#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small

[puppyeared]

Atla live action 😐

[bookaddict24-7]

REVIEWS OF THE WEEK!

EVERY WEEK I WILL POST VARIOUS REVIEWS I’VE WRITTEN SO FAR IN 2024. YOU CAN CHECK OUT MY GOODREADS FOR MORE UP-TO-DATE REVIEWS HERE.

___

24. Throne of Glass by Sarah J. Maas--⭐️⭐️⭐️⭐️

Re-read January 2024

I've been wanting to re-read this series for a while because I never finished it. I remember really enjoying this first book in the series because of the competition aspect of it and I'd say I still enjoyed that!

I also see the foreshadowing for the MC's ability to attract all of the men in her life LOL. While I might not have enjoyed it as much as the first time, I still enjoyed it for the most part. There were a lot of things I forgot about and was delighted to be reminded of. The MC is a badass, but her constant "I could kill him with two moves" comments at the beginning had me rolling my eyes a few times.

Even though I know book two will break my heart again, I can't wait to pick it up. Also, SO MANY clues in this one about her identity that I missed the first time around. Definitely one of those books that is worth reading more than once just to catch all of the little pieces of the overall puzzle.

___

25. Mixed Signals by B.K. Borison--⭐️⭐️⭐️

I have a bit of a gripe with this author. While I like a good chunk of the books she writes, the third act breakups are so infuriating. They take away all of those happy feelings that were building up throughout the book because the drama and miscommunication for the third acts are freaking ridiculous.

I was listening to this book last night when it happened--the inevitable "I'm afraid and a coward and let me let you stew in this miscommunication so that it somehow makes sense for me to break up with you because I'm so scared." Listen, as someone who has anxiety and has relegated herself to singledom because I don't want to deal with the messy emotions, I UNDERSTAND. It's freaking scary. BUT. But for the love of god, there are better ways around this. This manufactured and forced drama is so frustrating. I literally wanted to throw the book out the window.

These characters deserve better.

Three stars because I loved them when they were actually functioning like human beings and not drama puppets. Three stars for the small town side characters, who I have loved the whole way through this series (I'd give THEM a higher rating). And three stars for the diversity of a Latine character (even if the Spanish was sometimes questionable.)

Will I read the last book? Of course. I want to read about the other couple, but I KNOW that I'm going to be frustrated as well. Listen, I didn't think I was going to get as annoyed as with the climax of book one (because book two was actually kind of okay with the climax), but oh man. The FRUSTRATION.

Sigh. Moving on. Read this series if you want cute moments and sexy characters, but be prepared for the moments of frustration. This FMC has a lot of things to work through and I think one of the things that frustrates me the most about these third act breakups is that they feel like they come out of nowhere. They're fine in the moment and then boom, "I'm a coward."

___

26. Breathless by Amy McCulloch--⭐️⭐️⭐️

One of the issues I have with adult thrillers is that I sometimes build them up a lot more in my head than the story itself. While BREATHLESS kind of suffers from this, it had its interesting and captivating moments.

I thought the mountain climbing aspect of the book was really cool and I wanted the MC to prove everyone wrong, including her awful ex-boyfriend. Granted I know nothing about mountain climbing, but that aspect of the book is probably one of the main reasons why I kept listening to this audiobook.

The mystery was not predictable but also it kind of was? LOL. It's hard to explain--I didn't actively think it was one person, but when it was all revealed, I thought it made a lot of sense. Like I said, I thought the mountain climbing was the true thrilling aspect of this book.

Overall, this was fun and I loved that ending, but it wasn't something I think I'll be thinking about a month from now. It was good, but *shrug*.

___

27. Slewfoot by Brom--⭐️⭐️⭐️⭐️⭐️

I didn't know what to expect from this beautiful book. I purchased it a couple of years ago because all of my friends were talking about it, so of course I fell to the peer pressure. Just like the beautiful and eerie artwork, the story itself is unsettling and straddles that morally grey line of justified vengeance and anger versus a society's portrayal of evil (ie. a woman refusing to be cowed by a male's authority.)

Reading this gave me this odd sense of satisfaction when everything came to a head--especially thinking about all of the women who were accused of witchcraft and murdered. I especially felt this anger when I think about how many people the MC helped and how those people let their fear and hatred guide their actions against her. I think, beyond the cowardice of a man not accepting defeat, that angered me the most--women turning on each other because of a male dominated society's idealism and "godliness".

Needless to say, I loved this and couldn't put it down. I wanted to know what came next, even though I KNEW it wouldn't be something good. I'm just grateful that Brom knew that I would be looking for those satisfying moments of vengeance.

Also, I'd call this terror in the sense of that overhanging fear of what comes next. But even with the gory bits and the blood lust, I'd say the real terror in this book is humanity and how easily they are swayed. It all leads to me wanting to ask: who is the true devil here?

___

28. From Dead to Worse by Charlaine Harris--⭐️⭐️⭐️⭐️

I can't believe I've made it this far! Although, I have this feeling I have because the deja vu is hitting me HARD.

FROM DEAD TO WORSE had so much going on, but unlike some of the other books before this one, this one actually took place closer to home. I kind of missed reading about Sookie's misadventures near her home. We got to revisit a lot of her relationships with the men in her life in this one--like the cleanser book for any ends that weren't fully cut clean.

I may have been spoiled for who's endgame, so I am totally seeing how Harris starting laying down the little hints here and there. But even so, knowing this doesn't stop certain moments from feeling bittersweet for me.

More things were revealed and Sookie grew even more as a character. I understood why she made the choices she made because she's finally putting her self-worth above those of the men in her life, but I still DID feel a little bad for her beau in this one. But again, I am on her side because she's been dealt some shitty men cards in the last eight books.

Onto the next one!

___

29. The Fake Mate by Lana Ferguson--⭐️⭐️⭐️⭐️

After trying and failing to read Ferguson's THE NANNY, I really wasn't sure what to expect with this vastly different genre of a book. I'm honestly so glad I decided to give this a shot anyway because THIS WAS SO MUCH FUN.

I was hooked onto the story and I loved the different tropes that were used. The whole grumpy/sunshine thing will always be a winner with me, and I am a puddle for this kind of tension. And don't even get me started on the smut. Omg, this man. The dirty talk in this was *chef's kiss*. This man is hot HOT.

I also really liked how the climax of the story was handled, even if one of my least favourite tropes was temporarily employed. I admire a self-sufficient FMC who can slap some sense into the MMC.

I do recommend this book to romance lovers, but I know that the topics explored in this book may be new to some. Research beforehand might be an awkward time LOL.

___

30. Just Happy to Be Here by Naomi Kanakia--⭐️⭐️⭐️⭐️

I want to preface my review by stating that I am not a member of the Trans community, so my opinions on this book are from an outsider's perspective.

JUST HAPPY TO BE HERE was an intense read, both because of the clear transphobia and because of the MC's youth/naive nature about the people around her. The number of times she was cut off by those around her, or had such clear transphobic comments and actions done against her and she brushed them off was rage-inducing. I think I know why she does this--especially at the end, when it all ties up really nicely together, but in the moment, I felt immense rage towards the people around her.

Kanakia's novel touches on so much happening right now in society and how people twist narratives to fit their agendas and their means. How some people can see one person as an "object" to further their ideologies.

This book just made me feel a lot and made me so angry, but I know I am privileged in my cis-life. My heart broke for the kids who are in these situations and/or are surrounded by people who just refuse to see beyond their own biases and hatred.

I also appreciate the representation of the complex familial relationship between the MC and her parents--it may have been imperfect, but as an adult, I can see the love there for their daughter.

Between the beautiful cover, the emotionally stimulating and thought-provoking story, and the raw reality of a young character trying to figure herself out, I do recommend JUST HAPPY TO BE HERE. I do also recommend that the TWs be heeded: transphobic language, transphobia, internalized racism, transmisogyny. Read with care--but know that this is a pretty important story. Also, Kanakia has a pretty great author's note at the end!

___

31. The Probability of Everything by Sarah Everett--⭐️⭐️⭐️⭐️⭐️

THE PROBABILITY OF EVERYTHING was so much more than what I was expecting and although my heart feels wounded and my eyes are still feeling that aching pressure after a good cry, I'm so grateful I was able to experience it.

Twelve year old me wishes she had this book to read when my world changed so irrevocably, much like the MC of this book.

This heartbreaking novel follows a young scientist-to-be who likes to deal with probabilities in exchange for the anxiety surrounding her world ending. We are faced with a family grieving the end and how everyone handles it differently.

I don't even know what else to say about this book for fear of spoiling it--but know that it is powerful, important, and heart-rending.

___

32. Long Shot by Kennedy Ryan--⭐️⭐️⭐️⭐️⭐️

Re-read: January 2024

I've been wanting to re-read LONG SHOT for a while, even though it is a very heavy and dark book. I had forgotten just how dark this book gets and while I highly recommend it, I do still super recommend you check out the trigger warnings.

Despite the dark and the abuse, the shining light was the blossoming romance between the two MCs and how, if something is truly destined for you, it'll happen.

LONG SHOT is a book full of emotion, heart, heartbreak, and a bit of magic in the sense that Karma is a bitch and it comes for all. Also, the FMC is one strong woman who did everything she could to protect those she loves. Kennedy touches on the misconceptions that haunt survivors of DA, which I thought was a very important aspect of the book.

Now I want to read the rest of the trilogy, which I never read after the first time I read this one.

___

33. Two Twisted Crowns by Rachel Gillig--⭐️⭐️⭐️⭐️⭐️

I am always wary of sequels--especially when it's for fantasy books I initially really enjoyed. Somehow, Rachel Gillig delivers a sequel that was even better than the first book. TWO TWISTED CROWNS was a delight of a read full of dark moments, high intensity, anger, and a love story I felt more deeply than in book one.

The angst alone between two of the characters I wasn't expecting to see together was better than I could have ever hoped for. This was what made this book even more fun--just me casually waiting for these characters to just cross that line with each other.

Also, I found that TWO TWISTED CROWNS had me reacting more viscerally towards the hateful villains. The way I wanted to smack a bitch in this book because how dare they hurt these precious beings?

And, hi, I wasn't expecting to cry? Imagine that I'm enjoying this darker fantasy novel when all of a sudden, my eyes start to water during an emotional scene.

Let's applaud Gillig for making this a duology (hopefully) and not dragging this in a ten series saga. This whole series was such an incredible piece of fiction. I'm glad I fell into the hype and read these two books.

___

34. Holes by Louis Sachar--⭐️⭐️⭐️⭐️⭐️

Re-read January 2024

I don't even know how many times I read this when I was a kid. Reading it as an adult now was such an interesting experience. For one, the story felt a lot shorter and quicker than I remember it being. I also remembered everything because I'm not kidding when I say that I read this A LOT as a kid.

Being an adult, I can also see how truly sad this story could get--especially one of the historical stories told throughout the book.

Such an amazing classic and truly a gem.

___

Have you read any of these books? Would you recommend them?

___

Happy reading!

[ladyluscinia]

Ok one last dip into "the Izcourse" before I take my own advice and pivot to rewatching S1 in prep and posting about what I love!

We get a lot of trolls, and harassers, and staunch antis looking to pick a fight with the "bad fans" who either drop bait or jump on people's posts to be annoying. That's the flame war part of all this mess. But we also get a fair number of posts from "neutral" people that I want to gripe about for a moment because at least the antis are misrepresenting "what Izzy fans believe / discuss" because they are actively against my take on the show for whatever reason. But it's more annoying to me personally when it's just... a lack of effort.

(And I've mentioned this before)

Like... a "neutral" observer weighing in on "The Izcourse" is a member of the general fandom who doesn't care enough about Izzy to really be an anti. Their perspective on the matter is coming from directly or indirectly following people in the antis' main meta circle. We know this, because just about every neutral person who was not from this background got classified as an Izzy apologist / problematic Edward thoughtcrimer and they are counted as in "the Canyon" now. We watched it happen a lot over the past year and a half. So the observer is not neutral, not really, but they probably aren't heavily blocking / blocked if they don't care and don't talk about Izzy.

Which makes it so frustrating when they feel the need to bring up "concerning" trends among Izzy fans and their interpretations and then they don't know what those interpretations are.

Like - in the most patient tone I can possibly manage - scrolling a bit of the Izzy Hands tag and taking fans squeeing about their blorbo as evidence there is no nuance in meta and too much babygirlifying here is dumb as fuck. Hell, even isolating a recent meta post and going "well I don't agree with this because XYZ" is still very much a "so what?" situation because that one person is not representing all Izzy fans? And also you still have a huge blind spot.

Because meta is - at its core - a collaborative structure.

You can't experience a particular branch of meta primarily through people vaguing or screenshotting and dunking on whatever looks the worst, then skim a little bit of a tag and be able to confidently call out what the "problematic trends" are. You can't even understand where the random meta you singled out is coming from, because you don't know which posts they've been looking at for over a year. And this is all really highlighted by the fact when you go to dissect that post you disagree with, you'll do it by just saying things that you understand to be established, well-defended facts from your own circle of meta and not back them up at all. Because in your mind you don't need to! And yet the post you're disagreeing with won't make sense because they are just assuming things and talking about this fanon version of Izzy you don't recognize. 🤷‍♀️

(This is why my typical meta post is linking to three separate discussions, lol. I'm building off of things said before like basically every meta writer, but I want those things referenced.)

If you aren't going to actually put in the effort to identify which blogs are the "major players" and then go back through tags or their popular posts or whatever to get an actual idea of what the meta structure Izzy Canyon has spent over a year discussing contains, then at least don't disparagingly comment on those people and discussions while lumping them into one "problematic" hive mind??? You don't know what you're talking about because you didn't care, and that's whatever. Just please stop confidently conflating random blog #7's generally happy post about how "i can't wait for my fave little guy to have friends 💕" with a concerning lack of discussions on Izzy's relationship with the crew.

My "#ofmd meta" tag - among others - is full of almost exclusively Izzy Canyon blogs writing complex posts about all sorts of things from romcom genre conventions to POC fans' takes on Edward's cptsd, and it's beyond annoying to see them repeatedly insinuated to have the depth of a puddle because the antis prefer to pile on a headcanon about Izzy reading and turn it into an insult to Edward's intelligence, and all the "neutral" blogs take it as gospel.

[headgehug]

I love Alois but kind of in a half-ironic way. the devs could have made the ultimate homewrecker fantasy about helping a married dad figuring stuff out about his sexuality but instead, he a-couple-of-bestiiiiesifies you

And I still find it funny because not even FeMC can get the dad bod in her bed, nope! Definitely Alois's greatest joke. A five-years-long joke. *clenches teeth*

No but honestly he's a great unit in battle, maybe not the best one but certainly a big help. And he's cute in a pathetic way, like, you know, he looks clueless half the time, his jokes rarely land...

Well he's also handsome period.

I'm not even that sad (anymore) about not being able to gay-marry him, because it would be with Male Byleth, and Male Byleth's design is. not. great. or fun. it's There.

I do think, however, that there's comedic potential about a chain of supports where he gets around the fact that he likes guys (too? Only? Half the time? Who knows!).

... Fuck, now I want to write that.

Anyway let's pretend that your ask box isn't becoming my personal diary, here's a question for you: what are your gripes about FE3H... or FE in general? I'm all ears!

EDIT: WAIT ACTUALLY WHAT ABOUT AN EDELGARD/ALOIS CHAIN OF SUPPORTS. OH MY GOOOOD.

EDIT2: I'm sure Seteth would also be very comfy talking about sexuality with him. Surely!

ooh yes i'm very soft for Alois! i've never bestie-married him but i always recruit him because he's a nice presence to have around. i like how he's pretty self aware about being loud and not as funny as he tries to be, but he's still all smiles about it. classic kind of pathetic wife-guy <3 it would be very interesting to see supports with him and seteth where they're talking about very personal things, or ones between him and Edelgard where maybe she warms up to him being a sort of fatherly figure she never got to have?!

Gripes about fe3h... quite a popular one is that the Blions and Beagles don't fight TWSITD. Which I agree with. Out of all three houses, those two objectively deserve to fight them most. Then, I guess it's a little annoying to me that some of the best paralogues in the game require 2 recruits to unlock, for example Shamir and Alois, Leonie and Linhardt, recruits that you probably wouldn't usually go for together (of course, I do really like their pair ups, it's just that in order to get ALL the relics i need to recruit everyone every playthrough... which is doable when you're on ng++++ like me lol, and can just buy Byleth's skills, but....)

but to be honest, now that i've played several older fire emblem games? i definitely appreciate it a lot more. it's a much more casual game, relaxing to play, lovely graphics and music with a lot of character depth compared to early games. i really appreciate that Byleth (and all units, tbh) can effectively be any build. it's a highly replayable game and even though it's not perfect i do love it :)

hold up, actually? the worst part of fe3h is that m!Byleth is ugly and boring. it would almost totally ruin the game if f!Byleth didn't have that cute little head-empty-no-thoughts wide eyed stare.

wow.. wrote a lot more than i intended to in response. imagine if your diary thought you were its diary...

[redrobin-detective]

Ben 10 lore that exists in my heart regardless of canon

- Ben’s personality in his mid-late teens is a mix of his Alien Force and Omniverse self. On the surface, he’s very cheerful and kind even if he is a bit of arrogant showoff. He makes jokes and plays around and acts as if he isn’t bothered by the things in his life. Those who know him best understand a good portion of his outward confidence and cockiness is just a facade to cover up his insecurities and to project the ideal, effortless hero. While sometimes seen as immature, most beings know Ben 10 means business as he takes his unofficial job and people’s safety very seriously. He’s clever, adaptable, charismatic and empathetic which makes him a formidable opponent and a loyal friend. Doesn’t open up easily but if you get to him, he become so dearly attached. 

- Drinks smoothies so much for several reasons. Comfort food go brrr, reminds him of the good easy times with him Gwen and Kev. It’s also a light but generally nutritous food to give him energy for heroing. Anything too heavy and he’ll be puking (both from physical and emotional stress). Though he jokes about his mom’s health foods, his are a crazy concoction of add in proteins and vitamins/minerals bc he knows he’ll out and out collapse without it. (Still has on occasion bc boy still doesn’t eat right/enough)

- While Fame is exciting for him at first he soon begins to detest it. Not the fans, no, he can’t bring himself to hate the people who look up to him. But he hates the constant attention, that he can’t walk outside without being mobbed. the only place he feels safe is his hometown where most people are so used to him and his weirdness that they don’t react much anymore. Takes to wearing a cape and face shield when going out anywhere so he can actually get things done without being recognized and mobbed.

- Part of the reason Bellwood isn’t concerned with Ben is partially because ben’s been weird and alien for as long as they can remember but also many don’t realize how famous/powerful he is. Yeah that’s just Ben Tennyson over there, sometimes he turns into funny creatures- wait what do you MEAN he’s the savior of the universe?? He cried over a spilled smoothie the other day.

- Does mostly online schooling by the time he’s 15. At first he tries to do half day things to maintain something of a normal life but it quickly becomes overwhelming and dangerous him/the school. Finishes his GED early but the Plumbers and Azmuth make him take additional college level and alien courses to prepare him for his future role. Ben gripes but really does love learning all these things, especially on his terms (ADHD and stress + the public school system do not always go hand in hand). He’s a quick learner when he deems the information important and is made accessible to his learning needs.

- Ben definitely has ADHD speaking of which, it was nearly uncontrollable as a child bc his free-spirited parents didn’t believe in medicating. Ben convinced them he needed it and after some trial and error, found meds that worked. As he became more involved in heroics/growing up he had to change his medicine regimen (resulting in him being a bit more off the rails in OV) and needed antidepressants and therapy to manage it better. As an adult he has a whole litany of coping mechanisms (good and bad yes) and regularly checks in with his therapist and doctors to keep things under control. 

- Has a complicated relationship with his necrofriggian children. Considers himself their mother and worries after them. They too feel a connection to their parent despite this being unusual for their species. A few visit (some more than others) while they grow while others maintain distance. Ben never breathes a word of them to the media for fear of them being targeted. Still he keeps an eye on them and ensures all 14 mature to adulthood (another rarity for the species). Checks in every now and again with the ones who don’t want to see him and those that do. Two join the Plumbers and Ben is both proud and worried. His youngest becomes partners with Rook Ben.

- Just in general loves kids, they’re his favorite fans and while he’ll grumble at pushy adult fans he always smiles and kneels down for the little ones. Not so secretly wanted to have children of his own but knew it was a risk overall and used a lot of that energy with mentoring and teaching. Eventually had Kenny later in life (late 30s-40s) and was over the moon, becoming such a loving and doing parent or as much as he could be with his hectic schedule. 

- Omnitrix can’t come off, never has at any point since it first latched onto Ben’s arm. Azmuth tried and failed to get the device off, doesn’t let Ben know for many years as he feared the consequences. The watch loves and protects Ben even beyond it’s programming making him much more durable to damage and releasing energy charges when he’s threatened. Not even removing Ben’s arm would separate them. They’re stuck for life.

- Ben does have Anodite heritage but the Omnitrix actively suppresses it and uses the built up energy to power the transformations which is why ben is mostly unaffected by what should cause a massive energy drain on him. Theoretically if Ben learned to harness and safely use his Mana at an early age like Gwen he would have been fine but letting it build up without safe outlet meant activation would have killed him. Omnitrix Ben, however, went his whole life not knowing of his latent abilities and how the watch saved his life.

- Ben’s eyes get more green and glowy as time passes from the Omnitrix. At first they think its a trick of the light but by the time he’s an adult his eyes are pretty much glow in the dark. His veins light up too after long stretches of using the Omnitrix. Its vaguely unsettling to people who aren’t used to Ben.

- Max and the Earth Plumbers work so, so hard to keep teen Ben on Earth when half the universe is blowing up their comm lines asking for The Ben 10 to help with whatever problem of the day. Ben himself doesn’t quite understand when he’s younger the prestige and expectations on his shoulders. Max throws up a million and one roadblocks so Ben can live as normal a life as possible while he still can. Still, while doing that he Still overloads Ben with expectations and responsibilities on earth and beyond. He becomes a soldier again with Ben as their greatest weapon. He never forgave himself of losing sight of his grandson underneath the hero esp after Ben’s breakdown. 

- Rook partnership with Ben ends not long after Omniverse with his promotion to Magister. Ben tries to play it cool but the thought of another loved one/teammate leaving his tears him apart. Max revealing that Ben most likely wouldn’t get a new Plumber assigned partner since he’s almost an adult and won’t need it and Rook accidentally missing their last smoothie run due to a scheduling mishap causes Ben to snap and have the nervous breakdown that had been building for almost a decade. He completely loses it for a little while and needs to take an extended leave of absence from school and heroics that lasts about a year. Spends time recovering both on Earth and Galvan Prime, does some diplomatic training, learns about aliens, actually confronts the stress and loneliness of his life. He comes out the other side stronger but still fragile and exhausted.

- Ben’s above mentioned breakdown brings him closer to all his friends who didn’t quite realize the extent of Ben’s burden. Rook had been under the impression Ben didn’t like him all that much so the knowledge that his departure was the final straw for friend/hero’s collapse was shocking. Ben and Azmuth also become closer, the Galvan becoming fiercely protective of the boy seeing as his Earth family didn’t do well to keep him safe. It takes years for him to get over his anger at Max for putting so much on his grandchild. Ben makes more friends, in and out of the hero business, finally gets a therapist and gets some of his burdens eased a bit. It’s not a sure fire fix and Ben has several smaller breakdowns the rest of his life but its something.

- Azmuth was straight up suicidal before he met Ben for the first time. Ben gave him back hope for the universe and his ability to create items for peace not weapons. The boy infuriates him, frightens him, frustrates him but Azmuth cannot deny in his heart of hearts that he loves Ben dearly. He’s very upset at Ben’s breakdown and doesn’t know how to handle the worst of the initail outbursts. Azmuth talks Ben down from a suicide attempt. He reaches out to Ben that he Too felt overwhelmed by pressure, thought himself only good for war. Ben’s arrival in his life saved him and now he will do the same for Ben. It’s the first positive step forward in Ben’s recovery.

- For no other reason than I like it, Azmuth primarily refers to Ben as Benjamin (mostly to annoy the kid but he likes the way it sounds too) and Ben in softer, more serious moments. 

- Professor Paradox continues to flit in and out of Ben’s life. He says its because Ben is the most equipped to handle universal peril (true) but he’s also just very fond of the boy. Ben, existing in so many forms and having such importance also exists a beat outside of normal reality which Paradox identifies with. Ben is naturally attuned to time related problems because of this (instantly IDing Spanner as from the future before being told later deducing him to be his unborn son). Plus Ben named him, way back when. He’s just drawn to Ben.

- Adult Ben, while being seen as an impressively skilled fighter and champion, really has his strength as a universal diplomat of sorts. Based out of Earth, he helps mediate and defuse conflicts, advocate against tyranny and overall preserve peace and balance. He’s not perfect, he makes mistakes and sometimes is forced to become violent (and yes kill) but overall is regarded as a peacekeeper, something younger ben simply couldn’t understand. 

- Gwen gets her degree and primarily does work with advocacy and teaching about magic/alien culture. While she and Ben are still close, there’s a bit of a frustrated divide in that she isn’t helping him share the burden of the universe. Gwen never wanted to be a hero and has enough worth to not shackle herself to a job that’ll burn her out. Ben loves heroing but gives too much of himself away trying to fix everything. They get into screaming arguments that it wouldn’t be so bad out there if she just helped him but she refuses to budge and says he shouldn’t make himself do so much. They always make up and thy still are each other’s closest relationships.

- Ben marries Kai in a political move, Kai is Asexual and Ben Aromantic. They didn’t love each other but they got on well enough and Ben was really feeling the stress of carrying the hero burden so Kai also being involved made him feel like he wasn’t alone. Both were also so tired of the universe constantly asking about their love life and said ‘fuck it we’re married leave us alone’. Gwen was always mad about it feeling Ben deserved better but the two of them were happy with it. They had separate rooms, mostly separate lives but they became strong friends and supports with their strictly platonic marriage. They had Ken via Invitro in an incubator and were loving if extremely busy parents. 

- Also from the moment he appeared, Ben knew that Spanner was his future son, Kenny. He played ignorant and then was kind of deliberately teasing him in future encounters. He knew the rules of time and didn’t want to disrupt things further even if he was angry and worried as heck about why Ken felt the need to time travel. When future Ben catches up in the timeline, Kenny gets SUCH a lecture. 

- Ben isn’t quite immortal but he’s also not entirely human anymore either. The Omnitrix not only keeps him safe from most harm but it lightens the effect of aging. Ben 10 is active many, many years when most humans would have been forced to retire. He’s not sure how long the watch will keep him alive and it terrifies him. Gwen too is functionally immortal however she ages like a normal human, then when her natural death came, shed her skin and became a fulltime Anodite. So in the end, it was her and Ben together wondering which of them will die first. Gwen has trouble retaining her humanity as pure energy and swears she’ll let herself fizzle out when Ben goes. When that’ll be however...

[inexplicably-spookified]

quick lil kirby and the forgotten land ramble/thoughts (contains a lot of very spoilery spoilers)

first of, pros:

- absolutely a good game, like- really, really good, excellent transition to 3D

- enjoyed the level design overall and the main game's length is satisfactory! i sped through it over the course of fri-sat-sun, ignoring most bonus content and i'm yet to check out postgame stuff, there's like. a lot to do in this game lmao. that was an issue in star allies so i'm glad it's been resolved!

- combat/copy abilities transferred over well imo, and i had fun with drill and gun kirb ranger

- mouthful mode's a fun gimmick and it still cracks me up

- elfin didn't betray us!! i really liked the build up, too, with the lab tour and reveal that he was a split off from the ULTIMATE LIFE FORM(tm)

- holy SHIT fecto elfillis was a cool design and even cooler fight, and the fucking CHASE sequence in the lab was creepy as hell, glad kirby's keeping up its eldritch horror final boss reputation

- VOICE ACTING

- ACTUAL, ENGLISH VOICE ACTING???

- kirby committing vehicular manslaughter in the finale was really funny, fitting end 10/10

- waddle dee band my beloved

- waddle dees in this game were super cute overall, i liked the touch of them not all being the same exact colour and i enjoyed the town and seeing all the dees just kinda vibin :]

- overall yea kirby good. good game.

though i did have some minor gripes:

- the way unlock notifications were handled is super annoying, they're not grouped, they're all announced individually and you can't skip them, you have to sit through the fucking jingle EVERY time for each one

- beast pack felt... not very memorable, both in terms of lore and design. idk man not vibin with those guys. i feel like they weren't given much explanation as to who they are and why they're doing what they're doing, not even a bare minimum, which kinda sucked, and they didn't have very interesting designs to make up for that. also why'd they give the leopard tiddies and an hourglass figure.

lion dude was cool though i guess, especially his second phase

- kinda missed the pause screen lore, i wish they'd kept it, it was a really nice way of at least giving some interesting flavour text - capsule figurine descriptions are meant to fill that, i guess, but... they're random chance and optional

- definitely less lore orientated than the previous couple games, which i can respect, i suppose, it's trying to be its own thing, but like with the pause screen text, i missed it a little bit? would've liked to at least know a little more about the planet's previous inhabitants/society

- on that note, and this is really just my personal disappointment, i'm bummed they didn't even give a nod to shiver star, given the setting is literally an expansion of that concept. would've just taken a factory inspection remix tbh. though overall it seems really disconnected from the previous games - back to basic copy abilities, only returning characters are dedede/meta knight/bandanna dee, etc etc. like, i can respect that too, but i dunno, i enjoyed how connected the previous games have been

all that being said, it definitely didn't ruin my enjoyment much - it's just me nitpicking - overall i wholeheartedly recommend it, i had a lot of fun!

[kiribakuhappiness]

Bakugou's Wedding Studio

Katsuki's

by KiriBakuHappiness

(AO3 link)

Bakugou Katsuki / Kirishima Eijirou Wedding Planner / Engaged AU Fluff/Humor/Light-Angst/Romance Rated T (for Katsuki’s colorful language) Word Count: 6315

Author's Note:// I really don't know where this story idea came from but I just had such an overwhelming urge to write it so now all of you are going to have to read it - enjoy!

Katsuki has never been to a wedding before.

The fuck would he waste his time going to one of those dumbass things for? To watch relatives who he didn't know and had never cared to meet before cry disgustingly and blow snot into rags in celebration of someone else in the family getting to have bland missionary sex for the rest of their pathetically monotonous lives?

Or did the joy come from listening to people whisper about the decoration choices and chuckle in disdain about family drama or was all the fun wrapped up in making sure someone's estranged uncle didn't get too drunk and try to piss on the bride's gown or -

Where the fuck was the fun in any of it?!

Fuck. Katsuki hated weddings - and he's never even fucking been to one before but that hardly matters because he gets the overall fucking gist of them just fine on his own. He's seen all the damn movies.

The weepy vows and the overly-edited wedding photos and the drunken hook ups in the coat closet or bathroom with someone who may or may not be a distant cousin or, fuck; it was all so very cliché and annoying.

Unfortunately, Katsuki's mother was a fucking wedding planner - so guess who knew way more about weddings than he'd ever planned to know?

You're a fucking genius. It's this guy.

Just shoot his damn brains out now. 'S not like he's gonna need them much after suffering through all of this shit.

"Katsuki," his mother swats at his arm and abruptly pulls him full force back into the wretched reality of this entirely undesirable situation. "Are you listening? This is important to me - I'm really counting on you for this one, kid!"

Katsuki barely holds back a groan. Barely.

He might be reaching 24, but his attitude still felt like that of an angsty teenager most days, and all of this unnecessary needling really wasn't helping with his high blood pressure that his doctor kept insisting that he had.

He shifts in the uncomfortable plastic chair by the edge of the hospital bed and tries to pay attention - he does - because his mother got hit by a car not three hours ago, and while that was so insatiably fucking hilarious to think about on its own, the resulting chaos that had ensued after such a laughably out-of-bounds incident that had dragged his ass head-first into all of this was most certainly not.

"I could do this shit in my sleep if I had to. I was forced to go with you to meet-ups like this all the damn time, remember?" Katsuki grumbles bitterly as he proceeds to flip through the scarce few channels on the television screen hanging up in the corner of the room.

Mitsuki snatches the remote from him when he passes over the same dull history channel about sharks for the third time since he'd arrived with a bag full of hastily packed shit from the house after he had gotten the call from the hospital.

"Yeah, when you were seven." She turns the television off and tosses the remote out of his reach into the other vacant chair on the far side of the room. Katsuki scowls and watches it soar away, briefly mourning the loss of the only thing getting him through this conversation with his mental stability still in tact.

"How fucking hard can it be?" Katsuki continues to gripe as he slouches further down in his seat, throwing his feet up to rest his boots on the bed with his ankles crossed. "'You want this piece of shit flower, or this piece of shit flower? You want this dumb table set up, or this dumb table set up?' I think I can fucking handle it."

His mother sighs and runs a hand over her bruised face, but he can still see the smirk that she's so desperately trying to hide in her palm. She can't fool Katsuki - she might sell lovey-dovey bullshit day in and day out to poor saps who waste all of their hard earned life savings on some big dumb party that most of their guests who are invited to attend are too drunk to even remember the next morning anyway - but she's just as much of an asshole as Katsuki is.

Mitsuki was just significantly better at hiding it in front of her important valued business clients.

"Just... please be on your best behavior, alright? And wear something nice. A sweater, maybe? You do own nice clothes, don't you?" His mother goads as she finishes organizing the gigantic black binder open on the bed sheets in front of her before she slaps it shut with a satisfied grin that stretches the bandage on her cheek.

"Oh yeah," Katsuki snorts with a condescending roll of his eyes. "Want me to get my finest jewels out of the damn vault, too? Maybe hunt down an endangered cougar and wear its scent as fresh cologne?"

His mother's hand comes up to her face again, but her shoulders are shaking. "How did I ever raise such a charming gentleman?"

"Beats me, you're a fucking bitch," Katsuki counters easily as he lumbers up to his feet. He reaches for the binder but his mother is quicker and she snatches it up to hold it close to her chest.

She's giving him her most serious look now.

Ugh. That means they're officially done fucking around.

"I mean it, Katsuki. This client was a referral - I really need them to have a good experience," his mother repeats for what must be the seventy-billionth fucking time.

Katsuki melts back into his chair with a disgruntled whine that could have come from a five-year-old's temper tantrum. "The fuck can't you just reschedule this shit for if it's so damn important?"

"Because the couple needs to be married and on a flight in exactly two months. Do you know how fucking long it takes to plan a wedding, Katsuki?"

He does. "No."

His mother smacks the binder against the top of his head before she finally holds it out for him. "Don't screw this up, wise-ass."

How fucking encouraging.

Katsuki snatches the binder from her with another overly-dramatic roll of his eyes as he shoves himself up to his feet again and starts for the door. "Hope you get a bed sore, devil woman."

"Love you too, you little shit!"

-

His mother's office building is way too fucking fancy for Katsuki's taste. Expensive wooden flooring and tall ceilings and Rome-inspired pillars and some kind of old fucking statue of a half-naked woman right at the damn entrance with her stone breasts all hanging out.

Was this supposed to be a wedding planner's studio or some kind of fucking art museum? Katsuki can't even tell anymore.

He supposes that it has been a pretty long time since he's last been back here, and he can't ignore the fact that his mother's dumb business has come a long way from being the dinky little hole in the wall that it used to be.

Still, the statue feels like a bit of an over kill. Katsuki can't stop staring at it. Where the fuck were her arms? And why did her eyes look like that?

Were they... moving?

His body tilts dangerously far to one side as he eyes up at the woman's face with a squinted gaze. She was definitely tracking his movements - this statue was seriously fucking cursed or something. It probably came to fucking life at night, creepy ass piece of -

"Uh... am I interrupting something?"

Katsuki nearly staggers over his own two feet as he hurries to try and right himself before he whips around to spot the culprit who has so suddenly decided to sneak up on him.

"Hah?! Fucking hell, make some damn noise next time!" Katsuki reprimands with a harsh glare. He hates being fucking spooked like that.

The man in front of him grins a wide, toothy smile. "Sorry, man! I didn't mean to startle you! Uh, is this... the Bakugou's Wedding Studio -"

Oh shit. This is the guy that Katsuki is supposed to meet with today?

His sharp gaze takes in the plain jeans with the rip in the left knee and the dark V-neck combo that he's wearing; a pretty casual get up considering the dumbass shirt and tie that Katsuki's hag of a mother seemed to think that he desperately needed to wear for this. She was so full of shit sometimes.

Fuck, was this guy still talking?

"- so I hope that's okay and everything!"

Katsuki has no idea what he's going on about, but it doesn't matter. He waves a dismissive hand around in the air, anyway.

"Yeah, yeah. Whatever you want, Red. You ready to do this or what?"

The guy blinks in surprise at him and one of the hands he's had pushed down into the pockets of his jeans suddenly reaches up to touch at the stupid spikes of red hair styled on the top of his head before he laughs boisterously.

"Alright, a man of action - I like that! Let's do it!" Red cheers, thrusting a fist up in the air and beaming another ridiculously happy grin. What a fucking nut job.

Katsuki leads him around the creepy statue lady and across the wooden floors of the studio towards a set of black leather couches set up in the corner by the large bay windows overlooking the street below. He slaps the binder on the table and flops down onto the couch before he mindlessly flips it open to the first page to pull out all of the dumb introductory forms.

The faster they get through this shit, the quicker Katsuki can go home and take these uncomfortable clothes off - gotta keep his eyes on the prize.

Red plops down on the couch next to him, still smiling that mega-watt grin. Katsuki is used to seeing that stupid fucking look on his mother's more sappy clients' faces.

It's all about the fucking love, right?

Definitely not about all of the money.

"This place is really nice," Red compliments unnecessarily as his eyes sweep across the studio. "Did you decorate it yourself?"

Katsuki snorts at that. And then he rehears the question in the back of his mind and he cackles again because holy shit - that's the funniest fucking thing anyone has ever asked him. "Hell no. Just filling in for my mom or whatever. 'S her place, not mine."

"Oh, are you... not a wedding planner then, or?"

Shit. Backtrack - fucking backtrack.

"Hah? 'Course I am! You think I come here and do this shit for fun or something?" Katsuki snarks back as nonchalantly as he can. He really needs to just get this over with.

"Where's your wife-to-be, anyway? Shouldn't she be here nitpicking all of this shit over with you?" Katsuki grumbles absentmindedly as he yanks out a pen and finally settles down to do quite possibly the most boring thing to have ever been invented.

"Nah man, I just told you! My ah... husband-to-be had something come up at work, so he couldn't make it in today," Red explains again anyway, entirely unperturbed with having to repeat himself. "It's just me!"

Gay? Huh. Katsuki wouldn't have ever guessed.

"Whatever, just make sure he doesn't call and complain if he doesn't like what you pick out," Katsuki warns as he flips the pages of the binder to the first horrible section of a long list of equally horrible things; the venues.

"Don't worry about it, dude!" Red reassures with a confident thumb thrust into his puffed out chest. "I've got a great sense of style!"

-

So.

That was a fucking lie.

Red's got something - but it ain't style. A brain tumor, maybe.

"You want to do what?" Katsuki can't help but ask incredulously. His pen stalls in his casual note-taking as he raises an eyebrow and lifts his cheek off his clenched fist to better stare at the other man so that he knows just how ridiculous his dumb request sounds.

"You don't think that'd be awesome?!" Red expels with just as much disbelief, sitting up now with his hands thrown out wide in the air as though to adamantly argue his point. "First the ceremony, then the reception - or whichever one comes first, I guess I already forgot - but then, boom! Paintball tournament! It's fool proof, man!"

They've been at this for two hours now and Katsuki thinks there must be something seriously wrong with this guy. He's kind of starting to think that he isn't even really engaged. There's just no fucking way. He's literally a child with adult spending money.

"My mom ain't gonna plan a fucking paintball tournament for your wedding, I'll tell you that right now," Katsuki snorts with a further bewildered shake of his head at the very idea of it as he resettles his cheek against his fist again.

Red beams a mischievous sort of grin as he casually leans over to elbow Katsuki in the bicep. "Buuut your mom's not my wedding planner, you are! Right? C'mon, I can totally tell that you're way cooler than she is!"

Huh. Red's got some kind of a point there. Maybe not a complete one, or a valid one, but it's the start of something intriguing for sure.

Katsuki flicks his pen around in his fingers as he entertains this woefully horrible temptation to fuck with this painfully typical wedding design that Red's husband-to-be seems to be so dead set on having. Katsuki can't help but agree with the idiotic manchild; maybe that's what weddings need more of these days in order to be less shitty.

Some kind of entirely chaotic activity that causes real physical harm.

Besides, his mother did tell him that he was meant to do whatever it was that the customer wanted - whatever they ask for, just tell them you can do it and then figure it out from there! - and this overly enthusiastic redhead sitting on the other end of this leather couch from him wants a fucking paintball tournament at his wedding.

This temporary gig might be a lot more interesting than Katsuki originally gave it credit for.

"Alright, Red... you've piqued my interest," Katsuki concedes cautiously as he pens in a little added note at the bottom of the seventeenth modified color scheme they had finally settled on. "You want a paintball tournament, I'll give you a fucking paintball tournament."

"Woah, really?!" Red lights up like a fucking Christmas tree at that. "Oh man, you must be the best wedding planner ever!"

Katsuki tries not to look too smug. What a horrible fucking compliment, anyway. But still - Red's got the right idea. Katsuki was the fucking best.

He might not mind working with this idiot for the remainder of this project, after all.

"What other kind of crazy junk you want?"

"Oh, dude! I've got lots of ideas!"

-

A wedding generally takes anywhere from 200-500 hours to fully plan and execute. Katsuki's currently got about 10 1/2 logged with Red over the course of their past few meetings together, which only left a bare minimum of around 189.5 more hours to go.

Still, it wasn't really as painstaking or horribly boring as Katsuki had been expecting it to be. Despite the moron's horrendous sense of style and apparent fucking colorblindness, he did have a shit ton of incredibly dumb wedding event ideas to spout off endlessly about, and Katsuki was almost having trouble narrowing down which horribly inappropriate ones to choose to include in the draft proposal from their long ass list.

He couldn't believe how much he found that he really didn't mind walking into his mother's wedding studio in preparation for another long session with the weirdest client he's ever had the misfortune of meeting. This wedding was gonna be fucking awesome if Katsuki had anything to do with it.

His unusually optimistic attitude about this unfavorable situation changed rather abruptly when Red finally walked through the door a half an hour later, though. He wasn't alone this time.

Red's Fiancé was... not what Katsuki expected.

Not that Katsuki had really been expecting much of anything. To be honest, he'd almost forgotten that the dumbass even had one. But of course, it takes two to fucking tango, and here the lovebirds are now sitting on the opposite couch together from the one Katsuki had chosen.

"I read over the draft proposal last night and - " Red's Fiancé gives Red some kind of half-sympathetic/half-grimaced look. " - while I appreciate the eccentricity, I really don't think my family wants us to have a Slip N' Slide at our wedding."

Your family is fucking lame then, Middle Part. Katsuki crosses out the Slip N' Slide note in his binder with a disapproving scowl.

Red's face burns with a bright flush of color as he reaches a sheepish hand up to rub at the back of his head. "Ah, yeah, sorry about that! I went a little overboard with it. It was just really fun planning everything out with - "

Red blinks for a moment as his face smooths out before he glances in Katsuki's direction for what might have been the very first time since they had arrived. "Oh, I guess I've never really gotten your name before!"

Katsuki shifts in his seat and doesn't look up. "Katsuki."

"Right, Katsuki! It was really fun planning with him these past few sessions; he's gotta be the best one in the city or something - I was getting so excited for the wedding!"

Tch. Katsuki was sorta getting excited to see all the tom-fuckery come together, too. But whatever.

"I'm sure it'll be just as exciting," Middle Part tries to satiate like a parent calming down an obnoxious child with a condescending pat on Red's knee. The tone grates on Katsuki's nerves for reasons he can't even begin to come up with.

Middle Part turns back to Katsuki, then. "But in a more... traditional sense, if you know what I mean."

Katsuki's eyes narrow down at the binder in his lap, but he knows he's got a job to fucking do - his mother would have a damn heart attack or something if he didn't do what he was supposed to be doing right now - so he simply tears out the draft proposal form, crumples it up into a little ball, and tosses it carelessly over his head to land somewhere on the wooden floor behind his couch.

Back to boring old fucking business.

"Oh, I'd also like to go over the color scheme one more time? I'm more of a pastel person and the reds are all very... bright."

-

Katsuki can't stop thinking about it.

He hates that he can't stop thinking about it, but that doesn't make it any less true that he can't stop thinking about it.

Katsuki didn't know up-from-down about Red - fuck, he hadn't even been paying close enough attention to have ever caught the guy's real name - but something about their session yesterday with Middle Part didn't sit right with him.

It was all-in-all a very typical meeting. His mother would have been fucking ecstatic with the outcome. They changed the color scheme to something more pastel spring-timey and replaced the red Hibiscus flowers with some boring ass Tulips and they even had to go back and pick a different venue cause Middle Part had some kind of damn phobia of the fucking water or some shit and truly seemed to believe that the scenic lake-side cabin property that Red had chosen out on the outskirts of the city would be too much of a distraction for him to focus on The Big Day.

Pretty much everything that they had planned out together in their earlier sessions had to be changed. And throughout the entire fucking process, Red didn't say another damn word the whole time.

Not to give his opinion. Not to express any kind of interest or growing excitement. Not even to protest. He merely sat there with that plastered on goofy grin, with Middle Part's hand wrapped tight on his knee, and didn't say a single damn thing.

Katsuki can't stop fucking thinking about it. When he'd first met Red, he was certain that guy's COD was going to be suffocation from forgetting how to take a pause inbetween his incessant ramblings long enough to remember to breathe.

It wasn't even any of Katsuki's damn business. He knew that. And he didn't fucking care about the relationship dynamic of a newly-engaged couple that he didn't know and hadn't even met for more than a few hours. It just felt like such a big damn fucking waste of time because obviously this was all going to end in some kind of a divorce.

Middle Part was stiff and proper and had a huge stick up his ass, and Red was just so loud and expressive and wanted a fucking rock-climbing wall at his damn wedding. It was like watching some suburban soccer mom tame a real-life Rolling Stones Rockstar or some shit.

How did those two fuckers even meet in the first place? Fall in love? Get engaged? It didn't make any sense to Katsuki, and it was really starting to piss him off.

During their next session together a few days later (sans Middle Part again, who just had to run off and attend some hoity-toity business garden party or something else that happened to be more important than planning his damn wedding), Katsuki literally couldn't stop himself from asking, "You really want a boring ass wedding like this?"

Red stops mid-babble with his glass of champagne poised at his lips that Mitsuki had vehemently demanded that Katsuki supply for this next meeting - because how could he have ever forgotten to do such an important part of this overall incredibly lame process?

"Oh, I mean... it's not really supposed to be an actual party. It's more of a serious thing, you know?" Red tries pathetically to explain the purpose of a wedding to a(n unlicensed) wedding planner, rubbing sheepishly at the back of his neck. "I guess I got a little carried away with it all before. Sorry if I wasted your time or anything, I told you I'm no good at planning this kind of stuff..."

There it is again. That incessant needling in Katsuki's gut that he'd noticed also happened when Middle Part had placed that hand on Red's knee and didn't let go of it for the entire time that they were sitting together on that damn couch.

Katsuki purses his lips into a thin line to prevent himself from saying anything asshole-ish, because he's sure that one of the rules to being The Best Wedding Planner Ever was not to insult the Fiancé.

"That's why I really need your help here, man!" Red continues on, unbothered by or just too plain stupid to recognize Katsuki's silence on the topic. "You're so talented; I just know you'll make it the best day ever!"

It slips out before Katsuki can even think about stopping it. "Shouldn't that be your new husband's job or something?"

Red blinks over at him in surprise at such a statement, and Katsuki blinks down at the binder in his lap because - fuck - even he knows that was way totally out of line.

"Let's just fucking finish picking out the - "

It's the movement that he spots out of his peripherals as Red leans forward to place his glass of champagne on the table that causes Katsuki to stiffen and finally snap his eyes up from where they'd been glued to the binder.

Shit, Red doesn't look good. His brows are furrowed and there's an uncharacteristically obvious frown on his lips as he watches the bubbles in the champagne glass float up to the top. Katsuki waits with held breath for him to do something more, his heart pounding in his chest, and eventually Red looks at him again and offers him an entirely forced apologetic smile.

"Sorry, I'm just... I'm not really feeling that great today. I think I'm gonna have to cut this session short, if that's okay."

Fuck, fuck, fuck. Katsuki's big ass mouth has gone and done it again. He doesn't even have enough time to try and salvage anything or react to such a sudden departure before Red is leaping up from the couch and scurrying across the studio towards the front doors.

Katsuki watches him leave with his pen hanging limp in his hand and his mouth slightly parted.

His mother was totally going to fucking ream him for fucking this one up.

-

"You said what?!"

Katsuki tosses an exasperated hand up in the air and glares harder from where he's standing at the foot of the bed in the master bedroom. He hasn't even taken his denim jacket off yet. "You didn't have to fucking meet this guy, alright?! He was pretentious and boring and - "

Mitsuki snorts with an angry roll of her eyes. "Newsflash, you fucking psychopath - you don't have to like the clients that you work for, you just have to do your damn job! He's not your Fiancé, this isn't your wedding!"

"I fucking know that! He just really fucking pissed me the fuck off!" Katsuki yells back, red-faced and frantic as he forces fingers to tangle through his explosive hair.

"You have to fix this, Katsuki - "

"How the fuck am I supposed to do that? Why's it gotta be my responsibility to convince this guy to marry that total fucking d-bag? It's gonna end in a divorce, anyway!"

"That's not even any of your fucking concern, moron! Let the divorce attorney deal with all of that crap!"

"It's not fair for Red!" Katsuki continues to argue adamantly none-the-less, slapping the back of his hand into the palm of the other for emphasis.

Mitsuki blinks over at him now, eyebrows scrunching in the center of her face and - shit, he doesn't like that look she's giving him at all. "Who the fuck is Red?"

"T-the fucking guy! The one I've been dealing with this whole damn time, the - "

"The guy who wanted to have a dunk-tank at his wedding?!" Mitsuki asks incredulously. "If you ask me, that's not fair to anyone getting married."

Katsuki glowers over at her as he shoves his hands deep into the pockets of his coat and curls them into tight fists to try and pull himself together.

"Least it would've been fucking entertaining to watch..." he grumbles bitterly, but fuck, he knows the old hag has a damn point.

Mitsuki's looking at him especially closely now and it's making Katsuki squirm under her laser-focused scrutiny. He clenches his jaw to combat the uncomfortable bout of feelings rumbling in his stomach and flings his hands (still secure in his pockets) out once more in a baiting sort of gesture.

"Fucking what?" Katsuki spits defensively.

"Oh... my god," Mitsuki leans back into the pillows on her king-sized bed like she's just been given the most horrible news. "Don't tell me you fell in love with a fucking client, Katsuki."

Katsuki's entire face scrunches up unpleasantly at that accusation like he's just swallowed an entire lemon. "The fuck?! Are you outta your goddamn mind!?"

"Are you?! Katsuki, he's engaged!" She whips one of her purple satin pillows at him. "You're supposed to be planning his wedding!"

Katsuki's hands are too tangled up in his pockets to prevent the assault and the pillow smacks stupidly against his chest and tumbles to the floor at his socked feet. "That's what I was trying to fucking do!"

"Really? Cause from what your dumbass just told me, it sounds a lot more like you've taken some kind of damn interest in this fucking guy and want to ruin his marriage before it's even started!"

Katsuki blinks at her because he doesn't even know what to fucking say in response to that. It's so totally outlandish and stupid. He's not fucking in love with Red - he doesn't even know that asshole! They've been in the same room together for approximately 25 hours - 4 1/2 of which Red hadn't even spoken a single damn word for!

Mitsuki heaves a deep sigh and pinches the bridge of her nose. It's like she can't even fucking look at him right now. "Just go, Katsuki. I should've never fucking asked you to do this for me in the first place."

Fuck.

Katsuki shifts his weight restlessly from one foot to the other. He knows he's an asshole, and he knows his mother's a batty fucking bitch, but that's why it always makes his stomach twist so uncomfortably whenever she looks at him like that - or rather, whenever she doesn't look at him like that.

Assholes needed to stick together, damnit!

"Mom, I'm fucking sorry or whatever, I just - "

"I know. Now leave. There's leftover soup in the fridge. Grab some when you go." Mitsuki picks up the magazine she had been perusing through before he'd so brutishly trampled his way into her room and she starts reading it again like he wasn't still standing there staring at her, and that was just the end of that.

Katsuki had fucked it all up. Someone's marriage, his mother's new client, her expectations of him - all of it. Fucked it right up from the ground up.

He clenches his jaw again and exhales a hard, agitated breath through his flaring nostrils before he snatches up the pillow on the floor and chucks it onto the bed as he stomps over to the door and finally leaves.

-

Katsuki has only ever bought flowers twice before.

Once when he got suspended from school for getting into a fight, and once when he totaled his piece of shit car trying to out race some idiot who had egged him on at a red light. Both times his mother had received them with the very same reactions - an incredulous stare, a long thoughtful pause, a heavy reluctant sigh, and forgiveness.

Lilacs were her favorites - and Katsuki only fucking knew that cause his old man used to drill it incessantly into his damn head all while growing up before that asshole had to go and die of brain cancer. ‘Whenever your mother is angry with me, I always buy her Lilacs. They soften her right up!’

That was the only reason why Katsuki was clutching onto such an embarrassing collection of recently purchased Lilacs as he pushed his way through the door of the Bakugou’s Wedding Studio a few weeks later.

He gave his mother time to cool off, and he went and got the damn flowers, and now he just needed to find the batty bitch.

There were quite a few people here today milling about on the furniture and perusing through the catalogues - some guy sitting next to his soon-to-be-wife was ogling the damn statue like he’d never fucking seen boobies before - and honestly, Katsuki would have turned around and walked right back into the street if he hadn’t spotted his mother’s head bobbing by somewhere in the background of all the fucking chaos.

Alright Katsuki, it’s fucking show time.

He regrips the Lilacs in his sweaty fingers as he maneuvers through a crowd of bridesmaids who are all screeching about something or another at a decibel that only fucking dogs can hear, before he finds himself suddenly face-to-face with his mother’s urgently frantic energy.

They both stop at the same time and stare at each other for a moment. Mitsuki breaks the silence with a click of her tongue again the roof of her mouth and a sharp turn of her gaze onto anything else in the room that isn’t him.

“I’m kind of busy right now - “ She tries to breeze past him but Katsuki just steps in her way and prevents her from leaving.

“Here.” He thrusts the Lilacs up into the space between them. His jaw tightens and he tries not to think about how fucking ridiculous he must look right now.

His mother’s list of reactions is consistent, at least; an incredulous stare that drifts down to eye at the Lilac bundle, a softening of her features as she takes in all of the different little purple petals - she’s probably thinking about dad, just like Katsuki does every time he has to wander into that damn flower shop on the other side of the city to purchase these stupid shits - and then... a heavy sigh.

She reaches out and takes them from him, and his hands dive back into his pockets purely on instinct and flustered nerves. Mitsuki looks up from the Lilacs and catches eyes with him again.

“They didn’t go through with it,” Mitsuki informs him. As if he even fucking cares.

“Hm.” He grunts back in some kind of forced response.

Mitsuki sighs again, softer this time, and runs the pad of her finger along the lush flowers. “Well... I’m sure business will be fine without them. I really wasn’t expecting such a rush like this today, so - “

“Uh... hello.” A voice interrupts from somewhere outside of their private family bubble.

Katsuki and Mitsuki both whip around and - holy motherfucking shit - it’s Red.

He’s wearing a leather jacket over a plaid shirt today, and his obnoxious spikes are loose and under the protection of a bandana. He grins sheepishly at the pair of them, his cheeks are already dusting with flushed color. “A-again, I guess. I just wanted to come by and apologize for wasting so much of your family’s time with... everything. I really hope I didn’t cause too much trouble for you.”

“Wait, you’re Red?” Mitsuki chimes in before Katsuki can even rub two brain cells together enough to spark any kind of a thought.

“Huh?” Red blinks at her in confusion before suddenly he’s laughing so loudly that people’s heads are starting to turn in their direction. “Oh! Haha, yeah I am! You can call me Eijirou, if that’s easier for you. Red works fine too, though, I guess!”

Eijirou.

“Anyway,” Red clears his throat, and he looks uncertain as he shuffles his weight around restlessly. “I know it was a bit of a shit show, but I really want to make up for it! I know some people who are recently engaged and I recommended your studio to them! Katsuki was so great with everything, and my friend Denki really wants to do something with zip-lining for his wedding!”

“Zip-lining?! Look kid, I appreciate the business, really, but - “

Katsuki elbows her hard in the ribs with a sideways glare sharp enough to cut glass. His mother eyes him back and they stare at each other for a long time, having one of their infamous telepathic arguments, before Mitsuki throws her hands in the air in added exasperation.

“Zip-lining, touch-tank, hell, I’ll order some fucking panda bears from the local zoo if they want it,” she declares to the heavens above.

Before Katsuki has the chance to snap at her, one of the dog-whistle bridesmaids is summoning her over from the other side of the room, and his mother beelines it towards them in an obvious attempt to escape. Katsuki watches her leave with a scowl.

“I, uh,” Red clears his throat again, and it causes Katsuki to snap his gaze back onto him once more. “I actually stopped by earlier this week but you weren’t here. I was kind of hoping to catch you, I... wanted to thank you.”

Katsuki blinks at him in disbelief. “Hah?! For fucking what? Ruining your goddamn wedding?”

“Ruin it?” Red’s head shoots up from where he’d been intently watching the tips of his sneakers. “Dude, are you for real? You didn’t ruin anything, you saved it! You saved me! I was always taught growing up that a wedding had to be perfect, and beautiful, and professionally photographed. And I was always told how stressful it all was and I was really nervous to come here and try to figure it all out - but when I was planning my wedding with you, it was... fun! And exciting! I couldn’t wait for it to arrive so I could watch all of my friends and family having the best time together on the most important day of my life!”

Katsuki can really only think to blink at him again, because truly, there must be something wrong with this fucking idiot. Nobody in the history of ever has probably been this excited for a botched wedding.

“Anyway,” Red shifts again, grinning that sheepish smile of his that squints his eyes and makes the flush on his face that much more prominent. “I know I was like... just engaged a few weeks ago or whatever but... do you want to maybe go play paintball with me sometime?”

Holy shit. Red was fucking asking him out on a date. Is that what was fucking happening right now?

There must be something wrong with Katsuki, too, because - “Sure, why the fuck not?”

Red is beaming again, and Katsuki’s heart is racing in his chest like some kind of dumb prepubescent child, and Katsuki’s never been to a fucking wedding before, but if he can manage not to fucking screw this up just like everything else, then he already knows that his and Eijirou’s wedding is going to be the best fucking one in history.

He’s already planning on it.

-

Author’s Note:// AHBXHBAXA - Thank you so much for reading! I hope you enjoyed this dumb little short story! Reblogs and comments are always appreciated but never expected! <3

[ectonurites]

Conner Kent in Suicide Squad/the Infinite Frontier era: wtf is going on

Alright lads hello I just need to type out some theories/thoughts about what’s going on with my boy Kon right now. This is more for myself than anything else (just trying to organize my thoughts) but since some of y’all like to hear me talk about comics (and some of this discussion has already been happenin in my inbox) I figured i’d format it and put it on here too! its like 4k words and written over the last few days mostly at 3am. sorry <3 

this is basically just me going like

Also fair warning that like, I can be wrong and misinterpret things just as much as anyone else can, like I use panels to support why I think what I do but a lot of this stuff is subjective/complicated to understand so like... in general somethings should be taken with a grain of salt, especially because exactly what changes to the universe were made by Death Metal/Infinite Frontier haven’t been super super clearly defined yet. Also sometimes comic writers make the most random nonsensical shit happen, so I as a fan am also allowed to theorize about random nonsensical shit.

But to start: let’s backtrack!

Many months ago when Infinite Frontier was first announced they dropped some promotional art, and I remember being a little confused because. Well:

(Variant Cover spread for Justice League (2018) #59)

(Variant Cover spread for Superman (2018) #29)

Notice how Conner is back to his Teen Titans 2003 look up top, but in his YJ 2019 look at the bottom? This seemed weird to me! But then they announced that Conner would be part of the Suicide Squad ongoing title, in the T-shirt look, so I wrote this discrepancy off in my brain as ‘oh I guess that cover was just the last hurrah for punk Kon’ and moved on with life.

In Suicide Squad right away we learn he’s very much so there against his will:

(Suicide Squad (2021) #1)

Which corroborates more or less what we were also shown in Future State: Suicide Squad, although admittedly it tells... a slightly different version of the events. When I first saw both of these together I just chalked it up to being a bit inaccurate as it’s shown as a memory in Future State:

(Future State: Suicide Squad #2)

Issue 2 we saw him in action with the Squad, trying to do his best to still be a hero despite the team, but things get a little more interesting in the following issue. It starts off with an account of his history

(Suicide Squad (2021) #3)

This page gave me a few immediate red flags, mostly minor things that had to do with coloring, so more irl problems than things to take seriously in-universe (Kon’s pants are the wrong color in the first Superboy shot, and Bart’s Impulse costume is in Kid Flash colors instead of the correct Impulse ones) but then also it just bugged me the phrasing “he joined Young Justice” when he was a founder of the team, he didn’t join it he made it with Tim and Bart.

But again, chalked that stuff up to just.... writers/artists being inconsistent/unaware of things that they should be aware of, or even Nocturna just not being specific with details. But it did still strike me as a little odd considering the very accurate use of villains in those same shots, Scavenger who was a reoccurring bad guy from Kon’s solo days and showed up basically nowhere else (even holding the Spear of Lono and everything!) and Billy/Harm (Greta’s brother) from Young Justice.

But then a few pages later we got this:

(Suicide Squad (2021) #3)

Which is interesting. My first instinct was to think he’s being drugged w kryptonite or something thats leaving him hazy/out of it, but my thoughts on that have kinda changed, we’ll get there in a bit. But in general the context of ‘something’s wrong’ made the slight discrepancies on some details of his own history make more sense.

I also want to then bring up the next part to this story, the crossover issue in Teen Titans Academy.

(Teen Titans Academy #3)

So a few things. Does it feel weird to anyone else that Conner Kent, a known previous Titan who literally has a framed picture of himself in a case there, would set off alarm sensors like that? Wouldn’t he be... recognized as a Titan not an intruder by their sensors? Interesting! Anyways.

He looks really pained looking at that picture, and sad, and almost frustrated, which ya know makes sense and hurts my heart because he misses them! He misses his friends and being happy. 

But, importantly for a criticism I wanna make thats less theory related and more just me bein annoyed at Tim Sheridan, that’s a picture of Conner. Right there. That’s Superboy, on display at Teen Titans Academy, so the people who frequent this building would know who he is and what he looks like and be able to recognize him, he’s even in the same outfit and everything. Alinta recognized him at the end of Suicide Squad #3. 

So why does only one person during this big fight then comment on his presence?? Why doesn’t it get a bigger reaction???

(Teen Titans Academy #3)

And after the fight we don’t see any on panel moment of Wallace going up to the staff Titans (who weren’t present for the fight) and saying like “HEY NIGHTWING UHHH SUPERBOY WAS WITH THE SUICIDE SQUAD?” we just see him talking with his friends upset about Crush leaving. We see Alinta talking to them but we don’t see the exact dialogue. So I do just wanna take the writer by the shoulders and shake him a little bit and ask WHY because that just feels like... something you’d wanna address on panel! This is like the first time since joining the squad that Kon’s at all in contact with people from his life before Waller got involved, I feel like not addressing those people’s reactions to it/not discussing it at least a little bit on panel (especially when Conner CAME UP in the previous TTA issue, Dick brought him up and everything!!!) is a really odd choice. Maybe it’ll happen next issue and i’m just impatient, but who knows. Anyways, gripes with Sheridan aside, lets move on.

I wanna bring up how Conner... doesn’t really respond to Wallace’s question? At all? Except to just fight him off, not even an attempt at a ‘Sorry’ or anything? (the ‘Ha! That all you got?!’ seems to be coming from Culebra not Conner, although the placement of the bubble is vague enough it could be that it was supposed to be Conner? but it seems more like what she’d say, especially as she’s grabbing Emiko like that) That just feels weird. It feels off. In general he speaks so little in Suicide Squad #3 and this issue. Tbh it almost feels like he doesn’t really recognize Wallace which I mean I suppose they never exactly met (they would have theoretically during Death Metal, basically all past/present Titans were together for a while during that), but Kon’s been back in existing long enough he’d have a sense of who current heroes are anyways.

But right, so, lots of little things that feel weird... that gets us caught up to the most recently released comics... but in this household we look at solicits as they drop. Which gives us some info on what’s coming up a few months ahead of time, albeit without full context obviously. Issues #4 and #5 don’t mention Conner in their descriptions or show him on the covers at all, because there’s just other plot things going on, so ya know seems things will be quiet for him for a bit.

But then we got the August solicitations and oh BOY it’s a doozey for him! And some things start to kinda connect perhaps!

I want to just take a moment to look at that specific wording. “The teen calling himself Conner Kent” I’m probably reading too much into it but that feels deliberate, like why wouldn’t you just say ‘Conner Kent’? Usually these kinds of descriptions are trying to keep a low word count, not add in extra words that don’t need to be there. It makes it feel like that’s a name he’s using that... doesn’t actually belong to him.

So the theory I want to propose (that has been floating around already) is that based on these covers and the description, and how the Conner we’ve been seeing in Suicide Squad apparently talks about his own personal history like he’s ‘reading a wikipedia entry’ and had little response to people he should be aware of like Wallace and apparently isn’t recognized as a Titan through a bio-scan and also bearing in mind those initial promo arts with two separate looks at the same time for him... I think we're looking at a situation where the Conner in Suicide Squad so far has actually been a clone of original Conner (like... like he’s Match 2.0 or somethin) the whole time, that’s just not aware he’s not the original. 

Now that’s the base theory I wanna work with and build off of, but there’s MANY different directions that could go in/ways that could work.

For example, one idea is that the Conner we saw in #1 who was chained up is the original Conner, and he’s been being cloned and held captive, so everything else with Conner in Suicide Squad so far has been this Match 2.0 

Another idea could be the original Conner in #1 is also the Conner in #2 who Waller had then commented wasn’t ready during the mission in Arkham and had zapped with a lil Kryptonite, and after that moment she took him off the field because his spirit hadn’t been broken enough to be obedient (as he was a lot quieter in Issue #3 & the TTA crossover compared to #2, and #3 is when the Nocturna thing with the history happened)

Or it could even be original Conner in #1, then in #2 was one clone that wasn’t ‘ready’ that after that point she stopped using him, and switched to a diff clone for #3, because like that first cover did show a LOT of clones. That could be more just ‘artistic interpretation’ or something, covers sometimes do exaggerate/mislead, but it also could indicate we’re looking at a lot of clones.

(Suicide Squad (2021) #2)

With all of those in mind I also wanna bring up this little bit from Future State Suicide Squad:

(Future State: Suicide Squad #2)

Again Future State is a ‘possible future’ so stuff from it isn’t set in stone, but the idea of ‘she still has his YJ 2019 outfit somewhere’ makes me think it could be something along the lines of like, Clone!Conner finds original Conner and frees him and he gets back his YJ outfit, which could lead to like the imagery on that variant cover/the idea from my very first part of this post where I was talking about Kon being shown in both outfits in different places.

Alternatively entirely from all that, another option is that she maybe got ahold of what was needed to clone Kon, but doesn’t even have the original Kon in her possession. (again with the Future State thing, she could be lying since elsewhere in Future State we did also see a copy of YJ 2019 Kon’s costume in one of the Jon-focused Future State comics in a display case 🤷‍♂️) Which could also lead to that confrontation on the variant cover & the promo art thing... and could also explain why we have seen nothing about anyone looking for him, because in that sort of scenario he wouldn’t have even been missing in the first place.

There’s a lot of possibilities! It’s still too early to solidly know anything, but I feel pretty confident we’re entering another cloning related plot with our Clone Boy so it’s... ya know. Clone time. On the one hand it’s annoying because god we have done clone/multiple Kons plots before. We’ve done them so much.

BUT on the other hand, I think it could be interesting to use this situation to tie into some older stuff from pre-reboot that I can see some connections to, because due to Infinite Frontier altering the world and people’s memories it’s all technically fair game storytelling-wise again (and like, the use of Scavenger specifically in that flashback way above, who’s not a super well known villain in general, makes me think maaaaybe the writer did do some of their Kon homework)

Something also just dawned on me that i’m not quite sure what it means but still is worth mentioning: The Conner here in Suicide Squad is back in his Teen Titans Vol. 3 outfit, and his history as he tells it stops during Teen Titans Vol. 3. And doesn’t... mention when he died? It feels like it... stopped before that, because like I feel if he was telling his life history (even the wiki version LMAO) the part where he died and came back would be pretty important to bring up?? And Nocturna specifically says that he didn’t explain how that stuff from TT Vol. 3 then led to him in his current situation. That’s a pretty big gap (like uhhh everything from resurrection until he got lost on Gemworld + all the rest of the Young Justice 2019 stuff?) So like.. there could be something funky going on here that has to do with that. 

Similarly when he flashes back in Future State: Suicide Squad to his past it also goes right from Teen Titans Vol. 3 to the current Suicide Squad run? Like I get it’s one page so they can’t show that much, but the fact that there’s now two places that flash back to that same specific time period and nothing past it until the Suicide Squad feels just... noticeable! Not concretely indicative of something, but noteworthy.

(Future State: Suicide Squad #2)

Like...this almost has me thinking maybe it could be something where like, they tampered with his dead body and cloned from that? BECAUSE, for those of you who may not be familiar with how Kon’s resurrection (during Final Crisis: Legion of 3 Worlds) worked, when he came back there was time travel involved! He was brought back to life in the future (like. Legion of Superheroes era) because it was a process that took that thousand or so years to work/heal him (essentially because of his hybrid dna the process that healed Clark when he had died back in Death of Superman/Reign of the Supermen in the 90s just took a lot longer, but its the same Kryptonian healing chamber thing) meaning when he came back to the present alive again, his dead body was still also in the present just in it’s process of healing. Meaning especially if we’re bringing back stuff from before the reboot, Kon likely has his dead body just vibing out there while he’s goin around living life 🤷‍♂️

SO them doing something related to that could explain the choice to put him back in the T-shirt (since thats what he wore in the era his brain would be caught up to if we’re relating this to when he died) and why he’d recognize himself in a group photo with Bart, Cassie and Tim but maybe not someone like Wallace who didn’t exist back then. I don’t know, this branch of thought is still half baked. Will maybe come back and elaborate on this later. But I’m now really thinking there might be a connection to the early Teen Titans Vol. 3 era specifically because of it being referenced twice in stuff with this Suicide Squad.

ANYWAYS moving on, this is probably a shot in the dark and I only thought of it because I just was reading 90′s Superboy, but right away when thinking about ‘Amanda Waller’ and ‘Cloning Kon’ I was reminded of some stuff about the circumstances around the first clone that was made of Conner: Match.

(Superboy (1994) #35)

Match was created by an organization called ‘The Agenda’, that was after a while primarily under the control of The Contessa, Lex Luthor’s ex-wife, aided by Amanda Spence who had a personal grudge against Kon bc her dad was Paul Westfield the guy Kon was originally cloned from (before the Lex/Clark retcon). They were the big bad guys of an arc called The Evil Factory in Superboy (where Cadmus personnel got replaced with clones) which also then tied into the Sins of Youth event over in Young Justice (Remember how Match was posing as Superboy for a while there? yeah). After those plot lines finished the Agenda was pretty defeated (Amanda Spence was still out there and came back later but still) and... who got their hands on the remaining Agenda tech?

(Superboy (1994) #87)

Why none other than Amanda Waller herself!

If they re-canonized pieces of this (which also tied into Young Justice which ya know, YJ 2019 was all about re-establishing stuff from YJ even before Death Metal happened soooo) it would totally make sense for Waller to have complete access to the exact technology used to clone Conner before. 

Now, a thing to consider here though is what happened to Kon after he’d been cloned that first time, where his DNA got all destabilized by the process (and he needed to go through a procedure with Roxy as a genetic template to keep him together, which was how he got stuck at age 16 for a while). This was something where he was fine for a period of time before the side effects began to kick in. Now, I think it’s worth mentioning that was also back in the days where he was not yet Lex & Clark’s clone, but still Paul Westfield’s. So there could easily be a ‘now that certain Kryptonian genes have kicked in as he got his newer powers it doesn’t destabilize him the same way’ reasoning or something along those lines to avoid this problem. Alternatively, it could be an interesting thing to embrace rather than retcon away, especially if we’ve been seeing Clone Conner in action and Original Conner hasn’t been in our focus, things could be wrong with him that we just don’t know about.

Another branch of thinking that I think is even MORE a shot in the dark but could be interesting (or again even related to what I just said, could be a combo of things) is if this somehow ended up related to those clones that were reverse engineered from the remains of Match from the very end of Teen Titans Vol. 3

(Teen Titans (2003) #99)

All of them were then taken down with Kryptonite and killed in battle (by Rose & Damian) 

(Teen Titans (2003) #100)

But like... idk man if Waller got her hands on those corpses or even just the data from Dr. Caligan that he extracted from Match to make them... that could also be a potential way to make some new Conner clones, and that could be why the bio-scan thing at Titans Tower wouldn’t work properly because of the thing he says above about it not being a “complete match’

One thing I don’t think is the case, but has been brought up to me, is stuff with New 52 Kon. I’ve talked extensively about New 52 Kon in recent weeks because I read through all his stuff, but the thing that makes me shy away from him being part of this situation is the fact that... he’s not interchangeable with Kon the way I think some people think he is. He wouldn’t visually be recognized as Original Kon because he is literally on a genetic level a separate person. They’d prob look related, sure, like they’d pass for brothers because they both have Clark’s DNA, but New 52 Kon has Lois’ DNA and Original Kon has Lex’s. New 52 Kon would likely look more like Jon, rather than Kon. Lois specifically commented in an Action Comics issue that Kon had some resemblance to Lex, even. So like, things like Wallace recognizing him or him looking at his own matching reflection alongside the group picture at the Tower... those wouldn’t happen the same way if this was New 52 Kon.

Now I think it coooould theoretically be possible for Waller to have gotten her hands on that future N.O.W.H.E.R.E. cloning tech that had been used to make New 52 Kon, like I wouldn’t rule that out. Because she knows where the remains of their bases are as shown in Red Hood and the Outlaws (2016) #16-17, and like, Harvest is dead so she could easily just send teams out there to gather shit if she wanted. 

Onto some other things I don’t think are actually related but that I was reminded of/wanted to address:

I feel i’d be a bad timkon fan if during all of this discussion of past stories with cloning Kon I didn’t even bring up Tim’s cloning attempt stuff, but I think it would ultimately be unrelated. His tech was stolen from Luthor, and his attempts didn’t succeed because he was trying to build from scratch without Cadmus’ the data about how they altered the DNA from the original process. 

(Teen Titans Vol. 3 #34)

Then that initial cover for the annual really reminded me of part of the Hollow Men story from Superboy Vol. 5 just with like... Kon in a room full of copies of himself. I don’t think this story would be related either because it was more magic Tannarak stuff rather than regular cloning, but ya know. It’s the imagery.

(Superboy Vol. 5 #9)

It also really reminded me of the stuff from Hyper-Tension which was hypertime stuff not cloning but again just... visually.

(Superboy Vol. 4 #62)

In general I don’t think we’re EVER gonna see Black Zero or any of these multiverse Superboys again LMAO.

To try to sum up all of this in a way that might make sense here’s kinda a... flowchart of some of my main ideas for what the cloning situation could be/how the logic could work. Again this is borrowing stuff from across continuities because Infinite Frontier means theoretically anything’s fair game. (Also I don’t think I mentioned this earlier but I do mention it in the chart, but I think it’s also reasonable that Waller could get her hands on Cadmus tech if Cadmus is like properly made canon again. She just has funky government connections!)

Also I just now thought of this now several hours after I already made the chart and I don’t wanna remake it so sorry not incorporating it there but I remembered there was also that bit during House of Kent where Clark took Kon to the Hall of Justice and they were running some tests on him, so I’m thinking it’s also possible Waller got ahold of that data/that might be how she found out about Kon in the first place for this timeline. And they indicated that there was something wrong with him there, where he might eventually lose his powers or something, so maybe she tried to do cloning stuff to be able to have a copy of Superboy in his prime or something??? before that started kicking in. I don’t know, just more things to consider:

(Action Comics (2016) #1028)

ANYWAYS in conclusion: there is clone fuckery of some sort happening, I’m curious where it’s gonna go, and I just want Kon to be okay.

If you actually read this uhm. props to you bc this probably makes no sense to anyone but me its just word vomit <3 

[kaizokuou-ni-naru]

Some Reasons I Love One Piece

So I set up a poll to ask what I should do for my 4000 follower milestone, and something like 85% of the responses to my poll said you wanted me to do a compilation of stuff I love about One Piece! So hell yeah, get ready for me to talk about pirates for way too long (a sentence that could also serve as an accurate blog description).

Before that though, lemme just say- thank you all! Seriously! When I started this blog I figured I’d be extremely lucky to end up with like a thousand followers, and now I have four times that and it just keeps growing, which just constantly baffles and amazes me. I adore every one of you, and you’re providing me something fun and productive to do in quarantine, and I love you for that.

Anyways! Let’s talk good shit.

Let’s start with Luffy. The whole story starts with him, after all.

I love Luffy, just as a character. He’s one of my favorite protagonists in anything, ever, when ordinarily protagonist characters don’t really appeal to me all that much. I genuinely think he might be my favorite character in One Piece now that I sit down and really think about it. I love how unconventional of a main character he is- he actively shuns the idea of being a hero and is in fact the most chaotic neutral motherfucker on the planet, and yet he’s so friendly and loyal and fun that you straight up can’t not love him both in-universe and out. 

I also love the Strawhats just in general, both as a group and individually. Found family is one of my all-time favorite story tropes, and they do it better than like, the vast majority of stories out there. They’re all so completely unique from each other and play off each other so well and they really do feel like a family. I love how often Oda just shows them fucking around and hanging out. (One of my only gripes with post-timeskip is how much time they spend split apart.) I think it says a lot about them that I struggled so much when someone asked me to rank the Strawhats a few months back and had to rearrange the list like four times. I just!! Love them all!!

One of my favorite things about One Piece is that it’s the story of Luffy’s rise, and that it occurs in a world that’s so solidly scaled and well-developed that all progress he makes actually feels tangible and impactful. Some of my favorite moments in One Piece are the ones where we can see how far he and the crew have come and see other people’s reactions. His reappearance at Sabaody after the timeskip is my favorite scene in the manga, full stop. His entrance at Marineford and all of the Decks of the World cover stories delight me for the same reason.

Speaking of the worldbuilding, god it’s so good? I think one of the greatest potential strengths of a long manga is that its just got so much time to establish and build on so much information, and sometimes that leads to mangaka kind of tying themselves in knots with too much lore and explanation, but Oda just fucking nails it. 

I recently read a conversation during Zou where the Strawhats are talking to Inuarashi, Nekomamushi and the Wano folks about all their mutual acquaintances on the Roger Pirates- Brook asks about Crocus, Franky mentions Tom, etc- and I had a moment where I realized how in pretty much any other series all those connections might seem contrived, but in One Piece it works so well. So much time has been dedicated to establishing all these facts and characters and connections over years and hundreds of chapters that when they do come together, it just feels so satisfying. 

Like, at Twin Cape Crocus mentions he was a ship’s doctor and then mentions Roger as the Strawhats leave, at Thriller Bark we find out he’s Brook’s friend, at Sabaody in conversation with Rayleigh we find out for sure which ship he was a doctor on and that he joined them to look for Brook’s crew- and it all just falls together so nicely. One Piece is maybe the strongest series I’ve ever read in terms of how it establishes its characters and concepts and how they all fit into the world and cross over and connect with each other. The world of One Piece is huge, but it also feels so alive and interconnected, and that’s just wonderful. 

I love how hopeful One Piece is. I was talking to a friend a couple months ago who doesn’t watch it, and she kind of dismissed it as ‘a show where nobody dies.’ Which- setting aside the fact that that’s just not fucking true- my first response to that was, “So?” I think it’s nice that we can all know for pretty much certain that the Strawhats will achieve their dreams in the end. There’ll be a happy ending, and Luffy’s going to be Pirate King, we’ve known that from the start. The fun is in seeing how they get there. 

Aside from a few specific cases, I also really like how Oda does his character writing just in general. The female characters in One Piece generally get a bad rap, largely from people who haven’t watched the show and judge it on the (admittedly exaggerated) artstyle, but fuck if I haven’t seen such a widely varied and developed and flawed female cast writing-wise since- I don’t even know. Oda does a really good job of giving his characters, both male and female, unique and memorable personalities, which is super fucking impressive considering just how many there are. Similarly, I’m impressed by how new characters are introduced without getting repetitive or annoying, and very often those characters are really fantastic. I could talk about all the different One Piece characters I love and why, but we would legitimately be here all day. 

I also love how unlike a lot of long-running series like this, characters don’t just go away when their time in the spotlight is done. In just about any other series, characters like Buggy and Coby and Crocodile would just be gone and never to be heard from again after they’ve served their purpose. Instead you have the stupid clown villain from the second arc becoming a fucking shichibukai several hundred chapters later, and it makes sense in the context of the story! The whole concept of the cover stories works really well towards this aspect of One Piece, letting us see what all these other characters are up to without taking attention off the main story. This fits in with the interconnectedness I mentioned earlier, too. 

And I like how (and I know there are people who will argue this, I have had them in my inbox, but I do not care) One Piece has stayed so strong for so long. I’ve mentioned before that both of my favorite big arcs are pre-timeskip- Alabasta, for the civil war storyline and great supporting cast and villains, and W7/Enies Lobby, for the epic emotional highs and lowers + ANOTHER great supporting cast. But like, I’ve been enjoying the more recent arcs just as much! Honestly, now that I’ve finished Dressrosa, I think it definitely ranks up there among my favorites as well, for how chaotic and fun and high-stakes the whole thing felt when I was binging through it. I’m only a few chapters into Whole Cake Island so far but it seems very promising, and I’m really excited to get to Wano from what I’ve seen of it.

I haven’t even really touched on the art yet, either. I know the artstyle turns some people off of the series, for how kind of cartoony it is sometimes and how different it is from most other series, but honestly I just love it. I wasn’t sure about it at the start but it grew on me very fast. Hell, I have a whole tag (which I should use more) dedicated just to appreciation of pretty panels.

And the action scenes in One Piece are so fun and expressive and creative and almost always at least a little silly just by the nature of Luffy’s powers. I don’t think I’ve ever been bored during a One Piece fight. And the splash pages are frequently just breathtaking. I’m a writing person, not an art person, so I’m bad at putting this kind of thing into words nearly as well, but- yeah. One Piece Art Good. (My friend Narramin also has a really, really good series of posts about how great the visual storytelling in OP is starting here that I highly recommend, if you’re interested.)

Finally, I think my favorite thing about One Piece is that it’s all one story, start to end. I kind of touched on this above with the worldbuilding thing, but you can see what a ridiculous degree of thought and planning Oda has put into his story, and how well everything comes together. It’s the main aspect that got me to give One Piece a try in the first place- I heard how good and thought-out the long term storytelling is, and I just eat that shit up. I don’t think I’ve ever had the level of trust in a creator to handle and end their story satisfyingly that I have in Oda. It’s a good feeling. 

[emergingsentiments]

Hometown Cha-Cha-Cha: Episodes 1 and 2 (Repost)

"Life is not easy for all of us. Some spend their whole lives on unpaved words, while some run at full speed only to reach the edge of a cliff."

What is home? And is home a place or a feeling? These are the questions the premiere episodes of Hometown Cha-Cha-Cha pose.

Yoon Hye-jin (Shin Min-a) seems to have it all in Seoul — a nice apartment, a stable job as a dentist, and her online orders. But perhaps the most important thing she owns is her principle. Ambitious as she may be, she isn’t keen on ripping off patients to earn or to pay for her shopping indulgences. Her chief dentist at the clinic, however, thinks otherwise. So despite her materialistic tendencies, Hye-jin stands up to her greedy and disingenuous boss in a spur-of-the-moment defiance, one which predictably has its professional and financial repercussions.

Now jobless and possibly in debt, a childhood memory draws her from the confines of her sleek domicile to the quaint seaside town of Gongjin, not only to seek a reprieve from her city miseries but also to remember.

Gongjin, however, is the home of Hong Du-sik (Kim Seon-ho) — a charismatic jack-of-all-trades who is as ubiquitous as the scent of ocean air in the town. He is everywhere it seems — on the boat, by the sea, at a coffee shop, or the fish market. If Hyejin’s ambitious and near solitary exterior represented the cutthroat urban soul, then Dusik’s endless list of side hustle captures the untiring enterprise needed to survive and sustain a life in the province. It’s a life that demands diligence and street smarts, as well empathy and community. Perfectly helpful to everyone in town, especially to Kim Gam-ri (Kim Young-ok), and capable of almost every form of labor, he is as popular as the dried squid Gongjin is known for.

The two meet on the beach — though not for the first time, we find out later on. It’s the perfect location for the world of opposites to collide: sand and the sea. Hyejin — the fish out of water — symbolically loses a shoe from a much-prized pair. Dusik — amphibious and with the ability to move around in any environment — finds the other heel. He returns it to her partly annoyed.

Though grateful, Hyejin seeks to find the other shoe, attached not only to its value but also because she cannot see herself walking barefoot. Dusik is not impressed. He nonetheless pities the out-of-place Seoulite and throws her his pair of slippers — oversized, overused, possibly acquired for free from one of the seaside restaurants. Walk my paths, Dusik seems to say. They are Hyejin’s welcome gifts to a town she will have to understand because it will become her home. Or will it?

Plucked from the metropolis and driven by both impulse and circumstance, the good dentist will have to figure out not just Dusik’s deal but Gongjin’s townsfolk, too. Left with no choice, she leaves behind the comforts and conveniences of the city. However, the small-town outlook and habits of Gongjin's people are unfamiliar and even repulsive to her. As hopeful as she is for new beginnings, an awkward and very public faux pas means she is also off to a rocky start. This and a series of other missteps finds her alienated from the community. Almost like learning the Cha-Cha-Cha, Hyejin’s footwork is a mess.

Dusik, who witnesses and hears Hyejin’s judgemental tirade, comes to her aid but only subtly and as a gentle nudge. He isn’t pretending to be a savior who could fix the unpleasant cracks between Hyejin and Gongjin’s people. Instead, he reminds her to meet the community halfway. For instance, he doesn’t chastise her for wearing tight-fitting running wear that scandalized the elderly women of the town. He knows its purpose; he even explained it to the elderly women. But Dusik also sheds light on the motivations behind this conservative view of his town’s people.

When Hyejin attempts to win the community’s trust by doling out rice cakes while inviting them to her clinic’s opening, Dusik senses the insincerity. Material gifts are meaningless. As the saying goes, it’s the thought that counts. Remorse has to be personal. She’s the new girl in town, after all. Hyejin cannot expect Gongjin to adjust to her whims. Dusik does what he can — secretly, too. But the city girl will have to take the initiative in building meaningful relations with the town’s people.

In both cases, we get a timely commentary on the need to understand other people. After all, we live in world increasingly adversarial, quick to respond to and mob those we disagree with. We're fast to label those who stand our way as enemies instead as partners for truth-seeking. If Homcha follows its current tracks, I'm curious to see if this wisdom of seeing both sides is further emphasized.

Despite Hyejin’s multiple setbacks, she moves forward. It helps that her inimitable best friend, Pyo Mi-seon (Gong Min-jeung), follow her to town. Mi-seon brings comic relief and relentless energy to our dentist’s new life. So through small and careful steps — and with Dusik just watching over her ever so carefully — she settles in and slowly makes amends with Gongjin’s men and women.

And what a community Gongjin is. Homcha masterfully paints a town brimming with life and populated by every character and role we know and relate to. The seaside commune is scenic and vibrant, almost too idyllic even. Its port is bustling and its homes are welcoming. From the mountains, the horizon glistens with every break of dawn. What we know from Dusik and Hyejin, however, is that the surface isn’t all there is to it.

In a telling short montage at the start of Episode 2, we get a glimpse of the townsfolk's quiet sorrows. Hwa-jung (Lee Bong-ryun), the assertive landlady, is a divorcee still hurting about her marriage’s breakdown. The owner of the town’s cafe and pub, Cheon-jae (Jo Han-chul), is a forgotten singer and one-hit wonder struggling with his confidence and purpose. Nam-sook (Cha Chung-hwa), the quirky and chatty owner of the Chinese restaurant, appears to grieve the loss of a child. Even Dusik — who seems faultless — hides a wound. Behind the closed doors of the homes of Gongjin are unspoken aches and regrets.

Home is where the heart is, they say. But often, home is also where the hurts are.

Life wounds can only be remedied by love. Homcha makes no qualms about it. It’s a love story at its core but one that explores love’s healing effects in a place closest to us, a space that has to be the safest for us. Dusik is clearly smitten by the new resident of Gongjin. He sees her in a different light. It’s easy to tell, however, he has some baggage—a suit to be specific. Hyejin carries with her a spirit of grief as well. What of her mother? What of her childhood? How their respective hurts have shaped them and will continue to define their characters will be an interesting exploration by the series. With the first two episodes out, I’m hopeful we become privy to the furnishings of Dusik’s and Hyejin’s “homes”.

Where the first two episodes succeed is not just in juxtaposing the clashing views of urban and rural. Instead, we see more of what is common between the two. Hyejin’s uncharitable remarks over the narrow-minded views of Gongjin’s people are easy to associate with the condescension typical of city dwellers. But one can say the same with the trio of halmeoni who were so quickly appalled by Hyejin’s workout clothes. Judgments, after all, know no place or time. We think of those in the province as being insular and yet we also meet a chief dentist with a small-town outlook, ready to ruin the reputation of another in a similarly tight-knit dentist’s community.

Perhaps we are more the same than different?

What makes Homcha stand out, however, is that it doesn’t try too hard. The characters — and the actors — are unpretentious. As such, we get a light-hearted and heartwarming journey as our main characters and the Gongjin community settle, work, and live. You feel as if you're part of the community, too.

From its warm colors to its penchant for nostalgic songs, Homcha lives up to its title. It evokes that familiar place we grew up in and stirs memories of the spaces and faces that have shaped our persona. Sometimes we choose to stay there—or find ourselves stuck. Sometimes we outgrow it, too, and we move on to greener pastures. But that part of our lives connected to our youth never really disappears. To survive we need to accept and love the parts of our history we are least proud of, right? Once we do, how ready are we to show them to other eyes, to let them be held by other hands?

Round my hometown Ooh the people I've met Are the wonders of my world

PS

If I had a gripe with the show, it’s the fact that Hyejin apparently has no idea how to use the forgot password feature of websites. That's all.

[kyndaris]

A Hero Lies in You

On April Fool’s Day 2019, a video was released showing the latest game in the Yakuza franchise. Many thought it was a prank. The reason why? The sudden change in combat. Gone was the brawler beat-em-up that was associated with the series. In its stead was a turn-based system reminiscent of role-playing games. Characters waiting for their turns before utilising special skills? In a franchise known for its hard gritty storylines about gangs duking it out in the streets of Japan? ‘Haha Ryu Ga Gotoku. You thought you could fool us, but we see right through you. This isn’t our first rodeo and you’re not Square Enix,’ was many a thought when the footage had been viewed by thousands online.

What gamers did not know was that this was no gag. Fast forward several months to August 2019 and it was confirmed that Yakuza 7: Like a Dragon, starring new protagonist Kasuga Ichiban, would actually incorporate turn-based battles. There would even be JOBS! 

As I had just finished playing through Kiryu’s story, as well as Judgment, in 2020 I was eager to see what new protagonist Kasuga Ichiban would bring to the table. From trailers, I could already see how much livelier Ichiban would be in comparison to the more stoic Kiryu. And, in contrast to Yagami, he was definitely more of an idiot. A lovable idiot, to be sure, but an idiot nonetheless.

Yakuza 7: Like a Dragon released in a huge week for video games. While I would have preferred to play it earlier, I had other huge titans to wrestle into submission first. Once I had managed to satiate my Ubisoft open-world needs with Assassin’s Creed: Valhalla, I dived head first onto the streets of Yokohama, ready to bust some heads.

The game opens on a play. For a moment, I thought I had somehow purchased the wrong game. But as the lengthy prologue progressed, it was very clear that this was most definitely a Yakuza game. It just needed to set up a little bit of the tale, starting with Arakawa Masumi - father figure and role-model for our erstwhile hero. It isn’t long before players are introduced to Kasuga Ichiban with his trademark ‘punch perm.’ Born in a soapland and raised by those that lived on the fringes of society, Ichiban, rather than being hardened by his experience, is empathetic and not afraid to show emotion. Tasked with collection, he interprets his orders in a way to benefit those that are struggling. His goofball attitude immediately makes him a character one can connect to. And it doesn’t hurt that he’s a bit of a nerd, having played Dragon Quest during his childhood and likening many of the people around him to things in the game.

It’s not long before the plot escalates and Ichiban volunteers to give himself up to the police. Sentenced to fifteen years in prison, he inadvertently extends his sentence when his Patriarch is insulted by one of the fellow inmates. After nearly two decades spent in prison for a crime that he did not commit, Ichiban is released with little fanfare and no waiting convoy. Disappointed, he takes it in stride. The first thing on his order of business: to get his signature punch perm and reconnect with his second father-figure and Patriarch of the Arakawa family.

Along the way, he is dogged by a former policeman: Adachi. At first, it isn’t made clear why Adachi seeks Ichiban for help. After all, Ichiban had supposedly killed another yakuza in Kamurocho, Tokyo. Adachi, on the other hand, was a detective in Yokohama. Why would he have any interest in uncovering the truth behind what had put Ichiban behind bars?

After a few shenanigans are had in and around Kamurocho, our protagonist is shot and left for dead - waking up in a homeless shelter in the heart of Isezaki Ijincho. Climbing his way from rock bottom, Ichiban embarks on a journey to uncover the truth, stumbling upon a series of events and unearthing a vast conspiracy in which he was to serve as a pawn.

Many of the earlier chapters felt a little contrived. In particular was the death of Nonomiya. While it served to move the narrative forward, it was most assuredly a means to an end that didn’t highlight any significant character growth. Poor Nonomiya was fridged just to bring Ichiban into conflict with the Liumang branch of the Ijin Three.

It was only in the later chapters that the story picked up steam - with the confrontations with Bleach Japan and the encroachment by the Omi Alliance. Joined by a menagerie of characters like Zhao, Saeko, Han Joon-Gi, Nanba and Eri, there was a lot to keep track on as the plot barrelled forward at a breakneck pace, connecting Ichiban’s past with his current present and all the while setting up a juicy conflict between two men that could have been brothers. And honestly, the ending with Arakawa Masato and Ichiban got to me. I loved how that Ichiban was finally able to reach his old charge by being vulnerable and finally letting out a little of his resentment at the life Masato led, despite the fact that he could not use his legs.

The characters were superbly written and their motivations were a good reflection of the human condition. The themes of family and finding a home were evident, right from the start, even though a lot of it was glossed over by Ichiban’s desire to be a hero in a video game.

(I also really liked Seong-hui and would love to see her be an actual playable character in possible future instalments. On a side note, Arakawa...you cannot simply say: ‘See you tomorrow, Ichi,’ and expect to walk away. You basically wrote your own name into the Death Note with that line!)

As far as aping Japanese role-playing games go, however, Yakuza: Like a Dragon falls woefully short. While the Tendo twist was a good one - it was pulled a little too early. Worse, there was no world-ending threat. Everyone knows that a Japanese role-playing game MUST HAVE A VILLAIN/ EVIL GOD FIGURE THAT INTENDS TO DESTROY THE WORLD. Yakuza: Like a Dragon was too focused on old childhood rivalries to extend it further afield. I mean, yes, Aoki Ryo hoped to pull the strings of the Japanese government as chair of the CLP, but WHERE WAS THE METEOR HURTLING TOWARDS EARTH? 

Honestly, 1/10 for holding true to Japanese role-playing games.

Other than that, the summons with Pound Mates was amusing. As were the side stories. Honestly, there can never be enough side stories to flesh out the wacky world of the Yakuza franchise. So many old favourites made their return. From Pocket Fighter (now dubbed Dragon Fighter) and Gondawara Susumu with his baby fetish.

Also, I didn’t think I’d be so obsessed with it, but I think they cracked property management this time round. Ichiban Confections, later known as Ichiban Holdings, was a blast to manage and accrue juicy money for.

The bartender of Survive also looked very familiar. I mean...what with the huge scar across his face. My suspicions were confirmed when I searched up Kashiwagi up on the Yakuza wiki page and was awarded with the fact that HE MANAGED TO SURVIVE THE ASSAULT HELICOPTER FROM YAKUZA 3!!

Other than that, my few other gripes involved the implementation of the levelling system and the way area of effect skills were handled. In particular, the pathing for how characters moved around the battlefield proved, at least to me, a bit of a frustration. Often, characters would be blocked by a knee-high fence or a corner. Sometimes they would be able to go around, but other times the game (after several seconds of watching them fail to walk through a solid building) warp to the enemy that I had targeted to launch their attack.

And even though the combat is turn-based, most of the enemies tend to walk around the battlefield - either clumping together or distancing themselves from each other. What truly annoyed me was when there were moves that could be used as an area of effect, with the MP cost to go along with it, but were limited by their effectiveness when the enemy combatants were too far away. Yes, it makes sense, but golly gosh, how much of a pixel measurement does it have to be for it to not hit?

Besides that, the levelling was also a bit of a tedious chore. Were it not for the invested vagrants, I feel like I might have put the game down with how much grinding there was - particularly when it came to the various jobs. The biggest hill to climb was from 20-30. Without the exp (experience point) boosting items, it would have been a torturous slog. I know that in the original Japanese release of the game, the cap for jobs was level 30, but if you change it to 99, please, for the sanity of all the gamers out there, tweak the requirements to make it easier. And maybe give normal trash mobs a bit more experience points for the playable characters to munch on. 

Goodness, imagine having to grind on level 55 Ornery Yakuza and receiving a paltry 1000xp for each battle (when, in order to level up a job, you needed almost a million).

Yakuza: Like a Dragon is a break from the traditional formula that’s been a staple of the franchise for many years. Much like Ichiban, it’s a bit of fresh air to liven up the experience that might have gone a bit stale after I slogged through the whole Kiryu arc last year. With a few tweaks, and a few more Persona 5 CD soundtracks, I’m eager to see how the story evolves and whatever contrivances Ichiban will somehow force him into.

Although, to be fair, is it still appropriate to call this franchise Yakuza when the game literally saw the dismantling of the two biggest clans? Then again, Civilian: Like a Dragon 2 just doesn’t have the same ring to it. In any case, I hope the next one comes soon and we’ll be able to have Seong-hui in our party. I feel like she’d be wielding a gunblade.

(Did I just use a lyric from Mariah Carey? You bet I did! I had been tossing up the idea between this line and ‘I need a hero.’ Why? Well, I think that would be self-explanatory after knowing Ichiban’s proclivities. And it fits so, so, so well!) 

[littlemisssquiggles]

I love rose garden 😍

I think oscar hasn't dated much at best maybe a girl or to in school or a girl is age is ant set him up with ,so he maybe knows how to date,

I don't think ruby dose,I don't think her date let her date,am after becane fail ,I don't think dating on her mind but I think at some point after,salem gone

Ruby and Oscar will start dating as the show ends I could maybe see them having an on screen kiss in the last volume

Do you think ,rose garden will kiss or date

Sorry if u been ask this be for

You and I share the same sentiments about this wholesome ship between these two budding smaller, more honest souls, anon-chan. Personally I agree with you on thinking that Oscar has probably never dated or been in a romantic relationship before. My assumption is that Oscar has lived a pretty sheltered life with his only source of human contact and companionship being his family back on the Pine Family farm.

Since Oscar stated that he never met huntsmen and huntresses before back in V5, my assumption was that he and his aunt probably lived in the middle of nowhere in Anima where the closest neighbours were probably towns away. Either that or many of their local neighbours moved to the kingdom for the protection of the huntsmen. That being said, my hunch was that Oscar didn’t interact much with kids, especially ones around his age growing up which would explain his social awkwardness when meting RNJR for the first time. At least he’s courteous to adults highlighting a good boi (best boi) who was raised right by his family.

I also liked the thought of Ruby being the first girl Oscar ever truly had a genuine crush leading to those feelings ultimately evolving into love. Looking at Oscar, I more saw him as being one of those types who didn’t really bother much about romance; so much so that I imagined Oscar would be so inexperienced to love that he wouldn’t even realize his own feelings until someone else had to help him make the realization for himself.

I saw Oscar as the type who only allows love to blossom if it’s with someone he trusts wholeheartedly since to him, trust is everything and he’s not one to open his heart to any and every one. But once he does and he’s found the one who has tamed his heart, he will be ever devoted to said person; loving and supporting them unconditionally with every bit of his being.

I pictured Ruby being the same as Oscar. For me, I think outside of admiring them in her favourite childhood fairy-tales and supporting the relationships between her friends in real life, Ruby is quite the little red novice to romance herself. I perceived her as not really being all that interested in romance too since the feeling has never really hit her before. Unlike other characters she might know, the little light of love has never sparked in Ruby before so much like Oscar, she strikes me as being another who probably wouldn’t realize she was in love with someone even if Cupid damn right thwacked her over the head.

That being said, this is what makes the potential of a Rosegarden romance so fascinating to me and why I like it so much. At the end of the day, Ruby and Oscar are just two kids fitted with roles of responsibility beyond their years. They are both often looked to as figures of guidance and wisdom or at least are expected to. All the more reason why I love how the show has highlighted the two showing support for one another since, within our main group of young heroes, they share the most in common (at least in my humble opinion) and can understand each other in ways unique to them; thus making their bond more meaningful than any others they might share.

At this point, I can’t really say whether or not romance is in the cards for the rosebuds. Don’t get me wrong. As I’ve voiced multiple times in the past, this squiggly Rosegardening Pinehead is all for Ruby and Oscar falling in love with each other (particularly if it parallels the Fairy-tale romance that happened between Ozma and Salem a long time ago only with a much happier ending and happily ever after). I’m down for a Rosegarden romance but whether that will be is up to the showrunners. I’m not sure if Ruby and Oscar will “date” but I do like the idea of them sharing an onscreen kiss.

As a matter of fact, once upon a time, long before it was revealed that Oscar will be kidnapped by Salem, I was one of the theorists who kept advocating for it. Therefore I had concocted this scene in my head where Salem gives Atlas an ultimatum to surrender Oscar over to her in exchange for sparing the kingdom from annihilation. And while his comrades were strongly against this, Oscar, on the other hand, had made up his mind that he was willing to trade his own life if it meant the protection of everyone.

I had this scene of Ruby and Oscar professing their true feelings for one another after Ruby desperately tried to convince Oscar not to give himself up to Salem. I had this idea of the Rosegarden first kiss mimicking the first on-screen kiss between Katara and Aang from Avatar: The Last Airbender.

In that series, Aang kissed Katara after expressing his concerns of never returning from confronting Fire Lord Ozai. And as Katara goes in to object, Aang kisses her on the spot as his way of letting Katara know his true feelings for her just in case he never got the chance.

For me, I pictured something like this being done for Oscar with Ruby. With him kissing her as a means of letting her know right then and there how much he loved her; just in case he didn’t return to her in the event that Salem  killed him.

I even had this idea of “I love you” being the very last thing Oscar says tearfully to Ruby before he is taken prisoner  by Salem and she and the others are left to die in the destruction of Atlas Kingdom. Even if we never get a Rosegarden onscreen kiss, I personally would still like the show to confirm Oscar having feelings for Ruby.

The longstanding Pinehead headcanon is that Oscar has a crush on Ruby and has been in love with her since the moment he looked into his silver eyes; paralleling the young man who met the lone Silver Eyed Warrior in the Warrior in the Woods tale from Fairy Tales of Remnant.

That being said, I’m waiting (ever so patiently) to see if the show would…y’know…do something more to make the notion of Oscar being in love with Ruby more official since I feel like they’ve been more or less teasing that since V5. It’s obvious that Oscar cares a lot for Ruby. It’s clear that he admires her and looks to her as a symbol of hope. However at the same time, it is also clear that Oscar acknowledges Ruby’s vulnerability (the side that she rarely likes to show but is evident to certain characters like Oscar and even Maria Calavera and of course, us as the audience) and the huge burden of responsibility placed on her shoulders and does his best to support her when he can in his own way.

But does this mean that Oscar is in love with Ruby? I’d like to think he is but I’m waiting on the canon to confirm since I feel like they’ve building up to it since the very moment Oscar met Ruby. I don’t know whether or not romance is in the cards for the rosebuds but what I can say for sure is that something important has been building between these two kids since V5 and I’d like to think thatV8 is the time to actually prove this or not since Oscar is expected to be taken by Salem at some point.

Not to mention that he’s also supposed to be dead a la Ironwood and I’m still waiting to see if that will be mentioned at any point by Ironwood when RWBN_P go to confront him up in Amity.

But we’ll have to wait to see what happens anon-chan. But whether or not, Rosegarden is carded to be together or not, let me say this, fam. I’ve voiced this point possibly several times in the past but given the nature of this fandom and how certain-certain shippers are behaving these days, this squiggle meister is going to make this firm statement.

Just like you anon-chan, I love Rosegarden too (if it isn’t obvious already XD). As a RWBY ship, they are my OTP and I adore this ship very much for the potential it has. Despite my own personal gripes with the writing of the show, if there is one thing I will give to the CRWBY Writers is that thus far, I’ve enjoyed the progress they have made with the growing bond between Ruby and Oscar. It is thanks to them and the things they have done with these two why I like them so much and humbly look forward to whatever else they have in store for their growing bond.

That being said, while I might love Rosegarden and why I may even wish for the series to pursue a romance with them---at the end of the day, that is NOT my ONLY motive for supporting this pair. It’s not even my main motive.

I don’t love Rosegarden solely because I want the showrunners to make them endgame and should the showrunners not do so, I will hate them forever. That’s NOT it. That’s not how I am as a person. I have always, ALWAYS said that whatever the showrunners do with this pair---whether it becomes a romance or stays purely platonic, I will respect it.

And even now, as we’re entering a new season, I stand by that. Regardless of what the showrunners choose to do with Rosegarden, as a supporter of the pair, I will respect it and it will NOT deter me from giving the pair as much love and support as I’ve always done.

Basically---in a nutshell, if Rosegarden becomes canon, this squiggle meister will support it. But if Rosegarden doesn’t become canon, guess what? This squiggle meister will still love and support it. How about that, huh?

I feel the need to express this now because there honestly seems to be this weird vibe in the FNDM in respect to Rosegarden and its community. It always annoyed me how certain-certain shippers and their respective community would go around the place acting as if their favoured ship was better than others even going so far as to bully other shipping communities because of it. In my opinion, there is no need for that. Just like what you like. Enjoy it however you wish and be respectful enough to allow others to do the same. That’s how I’ve always looked at it and that’s how I move.  

And that’s one thing that made me appreciate the RG community. For the most part, all of us share that same sentiment. We love our ship but we respect other ships and their respective shippers. Probably because some RG shippers are multi-shippers. While I’m not a multi-shipper--- since I more tend to latch onto one favoured ship and stick with it till the end---this is one thing that I liked and respected a lot about the RG community.

…Which is why it honestly disgusts me when I see the things that certain-certain shippers say about us.

What’s even worse is that even when we attempt to defend ourselves, somehow that proves to make things worse than better because then other certain-certain shippers start implying that we’re fighting a war with certain-certain ships when in reality, we’re not fighting anything. We’re just shielding ourselves against the nonsense the other people are sparking.

We didn’t start the fire yet…we’re being held responsible for it by association and even when we try to out the fire, somehow we still get chastised both by the folks who hate us and the ones we hoped would understand. It is honestly a mess and if you’re unware of it then stay oblivious, fam.

For the longest while I have heard stories about the toxicity within the RWBY shipping communities. But back in those earlier times, the toxicity was mainly contained to a few certain-certain ships and their shippers. Now it may seem that the toxicity is starting to spread into the RG community. Not in the form of us becoming toxic ourselves in our own behaviour towards other ships but more in the sense of certain-certain shippers kicking up dirt and trying to start fights with the RG community by making arguments against us whether it be here on Tumblr or Twitter or the dreaded cesspool that is the RWBY Reddit community.

And…sadly to say, I’m seeing some of my fellow Rosegardeners taking the bait and…that honestly needs to stop.

That type of attitude is one of the reasons why I’ve started to slowly back out of the RWBY community. That doesn’t mean that I’m jumping ship. I’m still following the RWBY train---just picture it more as me following it alone from the comfort and sanctity of my own little squiggle mobile gently chugger-chugging down the tracks. This way I can enjoy the show the way how I want to only engaging when I feel like it and more importantly, staying very, very, VERY FAR away from all the chaos that I’ve seen stirring up for seasons.

I still like the show and I’m still very much invested in seeing where it goes, particular with Rosegarden but I’d be lying if I said it wasn’t becoming increasingly difficult for me to just enjoy the things that I genuinely like about RWBY.

Rosegarden and the development of these two smaller, more honest souls (individually and as a pair) are two of the things I still really like about RWBY. However I’m honestly tired of going on the tags and seeing my fellow RG shippers sharing and responding to the discourse surrounding the ship sparked by certain-certain shippers.

I’m tired of seeing all the weak strawman arguments made by said certain-certain shippers against RG and why they believe their ship is superior and more likely to become canon and whatever. Like seriously? WHO CARES!

I’m tired of it all and I genuinely wish my fellow RG shippers would stop answering these types of people. When will you learn that you are fighting a losing battle? It doesn’t matter how many posts you make. How much good evidence you provide from the show or the showrunners. Even if you are in the right, it all doesn’t matter. These types of people don’t care. All that matters for them is stirring up nonsense and throwing hissy fits when they don’t get their way. It is childish behaviour at display and nothing anyone says will stop it. So why even bother to entertain it at all?  

This is not me trying to knock down my fellow Rosegardeners in the RG community or even me throwing shade at others to “start shit”---I’m just…tired!  Tired of seeing that shit, y’know what I mean?

Shipping is supposed to be fun. Happy fun times where you get to gush and nerd out about your favourite pairings, not really because them becoming canon was all that important but just because you like it. What happened to just liking something and having a perfect platform to like it and enjoy it with others who feel the same way about it with you…IN PEACE? No malice. No disrespect. No fighting over which ship is going to be canon endgame (as if the canon means jack-shit in the long-run because look at Zutara, Sheith and Klance for Pete’s sake). I dunno. Overall, I’m just tired of the RWBY shipping community as a whole and it’s becoming tough just to have fun being a Rosegarden shipper anymore. So I think stepping back is a good way to go. 

Sorry if this response went off course anon-chan. It’s just that your question motivated me to express things that’s been on my chest for some time. I hope you don’t mind and hopefully I was able to give you a decent answer in all of this. Feel free to let me know or not.

~LittleMissSquiggles (2020)

[a-duck-with-a-book]

REVIEW // Seven Blades in Black (The Grave of Empires #1) by Sam Sykes

★☆☆☆☆

Disclaimer: while I was reading this book, I found out that Sam Sykes has been accused by numerous women of sexual harassment. You can find more information about it below: - a post listing several accusations of misconduct - twitter post responding to the situation - one of the accusations against Sam Sykes - his quickly-deleted apology Suffice to say, I have no intention of continuing this series or reading any more of his books.

I have a lot to say about this novel, so I’ll begin by making a quick bullet point list outlining what I liked and disliked:

Liked:

Cavric <3

Lisette deserved better

Some interesting concepts in the world building

Disliked:

Sal as a narrator

Sal as an antihero

Sal as a person in general

Writing style

Constant interruptions

Meandering narrative

The “narrator knows something but the writer avoids revealing it until the end for the drama” trope

This is a Big Tough World and Nobody Gets To Be Happy

Lesbians written by a man who harasses women

Unnecessarily long

// image: official cover art Jeremy Wilson //

Let’s begin with the full review by starting with the (few) positives, shall we?

First and foremost, I genuinely enjoyed Cavric and Lisette. It is unfortunate that they had to deal with Sal for the entirety of the novel, but we’ll get to her later. If this book had been a buddy adventure with these two, in which Cavric slowly shows Lisette that she is in a toxic relationships and deserves to move on and find someone better for herself, I probably would have enjoyed it a lot more. Secondly (and finally), Sykes introduced some genuinely interesting world building. The background of the Empire and the Scar was fascinating to read, but unfortunately did not save the rest of this mess.

Alright now let’s rant.

I have 35 notes and 52 highlights from this book, so this might get block quote heavy. (Go check out my notes if you want to see me slowly lose my sanity)

Sal is awful. I know she’s meant to be awful, but she’s not flawed in the way that I think Sykes was trying to write her. I believe she was intended to be a scruffy, lovable antihero who fought her way through a dangerous landscape with her sharp blade and even sharper tongue. A girl who had wrongs committed against her in the past, who did terrible things but is now on the road to an epic redemption arc. She shoots bad guys, she says f*ck and a*s a lot, and she is morally complex. That’s the character that Sykes was trying to make. The one he created, however, is a genuinely terrible person who I had no desire to see come out on top. I have a myriad of issues with her, but let’s outline a couple below: (1) She is incredibly toxic for Lisette. Am I getting a bit too heated about a fictional relationship? Sure. Was I happy to read a toxic lesbian romance written by a man who sexually harasses women? Nope. It kind of grossed me out, actually. Anyway, let me give you a run down of their relationship. Sal arrives. Sal and Lisette sleep together. Sal asks Lisette to give her weapons and or fix things for her. Sal sneaks away, telling herself no good will come of this relationship and they will only cause each other pain. Sal needs something. Sal comes back. Repeat over and over. She constantly says, throughout the book, that it would be better if they just left each other, but then again Sal is the one who goes back to Lisette over and over, causing her renewed heartbreak. I don’t know if Sykes thought that simply making Sal aware of how terrible this behavior was was enough, but it just made me incredibly frustrated. At one point Sal says:

”Intellect like hers is a curse. The more you understand of the world, the less of it you trust.”

Yes, Sal, that’s what’s giving her trust issues. Her intelligence. Nice. By the end of the book, it seems that they are on the mend-I’m getting end-game vibes from these two. But honestly, I spent the entire time thinking that Lisette deserved so much better than Sal. Like literally a chicken would have provided healthier companionship. I’ll end with this quote, in which Lisette outlines perfectly why Sal does not deserve her:

“What am I doing wrong that you’d choose this over me?”

(2) Sal is annoying. Really, really annoying. I kid you not, half of this book is made up of Sal’s snarky comments. She is badass. She has a gun. She is an outlaw. And she will never, EVER shut up about it. Imagine a quirky line after an otherwise dark or action-packed sequence. Funny, right? Might break the tension, make the narrator more endearing, etc. Now imagine one such line after every. Single. Paragraph. Picture a violent battle scene where the protagonist is fighting for their lives against a ruthless opponent. Now insert a snarky comment after every other paragraph and watch the entire flow of the scene fall apart with constant interruptions. That’s what this book is-which brings me to my next point.

The writing isn’t great. There are constant interruptions, meandering narratives, and the trope that haunts me in nearly every dark fantasy novel I read-This is a Big Tough World and Nobody Gets To Be Happy-is shoved repeatedly in your face. Let’s start with the interruptions, returning to my previous point (ie. Sal never shuts up), by looking at this sequence:

I  followed the shrieking wind. I had come here prepared for something bad. But I wasn’t prepared for just how bad it was. I rounded the corner of the hall, came out atop a battlement. The wind struck me with a screaming gale, forcing me to shield my face and cling to the stone for purchase. My eyes squinted against the harshness of the light, the kind of offensive pale you only see in your nightmares. And through them, I could see the bowed shapes of towers sagging, the flayed flesh of banners whipping in a wind that wouldn’t cease, the shadows of figures frozen in a death that had brought no peace. And I knew where I was. There was nothing that had ever made Fort Dogsjaw special. It had never been crucial for defense, never a hub for trade, it hadn’t even been named for anything special—the commander just liked the sound of it. It lived its whole life a regular, boring Imperial fort on the edge of the Husks. It only got important at the time of its death. Over three hundred mages and a few thousand regulars had assembled here in one day—some to receive assignments, some to man the garrison, some to head back to Cathama on leave. They had been laughing, cursing, drinking when the news came that the new Emperor of Cathama was a nul, born with no magic. And then there had been a moment of silence.

I’ve bolded for emphasis, but do you see what I’m talking about? The paragraph-line-paragraph-line format is so annoying to read, I had to put the book down at certain points because of how frustrated I got. It interrupted the forward movement of the story, making the novel drag on and on.

You know what else makes this feel like the nightmare version of the Never-ending Story? The page count. I don’t mind long books-The Priory of the Orange Tree is one of my favorite reads so far this year, and it’s longer than this one-but they have to have a reason for being so hefty. As I mentioned earlier, a considerable chunk of Seven Blades of Black is Sal making her awful, awful, AWFUL asides. I literally cannot express how much I despise those comments. Okay, let’s move on before I get hung up on THOSE STUPID COM-*cough*

This novel is marred by unnecessary lines and a meandering plot that drag out the story. One instance is the amount of times that Sal is a second away from killing someone and, for some reason (usually not a good one), fails in her goal. She places a gun at someone’s head and goes through a whole monologue in her head until the person miraculously escapes. This type of subversion of expectations is fine every once in a while, but if you are going to build up to a crucial moment and then take away the satisfaction of the defeat of some villain (or mini-boss, as many of the antagonists in this book feel like), then you need to have a good reason for doing it upwards of twenty times in ONE BOOK. Secondly, if you spend almost the entire novel setting up more and more villains and stressing how hard they are to kill and how dangerous their powers are (and presenting them separately and isolated), then when you have them all in one place at the end, at which point the protagonists starts going through them like a plate of french fries at a seagull convention, then you’re kind of taking away the satisfaction of the death. Somehow, this book manages to do both. We are constantly teased with almost-kills, then at the end Sal just blows through everyone in five seconds, easy-peasy.

I’m almost done, I swear-just two more gripes.

So much of the tension of this book rests on the fact that Sal, our narrator and our main viewpoint into the story, knows something that we don’t. I’ll be upfront with you-I hate this trope. If our POV character, the one whose mind we are in constantly, is entirely aware of something that happened before the beginning of the novel, and the author keeps from revealing that something for the entirety of the story solely to add drama, then I will not be a happy reader. Where is the logic. We are in this person’s mind. Just show us already and add tension ELSEWHERE.

And FINALLY (as painful as it was for you to read this, it was worse for me to write it), another issue I have with a lot of dark fantasy (see my review of Nevernight) is that the author really, really wants us to know that this is an incredibly dangerous and dark world by filling it to the brim with edge lord narrators, Big Guns, and, usually, women being harrased-because why not force all your female readers to constantly have to read about women getting assaulted? Apart from Sal’s 300,000 comments explaining to us that she is an asshole, that the Scar is Dangerous, and that she has Killed A Lot of People, we as readers must sit through hundreds of lines of dialogue and exposition that beat us over the head with the fact that this is DARK fantasy. This isn’t your nice little fairy adventure-no sir. Here we have Swear Words and Violence and Men writing Queer Women. To emphasize just how blatant Sykes is with the dark part of dark fantasy, let me tell you about an exchange Sal has with three old ladies who run a criminal empire. In the 2-3 pages that these women appear in, we are told, in some form or other, that they are grandmas who kill people, a grand total of, I kid you not, ELEVEN TIMES. Here are some excerpts from that whole situation:

”“Now, now.” Yoc, old and white haired and sweet as a grandmother—if that grandmother also had people killed on the regular—smiled at me. “I’m sure she has a good reason for being here.” She raised the hand that had signed the contracts that had killed a thousand men and women and took up her whiskey glass. “After all, I’m sure she knows how much we don’t like having our game interrupted.”” *I counted this as one since it’s in the same exchange but technically he mentions it TWICE

”…one didn’t waste the Three’s time if one didn’t want to end up with their teeth pried out.”

”How often do you meet the three old ladies who have people killed for money?”

”I said we should kill her on principle.”

”“But you know how many orphans I’ve made, don’t you, dear?””

”“He’s not so unlike us, is he? A murderer, yes. A monster to some. But, at his heart, a businessman.”

”Theirs were the hands that signed a thousand death contracts a year.”

”When they could be bothered to look up from their game, they decided who lived and died with a stroke of their pen.”

”At a word, they could have me stripped, tied, tortured, and cut up…”

”the Three don’t lie. Their assassins do. Their thieves do. But they don’t.”

”I had already wasted their time and I knew the Three were being generous just letting me fuck off instead of having me killed for the effort.”

TL;DR - Sal is annoying, Sykes is a bad writer, and Someone should have stopped me from reading this book

[yue-muffin]

I finished Fire Emblem: Path of Radiance for the first time and wow, am I impressed. Having only played the 3DS era games and started Sacred Stones recently, I came to expect a certain range of quality and reach in terms of story. There are games that I found not overly complex but executed well (Echoes) and ones with a good premise and sloppy execution (Fates). Sacred Stones, so far, is one I find with a simple story done well. I’m not terribly enthralled with it, but there’s nothing there to annoy me either.

Path of Radiance is one of those games that takes the ‘simple/standard FE plot’ path, but the execution is brilliant, filled with both depth and heart despite the story having the same basic beats as many other FEs. I was really impressed with the worldbuilding, the character writing, the gameplay/story integration...

My biggest gripe with Awakening and Fates was that the characters were colorful, but few of them were compelling and many lacked the depth to take them beyond their archetypes. Path of Radiance did a good job making me feel that its characters all had a stake in the outcome of the battles, that they had an actual cause to fight for and didn’t just join the army just because. There is always a bit of contrivance in an FE game, but the quality of the writing can lessen or emphasize that feeling.

The gameplay mechanics change from game to game, and I find it really fun to test out the unique features of each installment and see how they influenced each other. the shoving animations are amazing

People also say this is one of the easiest FE games and I have to say, the bonus exp mechanic is probably why. I love this mechanic because of the way it allows the game to reward the player for taking certain actions encouraged by the story (like wanting to spare as many of the enemy as possible = we’ll give you bonus exp if you do). I, uh, am never doing a stealth run of the prison break chapter again though.

I went ultra vanilla and restricted myself to using only the Greil Mercenaries for this run, and I’ll leave my impressions on this post because half the fun of a FE game is building up your team.

I went with the Greil Mercenaries (+ Mia, because she joins them for the second game) for my first playthrough because otherwise I would have no reason to use both Rolf AND Shinon at the same time and Rhys would just warm the bench the whole game lol. And I was really curious to see Rolf and Shinon’s support line and actually have a use for all of those light magic tomes.

Ike: My Ike didn’t get screwed over in any stat, so absolutely no complaints other than the fact that he refused to proc Aether more than once in the Black Knight fight, making Nasir bail him out at the end of the allotted turns. I supported him with Soren because I wanted to see their support line, and have to say that it worked out really well. I was between Soren and Oscar, but it worked better this way because Oscar was always riding off with Titania at the front and Ike just lags behind unless you dedicate several units + Reyson to shoving him to the frontline. And when you’re using Mist, Rolf, and Soren, that really cuts into the units available for shoving.

Oscar: He, uh, ended up the MVP and netted the most kills in the run. Oscar can become an amazing paladin, but mine was so screwed in the strength stat for much of the early game that I had to abuse the bexp mechanic at the base to ensure he didn’t keep lagging behind. His defenses were super good by the end, and the little damage he did take was mitigated by activating Sol every other hit. Also, I have a bias for calvary units, so. Oscar. Loved him.

Titania: I...I love Titania. I love her character. She plays her role perfectly as the super strong unit who is there to support you in the beginning and falls off a little towards the end. She can still hold her own in the endgame, however, and I have no regrets for relying on her early on. There is so much experience to be had in normal mode that she doesn’t really rob anyone else of it unless you go ham and let her destroy everything. In the end, I gave her Savior so she can help deliver chip damage and save Shinon’s ass, I mean, rescue drop people.

Boyd: Super frustrating and nerve wracking to train, super hard hitter who still keeps you on your toes by the end. He is the most lopsided unit I have ever used (comparatively low defenses, speed, and skill compared to his attack and HP) but he was definitely fun and made sure I didn’t get too complacent. I don’t normally use fighters/axe units in the modern games because their accuracy is shit, their defenses are even more shit, and why bother with the headache. Once you can forge Boyd a good iron axe, though, his performance becomes more consistent. I did keep Tempest on him for a while, because I find it fun to use the skills a unit comes with, but I took it off eventually. It does help in certain situations when his hit rate isn’t so good (having the biorhythm doubled then is helpful).

Soren: I have a bias for this little asshole, lol. He’s a standard mage, basically. Kind of annoying to train in the beginning because he can barely take a hit, his movement is low, and MAGIC MAKES THE EMULATOR CRASH SOMETIMES, but if you can stick it out, you’ll be rewarded in the end with a unit that doesn’t care about how physically bulky any enemy is and can take down dragons with ease (plus, he heals A LOT because of his high magic stat even with a basic heal staff). I will admit, he’s a walking liability if Ike isn’t his support partner and magic in this game is slightly annoying because each element has its own weapon rank. He basically ate all of my Arms Scrolls because he has FOUR ranks to build (including the staff rank) and all of them have their uses, so I didn’t have him concentrate in one or the other. Although he gets weighed down by a lot of tomes because he is a twig, mine capped speed and didn’t have a problem doubling the dragons in the endgame with Thoron.

Rhys: One of the reasons I did a Greil Mercenaries run haha. He’s not a bad healer. It’s just that there’s benefit to training Mist as your main healer for that one fight later on, and having a team with THREE HEALERS is overkill (unless for whatever reason you made one of your mages use knives...). The problem is that while Soren can take a hit and Mist can run away, Rhys can do neither. His magic stat is very good though, and he was objectively better than my Mist by the end except that he wasn’t on a horse. He was really useful for the endgame since I gave him the Purge tome. Finally, he didn’t have to risk his neck to actually fight. I lowkey love his character though. 

Mist: She is so cute, but mine was so screwed in the stats department. If not for bexp, it would have been a nightmare to train her and Rhys at the same time. I early promoted both of them, but getting her to level 10 was hard. Mine ended up getting magic on so few level ups, that I gave her two spirit dusts by the endgame and it was still amazingly low. Her strength stat was 13. 13!! I love the horse, though. Makes her a lot easier to use once promoted. She has no shoving capabilities, though, whereas Rhys (frail, sickly man he is) can shove like half the army. Go figure.

Mia: I love Mia. She can have my heart and run with it. In newer games I tend not to use mercenaries/swordmasters because their movement is kind of eh, their dodge-tank capabilities are not that impressive, and I don’t like relying on crits too much, but Mia was such an awesome addition to the team. It can be a bit difficult to train her in the beginning given her low defense, HP, and strength, but once she gets going, she wrecks things like nobody’s business. Would have liked to do some Wrath combos with her, but mine had Vantage and Adept and that worked just fine with a Killing Edge or a forged sword of some sort. The only issue is her super low strength cap (22?? really??) but the reliability of her crits and/or skill procs make up for that if you can get her past the early game.

Rolf: ROLF. Literally only viable because of bexp. I actually really love how they wrote his character, but what were they thinking by making him join so late, with such low bases AND his strength growth isn’t even that good (40%, less than Oscar’s). All else could be forgiven if his strength growth was at least 50% like his speed. If you can’t actually do damage, there’s no point. Once you pour exp into him like nobody’s business, he can actually be a good unit. I do really like using him, and mine got enough defense and resistance that he wasn’t a liability, but he definitely needs investment. On the other hand, his hit rates were so good that Gamble actually worked well on him.

Shinon: The racist asshole whose only redeeming quality is his relationship with Rolf. I loved their support chain, and actually I do like how the game put him on our team (after giving you a hard time recruiting him) because of how it brings an element of realism makes these characters more human, but yikes he’s potentially worse than Rolf to train because of how long he’s gone for. If you put aside the need for even more bexp to use him, he’s a pretty good crit unit. And he can surprisingly take a hit once trained. I left Provoke on him and BOY he nearly got himself killed in the endgame, but it is pretty nice to draw aggro in order to get some enemies closer for the foot-locked units to kill.

Gatrie: I miss tanks. Newer games make them so much less fun to use because they don’t tank very well (I’m looking at you, Fates...). Gatrie can’t get places fast and only laguz can shove him, but it was fun having someone who can take a million hits and soften enemies up for the others to take care of. He can’t really one round anything because he can’t double and leaves them with a few hit points left (except if he procs Luna) but he’s a worth while addition to the team. Takes a bit of bexp though, since he often doesn’t get as many kills as the rest.

Reyson: Not a Greil Mercenary, but like I was going to pass up a dancer singer who can refresh FOUR units. It was a pain in the behind to get the Knight Ring, but he does make really good use of it. He can also use the Full Guard ring so he can enter certain areas without being murdered by ballistas. I love his bird form, and the fact that frail heron man can SHOVE people who the tiny people in my army can’t (Mist, Rolf, Soren, I’m looking at you). no but really, Reyson’s character is actually really good too, I like him. 

It was, uh, interesting getting through some of these chapters without a flier. Absolutely not necessary to have one, and if it was a chapter where I kind of needed someone, I just used Tanith or Janaff (the Naesala chapter was the only one that was annoying without a trained flier).

I genuinely had no idea who to stick skills on, haha. This was an interesting system where you really had to think about who to give a skill since they’re like old TMs in Pokemon...one use only. I like to have some limitations in the skill system though, unlike Awakening and Fates where it’s a free for all. I just like the more limited set of options.

[ronnytherandom]

Media n Stuff

2/1/2021: American Psycho

Excellent, truly. Has a lot to say about those on the top of our social hierarchy, the wealthy and influential and how our modern system facilitates them at the expense of everyone else. A very stylish film, well edited and directed. Rests upon a truly magnificent performance in the case of Christian Bale’s Patrick Bateman, who does a fantastic job of playing something pretending to be human. Soundtrack is a bop.

3/1/2021: Se7en

All right, not my kind of thing ultimately. There are some thoughts about legacy and what doing good means here but I feel its slightly obscure and could be more clearly stated; perhaps I wasn’t paying close enough attention. Directing is top notch. The acting also is good but nothing truly incredible. The suspense is very effective but on occasion can be defeated by pacing, excess time creating boredom. Further it was partially predictable, which harmed the effectiveness of the piece. Though the point of the state of the victims is to inspire disgust this especially did not fit the remit of entertainment for me.

4/1/2021: The Martian

Highly Enjoyable. As usual, weaker than the novel but not to a Golden Compass level. Any work that bends heaven and earth to save a single life is good in my books. Retains the wit and the scientific backbone to good effect to offset the bleakness. Likewise, the back-and-forth structure between Mars and other locations helps to make the survival scenario less overbearing. Star-studded cast, and I think rightfully so here as the performances are generally very good. Matt Damon as Mark Watney has many moments of excellence. Mars is beautiful and I’m glad Ridley Scott captured that well, on top of doing a job that lives up to his reputation.

5/1/2021: Dredd

Good. Though I worry about the implications of a “Not All Cops Bad” message, it could be interpreted elsewise and is decidedly sympathetic to civilians which works in its favour. There is the aspect of portraying Police and Criminals as two sides of the same coin, with Dredd and Anderson existing outside of said dichotomy to some degree, but ultimately implying that the existing system just needs the right people in it without severe reform, though again that’s up for debate. Otherwise, good spectacle and very nice presentation; the film can be beautiful at times and when it isn’t it has excellent action. Something I appreciate is a clear view of the action, rather than the choppy action of modern superhero films, and an unflinching approach to the depiction of gore even if I was flinching at times. Though I’m unfamiliar with the original work I find this an interesting dystopia, even if Dredd himself can be a little cliché. Performances haven’t left much of an impression though.

6/1/2021: The Wolf of Wall Street

Meh? It’s well made don’t get me wrong, everything looks and feels high quality. Of course, Scorsese is a good director. Of course, DiCaprio’s acting is fantastic, as is the rest of the acting to be frank, but it just doesn’t come together for me. I don’t feel like there was a compelling reason to sit through that for three whole hours. I can see meaning in the depiction of excess; of Belfort’s alienation, losing everything that should be dear to him; of the animal nature of people who just want to make money. I can appreciate the powerful performances and the craftwork on display. I just didn’t enjoy it.

7/1/2021: Enola Holmes

Enjoyable. Has a more juvenile tone than I like, that’s to be expected from a coming-of-age story, but it certainly does a far better job with the gifted sister idea than the BBC Sherlock series did. At times this film was truly joyous and inspiring and I would attribute that to a cast of endearing characters and a strong thematic core which is carried throughout the story. However, from a more radical perspective I cannot endorse a seeming admonishment of direct action, as much as I appreciate the idea that getting new blood in politics is a progressive step forward. Performances are good, Millie Bobby Brown does well in the lead, though I am not so keen on her 4th wall asides, and I always appreciate the sight of Henry Cavill. Also, proud to see Burn Gorman portray the most accurate Normal Englishman I’ve ever seen. I also wanted to make note of what id consider good editing, felt very snappy and effective.

8/1/2021: Shaun of the Dead

Very good, but maybe doesn’t quite live up to its reputation. Very put off by the use of F and N slurs even if the prior is in context with English slang at the time. Id say this is the lesser of the Cornetto trilogy films but with such competition it’d be hard to come out on top. Quite dry humour, I don’t think all the jokes land, but there are a few true laugh out loud moments. Similarly, it works emotionally only some of the time but at moments, especially in Philips last words, there’s some genuine power. I do feel like the pace lulls slightly too much at moments but is generally very good and saves itself for a fun final sprint. The Zombies themselves are true to Romero’s style of zombie and though the satire is light in comparison to character-zombie parallels it is still effective. Performances are good, and serve well in demonstrating the range of Simon Pegg and Nick Frost in comparison with the later Cornetto films and Bill Nighy is always a treat. I only ever have praise for Edgar Wright as a fan of all his later works, so I’m glad to see even his first feature demonstrates his ability well, stylish young man is our Edgar.

8/1/2021: Avatar: Legend of Korra: Series 1

Not by any stretch a worthy successor but good by its own merit. Has powerful emotional moments and excellent action, I cannot get enough of any kind of bending in this universe. Some characters are likeable; Korra is a good lead, Tenzin is my personal favourite and I want to hug Naga. Bolin, however, can get shafted. his particular brand of comic relief inspires in me an absolute hatred I cannot fully fathom. I have many little gripes though. I find the love “square” (?) plot annoying and do not understand what purpose it serves. Just be honest with each other goddamn! In universe I wonder at the limits of metal bending, but the police are content simply to launch cables with it. Why are the Chi Fighters such an obstacle in the first half and yet become cannon fodder by the end? I also feel like a lot of the “powerful moments” I feel are dependent on nostalgia for The Last Airbender, such as any moment where the original theme is played, or when General Iroh appears etc. This is particularly egregious with the feature of cabbage corp. Really? It is frustrating to me that Korra spends the entire series past the second episode tell-not-showing us she can’t airbend before having it essentially gifted to her, similarly with the avatar state. As much as she does endure hardship, I feel like the series would be improved even slightly if Korra’s bending is taken away completely and she uses the avatar state to rescue Mako from Amon, when she is actually at her definitive low point. I find with most episodes there are moments which I’m absolutely invested in and really enjoying but then a gripe or two will pop up and marginally ruin the experience for me. But again, these are minor and as much as I fuss over these details the ultimate product is enjoyable and watchable. The setting is certainly interesting but (probably by design) New Republic City clashes too harshly with the magic system, and I think it harms the series. The animators and artists however should be lauded, as the spectacle here is magnificent.

9/1/2021: Ex Machina

Magnificent piece of work. This is what I imagine is actual good cinematography, rather than the usual “pretty stills equals good cinematography” take. Every frame a painting indeed, aided in that way by fantastically beautiful set work. Each actor deserves applause but I feel especially Alicia Vikander. As Ava she does brilliant work and at times uses an alien affectation which is an impressive highlight of attention to detail here. The director knows exactly what they’re doing, the whole thing has a kind of spotless professionalism. Special Effects are minimalist but used so very well, especially the work of making Ava and the other AI look so real. I love that this is a film which doesn’t stoop to explaining every little thing and treats the audience as an equal, and how the tension is reflected in all aspects of the piece and builds to such a mighty crescendo, though I was quite put off by the self-harm scene and would rather that were not a thing. Not only all of that but its deeply meaningful with a lot to say about our own minds (I don’t think Nathan passes Turing test) with a decidedly feminist angle too. It really is a treat.

10/1/2021: Sourcery (unfinished)

Even as a fan of early Pratchett, this ain’t it chief. I don’t like it. The jokes don’t land, the only character I like is The Librarian and the whole thing just kind of bores me, so I’ve stopped somewhere just past halfway as I can’t be fussed for the rest. I don’t care about Coin, or the wizards, or Rincewind, even the Luggage has lost that pariah charisma it usually has. Conina feels weird? I feel like there this constant unnecessary sexualisation of her and Rincewind’s affections seem more than mildly inappropriate. I’ve been reading it a week and I’ve barely been able to drag myself to it these past couple of days so I feel its time for something a little fresher.

10/1/2021: The Two Popes

Very good. There is excellence in all aspects of this films craft. Johnathan Pryce gives an endearing performance; Anthony Hopkins is likewise very good as you’d expect. I think this is a film to listen to through a good sound system, the sound work struck me as exceptional in its attention to detail while the soundtrack is good fun. Direction is dynamic and effective most evidently in the camera work which tends to feel Just Right. Dialogue is very well written and feels very organic. I enjoy the themes of change and reconciliation and feel contrasting the character of the two popes expresses this very effectively, however I would much rather see evidence of genuine change that surely must’ve occurred rather than a simple implication of change as we see. There is the argument to be made that fully reconciling the old and the new without altering material reality, beyond giving speeches encouraging others to do so, represents the will to change being co-opted and perverted by the conservative establishment. But its still a nice sentiment and a well made film regardless.