey, pretty girl,” you muttered. You were still wearing the same clothes from the day, and your backpack was still hanging off your shoulders. Did she not go home? she wondered, furrowing her eyebrows. You pulled your arm out from behind you, revealing a small bouquet of flowers. “Got you these.”

Tara blinked. She bought me flowers?! “I--Thanks?” She took them from your outstretched hand. “What are you doing here?”

“I said I’d see you later, didn’t I?” you tried to joke, but your voice was strained, like you were trying to be careful, and Tara felt guilt prick at her knowing that she was the cause. “Could I come in?”

“Oh, yeah. Of course. Always,” she rushed out, moving to her bed to sit. She placed the flowers on her bedside table and watched as you sat in front of her, fingers playing with her blanket. “So, what’s up?” ‘What’s up?’ Really? That’s the best I can do?

You sighed, a shaky breath falling from your lips. “I want to apologize,” you said. “I didn’t mean to push you into talking about your mom earlier. I know she’s a touchy subject.”

Tara frowned. “Why are you apologizing? I’m sorry for shouting at you. I shouldn’t have done that.”

You shook your head, glancing up and finally making eye-contact with her. “No, it’s okay. You didn’t want to talk about her. And, that’s okay.” You shrugged and offered her a comforting smile. “You don’t have to tell me about her…ever, if you don’t want to.”

“I should, though. I mean, we should talk about her.”

“Tara, you really don’t have to--”

“No, I--I want to.” Want’s a strong word, she thought. But I should.

“Okay,” you said, nodding and giving her your full attention. “You have the floor.”

She sighed heavily. “Well, my dad left when I was 8. My mom started working more so that she could afford Sam and I, but it turned more into an obsession for her, I think. Next thing I knew, she was never there. Sam left home when I was 13, and it was just me.” She shrugged, glancing down and fiddling with her fingers. “Then, Sam came back after I was attacked, and my mom wouldn’t talk to her, so we made the choice to cut her off. I haven’t spoken to her since we moved.”

Tara clicked her tongue, looking back up at you. To her surprise, your face wasn’t full of the pity she was used to seeing after telling people about her past; you were watching her carefully, looking close to tears.

“So, that’s that,” she said awkwardly.

You inhaled sharply, blinking your glassy eyes away. “You didn’t deserve any of that, Tar, and I’m sorry that you had to deal with it.” You reached out, your hand cupping her cheek, and she leaned into your touch. “I’m so happy that you’ve found your family.”

Her heart fluttered at your words, her mind flashing to Sam and Mindy and Chad. “Yeah,” she agreed. “I am, too. I really love those guys.” And I’ve found you, too, she thought. You make it all complete.

You grinned, and she practically melted into her mattress. “Good. They’re good--all of them.”

She giggled. “C’mere.” She wrapped her arms around your shoulders and pulled you to lay down with her, your face nuzzled into her neck. She laughed at the feeling of your nose against her skin, and said, “I love you. Like, a lot.”

Your arms wrapped around her waist, and you squeezed lightly. “I love you, like, a lot, too.” You sighed into her. “And I’m sorry for leaving like that earlier. I just…I don’t do well with raised voices.”

Huh? Suddenly, she was on high alert. Why not? What happened? “Any particular reason?”

You twisted in her hold so that you could lay beside her, your gaze trained on the ceiling. She scooted down so that her head was level with yours and looked at you, tracing your side profile with her eyes. So pretty, she thought. Wait, stay on topic, Tara.

You clenched your jaw. “We’ve never talked about it, but, um, my dad…” You closed your eyes. “When I was younger, my dad had a big drinking problem.” Her eyebrows furrowed. Her dad? That man? Really? “He was never physical,” you said, shaking your head lightly. “But he had a temper when he was drunk, and everything I did was always wrong.”

“Oh, Y/N,” she sighed, intertwining her fingers with yours. Your grip was tight, like she would float away if you didn’t hold on.

“He’d yell a lot, at me, at my mom.” Oh, baby. Your thumb rubbed over the skin of her hand. “But he’s good now. He got better after the boys were born--got sober. He hasn’t had a drink since.” You turned your head, looking back at her.

“He’s not, like, obsessed with apples, or anything,” you said. What does that have to do with the conversation? she wondered. “But, he eats them a lot when we have parties. That was his thing--eat an apple when he wanted a drink. It stuck, so we keep the fridge stocked, and any time someone sees him even look in the direction of alcohol, we get him an apple.” You smiled. “He eats them begrudgingly, but he’ll never have an apple out of his own volition now.”

Tara chuckled softly. “I’m happy he’s better now, but I’m sorry you dealt with that. I’m sure it wasn’t easy.”

You shrugged, leaning closer so that your forehead rested against her cheek. “It’s okay now. I’m alright,” you promised. “Just…never buy that man an apple, alright?” you joked, easing the tension in the air.

“Deal,” she agreed, nudging your head up. She leaned in, kissed you, and said, “I guess no family’s perfect after all, huh?” when she pulled away.

“I guess not.” You grinned, leaning up on your elbow to hover over her. “But, maybe ours could be the first.”

Her heart practically stopped, and she couldn’t help the smile that took over her face. Ours? she thought. She felt like she wanted to burst from the amount of joy that came with that thought. Yeah. Ours.

“Okay.” She pushed herself up and kissed you again. “Ours will be the first.”

#tara carpenter x reader #tara carpenter #tara x reader #jenna ortega x reader #jenna ortega #jenna x reader #museum tara #scream 5 #scream 6

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halliewriteshockey · 2 years

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The Seattle Thunderbirds have Luke Prokop, the only openly gay hockey player in pro or semi-pro hockey right now, but they chose not to hold a Pride Night this year. So fans said fine, we’ll hold our own.

Luke promoted it on Instagram but because it was unofficial, I didn’t expect anything from the players.

Except.

Every. Single. Player used Pride tape in some way for warmups. ALL OF THEM, stepping up in a way grown-ass men are afraid to do.

(Yes, that’s Dylan Guenther)

Several of them kept the tape on either their stick or socks for the entire game, including their goalie, Thomas Milic (who grinned at my kids shaking a huge Pride flag at him and flashed them a peace sign)

A couple more pictures under the cut, including Luke himself

THEY’RE GOOD BOYS, BRENT

#and I say that as a diehard fan of their division rival #Seattle Thunderbirds #Luke Prokop #Dylan Guenther #Thomas Milic #I couldn't get a shot of Milic's stick but the handle was wrapped #Tbirds won too! So the gays just keep winning ig #I hope homophobes are crying about it #lucas ciona #jared davidson

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obriengf · 3 months

Note

How would the characters react to their partner who is usually smiley and happy, stop smiling because of a bad day or something happened

please send me some dylan characters and headcanons! TEMPORARILY CLOSED

stiles: the moment he sees your saddened face, his would drop too. your smile would be his driving force and without it, all energy would be drained. stiles would be desperate to know the source of what made you lose your sparkle but he also knew that comfort needs to come first, and questions asked later. stiles loves hugs - so immediately, you would be wrapped within his arms and he would hold you until he deemed enough. if you cried, his hand would rub your back. if you were just dejected, he would whisper stupid jokes in your ear until you laughed. he wouldn't try using his detective skills on what made you upset until he knew you were looked after.

mitch: if you were his work partner, mitch wouldn't know what to do if you were sad. usually, you were kickass and didn't let anything bother you, keeping your emotions at bay like the CIA taught you both so well to do. you would finish a mission, and the relief wouldn't be evident as it usually was - and that was mitch's first clue. he wouldn't ask what was wrong, but probably pat your shoulder awkwardly, and try to distract you with promises of drinks or packing up your belongings for the jet ride home. if you were his lover, he would feel emotional distress of his own seeing you upset. he would hold you tight, and try to coax out the reason for your sadness. if it was a person, mitch would definitely handle it.

thomas: he had spent so long making sure everybody was safe and happy in the safe haven, so it was only natural that his determination continued if he saw you downhearted. thomas wouldn't ask why until you were ready, but he would try to distract you. he'd probably convince you to go on a run with him to clear your mind, stopping for a break at one of the small cliffsides up the mountain as you both took in the view. he'd try to make you smile and happy, then probably make a comment like 'there's that smile I've been missing'. after a while, he would ask what was wrong. and despite possible protests, he would do whatever he could to make sure he could resolve it.

stuart: he didn't have the best social skills, and probably wouldn't notice you were sad until someone else mentioned it and it caught his attention. he would be awkward around the situation, but he wasn't heartless. stuart just rolling his seat over to yours and sitting silently until you looked over to him - he would smile nervously, probably reach out to lightly pat you shoulder and it would make your face screw up in confusion. but he wouldn't leave you as he started making small talk, asking if you needed anything, or wanted help with work. stuart wouldn't ask what was wrong but he would try be be accommodating, and that was more than enough for you.

joel: he is extremely empathetic - if you were upset, he would be on you in seconds asking what happened. joel would want to know so he could figure out the best way to make you feel better. you need comfort? sit back and he would make you some soup to 'warm your soul'. you need consolation? he would stick to your side, hugging you or just holding you to him as he rocked you slowly. you want to be left alone? he understood that, and he would let you cool off but he wouldn't be far away as he observed to make sure you were alright. joel would never be too far away... as long as he would be able to make you smile again.

sam: sam would begin with being slightly anxious - a part of him would worry if he did something wrong, the other part would be about whether he could fix whatever was wrong. this aspect of him drove gentle questioning about what led to you being upset, and once he knew the answer, he jumped straight into caring protective mode. he would have careful movements as he held you, or led you to a comfortable place. sam getting you a warm drink to give you a bit of pep, or if you are incredibly upset he would make you drink a glass of cold water to calm your nerves. he would assess whether you need to talk it through, and act accordingly.

richie: richie doesn't always think rationally, which is why anger would be at the forefront of his mind. the fact that something or someone made you upset was utterly appalling, and they needed to be taken down. he would find out what happened, and either send someone to deal with it on behalf of him as he looked after you, or he would go deal with it himself so that they felt the despair that provoked you to collapse sad and upset in his arms. he never showed this side of him in public, but behind closed doors he would absolutely dote over you - loving hugs and reassurance, a soft tender side that only came out for you. whispering sweet nothings in your ear, and promises like 'they will think twice next time they decide to mess with my girl again'.

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