#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil

[puppyeared]

Atla live action 😐

[quentyl]

What does ATLA tell us about Ursa?

For context, originally this started as a response to an ask. I felt like I couldn’t answer properly without going over Ursa’s portrayal in the show first, ergo this very long post. I’ll answer the actual question later.

Ursa only appears in one episode of the show (not counting Azula’s hallucination), has about a dozen lines, and apart from that is mentioned just a very few times. That’s not much, but there’s still a lot we can infer from that limited screen time.

Without further ado, let’s talk about Ursa as a mother first:

In her first scene, she’s sitting with Zuko on the ground and feeding turtle-ducks, giving off an aura of tranquility, relaxation and effortless grace. Even contentment. This is how the show chose to introduce her to the viewer: as someone who can laugh with her kid, be affectionate, and enjoy a peaceful moment.

Of course, she’s not just affectionate and sweet in this scene, she’s also protective. She says it plainly: “Zuko, that's what moms are like. If you mess with their babies, they're gonna bite you back.” At that moment, she was just joking with Zuko, but it foreshadows what she’s going to do a few days later, when the Fire Lord himself tries to mess with her baby: she bites back like a true mother. Ozai said that she did “vicious, treasonous things” that night. She herself, just before her disappearance, basically admits to having done terrible things, and she can’t leave without telling Zuko why, she needs him to know: “Everything I've done, I've done to protect you.” It’s interesting to note the plural here (“vicious things���, “everything”). So, though we aren’t shown anything directly, the show still seems to insist on the fact that Ursa got her hands dirty to save Zuko, that she killed Azulon herself and actually might have had to do other unpleasant things to accomplish that. So in spite of the lightness that seems to emanate from her at first, there is a dark side to Ursa.

Wrt Azulon and Ursa’s personality, there is another moment that is telling: when Zuko fails his demonstration before the Fire Lord, she does not hesitate to go over to comfort him, acting as if they are alone in the room. As if the most powerful man in the world isn’t watching, as if this isn’t a formal audience, as if she isn’t wasting the time of the Fire Lord. She tells Zuko that she loved watching him, as if it wasn’t Azulon’s opinion that mattered. She just throws propriety and caution through the window, Zuko’s hurt feelings eclipsing everything else in her mind, and forgets to give a fuck about her lord’s opinion (or her husband’s for that matter).

Ursa is also presented as her children’s primary authority figure, the one who’s charged with watching over them, giving them news, and preparing them for surprise meetings. But more than just an authority figure, she’s presented as the main good influence in their life, the one who teaches them about right and wrong. She makes Zuko play with Azula because she thinks they should bond as siblings (from the way Azula manipulates her using this, we can assume it’s a point Ursa has stressed as important in the past). She teaches Zuko to see things from others’ point of views (the mom turtleduck), she admonishes Azula without losing patience when her daughter shows lack of consideration for her uncle’s life, she reprimands her more strongly when she’s being deliberately insolent.

To summarize the above points: Ursa in the flashbacks is (almost) portrayed as the ideal parent: gracious, affectionate, playful, comforting, fiercely protective, authoritative, respectable, and the person who provides moral guidance to her children.

Ok but what about “our mom liked Zuko more than me” and “my own mother thought I was a monster” and “even you fear me”? Well, first things first, these are Azula’s thoughts, years after her mother abandoned her in order to protect her brother. While we have to respect her feelings, they do not necessarily match who the real Ursa was and thought. In particular, I think the Ursa we saw in the flashbacks didn’t seem to think of her daughter as a monster, or to be afraid of her at all - or she wouldn’t have forced Zuko to play with her (she does wonder “what is wrong with that child” but that’s in reaction to Azula making a deliberately provocative and ominous comment: she’d been acting borderline treasonous and kinda worryingly obsessed with the succession). Personally, I think that it’s more likely Azula who sees herself as a monster, not Ursa, and she projected that unto her mother because Ursa was the one who taught her how to distinguish between right and wrong and she believes that her mother wouldn’t have approved of the person she chose (and keeps choosing) to be.

That said, Zuko absolutely may have been Ursa’s favorite (studies found that most parents have one). Zuko himself doesn’t argue the point with his sister, and Ursa’s character description on the old Avatar website supports this (Zuko is flat-out described as “her favorite child”). Note that this doesn’t necessarily translate into Azula being treated unfairly by her mother. All we know for sure is that 14 years old Azula feels her mother liked Zuko more and that this thought hurts her deeply (personally, I tend to think that it hurts Azula more as a teenager than as a child, because it ties into her teenage self's deep well of anxiety about being unlovable in general - a “monster”).

The rest under the cut.

Now that I’ve gone over how she was portrayed as a mother, I think it’s time to delve into her and her husband’s dynamic, and how it fits into her relationship with their kids:

(Disclaimer: note that Ozai and Ursa never interact during the flashbacks, so to know more about their relationship we have to read the subtext - and since it is subtext and not text, basically everything below is technically just my interpretation, and at best I can only argue that it is the most fitting interpretation.)

Let’s go back a moment to “What is wrong with that child?”: Ursa sounds genuinely puzzled here. But she shouldn’t be puzzled, she should be alarmed. “Fire Lord Azulon. Can't you just call him ‘Grandfather’? He's not exactly the powerful Fire Lord he used to be. Someone will probably end up taking his place soon.” - this isn’t just Azula being insolent and stanning her dad, like her earlier comments. Ursa should have taken the second part, “someone will probably end up taking his place soon”, as a warning. But she doesn’t (at least not at that moment). She just silences Azula and doesn’t immediately think “oh shit my husband is planning something” or even “what kind of fuckery has my husband been discussing in our daughter’s earshot”. Instead her reaction shows that she is kinda clueless about what’s going on. She seems to think the issue is just Azula being a weird child, and doesn’t immediately link her words to Ozai. So what we can infer from that is that Ursa, before that day, wasn’t very... aware of Ozai’s ambitions. At best, she knew he’d like to be Fire Lord without realizing that he actually does intend to do something about it - sorta like just because you know someone is jealous of their sibling’s sport car you don’t suspect they’re gonna kill them to steal it. The idea of Ozai attempting to take the throne is just not on her mind like it is for us, the viewers, when we’re listening to Azula talk about how her dad’s glory days are coming.

Note that Ursa is not the only one who didn’t expect such a move from Ozai. Azulon is furious and surprised at Ozai’s impudent request.

This disconnect between Ozai’s ambitions and Ursa’s simple enjoyment of life is also shown through her relationship with his older brother: it’s clear from the little we see of them that Ursa and Iroh get along very well. Ursa seems very fond of him: she’s happy to read his letter, laughs at his joke, admonishes Azula for her callousness regarding him (“it would be awful if Uncle Iroh didn’t return”), and is genuinely heartbroken for him when she learns of Lu Ten’s death (”Iroh has lost his son”). These scenes are telling us that Ursa isn’t in on Ozai’s plans, and wouldn’t support him if she knew of them.

But Azula supports him, wholeheartedly. Azula wants her dad to be Fire Lord because clearly he deserves it. There’s something a little unsettling about the fact that Ozai’s little girl knows what’s in Ozai’s heart and what’s on his mind, his dark designs, but his own wife doesn’t. Was she spying on him (we see her do just that at least once) or did he just take her into his confidence (also very likely, it looks like they do spend time together without their other family members)? Whichever way she came by her information, it immediately creates a chasm between mother and daughter - because suddenly they’re not on the same side anymore, politically. And the worst thing is, Ursa isn’t even aware of that chasm - or at least, she doesn’t seem to understand its importance yet (even though Azula tries to tell her).

To go back to Ozai and Ursa, by the time of the flashbacks not only are they not on the same page politically, they’re also not aligned on the matter of parenting. Ursa admonishes Azula for words that could have come directly from Ozai’s mouth, were he honest. They also don’t react in the same way at all to Zuko’s fumblings: while Ursa is just sorry that he feels bad and is proud of his tenacity, Ozai is unhappy about him even attempting a demonstration. So however their arranged marriage started, they failed to become a unit on the two most important fronts of that contract.

But note that while Ursa makes a show of comforting Zuko, Ozai’s disapproval is actually subtle - the viewers see it because the camera makes a point to focus on it. I don’t think Ozai was full-on abusive toward Zuko yet at this point, when Ursa was still in the picture. Copy-pasting from a previous meta: “In these flashbacks, Zuko didn’t seem scared of his father yet. He wasn’t afraid to perform before him, to cry and lament his failures before him, or to be comforted by Ursa before him. He didn’t seem overly worried to have embarrassed him in front of Azulon himself. He wasn’t afraid to demand answers from him after Ursa’s disappearance.” So it is very possible that Ursa wasn’t very aware of the depth of his disdain for their son, just like she wasn’t very aware of how intensely (terribly) he desired his father’s throne. Before that fateful day, it seems Ozai kept the monster inside himself hidden.

So what happened between them the night of Ursa’s disappearance? One thing that is really important to note, I think, is that Ozai was ready for a takeover before Ursa decided to do anything. Not only does Azula basically spell it out before Ozai even makes his request to Azulon (he did not intend to wait patiently for his father to die of old age, he intended to replace him “soon”), we see after the fact that he has at least the head Fire sage in his pocket (“As was your dying wish you are now succeeded by your second son” - that was most certainly not Azulon’s dying wish). When telling the story to Zuko, Ozai rejects the whole thing on Ursa, saying she was the one to propose a plan - but the flashbacks imply he had one himself beforehand whether it involved her or not.

Ursa somehow found a way to get to Azulon in the middle of the night. How did she even have access to his chambers? Did she kill the guards too? Is she a secret ninja or did she somehow trick them?

Even though Ozai was in on Ursa’s plan (by his own admission), he still banished her for it. Now he didn’t do that to save face, since the official story is that Azulon died of natural causes (it’s actually less suspicious if his wife doesn’t disappear on the same day). It could be a weird thing like Ozai actually did feel some love/attachment for his father, or respect for his position as Fire Lord, and felt he was somehow duty-bound to punish her for his murder even if he himself incited her to commit it (maybe he let her do the dirty work so that he can still feel like he himself is clean?). Or he banished her to silence her or keep her from assassinating him next (the justification he gave in the comics).

But then, whatever his reasons for banishing her, the question becomes why didn’t he kill her instead? He did not spare her to avoid bad press or some form of retribution, since as far as the public eye is concerned him killing her and then making her body disappear would look exactly the same as what he eventually did. Ultimately, she’s much less of a hazard dead than alive somewhere out of his control. At the very least, he could have kept her prisoner. So, unless there’s some other variables we’re not aware of, I can think of two explanations. The first is that after she left Zuko’s room that night, Ozai did actually kill her (or attempted to and she somehow managed to escape) and just lied to Zuko during the Eclipse - though I’m not sure why he would lie in that particular context. The second explanation - brace yourselves! - is that Ozai let her go because back then he still had ~feelings~ and couldn’t quite bring himself to kill her.

Subtext does, in fact, support the idea that Ozai did once feel something for Ursa, whether this is the reason he spared her or not. In animation everything is a choice. The people who made Zuko Alone decided that on the morning of his triumph - his father’s death and his impending ascension to the throne - Ozai wasn’t celebrating or plotting. He was brooding while thinking of his wife, just standing still at a spot where we know she used to spend some time (she’s sitting there when she receives news of Lu Ten’s death). Even if he wasn’t sad, at the very least he was contemplating what he lost in order to get what he wanted. Which means that there was something to lose there, that he could have chosen another life, but did not. The writers could have elected to show him pretending to be mourning his late father, or plotting, or preparing for his coronation, or not to show him at all, but they didn’t. This is a characterization choice.

So I know this is controversial but I do believe Ozai chose power over love (the opposite of Aang in The Guru). It’s also hinted at via Zuko’s idyllic memories of his childhood - of their family vacations on Ember Island. At one point, Ozai was willing to devote some effort to being a husband and a father, enough to take his family to his summer house and give Zuko a few happy memories with his father - the memories that he desperately clings to years later.

It could also maybe tie back to “what is wrong with that child?” i.e. Ursa not immediately recognizing that her husband was the problem. Maybe Ursa was unable to see how far he’d fallen because she remembered the person he used to be at the beginning of their marriage, and maybe this is also why she accepted to leave her children in his power and didn’t even warn Zuko about him or anything. The last thing she ever says to Zuko before leaving forever is “no matter how things may seem to change, never forget who you are” - she might be telling her son not to turn out like his father, if she feels like Ozai forgot who he was. These are all just possibilities though.

So I think that’s about it: what I can infer from the show about Ursa’s relationship with her husband and children. Before I conclude this post though, I also want to talk a little about Ursa’s family before her marriage, because I find this fascinating:

Ursa supports the war effort. I don’t think you can find a joke about burning Ba Sing Se to the ground funny unless you’re fully on-board with the Fire Nation’s imperialism. The writers didn’t have to show us this tidbit - it’s irrelevant to the rest of the episode - but they made a point of including it. It becomes even more interesting after we learn that Ursa descends from Roku and that Zuko didn’t know it. You don’t just forget to mention to your kids that they’re the Avatar’s great-grandchildren - this information was deliberately kept a secret. So there can be several possibilities:

Ursa wasn’t raised by Roku’s family i.e. she was raised by her other parent’s family, or she grew up in an orphanage, or she was adopted by some other folks. In this case, she might not feel any connection to Roku, if she even knows he’s her grandfather (Iroh knew but I don’t think this means we can irrevocably assume Ursa did too).

Ursa was raised by her family to support the war in spite of Roku’s position: this means that either Roku’s entire family basically disowned him and sided with Sozin, at least in appearance, or the family was divided in two with only one part rebelling against the throne.

Ursa was raised to support Roku, but she made up her own mind and decided she didn’t like being taught to hate her nation and Sozin was right, in spite of her family’s opinion.

Whatever the case, Ursa eventually just disappeared and no one seems to have made a fuss. So she either didn’t have any family left at that point, or she did but they were so alienated that they didn’t care, or she did but they were too utterly powerless to even demand an explanation.

[orangepanic]

Smoke, Explained

@alishatheninth writes: Smoke? 1: What inspired you to write the fic this way? I’ve been interested in writing an Equalist Asami story for a while. I think she had a lot of reasons to join the movement, and I wanted to see if I could play that out credibly. Asami is amazingly well-adjusted in the show given her traumatic backstory. But what if she… well, what if she wasn’t?

2: What scene did you first put down? I almost always start at the beginning. So, Asami beating the shit out of Iroh.

3: What’s your favorite line of narration? For some reason I love the idea that little kid Iroh wanted to adopt a feral dog, and that even at age seven he was comparing it to naval hardware. “It was thin, far too thin, but had the build of an animal that, when properly cared for, would be strong and heavily muscled. Iroh thought it was magnificent, all solid and sleek like a furry torpedo, but when he slowly put his hand out the dog lunged forward, snapping.”

4: What’s your favorite line of dialogue? It’s internal dialog, but I’m counting it. “Yes, you psychotic se tu United Forces wannabe.” I consider it a deep cut because you have to know what a se tu is and what the Lieutenant looks like. And then it’s really damned funny.

5: What part was hardest to write? Probably the most recent chapter where Iroh decides not to escape yet. Trying to figure out why he wouldn’t leave and make that feel authentic was a challenge.

6: What makes this fic special or different from all your other fics? It’s one of the hardest relationships I’ve written. How can you fall in love with the enemy, especially an enemy who has physically hurt you? I’m still not entirely sure I’ll pull it off, but it’s fun to try.

7: Where did the title come from? “Smoke” is a Ben Folds song. It’s probably about getting over a relationship, but the lyrics all work for forgetting the past and moving on, which is also what you’d need to build a relationship with someone who hurt you. It also worked for the idea of something smoldering, and for loss of fire/firebending.

8: Did any real people or events inspire any part of it? HT to the writers of other great Equalist fics (mostly @alishatheninth!).

9: Were there any alternate versions of this fic? There were versions in my head where Iroh kills both Hiroshi Sato and Amon, and about half a chapter I actually wrote where Iroh joins the Equalists for a few weeks as a sort of prisoner at liberty. They didn’t wind up fitting the story.

10: Why did you choose this pairing for this particular story? So, you see, I’ve got this OTP…

11: What do you like best about this fic? Maybe this is giving myself too much credit, but I think the extreme circumstances strips both the main characters down to their essences. Iroh’s detatched pragmatic veneer falls away and you see that, when push comes to shove, he really hates hurting people even if it makes a situation more dangerous, and his curiosity often gets the better of him. Asami completely loses it and starts screaming about how everyone lies to her, and you see how deeply hurt and scarred she is by her upbringing and where it led her.

12: What do you like least about this fic? Sometimes I think it’s a little contrived.

13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading? Besides the above Ben Folds song, I’d try something like “The Kill” by 30 Seconds to Mars or even “The Quiet Things that No One Ever Knows” by Brand New - less for the lyrics and more for the raw emotion in the singing. This is a visceral screaming fic.

14: Is there anything you wanted readers to learn from reading this fic? I can write dark stories? I actually grew up reading mostly horror, so it was a huge surprise when my own writing all turned out as love stories.

15: What did you learn from writing this fic? I learned a lot about extreme dehydration and broken bones, what they felt like, and what you could and couldn’t do with them.

[beyond-far-horizons]

BFH watches LoK Epi 5/S1

This episode recap is brought to you by Flameo Instant Noodles - the noodliest noodles in the United Republic!

Okay so the Love Triangle/Diamond/Rhombus thing is in full swing. Sigh. Can Amon bust in already? Where my chi blockers at?

I agree with Bolin. 

Okay let’s get this out the way and btw I respect everyone’s right to ship and let ship, I hate fandom hate and ‘discourse’ so I won’t be debating people’s opinion here, this is just a little tongue in cheek hot take. 

The thing is I actually still like love triangles and angst sometimes and I can really relate to a lot of this. I had crushes, I been both the friendzoner and and the friendzonee. I’ve even had the awful experience Bolin had of walking in to see my crush who’d expressed intense interest in me, in the arms of one of my friends (whilst surrounded by a lot of my other friends at a poetry retreat no less - it gets weirder don’t ask!)

(Also hate how Bolin’s pain is played for laughs and feminised to underline this. I know he’s the Sokka of the group but this is an awful experience for anyone esp when it involves your brother!)

A lot of criticism has been thrown LoK and Bryke’s way about the romance and yes I can see why. I also know that this was aimed at teenagers and romance is that messy. It’s just...I still wish it had been done better. I especially wish that  - 

a) Mako had been more mature about things

b) Korra hadn’t led Bolin on (easily done in that situation)

c) Korra hadn’t heard the fateful phrase ‘I’m confused’ and thought it was a green light for a Surprise Kiss TM (which is a trope that needs to die unless the couple is in a committed relationship), because Korra that worked so well when you were Aang (oh wait, yeah it did in the end didn’t it? Ugh.)

TW for mentions of being pro-Zutara for anyone that needs it! (Again not an invitation to debate, just my opinion ^^)

I’m also going to get the fandom elephant out of the room that Makorra was supposedly written to be the sop to Zutara fans and shows why Zutara wouldn’t have worked because they would argue all the time. But the thing is Zutara and Makorra are very different ships with very different characters and build-up apart from being a waterbender girl with a firebender boy. But while I love Zutara and love the potential of Makorra, I really don’t like the immaturity and rushed advancement of Makorra at present. I would prefer if they were going to have it to go into the one-sided crush of Korra that then develops into mutual appreciation later. Also if Korra likes dark-haired firebenders then she needs to wait for General Iroh II to get on the scene cos daaaaaayum I’ve seen the cutscene of the rescue later on and he is literally Hotman Hot Stuff (what is with the level of attractive people in this show? Not that I’m complaining!)

(He’s even doing the Zuko chin thing!)

My heart goes out to Bolin, I really want him to find someone who appreciates him, but having had friends like that crushing on me when I saw them as brothers it felt really uncomfortable to watch.

At least they were able to get over it and remain friends. Also Korra is now being friendly to Asami. I hated the advice you should ‘just go for it’ when your crush is in a relationship because it’s disrespectful to them and their partner. Friends all round for now - yey!

LOVED the Watertribe restaurant, reminded me of a beautiful local restaurant in Hokkaido with food I still dream about to this day. Also noodle appreciation! I haven’t felt this sated since my Naruto days ;)

Also this guy - what’s with his face??? O_o

Separated at birth?

Love Korra’s reaction (private lessons indeed!) and her use of the Naga Attack TM. Tahno’s Glee style gesture to reject her and regain his street cred was hilarious!

Looking forward to getting back into the meaty political stuff next chapter. I wish they were exploring the worldbuilding element of discrimination of non-benders more so that Amon wasn’t just coming over as a power hungry populist in Dr Doom cosplay. 

[ihaspoorgrammer]

Legend of Korra: Alternate Season 2

In honor of LoK coming to Netflix, I’ve decided to vomit all my feelings towards that show the best way I can - creative writing - In a “What I think Should’ve Happened” essay for your reading pleasure. For those who don’t have the time, I’ll just come out and say it -- Legend of Korra was created with one season in mind, and that’s how it should've stayed.

All the concepts and ideas they introduced in the first season (and The Last Airbender) were more-or-less abandoned by the sequel so they could flounder and come to a deflating end.

So, I wrote this as a way to actually make use of them in a meaningful way that the creators so casually disregarded:

A few months after the battle with Amon, the Equalists have splintered into different cells throughout Republic City. Amon being revealed as a Waterbender weakened them, but that doesn’t take away from the larger points they championed about Bender/Non-Bender inequality. As a consequence, the United Forces soldiers are still a presence in the city, and Chief Biefong has made use of them as additional keepers of the peace, working with the Metalbending police to help rebuild and establish order, and has benefited greatly from the leadership of General Iroh and Commander Bumi.Korra is still airbending training with Tenzin as well as learning about the Avatar State, and she seems to have done a complete 180 in terms of her training; now dedicating herself to it full time to it. Tenzin is naturally happy about this development, but cautions her that the training will have to come naturally and it’s not something she can force, and is wary of how deeply her fight with Amon affected her.   The Fire Ferrets are preparing for their first match since last season against the Polar Leopards, Mako and Bolin steel their nerves while their new waterbender - Tahno - tells them to "relax" and "prepare to be amazed." After putting up a spirited fight, the Fire Ferrets and their opponents are tied. After ganging up on Tahno - who is at a disadvantage, being more accustomed to cheating - is saved by Mako. With seconds left, Tahno subtly bends the water on the opposing team’s side, and creates an ice-patch, causing an opponent to slip. Tahno takes advantage of this, and wins the match with a “Korra Special.” Only Mako notices the cheat.  After the match, Mako approaches Tahno about the cheating, but lets it slide. At Bolin’s suggestion, the two brothers go out to celebrate and invite Tahno along, but he opts out for "training” (after this, we see that Tahno has a picture of Korra in his locker, hinting that he only joined the Ferrets to make it up to her for restoring his bending).Asami has taken full control of Future Industries and personally oversees the production of new satomobiles and has saved Future Industries from bankruptcy with new airplanes designs. However, the company can't shake the black-eye her father gave it and her name, so business contacts have become scarce and shareholders have started pulling out. Worse, the board of directors have begun flexing their muscles to try and squeeze her out. She needs to come up with something good and fast.Mako, Bolin, and Tahno are in the middle of free-for-all sparring, when Tahno accidentally makes ice and headshots Bolin (which makes his vision comically go double). Mako scolds Tahno about it, causing Tahno to storm off.   Later that night on Air Temple Island, Mako brings Korra a meat dinner (Tenzin has put her on a vegetarian diet), but she declines. They begin to discuss Tahno’s participation in the team, which Mako believes was a bad idea, but Korra reminds him that Tahno has cut back on cheating, worked hard, and overall been a good addition (or stand-in for Korra). They share a nice couple-moment and laugh. We see Asami in the distance looking at them longingly, showing that she is still hurt over Mako leaving her for Korra. She starts to walk back to her room when she hears a strange noise in the distance. The source is Commander Bumi throwing his boomerang back and forth. After talking for a bit (and Bumi revealing that the boomerang once belonged to his uncle, Sokka), Bumi allows Asami to give it a throw. After a successful first try, she accidentally throws it through Tenzin's window. Bumi tells her "I didn't see anything if you didn't see anything." As he hops in the bushes to hide and Asami runs away. Laughing.  Meanwhile, a group of once-small time Triad gangs (they were "little people" before Amon "de-bended" the major families), are attacked by members of the Triple Threat. After a small battle, the Triple Threats win, and take with them a powerful bloodbender (or they start interrogating someone), leaving behind a message: “Lightning strikes twice.” ------

After that, Season 2 is in full swing. The Triads are the major Big Bad of this season because the purpose of the show was to be the opposite of Airbender, narratively speaking. So, that means keeping Korra and the cast firmly in Republic City and no more globe trotting.

This puts a bigger emphasis on the characters and their interpersonal relationships (which was the big draw of the show to begin with), rather than having to build up and explain the geo-politics of a new setting.

If they did stay for at least one more season, it probably would have emphasized a larger untapped well; the city was designed to be a 1920’s New York-style “melting-pot”, a place where all cultures come together and mix (Mako and Bolin are a product of a Fire Nation and Earth Kingdom union, and Tahno seems to be the a product of a Fire Nation and Water Tribe union). So, essentially, it’s the architectural equivalent of the Avatar. Just as the Avatar is the synergy of the four nations, Republic City does the exact same thing, just on a larger scale. One more season would better emphasize this fact, and show that despite what people think, it is possible for the four nations to co-exist as long as it’s based on mutual respect and sharing of differences, not domination of differences. This imaginary second season could also be used to address multiculturalism in any number of ways. 

Maybe the new Big Bad could’ve been a terrorist group dedicated to keeping the nations separate and "pure," and see the City as an affront to the Avatar’s “true responsibility.” And maybe Korra can see that, despite its flaws, the city and what it represents is worth saving. It also would have emphasised the “super-hero” aspect of the show; Korra being a Superman-figure who constantly has to protect her Metropolis from ever-constant calamities.  Another aspect that could’ve been added, was that the people of Republic City could’ve helped the Krew. You see, the citizens of Rep. City are constantly infantilized to the point of helplessness until Korra and co. show up to help. The opposite approach would have emphasised the multicultural aspect of the city, and how when push comes to shove, they are all one big family.Maybe even having a scene like from the original Spider-Man movie where the citizens actually help the Krew out, saying “you mess with one of us, you mess with all of us!”

But I’m getting ahead of myself.

From my perspective, there’s no better way to kick this off than introducing this monkey-wrench into the Krew’s system -- the return of Lightning Bolt Zolt, Mako and Bolin’s adoptive father.

See, in the backstory that the show never did anything with, after their parents died, Mako and Bolin became part of the Triads. Though Mako stresses to Korra that he only "ran numbers" for them during his time there. . . So either Mako is a mathematical prodigy, or he's lying. Because I'm gonna go out on a limb here and say he probably received no formal education on the streets that would enable him to work for the Triads in that capacity. So that begs the question: why would he lie? What did he do during his time working for the Triads, that would make him leave and never speak of it again? It’s because he was specially trained by Zolt personally. Learning Lightningbending in the process.

Now, Zolt will use this connection to manipulate Mako for his own purposes, which involves getting his bending back, which will of course drive a wedge between him and Korra.

Zolt may be a bastard, but he was arguably more of a father to him than Mako’s actual father, and that kind of emotional connection is hard to ignore. In fact, it’s such a shock to his system that his Lightningbending stops working.

Which brings him in contact with General Iroh.

When we first meet Mako, he’s determined, blunt, stubborn, and reserved. Understandably so, seeing as how his parents were murdered in front of him Batman-style and was forced to basically raise his little brother on his own, on the streets. As a consequence, one of his most defining characteristics is his inability to relax. He’s constantly trying to fix everything, constantly trying to help everybody, and constantly trying to remain in control. So, Avatar-style development demands that he gradually realize that he can’t control everything and learn to relax, allowing Bolin to become his own person, and learning to go with the flow. Which is something they actually didn’t do in the fourth season. He was largely extraneous to the story and they actually took every opportunity they had to show how useless he was.

Meanwhile, Bolin starts being approached by Lin Biefong, who believes the young man has the potential to be part of the Metalbending police force, despite his claims that he can’t Metalbend. However, Lin eventually realizes why he never could; he’s never had to apply himself. You need to have an unrelenting drive to force the minerals within to move, and that’s not something Bolin has ever needed. In Season 4 of the actual show, I almost applauded it for having Bolin sign up for the army because I thought that’s exactly what he needed -- a place to apply himself. Mako being such a mother-hen accidentally stunted Bolin’s emotional growth, never allowing him to mature and become independent. Which could lead into a very Sokka-like confession:

B: “Do you want to know something really terrible; I don’t miss them. Mako was the one that really knew them. I remember bits of things, but … They’re just … People I didn’t get to know. Mako’s the one that’s always been there for me.”

So here, Lin takes it upon herself to be his teacher and actually show his true potential. They grow closer as a result, and she and Bolin start developing a mother-son relationship. When we first meet Bolin, he’s immature, a show-off, something of a womanizer, a shameless flirt, and a goof-off. The unifying detail with the Bending Brothers is that Mako was sort of holding them both back; Mako’s over-protectiveness never allowed him to choose what was best for himself, and stunted Bolin’s emotional growth into becoming a more independent adult. What they could’ve done - if they wanted to save time - was to have their character arcs work off of each other -- while Mako becomes more relaxed and free-spirited, Bolin becomes more responsible and goal-oriented.

The only other place that the phrase “wasted potential” belongs besides in association with Tahno we’ll get to in a minute, but for now let’s focus on him. The creators once said that they “care about all the characters … except Tahno,” which should show the lack of imagination that was rather systemic in the thinking process there (and what liars they are).

From the start, Tahno is clearly deeply affected by Amon stripping him of his bending, even if Korra gave it back to him. And while he still resorts to cheating now and then, it’s not entirely because he’s a natural cheater … it’s because his bending hasn’t completely come back, and neither has Korra’s for that matter.

They’re both so traumatized by Amon’s Bloodbending that they’re experiencing “hiccups” in their powers.

Korra has tried to deal with it by doubling-down on her Airbender training to “find inner peace,” while Tahno is just trying to ignore it.

Eventually, their arcs cross paths, and they bond of their attempts at healing, having to come to terms with the fact that the “body heals only after the mind heals.” Which further draws a wedge between her and Mako.

Now, there is still a love-triangle here, but it’s in service to why Mako and Korra were brought together in the first place: they aren't supposed to be like Katara and Aang, where it was love-at-first-sight. They’re supposed to be the more realistic couple that have problems and have to make compromises because they love each other.

Love isn’t something that just happens, you have to work hard at it and make the other person happy without looking for the advantage. Relationships - both platonic and romantic - need to be built on mutual trust and understanding, and with understanding means taking a person for both their good and bad qualities.

Infatuation is the kind of love that is more shallow and doesn’t last.

Under direct orders from Fire Lord Zuko himself, General Iroh has started staying at Air Temple Island to watch over the Avatar, which leads him to becoming an unofficial therapist to the people staying there, namely Korra, Tahno, and Mako.Iroh is unique among the cast because he’s inherited Uncle Iroh’s position of someone who already has everything figured out themselves.

He grew up with loving parents and loving grandparents, and we learn that he had the honor of being one of the first firebenders taught by the Sun Warriors, who Zuko spent most of his life helping reconstruct (where he gained the nickname, “The Young Dragon”).

This new living situation makes him a part of the Krew later on, and brings him closer contact with Asami, who he develops a rapport with. And finally, we come to Asami, who is still dealing with losing her father and potentially losing everything else.

You don’t have the founder of a company be linked to a terrorist organisation and expect that company to survive, no matter what financial magic you can conjure. Which is something Asami is learning all too well.But in this madness, she meets two people -- Commander Bumi and General Iroh (who’s under an official Fire Lord order to watch over the Avatar).

She soon becomes Bumi’s ward, eventually, Bumi will act as a surrogate father for Asami, and she will help him organize, and win, a blimp race. From then on, she starts exclusively referring to him with the honorific, "commander."

They become so close that he starts teaching her everything Sokka taught him. You see, because Aang spent more time with Tenzin and Katara more time with Kya, that meant that Bumi ended up bonding with his non-bending uncle, (who later in life became master Piandao’s best student).

That’s why Bumi carries around Sokka's boomerang; Sokka was probably more of a father to him than Aang was.

So Sokka, never having children of his own after Suki tragically died, taught Bumi everything he knew, including how to recreate Space Earth Metal.And, after they grow closer, he decides to trust Asami with this sacred technique. … 

Which she immediately tries to patent and market in order to save Future Industries. However, when she learns how deeply she hurt Bumi by doing this, she finally cuts her losses and sells the company. After that, she decides to pursue a different career, perhaps by joining the United Forces. 

And, while all of this is happening, Tenzin is informed by the White Lotus that global bending birth rates are going down with the modernization and mechanization of the world. Signifying that people's disconnection with nature and spirituality is robbing them of their bending.

Just like what happened to the Fire Nation.

And if this rate continues, in a few generations, bending might completely disappear.

------

Avatar: The Last Airbender was aimed primarily at children and early teens, because those are big transitional times in young people's lives. But late-teens and early 20's are also big transitional phases in young people's lives. Perhaps even more so, because those are the times where you have to learn how to be an adult. A very alien concept.

So, Legend of Korra seemed primed to tackle the challenges of this time, but for one reason or another, they never did.

Despite having a golden opportunity to say some meaningful things about interracial families and multiculturalism, they instead, did nothing.

This is a quote from a Tumblr post who I sadly can’t track down, but it speaks volumes to what AtLA represented to people:

“You need ALL these things to survive and grow, to hold up your community and push yourself forward. You need to unlearn myths and lies, reform them to fit new realities. You need to respect the past but mold it for the future. In short, you have to “draw wisdom from many different places” while keeping true to who you are and where you come from. IDK if the creators of AtLA thought about these things when crafting this story; I think when a story is well told, with authenticity and love, it has the potential to illuminate many perspectives and strike empathy in many different people. Diasporic consciousness is incredibly valuable because it teaches us a different way of being, a way of interconnectedness and mutual love. The Gaang symbolizes this perfectly: it took all of them with all their different skills, to end the War and restore peace and balance. A diasporic consciousness has the same power: to model a newer, more just, more empathetic way of life.”

Tying into this, I think all the Avatars were wrong in their assertion that the four nations needed to be separated. Think about it. Every single nation failed, in their own way, because they were isolated: the Fire Nation became too proud of its own accomplishments, and became a fascist regime. The Air Nomads' loose and "free" nature allowed the Fire Nation to easily wipe them out. The "go with the flow" attitude of the Southern Water Tribe - similar to the Air Nomads - made them easy targets for the Fire Nation; while the Northern Water Tribe "froze over," becoming rigid in their doctrine and tradition, and could never stand against the Fire Nation alone; and the Earth Kingdom fell too far into its "virtue" of endurance, and became a military dictatorship with a puppet king, cutting off any ties to the outside world. 

“It is important to draw wisdom from many different places. If we take it from only one place, it becomes rigid and stale. Understanding others, the other elements, and the other nations, will help you become whole.”

While the "separate, but equal" stance towards the Four Nations may have been a good idea in the past, in recent years, it's proven to be a recipe for disaster. Most, if not all, of these failings could've been avoided if there had been more open dialogue between the Nations. There is a saving grace in the form of the Order of the White Lotus, but seeing how they all kindly fucked off until the shit really started to hit the fan, I can hardly see how they were a solution to the problem. Now, I really don’t know what else to say. I wrote this entire thing as an exercise to show how Legend of Korra failed in its duties to be an equal to its predecessor, because I was a fan.

Not just of AtLA, but of Lok as well. I watched it, I invested in it, and I was disappointed by it.

Others may have had all their hopes answered by the ending, but I was left with a pit in my stomach over how far the mighty had fallen.

And I don’t look forward to the show being adapted into live action because I don’t think I can take seeing all the lapses in creativity and common sense all over again.

[i-am-extremely-mad]

Discussion I have on YouTube under video 'A Mediocre Recap of Mediocre Alternate History Shows' from AlternateHistoryHub

Sir Reginald Meowington 1 month ago Uh-oh here comes the Korra Stans. Back to the topic, I feel that some of the people who worked on Fringe most likely worked on Man in the High Castle. It's too early similar or they are Fringe fans.

Extreme Madness 1 month ago (edited) Becase she wasn't Mary Sue... an argument that ignores the original meaning and is actually used against any female character that shows even hints of self-confidence or arrogance or is even better at something than male characters. Aang learned and became a master of all four elements in less than 9 months, almost constantly dominating his opponents, somehow people don't consider him Mary Sue, Korra who spent 13 YEARS! of intense training, and despite that still could not airbending, struggling in fighting opponents who have some superior abilities, ended up in a wheelchair, recovered for more than three years from mental and physical trauma ... somehow it makes her Mary Sue, if she was a male character no one would even thought of considering him a Mary Sue...

Sir Reginald Meowington 1 month ago ​@Extreme Madness I like how you automatically assume that I dislike Korra out of misogyny or a hidden agenda despite enjoying female characters like She-Hulk, Wonder Woman, Rogue, Big Barda, Phoenix, Zarya (Overwatch), and Noi (Dorohedoro). Basically, women who fight like men and have the muscles/powers to prove it. There is a reason why I dislike Goku, Wolverine, Batman, and similar characters. Nice try on attempting to find a non-existent bias. When it comes to a wheelchair recovery story I prefer Barbara Gordon's journey and triumph to become Batgirl again, over Korra's lackluster 10-minute portrayal. There was more emotional weight seeing Barbara doing normal mundane tasks like eating, showering, attempting to walk (after failing numerous times), and talking to a therapist about her trauma in the course of several issues than it was for Korra getting a quick fix in one episode. Korra isn't a well-written character and it shows. She never has to own up to her mistakes like the time she broke up with Mako by wrecking his desk and threatening him for doing the right thing. Does she apologize for her behavior in the police station? Never. Did she apologize when seducing Mako so he can cheat with Asami or apologizes to Bolin for using him as a way to get Mako? Never. Does she apologize to Tenzin for yelling at him for being a horrible teacher? The story forgets it. Do any characters tell Korra she is making the wrong decision or that her going in fists first will cause more damage and be proven right. Nope. Was Korra shown to be wrong when wanting to create a fictional Gulf of Tonkin incident to get the United Nations in a war with the Northern Watertribe as careless and harmful? No. The plots dictate that she can never be wrong even when it could potentially put people in danger. Korra is given fixes too quickly. She gets her bending taken away. That's interesting. We can see her work through her anger, hurt, and self-delusion, Oh nope sorry she gets it back 5 minutes later after crying about it. Oh no she lost the past Avatars. Why should Korra care? She never talked to them or formed a relationship with any of them similar to Aang and Roku. Oh wow, she is disabled are we going to get two or three episodes where she deals with her new life in a wheelchair including how mundane tasks are now a struggle? Sorry, we don't get time for that or life-long PTSD, we have to rush the plot because we can't understand how to tell a story in 12 episodes. You can also tell how much of a fetish they have for brutalizing Korra and show it in meticulous detail. Ah yes, this is what I asked for more man pain and people wonder why I hate Wolverine.

Extreme Madness 3 weeks ago (edited) @Sir Reginald Meowington Even if everything you said was true (it isn't), that's still argument against her being Mary Sue (character that supposed to be ridiculously perfect and not having flaws and weaknesses).  Her being in wheelchair was just part of her slow recovery through entire season (she didn't recover immediately, she was in wheelchair for months, while trying to walk again, and after that she was still recovering for 3 years). How is she guilty for Mako cheating? He have his own agency. If he really loved Asami he could just said that he wasn't interested. Korra give up to be with Mako anyway when she became friend with Asami, she even ask Mako to go to Asami after they escape from her father. Everything after that was on him.  She didn't use Bolin to get Mako, she just go out with him to have fun. Bolin was the one who mistakenly thought that they are on date. Mako was technically right when he stop Korra attend, but he still did that behind her back, she was right to be angry, especially when it was desperate attempt to save her tribe from occupation. Isn't she apologized to Tenzin when she come back after learning what her uncle trying to do.

Sir Reginald Meowington 3 weeks ago @Extreme Madness "Even if everything you said was true (it isn't)," Talk about denialism there. I don't like the evidence you presented to me therefore it is not true. That doesn't refute anything I have said or why it's problematic. That just tells me you don't like any argument presented to you therefore everything you don't like is false or a lie. Just a reminder Korra isn't right to create a Gulf of Tonkin situation and starting a war will cost the lives of citizens who are unaffiliated with the conflict. (Looks at Vietnam and Spanish American War) It is not right for a high ranking member (General Iroh) to create a situation that leads to justification for war. You know what happens with that right? Court Martial and possible execution. We have whistleblower laws for a reason. Apologizing isn't enough. The writers should known better and have everyone call her out for it. It's the biggest reason why Korra is problematic in the show. The writers have no understanding of writing Korra or any political ideologies (Everyone ranting how Amon is communist is using red-baiting arguments) present in the show that they flaunt to make them appear edgy and mature. It's why Korra comes out bad for forcing a kiss on Mako and telling him "Yeah, but when you're with her, your thinking about me, aren't you?", never apologizing to Bolin for cheating only Mako apologized, having her disabilities skipped because they don't know how to scope within 12 episodes (Barbara Gordon did it better and in less than 30 pages), Asami getting back with her dad was brought up last minute and then he is dead. Just because someone apologizes doesn't mean they deserve forgiveness. Especially not after destroying property damage over a fit. You do that and I get the restraining order.

Extreme Madness 1 week ago (edited) @Sir Reginald Meowington I actually started watch the show again and look at that, you are full of shit, Korra actually apologize to Tenzin for calling him terrible teacher in second episode of Book 1! Korra didn't use Bolin to get closer to Mako, that's what Mako accused Korra for, doesn't make it true, Korra was actually right about his feelings for her, and Korra literally apologize to Bolin while healing his arm in episode 5 for whole situation. About situation when she desperately trying to free southern water tribe from occupation, it's interesting how you blame entire situation on her and not at her uncle. She have every right to be frustrated. She make only few brash decisions, in most situations she listens and work with others like when she  listen Mako how they should save Bolin from Amon, she was doing that for the rest of the show, especially after she returns after having vision of Avatar Wan and learning what her uncle actually planning, in book 3 she surrender to Red Lotus so others can save Airbenders. About her recovery, you don't see the forest for the trees, her being in wheelchair was just part of her slow recovery, it wasn't only important part of it. When did Barbara Gordon stopped being Oracle? It's another lazy retcon from DC? DC couldn't work with other batgirls so they took one of rear example of superheroes with disabilities and make her somehow magically recover from spine cord injury. Lazy writing I'd say. Bad example. I will stay with Korra.

Extreme Madness 5 days ago @Sir Reginald Meowington "Does she apologize for her behavior in the police station? Never." I know you ignored my previous answers but ... Just a few days ago I watched the finale of Book 2 and look at that, Korra actually APOLOGIZED to Mako for that before they broke up! When you actually watch the show you see how many arguments arose from people who didn’t actually watch the show or didn’t pay attention to such important details.

Sir Reginald Meowington 5 days ago @Extreme Madness You lost all credibility when you put Barbara Gordon and Gail Simone under the bus to make Korra look good when a 10-minute google search into the story arcs and fan discussions regarding disabilities and whether or not she should walk again were ignored. Not to mention the decades of critiques and discussions of the event in The Killing Joke and the input of various writers who talked about it for decades in several series starting Barbara. Then you go by using ad-hominem attacks towards me by claiming I am a liar and that I don't watch the show. I quoted the episodes and the scene in the last comment that mysteriously disappeared including why that was problematic and how the show does not do a good job at addressing her faults. As mentioned before, apologizing after enacting violence against your partner during a break up is not enough. As I said when I addressed it, "Just because someone apologizes doesn't mean they deserve forgiveness. Especially not after destroying property damage over a fit. You do that and I get the restraining order." and this is the problem of the writers not understanding how to write Korra or her archetype. It is obvious she was sacrificed in the altar of man pain for character growth and the most abysmal love triangle since the Jean Grey/Scott Summers/Wolverine ship. It's the only reason why I started shipping Asami and Korra as I do with Jean Grey and Emma Frost due to the levels of toxicity. Of course, that would require you to have basic reading comprehension or understanding of social/political issues when moving the goal post so you don't have to address those ugly truths when questioning the romance even fans addressed was badly handled. So now you are trying to grasp at anything in an attempt to make yourself look good after calling you out about supporting a toxic relationship with a female abuser. But of course, it ain't toxic or bad when it's female on male. It's just for laughs.

Extreme Madness 5 days ago @Sir Reginald Meowington "apologizing after enacting violence against your partner during a break up is not enough" Originally you only claimed that she never apologized, which is a notorious untruth, now you claim that her apology is not enough, who here moving the goal post actually. "supporting a toxic relationship with a female abuser" What the hell are you talking about ?! Korra, abuser ?! Go fuck off. I also don't care about the convoluted mess that DC and Marvel comics are for which no one knows which continuum they follow anymore. So no I don’t want to see them as an argument.

Sir Reginald Meowington 5 days ago ​@Extreme Madness Saying they don't count as an argument because it is not your preference is a lame excuse to dismiss evidence regarding a comparison between two similar story arcs between Korra and Barbara. As for the other point It would be good of you to stop time traveling between comments and look at the entire picture of why throwing your partner's desk while they are at work during an argument is problematic. As defined by several resources that talk about relationship and spousal abuse.

It is not okay for your significant other to throw or breaks things when angry in front of you even if they have no intention of physically hurting you.

That is a person who is purposefully threatening you and reestablishing the power dynamics of control/dominance when their partner does something they do not like. That is a person with massive anger issues who is one step away from physically hurting you someday. It's a big red flag that you need to get out and it's only going to escalate from there. There is no excuse for that kind of behavior, no excuse for your partner to throw items in front of you, no excuse for them intimidating you, and no excuse for creating a scene or atmosphere of violence. That is damaging to the psyche of the person that it is enacted upon. In any situation, get out and contact the authorities immediately don't wait, especially if you feel you are in danger. Grab your things, file a protection order, and don't look back. Nobody should vent or release their anger at someone like that.

Ugh...

How do I answer this, they first claimed that Korra never apologized to anyone and that her recovery is worse than some completely different character who has nothing to do with her and now claims that Korra was abusive in her relationship with Mako. I don't know what to say anymore...

[atypicalkataangist]

Bestowing Honour

Type: Oneshot [Angst]

Summary: One year after Aang’s death, his family returns to the place of his funeral to bestow honour on the late Avatar.

Word count: 2241

Author’s note: Hey guys. Today’s oneshot is actually something special for me. I used it as a vent for many emotions that were boiling up inside of me for the last while. I began writing this Oneshot about two weeks ago; It was the first anniversary of my Dad’s untimely death, who had died of pancreatic cancer last year. We visited my Dad’s grave and so many emotions were bottling up inside of me that I had to release them somewhere, and since something similar happened to the Avatar’s family, I couldn’t pass up the chance to weave my own thoughts, memories and words together with those of the characters in the story.

By the way, AtLA was pretty much the first thing i could really enjoy after everything that happened last year, and I’m very thankful for all the beautiful moments it could give me despite everything else.

So please enjoy this, and even if you don’t I understand, all I wanted to do is to write down my most intimate emotions, and I’m glad I did. This is enough sad stuff for the next while though, I’m looking forward to write about something fluffy finally again! But as you might have noticed by now, updates take a while.

Don’t forget to think positive, whatever may happen, guys; because remember what a wise man once said:

“When we hit our lowest point, we’re open to the greatest change.”

~ Dedicated to my Dad ~

The wind blew strongly at the southern cliff of yue bay. The sun hid behind a thick layer of clouds, the sky was coloured in a deep grey most of the time, only interrupted by brief seconds when the sun was given the opportunity to shine through the almost inpenetrable wall. After a short moment of sunshine however, it would go back into hiding, never to be seen again.

Neither of them had been looking forward to this day, but they all knew that it had to be done. One year ago, on this exact date, the Avatar had died. Avatar Aang, the last airbender, the bringer of piece, had met his demise after a long period of serious sickness. Even though the whole world seemed to be disconsolate about the great man's demise, his family of course was hit hardest. The last year had been an incredibly difficult time for the Avatar's wife and three adult kids; whereas the world seemed to overheap the late hero with honors like planning to build a gigantic statue of him in yue bay, or establishing an "Avatar-Aang-Memorial-Day", his family could only think about the person behind the Avatar, behind the politician, the bringer of peace.

The Avatar's burial had been a huge event, with hundreds of famous people from all around the world giving speeches, sometimes more personal and heartwarming like the one held by the Avatar's trusted friend and ally, Fire Lord Zuko, or sometimes more political and impersonal like the speech held by a nobleman from the earth kingdom, of whom Katara wasn't sure if he had actually been in the same room together with Aang just once while he was alive. According to his beliefs as an Air Nomad, his remains were cremated and his ashes handed over to the winds of yue bay, on the far end of a cliff not far from his lifelong home on air temple island. It had been a terrifying day for Katara. Even though hundreds, if not thousands of people expressed their more or less honest condolences to her, offering their help whenever she would need it, her inner instincts were just telling her to run. Run as far away as her legs would carry her. It had all been too much, way too much, and without the support of her children, she would have probably left, not bearing to witness the act of hundreds of people crying in remorse over someone they barely knew.

She had known him, better than all of them . She had loved him every day of her life. She had cared for him when he wasn't well, and she was by his side, she didn't leave him in his final days, holding his hand, watching the final bit of life leaving his frail body until his suffering came to an end. She had cried until there were no more tears to shed. She had loved him more than she had loved anything else, perhaps except for her children. She had spent her whole life at his side, going through ups and downs, highlights and crises together. They had saved the world together. They had rebuilt a culture. They raised three children together. They had been married for well over forty-five years. And they had endured ravage, destruction, wars, Appa's death, Iroh's death, rebellion, and so much more.

And all of that should've come to an end now? Because the universe decided that the world needed a new Avatar? A fresh start? With him, almost everything she cared about was taken from her, a part of her dying together with him. A part of her wished to die as well, to be reunited with him in the spirit world, to spend eternity at his side. But another part reminded her of her children, her first grandchild that was on the way, the fate of her husband's air nomad culture that lived on through the air acolytes and her son Tenzin. She secretly knew that her time had not come yet.

After his death, she didn't dare to return to their old home on air temple island. They had spent their whole lives together in that house, and there was nothing that didn't remind her of him. She needed to get out of there and never return. Many begged her to join them, like Zuko, who was more than willing to help one of his dearest and oldest friends with an apartment in the royal palace, or the ancient earth king who had always appreciated and cared for the Avatar and his family.

Nonetheless everybody knew where she was going. The day after his funeral, she took the first ship towards the south pole, her home, the only place where she had lived for longer than a few months without him by her side. Her birthplace. The place of her family, her culture, her ancestors. Her daughter Kya joined her, putting her life on pause, postponing the wedding with her fiancee. She couldn't let her mother alone in a time like that, so she cared for her for the next hard months. The late Avatar's wife barely spoke, sunken in dreams and memories, yet she appreciated her daughter's company. Her sons came to visit every now and then, at least relieved to know that she would be in good hands with Kya, but their lives kept them busy most of the time, Bumi being a general in the united forces and Tenzin being the head of a culture that had yet to be reborn. Of course Katara didn't hold a grudge against her sons. Whenever they asked if they should stay, she reminded them to get back to their duties, not to worry about their old mother.

The only positive thing, the only glimmer of hope and the only thing that finally caused her to leave the south pole once in the next year, was the birth of Tenzin's first child, Aang's and her first grandchild, a little girl named Jinora, who quickly turned out to be an airbender. It was the first time she felt something like hope again since the death of the Avatar. Yet again she felt incredibly remorseful that her husband was not there with her and his son to share this beautiful moment together, the birth of their first grandchild, the second air bender in the world.

The next months she spent at the south pole, at least returning to her usual behaviour prior to the traumatic experience. She didn't stop to teach her daughter expert water bending techniques, also training some younger waterbenders from the southern, as well as the northern water tribe. She began to slowly return to life again, regaining a purpose. Kya even caught her mother laughing from time to time, and that sound she hadn't heard for way too long was like music in her ears.

Nonetheless no day went by without Katara thinking about the love of her life. At night she often went for long walks, looking up to the sky, searching for symbols or signs as a piece of evidence for his presence, but there was nothing. Sometimes she even went out to ice fields where she had found him in the iceberg. On the day that changed her life. Where she held him in her arms for the first time. Where they exchanged their first words. Where they went penguin sledding together. She couldn't think back at this moment without tears immediately shooting up to her eyes. How much she missed him... It felt unbearable.

And now, one year after the worst day of her life, she had to return, only to be confronted again with the terrible place near the coast, where she had to scatter his ashes. At least no one else was present now, except for her children and her brother. She wanted to keep it in the family. It would be hard enough as it was.

The skies didn't seem to approve of their endeavor. Maybe it was Aang, desperately trying to let them know that he was still there; or maybe the spirits were raging again. In the end, it didn't matter anyway. It was right after noon when all of them had finally made their way to the small edge of the cliff , where nothing but a small memorial stone and a bronze plaque which simply said "Avatar Aang - 12 BG - 153 AG" gave an indication of a memorial for a great man.

They stood there in silence; Katara in the center, opposite to the memorial stone, framed by her brother and her daughter, with Bumi at Sokka's and Tenzin at Kya's other side. The wind didn't allow them to have the peace they deserved, howling and messing up their clothes and hair. By now Katara could even feel tiny raindrops against her skin. Without even realizing it, she bend the whole rain around them away, leaving them dry.

She watched her husband's memorial with hurt, painful eyes. She was the first and only one to talk. "Aang...", she barely uttered with a shaky voice, while her whole body began to tremble from grief, "we...we've been doing okay so far... but we miss you" She began to cry heartbreakingly,"...so ...so much..." Her family, her brother, her children instantly offered their support, barely capable to hold back their tears as well. She wasn't ready to be helped right now. Nobody could comfort her. Powerless, she dropped on her knees, the wind joining in to her howling, breezing through her greyish hair. She wasn't even strong enough to bend the rainwater away anymore. Her brother dropped right next to her, very gently holding her back while his tear-dimmed eyes tried to meet his sister's, gently drawing her into an intimate hug. Her crying became louder against her trusted brother's shoulder, turning into nerve-splitting howling as all the good and bad memories came back into her mind. "I... I can't do this...", she cried, repeating it over and over again.

Kya felt dizzy from the pain she felt and she could see within her mother. She felt helpless. Not even she could heal her mother's pain. Guilt, anger and pain rose up inside of her, causing her to tremble. A wave of tears broke out of her despite her efforts to hold it in. She was about to lose equilibrium, about to hit the ground, when her little brother noticed her dizziness and held her firm, pressing his grief-stricken sister against his shoulder, sniffing away tears of his own.

The only one standing alone was Bumi. Even though they didn't always come along greatly, he had loved his father very much, and he was in mourning for him after his death. He didn't want his family to notice, but now, after a whole year had passed, with so much happening in his own life, he had felt simply nothing when he came back to the place of his funeral. He knew that his father was sitting there somewhere, watching him and hopefully be proud of his son. But when his mother started to cry again, like on the same day a year back, heartshattering and nervewrecking, he couldn't help but feel somewhat angry. Maybe it was his soldier-like attitude that he had to learn while being in the forces; whatever you do, don't show weakness. Or perhaps he was angry at her, because she became so dependent on her husband being there for her, that now that he was gone, her whole life began to crumble and fall apart.

Though perhaps he was angry at himself for all those missed opportunities, perhaps for taking so much for granted in the past; for forgetting so many beautiful memories to make coping with the pain easier. For putting his own life about his mother's, leaving her and his sister alone, only to fulfill his own dreams, to live his own life.

Finally, a tear slipped out of his eye, the only thing indicating the turmoil inside of him. He stood there in silence as he tried to bring his thoughts in order, watching the memorial as he somehow tried to share his thoughts with his Dad, telling him about his deepest feelings.

He snapped out of his trance after feeling a hand touching his shoulder. It was his uncle who looked at him with weary eyes, trying to figure out if his favourite little nephew was alright inside. Not coming to a clear conclusion, he still decided to hug him.

Bumi closed his eyes. His hero's touch felt good, it reminded him of how his Dad showed his appreciation whenever he heard of his sons accomplishments in making the world a safer place. He missed moments like these. When he opened his eyes again, he saw his mother was back at her senses now, sitting in the wet grass. She looked almost childlike, despite being an older woman by now. The way she was sitting there, wiping away the last few tears with her wirstbone, not daring to raise her eyes to meet what was in front of her. Kya and Tenzin were sitting on her left; he decided to take place on her right, putting his arm around her back, gently rubbing her back in small, circular patterns. She leaned into his touch, and when he heard her calmly breathing again, he knew that one day they would be alright.

[armageddon-generation]

Fixing The Legend of Korra - Book 4

AGAIN THIS IS A SOLID SEASON, SO THIS IS MOSTLY JUST CHARACTER STUFF – I ALSO VEER INTO FULL-ON FANFIC AT A FEW POINTS, BUT FUCK IT

I also need to thank @threehoursfromtroy for being a huge inspiration, especially with the korrasami dynamic - you’ll notice I magpied a bunch of ideas from her amazing fics.

Book 1,  Book 2,  Book 3,

KUVIRA

FUCKING CHARACTER DEVELOPMENT – let’s fully explore her reasoning for leaving Zoafu (the White Lotus is pretty much done, the Dai Li have been disbanded but now they’re individual warlords ruling over Ba Sing Se as a city state, the airbenders are still rookies and she sees them getting injured)

Emphasise the familial connections between Kuvira and the Beifongs – playing sports with Wing and Wei, falling for Bataar Jr.

Besides Bataar, have her be closest to Opal. They were both outsiders – the non-bender and the unofficial adoptee, but Opal, as the only non-bender in a family of historically famous benders, was also jealous of Kuvira the metalbending prodigy, who appeared to be everything Su wanted in a daughter. Kuvira was similarly jealous of Opal, the biological daughter who was doted on despite not doing anything to ‘earn’ it. This complicated relationship evolved into their bitter hatred of each other

Have Kuvira’s isolation in Zoafu parallel Korra’s in the South from Book 1

Without Korra there to push them forwards, everyone has started backsliding – In Kuvira Bolin has found a Korra-surrogate to rely upon instead of taking responsibility for himself (this is the same reason, ironically enough, he was attracted to Eska – she controlled him and he could hide behind her – something a more mature Eska is able to see when they meet at the Corniation)

EARTH EMPIRE

Let’s see Bolin leading the charge clearing out Ba Sing Se, and Kuvira liberating the city and defeating the Dia Li (who are trying to establish their own control of Ba Sing Se as an independent city-state) for good

Explore the apparatus of the Empire a touch more – the propaganda recruitment system – how does fascism work?

Have Raiko supply troops to Su so he doesn’t look like a complete fool. That way when she defeats Zaofu and sees Raiko violated her terms, Kuvira has a legitimate reason to go after Republic City

Also, can we make the Battle of Zoafu a proper siege once they break the ceasefire? Avatar does Helm’s Deep? Pretty please? Kuvira knows all the city’s defences as former Head of the Gaurd, so let’s demonstrate her tactical prowess dissecting the domes’ weaknesses. And have some of Zaofu’s defenders start siding with Kuvira (people she used to command etc), fighting amongst themselves to give her an easier victory

When the Beifongs are captured they go through the camp system, so we get to explore it – take inspiration from true stories and films like Life is Beautiful –The other prisoners either hate them for giving up, hate them for creating Kuvira, or look up to them as their only hope. But in the end they’re just a family trying to hold together on the brink.

Bring in the Red Lotus members hiding across the world – they start trying to move against Kuvira from the shadows. They are the strongest chance the world has against Kuvira without Korra, and Raiko’s willingness to accept their help (as the shady politician) shows how desperate the situation is – Korra needs to step in

ASAMI (& KORRASAMI)

The best part about Korrasami is how opposite they are – The non-bender figurehead, The bender figurehead. Traddition vs innovation, spirituality vs technology, idealism vs realism, faith vs strategic calculation – Asami should by all means be a supervillain, but she’s just too good a person. Play into that divide and conflict in Book 4

Asami is keeping herself dangerously busy, between helping the Equalists and managing the spirits living in the city that are against her industrial company  

Without Korra, Asami felt lonely and vulnerable. To compensate for a world without Korra, (much like Kuvira) Asami secretly develops plans for super weapons inspired by a combination of her father’s old Equalist designs – these weapons are designed to artificially replicate bending attacks on the scale of the Avatar state – Seismic waves, artificial flooding, firebombing, weaponised wind machines etc. She has prototypes developed

This gives her attempts to re-connect with Hiroshi more weight – she’s lost, and reviewing his old work makes her feel closer to him than she has in years – she thinks she’s beginning to understand what he went through when her mom died.

When Korra returns the weapons cause major conflict between them – especially when undercover Red Lotus steal Asami’s plans (exploiting their new connection with Raiko) and attempt to use protypes to ambush Kuvira – causing an all-out battle

Because the protypes were so hastily assembled they don’t work particularly well and cause chaos – Team Avatar has to jump in and save as many from the crossfire as they can, and Korra has to ignore a chance to fight Kuvira – they then have to leave the people to be taken by Kuvira, because they can’t save all of them.

These weapons would be key to Korra’s arc, as she doesn’t yet trust or have full control over the Avatar State again – she’s fighting that power as recreated by the person she cares most about, compounding the themes of Korra confronting herself

Kuvira uses the weapons the same way Korra used to use the Avatar state – wantonly and without thought, causing mass destruction.

Kuvira defeats the Red Lotus and takes Asami’s weapons for herself (Asami is horrified – she has indirectly become what her Father was to the Equalists. Varrick is being more morally upstanding than her.)

Korrasami is not smooth sailing in this book – both of them are aware they love each other, but they also have to deal with their own shit first. Korra’s time away let them build up perfect, imaginary versions of each other. Asami needs to stop idolising Korra (the same mistake Hiroshi made with her mom) and Korra needs to stop idolising Asami (as I felt the original show tended to do)

In the finale, Korra is the one to get Hiroshi out of jail, because Asami needs to move past his shadow – the repentant Hiroshi comforts her and assures her she is better than him. So much like her mother. He also expresses gentle approval of Korra before he dies.

Asami is the woman in the chair in the finale, simultaneously helping with the hummingbird suits and coaching the United Republic Forces (Hi, General Iroh) through how to defeat the artificial bending weapons.

I don’t know if it’s feasible, but I think reuniting the OG Team Avatar (Toph, Katara and Zuko) as three of the most powerful benders in the world (plus Zuko has a dragon) against these things the same way the White Lotus took back Ba Sing Se in ATLA would be really cool

The series ends not with the culmination of a relationship a la ATLA, but the tentative beginning of one

MAKO

Mako has let himself become consumed by his work – the only one to visit him is Kai, who’s filling in Bolin’s spot as little brother. (“Stop breaking in to a police officer’s apartment!”). Their relationship has grown a lot stronger, but they both miss Bolin

Mako is caught between both sides of the Earth Empire debate – he works for Wu and knows that deep down he’s actually a decent guy, but he has an established professional relationship with Kuvira, and he really respects her. They joke about his new job together before the Corination.

Kuvira has become a surrogate Korra figure for all Team Avatar – Mako (who admits he’s still in love with Korra) sees the potential for Kuvira to compensate for the loss of Korra, and must learn to let go of this unhealthy dream.

Because he’s no longer a member of the Republic City Police. Mako and Lin finally get to work together as equal partners

AIRBENDERS (KAINORA)

Look, I just want some cute long-distance Kainora stuff, OK? Keeping in contact via astral projection

Kai has been unofficially adopted into the airbender family and acts as a big brother to Rohan and Meelo

(I also think it’d be fun if Rohan was an uncontrollable bending prodigy like Jack-Jack from The Incredibles, bouncing around the house like the Tasmanian Devil – Pema and Kai are the only ones who can control him

Jinora has become the day-to-day leader of the Air Nation, using astral projection t co-ordinate people across the globe, with Kai in support

They express frustration with Air Nomad tradition – they sneak out at night and run around the new Republic City, giving us a chance to explore – Jinora shows Kai the wonders of the Spirit Wilds, while he teaches her how to win at street gambling.

They flirt with breaking the law – practicing pickpocketing the rich to feed the poor, and dabble in vigilantism – until they get caught.

Mako gets them off charges, but this causes a big conflict between Tenzin and Jinora. My problem with Jinora’s characterisation the original Book 4 (she was previously one of my faves) was she seemed too perfect. In this version, that perfection is an act, and she needs a way to blow off steam. Tenzin argues (quite rightly) that by taking the law into her own hands Jinora is no better than Kuvira (or Korra, Jinora points out. “Jinora, you’re not the Avatar.” / “I’m as good as.”)

This is important because original book 4 Jinora felt super stuck-up and full of pride, not good traits for an airbending master. Here we’re emphasising then confronting that big-headedness. Kai helps her realise she’s still just a kid, and that’s OK. Her family (and Korra) help her realise she’s stronger when she embraces the strength of others

I also like the idea of air nomads roaming with herds of bison, like Bryke originally envisioned for Aang

ZUKO, IZUMI AND THE FIRE NATION (This part veers into full-on fanfic territory and doesn’t really contribute to the plot, but I need to get the idea out there so sorry)

Use flashbacks to explore how the unrest in the Earth Kingdom parallels the unrest in the Fire Nation after Ozai was defeated

These could adapt elements of the Smoke and Shadow comic, where Mai’s father leads a rebellion against Zuko. This would take place when Zuko is in his early thirties, just after Kya was born (her waterbending was a trigger for nationalists)

The opposition find Azula after she ran away at the end of The Search, and manipulate her mental state to use her as a figurehead against Zuko – an alternate legitimate heir

Zuko and Katara have to flee with the toddler Kya, and go underground in the Fire Nation as the Blue Spirit and the Painted Lady respectively, fighting the coup from the inside (with Mai and Ty Lee, allowing us to explore everyone’s interesting relationship history) while everyone else tries to fight from the outside

During her wanderings Azula found the Sun Warriors and the dragons Rin and Sha – she uses her new followers to storm the temple and capture the blue dragon (just like her great grandfather before her). Azula is now riding around on a huge blue dragon. You’re welcome.

This is how Zuko gets his dragon – he and the Gaang liberate the Sun Warriors and the red dragon partners with him in order to save its mate

In the final battle between the two factions Azula inevitably snaps and the coup leaders are unable to control her – she goes nuts and tries to lay waste to both forces.

Zuko and the red dragon save both the blue dragon and Azula from herself. He is able to reassert control over the nation and get Azula back to hospital. This explains Kya’s extreme guilt and Izumi’s extreme reluctance to get involved in the Earth Empire situation

TOPH, LIN AND SU

Kyalin are already a thing by the time Book 4 starts – Korra is flabbergasted, and they set an example she wants to follow with Asami – things are very casual and domestic, which is a new and weird experience for both of them

When Lin meets up with Toph to free the Beifongs and then they free Su, have the idea of motherhood come up a few times – Toph suggests Lin has waited this long to re-enter a relationship because she doesn’t want kids, because she’s scared she’ll end up treating them like Toph. Toph encourages Lin to make her own choice uninfluenced by her – Lin can learn from Toph’s mistakes, and Su has made a great mom

The subject of Lin and Su’s dads come up. In this version, Sokka is Su’s father – hence her darker skin – but the brief affair was secret because he was married and Toph was with Lin’s father – one of those regretful one-night stands you always knew was a bad idea

This is a bombshell for Su, who never realised – it completely recontextualises her relationship with both Sokka and the Red Lotus (she almost joined the people who killed her father) . It also forces her to reconsider both her political and personal responsibilities – she accepts responsibility for her part in creating Kuvira, and understands her abandonment issues a little better

Lin, however, the aspiring detective from a young age, figured it out a long time ago (she always assumed Su knew). This is why Lin resented Su so much when they were kids – her arrival caused Toph and Lin’s dad to end things, because she was proof Toph never got over Sokka

Now Su is the one angry at Toph, and Lin is there to apologise and comfort her. Opal recognises what Toph is trying to do; throw herself under the bus to get rid of any lingering resentment between her girls and strengthen their sisterly bond – she’s forcing them to move on

Through Opal’s intervention everyone manages to patch things up

DARK KORRA/KORRA’S TRAUMA

In the original series it was never explained what that creepy vision of Korra in chains actually was. Sometimes it was just in her head, other times it physically attacked her, and then it just disappeared.

My explanation links to the Book 2 finale – Jinora was able to bring Raava back because she still existed within Vaatu. By the same logic, though Vaatu was destroyed, he (and Unalaqq, now forever bonded with him) exist with Raava’s light. In Book 3 we established Raava was directly feeding off of/reliant on the light within Korra. Now that Korra has been through all this trauma, that light has been replaced by negative energy, which allowed Vaatu to grow within her.

The Dark Korra hallucination is a manifestation of Vaatu’s dark power growing within Korra, feeding off her trauma and attacking her from the inside-out. It is both psychological and spiritual. When she goes to the Tree of Time, she sees echoes of Vaatu are there. He has stolen Unalaqq’s voice and face, completely taken him over – the ghost of the family member Korra failed to save.

When she finally reconnects with Raava, Korra defeats the Dark Korra; she can’t destroy the darkness inside her, but she can move on

Korra has to find alternate energy source for the Avatar State now her past lives are gone. She learns to channel the energy of the spirit world through Raava (a spiritual extension of Toph’s root connections, possible thanks to the open portals)

During the finale Korra’s appeal to the spirits to protect the world is heard – as the spirits attack Kuvira’s weapon, simultaneously the swamp halfway across the globe demolishes the Earth Empire’s vine harvesters – all the spirits come out of the woodwork and attack, claiming the area as a new Spirit Wild, like in Wan’s time

[youngestgeneral]

OC Week - Someone Else’s OC

Written for Iroh’s beloved younger sister Crown Princess Shiko @firenationprincess-shiko, a fully fledged and vivid character; a delight to read, an even greater joy to write with.

(Avatar OC week was delayed, but at that point this was already mostly written, so we’ll consider this an early submission for when it returns!)

Iroh had seen many crowded harbors, certainly, but even the busiest paled in comparison to this.

Vessels of all sizes and nationalities towered over his schooner, its petite mast flanked by an array of polished woods on one side and metals on the other. Above him, sailors shouted confusedly as their boat was maneuvered into place at port, and guests exchanged loud, informal pleasantries from their respective decks. It was a process Iroh was well acquainted with, and he experienced a familiar tug of nostalgia for his past life when he too would be docking twenty large vessels flying the emblem of the United Forces.

But he no longer commanded such a fleet, and that suited the ex-General just fine. While people of greater rank dealt with the turmoil, Iroh, on the other hand, navigated just his modest schooner, with happy white sails tied securely to the rigging and a powerful little motor. The Crosswind Commander was painted upon the starboard in a decided blue, and Iroh’s fingers traced the same lettering into his thigh, absentmindedly, sea roughened hand snagging on the gentle linen as the other nudged the wheel. He’d been there when the words had been painted. He’d done some of it himself.

Past the widespread docks for commanding vessels were a few strips of shallower stations for boats of his size. Iroh navigated into his designated spot at the front- it had not been reserved by nameplate, or prior notice, but it was the nearest one to the slender figure in red. And although his pulse beat rather rapidly to see she’d come to greet him herself, the smile he gave her as he quieted the motor wasn’t forced anymore.

Iroh leapt to the wooden dock, slippers padding expertly along the fine planks so that he could tether both ends of the boat before turning towards her.

“Mom.” He leaned to kiss each cheekbone, in the style of the Fire Nation.

Flashing, golden eyes evaluated him from behind sharp spectacles. “Iroh.” Briefly, she touched his jaw, looking him up and down, starting and ending with his eyes. A smile showed on her lips, one to match his own. “You look happy, darling.”

“And you look- relieved,” he jested tentatively, allowing her a nudge while they began their ascent, flanked by two of the palace’s finest, who had the decency to stay far enough away as to not eavesdrop. “Does today signify a weight off your shoulders, then?”

“Quite the contrary, if I’m being completely honest.” Izumi’s fingers lifted to rub at her eyes, easing her glasses away in a practiced gesture. The moment afforded Iroh enough opportunity to evaluate her, the deeper set wrinkles in her face and the increasing gray streaking in her hair, noting- a little guiltily- that she seemed older than other women of her years. Life had taken no prisoners with its treatment of the two of them. “I don’t think I’ve slept for a week, at least not soundly. And when I do, I have these horrid dreams.”

Iroh grimaced, empathetically. “And Shiko?”

“Even she seems a little less- demonstrative- than usual.” Worry tinged Izumi’s words, and Iroh stopped their walk- almost immediately, the guards halted too- to take her hand. Bony, he noted, wrinkled and cool, with thick callouses from the pen; her own laborious work. He fingered one of them, absentmindedly.

“She knows the weight of what she’s taking on. She respects it.”

“Mm,” Izumi breathed, dismissing the subject with the singular sound alone. Instead, she glanced back over her shoulder towards the Crosswind, just barely visible amongst the forest of masts surrounding it, perhaps reminded by a pungent gust of the smell of ocean carried towards them on the breeze. “And what of your husband, Iroh? I assume he’ll be attending?”

“He had other business, but should be here shortly. Took off with his glider, and left me behind to supervise the schooner- and my jealousy.”

A corner of her mouth twitched. “That seems characteristic.”

Iroh didn’t argue, and instead opted to continue their way upwards from the docks, and towards the familiar private trolley that would carry them through the switchbacks and to the volcano’s ridge. Around them, attendees passed them by without a second glance. Iroh and Izumi, consciously or not, had opted for a rather inconspicuous aura themselves. Izumi in her austere robes, and Iroh in his Acolyte’s clothes.

So, Iroh continued his mother’s silence, wondering vaguely if she wanted to argue- or if she feared what had happened the last time she’d called Shiko’s worth to become the Fire Lord into question. Iroh had slipped; he’d grown angry. And she’d actually cowered.

He shuddered, cool even beneath the scorching Fire Nation sun, and pushed thick, messy hair from his eyes.

“I didn’t know what to bring,” he told Izumi quietly as they boarded the trolley, seeking a change of subject. “I didn’t know how you wanted me to dress. What you wanted me to- represent. I thought I’d send a hawk, but then I- couldn’t find the right words with which to inquire.”

Izumi eyed the rich draping golds and oranges that was his attire. “Those are ceremonial Acolyte robes?” She inquired, in the tone that said she already knew she was correct.

“They are.”

“Then you’ll wear those, darling.” Again, her fingers reached for him, threading the thick locks back into place like she had when he was a boy, to soothe, to reassure. Iroh’s throat tightened. How he missed the gesture sometimes, missed it even when he was determined not to, when he was determined to hate her and everything she’d forced upon him because for so long he’d been the only one who could do it. “You’ll wear those,” Izumi told him again. “And you’ll represent your new nation.”

“I’m still-“ a resentful spark, which he quelled quickly. “I’m still Fire Nation, too, Mom. The Acolytes do not demand rescission as much as they want cooperation.” Iroh held out his hands, palms upward, to emphasize. “It’s how Aang wanted it; how he structured it. He wove those ideals into the foundation of the culture he resurrected.”

Her response was curt. “I know about Aang. And I know you are still both, Iroh. But will the press interpret it that way?”

“I don’t much care what the press thinks, if I’m being completely honest. I’ve catered to them enough since my retirement.” Iroh leaned back onto the padded caravan seat, gripping the linen that covered his knees, and wished for his husband’s companionship, if nothing else to shield from his mother’s judgment and insinuation. Certainly, Iroh could wear his Prince’s robes again, if he didn’t afford it too much thought. He would even wear his crown for Shiko’s sake. He’d do just about anything for her. Today was her day, after all- a right she’d wrestled from his grip one behemoth of an argument twelve years prior.

The Acolyte chanced a look back at his mother, only to find that Izumi’s face had tightened as she peered out the narrow window.

“What are you thinking about, Mom?” He inquired gently.

She gave a weary sigh, that spoke of years of worry- at least twelve, though Iroh suspected more. “She’s still so unruly, Iroh. She’s temperamental; she’s tempestuous. I just hope this isn’t a grand mistake.”

“It’s not,” Iroh told his mother, a little more severely than he had intended, and leaned away, peering out his own window, to offset it. “Shiko is good. She’s better than all of us. She’ll be a change of pace for the Fire Nation, certainly- but she’ll be a superb leader.”

“You’ve never lost faith in her, have you?”

“No. I never doubted her."

This time, it was Izumi who reached for his hand. “She’s glad you’re coming, you know. Wouldn’t give the subject rest for a month.”

“I’m glad to be here, too.” He gave his mother a bit of a remorseful smile. “Considering that it was supposed to be me out there, it’s the least I can do.”

“Oh, Iroh,” Izumi sighed, and he let the conversation rest there without further provocation. Perhaps he wasn’t imagining the apology in the way she’d said his name just then, or her regret that so many of the horrid things had happened between them. Perhaps she even regretted not giving him the option to rescind the throne sooner, regretted her letters to him as barren as his had been back to her after he’d enlisted, or maybe she just regretted birthing a child so troubled in the first place. Regardless, he’d take it.

-

The palace was warm and bustling with activity, guests entering through a couple of the larger entrances like ants parading to a bag of spilled fireflakes. Iroh and Izumi opted for the back entrance, walking arm in arm, if for nothing else, tradition’s sake. Izumi dipped her head in time to the bows from attendants. Iroh merely cast his eyes aside.

It was as they approached Shiko’s dressing chamber that Izumi’s arm began to slip.

“You won’t be coming in?”

“I think she’d like to see you alone,” Izumi commented, wisely. Iroh gave her a grateful nod.

He entered the room to be barraged by a flurry of stimulation; the reds of her upholstery, and a loud shriek- for all of which, Iroh had been preparing himself.

But he hadn’t prepared to see her in the robes yet, the marriage of ceremonial plate and heavy velveteen cloth that was only worn on such occasions, the shapes he’d seen on both his mother and grandfather many times, but never on her. His feet stilled while he took her in.

“Iroh!” Shiko squealed his name again, from her spot upon a dressing dais maneuvered to the center of the room, where attendants were arranging the fabrics. Her fingers balled into excited fists, and she made to take a step, before glancing hesitantly towards them. “I- may I-”

One of them nodded, albeit begrudgingly in Iroh’s opinion.

Shiko leapt from the platform in a flash of reds and flung herself towards him. Iroh caught her, staggering beneath the weight- he’d forgotten how heavy the ceremonial pieces were. He could remember, vaguely, testing them for himself. He’d done it only once, when he’d been much younger. They’d been so heavy, he’d commented in awe. Too heavy for any one man.

“Careful,” he said of the plate that ascended to a graceful point upon her shoulder, holding her close nonetheless. “You’ll put somebody’s eye out.”

“Sorry, sorry,” Shiko whispered against his chest, in that way she had that made it sound as though she weren’t really sorry at all, and Iroh laughed soft mirth against her.

“I’ve missed you, angel.”

She just tightened her grip.

Iroh looked over her head, towards the attendants. “We can handle it from here,” he told them, assessing the only piece that remained, an intricate Obi he could more than likely figure out from experience alone. The attendants didn’t hesitate at the inflection in his voice.

Iroh disentangled his sister slowly, taking her pointed chin between his fingers and nudging her gaze up to meet his, scrutinizing her, worried. Beyond the heavy ceremonial makeup and her high knotted hair- beyond every way she resembled a Fire Lord, he wondered if she were a little afraid.

“Iroh.” Her voice was uncharacteristically quiet, delicate fingers twisting in his linens. “There are so many people out there-“

“There are.” Iroh kissed her forehead. “Can you believe so many guests came just to see me?”

“Oh- quiet, you!” Shiko shrieked again, and hit him across the arm, serious demeanor forgotten. “You would, I don’t even know why I’m surprised- Mom told me there would be a huge crowd, but I didn’t ask her to quantify it, but then Grandfather said it’s more than attended even her own, and I’m so nervous-”

Iroh rubbed the spot on his arm fondly while she talked, relieved to see her chattering once again. Frankly, he’d worried what he’d find behind the door- for years now, if he were honest. There had been nightmares, dense and troubling ones where he’d pulled himself from sticky sheets to call her, just to hear her voice, just to hear her say she was certain, Iroh, for Agni’s sake she swore she was, about taking the throne after all. Even his waking mind conjured fiascos, one after another, as the months withered away to the coronation. It had been all Iroh could do to stay sane.

“Izumi told me she hasn’t slept,” he contributed quickly as Shiko stopped for air.

She merely gave a practiced roll of her eyes. “Yeah, but Mom never sleeps. I actually asked for her routine once, and honestly it’s amazing Grandfather lets her lead at all with her own bad habits. Personally, I told her it was ridiculous, that when I’m Fire Lord I’m going to need sleep, and anybody who wants me between the hours of eleven and seven can just wait in my chambers- what?” She inquired finally of the way Iroh’s lip had twitched.

“I’m just so proud of you, angel.”

She tried her own condescending scoff, though her cheeks had reddened enough to be visible even beneath the thick coat of makeup, and Iroh touched one, gently. Adoringly. Unlike their mother, she’d barely aged a day since that night twelve years back, the night of his rescission, where she’d saved him from this fate. He still loved the way he could cause her to blush like this, much as he adored each manic bit of his sister as a whole, really.

“Where’s Bumi, anyway?” Shiko asked, peering around Iroh’s broad shoulder as though his husband might be hiding just out of view. “Don’t tell me he’s doing that awful noble thing where he’s letting us talk alone, because I swear if he is my first decree as Fire Lord-“

“No, no, he’s not,” Iroh interrupted, before she could follow up on the threat. “You know I wouldn’t have stood for that. He flew off this morning to help Katara’s boat into port. I maneuvered in the Crosswind solo.”

“But he’ll be here?” Her doe’s eyes looked up at him, beseechingly, and he had to laugh.

“Yes, Shiko. He’ll be here.”

“And the two of you will stay after, too?”

“For a while.” For as long as he could manage. “We’ll sleep in the schooner.”

“Oh, I’ve missed nights in the Crosswind!” Her face lit up. “Could I join you?”

The Acolyte hiked a skeptical brow, though he could never deny her something so innocent. “The Fire Lord’s first night, spent in a little schooner in the bay?” He resisted ruffling her sleek, knotted hair- it looked as though it had taken the attendants some time to get it in place. “Izumi would be furious- but of course you may.”

“Yeah, well.” Shiko swatted away his objection with a practiced wave of petite fingers. “She won’t be the Fire Lord anymore. What can she say?”

“Still a lot, I’m afraid. Besides, if we keep chatting all day, the two of us will miss the ceremony altogether, and then you won’t have anything to hold over her head.”

“Good point.” Her eyes widened, comedically, and she leapt back onto the dais, turning towards the three elegant mirrors that had been set up in front of her. To survey the transformation from each direction.

Iroh plucked up the Obi from the hanger where it had been set in preparation, slipping it around her front and knotting it. He clutched especially roughly on the delicate material to keep his fingers from shaking, from giving him away.

But maybe she knew, or maybe she just suspected as much; Shiko too must have been feeling the weight, for she remained uncharacteristically quiet as Iroh carefully wrapped the ultimate garment around her. And when he finally gained the courage to look up, past her shoulder and into the mirror, she was watching her own reflection in bewilderment.

Slowly, she turned. “Well, how do I look?”

Iroh merely swallowed, fingers stuffed none too neatly in the accommodating pockets of his linen robes. He hadn’t wanted to finish her outfit. He’d have liked to have put the robes back in the closet instead, and dress her in something far more modest, like one of the cheery goldenrod dresses she’d used to wear when the two of them had been children. He’d have liked to take her to the gardens and send her off to play with the turtle ducks, or to the markets beyond for a cone of ice cream that would dribble over her fingers on the walk back and turn her all sticky. Had he wanted to put the finishing touches on her Fire Lord’s robes? Quite the opposite.

Shiko’s fingers found his hair, so similar to the way his mother had touched him on their ride up, although hers were smooth, and lacking the callouses of her trade. Not for much longer, though. “Iroh?” She asked delicately. “Have I finally rendered you speechless?”

A heat bloomed in his cheeks. “You just look- Shiko, I can’t believe, after all of this-”

“I know. I know, Iroh, it’s so amazing!”

His befuddled look at her was interrupted by a gentle knock on the door, and this time it was Izumi who saw fit to enter.

“It’s time, you two,” she told them, and Iroh’s pulse began an unsteady thud.

He turned to Shiko to see another confused whirl of red; she’d flipped up a sleeve in her hurry to embrace him. It was warm, and tight, and he returned it with vigor, unable to breathe, or think, and certainly unable to keep his fingers from trembling.

“Why does it feel like I’m giving you away at your wedding?” Iroh breathed into her hair.

She laughed against him. “You’ll have to fight Dad for it- I say, one thing at a time.”

“Fair,” he told her, although it wasn’t, it had never really been for either of them.

Finally, they pulled apart. Her face was set, determined- not emotional, not sad, not joyous either. It was the face of a Fire Lord, he realized, feeling rather cold without her proximity.

“Good luck, angel.” Iroh met her golden eyes, eyes he knew to be twins of his own, and held her gaze steadily. “I’m infinitely proud of you.”

“I know.” She appeared as though she wanted to say something else, but stopped with a gentle grin instead, walking towards the door, and then halting- a legend in the making, balancing upon the precipice. “See you out there?”

“Right behind you, I promise. I’ll be there the whole time.”

The rustling of her robes gave way to Shiko’s departure, leaving him alone in her changing room, and Iroh dropped his face to his hands while the emotion overtook him. Grief, pride- it didn’t matter, the tears slicking his fingers were all in the same. It was as though he were sinking, slipping into a thick pool of icy guilt. He gasped for a breath, and then one more when the first did not see fit to take, and pressed his fingers against his eyelids until he saw flashing spots of goldenrod yellow.

But this room would offer him no peace, nor would waiting. Before, Iroh had thought it would be better not to watch her walk out onto that dais in front of the hundreds of guests. But the walls were suffocating here. This wing held nothing but bad memories, anyway.

Iroh spared the room no backwards glance as he stepped after her.

The chattering of voices amplified on his route towards the ceremonial courtyard where the coronation would be held, as did the sheen of sweat upon his brow. Iroh caught up with his sister just in time to watch the last moments of her embrace with another man. This one too wore the vivid ochres of ceremonial Acolyte robes, and Iroh poorly resisted a grin; even years later, his husband had not become accustomed to the longer wrappings of an Airbender. That suited him just fine.

He stepped up behind them in time to catch Bumi’s hand. Calloused and rough, he noted. Just like his own.

“Our girl’s grown up,” Bumi commented, voice thick with emotion, while Shiko spared him another roll of her eyes. His face was weather beaten, the just-trimmed beard and hair windswept and mussed. The way Iroh liked it. He squeezed Bumi’s fingers.

“I’m not sure how it happened,” Iroh returned, quietly. Shiko had turned to Izumi now, and was nodding, uncharacteristically serious eyes directed upon the Fire Lord’s face. Her last lesson as Princess. “Perhaps when I closed my eyes. Or as I slept. Somehow, she became this- Fire Lord.”

“You sound proud,” Bumi pointed out.

“I am.”

The Airbender laughed a deep, rich sound that spoke of his years and multitudinous joys, hair moving gently in his own manufactured, indoor wind. He smelled of a musky cologne and smoked Water Tribe jerky and home.

“Did you get enough time to talk with her?” Iroh asked, eyeing the twin, slender frames of the women to their right.

Bumi waved away the question with his free fingers. “Just for a quick kiss. A word or two of good luck.”

“Just that?”

“Oh, Iroh.” Bumi turned dazzling blue eyes upon him, moistened by his own emotion. “It’s not as though she’s going anywhere! We’ll see her after the ceremony. We’ll see her on the Crosswind. We’ll see her when she comes to visit the Temples, when we visit the Palace in return. This isn’t goodbye, you silly man.” They all took a step forward, and Bumi rose his voice over the cheers of the crowd as, somewhere in front of them, Iroh’s grandfather stepped out first onto the stage. “Not at all, in fact- It’s just the beginning of another adventure.”

Iroh couldn’t help his own smile. “I like the sound of that.”

[kristallioness]

21 Questions about ATLA

I was tagged by @atypicalkataangist. Wow, thanks for including me in this quiz! I've seen others reblog a list of numbered questions similar to these, expecting to receive some asks that they could answer in return. But now I get to do them in one go.

1) Who's your favourite male character?

I'm unoriginal and gonna say it's Aang. Not only because of him being the main character, but also because he was the first boy in the show who I immediately started to like (Sokka was second, Zuko was third in the beginning since he was a villain and I grew to love him more and more along with his character development), the way he balances his carefree, childish personality with his more mature, responsible side, his back story and peaceful culture.. Most importantly, without him, there wouldn't be the second half of such a lovely couple like he and Katara are.

2) Who's your favourite female character?

Katara. She's not only my favourite female character, but favourite character of them all, right from the start and until the end. The moment I saw her I fell in love since she looked really pretty and she wore a braid, just like me. Seeing what a caring, motherly, fierce personality she had (like mine) only fuelled my love for her.

3) What's your favourite quote?

Since Katara's my favourite character, then my first choice would be: "I will never, ever turn my back on people who need me!" Because that's sort of who I am and what I'm like, too. It's almost like a motto that I live by without thinking about it twice. I'm self-sacrificing and try to help my friends whenever they need it and as much as I can. I just remembered another good one, a quote that affected me on a more personal level. I'm pretty sure that only 0.0000000001% of the fandom would choose this one: "I don't care what I look like. I'm not looking for anyone's approval. I know who I am." The best part is, this is something that Toph says to Katara after she's been made fun of for her appearance by a bunch of prissy Upper Ring Earth Kingdom girls. How did this affect me? I started crying when I first saw this scene. Why? Because this was something that I'd been struggling with for years. I'd been bullied for my appearance at school. It used to make me feel worthless, unlovable, alone, probably also the reason why I turned into such a quiet person who doesn't know how to be around real friends. Hearing a blind, tomboyish, badass earthbender say what I needed to hear all along made me understand that it's not true - my appearance does not define my worth or who I am inside.

4) What's your favourite fight?

I knew you answered Katara and Pakku's duel @atypicalkataangist (and that one came to my mind, too, since it is one of my favourites because of reasons), but since I recently rewatched "The Serpent's Pass", I'm gonna pick Aang and Katara beating up that huge serpent. That was some awesome bending teamwork there! I went through all of the episodes in my head, and I gotta say that I also really like the duel between Aang and Zuko in "Bato of the Water Tribe". And one of the first ones where Haru and his father Tyro, along with the rest of the earthbenders, fight their way to freedom in the prison. The ending of that episode always leaves me with such a powerful feeling.

5) What's your favourite episode?

The big finale, "Sozin's Comet, Part 4: Avatar Aang". I sobbed practically throughout the entire episode when I first saw it. The soundtrack playing in the end is so beautiful to listen to and it still brings tears to my eyes. This episode concludes everything the show set up in the most unexpected ways possible. I mean, did any of us foresee Zuko being crowned the new Fire Lord (after you watched the first episode)? Did our hearts break into a million pieces when Katara and Aang kissed and became a couple in the end? Enough said.

6) From which nation would you like to be?

I'm not sure whether this is cheating or not, but since the story of ATLA continues in the comics and during Korra's time, I'd really love to be from the United Republic of Nations. I just love how it's a nation of mixed cultures, I am in LOVE with Republic City (as well as its 1920's aesthetic) and the capital reminds me of my own (Tallinn is also near the sea, has a marvellous silhouette, 4 seasons). Or if not, then my choice would definitely be the Water Tribes. I've explained it pretty well under the description of this drawing of mine.

7) Which element would you like to be able to bend and why?

Easy, I'd pick water since my 2nd choice when applying for university 5 years ago was to become a doctor. I'd like to use my healing abilities to cure people and my graceful waterbending to battle bad guys like Katara!

8) Favourite animal in the Avatar Universe?

I'm probably unoriginal, but I'm torn between the sky bison or the dragons. Oh, and the ostrich horses!

9) Who would you like to be your teacher and why?

I'm thinking it could be either Katara, Aang or Zuko, in this exact order. Katara and Aang would both be really supportive and I consider Zuko to be really wise (remember what he said to Korra before departing? he learned so much throughout the years).

10) What was the saddest moment in the show?

I have an entire list of the scenes/moments that made me cry, let me check.. *reads* Which sad moment made me cry the most, I'mma pick that one.. Okay, I can't decide because there are a few, let me name them: * the ones that stand out the most are all 3 finales * when Katara thought that her mother was alive in the swamp * when Aang enters the Avatar State and wants to kill the sandbenders, but Katara doesn't run away and instead grabs his hand and pulls him back down into her embrace and they cry together * Iroh singing the lullaby to his deceased son on his birthday (my parents have always said that one of the worst things a parent can live through is the death of their own child, so when I saw this scene, I understood what they meant and started crying) * Jet's death * Aang unlocking his heart chakra * almost the entirety of "The Awakening" (because everything seemed so hopeless and going the wrong way, when Katara and Hakoda talked), seriously, this is the most depressing episode in my book and that's why I love it so much * Sokka talking to Toph about how he's forgotten what his mother looks like and Katara is the one who's taken her place * when the invasion fleet was defeated on the Day of Black Sun and Katara knelt down beside Aang to comfort him * Zuko and his uncle Iroh's reconciliation and his speech to Team Avatar before they departed

11) What was the most shocking moment in the show?

You answered the same way: Aang getting shot with lightning. It came out of nowhere. When I saw Katara's face full of hope I thought that now they were going to make it since Aang had the power to face the Dai Li as well as Zuko and Azula. In a split second, everything changed and took a turn for the worst.

12) What was the funniest moment in the show?

There are so many good jokes, how do you expect me to pick just one??? Okay, umm.. when Sokka tried to fight against the villagers who believed too much of Aunt Wu's fortunes with logic and rational thinking (I can relate to him, poor Sokka).. How Aang messed up and unintentionally made Katara upset by insulting her instead of giving her a compliment when they were lost in the caves. Or the time Sokka and Katara had to pose as Aang's parents to go to the principal's office after school.

13) What was the most unforgettable moment in the show?

Maybe the whole scene before Zuko's coronation starts, "Peace" playing in the background, we see friends and family reunited, happy, alive. We witness something few of us could've predicted: the last person we ever thought, who went through and learned so much, is crowned the new Fire Lord. It's such a victorious moment and never leaves me without emotion.

14) Which one is your favourite book?

I have a weird system concerning this. Book 1 was sort of like the start of their journey, the world was slowly being built and introduced to us. Book 2 became much more serious, the characters gained more depth and the stakes began to rise. When I thought it couldn't get any better, I was proven horribly wrong. Book 3 became far more emotional than I ever could've imagined. So it's like my love grew with each book, and I kind of love the last one the most for this reason.

15) Who had the greatest character development in the show?

Everybody developed so much, but I'd definitely say it was Zuko. At first, I didn't really care much about him. Just another villain trying to capture someone for his own personal gain, I figured. But that all changed when I saw his back story in "The Storm". I started to look at him from a completely different angle. I began to understand where he came from, why he was doing this. I saw how much he struggled, how many wrongs he committed. The climax was when he faced his own father and told him: "No! I've learned everything! And I've had to learn it on my own. Growing up, we were taught that the Fire Nation was the greatest civilization in history and somehow, the war was our way of sharing our greatness with the rest of the world. What an amazing lie that was! The people of the world are terrified by the Fire Nation! They don't see our greatness, they hate us! And we deserve it." This is what he learned by spending time as a refugee in the Earth Kingdom, by witnessing firsthand what his nation, what this war was doing to others. And he was determined to set things right by joining Aang and his friends, teaching him firebending and stopping his own homeland from going down this path.

16) What do you love most about Avatar: The Last Airbender?

The story that Bryan and Michael came up with. I have NEVER cried so much, laughed at so many original jokes, heard such gorgeous instrumental music made by Jeremy Zuckerman, the raw emotion behind the voice actors.. every little bit is what makes this story and this series so amazing, fulfilling and perfect.

17) What do you hate most about Avatar: The Last Airbender?

I don't hate anything about the show per se, perhaps more about the way the fandom can act sometimes.

18) With which character do you identify most?

Like I answered in question 2, Katara. Her personality reflects mine the most, we share similar values in life, I love her family (Hakoda and Sokka) because they have such loving relationships with each other (Katara and Hakoda made me emotional several times, and they only had a few scenes together!).

19) Is Avatar: The Last Airbender your favourite cartoon/anime?

Ever since I discovered it, and I think it'll remain as my favourite cartoon for the rest of my life. Nothing can ever impact me as much as Avatar has.

20) Would you want to be the Avatar?

Thinking just how messed up our own world is right now, how my aggressive eastern neighbour has occupied parts of 2 independent countries, how helpless and angry I feel that I can't do anything about it - Y E S. I want to bring peace and balance back to our world, too. And if I had my own loving, supportive partner (like Aang) by my side, I'd do it again in a thousand lifetimes.

21) What's your favourite ship?

I personally ship everything that has been or is currently canon. My OTP is obviously Kataang, though I'm also one of the few friendly multishippers out here. Which means that I don't mind seeing beautiful stuff about Zutara either, for instance. (Seriously, you should check out my tag, there are so many lovely gifsets there, be it romantic or platonic.)

To sum up, thank you once more for tagging me! I'm not gonna tag anyone specific, but if any of you would like to do this, too, then go ahead! It was really fun to reflect back on why I love this show so much.

[lokgifsandmusings]

Definitive Ranking of Book 1 Episodes, #10/12

10. 1x11 Skeletons in the Closet

Bending is ILLEGAL, Asami drops it like it’s hot, a wild fanservice appears, and Noatak and Tarrlok build a snowman.

*Back a month later with Starbucks and more nitpicks*

Actually, real talk: can someone explain why part of the goyim gets upset with Starbucks not being Chirstmasy enough? Because I was just in one and it looks like Rudolph threw up everywhere. What ever happened to a nice autumnal display...

No, let’s get back to definitively ranking Book 1 episodes!

And let me just say: this has been a struggle. I know logically that Book 1 is fine. Obviously it engaged me enough to watch Book 2, even if I only saw the back-half in one sitting while I was drunk. But still, like I said in my first essay on this season, it just doesn’t get any deeper, unlike the other books. Instead, you notice all the hanging threads, and tugging on them leads to...well, whatever this is.

The thing is, I purposely do these definitive rankings in reverse order so that I sound increasingly more enthused. But when I saw I’d be writing about this one, I sat staring for five minutes trying to come up with a reason as to why it was better than “The One With All The Love Triangles” or “The One Where Amon Gets Caught.” It has slightly fewer contrivances?

Okay, stepping back, this episode isn’t all that complicated, or all that bad, really. The Equalists have taken over Republic City after their carpet bombing of it (you know...for equality!), so the Krew is underground in the sewers, eatin’ street gruel and flirtin’ with the person they’re not dating 10 feet away from the person they are dating. We get a glimpse of Republic City under the Equalists, which includes the apparent outlawing of bending, coupled with a line of handcuffed and blindfolded benders being paraded before Amon to be “cleansed of their impurity.”

Iroh II sails his face into a trap, and then he, Bolin, and Asami decide to go after Hiroshi’s army of biplanes (to prevent them from doing the same to Bumi’s fleet), while Korra and Mako want to go after Amon himself. They sneak onto Air Temple Island so they can ambush him, only to find a de-bended Tarrlok locked up. He explains how he and Amon are both sons of Yakone, and they can all bloodbend any day of the year. That’s how Amon has been taking away people’s bending. Korra and Mako then decide they’re going to expose Amon as a waterbender at his Equalist rally.

Let’s leave the Noatuk truth-bomb for last, cause that’s worth digging into a bit. Character-wise, this isn’t a very strong episode for any member of the Krew. Asami finally pulls the plug on Mako, I guess, which given that he’s acting like Korra’s boyfriend anyway makes plenty of sense. So that’s something? Otherwise, the biggest moment is Korra deciding she has to go after Amon herself. Which is kind of regressive? I mean, she doesn’t really have the skills or capacity to beat the guy, and the last time she tried to seek him out to fight on her terms, she got captured and very nearly lost her bending.

Korra: Wait, I'm sorry, but I'm not going with you tomorrow.

Mako: What?

Asami: Why not?

Korra: I'm sick and tired of hiding from Amon. It's time I face him.

Iroh: That's not a good plan. We need to stick together.

Korra: I'm not waiting for him to hunt me down. My guts tell me it's time to end this, on my terms.

Iroh: Korra, this is not a mission you should be handling alone.

Don’t get me wrong: it’s totally understandable why Korra would not want to just wait for Amon to go after her, and why she feels she’s not exactly needed in this “destroy the fleet mission.” But like, isn’t the protagonist supposed to have some kind of character growth?

I know I talked about this already in my “Endgame” piece, and yes, I think overall it’s a good thing that she had plenty of space to keep growing after Book 1. It just seems strange that her solution to the Amon situation is more “well NOW I’m going to do something about it!” despite her being no more prepared to take this on. Despite her having no strategy past “ambushing” him on Air Temple Island. And guess what, even when she has more information and tries to approach it in an inventive way, she still gets her ass kicked! She still gets de-bended!

Again, this is a narrative. What is the message supposed to be in Korra pursuing this option? Are we supposed to be cheering with her? Are we supposed to agree with Iroh?

Really, it’s this episode where the backwards nature of the writing becomes clear. Bryke needed Korra and  Mako pursuing Amon alone. They needed them to run into Tarrlok. They needed a way for Amon to get exposed by forcing him to waterbend. They needed Korra to get de-bended but then still airbend. None of this particularly flowed from character actions, and certainly not personalities. Shit just occurred *to* our protagonists, and that’s disappointing to think about in a story as thoughtful and intriguing as LoK.

I’m not saying that plot-points shouldn’t be planned out, btw! I’m just saying that they need to be done with respect to characterization and character journeys. Book 2 was one stumbling block after another, but that finale came together spectacularly well because the focus was on Korra’s arc. She beat Unalaq by literally tapping into the core of who she was and ripping her reality into existence. Sure there were contrivances that set it up, but we’re not talking Korra just randomly going against her own self-interest. That was Civil Wars!

Really, the emotional weight of this episode was Tarrlok’s story (and I know mileage varies there), so maybe this complaint is more along the lines of a nitpick. But it’s incredibly disappointing on a revisit to realize that Korra more or less stagnated after 1x04, with a small exception being in her attitude towards Asami (the result of exposure). Which maybe is what was behind Korra being the one to put up boundaries with Mako this episode? Mildly?

However, this also means that Korra’s most significant character development of the season was in the context of navigating the teenage dating game. And I’d be floored if that’s really what people wanted out of the Avatar franchise, or what Bryke even intended.

That’s maybe the kicker, here. This was the episode where it felt as though Bryan and Mike just had to start wrapping things up, logic-be-damned! But...wasn’t this the season where they had the most amount of time to plan?

Even a very small change could have gone a long way. A common complaint of “Endgame” is that the airbenders just showed up on stage, handcuffed. I don’t mind that it “undercut” Lin’s sacrifice (mostly because I don’t think it *did*. The point was that she was willing to do that), but I do think it felt like a total asspull when we more or less saw them get away. But what if word somehow reached the sewers (or was even intentionally delivered there) that Amon was holding the airbenders captive? Hell maybe Iroh could have brought this information. Then, that would have created a sense of urgency where it made sense for the Krew to split up, and it would have made sense for Korra and Mako to go to Air Temple Island specifically. Did they even have a way of knowing that’s where Amon was operating within this episode?

Again, writers should generally have an endpoint in mind that they write to. But it shouldn’t require contortions in logic to get there. And if you can’t think of a compelling reason for your characters to reach it...well...it’s probably time to rethink those beats, then. “Skeletons in the Closet” is an episode where just about everything that happens felt like it needed a second thought.

A perfectly good example of that is with the Equalists. In “Turning the Tides,” they bombed the entire city and captured enough benders where in this episode, they had an incredibly long line of them just waiting to be de-bended, including more policemen and White Lotus Members. The Equalists also declared bending illegal and stuck an Amon mask on Aang’s statue.

I have just...so many questions about how all this works. Like, logistically how have The Equalists actually taken over a city? I mean first of all, the crowd to whom Hiroshi announced bending being outlawed makes Trump’s inauguration look impressive.

Second of all, if we just talk about power dynamics of the universe, how does this work:

These are the SUPERPOWERED people. And the ones we’re seeing in this picture are literally trained fighters. They’ve got blindfolds on so...that’s it? Game over? No seismic-sense earthbenders? I’m not trying to victim blame here, but when you’ve got such a disparity in skill, to see these proportions of the benders to nonbenders here, with the benders doing absolutely nothing but being faceless and passive, it really pushes the envelope of believability.

Wasn’t the implication of the Equalist revolution that there actually was a revolution? That the *masses* went along with this, since they were the ones abused, ignored, and/or silenced under bender rule? Except then that makes the Equalists carpet-bombing the city even weirder, because this aftermath doesn’t seem to follow. Unless the only survivors were the people at Hiroshi’s rally.

Again, it’s the backwards writing. They needed the Equalists to have taken over, so they did. I’d totally buy the Equalists just controlling Air Temple Island and camping out there, maybe with important prisoners, but no. They successfully destroyed the United Forces and it was bad enough that their general had to retreat into the sewers and communicate his orders through Gommu.

I almost don’t even want to touch Iroh. He’s fanservice, and pretty heavy-handed fanservice at that. I really don’t care about giving people *something*, but fanservice that works is like...the picture of Aang airbend-juggling sushi rolls. It’s not some rando Mary Sue (and I truly mean a textbook Mary Sue here) showing up, ordering around our main characters to get us to the next action set-piece, and then watching him literally fly around with no explanation as he grounds Hiroshi’s fleet and saves the day.

He’s significant to us because we recognize his namesake, and because he’s voiced by Dante Basco. But just imagine if you were a viewer watching LoK without having seen ATLA. Wouldn’t this character feel incredibly odd to you? Wouldn’t you wonder why we were focusing on him at the cost of our regulars getting more time to contend with this new situation?

Like, oh I don’t know...ASAMI? I know, I know what this sounds like. At this point I’m gonna just lean into my reputation. But seriously, her FATHER just bombed the city, he’s making speeches about illegal bending, he blows up Iroh’s fleet here with inventions we didn’t know existed, they make a plan that revolves around facing head-on, and we get a single line of dialogue from her about it. Which the transcript hilariously describes as “somewhat bitterly”:

“It's time to take down my father.”

Yes, that was somewhat of a reaction. Does anyone want to check in if she’s conflicted?

Or like, Korra is apparently driven by extreme impatience now. Even though Mako says she won’t go alone, is there a reason we don’t get anyone actually challenging this or asking why she can’t help with the airfield and *then* go after Amon? Especially Mako, since he’s signing up for it, and he was the one with a slightly more cautious approach to sneaky things in 1x03?

“Hmm ... My grandfather would respect the Avatar's instinct. So will I.”

Aaaaand finally, speaking of “who are you and why are you suddenly the focal point?”, we’ve got the infamous bloodbending brothers.

Uh, so. Confession: I actually kind of like them? I mean, they ranked halfway up my list in the Definitive Ranking of Complicated Familial Dynamics, so that’s something. But really, I think their story in and of itself is fine. It’s about the futility of revenge, I guess, and there’s the poetic tragedy of the way both brothers did become instruments of their father’s plans despite the fact that they both wanted to escape that fate. Tarrlok wanted to be the city’s savior and have influence through upstanding, noble means; a clear backlash against his crime-boss father ruling from the “underbelly” through brute force. Noatak, meanwhile, truly believed that so long as people had the potential for the fighting dominance his father displayed, there could be no justice in the world. He was a bender who hated his own power, and emulated Aang’s course of action with Yakone, which somewhat ironically led him to think that he truly needed to debend Korra.

It’s a bit of flawed logic, I guess. “I’ll never become an instrument of revenge against the Avatar! Instead, I’ll apply what the Avatar did to you to *all* benders...including the Avatar!”

I guess he’s just an equal-opportunity debender who understands the symbolic importance of taking away Korra’s bending? Oh look, I made a pun.

But yeah, it’s a fine enough story, and I’m not sure we’re supposed to be viewing Amon as the world’s most balanced thinker anyway.

The problems with Amon are that the Equalist logistics don’t make much sense, as I noted, and the guy himself gleefully debending the sole survivors of genocide in the name of justice is a bit much to swallow, especially after Bryke tried to demonstrate how nonbenders really do have legitimate grievances with regards to their treatment by members of triads and law enforcement alike. Of course the puppy-kicker had to go down, and it’s kind of a shame that what was a nuanced issue was turned into something so black-and-white.

The problem with the bloodbending brothers, however, is actually one that’s kind of similar to the problem with Kuvira. Their personal stakes are entirely disconnected from Korra herself. She runs into them, and has altercations with them, and as the Avatar she has a unique symbolic and political importance. Therefore she “matters” in both of their plans, which is why Tarrlok kidnapped her (what was the long term of that, exactly?), and Amon purposely didn’t take away her bending when he first captured her. It’s similar to how Kuvira understood that Korra had an importance to the people of the Earth Kingdom and for that reason, took pleasure in knocking her down a peg after her absence for three years; but she was driven by personal reasons relating to the Beifongs.

And this is fine, by the way. I’d say LoK’s most successful antagonist was Zaheer, who again, was targeting Korra for strategic reasons, but not exactly personal ones. Not every conflict is going to be Clark Kent vs. Lex Luthor, with years of history and damage between them. I do happen to think that kind of dynamic is the most effective (Zuko and Azula, anyone?), but again, villains being motivated by something entirely external to the protagonist is absolutely fine, even if it’s their own personal familial baggage.

However, given that Book 1 tripped over itself and couldn’t actually land the beats of the main plotline, nor provide Korra with any sort of growth in its telling...having the focus on the bloodbending brothers is incredibly weird. Like, why was the creative energy put here, of all things? It’s a sad story, sure, but what does it actually mean to Korra?

Being generous, it allows her to create a plan where she exposes Amon instead of trying to brute-force the situation, but...that plan doesn’t work at all, and she wins by punching. Was this showing development in her strategic thinking? This goes back to the issue of her wanting to hunt down Amon again.

What it sort of feels like, and forgive me for saying this, is spin-off fanfic that people wrote who got interested in the villains. It’s not *bad* by any means. There’s interesting dynamics here. But it shouldn’t come at the cost of Korra’s journey, which it did. In the end, the biggest moment of the season was Tarrlok’s murder/suicide. It’s a tragic story, sure. It’s just not Korra’s. And at least with Kuvira, it was her arc that bent to suit Korra’s needs, not the other way around.

I’m pretty sure from here on out I’ll actually have some positive things to say about Book 1 episodes, don’t worry. It’s just the final chapter of the season is really where all the flaws of the storytelling came into full view, and though “Turning the Tides” arguably started that, this is the episode where the wheels came off. “Endgame” was the crash.

#12 1x12 “Endgame”

#11 1x05 “The Spirit of Competition"

1x11 photo recap found here

Book 2 ranking/essays found here

Book 4 ranking/essays found here

[avatarconlangs]

CHARACTER SPECULATION - P.3

Now, here I will admit that I know the ATLA characters worse than I do the LOK characters so feel free to comment/give suggestions. Here are the rest of the Gaang:

Katara & Sokka – Their native language would be Southern Tribe Water-ese, which at this point in the 100 Years War would have already become fairly distinct from the Northern Tribe dialect. They’re still mutually intelligible with the Northern Tribe but those from the Northern Tribe tend to think of them as sounding ‘crude’, making both of their respective attempts to earn respect there even more difficult. Now, here is where I was less sure of what other languages they would speak. Over the course of the series they would have to learn some Earth-ese and Fire-ese and I imagine they would both learn some Air-ese for Aang, especially after Katara marries him. The problem I have is the level of fluency, because in the show they manage to get away with hiding the fact they’re Water Tribe quite a few times but considering the situation the Southern Water Tribe was in and how young they were when their dad left I doubt they could have had comprehensive language lessons. So, for now I imagine Sokka especially took it on himself to teach himself Mainland Fire-ese and some Northern Earth-ese but since it was pretty much just him on his own it ended up pretty stilted/accented. He improves throughout the journey, learning to speak more naturally as he interacts with more people, and becomes the Gaang’s language guy when they can’t rely on Aang. Katara is just behind Sokka on this front. She is more curiously about Aang’s Air-ese than Sokka though so she asks Aang for phrases to learn as they travel together. Once the pressures of the quest are over she takes more time to properly learn it, Sokka too.

Zuko (& Iroh) – Given Zuko’s background – being the Crown Prince of a country that had taken large amounts of Earth Kingdom land, having travelled around the Water Tribes in search of the Avatar, living in the Earth Kingdom for a large amount of Season Two – I thought ‘Zuko’s got to be conversational in a lot of languages’ but then I watched the first few episodes of Season One and thought: ‘This is the English-speaking tourist who’s shouting for everyone to speak English in France’. So I decided on a middle ground. Zuko’s native language is Mainland Fire-ese but he was taught Northern Earth-ese and some Northern Water-ese from his royal tutors and later Iroh. However, at first he refuses to use any of them out of arrogance: He is the Crown Prince and everyone is either his subject or his enemy. He shouldn’t have to lower himself to their language. Iroh tries to discourage this and when they end up living in the Earth Kingdom they both have to start using Earth-ese regularly. Zuko grudgingly gets pretty fluent in it. Iroh on the other hand, as a member of the White Lotus, is pretty much fluent in every major language and is one of the few people who knows some Air-ese and Sun Warrior Fire-ese. He tries to be polite throughout his and Zuko’s travels, knowing how to apologise for Zuko’s behaviour in people’s native languages. After Zuko’s revelation and turnaround when he joins the Gaang he adapts to the mixed Earth-ese they’d been using as an auxiliary language but he tries to help Sokka with his Fire-ese and to speak a bit of Water-ese with both him and Katara. Except he’s not as fluent in Water-ese as Earth-ese and he learnt the Northern dialect so he makes a lot of mistakes and Sokka and Katara both liked to correct before they properly warmed up to him. Finally, later in his life, when he’s dealing with the process of decolonisation and the United Republic Zuko was one of the people to recognise the Fire-ese/Earth-ese mix as its own thing, learning how to speak some as a gesture of peace. Note: Zuko tends to use the ‘Isho’ pronoun, meaning ‘Crown Prince’, even after his exile as he wanted to keep hold of the power he believed he deserved. He still uses it in this way when he returns to the Fire Nation but once he betrays his father he begins to use it as an act of confidence instead. After his coronation he uses ‘Faiya Gazri’ formally, meaning ‘Fire Lord of the Fire Nation’, but informally he uses ‘Ya’, meaning ‘Friend’, or just ‘Yudafaw’, meaning ‘Speaker’. Note: Iroh used to use the ‘Isho’ pronoun as well, since he was born to be the Crown Prince. However, after everything with his son and Ozai he began to use the neutral ‘Yudafaw’. Now, Iroh uses ‘Keybi’ which means ‘This Old Man’ or ‘This Old Woman’ (Fire-ese words typically don’t have an associated gender). It’s an endearing term for an elderly person.

Toph – Gaoling, Toph’s home, is in the south of the Earth Kingdom so she speaks the Southern Earth-ese dialect. However, her parents being the type of people they are, Toph also knows how to speak like someone from the Ba Sing Se Upper Ring as that type of language is considered ‘posher’ and ‘more proper’. Unless she’s having to speak on the Gaang’s behalf actually in Ba Sing Se, she only ever does this mockingly. Toph uses a lot of Southern Earth-ese slang she picked up from the underground fighting ring and rarely feels the need to explain herself if people don’t understand what certain slang words mean. Since ‘their fragile blind daughter’ was never going to go on any wild adventures, Poppy and Lao never bothered to have her taught any other languages. This meant the Gaang used Earth-ese between themselves for most of the rest of their journey. She picks up some Water-ese and Fire-ese as things continue but the most significant change in language in her life is when she starts working as Chief of Police in Republic City. While it’s still heavily influenced by Earth-ese, she adapts to the UR Fire-ese.

Azula – She’s not a member of the Gaang but here she is regardless. Now, unlike Zuko who originally balked at language lessons, Azula really took to them. Her tutors praised her, to Zuko’s envy, and it added to her powers of manipulation. Azula is almost perfect with her accents, able to distinguish between Northern and Southern Water-ese and Earth-ese as well as Mainland and Colonial Fire-ese. This lets her mock Sokka and slip into the Earth Kingdom. Note: In her childhood Azula would have used the ‘Esho’ pronoun, meaning ‘Prince’ in the sense of a child of the Fire Lord not in line to the throne, but once Zuko was exiled she took the ‘Isho’ pronoun and uses it even in Zuko’s presence to mock him. She uses the full ‘Faiya Gazri’ pronoun once Ozai promotes himself to Phoenix King. Azula never feels the need to lower the formality of her pronoun, even when it’s just her with Ty Lee and Mai. Although, she does use ‘Em’, meaning ‘teenager’, when she’s blending into the party on Ember Island.

[araeph]

Araeph’s Greatest Hits, Vol. 2

Vol. 1 here.

It’s Araeph’s 1000th post! Thank you so much to all my followers, people who’ve messaged me for discussion, and fans who’ve filled my inbox with such thought-provoking asks. Below is the latest master list of my essays and fiction that I’ve compiled over the past year or so, as well as a few choice reblogs from other tumblr users that are mentioned by name. Have a fantastic 4th of July, everyone!

Fic Recs

A:TLA Friendship Recs Favorite Zutara writers

Araeph’s fics

Hatchling, Part 1 Spitting Image, Part 1 Breath of Fire Confidants Sunrise Moonrise Love Is a Marathon Defiance, Part 1 Defiance, Part 2 Defiance, Part 3 Defiance, Part 4 Defiance, Part 5 Defiance, Part 6 Defiance, Part 7 Defiance, Part 8

Other Meta

Araeph’s fandoms Mulan: contrasting messages in pop song vs. theatrical song The arranged marriage plot in Mulan 2 Mulan and Shang: military dynamics vs. a relationship What did you think of the Red John arc in The Mentalist? Was the Jane/Lisbon pairing in The Mentalist treated well? Did Lizzy marry Darcy for his money? What advice do you have for up-and-coming authors? What do you think makes a good romance? Are there particular directors you gravitate towards?

Steven Universe Criticism

What are your favorite critiques of Steven Universe? Who did Pearl belong to before she joined the Crystal Gems? How Pearl responds to toughness vs. niceness Can autism explain Pearl’s behavior toward Greg? What do you think of Pearl’s character and her treatment of Steven? Are there similarities between Aang and Pearl’s clinginess to their partners? The Diamonds: taking “compassion for one’s adversaries” too far What do you think of the "Rose is Pink Diamond" theory? Rainbow Quartz: requited love I miss the way they used to draw Peridot The decline of Steven Universe

A:TLA Gen Criticism

I just don’t know how to feel about Bryke! How do you keep A:TLA’s flaws from ruining the show for you? Should Teo, Haru, and The Duke have had bigger roles in Book 3? Should there have been a scene where Aang mourns the dead at the end of Book 3? The structure of the first half of Book 3 Is energybending Ozai enough to delegitimize his rule? Could Aang lying to the tribes in “The Great Divide” have been handled better? Was the Fire Nation secretly looking for the Avatar in the Southern Water Tribe? Parallels between the Fire Nation Royal Family and the SWT chief family Does the GAang idealize their parents and mentors too much? The significance of Momo How did the characters age visually throughout A:TLA? Was Ozai an abusive spouse as well as father? Do you think the Avatar universe has a legitimate afterlife? Detachment and unlocking the chakras Avatar cosmology @peacockarehot What happens before each Avatar is old enough to master the elements? How well was the challenge of being the Avatar told in A:TLA and LOK?

A:TLA’s Four Nations

Four Nations and childhood education Four Nations’ view of sex and gender roles Four Nations: a food contest analysis Four Nations eye color What is the best way for the SWT to develop? What is your opinion on Water Tribe betrothal necklaces? Why an earthbender shouldn’t be able to lavabend alone Is the Earth Kingdom united under a cohesive value? What is your opinion on the Air Nomad council of elders? Did the Air Nomads get shortchanged in development? Is Ty Lee an untrained airbender? Stormbending What kind of benders would mixed heritage kids be? Could firebenders draw power from the Earth’s core? Can waterbenders heat water to create steam? Part 1 Can waterbenders heat water to create steam? Part 2 What is your favorite nation and what type of bender would you be? Who are your favorite minor characters from all four nations?

Alternative A:TLA Finale and Book 4 Speculation

Zutara would have been a better bookend, even with only 3 books How would the Book 3 Zutara moments change with Book 4? What should have been the theme of the A:TLA finale? What do you find disappointing about the A:TLA finale? Aaron Ehaz’s plan for A:TLA and beyond @kataraaandzuko @terminaschosenone Anything you would like to see from an A:TLA sequel? How do you see the relationships of the Gaang progressing through adulthood? How would hidden airbenders have been revealed? Koh in Book 4

A:TLA Comics Criticism

Rosy colonialism in “The Promise” “North and South” : a settler’s fantasy  @fireladykatara “North and South” and the issue of progress The A:TLA comics do not follow A:TLA’s visual style Bryke’s interference in the comics What do you think of the role the Air Acolytes played in the comics?

Legend of Korra criticism

A:TLA vs. LOK: simple vs. complex beginnings LOK and inconsistent bending origins Which element is the hardest for an Avatar to learn? How would you write Korra’s development in Books 1-4? Mary Suyin How would you write Suyin Beifong? Suyin: complex vs. annoying characterization Zaheer and compelling belief systems Is Zaheer Korra’s foil? Thoughts on the Red Lotus What do you think of the concept of Raava and Vaatu? What do you think are the most well developed secondary characters in LOK? Varrick, Zhu Li, and abuse Could Makorra have become compatible? Bolin and Lavabending What do you think about the Dai Li surviving into the era of LOK? Bumi and Air Nomad colors Bryke’s extreme responses to fan theories How would a sequel to Legend of Korra play out?

Zutara Meta

A:TLA non-canon shippers keep A:TLA fandom afloat Zuko and Katara: Color symbolism in “Cave of Two Lovers” @marsreds Zuko and Katara: character parallels “Zutara is toxic and unhealthy!” (again) Zuko and Katara, twin flames @peacockarehot Zutara parallels with Darcy and Elizabeth Zutara parallels with Beauty and the Beast Blue Spirit/Painted Lady parallels The Blue Spirit vs. the Painted Lady Were the Blue Spirit and Painted Lady connected? How Zuko shows respect when saving Katara from falling rocks @theadamantdaughter Zuko and Katara’s parenting styles Zuko jumping in front of lightning was sacrificial What would young viewers learn from Zutara? On Zuko interacting more with the GAang Thoughts on School Time Shipping

“What Would [X] Gain from Zutara?” Katara Zuko Sokka Toph Suki Aang Mai Hakoda Iroh Azula Ozai Ursa and Kiyi The Fire Nation and Water Tribes The cabbage merchant

Kataang Criticism

Irrefutable proof that Kataang was NOT always going to be canon @peacockarehot Do you think Katara felt some pressure to date Aang? Kataang and unwanted advances (with @theadamantdaughter) Aang’s possessive behavior toward Katara @theadamantdaughter Why Aang’s behavior in “Love Is a Battlefield” is dangerous Love vs. attachment Does Aang respect Katara? Why “The Fortuneteller” is anti-Kataang Fanon Kataang vs. canon Kataang Could Katara and Aang still be happy together? Katara is aged down in scenes with Aang Kataang and the magic aging (with @jasubb-8) Does Aang’s age excuse his unwanted advances? What if Katara couldn’t give Aang an airbender? Will-they-won’t-they and Kataang Aang’s romances vs. Sokka’s romances @peacockarehot Kataang’s lack of substance in “The Headband” Kataang’s lack of substance in “The Cave of Two Lovers”

Maiko Criticism

Would Ty Mai be more compatible than Maiko? Ty Mai and understanding each other Were Zuko and Mai’s relations consensual? with @theadamantdaughter Why Maiko is prime for failure @peacockarehot Maiko, Zutara, and Conflict @theadamantdaughter The pitfalls of Maiko @peacockarehot Is Maiko or Kataang worse? Is Maiko or Kataang worse? – part 2 Why do Maiko shippers ignore the problems in their ship? Mai never dated the real Zuko Pros and Cons of Maiko

Character Analysis

Aang How would you have written Aang’s character development from Books 1-3? Aang exalting Air Nomad culture above everyone else’s Should Aang’s introspection have followed Buddhist tenets more closely? Rewriting energybending to improve Aang’s character @terminaschosenone Should Aang have had a more prominent teacher or guide? Do you think Aang’s grief at the loss of the Air Nomads was properly presented? Why was Aang not worried about killing Ozai on the Day of Black Sun? Aang vs. the vulture wasp Aang’s reaction to the other Avatars’ advice Aang’s reaction to Yangchen’s advice Aang’s response to Jetara Aang’s anger vs. Katara’s Did Aang truly exhibit contrition for the EIP kiss? How Aang idealizes Katara Did Aang really know how Katara felt because of his own loss? Who would be a good match for Aang?

Azula Could the dragons heal Azula? Do you think any little part of Azula ever loved Zuko? Azula’s motivations for the lightning strike Azula’s motivations for the lightning strike, Part 2 Would Katara feel a moral obligation to help Azula post-A:TLA? How would Azula have compelled Mai to go with her initially if Mai had refused?

Iroh Iroh’s character journey Do Iroh’s values align better with Mai’s or Katara’s? Maiko shipper bashes Iroh and Zuko Zuko and Iroh’s relationship parallels with Jim Hawkins and Long John Silver

Katara Katara and her emotional iceberg Katara would have been more independent if she’d married Zuko Katara puts her emotional needs in front of Aang’s Katara is abandoned at the South Pole Katara crying over Aang vs. Zuko Did Katara’s character development stall? Should Katara have been at the Boiling Rock? Should Katara have forgiven Zuko earlier? Katara lashing out at Sokka during Southern Raiders How do you think Kya would feel about the Southern Raiders? Would it have been in character for Katara to murder Yon Rha? Why does Katara’s character become so irrelevant? @zuzusexytiems Why Katara is not a Mary Sue @daughter-of-water @theadamantdaughter Why do people continually try to make excuses for Katara not fighting in LOK?

Mai What would Mai’s ideal character arc be? Mai doesn’t understand Zuko’s values @honxrable What personality would be best for Mai’s partner? Was Mai originally going to be a villain? Is there any evidence that Mai was scared of Azula? Debunking Mai’s affection for Tom-Tom

Sokka Sokka’s quest to be a man On Sokka seeing Katara’s face instead of his mother’s Sokka’s protective nature

Toph Could Toph and her parents reconcile? Toph and law enforcement

Zuko Is Zuko emotionally unstable? How would Zuko handle the issue of bloodbending? Was Zuko more open in Book 2 or Book 3? Hair cutting symbolism in A:TLA Do you think Zuko has PTSD? Zuko and Aang’s relationship Locations of Zuko’s Agni Kais and their significance The symbolism of Zuko’s scar Zuko is not stoic (@honxrable) Why I Feel Zuko’s Betrayal Was to End Zutara @peacockarehot Piandao as Zuko’s mentor