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#eleanor & danny.
themusicsweetly · 11 months
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Sam Heughan as Danny in The Couple Next Door
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#That Season 2 Slow Burn First Kiss
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asadfangirlbitxh · 1 year
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My favorite sitcoms always have a couple with so much chemistry from the moment they meet and you can't help but fall in love with them
1) Amy and Jonah, Superstore
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2) Jess and Nick, New Girl
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3) Jake and Amy, B99
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4) Chidi and Eleanor, The Good Place
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5) Monica and Chandler, FRIENDS
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6) Jim and Pam, The Office
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7) Janine and Gregory, Abott Elementary
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8) Cory and Topanga, Boy meets World
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9) Dan and Mindy, The Mindy Project
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10) Ben and Devi, Never have I ever
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Danny Kaye gives Eleanor Roosevelt a big assist as they blow out candles on a huge birthday cake at a dinner of the American Association for the United Nations, October 17, 1955. The dinner marked the start of the 10th United Nations Week celebrations.
Mrs. Roosevelt, chairman of the Association's Board of Governors, presented an award to Kaye in recognition of his accomplishment in advancing the purposes and principles of the U.N. by helping the children of the world in the film "Assignment Children."
Photo: Marty Lederhandler for the AP
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bestwwquote · 3 months
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Welcome to Best Quote from The West Wing!
Inspired by all the polls about best quotes from different media/hottest actors from different media I wanted to do one for one of my favourite pieces of media The West Wing.
RULES:
1. It has to be a quote. There are some great unsaid moments but the competition is 'best quote' so it needs to be something someone said.
2. It can only come from the TV show 'The West Wing' that aired from 1999 to 2007. Interviews are not allowed, and anything from 'A West Wing Special to Benefit When We All Vote' that was NOT already in the episode 'Hartsfields Landing' doesn't count.
3. Yeah I already have the end of 'Two Cathedrals' in here.
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cantsayidont · 2 months
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No crunking, but lots of haterating and hollerating and even some situations:
BRUTE FORCE (1947): Aptly named prison drama about a group of convicts (including Burt Lancaster, Charles Bickford, and radio actor Howard Duff) in a battle of wills and wits with the sadistic guard captain Munsey (Hume Cronyn). Forcefully directed by Jules Dasssin and certainly vivid, but the few moments of levity the Richard Brooks screenplay provides — such as a droll flashback sequence where former conman Spencer (John Hoyt, who later played Dr. Phillip Boyce in the original STAR TREK pilot) affectionately recalls the slick dame (Anita Colby) who once robbed him with his own gun — serve mostly to demonstrate that there's not enough light moments, even for such a determinedly grim and downbeat story. Worse, since the main action takes place entirely within the prison, women (including Ella Raines, Ann Blyth, and future TV Batgirl Yvonne De Carlo as well as Anita Colby) appear only in brief flashbacks. The film's main attraction is its superb acting — and even Lancaster's brooding sex appeal is somewhat overshadowed by Hume Cronyn's towering performance as the magnificently detestable Munsey. CONTAINS LESBIANS? Nope. VERDICT: Compelling in fits and starts, and Cronyn's Munsey is one of the screen's greatest villains, but it's so oppressive that your attention may start to wander, especially if neither Lancaster nor Cronin is currently onscreen.
HOTEL COCAINE Season 1 (2024): Colorful but sloppy Chris Brancato crime drama, based (apparently very loosely) on the life of a real person, Cuban exile and CIA asset Roman Compte (played, weakly, by Danny Pino), who, as the general manager of Miami's Mutiny Hotel, presided over the heyday of coke-fueled late '70s South Florida hedonism. Brancato uses this as a backdrop for a disappointingly ordinary gangster story, giving Compte a fictional older brother, Nestor Cabal (Yul Vázquez), indistinguishable from Brancato's previous fictionalization of Cuban cop/gangster José Battle Sr. in GODFATHER OF HARLEM (where he was also played by Vázquez), and pitting the brothers against a renegade DEA agent (Michael Chiklis) and an invading Columbian cartel led by Gilberto Henao (Juan Pablo Raba). Despite the title, the Mutiny setting is surprisingly under-utilized; the main plot is cliché-ridden and often listless; and the action is broken up by periodic fits of weird comic relief involving nervous acid-freak hotel owner Burton Greenberg (Mark Feuerstein), including bizarre appearances by Hunter S. Thompson (John Ventimiglia) and Rick James (Larry Powell) in the first two episodes. Pino is barely adequate in the lead, and it sometimes seems like Brancato foolishly expects viewers to find Roman sympathetic, which he really never is, even compared to his antagonists. The only real reasons to bother with the show are its Latina characters, including Roman's spunky teenage daughter Valeria (Corina Bradley); his sympathetic girlfriend Marisol (Tania Watson); and in particular Gilberto's sexy and sadistic Mexican enforcer/girlfriend Yolanda (Mayra Hermosillo). Alas, Laura Gordon is awful as Roman's loyal right-hand woman Janice, while Michael Chiklis, who had made such a strong impression as the antiheroic Vic Mackey on THE SHIELD, is just laughable as DEA agent Zulio. CONTAINS LESBIANS: Not in any meaningful way. VERDICT: Never dull, but too arch to be credible and yet not over the top enough to rival De Palma's SCARFACE, and unlike the similar but better-realized GODFATHER OF HARLEM, it has no particular insights to offer about either its era or its setting.
SEX-POSITIVE (2024): Cute but very dumb sex comedy, directed by Peter Woodward (who also co-scripted with Marie Kirby) about a down-on-her-luck young woman (Katherine Ellis) who moves into a New Orleans commune and, after her initial shock has subsided, becomes part of its loose-knit polycule of ongoing sex parties. The story tries hard to live up to its title, with mixed results: It largely avoids the performative dread sex comedies often evince at the idea of same-gender sex, and it even takes a few flailing stabs at body positivity, but much of its humor is still founded on the idea that people having a lot of (semi-public, maybe mildly kinky) sex is inherently outrageous, which means that if you don't blush and giggle at the mere idea of a sex party, the movie is only occasionally funny. On the other hand, it's refreshing to see a modern sex comedy that doesn't shy away from nudity, allows the characters to actually have sex rather than just talking about it, and doesn't paint the characters' promiscuous lifestyle as a moral failing that has to eventually be recanted. CONTAINS LESBIANS: Yes, although the script leans a little too hard on the idea that anything other than complete sexual fluidity is somehow regressive. VERDICT: In a less prudish cultural climate, a low-wattage comedy like SEX-POSITIVE would barely rate a yawn, but in an era of rampant self-censorship and dreary bourgeoisie repression, its dopey, good-natured smuttiness is sort of endearing.
SUNRISE AT CAMPOBELLO (1960): Okay Dore Schary film adaptation (directed by Vincent Donehue) of Schary's Tony-winning play, starring Ralph Bellamy (reprising his award-winning stage role) as Franklin Delano Roosevelt, recently stricken with infantile paralysis and struggling to decide if he can still have a political future, with Greer Garson as Eleanor, Ann Shoemaker as Franklin's imperious mother Sara, and Hume Cronyn as his friend and political advisor Louis Howe. At first, both Bellamy and Garson seem like they're overplaying their roles, with a bigness more suited to stage than screen; Garson's performance never really stops feeling like caricature, but Bellamy eventually disappears into his part and becomes surprisingly convincing. Cronyn and Shoemaker are both excellent, and extensive use of location shooting (including scenes staged in the Roosevelts' actual homes) keeps the film from feeling objectionably stage-bound, but the narrative's emphasis on the heroism of overcoming chronic illness (a struggle FDR took great pains to conceal as much as possible) is awfully sticky at points, and if you're not American, you may wonder what all the fuss is about. CONTAINS LESBIANS: There have been arguments for years about Eleanor (in particular surrounding her relationship with reporter Lorena Hickok), but you'll find none of that here. VERDICT: As biopics go, it's pretty top-drawer, but if you're not a history buff or don't care about the Roosevelts, it probably won't hold your interest.
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alexgrin · 1 year
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I've been doing this art for a long time, honestly, I didn't dare to throw it into Tumblr before~
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lunetaj · 3 months
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A funeral was planned for Skip shortly after the tragic event...
The whole family attended the funeral, as well as the whole town.
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No one could believe that something so horrible had happened.
In addition, Brandi is now alone to raise her children.
(2015)
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helmstone · 5 months
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The Forsyte Saga being revived for PBS Masterpiece
The Forsyte Saga being revived for PBS Masterpiece
MASTERPIECE on PBS and Mammoth Screen have announced a major new reimagining of John Galsworthy’s Forsyte novels. Planned as a returning series, the first season of six episodes follows the lives of the wealthy Forsyte family in 1880s London and is based on Galsworthy’s Nobel Prize-winning tale of love, loyalty, ambition and betrayal. The Forsyte Saga reunites MASTERPIECE with British…
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statictwoo · 8 months
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I don't usually get really into specific ship dynamics, I just take things on a case by case basis, but... when the fem one is taller than the masc one... ouaghhh... the fem one,,., is taller,, than the mmmasc one,, , .... .
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reanimatedgh0ul · 1 year
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i'm kinda leaning towards danny and the professor's dynamic in my crossover being similar to michael and eleanor as of late
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♡ "time, doesn’t it give perspective? para danny wood. @thcgoodwitch
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“No pierdo mi valioso tiempo pensando en el pasado” comento al tiempo que posaba la mirada en el contrario. “Y tu tampoco deberías de hacerlo Danny, hay mejores cosas en que pensar como en que atuendo usaras en el día” tras decir eso lo miro un segundo con un poco más de atención. “Algo que definitivamente deberías de darle un poco más de tiempo por la mañana”
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at-sabohteurs · 5 months
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lavenite · 6 months
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i love making stories bc half the time im not making anything. im just thinking about my stuff as if someone else did it and then i get to analyze and discover new connections to add into the original story as if that was my plan all along
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For your OCs, rank them from most into sex (and have sex the most) to least into sex(has sex the least/not into as much/maybe even slightly asexual)
Lizzy (because I've rped her having heats bc of her cat physiology)
Breana
Danny
Ellie
Amy
Nicky
(at least for my main six ocs)
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ocmerunaway · 2 years
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Eleanor Reese Anderson has always been headstrong but when Jackie is forced to leave Danny behind, injured enough to be moved to admin only duties for higher up cops like Danny’s own father, Eleanor has to choose to trust her cousin’s belief in Danny... or her own fears... but can Danny really be trusted?
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