#el Powell

[childoftheriver]

Dorks II: Revenge of the Lake

[forestshadow-wolf]

This is Not CoD related, but infact having to do with the HTTYD live action that's coming out.

More specifically one problem that I'm seeing almost IMMEDIATELY and I hate it so I'm going to talk about it

Ok Before I actually get into it I want to preface with this: Not everyone is going to agree with me, some people might even think I'm incredibly wrong. And that's okay because this is my opinion and you have yours, and I, infact, am not saying that you have to take my opinion as fact

Anyway! SO the HTTYD live action has started filming. There's been talk about it for years, I'll be honest, I never really thought it would happen. Especially not this soon after the third movie.

Whether I'm excited for this film or not is yet to be seen. On one hand I definitely don't believe anything could top the original. And live actions are not always the best remake, especially for animated movies like this one. But on the other hand they DO have Dean Deblois back, and they've kept the original actor for Stoick, so at least we'll recognize one voice. Also I have high hopes for the soundtrack, since John Powell will be back. But again I'm still skeptical about the movie.

What I really wanted to talk about is, I just saw a tiktok talking about the movie (TT user: Straw Hat Goofy), I don't really have much to say about the video itself, it was good informationally. But I wanted to talk about the comments.

So as was stated in the video and confirmed officially, Actress: Nico Parker will be cast to play Astrid. Fine, dandy, lovely, I see no problem. Apparently not everyone thinks this way...

(Ignore my shitty editing to scribble out usernames and pfps)

Theres more. A lot more :(

Not the only reason I can see people actually complaining about the casting of Nico parker is (apparently) blatant racism.

Like I understand that the original movies Astid was a blue-eyed, blonde haired girl, but I don't think this slight change should be that big of a deal. If her acting is shit, historically, she wouldn't have been cast. And her appearance (especially something she CANNOT change about herself) WILL NOT make or break the movie.

Let me repeat that

NICO PARKER'S SKIN COLOR WILL NOT MAKE THE MOVIE SHITTY

Guys, this is the same thing that happened/is happening with the Percy Jackson series, people objected to Leah Jeffries being casted as Annabeth. But Leah is a phenomenal actor, and in my opinion, is the perfect actress for the role.

If you really have a problem with Astrid not looking like she did in the animated movies then DON'T WATCH the live action. Simple as that. Ignorance is bliss in this case, so be blissful. It's 2024 people are dying, people are living, and people still can't change the color of their skin (nor should they have to (or want to, especially if it's only to fit society) even if they could)

[lawrussy]

[tiny-bird-of-sunshine]

if i had a nickel for every time my favorite show had a cop who's last name is powell and another cop was the found family dad figure to one of the main characters because their actual dad, who is named martin, was highly abusive and now the mc thinks they are a monster like him because of what they had to do for survival, i'd have two nickles. which isn't a lot but it's weird that it happened twice.

[thegayhimbo]

Stranger Things "Creature Feature" and "Summer Special" Reviews

If you haven’t yet, be sure to check out my other Stranger Things reviews, and let me know what your thoughts/theories are about the show or the upcoming season! :)

Stranger Things Six

Stranger Things Halloween Special

Stranger Things The Other Side

Stranger Things Zombie Boys

Stranger Things The Bully

Stranger Things Winter Special

Stranger Things Tomb of Ybwen

Stranger Things Into The Fire

Stranger Things Science Camp

Stranger Things "The Game Master" and "Erica's Quest"

Stranger Things and Dungeons and Dragons

Stranger Things Kamchatka

Stranger Things Erica The Great

Synopsis for Creature Feature: While moving to California, Will, Jonathan, and El make a stop in Denver, Colorado to enjoy a night out at a Drive-In Theater. However, El's visit takes a turn for the worst when certain elements begin triggering PTSD flashbacks......

Synopsis for Summer Special: Join Officers Powell and Callahan during the events of season 3 as they patrol the streets of Hawkins and begin to encounter the Flayed.....

Observations:

Because these comics are short, I am covering both of them in this review. Unlike "Erica's Quest" and "The Game Master," which at least shared the theme of Erica and Mike being isolated and using their love of D&D to reconnect with people, these two short stories don't have much in common other than taking place in the same universe. Because of that, I will be talking about each of their stories separately. This will conclude my reviews of the comics and graphic novels for the time being. When the full versions of Tales from Hawkins, the Stranger Things x TMNT Crossover, and The Voyage are released (which likely won't be until January 2024 at the earliest), I will review them. Until then, I will move on to the tie-in books, beginning with Stranger Things Suspicious Minds.

Let's begin.

Creature Feature:

Out of the two of these, this short comic is the one I like the best. It's an interquel between seasons 3 and 4 that came out on Free Comic Book Day, three weeks before season 4 premiered. As noted in the synopsis, it focuses on an evening that Will, Jonathan, and El have in Denver, Colorado at a Drive-In Theater featuring horror movies. At this point, they're still in the process of moving to Lenora, and the story takes place sometime in October 1985 before Halloween.

The premise of the characters at a Drive-In Theater is fun, and it's nice getting a story exploring the sibling dynamic between El, Will, and Jonathan as El integrates into the Byers family. While we did get scenes like this in season 4, they often felt brief and far in-between. It doesn't help that circumstances like Angela's constant bullying, El ending up in trouble with the law for smashing the brat's face in (not that I blame her for doing so), the three way conflict between Mike, El, and Will at the beginning, and everything to do with Vecna constantly overshadowed attempts to go into more details about El's developing relationship with the Byers. We did get a brief montage with El narrating in her letters to Mike about how she and the Byers are doing, but it isn't as in-depth as it could have been. So any story that explores El, Will, Joyce, and Jonathan together as a family is one I'd be happy to see more of.

There's an interesting parallel between Will's love for the horror movies and atmosphere at the Drive-In vs El's fear of it. Will's enthusiasm for horror movies and Halloween is pretty similar to Max's, with Max even admitting in Runaway Max that she's watched scary movies since she was a kid and Michael Myers from the Halloween series is the one that frightens her the most. Just like there's a psychological component for how Max processes horror movies (especially growing up with an abusive step-dad and step-brother who made her life a living hell), the same goes for Will. When Jonathan asks Will how he can still enjoy horror movies after everything that's happened to him, Will explains it as such:

That is relatable in so many ways. Some of the stuff I've experienced in my life has desensitized me to certain horror/slasher movies, like Saw or Friday The 13th or the Halloween series, to the point the over-the-top blood and gore doesn't elicit a reaction for me. I'm more likely to have fun watching these movies than be scared by them. It's movies, TV shows, and other media that deal with triggering subjects like anxiety, depression, gaslighting, mental illness, rape, and so on that tends to get under my skin.

And considering what El has been through for most of her life, it's also understandable why she has the reaction she does at the Drive-In. Everything from the purple flashing lights to the monster-themed costumes to the loud noises and unfamiliar setting cause her to have a PTSD attack.

It doesn't help that some bullies see what's happening to El and decide to harass her for it.

You know the jackasses on Reddit, Twitter/X, Tumblr, or other social media platforms who mock people for being triggered, accuse people struggling with trauma of wanting to be victims, and are awful to others because they can get away with it? That's who these bullies remind me of. They are the predecessors to Angela, her friends, and the loathsome crowd from Rink-O-Mania who humiliated El. Despite only being in the comic briefly, I despise them.

Thankfully, Will and Jonathan come to her aid, and Jonathan gets a nice big brother moment in telling the bullies to fuck off:

I wish we'd get more scenes on the show of Jonathan getting aggressive with bullies or any other threats to his family.

Getting back to El, there's another reason she's upset: She's in a vulnerable position of having lost her powers at this point, and doesn't know how to deal with it. She's also worried about the threat of the Upside Down returning, which it unfortunately does in season 4. How many times can you face the same horrors over again without feeling like you're losing pieces of yourself and that it's all out of your control?

Except El isn't alone in her fight, no matter how bleak it seems. As Jonathan points out, she still has the support of her friends and family, and all of them will be there for her. They love her regardless of whether or not she has powers. That's a truly beautiful thing to have.

As I've noted before in other reviews (especially Dungeons and Dragons), the final fight between Vecna's forces won't just have El dealing with it all by herself. It's always been a team effort from everyone since season 1, and I do not see that dynamic changing in season 5 without the Duffer Brothers betraying the core themes of friendship and family on the show. Whether or not El will be the one delivering the killing blow to Vecna remains to be seen though.

Overall, I'd recommend this for a read.

Summer Special:

Remember back in my review of The Bully when I talked about how the graphic novel followed the events of season 2 through the eyes of Troy and James? That's pretty much the same formula the Summer Special uses. This time, it takes place in season 3, and it follows Officers Callahan and Powell in the week leading up to the 4th of July.

Like most of the fandom, I never cared for Callahan and Powell. I don't hate them to the extent I hate characters like Billy or Angela, but I still find them obnoxious, and have never been impressed with the "lazy bumbling cop" stereotypes they seem to embody. Unfortunately, this short comic doesn't do much to change that.

The best summary of the plot is that it basically runs on one joke: Callahan and Powell are present during key moments in season 3 (i.e. Billy getting possessed by the Mind Flayer, Doris Driscoll and the other Flayed at Brimborn Steelworks, Alexei's death at the carnival, the Battle of Starcourt, etc), and just when it looks like the two of them might actually find out about the Upside Down and figure out everything that's been going on............they don't. They either miss stuff, dismiss it on sight, or get distracted by trivial crap in their pursuit of trying to be "good cops." It's a joke repeated through-out the comic, and it's one that gets old real fast.

I didn't find this joke funny the first time they did it, and every other time after that made it more annoying.

The comic contains some glaring continuity errors. For example, when Powell and Callahan find Billy's car at Brimborn Steelworks the night he's possessed by the Mind Flayer, the date is July 1st in the comic. However, on the show, the actual date was the evening of June 29th, the same night Billy was set to hook up with Karen.

On top of that, the comic illustrates Billy leaving the steelwork factory different from how he did on the show. Here, he's depicted as quietly sneaking out when Powell and Callahan come to investigate:

But on the show, he is literally running for his life in a panic the moment he gets free of the Mind Flayer, desperately to escape it and not caring about how much of a ruckus he made leaving. If we're taking this comic as canon (which I am not because of all its inconsistencies), it's hard to believe Powell and Callahan wouldn't have heard Billy going back to his car.

There's also other contradictory dates: Doris Driscoll (the old lady Nancy and Jonathan visit in S3 who's later possessed by the Mind Flayer) is established on the show as being taken to the hospital on July 1st. However, the comic depicts this happening on July 2nd. This also apparently happened the same night a possessed Driscoll abducted Powell and took him to the Steelworks factory where the Mind Flayer was, which makes it even more confusing. It also creates a big plot-hole for why the other Flayed never came after Powell later despite Powell witnessing a bunch of them at the factory in the process of attacking his car.

The only moment I semi-liked in this comic was this scene reaffirming how much of a sleazy womanizing piece-of-shit Billy is, and how other people in-universe see him like this as well:

Other than that, and some decent artwork per usual, this comic felt rushed and not well put together as it should have been.

As much as I don't care for Callahan and Powell as characters, I wouldn't mind a comic centered on them provided there was an actual point for it. If they're going to focus on side characters, then actually develop them in a way that's meaningful instead of constantly playing them for laughs. There's an entire story they could have been explored when Powell became the new Chief of Police in Hawkins after Hopper's supposed death in season 3, and how he was forced to adjust to the position and take on new responsibilities. That would have been far more interesting than what they did here. This just came off like a waste.

As you can probably tell, I'm not recommending this comic. The good news is it's not particularly pricey (I got it for $1.99 on Kindle), so if you do want to check it out for yourselves and make your own judgments, there's no harm in doing so. But there are better comics you could spend time and money on.

[starkstruck27]

Okay wait, but I've got another idea: a Gravity Falls AU. Recently I've been rewatching the show, and I think it has a lot of similarities to ST, so I've been thinking...

Robin and Steve are twins (fraternal, with Robin being two minutes older, and I'm thinking they're, like, 16 or 17 in this AU) and they're sent by their parents to stay with their crazy uncle Hopper over the summer. They live in Chicago, but Uncle Hopper lives in the sleepy little town of Hawkins, and is kind of a mystery. He owns a tourist trap called the Oddity Emporium, and even though he's kind of a stingy, crotchety older guy, he loves them, and the Emporium is where they live.

Robin and Steve move into the bedroom in the attic, and as soon as they get settled, they start to notice some oddities outside of the museum. First, Robin swears she sees a fairy flying around when they're exploring the woods, then Steve is convinced that one of the statues in the town square is in a different position when he comes out of the supermarket, but they have no proof. They try to chalk it up to their uncle's place just messing with their heads, but then, they're exploring the woods one day, and Steve trips and falls into a ditch.

Robin immediately climbs down to check on her brother, and he's fine, but he hit his head on something and they decide to check it out. It turns out to be a chest buried at the bottom of the ditch, and when they finally pry the ancient lock open, they find a book inside.

Steve isn't impressed at first. It's a weird book, what's so special about it? But Robin cracks it open and they start to read, both amazed by what they find. It's some kind of journal, apparently the third in a set, that has a mysterious unknown author, and it details all of the weird creatures and supernatural goings-on that make Hawkins so weird.

At first they don't want to tell anyone about it, not even Uncle Hopper. They don't know why the book was buried, but it seems like there was a reason, right? Maybe it's a government conspiracy or something. But they study it together, trying to figure out who in the crazy little town might have something to do with writing it.

They become friends with Eddie, another guy a little older than them who works at the Oddity Emporium as a handyman/cashier/whatever else is needed of him, and his friends, Gareth, Rich and Jeff. They're the cool kids in Hawkins, rowdy teenagers who just always seem to have the best hangout spots (including a secret ladder that leads to the roof of the Emporium) and the most fun of anyone else in the town. They also befriend some local kids who come with them on adventures, Dustin, Will, Lucas, Erica and Mike. They're all younger than Robin and Steve, but they're pretty cool, and they're more accustomed to the weirdness that plagues the town, so they're pretty awesome to have around.

There's also Mrs. Byers, who runs the diner in town, and her other son Jonathan, who is kind of friends with Eddie and his gang. Jonathan is also Will's older brother, so he and his girlfriend Nancy often tag along on adventures. And of course there's El, the psychic girl who is the centerpiece of the other tourist attraction in town, the Hut of Hypnotism. Her dad and Uncle Hopper have been in a war for best tourist attraction for years, but because El made real friends and doesn't like using her powers (which no one knows how she got) just for him to make money, Hopper often comes out on top. There's the local cops, Powell and Callahan, who are not great at their jobs, but perfect for comedic relief, and finally, the local kook, another hermit who lives in a shack in the woods named Old Man Murray.

Robin and Steve get to know the people of the town pretty quickly, and they find them all pretty amusing for the most part. Even Old Man Murray has his good points. But there's one person that they meet a few weeks into their stay that they simply cannot stand. Billy Hargrove, the rich asshole who's great great grandfather apparently founded the town.

Billy seems just as awful as his parents, who live in the mansion atop the hill with him and his sister, but they kind of have to put up with him, because his little sister is friends with the other kids they're friends with, and he's told to keep an eye on her. But he's still a jerk, snarky and always acting like he's better than everyone else because his family is rich, and he loves to be the center of attention. But as the summer continues and they battle more and more weird monsters, Steve and Robin start to think that he's not so bad.

Especially Steve. Sure, they had a rough start, but after fighting a horde of Goblins, uncovering an ancient tomb with a mummified Native American Chief inside, and working together to capture a vampire that's haunting the old wing of the Hargrove mansion, they've kind of bonded whether they like it or not.

It's about halfway through the summer when things start to get really weird. Firstly, Steve and Robin had to time travel over and over again to make sure the timeline stayed correct and so Steve would still get to keep the pet goat he'd won at the county fair. It was a whole thing. Then, they find out that El's dad, in order to try and get a leg up on Hopper and try and destroy his business, had the second of the three journals, and they had to fight not only the man himself to get it from him, but also some kind of dream demon that went by the name Henry Creel and seemed to enjoy toying with them. They didn't defeat the demon, but he told them that he'd leave them alone until they became important, so they tried to forget about him. And finally, they tell Uncle Hopper about the books, which he laughs off and says is fake, but that some of the things in it would make great attractions at the Emporium. Robin and Steve know the truth, though, and still use the journals to their advantage every time they need to.

Finally, the summer is two thirds done, and Steve and Robin have three major problems: One, they're still no closer to finding the author of the journals. Two, Henry is back, and he's hinting at something big coming soon. Three, Steve has developed a huge, embarrassing, inexplicable crush on Billy Hargrove.

When Robin first finds out about that third one, she groans and tries to remind Steve that all summer Billy was a jerk to him and that they have bigger problems to worry about. But Steve tries to tell her that Billy is changed, he's not really as big a jerk as everyone says and he knows it sounds crazy, but he's pretty sure Billy likes him back. Robin rolls her eyes at first and just tries to focus on their other mission, finding out who wrote the journals, but she can't do it by herself. Every time she tries, Henry appears in her dreams and throws her off course, and it's getting annoying and, quite frankly, terrifying. But eventually Steve returns to help her and they find out that the answer lies much closer to home than they'd realized.

They're walking around the Emporium one day when Robin drops something and it rolls under the porch. She and Steve crawl under to get it, but their combined weight causes a bit of the ground to collapse and they fall into a basement they didn't know was under the Emporium. They're confused, because it doesn't look like the kind of place that Uncle Hopper would have under his house, almost like a bunker of sorts. But the real surprise is when they find not only the journals that they showed Hopper and he never gave back, but the first one, too. He had it all that time.

They're obviously pissed, so they grab the books and find the way upstairs, using an elevator that leads them to a staircase that opens up into the (thankfully empty) gift shop of the Emporium behind the vending machine. They find their uncle and demand an explanation, and he finally tells them the truth.

His daughter was an incredibly intelligent girl. She was always looking for adventures and documenting her findings in the very books they were holding in their hands. This was all before they were born, so they never met their cousin Sara, but it wouldn't have mattered anyway. Hopper told them that she got in too deep with her mystery hunting, and she encountered Henry Creel long before they did. Only, she made a deal with him, a bad one, and she ended up dead.

Hopper says that the official story that ran in the newspapers was that she had brain cancer, and an aneurysm is what took the young girl away so suddenly. But Hopper knew the truth. Something in those books had killed his little girl, and he didn't know if it was still out there, but he hoped that if he could hide the books well enough, no one would be able to use them to go looking for it. He kept only one for himself, just wanting to hold onto some little piece of her, because it was her greatest passion, and it was all he had left.

After he tells the twins the story, they tell him that they've encountered the same demon, and that it wasn't even their fault, but that they've beat him before. Hopper is amazed, and asks how they did it, but they say they aren't exactly sure, they just knew they didn't give up until he surrendered.

Hopper is still amazed, but he tells them that if they ever encounter the demon again, they're not to engage with him, because he's smart, and he has no qualms about killing for his own gain. He also tells them that he doesn't want them going around looking for any other weird creatures or anything, because if they get caught in some kind of trouble, he doesn't know how to help them and he doesn't want them getting hurt. They say they won't, but they both know they're lying.

Especially when, two days later, Henry comes back, and he says that it's time. He visits them in a dream they end up sharing, and says he's got big plans coming, so he's gonna give them some advice. He tells Robin that she thinks too much, and she should learn to clear her head. Then he tells Steve to keep his friends close, his family closer, and his enemies closest. Then he disappears, and the twins wake up together, scared and confused. But they know that whatever Henry is planning, it's up to them to stop it.

It's a week before they're set to go back home that it happens. They're not sure how, but some sort of rift in the fabric of the universe allows Henry's hellscape of a dimension to leak into theirs, and even more horrifying creatures than the ones they've already seen that summer (and that's saying something, considering they've encountered shapeshifters and bears with multiple heads) start infesting Hawkins and walking around like they own the place. Robin and Steve are both terrified, but they know they have to help fix it, so they start trying to figure out how.

They know it's going to be different than the first time they fought him. That time, they were I the mindscape, where whatever they could imagine would happen, and they could conjure weapons and such. But this time, they're in reality, and they have to rely on their wits and whatever they can scrounge up around them to fight with. They don't know how, but they know they've got to do it.

Finally, they're almost ready to confront the dream demon and fight him with their friends, but before they can get close enough for even one swing at him, he stops them, and starts to monologue, as villains do. He says that it's cute that they thought there was strength in numbers, and he says that that's not how he plays the game. He reminds them of the advice he gave them, and says they're going to need it if they want to save their friends, who he has levitating off the ground by now, all of them frozen and looking terrified. He says that they're going to play a game, and their friends are taken away, flying off to somewhere else in the labyrinth of a palace Henry's built for himself. He tells them that he put one of their friends in each different room of the place, and that they're going to have to go through one room at a time to attempt to save them. Each room will get more and more difficult, and they'll each take a wing of the palace to go through, they can't do it together. They'll get three tries to answer each riddle, and if they can't, then their friend in that room will die an agonizing death. Robin and Steve are terrified, but they stand their ground, and say that they'll do it.

Henry is all too delighted, and tells them that if they manage to do it and get all their friends out alive, then he'll allow them a chance to try and beat him. He's clearly doubting their abilities, and entirely too amused for their liking, but they know it's their only choice, so they accept. And as such, the games begin.

They each get seven rooms. The riddles for Robin start easy, but the answers are so simple that she begins to overthink them, and it almost costs her her second room. But she remembers the advice Henry gave her, and she knows the stakes. She also knows that he never gave them a time limit, so until she's sure she's got the answer, she doesn't even chance it. She saves Mrs. Byers first, then Jonathan, Mike, El, and Erica. The second to last room is occupied by Eddie, and it's one of the simplest riddles, but Robin almost loses again because of the overthinking. She is down to her final try when she finally gets it and saves him, and is finally sent on to her last room, which contains her uncle Hopper. She is timed on that one, but even under the pressure, she's noticed a pattern to all the riddles, they all have something to do with fire, so she figures it out by process of elimination, and saves her uncle.

Meanwhile, Steve is faring a little differently. He doesn't just get riddles with simple answers like his sister, his riddles all have something to do with the person he's trying to save. Something that he would only know if he knew them well. He figures out that this is what Henry meant by "keep your friends close", and once he figures that out, it's pretty much a cakewalk. He saves Nancy, then Murray, then Lucas, Will, Max and Dustin. Finally, he gets to the last room, and he finds Billy inside. This is the hardest room for him, and even though he's not timed, he only gets one chance to get this one right. He thinks about all the other riddles, all of them having to do with either some fear the person had or some kind of thing that could be used against them somehow. And this riddle is one that hardly makes any sense, where the others were mostly pretty simple. Steve tries to break it down bit by bit, like his math teacher taught him to do when they were doing a tough problem, and he finally figures it out. It's asking for the one thing that would make Billy surrender anything for. Steve gives his answer, and it's correct.

After that, Billy drops back to the floor, and the two of them, as well as Robin, Hopper, and everybody else, are teleported back in front of Henry, who is only slightly ticked off that Robin and Steve have figured it all out. But, he plays fair, and tells them that they can take their shot at him. Robin and Steve can't do any kind of sibling communication between their minds, but they did make up a secret language when they were kids, so throughout the battle, they're able to communicate without Henry understanding what they're saying or planning. They talk about the riddles, how all of Robin's had something to do with fire and how Steve's all had something to do with how to gain the upper hand on each of the people he'd saved. It only takes them a second to figure out that Henry was testing them that whole time, because it wasn't just about them being able to save their friends.

It was about seeing if they were smart enough to figure out what his weakness was.

Ultimately, Henry's cockiness led to his own downfall, because as soon as they figured out that fire was his weakness, they found a way to light the sucker up. It hadn't been easy, and they didn't escape unscathed, but once Henry went down, so did all of his minions.

They didn't remember much after that, both of them being too tired and too worried about their friends and the rest of the townsfolk to worry about what happened then, but from what they can guess, Henry died and all of his demons were sucked back into the portal they came out of, and the town was restored to its former glory. There were still weird creatures all around, and it took them a while to repair some of the damage done to buildings and such, but for the most part, Hawkins just went back to being Hawkins.

Soon enough, it was their last day in town, and as they packed up their things and tried to prepare themselves to say goodbye to their friends, they got to talking about Henry and his game again. Robin tells him about how she almost messed up and lost twice, and he comforts her and tells her that she didn't, so it didn't matter, and even if she had messed up, it wouldn't have been on her, it would've been on Henry. She says she knows, but it's still hard, and then she asks him what his hardest riddle was. Steve tells her about the final riddle, how he only got one shot to get it right, and how twisted up the words were so that he almost wasn't able to figure it out. Eventually though, he found out that it was asking for Billy's one weakness, and at this point, Robin interrupts with a scoff and asks how he managed to figure that out.

And now, Steve finally comes clean with her, telling her that after the whole vampire fiasco earlier in the summer, he and Billy started seeing each other. He says that all summer, he'd been wanting to find a nice girl or guy to have a summer romance with, and he finally found it in Billy, and it was around then that he started to get more involved with her and the journal stuff before the shit hit the fan, because he finally had something. He says that he told Billy about Henry once and how he always tries to figure out your weakness to exploit it (in their case, it was the people they cared about) and he says that Billy told him his only weakness would be him and Max. He'd laughed it off as a joke at the time, but he couldn't have been more relieved about it when it finally came down to that stupid riddle. And he's glad he's telling Robin now, because it felt weird to lie to her all that time and now he doesn't have to any more. And Robin is happy for him, really. After all his failed summer romances that she had to bear witness to, she's glad he found someone that made him happy. Even if it was Billy Hargrove.

Finally, their conversation ends, and they have to start getting ready to say goodbye to everybody. They head out to the bus stop that's gonna take them home and everyone is there waiting for them. The kids are all hugging them over and over and practically sobbing as they make them promise to write, the young adults are all hugging them and telling them they had so much fun over the summer and they better come back next year, and the adults are loading them down with snacks for the trip and making sure they've got everything packed. Uncle Hopper even makes sure that Steve's pet goat that he won at the fair is cleared to go home with them (their parents don't know yet and he may have had to threaten the bus driver, but it's for his nephew, so who cares).

And then finally it comes time for them to board the bus. Robin is crying and refusing to let go of Uncle Hopper, the two of them forming a bond over the summer that she says better not be broken by the time they come back next summer. And Steve is emotional, too, over Hopper and everybody else there. But the person that makes him cry the most is Billy. He makes him promise to call all the time, and invites him to come stay with them in Chicago sometime and says that he'll be back to visit as soon as he can manage. Billy promises that all that will happen, and then, just before Steve has to board the bus, he hands him a little present wrapped up in tissue paper. Steve is about to open it, but Billy stops him, and says with a blush pinker than the bubblegum Robin is chewing that he should wait to open it until the next time he misses Hawkins.

That time comes on the bus ride home, after Robin falls asleep next to him and everybody in Hawkins is miles away. It's a scrapbook that Billy must've put together himself, with an entire page dedicated to everybody important and all kinds of pictures from throughout the summer, even before they got together. He got everybody to sign it, and the very last page is just a letter telling him he'll miss him and he's already looking forward to next summer.

Steve can't help the dopey smile on his face as he gets off the bus and immediately runs to a payphone to tell Billy how much he loves it and how many plans he's already making for next year.

[stranger-themes-blog]

Stranger Themes Character Of The Month Poll (June)

At the end of every month, we will hold a poll for the Character Of The Month. That character will become our profile picture for the month, we will make extra posts about the character, and all participants will receive a special character-themed digital present.

Every character will have a fair chance to be character of the month until we run out of characters and start over again!

This is just for fun. Voting ends May 31st!

[bammtoris]

only two things have been able to bring me back to tumblr: Prodigal son back in 2019 and Now moon knight and what do they have in common? well a lot of things im not gonna mention them all but u get my point

[hannahlily]

How the hell did I just realize

These too have the same vides as

Hella traumatized smart sunshine boy x sarcastic girl boss with emotional intelligence

[childoftheriver]

The dorks

[spiderrrling]

nothing like writing an essay while listening to some good tavern music

[xtruss]

Environment: Every Drop Counts in America’s Waterways Crisis

The Rio Grande and Colorado Rivers are two of the most threatened rivers in the U.S. National Geographic Photographer Pete McBride is on a mission to protect these vital rivers and their ecosystems.

— July 25, 2023 | Photographs By Pete McBride | By Kathleen Rellihan

National Geographic Photographer Pete McBride went on assignment to the Rio Grande to capture imagery of the depleted waterway.

Our nation's most vital waterways are drying up at an alarming rate due to global warming, increased human water use, and other man-made impacts. Nowhere is this crisis seen as dramatically than in the American West, with its longest drought in 1,200 years. Two of our nation’s critical lifelines—the Rio Grande and the Colorado River—are shrinking tragically with every passing day.

The Rio Grande is one of the most threatened waterways in the United States.

After spending years traveling the world on assignment, National Geographic Photographer Pete McBride realized that the world’s natural places he spent years documenting were changing drastically due to the disappearance of freshwater. He has spent the last two decades trying to bring awareness to this issue through photography and storytelling. Still, McBride calls for individuals and companies to take action to save our rivers and water.

“I hope to make people more aware of how fragile and precious our freshwater systems are—and why we all need to care for them like beloved family members. When we ask too much of them, they simply disappear.”

— Pete McBride, National Geographic Photographer and Explorer

Now, an effort from Finish Dishwashing is also helping to raise awareness of the crisis affecting freshwater resources everywhere. The Finish brand worked with a Texas sculptor to craft a one-of-a-kind sculpture that depicts the very thing it is honoring. Made from limestone that is native to Texas, the monument draws inspiration from rock formations, waterflow, waterfalls, flora, and fauna unique to many of the endangered bodies of water in the Southwest. Placed at the bottom of a lake in an at-risk area in Texas, the HOPEFUL MONUMENT is the first monument created with the hope that it will never be seen—that is, it will not be revealed unless water levels drop drastically low. While most monuments commemorate the past, this one is meant to spur action for the future—to inspire us to protect our most precious resource: water.

“Our drinking water doesn’t come from the tap, but rather rivers and lakes which supply the vast majority of all our water systems. Without them, then our taps will, and they already are, run dry and/or be polluted,” says McBride.

— Pete McBride, National Geographic Photographer and Water Advocate

McBride knows firsthand about the water crisis in the West, as he has documented it in his award-winning film, Chasing Water, and book, The Colorado River: Flowing Through Conflict. A photographer and Colorado native, McBride's mission is to raise awareness for the Colorado River and all American rivers, or arteries, as he refers to them.

After witnessing a dramatic loss of water in the Colorado River near his home, McBride expanded his photography career to be one that’s focused on environmental advocacy to protect the threatened resources of his home region, the American Southwest.

“I hope that combining beautiful imagery and a human story around a tough subject will help the public become more inspired to understand the issue and become more active,” says McBride, who was named a National Geographic Freshwater Hero for his work documenting rivers worldwide.

The National Geographic Photographer says he’s a “curious citizen who cares about his backyard river” and called to protect the waterway. And he’s now calling everyone else to do their part as well.

A Vital River Under Threat: The Rio Grande

On McBride’s latest assignment in Texas, he’s standing in a dried-up riverbed in the Rio Grande River, a spot locals tragically refer to as the “Rio Sand.” Just an hour south of El Paso, America’s fourth longest river is only ankle-deep in some locations. As it flows further south along the U.S./Mexico border, the river will become a trickle—and in many places—it runs completely dry.

The Rio Grande is dotted by dry stretches throughout Texas.

The Rio Grande supports more than 16 million people in the US and Mexico, including 22 indigenous nations. Alarmingly, this vital river system in North America is vanishing at a dramatic rate. Flowing from the Rocky Mountains and later forming the U.S.-Mexico border, this threatened river and its ecosystems have been impacted by agriculture withdrawals, rising temperatures, and unprecedented drought.

“The Rio Grande, just east of El Paso, is the ‘forgotten reach’—by the time it gets here it's a ghost of its former self. Because of a changing climate, severe drought, and asking too much of this limited resource, it's completely drying out.”

— Pete McBride, National Geographic Photographer and Explorer

The Rio Grande has seen devastating impacts from climate change. New Mexico, like much of the West, has been battling unusually hot and dry weather for the last two decades. The river has also been hit by historic drought, with the lower Rio Grande, the border between Texas and Mexico, dried up for over a hundred miles.

“Fresh water is one of the most important, limited natural resources,” says McBride as he stands in the barren riverbed. “We can live without oil; we can't live without water.”

America’s Most Endangered River—The Mighty Colorado

Seeing firsthand his own home dry-up in the water crisis had a major impact on the National Geographic Photographer: “I grew up on the [Colorado] River, so I always had a fond love for its beauty and wonder. When I followed it to its end and saw it run completely dry, I realized there needed to be more voices speaking on behalf of the river itself.”

The “lifeline of the West,” as the Colorado River is known, supplies drinking water to 40 million people in the U.S., fuels hydropower in eight states, and is a critical resource for 30 tribal nations and agricultural communities, according to the Bureau of Reclamation. It’s also the most at-risk river in the U.S. and is now considered the most endangered river in the world by conservation nonprofit American Rivers. The once mighty Colorado River has been drying out for the last twenty years due to overuse and historic drought.

Due to overallocation and climate change, the Colorado River has not reached the sea for two decades.

“The Colorado River is the frontline of climate change,” says McBride. “This remarkable river system supports over 5 million acres of farmland, where 95 percent of our winter vegetables come from. If you like eating salads, you are eating the Colorado River.”

As the climate crisis worsens, the water levels plummet. Today, the Colorado River runs at only 50% of its traditional flow, while its largest reservoirs in the United States: Lake Powell and Lake Meade, fell to 22% during the fall of 2022.

Everyday Actions to Save Water

The water crisis is a daunting and undeniably complex issue, but that doesn’t mean that people in their daily life can’t help protect our most valuable resource. If we don’t take action now, there won’t be time to save these rivers, lakes, reservoirs, and other bodies of water, warns McBride.

“Become more aware of your waterways. Our voices can make a difference. Rivers need more advocates,” advises the National Geographic Explorer, adding, “You can use less water by reducing meat consumption (meat requires a lot of water to produce), using less water-intensive, non-native thirsty plants in your yard, like bluegrass, and reducing how often you run your water systems for dishes, etc. We need agriculture as we need to eat; we just need to become more efficient and mindful about everything: from what is on our plate to how we clean them and use our taps."

McBride believes these are just some of the everyday actions we, as consumers, can take. Another small change that will make a ripple of impact? Use your dishwasher and stop pre-rinsing. Finish agrees. The brand has a longstanding history of driving impact and inspiring change through its ‘Skip the Rinse’ purpose campaign, which encourages consumers to skip pre-rinsing their dishes before placing them in the dishwasher, ultimately saving up to 20 gallons of water each time. If we all skipped the rinse, we could save up to 150 billion gallons of water every year.

Other water-saving actions include turning off the shower/faucet while lathering or brushing teeth and installing a greywater recycling system.

“Our fresh water is a limited resource,” warns McBride. “If we don’t get involved on some level, we will [see] more of that resource vanish.”

[neovallense]

[afranciscomiradiezblr-blog]

Esta es la imagen y algunos datos (O no) la “Historia” la pones tú ¡La tuya! ¿Lo harás?…

Batalla: Los Beatles contra los Rolling Stones

Lennon/McCartney contra Jagger/Richards-Novias (época):

Cynthia Powell contra Marianne Faithful

[mothellie]

I think the Duffer Brothers' history with racism in their show goes a lot deeper than a lot of people realize.

Lucas as a character has three distinct B plot stories that get assigned to him: being a minor antagonist to Eleven in season one, being a good friend to the rest of the Party, and being in love with his girlfriend. While Mike's plot is directly centered around two of the most pivotal characters of the show, Dustin is given two different role model characters that shape his arc and is overall the genius that helps the rest of the cast get out of several difficult situations, Will still being connected to the Upside Down after his disappearance in 1983 and that playing into several major plots, Max having a multitude of centric storylines especially in season four and Eleven literally being THE main character- Lucas is only ever given plots that help serve and uplift the other (white) characters. Unless you count him... playing basketball and being friends with Jason. I guess?

Erica is similar to Lucas, but to a much larger degree. I'd like you reading this to think of any single Erica standalone plot in the show that has nothing to do with/does not predominantly or solely benefit the white characters around her. I'll wait.

The Sinclair parents are only touched on in brief sections for the sake of filling the episodes, only ever playing a more major role in Season Four. If you could call it that. I'm sure most of you couldn't even tell me their names off of the top of your heads. (It's Charles and Sue, by the way.)

Argyle was the first somewhat major character of color to be introduced to the show after Erica played her part in season three. I could say similar things about his role in the season overall that I can about Lucas and Erica. Except they set him up to play a bigger role in the next season at the end of season four, going as far as to show him in Hawkins and have Jancy verbally allude to him sticking around, only for the show heads to ghost Eduardo Franco and let him find out he wasn't being brought back through an official social media cast photo.

Kali was a former subject from the same lab El came from, having escaped and subsequently began to lead a vigilante life of enacting revenge on those who played a hand in her suffering. She was the first subject El ever met after leaving the lab, shown to be incredibly powerful and strong-willed. Her and El had an immediate connection, calling themselves sisters right after meeting. But after El was finished with her self-discovery period on the S.S. Kali Gang for one (1) often-forgotten and poorly-written episode, Kali was quite literally abandoned both in spirit and on screen, never to be seen or even mentioned again.

All other characters of color are either killed violently (Patrick), have like ten minutes of screentime total (Jeff and Calvin Powell), or are just straight up background only and may not even have names.

They can dedicate an entire section of season four's plot to Suzie's family, but not to genuine character development for Erica or for Kali to return. They can make room for a whole pointless predatory plot between Billy and Karen, but not to give a more important role to the Sinclair parents. They have room to include a whole plot about El getting bullied in school, but not for Lucas to have a more meaningful story outside of his white friends and girlfriend. They can platform three known white zionists while Palestine currently undergoes a gruesome genocide even as I type this, but they don't have room for Argyle in season five (or even the decency to give Eduardo a fucking phone call).

Not only do the Duffers constantly write themselves into holes because they keep adding unnecessary fodder to the plot, and refuse to kill ANY of their main characters in favor of just creating new characters for the sake of killing them off in mediocre ways despite the fact that they're trying to fit 20+ B plots into 8-9 40-50 minute episodes per season and wondering why half their show doesn't make sense- The time they DO dedicate to character-specific B plots and character arc progression visibly favor the white characters.

If I watch S5, and that's a huge if, I will be sailing the high seas. Between all of this, the fact that they filmed part of season four in an old Nazi prison and tried to turn it into a fucking AirBNB, and the fact that at least four people who play major roles in the show actively support the current genocide of Palestine- I won't be giving them (or Netflix for that matter) another cent of my money.

While you're here, please do your completely free daily click to send aid to Palestine, and here's a list of other resources for how to help more directly.

[ven0moir]

Byler Analysis: Mike’s phone calls.

This analysis is going over why Mike’s phone calls were, without a doubt, for Will. Bylers have been talking about this for months now, but I’ve compiled all the evidence I could find. 

So, to start us off... 

Hawkin’s Lab is owned by the ‘Department of Energy’, which according to Mike, Ted has said is Government/The Military. 

In S1, the main antagonists in regard to Hawkins Lab were Connie Frazier and Dr. Brenner. However, by the season finale, Connie was killed by Eleven and Dr. Brenner’s status was unknown.

With the two of them out of the way, we are introduced to Dr. Sam Owens in S2. 

Now, whether or not Owens is truly trustworthy or not is a whole other can of worms, but for the sake of this analysis, we will follow his introduction as an ally to the Byers-Hoppers. He was the primary doctor looking after Will and investigating what was going on with him when he was possessed by the Mindflayer. S2 concludes by letting us know that Owens has pulled some strings to give Eleven a new identity and thus a new life: that of JANE HOPPER. 

Owens recommends to Hopper that Eleven should lay low for about a year before living freely, as a PRECAUTION (since, like he said before, ‘those people’ aka the bad ones, are gone), but overall, things are safe enough that Owens even approves of Hopper letting Eleven go to the Snow Ball. 

S3 starts in June 1985, about six months after S2, which means Eleven’s year of laying low isn’t done yet. But since Owens is in charge of the lab, Eleven and Mike can call on the phone. We also see them using walkie-talkies, so I’m assuming that they don’t call that often as a precaution as well, but they can do it as long as it’s not too frequent. 

It is important to note that the lab was not the main antagonist in neither S2 nor S3 (It was the Mindflayer & Russians respectively). 

Eleven can even afford to go out a couple of times to the mall with Max without consequence at all. It isn’t until things get bad enough with the ‘flesh flayer’ that the military immediately steps in to cover it all up (and despite their best efforts, the town is still suspicious). 

Owens is FIRED at the end of S3 as a consequence of the mall “fire”. This is significant because it means that he no longer holds the power to protect Eleven. Still, he managed to use his contacts (which include allies like Ellen, Wallace, and Hamon) to relocate Eleven + the Byers to Lenora and look after them very discretely. 

Because of this plan, Eleven is safe in Lenora enough to go out and have a life as Jane Hopper. However, that plan does NOT include calling Hawkins as that would be FAR TOO RISKY. 

She cannot call or be called from Hawkins as it is no longer just a precaution, like when Owens recommended Eleven to lay low for a year, just in case. Now, her staying away from Hawkins (which includes calling there since the phone-lines are tapped) is a NECESSITY for her long-term survival since the cover story is that ‘Eleven is dead’.

Powell’s call about Chrissy’s murder is enough to immediately summon Sullivan to investigate and pin the murders on Eleven. He even tells Owens that there are rumors of her being alive and receiving help from the ‘inside’ aka Owens. WHICH IS TRUE. So, they’re onto Owens and ALL OF THEM require to be extra careful with calling to Hawkins. 

Mike was likely not able to talk about Eleven/Jane much during his calls with Will either.

THIS is likely why we see a walkie-talkie on Eleven’s Mike box and why Mike spoke about stealing Cerebro from Dustin at the end of S3. 

HOWEVER, because the mail system isn’t under surveillance like phone lines are, LETTERS were established as Mike and El’s primary method of communication. 

Whether or not Mike truly did steal Cerebro from Dustin to call El a few times, we see Cerebro at the top of Dustin’s house in what seems to be a very permanent set-up. I personally think this implies Cerebro hasn’t been moved, and their communication happened solely through letters. 

But even if, say, Mike went to visit Dustin to use Cerebro (which wasn’t established, but is within the realm of possibilities) it doesn’t change the fact that phone calls were off the table, and thus, those were for Will and Will alone. 

So, as Will himself explained, the letters were for Eleven, and phone calls were for HIM.

Which means ... this was all about Mike being unable to reach WILL. 

Byler is endgame