#especially bc I know nothing about it

[djarinslover]

Ya know I knew something would happen to Henry and Sam but I really wasn’t expecting Sam to get infected and Henry to kill himself. That fucking hurt, seeing how devastated and in shock Henry was. And seeing the friendship between Ellie and Sam grow hurt. I have some words, HBO

[ruporas]

in a mood (ID in alt)

[redliferiot]

grian pearl and scott: none of us chose or even truly desired to win, rather, victory was thrust upon us like the cloak of destiny that we all don. victory was unwelcome and in some cases unexpected, it could've been anyone but it was us martyn: i murdered cause i wanted to win and i won cause i wanted to murder

[the-witch-of-woods-beyond]

“if you go, i’ll stay, you come back, i’ll be right here” but it’s clarke griffin giving her life so that bellamy blake and all her friends could make it to space, surviving through sheer will, and calling him on a radio every single day for six years until he could return to her and the home she built for them all.

[driftingballoons]

Some creatures are more difficult to perceive than others

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[ganondoodle]

i often really do feel like an .. unwanted part of the fandom, i dont draw beautiful landscapes, i have unpopular but strong opinions im constantly annoying about and rarely change, dont like/dont draw the pretty young popular twinks and hot gurls to fanboi over nor do i turn characters into one, the opposite moreso, draw only one ship no ones heard of really, got little energy to interact with the few people that are nice to me and send me asks so it probably looks like im ignoring everyone and unfortunately but still rarely get so stressed i get overwhelmed and emotional about pehaps seemingly minor things and spiral almost into a breakdown feeling super embarrassed about it afterwards but the damage is already done and i look like a freak or agressive weirdo

[luck-of-the-drawings]

EPISODE 2 AND 3 HAVE BEEN SOOOO FUN im already so emotionally attached to each of these characters.. if anything bad ever happens to any of them im killing everyone and then everyone.

[puhpandas]

I think the reason beckory works well is that tony has a habit of getting self righteous and in his own head about things but Gregory isnt afraid to tell him off or call him out about things. the point of tony in ggy is that nobody ever told him that how hes treating other people isnt good, so that's why he got so bad. but tony would be close to Gregory and have every rational reason in the world to listen to Gregory so when he would say something like "you're treating ellis badly and that's not what a good friend does, you need to do better" hed actually listen and take it into account and improve himself

[saturngalore]

are people assuming those that are against inzoi….are defending for ea???? girl fuck ea this is about ai 😭 like if paralives and sims 5 also came with ai, i will be shitting on them like wtf?

[daylighteclipsed]

actually it’s kinda funny how KH1 ends with Riku telling Sora to take care of Kairi and then Sora completely does not do that and searches for Riku refusing to go home at all without him

[nyxronomicon]

ugh please someone restrain me I'm thinking about yandere stepcest with Sunday...

[puppyeared]

Atla live action 😐

[butchladymaria]

Immortality, Motherhood, and Pain: A Closer Look at Annalise and the Doll

Finally revisiting this from ages ago, because the parallels between these two are just SO fascinating. Content warnings for discussions of misogyny, genocide, abuse, and pregnancy/childbirth.

This analysis will cover the parallels between Miss Doll and Queen Annalise through the lenses of the misery of immortality, the trauma of marginalization, and the liberation they find in motherhood. Both the Doll and Annalise are undying, both coded as mother figures, both marked by death, and both very, very alone.

Miss doll and Annalise are the only characters in the whole game who are undying. You can kill them, but not meaningfully - not in any way that matters - and they seem to know it. Neither will try to stop you, nor will they fight back, should you choose to attack them. They will come back, and your violent betrayal will have seemingly meant nothing to them. They both are very aware they will outlast whatever violence you may inflict upon them. It's evidenced in their dialogue:

If you attack, Annalise says:

“Enough. If only Our life was so easily forfeit… Grieve not, for Us.” “How sad this is. If only Our life was so easily forfeit…”

If you attack Miss Doll, she used to say:

“I must have displeased you. Go on, shut me down… Even so, this vessel will remain in your service… So have no fear."

I think this point of comparison highlights just how deeply they've both been desensitized to violence and abuse. They do not beg for mercy, they do not put up a struggle - they only remark on it with distant chagrin. They both seem keenly aware that their flesh need not be in one piece to fulfill its purpose.

But where Miss Doll was made to embody the Victorian patriarchal ideal of womanhood, Annalise wields womanhood as her last weapon against the dehumanization of the church’s genocide through her queendom. Upon being resurrected the next time you return to the dream, Miss Doll will act as though nothing had happened at all. However, if you bring her flesh to the Altar of Despair, Annalise will call you an arrant fool, and remind you that “Vileblood or no, forget not; We are thy Queen”. Miss Doll kneels to serve the hunter, while the hunter must kneel to serve Annalise. Miss Doll has been conditioned to passively accept dehumanization and submission, yet Annalise demands respect through your submission even in her dehumanized state. Miss Doll is subjugated by the trappings of womanhood, while Annalise is lifted from subjugation by her womanhood, in some ways.

I find this fascinating, however, because while Miss Doll appears in every way as a pure, demure Victorian woman was meant to, they are also dehumanized through the denial of gender. To Gerhman, their creator, they are nothing more than another tool of the workshop. An object. Even the Doll themself uses neutral "I" pronouns to refer to themself in the original translation. I think it is pertinent to note that the only canonical reference to Miss Doll as a "woman" comes from Eileen. In the original Japanese text, she refers to the Doll with a term of endearment reserved for young girls. Miss Doll's appearance is the historical ideal of the subjugated woman - yet when Eileen confers upon her the status of "woman", she does so in an endearing and humanizing way. Therefore, for both Miss Doll and Queen Annalise, the status of womanhood is a rebuttal of their own dehumanizing subjugation: Annalise as "queen", and Miss Doll as "daughter".

Both characters are arguably seeking/find liberation through motherhood. Miss Doll gets "Childhood's Beginning": their creator and animator have both been put down, the hunt is finally over and they are no longer bound to serve its participants, nor must they watch their beheadings. They cradle the newly ascended hunter. It is a highly atypical “motherhood”. It exists in the performance of the role rather than the biology of childbirth. In the same way, the Doll possesses a highly atypical “womanhood” which exists in performance alone, rather than in biology or even identity — but nonetheless, it is real, and it is hers. I, perhaps too optimistically, choose read it as humanizing for them; because unlike their “womanhood”, Miss Doll is allowed to choose this for themself rather than having it imposed upon them.

In the same vein, Annalise seeks to birth a child of blood for a similar but perhaps more somber reason. She wants a child because she wants an heir — which is to say, because it is the only way she may once again have kin. Because it is the only way she may fulfill her duty as Queen. She witnessed everyone she ever knew or loved — surely her own family included — slaughtered before her eyes. Annalise seems to seek motherhood in order to be a homemaker - in the most literal sense possible. She wants to rebuild the community, the home, which was so brutally torn away from her. She wishes to restore honor to Cainhurst. For Annalise, having a child is an open act of rebellion against the genocidal eugenics-frenzied bloodthirst of the Church. I can't help but wonder if part of the reason Alfred is so hellbet on destroying her, why the Executioners imprisoned her the way they did, was to strip her of bodily autonomy so she couldn’t “reproduce”. Her desire for a child is her way of seeking liberation for her and her people.

In this sense, taking up the role of a mother, of "women's work", is what confers the agency upon both Annalise and Miss Doll which had been otherwise stripped from them. Annalise's by the genocidal eugenics of the Church, and Miss Doll by the pact of servitude she was seemingly born into.

[agirlinthegalaxy]

It's been rolling around in my brain the last few days for some reason, but I still hate the family backstory reveals for Sophie and Eliot. I've seen some of the meta for it, but quite frankly, it still makes no sense. If it had been something actually thought of and intentional in the original, I think it could have been so fascinating. I mean, Sophie's willing abandonment of Astrid to contrast with Nate's loss of Sam or Eliot's adoption in contrast with Hardison's and Parker's? Could have been excellent! But they came out of nowhere in Redemption and don't work with these characters.

Sophie was still actively using the fucking alias that she met Astrid under! She met with someone from her past on the show! Like. Quite frankly, that one is unequivocally bullshit that they made up and threw in and pretended could fit with the established canon. (And I'm sorry, but the idea of Sophie abandoning Astrid and never telling Nate about her just... So much of Nate's trauma was rooted in the loss of Sam, and I think that introducing this element after he's gone and unable to respond to it taints Sophie and Nate's relationship in a way bc I'm not exactly sure how Nate would've responded to learning about this but I think that it's something he'd have needed to know. I don't know how to fully express my thoughts on that but yeah.)

As for Eliot, I don't like the adoption aspect literally at all. The way that he would interact with his family and the memory of his family would be different, and I think that it's flat out ridiculous to think that he'd have never mentioned it to the team in the original show, especially when dealing with the kid cases. (I also dislike the biracial adoption as its own element because if Eliot was actually raised by Black parents in the... idk what 80s/90s? That just. doesn't feel congruent with how they write Eliot interacting with PoC, not necessarily in a bad way, but babe, he's written like a white southern man raised in a specific kind of culture that does not jell with that. It also makes Eliot look... really bad that he was apparently raised with the knowledge of how fucked up the military was and his parents' history and made the choices that he did.) Like the show may not have explicitly stated it but the implication of that relationship was vastly fucking different throughout the original show.

Just. These were not backstories that were congruent with their depiction and characters in the original show, and they're also just moves that I don't particularly like or find interesting directions for those characters. There's also something to be said about how it was apparently unacceptable for a woman to not have kids or someone not reconciling with their biological family when that was something that the original show handled a lot better. Out of all the directions to take Sophie and Eliot's stories, that's just not really one that I think was a good idea.

[hamartia-grander]

Starting to slowly realise I'm really not doing well mentally and it's. concerning. I feel like I should take a break from tumblr bc it takes some of what little energy I have but it's also my source of joy with friends so idk what to do, like I'd miss y'all more than I'd feel good about being away. But if you notice me talking less/not responding in days it's bc I just cannot. I leave your message notifs up so I don't forget tho <3