#even when they're fighting

[timelessphoenix]

devi and ben's first kiss is one of my favorite on-screen kisses ever. i cannot stop thinking it cuz it made me feel things my lil ace ass doesn't normally feel when watching kissing in tv and movies. i don't have a rank of faves, but this one is up there. devi and paxton's first kiss? also brilliant, BUT. something about the benvi kiss Hit Different. chef's kiss.

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[fortheloveofexy]

it's a pet peeve of mine when ppl frame Andrew as hating Aaron and being needlessly cruel to him... bc while yes, their relationship is fractured and strained, Andrew genuinely cares about his brother and wants the best for him, he just doesn't know how to show that in a normal way.

like he might not know how to express it in a healthy manner but Andrew LOVES Aaron, like he truly just wants Aaron to be healthy and safe. It's like, his whole Thing. Aaron is one of the most important people in his life. Andrew wants him around. He'd do anything to protect him.

I guarantee Andrew wants to be emotionally close to Aaron too, he just doesn't have the tools to do that and the thought of letting someone in terrifies him. He also has no concept of what a healthy sibling relationship looks like, so he has no frame of reference to work from.

[rin-hanarin]

Not Zack's synergy ability with Cloud being called "Together as one" dude.

[deafening-radio-silence]

I think that Dr. Christina "I was an excellent soldier" Raynor needs to deal with some personal things before she's anyone's therapist, because she strong-armed more of Bucky's autonomy away from him than Zemo did within the series.

[dovalore]

since i already drew little ghost a while back but no other characters from hk as little guys you can use as signature/blog/page decoration, i made 3 others and a new ghost as well

bonus under cut

wadiance!

[scintillyyy]

can you really talk about tim's tendency to idolize and place dick on a pedestal and his semi-entitlement to understanding dick without also talking about dick's tendency to project his own feelings and insecurities onto tim and also his semi-entitlement to his right to try and micromanage how tim should feel and react about things. i, personally, cannot.

[a-dauntless-daffodil]

Something about how Fire & Ice give up on going after Pearl directly, and instead both arrow in on dissing Marina-

Something about, Pearl having no shame at all, outright telling Frye right off that Off the Hook is here to “take control” and then literally talking over Frye’s turn. Frye’s snarking on how Pearl isn’t the boss here and no one’s cheering for her, ignored. How she goes after both Frye and Shiver asking where Frye’s big friend is to help her pass this test, moving right on to saying they’re both just goons making a mess anyway, little fish who should stay in they're bowl, but

that seems to give Frye the idea of hitting back with the “who’s backing you? Imaginary friends?” line… like Marina doesn’t even count as a music partner- or a friend?

Pearl literally yaps about Marina being divine, one of a kind, voice so fine, big mind- raps the lines off her cuff and the heart that's proudly pinned there

And Frye and Shiver go TARGET DETECTED. They lock onto Marina.

Shiver doesn’t bother trying to needle Marina about Pearl, the way their partners were each doing- if Pearl has no shame then at least she DOES still have a weakness, a soft spot, a thing she openly cares about- something they can try riling her up over

(problem: Pearl actually has all the confidence in Marina as a musician, partner, and performer. She's WATCHED Marina be all those things for YEARS now)

In the end Frye and Shiver just rile up the gay feels. Because Marina’s been living with a rapper who LOVES hyping her up even when they’re not on stage- Pearl who said she’d cut a fish for Marina. And if you don’t come to Inkopolis with a lot of self confidence, well then getting some from your girlfriend is fine too  

But it’s cute that Pearl’s still so obvious about being Marina's no. 1 fan that Fire & Ice thought they could use it against her XD

[120percents]

i just think it’s so funny that zoro does not even wanna comment on the usokaya situation when usopp explicitly asks and he very pointedly looks away when they kiss and yet he proceeds to butt in every single time sanji flirts with a woman or implies he knows about romance to redirect attention back on himself like god i wonder where your interests lie…

[faeriekit]

Health and Hybrids (XIX)👽👻💚

[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]

PART ONE is here PART TWO is here PART THREE is here PART FOUR is here and PART FIVE is here PART SIX is here and PART SEVEN is here PART EIGHT is here PART NINE is here PART TEN is here PART ELEVEN is here PART TWELVE is here PART THIRTEEN is here PART FOURTEEN is here PART FIFTEEN is here PART SIXTEEN is here PART SEVENTEEN is here PART EIGHTEEN is here...nineteen...oy vey.

💚 Ao3 Is here for all parts (now featuring mediocre mouseover translations, only available on a computer)

Where we last left off... THE BART RETURNS! The earth rejoices! 🥳🎉 Physical therapy can be fun, even if it usually isn't!

Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my nonexistent attempts at following DC canon. On with the show.

💚👻👽👻💚

Danny learns a few more words with practice.

Foda is simple. If Danny is hungry, he can ask for foda. It sounds exactly like food, and when he asks, they feed him.

…Or they up his IV. Which. Danny’s tongue might still feel sore and nasty, but the doctors and nurses and millions of minders don’t seem that mad when he sticks his tongue out at them. Sometimes they even laugh.

They don’t even sound all that mean.

It takes Danny a good chunk of waking time for him to realize that he…probably is hooked up to something he doesn’t want to think about, since all the efforts of lifting and moving him haven’t resulted in a single bathroom trip since he woke up here.

Firstly: horrible.

Secondly: his legs are super, absolutely, positively immobilized, and if someone doesn’t give him enough medication quickly enough after it wears off, Danny is very aware that something is deeply wrong with them.

So. Uh. That’s…gross.

He learns bealo just as quickly. He isn’t sure what bealo means, per se, but when he says it, they up his medication until Danny can pretend he doesn’t have any legs again.

God niht is goodnight, unless Danny is feeling snippy, and then it’s just niht.

…The one lady who minds him always says the whole thing, though. Even when Danny’s mean. Like the one time he threw his rocket at someone.

Or the time he started ignoring everyone when they tried to touch him.

…Or the one time he tried to freeze his IV bag, and put everyone on alert because if he’d been human, that would have seriously hurt him.

“Sorry,” Danny’d whispered, even if it wouldn’t mean anything to her.

She’d patted his hand and meant it. Danny’d had to dry his eyes with his wrist. “Eall es wel.”

Anyway.

Danny hates being in the freaking bed every hour of every day. So when his “sitting up” exercises turn into “hey, let’s try the wheelchair” practice, Danny gets so excited-slash-nervous that he kind of feels like he’s going to throw up all the liquids he’s been injected with.

None of the regular people try to lift him. Instead the lady does it herself, scooping Danny up in very strong arms, the golden cuffs on her wrists weirdly warm on Danny’s skin. When Danny’s settled, his legs sticking out real weird and his back kind of sore, he’s…out of bed.

He’s. He’s not in bed anymore.

And. Sure. It’s temporary, but it’s not the bed. Danny can wriggle, and he can sort of palm the wheels underneath him with the heels of his shaky hands, and he can see so much more of himself than he has in ages and ages.

For one. Both of his legs are in casts. That’s. Not good. He can’t feel it right now, but the sight of fully encased legs…

Well. If he can transform that won’t be a problem. If. If he has to escape. But it is…it’s super scary. He mostly remembers being captured, but the…the other people had been focusing more on his thoracic cavity and his face and head.

…So why are his legs so bad? Did something else happen?

(It did, didn’t it?)

(…Didn’t it??)

His hands shake, but there’s something to all that grip training, or else Danny wouldn’t be able to paw at his neckline to look down his own shirt. Or, well, his cloth nightie, anyway.

It’s good that he looks, since, well…his chest is glowing a solid green.

Whatever should probably be scar tissue. Uh. It…isn’t. There’re gouges down his chest and a crater where his heart should be that probably should be healing over, considering, you know, he’s not freaking dead at this exact second (mostly??), but. Instead of, like, healed flesh, or, say, his insides, there’s a transparent green…jelly… holding him together.

He can see how the green bounces with his heart beat.

...Danny drops the neckline of his gown. His breath comes in choking bursts, eyes pressed into his eye sockets—he feels sick.

He is sick. He has been sick.

The humans are keeping him here because he’s a freak of nature and he’s broken from head to toe and the Guys in White carved his flesh out of his body and opened him up like a can of cranberry sauce.

He presses his hands to his chest, to his stomach, just trying to breathe for long enough that he doesn’t throw up his oatmeal and occasional juice and IV nutrition onto the pristine floor of his sickroom. The people around him all make sympathetic noises that don’t help because he doesn’t know what they mean.

And then he feels something weird.

Not all the sensation in his fingers are back. It’s easier for him to feel impediments than it is to feel textures—something that blocks him from moving, rather than anything sensory-specific. He can usually tell when he touches fabric, because when he moves too far, it pulls tight around his hand. He can tell when he’s on something solid when his hand fails to go through it.

There is something solid sticking out of him.

Danny’s heartbeat quickens. It’s not. It’s. There’s something in him.

And it’s not—it’s so solid. When Danny brushes his hands against it, he can feel his skin and his flesh move with it, trying not to dislodge the thing embedded in him. It pulls at his skin. He doesn’t know what it is.

His fingers tremble as he tries to brush over the object through his gown, trying to figure out its shape from faulty touch alone. It’s like waking up to find himself jammed with needles all over again.

People are talking around them. Danny doesn’t try to listen in. He’s scared. He’s so scared. Something’s happened to him, and he didn’t even notice.

Some of it is—hard. There’s a crinkling sound when he moves. Danny manages to pull his gown neckline back again to catch something of a glimpse, and all he sees is plastic.

He doesn’t know what it is.

He doesn’t know who to ask. He can’t understand anyone and he doesn’t know if he trusts them.

They put something in him. There’s something embedded in him.

He thinks he’s going to cry.

Something touches his arm—Danny flinches. His core tightens with stress as he puts a metaphorical hand on the button, ready to run and hide at any notice.

It’s the lady. He knows her.

No, he doesn’t. He doesn’t know her at all. He can’t talk to her in any way that matters. She’s not a doctor. He doesn’t know why she’s here, or why she’s keeping him here.

She’s nice. She fed him. But is that all it takes to trick him? To make him compliant? Pliable?

She stops touching him when he gets scared, her eyes worried. She kneels—closer than Danny would like, probably, but she keeps her hands to herself. Danny’s heart races faster, out of order, starting and stopping and starting again like a bad engine.

“Eow eart wel?” she asks from his left arm rest, a common question, so softly. Danny doesn’t know what it means. “Eall es wel. Ænlic eow, ænlic me. Bruce bræð wið me?”

She takes a big, deep, breath. Her hand rises slightly over her chest, following an exaggerated movement. Don’t panic. Breathe. Breathe like me. One, two, three.

Danny’s breaths are more choked. More panicked.

But when she breathes, he breathes with her—even with every stutter in between.

“Hwæt es woh[O3] ?” the lady asks, so gently it’s almost a whisper. Her pointer finger hovers over his body, but doesn’t touch—and eventually, Danny figures out she probably wants to know where he’s hurting.

But he’s not hurting. He’s scared. There’s something inside him, and he isn’t sure what it is. He presses the heel of his hand to the object. He feels something rigid refuse to bend inside his flesh.

There’s something of recognition in the woman’s face. “Inne cwic tima,” she says, more certain of answers outside the room, and darts away,

Danny wants to bounce his bound leg. He feels awful when anyone is in the room with him, considering how little of them he knows, but, somehow, it’s so much worse when he’s actually alone.

When she comes back, there’s a second person who walks through the double doors with her, in blue scrubs with ducks on them. They wave to Danny.

Danny…blinks. He feels numb. It’s kind of a problem.

They take it in stride, though; in their hands is a blank board and a chunky marker. The cap comes off, the new person scribbles for a minute or so, and then turns the board around so that Danny can see.

It’s a…person. A rudimentary outline person, sure, with some visible bones and organs to fill in the person-shaped outline. Danny can recognize most of them from anatomy class, although those memories are more…personal, now. A little more painful.

The person taps on the board. The person points to Danny.

Danny frowns.

The person turns the board back around and makes some Pew, Pew, Pew! sounds with their mouth, occasionally opening and closing their hand over the board to match the noise. There’s some more scribbling. When the board turns back around, there’s a violent smudge of marker on top of the drawn person’s drawn intestines.

The person takes their covered pinky finger and erases a little neat circle of marker in the intestines, mostly favoring one side. They draw a little arrow from the hole to the general outside-of-the-person blank area. Then another circle, with a thicker circle inside.

Danny recognizes the object jutting out of him. Oh. This is how he got it.

The person—probably a doctor, Danny guesses, or the surgeon who did this to him—do these people even need credentials, actually?—hands the board over to the lady. They hold out ten outstretched fingers, marker under their arm, and make a show of counting every one of the outstretched fingers with the opposite hand. Then they take the board back.

And then, when they write on the board, Danny can actually understand what they say.

Or, well, it’s numbers! The numbers are the same as his—the line and a circle is clearly meant to be a ten, and the little x is a multiplication symbol— they draw a 10, as clearly and a brightly as it could be against a stark white board, and add a little x 7, probably to indicate a week; the result is ten suns times seven, or seventy suns.

Danny feels his heart bounce in his chest. Danny would bet a whole lot of money that the number is meant to be seventy days. There is an end point. It’s not that Danny is free to be subjected to random anatomical whims—there’s a goal here. This was purposeful.

The little circle-within a circle gets erased. The hole is scribbled through as if it was never there, and the person makes a weaving gesture with the marker that Danny is certain is meant to be sewing.

Tears prick at his eyes. The lady gets close by him again, but Danny lets her. His hands aren’t good enough for wiping tears the way he wants to, yet. Help and company are good.

She gives him a tissue from Danny's bedside table. He takes it with a whisper of a grip.

“Seventy?” Danny rasps, tearful. Hopeful. Terrified of hope. He practically jams the tissue into his eye sockets.

The lady’s eyes go wide. “Seventy,” she repeats, marveling.

It’s enough. Nothing is perfect, but it’s enough. And if Danny's allowed to spend so long in front of the space window that he falls asleep in his wheelchair, well. It's not like he was in charge of where they went.

[iwasbored777]

The worst thing Miguel and Jessica did to Gwen wasn't even threatening to send her home if she ever visits Miles, it's forcing her to choose their side during the chase scene and make Miles never want to see her again and once the chase scene ended they kicked her out. That's the kind of evil that the Spot was trying so hard to become.

Edit: just in case you forgot - they knew that prison and dead dad were waiting for her when they send her back home

[bloodfreak-boyking]

just make out already

[extra-somethin-somethin]

If nothing else Koenma is a Kuwabara stan and I'm right there with him o7 (I need to write the kuwameshi fic that goes with this fr)

[chleb-uwu]

Resistance hero and his trophy immortal husband,

but I just call this AU 'Ouch, The Immortality Problem'

[procrastinationaccount]

Every part of HtN is the best part to reread With Context. But that moment at the very beginning of the book when she almost gets smothered, Gideon's "Good. Good." when she gets her attacker off of her has me curling into a ball on the floor. It just feels weighty to me. She's so fucking worried about her and she's not even trying to to mask it anymore.

[russenoire]

that scene in season 1 where teruki hanazawa exorcises ekubo mid-sentence... and shigeo's eyes widen in shock?

i really want to talk about it, specifically the explosion meter accompanying it.

normally, when the teenager's emotions aren't obvious to the audience, that meter relays to us a sense of what he is actually feeling. but we cannot trust the meter here. we see it jump up a few points at teru's 'psycho wave' sending the sleazy ghost to the shadow realms, and remain steady at 50% upon shigeo's recollections of the spirit's unsavory nature. the boy outright tells teru that he isn't bothered. and it's funny!

but shigeo isn't being honest with himself here either.

his face briefly gives his feelings away before resettling into its normal flat affect. (to be fair, what he's really feeling isn't teru's business. this kid is trying to provoke a fight out of him, after all.) after he's basically tortured into exploding, shigeo spends three hours in the pouring rain, searching everywhere for ekubo.

three. hours.

these are not the actions of someone who isn't bothered. letting himself get drenched to the point of sickness,

even though he literally holds the power to shield himself from it,

reads to me like unconscious self-punishment for allowing all this to happen.

after a large chunk of his short life spent denying and fearing them for good reason, shigeo's first impulse is often not to use his psychic powers -- even after his integration at the story's end. i wish this was discussed more, because many watchers cannot fathom why this boy with world-breaking psychic abilities would ever refuse to use them.

also: the explosion meter lying to us / representing shigeo's detachment from his own emotions alexithymia may occur elsewhere in the series as well, especially when he's not close to an explosion; i'm reminded of the tiny dent ritsu's provocation of him makes in it a few episodes later.