#enough for me to start drawing fanart at least

[wahooitsamee]

Saw this

Made me think of you

aww! i’m honoured. 🥹🥹

funnily enough, this is actually my profile picture on quite a few of my socials.

i love wigglers. i just think they’re neat! little wiggly worm guys.

[bonetrix-arts]

Oh yeah now that I’m home I can post the print I gave to @dilfosaur !! (Hope the tag is okay and also I hope you liked it <3)

But aaaaa the con was so so fun!!!!!!!! I’m so glad I was able to go, definitely changed my brain chemistry forever (/pos)

And now that I am home…….. perhaps I will draw more Luce because I am So Normal and So Cool 😎

[francy-sketches]

I'm gonna have to work on my final project non stop for like a month straight bc I procrastinated on it too much fuck my stupid baka life

[mementoasts]

jonathan sims head archivist of the magnus institute london

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[beatcroc]

a year!!! as of today i have now been drawing these funny little pizza freaks, to the exclusion of almost everything else, for!!! an entire year!!! i wanted to do a nice group shot/lineup of everybody to compare to when i first started trying to draw them because oh boy were they bad. i never even posted most of them anywhere because they were so bad. but im posting them here, now, to see how everything's changed/evolved.

this is probably the hardest time i've ever had trying to figure out how to work with a style, but we got there eventually; i'm pretty happy with the handle i've got on everybody now...dont let ur memes be dreams. lots of unimportant journaling and idle thoughts abt it below.

older pics

the first one is the VERY first time i drew them, before i thought i was going to actually have any interest in drawing them [lmao]; it was just the one isolated image, for my friendserver, to illustrate the funney message, so there was no attempt to make it Good or actually understand anything going on w/ the designs or style.

second is the original run of practices sketches to start trying to figure them out for real; done after i started having ideas for the comics and such and realized oh god maybe i am actually gonna draw fanart for this. [again, lol, and lmao.]

third one is the first pt art thing i posted on here. there were a couple weeks of sprite studies between this one and the previous image. the one on the top right wasn't part of that post i just threw it on as space filler; i'd intended to shift to doing Sprite Redraws But Stylized to explore tings more, but that was the only one i did. ¯\_(ツ)_/¯

individual characters

peppino: by far the hardest dear god. bro what ARE your shapes how DOES your face work. jesus christ. everything i have trouble with this style for, peppino has it in excess. i draw in polygons! i need consistency! and that is the last thing this kind of style is concerned with. they are made of squarshy clay and i do not understand how to mold them. i was really hoping trying to learn this game's style would GIVE me that kind of flexibility for fun exaggerated facial expression but i don't think much came of it in the end 😔. anyway on the bright side all this means once i got peppino figured out a little bit everybody else clicked way easier.

fake peppino: honestly i never did anything with him on purpose except for how his eyes work + the perma-smile thing. i figured ok hes supposed to look weird and off model so whatever happens with him happens. and it did. and it kept happening. it is still, in fact, happening.

noise/ette: somehow, for every bit that peppino was the least natural thing i've ever tried, these two worked pretty much right off the bat. i still don't understand it, seeing as pretty much all the things at play for peppino are also at work for them. i think the new sketches are actually a little worse than older ones but not enough that i care.

gustavo: really funny bc i drew him on model twice and just went 'okay, cool nice, easy, um. he doesn't have any fucking legs?' fortunately he was the only one i had a strong idea for how to stylize him [square] and it worked exactly as i was hoping so wahoo.

brick: is an animal and therefore 5000x easier and more natural for me to draw/stylize than anything else in the cast. that is Just a rat bro. i can draw a rat.

gerome: i think the funniest one here. the most drastic and least necessary change imo. i was gonna have him be really small at first, like smaller than the noises, but then i just... didn't. he's just peppino-sized now. also i gave him like. actual human facial structure, which is funny bc in most cases i'd do anything to avoid, but it works well for his being A Rock to give him some angles and definition like that+ to differentiate his vibe from the rest of the cast who are all very squishy. also since he is essentially Just A Head it's good to emphasize that too ig.

john: i only drew john a couple times but he gets to be here because i like him. and because most of the stuff i applied to gerome was readily applicable to john, though i did try to keep him a little more uncanny because he is a Huge And Lanky Freak. i hate that he is barefoot btw but idk how to make his color balance look right with shoes.

pizzahead: i did not want to put him on here honestly but i Have drawn him a handful of times and more importantly i didn't know what i was gonna do with john's pose if i didn't have him there to be glared at. the only thing that's different with him is giving him wider-bottomed pants, which i got from when i tried to draw these guys in clone high style [i never posted that one either][i will eventually]

snick: he gets to be here because 1. he's like 6 lines 2. i like him and 3. ive scribbled him a few times offhand and it went pretty well

misc

there are some guys missing because those are guys i didn't draw enough [or at all] to have gotten comfortable with them. sorry

i would have Liked to shade these but for the time being i have accepted that my grasp of light/shadow has decayed to the point im not going to be happy with anything i try there, so For Now i am working on my presentation with flats i guess. gerome has a shadow only because he's shaded like that ingame and looks naked without it

anyway if you are still reading [hi?] i get to shamelessly plug now. i'm over the hill of my pizza run now, and while i still have plenty of things i want to make here, most of the bigger more in-depth ones have passed. pizza tower was the first thing in THREE YEARS to get me out of my oc groove to doing fanart, and once i am done with my ideas here i will be going right back to it. if you like my art or how i write characters/interactions you should check out my oc/webcomic blog @jamverse . i can't promise people who like pizza stuff will be terribly into my designs, but i can guarantee i treat my guys with the exact same sort of tone i handle the pt guys with. and hell, i've mentioned it a few times before, but like 70% of my characterization for fake pep is just copied off one of my characters, so if u are going to miss him... he will still be there in spirit >;p

and if you dont care about any of that and are still reading thank you anyway. actually making these comics + seeing how shockingly well-received they've been has done a lot for my confidence, and for seeing that my kind of stuff IS something people enjoy :')

[prismatic-bell]

So @hejeksbs saw that post about fandom olds freaking out about IWTV stuff being posted on the AO3, and said they’re new to fandom and fandom culture and don’t understand. So congrats, Hejek, you’re one of today’s lucky 10,000. This is going to be a basic primer, but I encourage others to chime in with details. (Also, thanks for reminding me I need an Interview exhibit in the museum. I had that written down somewhere.)

So if you go back to the 1990s and early 2000s—the pre-AO3 digital years—you’re going to see an official disclaimer on just about every fic. These basically said “I don’t own anything here, please don’t sue me.” Some were quoted elaborate.

These started because of Anne Rice.

See, Anne Rice was, how can I say this nicely…an asshole? The day she died there were literally people posting crab rave and “Ding Dong, The Witch Is Dead” from The Wizard of Oz on Tumblr. Because before Harry Potter fanfiction was pretty frowned upon and you might get a C&D if you didn’t keep your head down properly, but Anne Rice.

ANNE RICE.

Anne Rice literally recruited her “loyal fans” to harass people who made fanworks. At least one person was doxxed to her workplace by rabid Ricers, and at the time fanfiction was taboo enough you could absolutely get fired for that. I was eleven and friends with someone who was 13 who’d just read Interview and drew this wonky I-am-a-kid-who-can’t-really-draw-yet-but-I-loved-this-SO-MUCH piece of fanart of Louis and Lestat, and she literally dipped off the internet because she got an extremely nasty “I’m suing you” threat from Rice. (Are you out there, Mercury000? It’s me, sailorsharon0722.)

Anne Rice did everything in her power to ensure there was no IWTV fandom at all. I’ve heard from people older than me that she used to host a “vampire’s ball” every year in New Orleans for her “loyal fans” but if you showed up and she felt your costume outshone her own, she’d make you leave. People didn’t dare so much as put “Lestat” and “fanfiction” in the same sentence.

And then, irony of ironies, when her reputation got so bad she was struggling to sell books, she…became a Christian and started writing Bible fanfiction to sell.

Yeah.

Over the years there were claims she’d changed her mind about fanfiction, but nobody ever had evidence to back this up. I even saw a dude on Quora claiming to be a close friend of hers saying we were all lying, and he got absolutely ratioed by fans going “I still have my C&D letter, you wanna fucking try again?”

Incidentally, I would like to point out that her attitude wasn’t uniform. It’s easy to say “that’s just how it was,” but Neil Gaiman has been around since the 1980s and has always appreciated fanfiction. Stephen King’s approach is “please tell me, to my face, that me explicitly writing about Cthulhu isn’t fanfiction” and otherwise pretty lassez-faire (he has no interest in knowing you’re writing fanfiction of his stuff, he just genuinely doesn’t care), and his first book was published in the early 1970s. Gene Roddenberry, creator of Star Trek, actually accepted submissions of fanfiction scripts DURING THE SHOW’S ORIGINAL RUN, at least according to popular lore. (@dduane, can you check me on this?) Mercedes Lackey—who’s 1980s-and-1990s fantasy royalty—has been asked on Quora about why she “changed her mind about fanfiction” and her response was “I never changed my mind, I just had to talk my publisher into accepting it. I’ve always been okay with it but I had to say no because of my contract.” Sure, Diana Galbaldon was out there comparing fanfiction to rape(????), but even among those who disapproved of fanfiction, Rice’s attitude and actions were extreme. And they persisted into the 2000s, too, with her egging on fans who harassed and sent death threats to a YouTube reviewer who didn’t like one of her books.

AO3 changed ALL of that.

AO3 said “here is our well-researched legal claim that fanfiction is legal, and if someone gives you shit about works you have posted on our website, our lawyers will represent you. You can post safely here. It’s okay. We got your back.”

Even so, the fear about Anne Rice continued. And can you blame people? This woman’s name held the same power in fannish conversations as “Voldemort.” (A moniker by which I’ve actually heard her called.) She all but destroyed the old guard, on purpose.

….and then a new generation of fans happened. A new generation that didn’t remember life before AO3, had never known anyone who literally had to move house to get away from Rice’s minions’ threats and harassment. I know we use “nature is healing” as a joke on this website, but really truly, that’s what happened here. She left charred tree trunks and bushes that were old-school fans and from their ashes tiny little 2010s-fans seedlings began to grow.

The thousand-odd fics you saw in those screenshots (which I feel I should clarify are from before the new show came out—a show that must have her turning in her grave, because she was absolutely adamant that all her vampires were STRAIGHT and if you thought otherwise you were DISGUSTING, and I hope she spins so hard her corpse combusts) are absolutely shocking to us older fans because it’s like staggering out of a nuclear wasteland and spotting a little garden with signs saying “free nuclear-illness medical services” and realizing it’s real. What the fuck, what the fuck, but also, holy shit y’all we’re so proud of you. YES. Keep going. Don’t let the witch get you down.

EDIT: I’ve been informed by someone in the notes that IT ACTUALLY GETS WORSE:

I’m not going to transcribe the whole thing because I’m on mobile and most of it is just bog-standard post notes, but what’s relevant is @theoriginalvelocipastor saying “OP forgot the part where she [Anne Rice] would take ideas from fanfiction.”

Like holy motherFUCKER this woman’s hypocrisy.

[crescencestudio]

๋࣭⭑ Devlog #41 | 5.28.24 ๋࣭⭑

It's hot girl (/gender neutral) summer season

HAPPY MAY!!

Hope you're all doing well <3 We're already getting into summer, which is a little crazy to me. The year is flying by! Before I get into what we actually did this month, it wouldn't be a May devlog without our annual Mermay celebration!

Look at those locks. His Ariel/Rapunzel era fr

Since I already had updated Mermay pieces for the Alaris LIs, I decided to do one for our beloved Van this year ^^ Hope you all like it!

For writing this month, I spent a lot of it catching up on Etza edits. Being totally transparent, I wasn't Completely Happy with their route when their draft was finished. But now that I've started the editing process with Wudgey, I'm really excited to see how their route is shaping up!!! We've been fleshing a lot of little interactions out with their route, and I can already see Etza's character really starting to shine with these edits ^^

I've also been chipping away at Kuna'a's route! While it's nowhere near finished, I'm hopeful that this upcoming month will be the month of Kuna'a now that I don't have a bunch of releases I'm trying to balance. His route is also one of the ones whose outline is more fleshed out (Druk and Etza I would say were the least fleshed out, which might be why they also took a bit longer). So I'd love to see Kuna'a's first draft complete/almost complete by the next devlog!

This month, I had to dust off my art skills tbh LMFAOIJSDF. It's been.... a WHILE since I've made CGs since I've been in the writing and coding dungeon for so long. So most of this month's art updates are me getting tilted from redrawing an ugly sketch over and over.

I DID manage to get the Van Mermay piece out. And I also was able to sketch out Kayn's Tragic End CG; that leaves only one CG that has to be sketched out! Currently, six of their CGs are finished, two need to be rendered, and one needs to be drawn still.

And since Kayn's CGs are mostly done, I've started drawing Fenir's. I was actually able to finish one because I basically Locked In when I made it, so here is a sneak peek!

Kisses his little pink nose

You might notice there's not toooo many updates on this month's devlog. The reason for that is because this month, I spent a lot of it recovering both mentally and physically. April shenanigans and those back-to-back releases took a lot out of me, and after going full speed basically since this year started, I learned I REALLY needed a break. That coupled with the concussion I got made it so that most of this month was focused on recovering and then getting back into the groove of things.

Another thing I tried to focus on this month was finding a balance in my workflow. Going into this month, I felt like I was on the verge of a mental breakdown almost every day, in large part because I have a lot of big things I'm trying to accomplish this year. Between finishing my dissertation, Alaris, and a personal big event that I have to plan, I have a lot on my plate this year, and it's made it easy to get overwhelmed as the months pass by. So I wanted to find a balance between all three that didn't make me feel like I was also falling into insanity. After talking to beloved Wudgey of @herotome fame, I've started adopting a schedule that gives me enough structure and flexibility to feel like I'm making progress without going crazy and getting lost in the sauce.

While it's still early in the process, I'm really happy with the balance I've hit, and I'm feeling much more like myself now compared to a month ago!

I caught up on quite a few things in my backlog this month, which made me happy ^^ I always like to learn from and support other devs, so finally being able to return to that helped with the recovery process <3

I don't have any actual fanart pieces, but there are a couple of games I'd like to highlight!

First of all, of course I must talk about our hot girl (/gender neutral) summer cross-promo. If you haven't checked out these games, I can't recommend them enough!!

Links to each game can be found on the Alaris Game page under the magic and mystery otome section!

Specifically, Save the Villainess, The Good People, and Thorn for the Villain are amazing games if you're into thriller/political games layered with mystery

The Silent Kingdom (which I played recently and is AMAZING) and Dual Chroma (Otojam 2023 ALLY) have added mechanics of RPG for exciting action-adventure fantasy stories

Lost in Limbo, Obscura, and Snow White Ashes are BEAUTIFUL dark fantasy games. I've played all three of these and they have some of the most beautiful writing and visuals... BIG FAN OF ALL OF THEM.

Mask Beyond Lies and Sigh of the Abyss have that epic fantasy adventure appeal to them, in a way that I think is similar to Alaris! And Pearlglow Cafe (another Otojam 2023 ALLY) is a very lighthearted and charming game for those of you who like the comfy vibe that most of my stories have!!

Some other games that I played are Favor (@favorvn) by beloved @concreteparasite which is SOOOOO stylish. If you've played Binary Star Hero by Connie, you can expect that same stylish, dark, sultry vibe from Favor. If you haven't checked out either of those games by Connie, I can't recommend them enough, especially if you like yanderes. There is so much aesthetic and atmosphere to them!

I also played Where Winter Crows Go by @prikarin who is a VERY talented developer (and one I'm sure many are familiar with). I had a lot of fun romancing Crowe and both the MC and him have such strong personalities, it was so fun seeing their dynamic!!!! The CGs were also made by anta, who is the dev behind Thorn for the Villain, and they're BEAUTIFULLLLL. Each one has so much style and rly has a professional look to them. Can't recommend enough if you haven't played already ((heads up that it is another yandere game for those who can't do yandere!))

Okay I've yapped enough. If you've made it this far, you are god's strongest soldier LFMASLDIFJ. See you all next month with hopefully some exciting progress!

[ask-whitepearl-and-steven]

i understand that its cool to receive fanart, but ur really lenient about people who draw these characters thinner than they really are, and as a steven universe blog with art that is really respectful about bigger bodies its really disappointing to see u supporting these people skinnyfying fat characters

Here's the thing about your message:

It assumes everyone drawing bigger characters skinnier is doing so with fully acknowledged malicious intent

It assumes that openly shaming people for it will fix the problem and make them draw fat characters 'properly'

I'm going to be completely honest with you for a moment.

I'm a teacher. I teach kids from ages 8 to about 15 (currently I'm teaching younger grades, but I've worked a lot with the older demographic as well.) So take what I say with the comfort that I at least know a little bit of what I'm talking about.

Why does this matter? Because a lot of the fanart that is gifted to me by this community comes not from adults, but from children. Sometimes, they're teens who have been drawing for a few years! Sometimes they're younger kids who have only recently begun to develop their skills.

Here's the reality - drawing bodies is hard. ANY bodies - skinny ones, fat ones, unusually shaped ones. In order to get good at it, you have to draw them a lot! And in order to draw, you need to find ways to practice. Usually, this happens by the budding artist looking around at other artists and copying them. Or looking at tutorials.

Here's another reality - unfortunately, the majority of art online, the majority of tutorials online, don't touch on drawing larger characters. They simply pretend it's not a thing. Finding references to larger people can take work! Getting started drawing larger people if you only have skinny-people references... is hard!

You know what doesn't make it easier? Getting shamed and told off by another artist for drawing characters 'too skinny'.

I teach English to students who have never learned English before. From 8 year olds to 15 year olds, you know what the one thing that remains constant is? Learning happens best through kindness and positive reinforcement. Not through shame and grabbing the child's attention and smearing it in their mistake like you're punishing a puppy that peed on the floor.

In fact, yelling at people of ANY age about their mistake pretty rarely gets them to stop making that mistake. What ends up happening more often is that they end up hating that activity altogether.

There's a reason I consciously and indiscriminately reblog all sorts of art - all of it has something that the artist excels at. Do all of them have great body proportions that are correct for the character? No. Some art is clearly made by people who are not used to drawing anything except super skinny characters!

But all of them ARE kind enough to read my comic, which I try to fill with body types that are diverse, true to the show itself. And that, in and of itself, is exposing them to art styles that don't have to over-rely on anime or CLAMP-esque noodly kids that look like they just popped out of Wonka's Laffy machine.

So yes, maybe they draw Steven or Rose too skinny. But they're also looking at Rose and Steven and clearly find them adorable, and maybe someday, they'll try something different for a change. It's not my job to rub their nose in the fact that they haven't gotten the chance to experiment yet. It's also not my job to ignore them if they don't have the 'correct' proportions, because like it or not, that's also punishment.

I do make it my job to try to reblog the fanart I see and promote it, because getting positive reinforcement and being encouraged to continue to experiment with art is what will make kids and teens AND adults confident enough to go beyond the socially-accepted weight-limit for MCs.

I know it can feel demoralizing to see a lot of character with your body type erased and made skinny as if that's a 'prettier' version of them. But 90% of the people drawing Steven skinny aren't doing it because they hate you. It's because they haven't been told it's ok to draw characters chubby. Or fat. And the unlearning part of that sort of thing is a process that needs support, not shame.

I don't expect you to be kind if you're hurt by that. You can react any way you want, and anger is a healthy emotion in this case.

But if you want ME to react with malice on your behalf, then I'm afraid I won't. I have another job to do, and that job is teaching with kindness.

[bringinghometherain]

I think the whole "I had to drop my phone...and go to Costa Rica for a while" thing is very likely because Rhys has been almost entirely a comedic side character in his work for like, 25 years. He's been earning his living being funny and awkward in front of a camera, which is a different subdivision of Hollywood from being attractive in front of a camera. He probably, as he got older, settled into that identity just fine. He likes being the funny guy, he feels fine about how he looks, he married a lovely woman and therefore didn't need to fixate on his appeal in the way that people who are dating need to (or feel they need to, rather).

Being Funny as an identity (especially for Rhys's generation of comics) often means you have written off the idea of being considered conventionally attractive. Not because you're not attractive! But because you start being funny when you're a kid to get people to like you, because you're kind of weird and awkward and you have bad skin and don't really fit into your body, and nobody will like you unless you have "being funny" to offer to the group.

Being Funny also means you're probably very good at redirecting conversation away from the parts of yourself you don't want people to see, you're very good at self-deprecating jokes, and you probably feel like you need to earn your space in most situations by Being Funny (ask me how I know). And when you're in your late 40s and quite settled into this identity, becoming an overnight sex symbol and having your social media feeds suddenly flooded with incredibly detailed artistic depictions of you as a sex symbol, I would guess that is extremely hard to wrap one's head around!!! It probably feels uncomfortable at first!! If your relationship with your body is "oh that old thing, don't worry it tells jokes," then having dozens of people drawing you as a tasteful nude has gotta be weird! I get it, and I sympathize. If I had something that big happening to my identity I might also go to Costa Rica for a bit (no I would not, I cannot afford that, I would probably go to Lake Michigan for like a day and call it even).

And as for why Taika and Con have been able to embrace the fanart from the start, well. Leslie Jones has already asked the important question of Taika: "Do you know you fine as hell?" And yeah, he absolutely does. And like he says, he knew it in high school too. And I say this because he went into entertainment, he probably wanted this at least a little bit, like come on. He's funny too, obviously, but he's always been hot, and he knows that. He didn't have to fall back on being funny because he was also Fine As Hell. Before OFMD was even an idea he'd already had all these photoshoots of him being a goofball in one shot and a Brooding Romantic Lead type in another. Dude knew his range well before the first sketch of Blackbeard in fishnets dropped. He was always gonna be fine.

And Con! Con has been a romantic interest several times in his tv/film career, from the very start. He's a side character pretty often, but the man has gotten plenty of feedback that he's attractive enough to be a romantic interest on a screen. Hell, just in 2020 he was a romantic lead on a podcast drama (which was a great story, he's great in it, very fun little horror drama). So while he may not have the same Fine As Hell and Knows It energy Taika has, Con probably came into OFMD more sure of his physical attractiveness than of his comedic acting skills. And when the Izzy fanart started dropping, he probably didn't have much trouble getting excited about it after the initial surprise, because he hadn't written off his physical attractiveness in the way Rhys probably had.

[booksandabeer]

Rant time!

I'm so, so sick and tired of seeing AI "art" everywhere on my dash. There is no escaping it.

The awesome art noveau building front? AI. The gorgeous porcelain flowers? AI. The fluffy mushroom armchairs? AI. The supercute pre-war Steve and Bucky fanart? AI. The beautiful embroidery of blooming flower meadows? AI. The fun lettuce bed? AI. The gasp-worthy stained glass furniture made from "recycled" plastic? You guessed it: Fucking AI!

To be clear, I'm not calling out people who have unknowingly reblogged AI "art"—it's happened to me, too. Several times even. All I'm asking is that people who feel they absolutely have to share their AI "creations" with the world stop pretending and instead clearly label them as such so that others can make an informed decision as to whether or not they want to have them on their blogs. Nobody has time to put in 10 minutes of fucking detective work to ensure the authenticity of an image every time something about it seems even slightly suspicious.

I'm aware that many of the accounts that share things like the above are aesthetic blogs churning out 50 posts a day and they do not give a fuck. I am also not naive enough to believe that all this can be reversed—that we can somehow put AI back in its box. That ship has sailed. It has taken off into space, never to return.

But maybe we can at least stop lying about it? At least in our fan communities?

So. I am directly addressing the people who pass off AI-generated fanart as their own work. Please stop. Have some respect for your fellow fans. Have some respect for the many artists who have spent years teaching themselves to draw, and even more years to improve their skills, to find & perfect their personal styles, and who spend days or even weeks working on their creations. Have some respect for the new artists who are just starting out and who are still struggling and feeling insecure about sharing their work, which may not be technically perfect, but which they have put so much heart and soul into.

Have some respect—maybe at least for yourself—and stop lying.

[art]

Creator Spotlight: @min-play​

I’m Min! I’m an animator and storyboard  rti t who also posts comics and fan art online. So far, I have worked on the Rise of the Teenage Mutant Ninja Turtles and LEGO Monkie Kid. I run on AAA batteries.

Check out our interview with Min below!

How did you get your start in animation and storyboarding?

Fanart! My hyperfixations kept me drawing and posting online since I was around 16. Later I dropped my Computer Science degree to study animation. After graduating, I worked as an In-between Animator, Key Animator, and Storyboard Artist. My fanart of a couple funny skeletons played a big role in getting hired.

What do you wish you knew when you first started out creating content that you know now?

It’s ok to make mistakes. All the flaws in a drawing make it look much more interesting. Also, it’s a lot more fun than spending ages perfecting one line.

Have you ever had an art block? If so, how did you overcome it?

I always get 3 different flavors of art block (that I remember):

Art block from perfectionism

Sometimes there’s this self-enforced pressure that what you make has to be of a certain standard. Gotta loosen up and forgive yourself for not meeting an imaginary quality. Do it for the fun of it. Instead of thinking’ needs to be better,’ think ‘eh good enough lol.’ It’s cool to strive for improvement! Just don’t do it to the point it becomes self-deprecating.

Art block from burnout

Art hibernation! It’s ok to take breaks. Not every waking moment needs to be productive. Treat yourself to something yummy, hang out with people you’re comfortable with, or pick up a new anime series. Take the time to get some well-deserved rest.

Art block while drawing as a full-time job

WELL DANG.

Switch your ‘drive.’ If you’re running off on passion or interest as a motivator for work, that’s great! I do too! But also, it’s finicky. Set up routines for when that high runs out. I have a ‘Do task’ mode where I play a song or a movie I already watched on loop in the background (sometimes for weeks on end). I don’t know why but it helps me concentrate. Last week, it was the movie Cars.

These are personal methods and may not work for everyone, but I hope it helps!

What are 3 things you can’t live without as a creator?

Music + Noise-canceling headphones + Big blanket = Comfort force field

What is a medium that you have always been intrigued by but would never use yourself?

Does blacksmithing count as a medium? I’d like to try it out at least once, though.

How do you want to evolve as a creator?

To connect with other creators more. Especially writers. They are so powerful.

Warm tones or cool tones?

Cool tones! Especially this one particular blend of blue and green.

Who on Tumblr inspires you and why?

So maaaanyy. At the top of my head, though: @northpen​. I am obsessed with their vivid-imagery writing style, and immaculate characterizations. Their character banters always have me in a gigglefit. They have this fic I binged in one sitting and left me crying and empty in a good way.

Thank you for such amazing answers, Min! You can check out more of Min’s creations over at @min-play​!

[george228732]

This is an aftermath of closure. (16/16)

Previous

Ah, finally! The Closure Comic has finally reached its end. Thank you all for reading this comic until well, you know, its closure! Metadede has always been a comfort ship to me, it helped me through hard times of my life, which to this day I am still being affected with. I love this pairing with all my heart, so in Astral Reiteration Fashion, I gave it my own twist!

I must thank everyone that has cared enough to read this until the very end, you are the reason I am still making art today! Metadede may not be your thing, but at the very least, it's something that made me start my path as an artist as a whole!

Now you're legally obligated to draw fanart of this comic, or else we're not friends./j

See you later with more content! :D

[idolomantises]

I think I’m gonna discuss this once and hopefully never have to bring it up again. Originally I wanted to talk about it on Twitter but people are very disrespectful when it comes to mental health so… ¯\_(ツ)_/¯

Basically, I haven’t been doing so great, mentally. Nothing bad has happened to me, I’m safe and surrounded by people I care about, and it’s been like that for months. I just, I haven’t been feeling good.

For people who do follow me on accounts like Twitter and Instagram, you may have noticed I haven’t posted anything new since January. I was struggling to feel motivated to make something for my main accounts despite having countless ideas I’d love to work on. I feel better now and do plan on getting something done in March, but that sudden lack of motivation is pretty rare for me. Art is not only my job but a big hobby for me, I just love drawing. I did get some nsfw art done at least.

I don’t know what really prompted my mental health decline, I’ve been getting a few worried messages and fanart because someone insulted my art. But that didn’t hurt me at all, it actually boosted my account and patreon.

I guess I just… got sad?

I have a really bad tendency to suppress and even ignore my trauma and feelings of guilt. And I guess one day I really sat with my thoughts and I just, lost it I guess. I have so much traumatic memories and sudden and intense feelings of self loathing, something I’ve never felt in almost a decade, that it got overwhelming. I couldn’t reassure myself, I couldn’t really talk to anyone about it because how do you confront things that happened years ago? You feel almost irrational. It’s just memories that haunt you, it’s nothing physical or tangible and yet it’s a crushing feeling of anxiety, self hatred and resentment.

I was crying almost every day, and crying so much that my eyes kept hurting long after I was done, and I could barely see my own screen. I’ve had paranoid thoughts about myself and others, thoughts I can’t get into because they’re so deeply irrational. I was feeling suicidal urges and thoughts of self harm. I don’t see myself doing it, but it’s so frequent and overwhelming it’s like I’m already planning my suicide note.

I was talking to my therapist about it, that I was starting to hate being alive. That I hated living. That I could spend the next 50 years of my life with no more conflict or trauma and I’d still be in intense misery and turmoil. They’re feelings I couldn’t really bring myself to tell friends about because what could they say? How do you calm yourself down and reassure yourself. I can’t even talk about my trauma verbally without crying. And it’s funny because sometimes minor irks started to affect me negatively. I was feeling anxious about what to draw because I didn’t want to do deal with homophobic backlash.

I went to a therapist, I talked to friends, Ive been working out more and eating better, I did everything I should do to improve my mental health and all of a sudden a single night just sitting in my room destroyed everything I was slowly building up over the past 5 years.

It’s been really difficult for me. I think also, I just felt so much guilt over not being the best person I could be. I decided to lessen my online usage, not just for my mental health but because I really wanted to work on being a better person. I want to stop hating myself and letting my trauma push me down and I want to do just be better and do better as a person. A lot of people have been very forgiving and kind to me but I don’t feel like it’s enough and I want to do more and I want to feel better about myself. I want to give everything I can to people around me. I’ve been going to therapy a lot more lately and things are getting better for me, but it’s been a very slow process.

I just want to repeat that nothing serious has happened to me. Nobody attacked me in a way that negatively affected my health. A lot of people, friends and strangers have been really nice to me these past few months. I just was doing a lot of self reflecting and unintentionally forced myself to confront a lot of my trauma. I’m saying trauma a lot. I don’t want to get into depth about what I endured because it’s my business but people who do know me know how bad things were for me. I don’t want to feel like that again. I want to feel better, and I want to do better.

Sorry for the long read. That’s just how I feel.

[twinsarekeepers]

do you genuinely think people who draw/write book annabeth are racist?

This could be a disingenuous ask but okay, I’ll bite and answer honestly.

First of all, “book” Annabeth can be black. That is how I see her and have seen her even before the show casting was announced. A lot of people reading the books now see Annabeth as Leah. Everyone has a different interpretation of Annabeth’s physical characteristics in the books and to try and say “book” Annabeth is synonymous with “white” Annabeth is wrong.

(And no you cannot use the book description or official art as an excuse. Rick is awful with consistent physical descriptions. Multiple characters have changed hair color and eye color throughout the series. The official art has literally been changed twice. The recent book had no physical descriptions of the characters and was literally dedicated to Walker, Leah, and Aryan. Rick has also said that when writing the characters now, he sees those three kids as them. This is not me defending Rick, because he’s still a coward that plays both sides of this, but if you want to say the book character is white then that is simply wrong now. She, at the very least, is ambiguous enough for everyone to choose what she looks like. There is no definitive “book” Annabeth now.)

“Book” Annabeth and “TV” Annabeth are the same character. There are no significant personality or backstory changes between the book and the show character that can justify separating the two of them like that. The only reason people are separating them is because they want to hold onto to the white version of the character. (I know there’s going to be stupid people with no media literacy who don’t know how adaptations work in my mentions “explaining” the differences, but no. The show has done a very good job at taking the character on the page and finding ways that are suitable for the screen to depict the same characteristics).

Before y’all say that people do this with TV Percy and book Percy too: it did not start that way. “Book” and “TV” Annabeth began when the show was in production, before anyone could even see how the show would handle Annabeth’s character. When some of us pointed that out, people started trying to separate “book” Percy and “TV” Percy. It was literally a tactic to hide their racist intentions. (And again, there are not enough differences between the book and tv show character to justify this separation, especially when this started happening BEFORE the show even released to the public).

So that’s a little context to how this separation even started. I know what y’all are going to say. “But just because it started as racist, doesn’t mean it’s racist now!” And to that I say, sure, but that’s not the case here.

White Annabeth fanart has been consistently used to hate on Leah, a real girl. We all know how much Leah has been getting harassed and bullied for her role as Annabeth and when her casting was announced, people used fanart to discredit her. Artists who continued to draw white Annabeth refused to monitor their comments and they were filled with people hating on Leah’s casting. Not only that, but artists who started drawing Annabeth as black would get hateful messages and comments as well. Accounts were going as far to take fanart of Leah’s Annabeth and whitewashing it (and then putting it in the leahisourannabeth tag). This is still happening today. You can find comments under fanart of Walker and Leah’s percabeth saying “I prefer the originals” or “the originals are better”. That’s very obviously racism.

For this reason, we started saying to stop drawing and writing white Annabeth. It’s being used in a direct and tangible way to harass a real young girl. If enough people in the fandom refuse to engage with white Annabeth then the hate will significantly decrease. There are the obvious excuses to this: “people will be racist no matter what so what’s the point of even trying?” That’s not true. Racists are cowards, especially people who harass children. They are emboldened only by others. If they see people continuing to support the separation between the book and show characters, and drawing white Annabeth fanart, they’re going to DO racist things like get Leah’s account banned on tiktok.

And this is where the active racism occurs. People know that this harassment is happening and that the fanart that they produce is going to be used to harass Leah. Instead of deciding that they’ll do their part to lessen that harassment, no matter how small that is, they decide that engaging with white Annabeth fanart is more important. They can say that they condemn what’s happening to Leah and that it’s not their responsibility what people do with their fanart, but that still makes the action racist.

Y’all say that you condemn what’s happening to Leah, but then when given the tools to help lessen it, you refuse to do it. All because you want to hold on to a white version of a character. You spend more time defending that choice than going into your own mentions and deleting any and every comment that may become hostile to the kids, especially Leah. That is racism.

[ryuichirou]

Replies

But also some news!

First of all, I wanted to remind you that my pricelist will be updated by the end of the week, so please feel free to message me if you want to take a slot to commission me with my current prices!

Second of all, we got our twitter account back! We ended up deleting that one post that twitter didn’t like (yes, the one that doesn’t have anything explicit or any nudity on it), which obviously sucks, but at least now we can jump back to posting more or less regularly.

And now that this situation is over, I can say about the thing that honestly tickled me: the last person who wrote a callout post on me right before our acc got locked (=the person who very likely caused the massreporting in the first place) got accused of grooming a 13 y.o. and had their account terminated the very next day. What a great illustration of how the fandom climate works, right? Hilarious.

Alright, replies replies. Some about Fellow and Gidel, some about Rook, Idia, a little bit of Lilia and some miscellaneous asks.

Anonymous asked:

wait, Fellow is it a good idea for Gidel to write?? Isn't he illiterate?? (I might be wrong on the writing part, but I'm pretty sure Gidel is said to be unable to speak because he didn't get an education :(, r.i.p to the poor boy)

But look at it, Anon! He clearly writes, and like a typical doctor as well! A highly educated man!

(Yeah, Gidel doesn’t know how to write lol I am not sure if Fellow is super literate either… just like the characters they are inspired by lol)

Anonymous asked:

I want to bite Idia’s thighs but I also want to nibble Lilia’s legs courtesy of your pic of him in those delicious Playful Land tights 😩

(this is about a sketch from ko-fi)

They really are nibbleable… nibbable… one would want to nib on them. And Lilia knows that :(

Thank you <3

irregardlessly-tish asked:

Since you started posting Fellow art I said to myself "I guess I'm watching that event now so I can look at the art and think yeah, he would totally get gang banged by them" lol

Tish! You’re great as always lol I hope you enjoy it as much as we did.

Fellow is so breedable it’s insane. I can’t help it.

unofficialwheatdog asked:

I'm gonna snatch Fellow away from everyone

Like that my husband, he fluffiness mine and mine alone

Mwah mwah to Fellow I wove him and the way you draw him

he's too good for them but ruined enough for me(lol me in my possessive era)

Omg real possessive era lol I get it, he really is fluffy to the point of leaving one speechless. But please understand, these boys can’t hold back at all… :( Be kinder them, they can’t help it!

I’m glad you love how I draw him <3

Anonymous asked:

Curious, u do non con/ rape art?

Pls tag if yes, I wanna see

I do, but I also don’t remember any recent noncon piece to tag anything lol I am definitely not opposed to it, and a lot of our nsfw pieces have at least dub-con vibes. I guess that one general!Lilia/Idia piece comes to mind first! And octopus!Azul/Idia that I drew for the same zine…

Maybe it would be easier to look through my pixiv logs; all the nsfw pieces are usually closer to the end of the log.

Anonymous asked:

You know I never had interest in drawing nsfw, I started a fanart blog with the intent of just making cute/cool sfw pieces maybe some ship stuff. However I am sick and tired of watching the twst fandom affect the mental health of my friends. And I know at least one of my ships will be threatened even if they just hold hands.

So here’s my plan: if I start receiving hate I will make an announcement: if I reach a particular milestone of hate I will learn to draw nsfw. I will make them kiss harder. Harass me and I will become worse.

Fr tho I want to be the brave idiot in the hope that others won’t feel alone.

Sorry for the late reply! Anon, you are already brave lol I like your plan. Become worse to spite them! And to support everyone who is harassed. And to have fun of course.

I wish you and your friends and anyone else didn’t have to worry about being harassed because of your ships. So please, take care of yourself, but also? Fuck them; draw and post whatever you want to make yourself and your friends happier and enjoy the fandom experience that you and your friends create.

Anonymous asked:

"something's missing..." might be your shirt rook, idk tho 🤔

(this is about this drawing)

Oh no, he forgot his shirt again. And no one at Savanaclaw is brave enough to tell him.

Anonymous asked:

 I remember that Savannaclaw Rook only cut his hair with a knife, soooo, yeah. How do you think first year Rook would respond to first year Idia and vice versa?

Honestly it looks like it lol He and Lilia have something in common…

We love first year Rook with first year Idia so much, Anon, you have no idea! And Rook/Idia in general, this is one of the things that I really want to draw properly at least once. For now we only have sketches…

But to answer your question! I like to think that Rook was very intrigued by Idia right away; of course Idia isn’t a beastman, but he is not only super bright and shiny-looking (unusual! Interesting!), but also is a very rare pokemon to see. It’s very easy to picture Rook getting excited and charmed by him, maybe he even had a period of a little obsession~ But of course none of this is in any way returned by Idia; to him being suddenly surrounded by so many loud and annoying people his age is already stressful enough, but Rook is somehow worse than all of them combined. He hates everyone from Savanaclaw, but they’re usually just rude jerks, but Rook? If only he was a rude jerk…

Anonymous asked:

Chen’ya, are you flashing people on purpose? What are you gonna do if someone likes it?

(related to this post)

Knowing Che’nya, he’ll probably disappear lol Never let them guess your next move. They liked it? Too bad. They didn’t like it? Oh too bad… >:3

Sometimes he is in a flirty mood though~

Anonymous asked:

I’m surprised Lilia doesn’t also spank Idia to punish him

He really should, and his spanks wouldn’t be as murderous as Azul’s! Idia is going to receive punishment AND survive!

I can picture Lilia stopping mid-spank with the realisation though: oh right, this isn’t his kid, this is Idia…

Anonymous asked:

(tw: self-harm)

this might be a bit dark but i’m curious: do you think idia self-harms? every now and then, i see ppl draw him with SH scars. i’ve never been able to decide if it feels like him or not. punishing himself, hating himself, wanting to control this one aspect of his life bc he can’t control anything else sound like idia, but also, being too resigned, lazy, or phobic of pain also sound like idia… little nutjob he is 😒 thoughts?

This is such a good question, Anon. It’s honestly still kind of easy to imagine him doing that. He punishes himself constantly, and while I don’t think this is necessarily about control, this absolutely could be about wanting to make himself feel even worse or to distract himself from the other kind of deep pain he’s feeling. Since we’re talking about a character here, as an artist I can also add that seeing him this way could be aesthetically pleasing, there are some very good artworks with this theme.

That being said, we usually tend to think that Idia wouldn’t do that. I agree that Idia being phobic of pain sounds very like him, but also? He is very detached from the physical side of things in general, I think. He would rather torment himself mentally.

Another reason for Idia and selfharm not really working in our heads is that I don’t think Ortho would let him. He is very sensitive to changes in his health condition after all.